St Mary Magdalene (Piero di Cosimo): Difference between revisions
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{{Short description|Painting by Piero di Cosimo}} |
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{{Infobox artwork |
{{Infobox artwork |
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| image_file= |
| image_file= María Magdalena leyendo, por Piero di Cosimo.jpg |
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| image_size = 225px |
| image_size = 225px |
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| title=St Mary Magdalene Reading |
| title=St Mary Magdalene Reading |
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| artist=Piero di Cosimo |
| artist=[[Piero di Cosimo]] |
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| year= |
| year= between 1490 and 1495 |
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| medium=Painted on Wood |
| medium=Painted on Wood |
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| height_metric=76 |
| height_metric=76 |
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==Description== |
==Description== |
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The work depicts [[Mary Magdalene]] at a window-like table, reading a bible. She is dressed in a contemporary multicolor gown and cape; she is identifiable as the Magdalen by her long slightly curled hair draping over her shoulders and the bottle of unguent on the shelf beside her. She wears a ring of pearls in her hair. Around her hair a filigree of a halo. On the sill is the painter's signature. The use of shadows to give dimension to the face, and the settled pose of the Magdalen, identify the work as emerging from Piero di Cosimo's late works, influence by [[Leonardo da Vinci]].<ref>[ |
The work depicts [[Mary Magdalene]] at a window-like table, reading a bible. She is dressed in a contemporary multicolor gown and cape; she is identifiable as the Magdalen by her long slightly curled hair draping over her shoulders and the bottle of unguent on the shelf beside her. She wears a ring of pearls in her hair. Around her hair a filigree of a halo. On the sill is the painter's signature. The use of shadows to give dimension to the face, and the settled pose of the Magdalen, identify the work as emerging from Piero di Cosimo's late works, influence by [[Leonardo da Vinci]].<ref>[https://www.barberinicorsini.org/opera/santa-maria-maddalena/ Entry at Galleria Nazionale].</ref> The intended patron of the work is not identified. Mary Magdalen paintings were sometimes desired by individuals bearing the name, however, there were also monasteries dedicated to fallen women which were often dedicated to this saint. |
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==References== |
==References== |
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{{reflist}} |
{{reflist}} |
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{{DEFAULTSORT:Mary Magdalene Piero di Cosimo}} |
{{Piero di Cosimo}} |
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{{DEFAULTSORT:Saint Mary Magdalene (Piero di Cosimo)}} |
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[[Category:1501 paintings]] |
[[Category:1501 paintings]] |
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[[Category:Paintings by Piero di Cosimo]] |
[[Category:Paintings by Piero di Cosimo]] |
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[[Category: |
[[Category:Collection of the Galleria Nazionale d'Arte Antica|Madonna and Child Tarquinia(Lippi)]] |
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[[Category:Books in art]] |
[[Category:Books in art]] |
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[[Category:Paintings |
[[Category:Paintings of Mary Magdalene]] |
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{{16C-painting-stub}} |
{{16C-painting-stub}} |
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Latest revision as of 00:22, 26 August 2024
| St Mary Magdalene Reading | |
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| Artist | Piero di Cosimo |
| Year | between 1490 and 1495 |
| Medium | Painted on Wood |
| Dimensions | 76 cm × 72.5 cm (30 in × 28.5 in) |
| Location | Galleria Nazionale d'Arte Antica, Rome |
St Mary Magdalene Reading is a painting by the Italian Renaissance painter Piero di Cosimo. It is housed in the Galleria Nazionale d'Arte Antica of Palazzo Barberini, Rome.
Description
[edit]The work depicts Mary Magdalene at a window-like table, reading a bible. She is dressed in a contemporary multicolor gown and cape; she is identifiable as the Magdalen by her long slightly curled hair draping over her shoulders and the bottle of unguent on the shelf beside her. She wears a ring of pearls in her hair. Around her hair a filigree of a halo. On the sill is the painter's signature. The use of shadows to give dimension to the face, and the settled pose of the Magdalen, identify the work as emerging from Piero di Cosimo's late works, influence by Leonardo da Vinci.[1] The intended patron of the work is not identified. Mary Magdalen paintings were sometimes desired by individuals bearing the name, however, there were also monasteries dedicated to fallen women which were often dedicated to this saint.
References
[edit] | This article about a sixteenth-century painting is a stub. You can help Wikipedia by expanding it. |