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{{short description|American book artist and paper engineer}}
{{external links|date=November 2013}}
{{BLP sources|date=January 2021}}

{{Infobox artist
{{Infobox artist
| bgcolour = #6495ED
| name = Carol Barton
| name = Carol Barton
| image = Carol_in_Studio.jpg
| caption = Carol Barton at work in her studio
| image = Carol_in_Studio.jpg
| caption = Carol Barton at work in her studio
| birth_name = Carol June Barton
⚫
| birth_date = {{birth date and age|1954|6|3}}
| birth_name = Carol June Barton
⚫
| birth_place = [[St. Louis]], Missouri
⚫
| birth_date = {{birth date and age|1954|6|3}}
⚫
| death_date =
⚫
| birth_place = [[St. Louis]], [[Missouri]]
⚫
| known_for = Book Artist, Paper Engineer, Artist, Educator, Curator
⚫
| death_date =
⚫
| awards = Bogliasco Fellowship, Sacatar Foundation Fellowship
⚫
| field = Book Artist, Paper Engineer, [[Artist]], [[Educator]], [[Curator]]
⚫
| awards = Bogliasco Fellowship, Sacatar Foundation Fellowship
}}
}}
'''Carol Barton''' (born 3 June 1954) is a book artist, paper engineer, curator, and educator known for her series of interactive workbooks, ''The Pocket Paper Engineer''.<ref>{{Cite web |last=Hiebert |first=Helen |date=2014-02-11 |title=Artist Profile: Carol Barton |url=https://helenhiebertstudio.com/artist-profile-carol-barton/ |access-date=2024-05-07 |website=Helen Hiebert Studio |language=en-US}}</ref><ref>{{Cite web |last=AlternativePhotography |date=2010-03-04 |title=Interview with Carol Barton |url=https://www.alternativephotography.com/interview-with-carol-barton/ |access-date=2024-05-07 |website=AlternativePhotography.com |language=en-US}}</ref>
'''Carol Barton''' (born 3 June 1954) is a [[book artist]], paper engineer, [[curator]], and [[educator]]. She is the proprietor of Popular Kinetics Press and has published several editions of artist books. She may be best known for her series of interactive workbooks, ''The Pocket Paper Engineer''.
<blockquote>
⚫
"I try to find ways to push a book’s pages beyond their flat surfaces and to integrate a message into the book’s form, weaving visual and verbal narrative into the magic of a third dimension.” <ref>Wasserman, Krystyna (2007). ''The Book as Art: Artists' Books from the National Museum of Women in the Arts'', p. 130. New York: Princeton Architectural Press. ISBN 1-56898-609-2.</ref>
</blockquote>


Barton is the proprietor of ''Popular Kinetics Press'' and has published several editions of artist books.<ref name=":0">{{Cite web |title=About This Exhibit · Carol Barton Collection · JMU Special Collections |url=https://omeka.lib.jmu.edu/specialcollections/exhibits/show/carol-barton/about |access-date=2024-05-07 |website=omeka.lib.jmu.edu}}</ref>
==Biography==


==Early life and education==
Barton was born in [[St. Louis]], [[Missouri]], [[United States]], [[North America]]. She earned her BFA in 1976 from [[Washington University]] School of Fine Arts and graduated as a painting major. While in college, she took a fundamentals class in three-dimensional design, during which she developed a fondness for how objects function from an engineering standpoint. This experience, in combination with her figurative work, seemed an early indicator of her interest in [[pop-up books]].


Barton was born in St. Louis, Missouri.
⚫
After moving [[Washington, D.C.]] in 1977, Barton was hired as an arts administrator at the Glen Echo Park Arts Center. The Writers’ Center, a resident organization formed by graduates of [[Visual Studies Workshop]] in [[Rochester, New York|Rochester]], [[New York (state)|New York]], presented Barton’s first exposure to the book arts. When The Writers’ Center received a grant from the [[National Endowment for the Arts]] to produce twenty artists’ books, Barton was invited as a participant in the project. She welcomed the opportunity to explore the book form as an artistic medium.


She earned her BFA in 1976 from [[St. Louis School of Fine Arts]] at [[Washington University in St. Louis|Washington University]], and graduated as a painting major.<ref name=":1">{{Cite web |title=Carol Barton |url=https://wsworkshop.org/artists/carol-barton/ |access-date=2024-05-07 |website=Women's Studio Workshop |language=en-US}}</ref>
⚫
Barton’s first book, ''Beyond the Page'' (1981), was produced with use of die cuts and she found it to be a trying experience. She was prepared to abandon her work in the book arts until two things happened: She experienced success when her edition of ''Beyond the Page'' sold out and she was exposed by a friend to an early Italian ''Sleeping Beauty'' carousel book. She became enthralled with the concept that a book could be both sculptural and mechanical.


== Career ==
⚫
Fueled by her renewed interest in the book arts, Barton embarked on a two-year study of movable and pop-up books, which began at the Smithsonian’s Dibner Rare Book Library. She traveled to libraries and collections across the United States where she discovered a wide variety of books utilizing sculptural formats and uncommon engineering techniques. As she began to better understand the materials and methods used in the construction of these books, Barton began compiling ideas for the production of her own editions of artist books.
⚫
After moving Washington, D.C., in 1977, Barton was hired as an arts administrator at the Glen Echo Park Arts Center. The Writers’ Center, a resident organization formed by graduates of [[Visual Studies Workshop]] in Rochester, New York, presented Barton's first exposure to the book arts. When The Writers’ Center received a grant from the [[National Endowment for the Arts]] to produce twenty artists’ books, Barton was invited as a participant in the project. She welcomed the opportunity to explore the book form as an artistic medium.


⚫
Barton's first book, ''Beyond the Page'' (1981), was produced with use of die cuts and she found it to be a trying experience. She was prepared to abandon her work in the book arts until two things happened: She experienced success when her edition of ''Beyond the Page'' sold out and she was exposed by a friend to an early Italian ''Sleeping Beauty'' carousel book. She became enthralled with the concept that a book could be both sculptural and mechanical.
One result of her research was that Barton is credited with reestablishing the tunnel book as a book structure <ref>Hutchins, Ed (Winter 2002). "Exploring Tunnel Books". ''Artists' Books Reviews''.</ref> The tunnel format was used in tourist souvenirs and commemorative books as early as the mid-18th century.<ref>Wasserman, Krystyna (2007). ''The Book as Art: Artists' Books from the National Museum of Women in the Arts'' , p. 130. New York: Princeton Architectural Press. ISBN 1-56898-609-2.</ref>


⚫
Fueled by her renewed interest in the book arts, Barton embarked on a two-year study of movable and pop-up books, which began at the Smithsonian's Dibner Rare Book Library. She traveled to libraries and collections across the United States where she discovered a wide variety of books utilizing sculptural formats and uncommon engineering techniques. As she began to better understand the materials and methods used in the construction of these books, Barton began compiling ideas for the production of her own editions of artist books.
⚫
Barton started teaching in 1983 at the Pyramid Atlantic Center for Paper, Print, & Books. Through many years of teaching, Barton found that the best way for students to learn paper engineering techniques was through direct, hands-on experience. It was this knowledge that inspired the creation of her workbook series on pop-up design and construction, ''The Pocket Paper Engineer''. Barton continues to teach as a faculty member of The [[University of the Arts (Philadelphia)|University of the Arts]] in [[Philadelphia]] and in classrooms around the world.


⚫
One result of her research was that Barton is credited with reestablishing the tunnel book as a book structure <ref>Hutchins, Ed (Winter 2002). "Exploring Tunnel Books". ''Artists' Books Reviews''.</ref> The tunnel format was used in tourist souvenirs and commemorative books as early as the mid-18th century.<ref>Wasserman, Krystyna (2007). ''The Book as Art: Artists' Books from the National Museum of Women in the Arts'', p. 130. New York: Princeton Architectural Press. {{ISBN|1-56898-609-2}}.</ref>
Barton’s work has been published in many publications and exhibited internationally. Her work is in many collections, including The [[Getty Museum]], [[Library of Congress]], [[Museum of Modern Art]], The [[Smithsonian Institution]], and the [[Victoria and Albert Museum]] in [[London]].


⚫
Barton started teaching in 1983 at the [[Pyramid Atlantic Art Center]]. Through many years of teaching, Barton found that the best way for students to learn paper engineering techniques was through direct, hands-on experience. It was this knowledge that inspired the creation of her workbook series on pop-up design and construction, ''The Pocket Paper Engineer''. Barton continues to teach as a faculty member of The [[University of the Arts (Philadelphia)|University of the Arts]] in Philadelphia and in classrooms around the world.<ref name=":2">{{Cite web |last=Voros |first=David |date=2024-03-30 |title=Carol Barton {{!}} International Center for the Arts |url=https://icaitaly.com/instructors/carol-barton-2/ |access-date=2024-05-07 |website=icaitaly.com |language=en-US}}</ref>
==Biography==


Barton's work has been published in many publications and exhibited internationally.<ref>{{Cite web |title=The Engineers {{!}} Robert C. Williams Museum of Papermaking |url=https://paper.gatech.edu/kinetic-joy/engineers |access-date=2024-05-08 |website=paper.gatech.edu}}</ref> She was awarded an artist' book residency grant from [[Women's Studio Workshop]] in 1988 which resulted in two artist's books.<ref name=":1" /> International residencies Barton has been awarded include: the Bogliasco Foundation in Italy, the Sacatar Foundation in Brazil, the Moulin a Nef Studios in Auvillar, France, and the GilsfjordurArts Studios in Iceland.<ref name=":2" /> She was the first Dorothy Liskey Wampler Distinguished Art Professorship visiting scholar at James Madison University Special Collections.<ref name=":0" />
⚫
*Barton, Carol (1981), [http://www.popularkinetics.com/beyond_the_page2.html ''Beyond the Page''], Popular Kinetics Press.

Her work is in many collections, including [[National Museum of Women in the Arts|The National Museum of Women in the Arts]],<ref name=":3">{{Cite web |title=Five Luminous Towers: A Book to be Read in the Dark {{!}} Artwork |url=https://nmwa.org/art/collection/five-luminous-towers-book-be-read-dark/ |access-date=2024-05-07 |website=NMWA |language=en-US}}</ref> The [[Walker Art Center]],<ref name=":4">{{Cite web |title=Carol June Barton |url=https://walkerart.org/collections/artists/carol-june-barton |access-date=2024-05-07 |website=walkerart.org}}</ref> The Center for the Book Arts,<ref name=":5">{{Cite web |title=Center for Book Arts Archive : Books : Beyond the Page / Carol Barton [FA.B24.0014] |url=https://collections.centerforbookarts.org/Detail/objects/13 |access-date=2024-05-08 |website=collections.centerforbookarts.org}}</ref> The [[Getty Museum]], [[Library of Congress]], [[Museum of Modern Art]], The [[Smithsonian Institution]], and the [[Victoria and Albert Museum]] in London.<ref name=":0" />

Barton also produces children's books under the ''World of Wishes'' (Scholastic Canada Ltd) theme.<ref name=":6">{{Cite web |title=Mermaid Wishes (World of Wishes) |url=https://www.goodreads.com/book/show/6882025-mermaid-wishes |access-date=2024-05-08 |website=Goodreads |language=en}}</ref><ref name=":7">{{Cite web |title=Pony Wishes (World of Wishes) |url=https://www.goodreads.com/book/show/6882043-pony-wishes |access-date=2024-05-08 |website=Goodreads |language=en}}</ref>

Barton's archives are held at [[James Madison University]] Libraries Special Collections.<ref>{{Cite web |title=Collection: Carol Barton papers {{!}} JMU Special Collections |url=https://aspace.lib.jmu.edu/repositories/4/resources/638 |access-date=2024-05-07 |website=aspace.lib.jmu.edu}}</ref><ref>{{Cite web |title=Carol Barton Collection · JMU Special Collections |url=https://omeka.lib.jmu.edu/specialcollections/collections/show/4 |access-date=2024-05-08 |website=omeka.lib.jmu.edu}}</ref>

==Bibliography==

⚫
*Barton, Carol (1981), [http://www.popularkinetics.com/beyond_the_page2.html ''Beyond the Page''], Popular Kinetics Press<ref name=":5" />
*Barton, Carol (1986), ''Small Gardens'', Popular Kinetics Press.
*Barton, Carol (1986), ''Small Gardens'', Popular Kinetics Press.
*Barton, Carol (1988), [http://www.popularkinetics.com/everyday_road_signs.html ''Everyday Road Signs''], Popular Kinetics Press.
*Barton, Carol (1988), [http://www.popularkinetics.com/everyday_road_signs.html ''Everyday Road Signs''], Popular Kinetics Press.<ref name=":1" />
*Barton, Carol (1988), [http://www.popularkinetics.com/tunnel_map.html ''Tunnel Map''], Popular Kinetics Press.
*Barton, Carol (1988), [http://www.popularkinetics.com/tunnel_map.html ''Tunnel Map''], Popular Kinetics Press.<ref name=":1" />
*Barton, Carol (1989), [http://www.popularkinetics.com/loom.html ''Loom''], Popular Kinetics Press.
*Barton, Carol (1989), [http://www.popularkinetics.com/loom.html ''Loom''], Popular Kinetics Press.<ref name=":4" />
*Barton, Carol (1990), [http://www.popularkinetics.com/rhythmic_notes.html ''Rhythmic Notes on Seven Folds''], Popular Kinetics Press.
*Barton, Carol (1990), ''Rhythmic Notes on Seven Folds'', Popular Kinetics Press.
*Barton, Carol (1991), [http://www.popularkinetics.com/plant_book.html ''Plant This Book''], Popular Kinetics Press.
*Barton, Carol (1991), [http://www.popularkinetics.com/plant_book.html ''Plant This Book''], Popular Kinetics Press.
*Barton, Carol (1993), [http://www.popularkinetics.com/instructions_for_assembly.html ''Instructions for Assembly''], Popular Kinetics Press.
*Barton, Carol (1993), [http://www.popularkinetics.com/instructions_for_assembly.html ''Instructions for Assembly''], Popular Kinetics Press.
*Barton, Carol (1994), ''A Journal of One's Own: A Handcrafting Kit.'' Running Press, 1994.
*Barton, Carol (1997), [http://www.popularkinetics.com/home_dreams.html ''Home Dreams''], Popular Kinetics Press.
*Barton, Carol (1997), [http://www.popularkinetics.com/home_dreams.html ''Home Dreams''], Popular Kinetics Press.
*Barton, Carol (1998), [http://www.popularkinetics.com/vision_shifts.html ''Vision Shifts''], Borowsky Center.
*Barton, Carol (1998), [http://www.popularkinetics.com/vision_shifts.html ''Vision Shifts''], Borowsky Center<ref>{{Cite web |title=Vision shifts / Carol Barton. |url=https://quod.lib.umich.edu/cgi/i/image/image-idx?id=S-MLIBRARY1IC-X-004332738%5D004332738_4 |access-date=2024-05-08 |website=Artists' Books |language=en}}</ref>
*Barton, Carol (1999) ''Mermaid Wishes'', Scholastic Canada Ltd., <nowiki>ISBN 9-780439935357</nowiki><ref name=":6" />
*Barton, Carol (2001), [http://www.popularkinetics.com/tower_book.html ''Five Luminous Towers: A Book to be Read in the Dark''], Popular Kinetics Press.
*Barton, Carol (2001), [http://www.popularkinetics.com/tower_book.html ''Five Luminous Towers: A Book to be Read in the Dark''], Popular Kinetics Press.<ref name=":3" />
*Barton, Carol (2003), [http://www.popularkinetics.com/alphabetica_synthetica.html ''Alphabetica Synthetica''], Popular Kinetics Press.
*Barton, Carol (2003), [http://www.popularkinetics.com/alphabetica_synthetica.html ''Alphabetica Synthetica''], Popular Kinetics Press.
*Barton, Carol (2005), ''The Pocket Paper Engineer, Volume I: Basic Forms: How to Make Pop-Ups Step-by-Step'', Popular Kinetics Press, ISBN 0-9627752-0-7
*Barton, Carol (2005), ''The Pocket Paper Engineer, Volume I: Basic Forms: How to Make Pop-Ups Step-by-Step'', Popular Kinetics Press, {{ISBN|0-9627752-0-7}}
*Barton, Carol (2008), ''The Pocket Paper Engineer, Volume 2: Platforms and Props: How to Make Pop-Ups Step-by-Step'', Popular Kinetics Press, ISBN 0-9627752-2-3
*Barton, Carol (2007) ''Pony Wishes'', Scholastic Canada Ltd., ISBN 9780439935661<ref name=":7" />
*Barton, Carol (2008), ''The Pocket Paper Engineer, Volume 2: Platforms and Props: How to Make Pop-Ups Step-by-Step'', Popular Kinetics Press, {{ISBN|0-9627752-2-3}}

==See also==
{{Portal bar |Children's literature}}


==References==
==References==
Line 57: Line 66:


==Further reading==
==Further reading==
⚫
*Barton, Carol (2005), ''The Pocket Paper Engineer, Volume I: Basic Forms: How to Make Pop-Ups Step-by-Step''. Maryland: Popular Kinetics Press, {{ISBN|0-9627752-0-7}}.

*Barton, Carol (2005), ''The Pocket Paper Engineer, Volume I: Basic Forms: How to Make Pop-Ups Step-by-Step''. Maryland: Popular Kinetics Press, ISBN 0-9627752-0-7.
*Barton, Carol (2008), ''The Pocket Paper Engineer, Volume 2: Platforms and Props: How to Make Pop-Ups Step-by-Step''. Maryland: Popular Kinetics Press, {{ISBN|0-9627752-2-3}}.
*Barton, Carol (2008), ''The Pocket Paper Engineer, Volume 2: Platforms and Props: How to Make Pop-Ups Step-by-Step''. Maryland: Popular Kinetics Press, ISBN 0-9627752-2-3.
*Barton, Carol (2012), ''The Pocket Paper Engineer, Volume 3: V-Folds''. Maryland: Popular Kinetics Press, {{ISBN|0-9627752-3-1}}.
⚫
*Gunter, Veronika Alice; & LaFerla, Jane (Eds.) (2004). ''The Penland Book of Handmade Books: Master Classes in Bookbinding Techniques''. New York: Lark Books. pp.&nbsp;68–89. {{ISBN|1-57990-474-2}}.
⚫
*Barton, Carol (2012), ''The Pocket Paper Engineer, Volume 3: V-Folds''. Maryland: Popular Kinetics Press, ISBN 0-9627752-3-1.
⚫
*Gunter, Veronika Alice; & LaFerla, Jane (Eds.) (2004). ''The Penland Book of Handmade Books: Master Classes in Bookbinding Techniques''. New York: Lark Books. pp.&nbsp;68–89. ISBN 1-57990-474-2.


==External links==
==External links==
*{{official|http://www.PopularKinetics.com}}
*{{official website|http://www.PopularKinetics.com}}
*[http://www.library.nashville.org/audio/artmatters/carolbartonconversation.mp3 Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library]
*[https://web.archive.org/web/20110726175215/http://www.library.nashville.org/audio/artmatters/carolbartonconversation.mp3 Beyond the Page: Carol Barton's Art and Influence: a podcast with Carol Barton and the Nashville Public Library]
*[http://www.santaferadiocafe.org/podcasts/?p=298 Interview with Carol Barton] via Santa Fe Radio Cafe
*[http://www.santaferadiocafe.org/podcasts/?p=298 Interview with Carol Barton] via Santa Fe Radio Cafe
*[http://www.alternativephotography.com/articles/art096.html Interview with Carol Barton by Alternative Photography]
*[http://ngm.nationalgeographic.com/ngm/0507/feature6/multimedia4.html Video of Carol Barton creating a pop-up for National Geographic]
*[http://www.npr.org/templates/story/story.php?storyId=99514911 Interview with Carol Barton and NPR]
*[http://www.bookarts.ua.edu/podcast/071509barton.mp3 Podcast with Carol Barton and Book Artists and Poets Podcast]

{{Authority control}}
{{Authority control}}

{{DEFAULTSORT:Barton, Carol}}
{{DEFAULTSORT:Barton, Carol}}
[[Category:1954 births]]
[[Category:1954 births]]
[[Category:Living people]]
[[Category:Living people]]
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[[Category:21st-century American women]]
⚫
[[Category:American art curators]]
[[Category:American women artists]]
[[Category:American women curators]]
[[Category:Book artists]]
[[Category:Book artists]]
[[Category:Pop-up book artists]]
[[Category:Sam Fox School of Design & Visual Arts alumni]]
[[Category:Women book artists]]
[[Category:Women book artists]]
⚫
[[Category:American curators]]
⚫
[[Category:American women artists]]

Latest revision as of 16:39, 25 August 2024

Carol Barton
Carol Barton at work in her studio
Born
Carol June Barton

(1954-06-03) June 3, 1954 (age 70)
St. Louis, Missouri
Known forBook Artist, Paper Engineer, Artist, Educator, Curator
AwardsBogliasco Fellowship, Sacatar Foundation Fellowship

Carol Barton (born 3 June 1954) is a book artist, paper engineer, curator, and educator known for her series of interactive workbooks, The Pocket Paper Engineer.[1][2]

Barton is the proprietor of Popular Kinetics Press and has published several editions of artist books.[3]

Early life and education

[edit]

Barton was born in St. Louis, Missouri.

She earned her BFA in 1976 from St. Louis School of Fine Arts at Washington University, and graduated as a painting major.[4]

Career

[edit]

After moving Washington, D.C., in 1977, Barton was hired as an arts administrator at the Glen Echo Park Arts Center. The Writers’ Center, a resident organization formed by graduates of Visual Studies Workshop in Rochester, New York, presented Barton's first exposure to the book arts. When The Writers’ Center received a grant from the National Endowment for the Arts to produce twenty artists’ books, Barton was invited as a participant in the project. She welcomed the opportunity to explore the book form as an artistic medium.

Barton's first book, Beyond the Page (1981), was produced with use of die cuts and she found it to be a trying experience. She was prepared to abandon her work in the book arts until two things happened: She experienced success when her edition of Beyond the Page sold out and she was exposed by a friend to an early Italian Sleeping Beauty carousel book. She became enthralled with the concept that a book could be both sculptural and mechanical.

Fueled by her renewed interest in the book arts, Barton embarked on a two-year study of movable and pop-up books, which began at the Smithsonian's Dibner Rare Book Library. She traveled to libraries and collections across the United States where she discovered a wide variety of books utilizing sculptural formats and uncommon engineering techniques. As she began to better understand the materials and methods used in the construction of these books, Barton began compiling ideas for the production of her own editions of artist books.

One result of her research was that Barton is credited with reestablishing the tunnel book as a book structure [5] The tunnel format was used in tourist souvenirs and commemorative books as early as the mid-18th century.[6]

Barton started teaching in 1983 at the Pyramid Atlantic Art Center. Through many years of teaching, Barton found that the best way for students to learn paper engineering techniques was through direct, hands-on experience. It was this knowledge that inspired the creation of her workbook series on pop-up design and construction, The Pocket Paper Engineer. Barton continues to teach as a faculty member of The University of the Arts in Philadelphia and in classrooms around the world.[7]

Barton's work has been published in many publications and exhibited internationally.[8] She was awarded an artist' book residency grant from Women's Studio Workshop in 1988 which resulted in two artist's books.[4] International residencies Barton has been awarded include: the Bogliasco Foundation in Italy, the Sacatar Foundation in Brazil, the Moulin a Nef Studios in Auvillar, France, and the GilsfjordurArts Studios in Iceland.[7] She was the first Dorothy Liskey Wampler Distinguished Art Professorship visiting scholar at James Madison University Special Collections.[3]

Her work is in many collections, including The National Museum of Women in the Arts,[9] The Walker Art Center,[10] The Center for the Book Arts,[11] The Getty Museum, Library of Congress, Museum of Modern Art, The Smithsonian Institution, and the Victoria and Albert Museum in London.[3]

Barton also produces children's books under the World of Wishes (Scholastic Canada Ltd) theme.[12][13]

Barton's archives are held at James Madison University Libraries Special Collections.[14][15]

Bibliography

[edit]
  • Barton, Carol (1981), Beyond the Page, Popular Kinetics Press[11]
  • Barton, Carol (1986), Small Gardens, Popular Kinetics Press.
  • Barton, Carol (1988), Everyday Road Signs, Popular Kinetics Press.[4]
  • Barton, Carol (1988), Tunnel Map, Popular Kinetics Press.[4]
  • Barton, Carol (1989), Loom, Popular Kinetics Press.[10]
  • Barton, Carol (1990), Rhythmic Notes on Seven Folds, Popular Kinetics Press.
  • Barton, Carol (1991), Plant This Book, Popular Kinetics Press.
  • Barton, Carol (1993), Instructions for Assembly, Popular Kinetics Press.
  • Barton, Carol (1994), A Journal of One's Own: A Handcrafting Kit. Running Press, 1994.
  • Barton, Carol (1997), Home Dreams, Popular Kinetics Press.
  • Barton, Carol (1998), Vision Shifts, Borowsky Center[16]
  • Barton, Carol (1999) Mermaid Wishes, Scholastic Canada Ltd., ISBN 9-780439935357[12]
  • Barton, Carol (2001), Five Luminous Towers: A Book to be Read in the Dark, Popular Kinetics Press.[9]
  • Barton, Carol (2003), Alphabetica Synthetica, Popular Kinetics Press.
  • Barton, Carol (2005), The Pocket Paper Engineer, Volume I: Basic Forms: How to Make Pop-Ups Step-by-Step, Popular Kinetics Press, ISBN 0-9627752-0-7
  • Barton, Carol (2007) Pony Wishes, Scholastic Canada Ltd., ISBN 9780439935661[13]
  • Barton, Carol (2008), The Pocket Paper Engineer, Volume 2: Platforms and Props: How to Make Pop-Ups Step-by-Step, Popular Kinetics Press, ISBN 0-9627752-2-3

References

[edit]
  1. ^ Hiebert, Helen (2014-02-11). "Artist Profile: Carol Barton". Helen Hiebert Studio. Retrieved 2024-05-07.
  2. ^ AlternativePhotography (2010-03-04). "Interview with Carol Barton". AlternativePhotography.com. Retrieved 2024-05-07.
  3. ^ a b c "About This Exhibit · Carol Barton Collection · JMU Special Collections". omeka.lib.jmu.edu. Retrieved 2024-05-07.
  4. ^ a b c d "Carol Barton". Women's Studio Workshop. Retrieved 2024-05-07.
  5. ^ Hutchins, Ed (Winter 2002). "Exploring Tunnel Books". Artists' Books Reviews.
  6. ^ Wasserman, Krystyna (2007). The Book as Art: Artists' Books from the National Museum of Women in the Arts, p. 130. New York: Princeton Architectural Press. ISBN 1-56898-609-2.
  7. ^ a b Voros, David (2024-03-30). "Carol Barton | International Center for the Arts". icaitaly.com. Retrieved 2024-05-07.
  8. ^ "The Engineers | Robert C. Williams Museum of Papermaking". paper.gatech.edu. Retrieved 2024-05-08.
  9. ^ a b "Five Luminous Towers: A Book to be Read in the Dark | Artwork". NMWA. Retrieved 2024-05-07.
  10. ^ a b "Carol June Barton". walkerart.org. Retrieved 2024-05-07.
  11. ^ a b "Center for Book Arts Archive : Books : Beyond the Page / Carol Barton [FA.B24.0014]". collections.centerforbookarts.org. Retrieved 2024-05-08.
  12. ^ a b "Mermaid Wishes (World of Wishes)". Goodreads. Retrieved 2024-05-08.
  13. ^ a b "Pony Wishes (World of Wishes)". Goodreads. Retrieved 2024-05-08.
  14. ^ "Collection: Carol Barton papers | JMU Special Collections". aspace.lib.jmu.edu. Retrieved 2024-05-07.
  15. ^ "Carol Barton Collection · JMU Special Collections". omeka.lib.jmu.edu. Retrieved 2024-05-08.
  16. ^ "Vision shifts / Carol Barton". Artists' Books. Retrieved 2024-05-08.

Further reading

[edit]
  • Barton, Carol (2005), The Pocket Paper Engineer, Volume I: Basic Forms: How to Make Pop-Ups Step-by-Step. Maryland: Popular Kinetics Press, ISBN 0-9627752-0-7.
  • Barton, Carol (2008), The Pocket Paper Engineer, Volume 2: Platforms and Props: How to Make Pop-Ups Step-by-Step. Maryland: Popular Kinetics Press, ISBN 0-9627752-2-3.
  • Barton, Carol (2012), The Pocket Paper Engineer, Volume 3: V-Folds. Maryland: Popular Kinetics Press, ISBN 0-9627752-3-1.
  • Gunter, Veronika Alice; & LaFerla, Jane (Eds.) (2004). The Penland Book of Handmade Books: Master Classes in Bookbinding Techniques. New York: Lark Books. pp. 68–89. ISBN 1-57990-474-2.
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