Jump to content

Aoi Matsuri: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous edit
Content deleted Content added
VisualWikitext
No edit summary
 
(40 intermediate revisions by 25 users not shown)
Line 1: Line 1:
{{Short description|Traditional Japanese Festival in Kyoto}}
{{semi-protected}}
{{Italic title|reason=[[:Category:Japanese words and phrases]]}}
==Summary==
[[File:Aoi_Matsuri.jpg|thumb|right|The Aoi Matsuri (Festival) in Kyoto, departing from Kyoto's Imperial Gardens]]
[[File:Aoi_Matsuri.jpg|thumb|right|The ''Aoi Matsuri'' procession, departing in front of [[Kyoto Imperial Palace]]'s main gate ''Kenreimon'' (建礼門)]]
[[File:Aoix2.jpg|thumb|right|Man carrying a hollyhock float]]
[[File:Aoix2.jpg|thumb|right|Man carrying a hollyhock [[Matsuri Float|float]]]]


The {{nihongo|'''Aoi Matsuri'''|葵祭}}, or "[[Hollyhock]] Festival," is one of the three main annual [[Japanese festivals|festivals]] held in [[Kyoto]], [[Japan]], the other two being [[Jidai Matsuri|the Festival of the Ages]] (Jidai Matsuri) and the [[Gion Matsuri|Gion Festival]]. It is a festival of the two Kamo shrines in the north of the city, [[Shimogamo Shrine]] and [[Kamigamo Shrine]]. The festival may also be referred to as the '''Kamo Festival'''. It is held on 15 May of each year.
The {{nihongo|'''''Aoi Matsuri'''''|葵祭}}, or "[[Hollyhock]] Festival", (although commonly, but mistakenly identified as "hollyhock", the "aoi" actually belongs to the birthwort family and translates as "[[Asarum|wild ginger]]"—Asarum) is one of the three main annual [[Japanese festivals|festivals]] held in [[Kyoto]], [[Japan]], the other two being [[Jidai Matsuri|the Festival of the Ages]] (Jidai Matsuri) and the [[Gion Matsuri|Gion Festival]]. It is a festival of the two Kamo shrines in the north of the city, [[Shimogamo Shrine]] and [[Kamigamo Shrine]]. The festival may also be referred to as the '''Kamo Festival'''. It is held on 15 May of each year.


==History==
==History==
[[File:Saio dai Roto-nogi 20160515.JPG|thumb|left|Saio Dai leaving Kyoto Emperor's palace]]
[[File:Saio dai Roto-nogi 20160515.JPG|thumb|left|The ''Saiō-Dai'' carried in her [[palanquin]]]]
According to the ancient historical record known as the ''[[Nihon Shoki]]'', the festival originated during the reign of [[Emperor Kinmei]] (reigned CE 539 - 571). The ancient records known as the ''Honchō getsurei'' (本朝月令) and ''Nenchūgyōji hissho'' (年中行事秘抄) reveal that a succession of disastrous rains with high winds ruined the grain crops, and epidemics had spread through the country. Because diviners placed the cause on divine punishment by the Kamo deities, the Emperor sent his messenger with a retinue to the shrine to conduct various acts to appease the deities, in prayer for a bountiful harvest. These included riding a galloping horse.<ref name="kaiyu.omiki.com">http://kaiyu.omiki.com/mioya/mioya.html</ref>
According to the ancient, presumed historical and regarded as accurate with some fantastic embellishments, record ''[[Nihon Shoki]]'', the festival originated during the reign of [[Emperor Kinmei]] (reigned CE 539 - 571). The ancient records known as the ''Honchō getsurei'' ([[:jp:本朝月令|本朝月令]]) and ''Nenchūgyōji hissho'' (年中行事秘抄) reveal that a succession of disastrous rains with high winds ruined the grain crops, and epidemics had spread through the country. Because diviners placed the cause on divine punishment by the [[Kamo Shrine|Kamo deities]], the Emperor sent his messenger with a retinue to the shrine to conduct various acts to appease the deities, in prayer for a bountiful harvest. These included riding a galloping horse.<ref name="kaiyu.omiki.com">{{Cite web|url=http://kaiyu.omiki.com/mioya/mioya.html|title=Mioya|website=kaiyu.omiki.com}}</ref>


This became an annual ritual, and the galloping horse performance developed into an [[Yabusame|equestrian archery]] performance. According to the historical record known as the ''[[Zoku Nihongi]]'' (続日本記）, so many people had come to view this equestrian performance on the festival day in the 2nd year of the reign of [[Emperor Monmu]] (r. 697–707) that the event was banned.<ref name="kaiyu.omiki.com" />
This became an annual ritual, and the galloping horse performance developed into an [[Yabusame|equestrian archery]] performance. According to the historical record known as the ''[[Shoku Nihongi]]'' (続日本記, so many people had come to view this equestrian performance on the festival day in the 2nd year of the reign of [[Emperor Monmu]] (r. 697–707) that the event was banned.<ref name="kaiyu.omiki.com" />


In the ninth century, [[Emperor Kanmu]] established the seat of the [[Chrysanthemum Throne|imperial throne]] in Kyoto. This represented the beginning of the [[Heian period]] in Japanese history. Emperor Kanmu recognized the deities of the Kamo shrines as protectors of the Heian capital, and established the Aoi Matsuri as an annual imperial event.<ref name=aoi>Aoi, 2007</ref>
In the ninth century, [[Emperor Kanmu]] established the seat of the [[Chrysanthemum Throne|imperial throne]] in Kyoto. This represented the beginning of the [[Heian period]] in Japanese history. Emperor Kanmu recognized the [[kami|deities]] of the Kamo shrines as protectors of the Heian capital, and established the Aoi Matsuri as an annual imperial event.<ref name=aoi>Aoi, 2007</ref>


The festival saw its peak of grandeur in the middle of the Heian Period, but this waned in the [[Kamakura period]] and the following [[Muromachi period]], and as the nation entered the [[Sengoku period]], the festival procession was discontinued. In the [[Genroku]] era (1688–1704) of the [[Edo period]], it was revived, but in the 2nd year of the [[Meiji period]] (1869), when the capital was moved from Kyoto to [[Tokyo]], observance of the festival procession stopped. In Meiji-17 (1885), it was again revived as part of a government plan to enliven Kyoto. All but the rituals at the shrine fronts were discontinued from 1944, due to [[World War II]]. At last, the festival procession started to be held again from 1953. The Saiō-Dai festival princess tradition was initiated in 1956.<ref>[http://kyoto-np.co.jp/kp/koto/aoi/arekore/kigen.html Kyoto Shimbun web page about the Aoi Festival (Japanese)] {{webarchive |url=https://web.archive.org/web/20090417063352/http://kyoto-np.co.jp/kp/koto/aoi/arekore/kigen.html |date=April 17, 2009 }}</ref>
The festival saw its peak of grandeur in the middle of the Heian period, but this waned in the [[Kamakura period]] and the following [[Muromachi period]], and as the nation entered the [[Sengoku period]], the festival procession was discontinued. In the [[Genroku]] era (1688–1704) of the [[Edo period]], it was revived, but in the 2nd year of the [[Meiji period]] (1869), when the capital was moved from Kyoto to [[Tokyo]], observance of the festival procession stopped. In Meiji-17 (1885), it was again revived as part of a government plan to enliven Kyoto. All but the rituals at the shrine fronts were discontinued from 1944, due to the [[Pacific War]]. At last, the festival procession started to be held again from 1953. The ''Saiō-Dai'' festival princess tradition was initiated in 1956.<ref>{{Cite web|url=http://kyoto-np.co.jp/kp/koto/aoi/arekore/kigen.html|archiveurl=https://web.archive.org/web/20090417063352/http://kyoto-np.co.jp/kp/koto/aoi/arekore/kigen.html|url-status=dead|title=Kyoto Shimbun web page about the Aoi Festival (Japanese)|archive-date=April 17, 2009}}</ref> The ''[[Saiō]]'' (斎王) was an unmarried female member of the Japanese imperial house.


The festival is named after the [[hollyhock]] (''aoi'') leaves used as decoration throughout the celebration as well as offerings to the gods.<ref name=":0">{{Cite book|title=Japanese festivals|last=Bauer, Helen.|date=1974|publisher=Charles E. Tuttle|others=Carlquist, Sherwin John, 1930-|isbn=4-8053-0358-1|location=Tokyo|oclc=2165841|url-access=registration|url=https://archive.org/details/japanesefestival00hele}}</ref> During the Heian Period, these leaves were once believed to protect against natural disasters such as earthquakes and thunder, and were often hung under the roofs of homes for protection.<ref name=":2">{{Cite book|title=Japanese festivals|last=Haga, Hideo, 1921-|date=1986|publisher=Hoikusha|isbn=4-586-54013-3|edition=12th|location=Osaka, Japan|oclc=18304911}}</ref> The plants used in the Aoi Matsuri may not be hollyhock, but possibly [[Asarum|wild ginger]]. Although due to the rarity of these plants, other plants with similarly shaped leaves have been used in the festival instead, such as the leaves of the [[katsura tree]].<ref name=":0" />
The festival has been called Aoi festival for the [[hollyhock]] leaves used as decoration throughout the celebration. These leaves were once believed to protect against natural disasters.<ref name=frang>Frang, 2002</ref>


==Festival events==
==Festival events==
[[File:Saio Dai and Women parade 2015.JPG|thumb|Saiō-Dai and women parade]]
[[File:Saio Dai and Women parade 2015.JPG|thumb|The ''Saiō-Dai'' and her retinue]]
There are several events that take place during the month but the most important event is on 15 May.
⚫
There are two parts to Aoi Matsuri: the procession and the shrine rites.<ref name=frang/> The procession is led by the Imperial Messenger. Following the imperial messenger are: two oxcarts, four cows, thirty-six horses, and six hundred people,<ref name=frang/> all of which are dressed in traditional Heian period apparel decorated with aoi leaves.<ref name=frang/> The procession starts at 10:30 on May 15 and leaves the [[Kyoto Imperial Palace]] and slowly works its way towards the Shimogamo shrine and finally the Kamigamo shrine.<ref name=shively>Shively, 1999</ref> When they finally arrive at both shrines, the Saiō-Dai and Imperial Messenger perform their rituals. The Saiō-Dai simply pays her respects to the deities and the Imperial Messenger intones the imperial rescript praising the deities and requesting their continued favor.<ref name=shively/>


⚫
There are two parts to Aoi Matsuri: the procession (''rotō-no-gi'')<ref name=":1">{{Cite book|title=Festivals of Japan : illustrated.|date=1985|publisher=Japan Travel Bureau|others=Nihon Kōtsū Kōsha.|isbn=4-533-00489-X|edition=1st|location=[Tokyo]|oclc=15628782}}</ref> and the shrine rites.<ref name="frang">Frang, 2002</ref> The procession is led by the Imperial Messenger. Following the imperial messenger are: two oxcarts, four cows, thirty-six horses, and six hundred people.<ref name=frang/> The six hundred people are all wearing traditional dress of Heian nobles (''ōmiyabito''),<ref name=":1" /> while the oxcart (''gissha'') is adorned with artificial [[wisteria]] flowers.<ref name=":0" /> The procession starts at 10:30 on May 15 and leaves the [[Kyoto Imperial Palace]] in front of the main gate ''Kenreimon'' (建礼門) and slowly works its way towards the [[Shimogamo Shrine]] and finally the [[Kamigamo Shrine]].<ref name=shively>Shively, 1999</ref> When they finally arrive at both shrines, the ''Saiō-Dai'' and Imperial Messenger perform their rituals. The ''Saiō-Dai'' simply pays her respects to the deities and the Imperial Messenger intones the imperial rescript praising the deities and requesting their continued favor.<ref name=shively/>
⚫
There are two main figures in the Aoi Matsuri: the Saiō-Dai and the Imperial Messenger.<ref name=aoi/> The Saiō-Dai is a woman who is chosen from the sisters and daughters of the Emperor to dedicate herself to the Shimogamo shrine. The role of Saiō-Dai was to maintain ritual purity and to represent the Emperor at the festival. Now, the role of the Saiō-Dai is played by an unmarried woman in Kyoto.<ref name=aoi/> She is dressed in the traditional style of the Heian court. Traditional Heian court dress for women would be wearing several layers of exquisitely colored silk robes.<ref>Layered, 1995</ref> The Saiō-Dai wears twelve layers of the traditional style robes ([[jūnihitoe]]).<ref>(Shimogamo, 2009)</ref> To maintain ritual purity, the Saiō-Dai goes through several ceremonies of purification before the procession of the festival. The Imperial Messenger leads the festival procession on horseback.<ref name=aoi/> During the Heian period he would be a Fifth-Rank courtier holding the office of middle or lesser captain and was usually a man destined for high office.<ref name=shively/> His role was to read the imperial rescript of the shrines and present the emperor’s offerings.<ref name=shively/> During the Heian period, the Saiō-Dai and the Imperial messenger would be accompanied by ten dancers and twelve musicians.<ref name=shively/>


There are two main figures in the ''Aoi Matsuri'': the ''Saiō-Dai'' and the Imperial Messenger.<ref name=aoi/> Historically the ''Saiō-Dai'' was a woman of the imperial house who was chosen from the sisters and daughters of the emperor to dedicate herself to the Shimogamo shrine. The role of ''Saiō-Dai'' was to maintain ritual purity and to represent the emperor at the festival. Nowadays, the role of the ''Saiō-Dai'' is a [[stand-in]] by an unmarried woman in Kyoto.<ref name=aoi/> She has to have the three attributes of wisdom, grace, and social standing. The selection process is strict and the news is announced in the press. It is the highest honour a woman can receive in Kyoto.
⚫
Also featured at the ''Kamo no matsuri'' are horse races (''kurabe-uma''),<ref>[http://eos.kokugakuin.ac.jp/modules/xwords/entry.php?entryID=1015 ''"Kurabe-uma,"''] ''Encyclopedia of Shinto; n.b., this link incorporates streaming video of a horse race at [[Kamo Shrine]].</ref> and demonstrations of [[mounted archery]] ([[yabusame]]).<ref>[http://kaiwai.city.kyoto.jp/raku/backnum/may07_e/buttone3.html ''"Aoi matsuri,"''] Kyoto City Tourism and Culture Information System.</ref>
⚫
The ''Saiō-Dai'' is dressed in the traditional style of the Heian court. Traditional Heian court dress for women would be wearing several layers of exquisitely colored silk robes.<ref>Layered, 1995</ref> The ''Saiō-Dai'' wears twelve layers of the traditional style robes ([[jūnihitoe]]).<ref>(Shimogamo, 2009)</ref> To maintain [[misogi|ritual purity]], the ''Saiō-Dai'' goes through several ceremonies of purification before the procession of the festival. The Imperial Messenger leads the festival procession on horseback.<ref name=aoi/> During the Heian period he would be a Fifth-Rank courtier holding the office of middle or lesser captain and was usually a man destined for high office.<ref name=shively/> His role was to read the imperial rescript of the shrines and present the emperor’s offerings.<ref name=shively/> During the Heian period, the ''Saiō-Dai'' and the Imperial messenger would be accompanied by ten dancers and twelve musicians.<ref name=shively/> Also present during the procession are guards (''kebiishii),'' government officials, civic officials, military retainers, and a delegate from [[Yamashiro Province|Yamashiro]] (''Yamashiro-no-Tsukai)''.<ref name=":2" />

⚫
Also featured at the Aoi Matsuri are horse races (''kurabe-uma''),<ref>[http://eos.kokugakuin.ac.jp/modules/xwords/entry.php?entryID=1015 ''"Kurabe-uma,"''] ''Encyclopedia of Shinto; n.b., this link incorporates streaming video of a horse race at [[Kamo Shrine]].</ref> and demonstrations of [[mounted archery]] ([[yabusame]]).<ref>[http://kaiwai.city.kyoto.jp/raku/backnum/may07_e/buttone3.html ''"Aoi matsuri,"''] {{Webarchive|url=https://web.archive.org/web/20090604012219/http://kaiwai.city.kyoto.jp/raku/backnum/may07_e/buttone3.html |date=2009-06-04 }} Kyoto City Tourism and Culture Information System.</ref>

Many things in Kyoto are named after the Aoi.

== See also ==
* ''[[Saiō Matsuri]]'' in Ise, which is the traditional procession of the ''Saiō'' to Ise Shrine


==References==
==References==
Line 33: Line 41:


==Works cited==
==Works cited==
⚫
{{Commons category|Aoi Matsuri}}
* [http://www.city.kyoto.jp/koho/eng/festivals/aoi.html Aoi Matsuri (2004). Retrieved from website on 20 Jan 2009]
* [http://www.city.kyoto.jp/koho/eng/festivals/aoi.html Aoi Matsuri (2004). Retrieved from website on 20 Jan 2009]
* [http://www.jnto.go.jp/eng/indepth/history/traditionalevents/a24_fes_aoi.html Aoi Matsuri. (2009). Retrieved from website on 20 Jan 2009]
* [https://web.archive.org/web/20110621061944/http://www.jnto.go.jp/eng/indepth/history/traditionalevents/a24_fes_aoi.html Aoi Matsuri. (2009). Retrieved from website on 20 Jan 2009]
* [http://www.kyotoguide.com/ver2/thismonth/aoimatsuri.html Aoi Matsuri Festival. (2007). Retrieved from website on 20 Jan 2009]
* [https://web.archive.org/web/20090504063200/http://www.kyotoguide.com/ver2/thismonth/aoimatsuri.html Aoi Matsuri Festival. (2007). Retrieved from website on 20 Jan 2009]
* [http://www.asiarooms.com/travel-guide/japan/kyoto/kyoto-festivals-&-events/aoi-matsuri-(hollyhock-festival).html Aoi Matsuri (Hollyhock Festival). (2009). Retrieved from website on 20 January 2009]
* [https://web.archive.org/web/20090531073520/http://www.asiarooms.com/travel-guide/japan/kyoto/kyoto-festivals-%26-events/aoi-matsuri-%28hollyhock-festival%29.html Aoi Matsuri (Hollyhock Festival). (2009). Retrieved from website on 20 January 2009]
* Frang, M. (2002). Rites of Heritage. ''World & I.'' V.17(5): 176. Retrieved from MAS Ultra – School Edition database on 21 January 2009.
* Frang, M. (2002). Rites of Heritage. ''World & I.'' V.17(5): 176. Retrieved from MAS Ultra – School Edition database on 21 January 2009.
* Layered Look, The. (1995) ''Civilization''. Mar/Apr. V.2(2): 22. Retrieved from Academic Search Premiere database on 20 January 2009.
* Layered Look, The. (1995) ''Civilization''. Mar/Apr. V.2(2): 22. Retrieved from Academic Search Premiere database on 20 January 2009.
* [http://www.shimogamo-jinja.or.jp/pg217.html Shimogamo Jinja. (2009). Retrieved from website on 21 Jan 2009]
* [https://web.archive.org/web/20100701173957/http://www.shimogamo-jinja.or.jp/pg217.html Shimogamo Jinja. (2009). Retrieved from website on 21 Jan 2009]
* [https://books.google.com/books?id=eiTWWfoyuyAC&pg=RA1-PA181&lpg=RA1-PA181&dq=kamo+festival&source=web&ots=POjptOibHT&sig=d4PF72Jzd7EusHIHzD7sjTM-5XI&hl=en&sa=X&oi=book_result&resnum=6&ct=result#PRA1-PA182,M1 Shively, D., Hall, J., McCullough, W. (1999). The Cambridge History of Japan. Retrieved from Google Book Search on 20 Jan 2009]
* [https://books.google.com/books?id=eiTWWfoyuyAC&dq=kamo+festival&pg=RA1-PA181 Shively, D., Hall, J., McCullough, W. (1999). The Cambridge History of Japan. Retrieved from Google Book Search on 20 Jan 2009]


{{Authority control}}
⚫
{{commons category|Aoi Matsuri}}


{{coord missing|Kyoto Prefecture}}
{{Coord missing|Kyoto Prefecture}}


[[Category:Festivals in Kyoto Prefecture]]
[[Category:Festivals in Kyoto]]
[[Category:Religious festivals in Japan]]
[[Category:Religious festivals in Japan]]
[[Category:Tourist attractions in Kyoto]]
[[Category:Tourist attractions in Kyoto]]
Line 52: Line 61:
[[Category:1885 festivals]]
[[Category:1885 festivals]]
[[Category:1953 festivals]]
[[Category:1953 festivals]]
[[Category:Festivals established in 539]]
[[Category:6th-century establishments in Japan]]
[[Category:Flower festivals in Japan]]
[[Category:Flower festivals in Japan]]
[[Category:Parades in Japan]]
[[Category:Parades in Japan]]

Latest revision as of 11:57, 7 August 2024

The Aoi Matsuri procession, departing in front of Kyoto Imperial Palace's main gate Kenreimon (建礼門)
Man carrying a hollyhock float

The Aoi Matsuri (葵祭), or "Hollyhock Festival", (although commonly, but mistakenly identified as "hollyhock", the "aoi" actually belongs to the birthwort family and translates as "wild ginger"—Asarum) is one of the three main annual festivals held in Kyoto, Japan, the other two being the Festival of the Ages (Jidai Matsuri) and the Gion Festival. It is a festival of the two Kamo shrines in the north of the city, Shimogamo Shrine and Kamigamo Shrine. The festival may also be referred to as the Kamo Festival. It is held on 15 May of each year.

History

[edit]
The Saiō-Dai carried in her palanquin

According to the ancient, presumed historical and regarded as accurate with some fantastic embellishments, record Nihon Shoki, the festival originated during the reign of Emperor Kinmei (reigned CE 539 - 571). The ancient records known as the Honchō getsurei (本朝月令) and Nenchūgyōji hissho (年中行事秘抄) reveal that a succession of disastrous rains with high winds ruined the grain crops, and epidemics had spread through the country. Because diviners placed the cause on divine punishment by the Kamo deities, the Emperor sent his messenger with a retinue to the shrine to conduct various acts to appease the deities, in prayer for a bountiful harvest. These included riding a galloping horse.[1]

This became an annual ritual, and the galloping horse performance developed into an equestrian archery performance. According to the historical record known as the Shoku Nihongi (続日本記, so many people had come to view this equestrian performance on the festival day in the 2nd year of the reign of Emperor Monmu (r. 697–707) that the event was banned.[1]

In the ninth century, Emperor Kanmu established the seat of the imperial throne in Kyoto. This represented the beginning of the Heian period in Japanese history. Emperor Kanmu recognized the deities of the Kamo shrines as protectors of the Heian capital, and established the Aoi Matsuri as an annual imperial event.[2]

The festival saw its peak of grandeur in the middle of the Heian period, but this waned in the Kamakura period and the following Muromachi period, and as the nation entered the Sengoku period, the festival procession was discontinued. In the Genroku era (1688–1704) of the Edo period, it was revived, but in the 2nd year of the Meiji period (1869), when the capital was moved from Kyoto to Tokyo, observance of the festival procession stopped. In Meiji-17 (1885), it was again revived as part of a government plan to enliven Kyoto. All but the rituals at the shrine fronts were discontinued from 1944, due to the Pacific War. At last, the festival procession started to be held again from 1953. The Saiō-Dai festival princess tradition was initiated in 1956.[3] The Saiō (斎王) was an unmarried female member of the Japanese imperial house.

The festival is named after the hollyhock (aoi) leaves used as decoration throughout the celebration as well as offerings to the gods.[4] During the Heian Period, these leaves were once believed to protect against natural disasters such as earthquakes and thunder, and were often hung under the roofs of homes for protection.[5] The plants used in the Aoi Matsuri may not be hollyhock, but possibly wild ginger. Although due to the rarity of these plants, other plants with similarly shaped leaves have been used in the festival instead, such as the leaves of the katsura tree.[4]

Festival events

[edit]
The Saiō-Dai and her retinue

There are several events that take place during the month but the most important event is on 15 May.

There are two parts to Aoi Matsuri: the procession (rotō-no-gi)[6] and the shrine rites.[7] The procession is led by the Imperial Messenger. Following the imperial messenger are: two oxcarts, four cows, thirty-six horses, and six hundred people.[7] The six hundred people are all wearing traditional dress of Heian nobles (ōmiyabito),[6] while the oxcart (gissha) is adorned with artificial wisteria flowers.[4] The procession starts at 10:30 on May 15 and leaves the Kyoto Imperial Palace in front of the main gate Kenreimon (建礼門) and slowly works its way towards the Shimogamo Shrine and finally the Kamigamo Shrine.[8] When they finally arrive at both shrines, the Saiō-Dai and Imperial Messenger perform their rituals. The Saiō-Dai simply pays her respects to the deities and the Imperial Messenger intones the imperial rescript praising the deities and requesting their continued favor.[8]

There are two main figures in the Aoi Matsuri: the Saiō-Dai and the Imperial Messenger.[2] Historically the Saiō-Dai was a woman of the imperial house who was chosen from the sisters and daughters of the emperor to dedicate herself to the Shimogamo shrine. The role of Saiō-Dai was to maintain ritual purity and to represent the emperor at the festival. Nowadays, the role of the Saiō-Dai is a stand-in by an unmarried woman in Kyoto.[2] She has to have the three attributes of wisdom, grace, and social standing. The selection process is strict and the news is announced in the press. It is the highest honour a woman can receive in Kyoto. The Saiō-Dai is dressed in the traditional style of the Heian court. Traditional Heian court dress for women would be wearing several layers of exquisitely colored silk robes.[9] The Saiō-Dai wears twelve layers of the traditional style robes (jūnihitoe).[10] To maintain ritual purity, the Saiō-Dai goes through several ceremonies of purification before the procession of the festival. The Imperial Messenger leads the festival procession on horseback.[2] During the Heian period he would be a Fifth-Rank courtier holding the office of middle or lesser captain and was usually a man destined for high office.[8] His role was to read the imperial rescript of the shrines and present the emperor’s offerings.[8] During the Heian period, the Saiō-Dai and the Imperial messenger would be accompanied by ten dancers and twelve musicians.[8] Also present during the procession are guards (kebiishii), government officials, civic officials, military retainers, and a delegate from Yamashiro (Yamashiro-no-Tsukai).[5]

Also featured at the Aoi Matsuri are horse races (kurabe-uma),[11] and demonstrations of mounted archery (yabusame).[12]

Many things in Kyoto are named after the Aoi.

See also

[edit]
  • Saiō Matsuri in Ise, which is the traditional procession of the Saiō to Ise Shrine

References

[edit]
  1. ^ a b "Mioya". kaiyu.omiki.com.
  2. ^ a b c d Aoi, 2007
  3. ^ "Kyoto Shimbun web page about the Aoi Festival (Japanese)". Archived from the original on April 17, 2009.
  4. ^ a b c Bauer, Helen. (1974). Japanese festivals. Carlquist, Sherwin John, 1930-. Tokyo: Charles E. Tuttle. ISBN 4-8053-0358-1. OCLC 2165841.
  5. ^ a b Haga, Hideo, 1921- (1986). Japanese festivals (12th ed.). Osaka, Japan: Hoikusha. ISBN 4-586-54013-3. OCLC 18304911.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  6. ^ a b Festivals of Japan : illustrated. Nihon Kōtsū Kōsha. (1st ed.). [Tokyo]: Japan Travel Bureau. 1985. ISBN 4-533-00489-X. OCLC 15628782.{{cite book}}: CS1 maint: others (link)
  7. ^ a b Frang, 2002
  8. ^ a b c d e Shively, 1999
  9. ^ Layered, 1995
  10. ^ (Shimogamo, 2009)
  11. ^ "Kurabe-uma," Encyclopedia of Shinto; n.b., this link incorporates streaming video of a horse race at Kamo Shrine.
  12. ^ "Aoi matsuri," Archived 2009-06-04 at the Wayback Machine Kyoto City Tourism and Culture Information System.
[edit]

Works cited

[edit]
Wikimedia Commons has media related to Aoi Matsuri.

Retrieved from "https://en.wikipedia.org/enwiki/w/index.php?title=Aoi_Matsuri&oldid=1239111143"