Gamanashrama: Difference between revisions
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{{Infobox ragam |
{{Infobox ragam |
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| name = Gamanashrama |
| name = Gamanashrama |
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| similar = |
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{{Carnatic}} |
{{Carnatic}} |
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'''Gamanashrama''' (pronounced gamanāshrama<ref name="dikshitar">''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai</ref>) is a [[ |
'''Gamanashrama''' (pronounced gamanāshrama<ref name="dikshitar">''Sri Muthuswami Dikshitar Keertanaigal'' by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai</ref>) is a [[raga]]m in [[Carnatic music]] (musical scale of South Indian classical music). It is the 53rd ''[[Melakarta]]'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. This is the Carnatic equivalent of [[Marva (raga)|Marva]] in [[Hindustani Classical Music]]. |
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Gamanashrama is the Prathi Madhyamam equivalent of the 17th Melakarta raga Suryakantam |
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It is called '''Gamakakriya''' in [[Muthuswami Dikshitar]] school of Carnatic music.<ref name="dikshitar" /><ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref> |
It is called '''Gamakakriya''' in [[Muthuswami Dikshitar]] school of Carnatic music.<ref name="dikshitar" /><ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref> |
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[[Image:Gamanashrama scale.svg|thumb|right|300px|''Gamanashrama'' scale with Shadjam at C]] |
[[Image:Gamanashrama scale.svg|thumb|right|300px|''Gamanashrama'' scale with Shadjam at C]] |
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It is the 5th rāgam in the 9th ''chakra Brahma''. The [[mnemonic]] name is ''Brahma-Ma''. The mnemonic phrase is ''sa ra gu mi pa dhi nu''.<ref name="ragas" /> Its {{IAST|ārohaṇa-avarohaṇa}} structure (ascending and descending [[Scale (music)|scale]]) is as follows (see ''[[Swara# |
It is the 5th rāgam in the 9th ''chakra Brahma''. The [[mnemonic]] name is ''Brahma-Ma''. The mnemonic phrase is ''sa ra gu mi pa dhi nu''.<ref name="ragas" /> Its {{IAST|ārohaṇa-avarohaṇa}} structure (ascending and descending [[Scale (music)|scale]]) is as follows (see ''[[Swara#Svaras in Carnatic music|swaras in Carnatic music]]'' for details on below notation and terms): |
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*[[Arohana|{{IAST|ārohaṇa}}]]: {{svaraC|S|R1|G3|M2|P|D2|N3|S'|foot=yes}} |
*[[Arohana|{{IAST|ārohaṇa}}]]: {{svaraC|S|R1|G3|M2|P|D2|N3|S'|foot=yes}} |
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*[[Avarohana|{{IAST|avarohaṇa}}]]: {{svaraC|S'|N3|D2|P|M2|G3|R1|S|foot=yes}} |
*[[Avarohana|{{IAST|avarohaṇa}}]]: {{svaraC|S'|N3|D2|P|M2|G3|R1|S|foot=yes}} |
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A few compositions set to ''Gamanashrama'' are: |
A few compositions set to ''Gamanashrama'' are: |
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*''Meenakshi Memudam'' & ''Ekamranatham bhajeham'' by [[Muthuswami Dikshitar]] (also sung in |
*''Meenakshi Memudam'' & ''Ekamranatham bhajeham'' by [[Muthuswami Dikshitar]] (also sung in [[Poorvikalyani]]) |
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*''Sri chakrapura vasini'' by [[Muthiah Bhagavatar]] |
*''Sri chakrapura vasini'' by [[Muthiah Bhagavatar]] |
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*''Idu neeku nyayama'' by [[Mysore Vasudevachar]] |
*''Idu neeku nyayama'' by [[Mysore Vasudevachar]] |
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*''Ihame Sukhamu'' by [[Kotishwara iyer]] |
*''Ihame Sukhamu'' by [[Kotishwara iyer]] |
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*''Enni Maarulu ne vinna'' by [[Mangalampalli Balamuralikrishna]] |
*''Enni Maarulu ne vinna'' by [[Mangalampalli Balamuralikrishna]] |
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*''Gopi Gopala Lal(Abhang)'' by [[Sant Surdas]] |
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== Film Songs == |
== Film Songs == |
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|Sandhikka Thudittaen |
|Sandhikka Thudittaen |
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|[[Vedham Pudhithu]] |
|[[Vedham Pudhithu]] |
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|[[Devendran]] |
|rowspan=2|[[Devendran]] |
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|[[S.P.Balasubrahmanyam]], [[S. Janaki]] |
|[[S. P. Balasubrahmanyam]], [[S. Janaki]] |
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|Thean Sinthidum |
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|[[Vaikarai Pookkal]] |
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|Anbenum Sudaral |
|Anbenum Sudaral |
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|[[Kaalangalil Aval Vasantham]] |
|[[Kaalangalil Aval Vasantham (1976 film)|Kaalangalil Aval Vasantham]] |
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|[[Vijaya Bhaskar]] |
|[[Vijaya Bhaskar]] |
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|[[Vani Jayaram]] |
|[[Vani Jayaram]] |
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|Vazhimel Vizhiyaal |
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|[[Archanai Pookal]] |
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|[[Ilaiyaraaja]] |
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Latest revision as of 16:24, 30 August 2024
Arohanam | S R₁ G₃ M₂ P D₂ N₃ Ṡ |
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Avarohanam | Ṡ N₃ D₂ P M₂ G₃ R₁ S |
Carnatic music |
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Concepts |
Compositions |
Instruments |
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Gamanashrama (pronounced gamanāshrama[1]) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 53rd Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. This is the Carnatic equivalent of Marva in Hindustani Classical Music.
Gamanashrama is the Prathi Madhyamam equivalent of the 17th Melakarta raga Suryakantam
It is called Gamakakriya in Muthuswami Dikshitar school of Carnatic music.[1][2][3]
Structure and Lakshana
[edit]It is the 5th rāgam in the 9th chakra Brahma. The mnemonic name is Brahma-Ma. The mnemonic phrase is sa ra gu mi pa dhi nu.[2] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
The notes used in this scale are shadjam, shuddha rishabham, antara gandharam, prati madhyamam, panchamam, chathusruthi dhaivatham and kakali nishadham. As it is a melakarta rāgam, by definition it is a sampurna rāgam (has all seven notes in ascending and descending scale). It is the prati madhyamam equivalent of Suryakantam, which is the 17th melakarta.
Janya rāgams
[edit]Gamanashrama has a few janya rāgams (derived scales) associated with it, of which Hamsanandi and Poorvikalyani are popular. See List of janya rāgams for full list of rāgams associated with Gamanashrama.
Compositions
[edit]A few compositions set to Gamanashrama are:
- Meenakshi Memudam & Ekamranatham bhajeham by Muthuswami Dikshitar (also sung in Poorvikalyani)
- Sri chakrapura vasini by Muthiah Bhagavatar
- Idu neeku nyayama by Mysore Vasudevachar
- Ubhaya kaveri by Veene Sheshanna
- Ihame Sukhamu by Kotishwara iyer
- Enni Maarulu ne vinna by Mangalampalli Balamuralikrishna
- Gopi Gopala Lal(Abhang) by Sant Surdas
Film Songs
[edit]Janya: Poorvi Kalyāni Ragam
[edit]Song | Movie | Composer | Singer |
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Arul Jothi Deivam | Thisai Maariya Paravaigal | M.S.Viswanathan | Balamurali Krishna,Abhaya (his wife) |
Om Nadam Omkara Nadam | Miruthanga Chakravarthi | T. M. Soundararajan | |
Sandhikka Thudittaen | Vedham Pudhithu | Devendran | S. P. Balasubrahmanyam, S. Janaki |
Thean Sinthidum | Vaikarai Pookkal | S. Janaki | |
Anbenum Sudaral | Kaalangalil Aval Vasantham | Vijaya Bhaskar | Vani Jayaram |
Related rāgams
[edit]This section covers the theoretical and scientific aspect of this rāgam.
Gamanashrama's notes when shifted using Graha bhedam, yields 2 other minor melakarta rāgams, namely, Jhankaradhwani and Ratnangi. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For further details and an illustration refer to Graha bhedam on Ratnangi.