Mother to Son: Difference between revisions
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{{Short description|1922 poem by Langston Hughes}} |
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{{Infobox poem |
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| author = [[Langston Hughes]] |
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| publication_date = {{date and age|1922}} |
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| publisher = ''[[The Crisis]]'' |
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"'''Mother to Son'''" is a 1922 poem by American writer and activist [[Langston Hughes]]. The poem follows a mother speaking to her son about her life, which she says "ain't been no crystal stair". She first describes the struggles she has faced and then urges him to continue moving forward. It was referenced by [[Martin Luther King Jr.]] several times in his speeches during the [[civil rights movement]], and has been analyzed by several critics, notably for its style and representation of the mother. |
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== Background == |
== Background == |
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[[File:Langston_Hughes_Lincoln_University_1928.jpg|thumb|Hughes at university in 1928]] |
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"Mother to Son" was first published in 1922 in ''[[The Crisis]]'' |
[[Langston Hughes]] was a prominent figure in the [[Harlem Renaissance]] – the African-American cultural revival that spanned the 1920s and 1930s – and he wrote poetry that focused on the Black experience in America.<ref>{{Cite web|date=2021-02-09|title=Langston Hughes|url=https://www.poetryfoundation.org/poets/langston-hughes|archive-url=|archive-date=|access-date=2021-02-10|website=[[Poetry Foundation]]|language=en}}</ref> His poem "Mother to Son" was first published in 1922 in ''[[The Crisis]]'' (official magazine of the [[National Association for the Advancement of Colored People]]),<ref>{{Cite book|last=Hughes|first=Langston|url=https://books.google.com/books?id=J_nNM6TiNkgC&dq=%22mother+to+son%22+%221922%22&pg=PA621|title=The Collected Poems of Langston Hughes|date=2020-12-31|publisher=Knopf Doubleday Publishing Group|isbn=978-0-307-94938-7|pages=621|language=en}}</ref> and in 1926 it was included in his first poetry collection, ''[[The Weary Blues]]''.<ref name=":0">{{Cite book|last=Miller|first=R. Baxter|title=Afro-American Writers From the Harlem Renaissance to 1940|publisher=[[Gale]]|year=1987|editor-last=M. Davis|editor-first=Thadious|chapter=Langston Hughes|editor-last2=Harris-Lopez|editor-first2=Trudier}}</ref> |
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== Text == |
== Text == |
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Don’t you set down on the steps |
Don’t you set down on the steps |
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’Cause you finds it’s kinder hard. |
’Cause you finds it’s kinder hard. |
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Don’t you fall now— |
Don’t you fall now— |
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For I’se still goin’, honey, |
For I’se still goin’, honey, |
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I’se still climbin’, |
I’se still climbin’, |
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== Reception and analysis == |
== Reception and analysis == |
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The poem |
Hughes's poems "Mother to Son", "[[The Negro Speaks of Rivers]]", and "[[Harlem (poem)|Harlem]]" were described in the ''Encyclopedia of African-American Writing'' as "anthems of black America".<ref>Hughes, (James Mercer) Langston 2/1/1902--5/22/1967. (2018). In S. D. Hatch (Ed.), ''Encyclopedia of African-American writing: five centuries of contribution : trials & triumphs of writers, poets, publications and organizations'' (3rd ed.). Grey House Publishing. </ref> The linguist [[John Rickford]] considers Hughes's use of [[African-American Vernacular English]] to be representative of "a convention of dialect writing rather than an accurate depiction of African-American speech".<ref>{{Cite journal|last=Jones|first=Meta DuEwa|date=2002-11-15|title=Listening to What the Ear Demands: Langston Hughes and His Critics|url=https://muse.jhu.edu/article/6851|journal=Callaloo|language=en|volume=25|issue=4|pages=1145–1175|doi=10.1353/cal.2002.0154|s2cid=162264330|issn=1080-6512}}</ref> |
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=== Mother === |
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| ⚫ | The mother who is delivering the poem to her young son has been described as an "[[allegorical]] persona" |
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"Mother to Son" is the first of several of Hughes's poems that present strong women. The mother in the poem uses a metaphor of a staircase to convey "the hardships of Black life" while also her progress and perseverance.<ref name=":2">{{Cite book|last=Miller|first=R. Baxter|url=https://www.jstor.org/stable/j.ctt130hvcw|title=The Art and Imagination of Langston Hughes|date=2006|publisher=University Press of Kentucky|jstor=j.ctt130hvcw|isbn=978-0-8131-1662-4}}</ref>{{Rp|35}} As the woman is climbing the stairs, she becomes almost comparable to a religious figure ascending into the heavens, yet remains simply human.<ref name=":2" />{{Rp|36}} Her climb is also comparable to a [[quest]], according to R. Baxter Miller. Miller concludes that "Her internal light illuminates the outer world."<ref name=":2" />{{Rp|37}} |
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| ⚫ | The mother who is delivering the poem to her young son has been described as an "[[allegorical]] persona",<ref name=":1">{{Cite journal|last=Skansgaard|first=Michael|date=2020-03-01|title=The Virtuosity of Langston Hughes: Persona, Rhetoric, and Iconography in The Weary Blues|url=https://read.dukeupress.edu/modern-language-quarterly/article/81/1/65/152222/The-Virtuosity-of-Langston-Hughes-Persona-Rhetoric|journal=Modern Language Quarterly|language=en|volume=81|issue=1|pages=65–94|doi=10.1215/00267929-7933089|s2cid=216381169|issn=0026-7929}}</ref> who could represent numerous African-American mothers urging their children forward.<ref name=":4">{{Cite book|last1=Tidwell|first1=John Edgar|url=https://books.google.com/books?id=kVw_gJup9ckC|title=Montage of a Dream: The Art and Life of Langston Hughes|last2=Ragar|first2=Cheryl R.|date=2007|publisher=University of Missouri Press|isbn=978-0-8262-6596-8|language=en}}</ref>{{Rp|106}} The professor R. Baxter Miller considers "Mother to Son" to illustrate "how dialect can be used with dignity."<ref name=":0" /> The scholars Regennia N. Williams and Carmaletta M. Williams consider "Mother to Son" to most closely represent Hughes's relationship with his grandmother, Mary Leary Langston.<ref name=":4" />{{Rp|106}} |
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=== Structure === |
=== Structure === |
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The poem utilizes strong elements of [[Parallelism (grammar)|parallelism]] throughout. It is written in a [[accentual-syllabic verse]], with two lines of [[Iambic pentameter]] (line 2: "Life for me ain’t been no crystal stair." and line 6: "And places with no carpet on the floor—"). In the first six lines, the words "stair" and "floor" are [[Slant rhyme|slant rhymes]], meaning that they have similar sounds but are not 'perfect' rhymes. The following line, line seven ("Bare"), is a perfect rhyme with "stair" and the only line in the whole poem that is [[monosyllabic]]. One critic notes that "it seems as though the mother’s spartan accommodation, hardscrabble life, and unadorned language all converge on the word ''bare''."<ref name=":1" /> |
The poem utilizes strong elements of [[Parallelism (grammar)|parallelism]] throughout. It is written in a [[accentual-syllabic verse]], with two lines of [[Iambic pentameter]] (line 2: "Life for me ain’t been no crystal stair." and line 6: "And places with no carpet on the floor—"). In the first six lines, the words "stair" and "floor" are [[Slant rhyme|slant rhymes]], meaning that they have similar sounds but are not 'perfect' rhymes. The following line, line seven ("Bare"), is a perfect rhyme with "stair" and the only line in the whole poem that is [[monosyllabic]]. One critic notes that "it seems as though the mother’s spartan accommodation, hardscrabble life, and unadorned language all converge on the word ''bare''."<ref name=":1" /> |
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The scholar Michael Skansgaard divides "Mother to Son" into five "units". The first two lines introduce the poem. The speaker then goes on to describe how her life has not been a "crystal stair", and the struggles she has faced. A new section begins after "Bare", where she starts describing climbing of the stair ("But all the time/I'se been a-climbin' on"). She goes on to urge her son to not "turn back", but breaks the pattern established in the two previous sections by only repeating the concept three times, instead of four. Finally the poem ends where it started, describing the climbing of the stair case.<ref name=":1" /> |
The scholar Michael Skansgaard divides "Mother to Son" into five "units". The first two lines introduce the poem. The speaker then goes on to describe how her life has not been a "crystal stair", and the struggles she has faced. A new section begins after "Bare", where she starts describing climbing of the stair ("But all the time/I'se been a-climbin' on"). She goes on to urge her son to not "turn back", but breaks the pattern established in the two previous sections by only repeating the concept three times, instead of four. Finally the poem ends where it started, describing the climbing of the stair case.<ref name=":1" /> R. Baxter Miller writes that the "individual lines skillfully blend [[Anapestic tetrameter|anapestic]], iambic, and [[Trochaic tetrameter|trochaic]] cadences". He considers the structure to provide "the folk diction and rhythm that make the woman real".<ref name=":2" />{{Rp|35}} |
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=== References === |
=== References === |
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[[Martin Luther King Jr.]], an American civil rights activist and leader, referenced "Mother to Son" at least |
[[Martin Luther King Jr.]], an American civil rights activist and leader, referenced "Mother to Son" at least 13 times in his public appearances, including during his "[[I Have a Dream]]" speech. These references largely took the form of wording referring to pressing forward and not turning back.<ref>{{Cite book|last=Miller|first=W. Jason|url=https://www.jstor.org/stable/j.ctvx074qc|title=Origins of the Dream: Hughes's Poetry and King's Rhetoric|date=2015|publisher=University Press of Florida|doi=10.2307/j.ctvx074qc.6|jstor=j.ctvx074qc}}</ref><ref name=":3" /> W. Jason Miller describes these references as "overt" and argues that [[Barack Obama]] "inadvertently" alluded to the poem in his speech at the [[2008 Democratic National Convention]].<ref name=":3">{{Cite journal|last=Miller|first=W. Jason|date=2013|title="Don't Turn Back": Langston Hughes, Barack Obama, and Martin Luther King, Jr.|url=https://www.jstor.org/stable/23784068|journal=African American Review|volume=46|issue=2/3|pages=425–438|doi=10.1353/afa.2013.0065|jstor=23784068|s2cid=152343600|issn=1062-4783}}</ref> |
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== References == |
== References == |
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{{Reflist}} |
{{Reflist|30em}} |
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{{Langston Hughes}} |
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[[Category:1922 poems]] |
[[Category:1922 poems]] |
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[[Category:American poems]] |
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[[Category:Poetry by Langston Hughes]] |
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Latest revision as of 09:52, 21 August 2024
| Mother to Son | |
|---|---|
| by Langston Hughes | |
| Publisher | The Crisis |
| Publication date | 1922 |
| Lines | 20 |
"Mother to Son" is a 1922 poem by American writer and activist Langston Hughes. The poem follows a mother speaking to her son about her life, which she says "ain't been no crystal stair". She first describes the struggles she has faced and then urges him to continue moving forward. It was referenced by Martin Luther King Jr. several times in his speeches during the civil rights movement, and has been analyzed by several critics, notably for its style and representation of the mother.
Background
[edit]
Langston Hughes was a prominent figure in the Harlem Renaissance – the African-American cultural revival that spanned the 1920s and 1930s – and he wrote poetry that focused on the Black experience in America.[1] His poem "Mother to Son" was first published in 1922 in The Crisis (official magazine of the National Association for the Advancement of Colored People),[2] and in 1926 it was included in his first poetry collection, The Weary Blues.[3]
Text
[edit]Well, son, I’ll tell you:
Life for me ain’t been no crystal stair.
It’s had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor—
Bare.
But all the time
I’se been a-climbin’ on,
And reachin’ landin’s,
And turnin’ corners,
And sometimes goin’ in the dark
Where there ain’t been no light.
So boy, don’t you turn back.
Don’t you set down on the steps
’Cause you finds it’s kinder hard.
Don’t you fall now—
For I’se still goin’, honey,
I’se still climbin’,
And life for me ain’t been no crystal stair.
Reception and analysis
[edit]Hughes's poems "Mother to Son", "The Negro Speaks of Rivers", and "Harlem" were described in the Encyclopedia of African-American Writing as "anthems of black America".[4] The linguist John Rickford considers Hughes's use of African-American Vernacular English to be representative of "a convention of dialect writing rather than an accurate depiction of African-American speech".[5]
Mother
[edit]"Mother to Son" is the first of several of Hughes's poems that present strong women. The mother in the poem uses a metaphor of a staircase to convey "the hardships of Black life" while also her progress and perseverance.[6]: 35 As the woman is climbing the stairs, she becomes almost comparable to a religious figure ascending into the heavens, yet remains simply human.[6]: 36 Her climb is also comparable to a quest, according to R. Baxter Miller. Miller concludes that "Her internal light illuminates the outer world."[6]: 37
The mother who is delivering the poem to her young son has been described as an "allegorical persona",[7] who could represent numerous African-American mothers urging their children forward.[8]: 106 The professor R. Baxter Miller considers "Mother to Son" to illustrate "how dialect can be used with dignity."[3] The scholars Regennia N. Williams and Carmaletta M. Williams consider "Mother to Son" to most closely represent Hughes's relationship with his grandmother, Mary Leary Langston.[8]: 106
Structure
[edit]The poem utilizes strong elements of parallelism throughout. It is written in a accentual-syllabic verse, with two lines of Iambic pentameter (line 2: "Life for me ain’t been no crystal stair." and line 6: "And places with no carpet on the floor—"). In the first six lines, the words "stair" and "floor" are slant rhymes, meaning that they have similar sounds but are not 'perfect' rhymes. The following line, line seven ("Bare"), is a perfect rhyme with "stair" and the only line in the whole poem that is monosyllabic. One critic notes that "it seems as though the mother’s spartan accommodation, hardscrabble life, and unadorned language all converge on the word bare."[7]
The scholar Michael Skansgaard divides "Mother to Son" into five "units". The first two lines introduce the poem. The speaker then goes on to describe how her life has not been a "crystal stair", and the struggles she has faced. A new section begins after "Bare", where she starts describing climbing of the stair ("But all the time/I'se been a-climbin' on"). She goes on to urge her son to not "turn back", but breaks the pattern established in the two previous sections by only repeating the concept three times, instead of four. Finally the poem ends where it started, describing the climbing of the stair case.[7] R. Baxter Miller writes that the "individual lines skillfully blend anapestic, iambic, and trochaic cadences". He considers the structure to provide "the folk diction and rhythm that make the woman real".[6]: 35
References
[edit]Martin Luther King Jr., an American civil rights activist and leader, referenced "Mother to Son" at least 13 times in his public appearances, including during his "I Have a Dream" speech. These references largely took the form of wording referring to pressing forward and not turning back.[9][10] W. Jason Miller describes these references as "overt" and argues that Barack Obama "inadvertently" alluded to the poem in his speech at the 2008 Democratic National Convention.[10]
References
[edit]- ^ "Langston Hughes". Poetry Foundation. February 9, 2021. Retrieved February 10, 2021.
- ^ Hughes, Langston (December 31, 2020). The Collected Poems of Langston Hughes. Knopf Doubleday Publishing Group. p. 621. ISBN 978-0-307-94938-7.
- ^ a b Miller, R. Baxter (1987). "Langston Hughes". In M. Davis, Thadious; Harris-Lopez, Trudier (eds.). Afro-American Writers From the Harlem Renaissance to 1940. Gale.
- ^ Hughes, (James Mercer) Langston 2/1/1902--5/22/1967. (2018). In S. D. Hatch (Ed.), Encyclopedia of African-American writing: five centuries of contribution : trials & triumphs of writers, poets, publications and organizations (3rd ed.). Grey House Publishing.
- ^ Jones, Meta DuEwa (November 15, 2002). "Listening to What the Ear Demands: Langston Hughes and His Critics". Callaloo. 25 (4): 1145–1175. doi:10.1353/cal.2002.0154. ISSN 1080-6512. S2CID 162264330.
- ^ a b c d Miller, R. Baxter (2006). The Art and Imagination of Langston Hughes. University Press of Kentucky. ISBN 978-0-8131-1662-4. JSTOR j.ctt130hvcw.
- ^ a b c Skansgaard, Michael (March 1, 2020). "The Virtuosity of Langston Hughes: Persona, Rhetoric, and Iconography in The Weary Blues". Modern Language Quarterly. 81 (1): 65–94. doi:10.1215/00267929-7933089. ISSN 0026-7929. S2CID 216381169.
- ^ a b Tidwell, John Edgar; Ragar, Cheryl R. (2007). Montage of a Dream: The Art and Life of Langston Hughes. University of Missouri Press. ISBN 978-0-8262-6596-8.
- ^ Miller, W. Jason (2015). Origins of the Dream: Hughes's Poetry and King's Rhetoric. University Press of Florida. doi:10.2307/j.ctvx074qc.6. JSTOR j.ctvx074qc.
- ^ a b Miller, W. Jason (2013). ""Don't Turn Back": Langston Hughes, Barack Obama, and Martin Luther King, Jr". African American Review. 46 (2/3): 425–438. doi:10.1353/afa.2013.0065. ISSN 1062-4783. JSTOR 23784068. S2CID 152343600.