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{{short description|American film director, photographer, actor, film editor and cinematographer}}
{{short description|American film director, photographer, actor, film editor and cinematographer}}
{{Infobox person
{{Infobox person
| name = Alexandr Hackenschmied
| name = Alexandr Hackenschmied
| image = <!-- filename only, no "File:" or "Image:" prefix, and no enclosing [[brackets]] -->
| image = Alexander Hammid - Meshes of the Afternoon.jpg
| alt = <!-- descriptive text for use by speech synthesis (text-to-speech) software -->
| alt = <!-- descriptive text for use by speech synthesis (text-to-speech) software -->
| caption = Alexander Hammid in a screenshot of the short film ''Meshes of the Afternoon'' (1943)
| caption =
| birth_name = <!-- only use if different from name -->
| birth_name = <!-- only use if different from name -->
| birth_date = {{Birth year|1907}}
| birth_date = 17 December 1907
| birth_place = [[Linz]], Austria
| birth_place = [[Linz]], [[Austria-Hungary]]
| death_date = {{Death year and age|2004|1907}}
| death_date = 26 July 2004 (aged 96)
| death_place =
| death_place = [[New York City]], [[United States]]
| nationality =
| nationality = Czech (1907–1942)<br>American (1942–2004)
| other_names =
| other_names =
| occupation = [[Film director]]
| occupation = [[Film director]], [[photographer]], [[cinematographer]], [[film editor]]
| years_active =
| years_active =
| known_for =
| known_for =
| notable_works =
| notable_works =
| spouse = Maya Deren (1942–1947)
Hella Hilde Heyman (1948–1992; her death)
}}
}}
⚫
'''Alexandr Hackenschmied''',<ref name=nyt>{{cite news|title=Alexander Hammid, 96, Filmmaker Known for Many Styles|author=Kathryn L. Shattuck|date=August 8, 2004|url=https://www.nytimes.com/2004/08/08/arts/alexander-hammid-96-filmmaker-known-for-many-styles.html|newspaper=[[The New York Times]]|access-date=August 24, 2014}}</ref> born '''Alexander Siegfried George Hackenschmied''', known later as '''Alexander Hammid''' (17 December 1907 &ndash; 26 July 2004), was a [[Czechs|Czech]]-American [[photographer]], [[film director]], [[cinematographer]] and [[film editor]]. He immigrated to the U.S. in 1938 and became involved in American avant-garde cinema. He is best known for three films: ''[[Crisis (1939 film)|Crisis]]'' (1939), ''[[Meshes of the Afternoon]]'' (1943) and ''[[To Be Alive!]]'' (1964). He made ''Meshes of the Afternoon'' with [[Maya Deren]], to whom he was married from 1942 to 1947. His second marriage was to the photographer [[Hella Hammid|Hella Heyman]], who had also collaborated with Hammid and Deren on several films.<ref>{{Cite web|title=Alexandr Hackenschmied - Monoskop|url=https://monoskop.org/Alexandr_Hackenschmied|access-date=2020-07-10|website=monoskop.org}}</ref>


⚫
He won the 1965 [[Academy Award]] for [[Academy Award for Best Documentary (Short Subject)|Best Documentary (Short Subject)]] for ''To Be Alive!'' (1964), which he co-directed with [[Francis Thompson (film director)|Francis Thompson]].<ref>{{cite web| title =1965 (38th Academy Award)| work =Academy Awards® Database - AMPAS| url =http://awardsdatabase.oscars.org/ampas_awards/DisplayMain.jsp?curTime=1211836536948| access-date =2014-08-24| archive-url =https://archive.today/20120701155856/http://awardsdatabase.oscars.org/ampas_awards/DisplayMain.jsp?curTime=1211836536948| archive-date =2012-07-01| url-status =dead}}</ref>
⚫
'''Alexandr Hackenschmied''',<ref name=nyt>{{cite news|title=Alexander Hammid, 96, Filmmaker Known for Many Styles|author=Kathryn L. Shattuck|date=August 8, 2004|url=https://www.nytimes.com/2004/08/08/arts/alexander-hammid-96-filmmaker-known-for-many-styles.html|newspaper=[[The New York Times]]|accessdate=August 24, 2014}}</ref> born '''Alexander Siegfried George Hackenschmied''', known later as '''Alexander Hammid''' (17 December 1907, [[Linz]] &ndash; 26 July 2004, [[New York City]]) was a [[Czechs|Czech]]-American photographer, film director, cinematographer and editor. He immigrated to the U.S. in 1938 and became involved in American avant-garde cinema. He is best known for three films: ''[[Crisis (1939 film)|Crisis]]'' (1939), ''[[Meshes of the Afternoon]]'' (1943) and ''[[To Be Alive!]]'' (1964). He made ''Meshes of the Afternoon'', with his wife [[Maya Deren]]—to whom he was married from 1942 to 1947.


⚫
He won the 1965 [[Academy Award]] for [[Academy Award for Best Documentary (Short Subject)|Best Documentary (Short Subject)]] for ''To Be Alive!'' (1964), which he co-directed with [[Francis Thompson (film director)|Francis Thompson]].<ref>{{cite web| title =1965 (38th Academy Award)| work =Academy Awards® Database - AMPAS| url =http://awardsdatabase.oscars.org/ampas_awards/DisplayMain.jsp?curTime=1211836536948| accessdate =2014-08-24| archive-url =https://archive.is/20120701155856/http://awardsdatabase.oscars.org/ampas_awards/DisplayMain.jsp?curTime=1211836536948| archive-date =2012-07-01| url-status =dead}}</ref>

==Career in Czechoslovakia and the U.S.==
Born in [[Linz]], Austria-Hungary to the son of a school-teacher,<ref name=moma/> he changed his name to '''Alexander Hammid''' when he became a citizen of the United States in 1942. He is best known for his work in [[documentary film]], both as a director, cameraman, and editor.
Born in [[Linz]], Austria-Hungary to the son of a school-teacher,<ref name=moma/> he changed his name to '''Alexander Hammid''' when he became a citizen of the United States in 1942. He is best known for his work in [[documentary film]], both as a director, cameraman, and editor.


==Career==
According to Jaroslav Anděl's biography of Hackenschmied, in 1930, Hackenschmied created his first film ''Bezúčelná procházka'' (''[[Aimless Walk]]'') which inaugurated the movement of avant-garde film in Czechoslovakia. The same year he also organized the Exhibition of New Czech Photography in the Aventinská Mansarda—a showcase for artists of the Aventinum publishing house in [[Prague]]—and the first show of European avant-garde films in the Kotva Cinema, also in Prague. He also published a number of articles on photography and film, in which he formulated the new aesthetics of both fields.<ref>{{cite web|url=http://www.schaden.com/book/HacAle01467.html|website=Schaden.com|title=Alexandr Hackenschmied}}</ref>
According to Jaroslav Anděl's biography of Hackenschmied, in 1930, Hackenschmied created his first film ''Bezúčelná procházka'' (''[[Aimless Walk]]'') which inaugurated the movement of avant-garde film in Czechoslovakia. The same year he also organized the Exhibition of New Czech Photography in the Aventinská Mansarda—a showcase for artists of the Aventinum publishing house in [[Prague]]—and the first show of European avant-garde films in the Kotva Cinema, also in Prague. He contributed to the illustrated weekly ''[[Pestrý týden]]'' and also published a number of articles on photography and film, in which he formulated the new aesthetics of both fields.<ref>{{cite web|url=http://www.schaden.com/book/HacAle01467.html|website=Schaden.com|title=Alexandr Hackenschmied}}</ref>


Before emigrating from Czechoslovakia, Hackenschmied worked for the Baťa Film Studio in [[Zlín]], founded by [[Jan Antonín Baťa]] in the 1930s who hired young filmmakers and artists to develop modern films, primarily for advertising. While employed there, Hackenschmied made numerous advertising and documentary films, one of the most famous was directed by [[Elmar Klos]] in 1937, entitled ''The Highway Sings'', showing auto tires in motion.
Before emigrating from Czechoslovakia, Hackenschmied worked for the Baťa Film Studio in [[Zlín]], founded by [[Jan Antonín Baťa]] in the 1930s who hired young filmmakers and artists to develop modern films, primarily for advertising. While employed there, Hackenschmied made numerous advertising and documentary films. One of the most famous was a four minute commercial for [[Bata Corporation|Bata tires]] called ''The Highway Sings''. Created together with director [[Elmar Klos]] and cinematographer [[Jan Lukas]] in 1937, it featured an avant-garde style montage of auto tires in motion.<ref>{{cite web |author=Marta Filipová |title=Artwork of the Month, February 2020: The Highway Sings by Elmar Klos, Jan Lukas and Alexander Hackenschmied (1937) |work=Continuity/Rupture: Art and Architecture in Central Europe 1918–1939 |url=https://craace.com/2020/02/28/artwork-of-the-month-february-2020-the-highway-sings-by-elmar-klos-jan-lukas-and-alexander-hackenschmied-1937/ |date=2020-02-28 |access-date=2021-04-12}}</ref>


During the late 1930s he collaborated with the American filmmaker Herbert Kline on the feature-length [[documentary film|documentary]] ''[[Crisis (1939 film)|Crisis]]'' (1939) and moved to the USA where he met and married Eleanora Deren, he later on named her "Maya". ''[[Meshes of the Afternoon]]'' (1943) was a home movie made by the filmmaker Hammid and his wife Maya who until that point had no experience in filmmaking. He also directed the documentaries ''[[The Forgotten Village]]'' (1941), ''The Valley of the Tennessee'' (1944), and ''A Better Tomorrow'' (1945). Hammid also made the 22-minute short ''The Private Life of a Cat'' (1947). This short film was part narrative, part documentary about cats and their daily lives. The film starts off with two cats, a male and a female. The female is eventually impregnated by the male cat, and begins to search for shelter for when she gives birth to her kittens. The film shows her giving birth to five kittens in graphic detail.
During the late 1930s he collaborated with the American filmmaker Herbert Kline on the feature-length [[documentary film|documentary]] ''[[Crisis (1939 film)|Crisis]]'' (1939) and moved to the USA where he met and married [[Maya Deren]]. Together they made ''[[Meshes of the Afternoon]]'' (1943), an experimental film with the directors playing the two protagonists.<ref>{{Cite web|title=MoMA {{!}} Maya Deren. Meshes of the Afternoon. 1943|url=https://www.moma.org/learn/moma_learning/maya-deren-meshes-of-the-afternoon-1943/|access-date=2021-04-22|website=www.moma.org}}</ref> He also directed the documentaries ''[[The Forgotten Village]]'' (1941), ''The Valley of the Tennessee'' (1944), and ''A Better Tomorrow'' (1945). Hammid also made the 22-minute short ''The Private Life of a Cat'' (1947). This short film was part narrative, part documentary about cats and their daily lives. The film starts off with two cats, a male and a female. The female is eventually impregnated by the male cat, and begins to search for shelter for when she gives birth to her kittens. The film shows her giving birth to five kittens in graphic detail.
In 1944, he directed a documentary featuring conductor [[Arturo Toscanini]], ''[[Hymn of the Nations]]'', produced by the [[Office of War Information]]. His documentary ''[[Library of Congress (film)|Library of Congress]]'' (1945) was nominated for an [[Academy Award]] for Best Short Documentary. Through the 1950s and 1960s Hammid made documentaries. In 1951, Hackenschmied and [[Gian Carlo Menotti]] co-directed the film version of Menotti's opera ''[[The Medium]]''.
In 1944, he directed a documentary featuring conductor [[Arturo Toscanini]], ''[[Hymn of the Nations]]'', produced by the [[Office of War Information]]. He also appeared in [[Maya Deren]]'s [[At Land]] (1944), a 15-minute silent experimental film. His documentary ''[[Library of Congress (film)|Library of Congress]]'' (1945) was nominated for an [[Academy Award]] for Best Short Documentary. Through the 1950s and 1960s Hammid made documentaries. In 1951, Hackenschmied and [[Gian Carlo Menotti]] co-directed the film version of Menotti's opera ''[[The Medium]]''.


Hammid directed his final film, ''[[To Be Alive!]]'' (1964), for screening at the [[1964 New York World's Fair]]. The film won an [[Academy Award]] for Best Documentary Short in 1965.
Hammid directed his final film, ''[[To Be Alive!]]'' (1964), for screening at the [[1964 New York World's Fair]]. The film won an [[Academy Award]] for Best Documentary Short in 1965.


Hammid worked in partnership with filmmaker [[Francis Thompson (film director)|Francis Thompson]] (1908–2003) for over 25 years, producing numerous “in-house” documentaries as well as several films for general viewership. One of the best known of these is the first [[IMAX]] format film, ''[[To Fly!]]'' (1976), which premiered at the [[Smithsonian Institution]]’s [[National Air and Space Museum]] (NASM) at the museum’s grand opening celebration on July 1, 1976. Produced in conjunction with MacGillivray Freeman Films, it continues to play regularly at the Air and Space Museum.
Hammid worked in partnership with filmmaker [[Francis Thompson (film director)|Francis Thompson]] for over 25 years, producing numerous “in-house” documentaries as well as several films for general viewership. One of the best known of these is the first [[IMAX]] format film, ''[[To Fly!]]'' (1976), which premiered at the [[Smithsonian Institution]]’s [[National Air and Space Museum]] (NASM) at the museum’s grand opening celebration on July 1, 1976. Produced in conjunction with MacGillivray Freeman Films, it continues to play regularly at the Air and Space Museum.


During his years with Francis Thompson, Inc. Hammid went on to be involved with several other early Imax films. Graham Ferguson, owner of the Imax Corp. (speaking at Francis Thompson’s memorial service in 2004) recalled how he had wanted Hammid and Thompson to make the first commercial Imax films because of their extensive work in earlier large-scale multi-screen films including ''To Be Alive!'' (which won an Oscar after being shown at the [[1964 New York World's Fair|New York World's Fair]] in 1964), ''We Are Young'' (on six screens for the [[Expo 67|Montreal World's Fair/Expo 67]] in 1967) and ''US'' (for [[San Antonio]]'s Hemisfair in 1969).
During his years with Francis Thompson, Inc., Hammid went on to be involved with several other early IMAX films. [[Graeme Ferguson (filmmaker)|Graeme Ferguson]], co-founder of [[IMAX Corporation]] (speaking at Francis Thompson’s memorial service in 2004) recalled how he had wanted Hammid and Thompson to make the first commercial IMAX films because of their extensive work in earlier large-scale multi-screen films including ''To Be Alive!'' (which won an Oscar after being shown at the [[1964 New York World's Fair|New York World's Fair]] in 1964), ''We Are Young'' (on six screens for the [[Expo 67|Montreal World's Fair/Expo 67]] in 1967) and ''US'' (for [[San Antonio]]'s Hemisfair in 1969).

==Death==
Hammid died in July 2004 in his [[Manhattan]] apartment. He was 96.<ref>{{Cite news |last=Shattuck |first=Kathryn L. |date=2004-08-08 |title=Alexander Hammid, 96, Filmmaker Known for Many Styles |url=https://www.nytimes.com/2004/08/08/arts/alexander-hammid-96-filmmaker-known-for-many-styles.html |access-date=2024-07-05 |work=The New York Times |language=en-US |issn=0362-4331}}</ref>


==Legacy==
==Legacy==
Austrian film director, Martina Kudláček directed, documentary, ''Aimless Walk: Alexander Hammid'' (1996) based on his life and work.<ref>{{IMDb title|0157299|Aimless Walk: Alexander Hammid}}</ref> In 2006, [[MoMA]] organized a tribute film exhibition titled, "Alexander Hammid: A Memorial Salute" based on its film archives.<ref name=moma>{{cite web | title = Alexander Hammid: A Memorial Salute |work= MoMA| url = http://www.moma.org/visit/calendar/films/931 |date=February 24–26, 2006| accessdate = 2014-08-24 }}</ref>
Austrian film director, Martina Kudláček directed, documentary, ''Aimless Walk: Alexander Hammid'' (1996) based on his life and work.<ref>{{IMDb title|0157299|Aimless Walk: Alexander Hammid}}</ref> In 2006, [[MoMA]] organized a tribute film exhibition titled, "Alexander Hammid: A Memorial Salute" based on its film archives.<ref name=moma>{{cite web | title = Alexander Hammid: A Memorial Salute |work= MoMA| url = http://www.moma.org/visit/calendar/films/931 |date=February 24–26, 2006| access-date = 2014-08-24 }}</ref>


The [[Academy Film Archive]] has preserved ''Arturo Toscanini: Conducting Music of Giuseppe Verdi'' and ''Library of Congress'' by Alexandr Hackenschmied.<ref>{{cite web|title=Preserved Projects|url=http://www.oscars.org/academy-film-archive/preserved-projects?title=&filmmaker=hackenschmied&category=All&collection=All|website=Academy Film Archive}}</ref>
The [[Academy Film Archive]] has preserved ''Arturo Toscanini: Conducting Music of Giuseppe Verdi'' and ''Library of Congress'' by Alexandr Hackenschmied.<ref>{{cite web|title=Preserved Projects|url=http://www.oscars.org/academy-film-archive/preserved-projects?title=&filmmaker=hackenschmied&category=All&collection=All|website=Academy Film Archive}}</ref>


==Filmography==
==Filmography==
{{Div col}}

===Director===
===Director===
* ''[[Aimless Walk]]'' (1930)
* ''[[Aimless Walk]]'' (1930)
Line 60: Line 64:
* ''Angry Boy'' (1950)
* ''Angry Boy'' (1950)
* ''Of Men and Music'' (1951)
* ''Of Men and Music'' (1951)
* ''The Gentleman in Room 6'' (1951)
* ''Power Among Men'' (1959)
* ''Power Among Men'' (1959)
* ''[[To Be Alive!]]'' (1964)
* ''[[To Be Alive!]]'' (1964)
* ''U.S.'' (1968)
* ''[[To Fly!]]'' (1976)
* ''[[To Fly!]]'' (1976)


Line 74: Line 80:
* ''[[Out (1957 film)|Out]]'' (1957)
* ''[[Out (1957 film)|Out]]'' (1957)
* ''[[To Be Alive!]]'' (1964)
* ''[[To Be Alive!]]'' (1964)
{{Div col end}}


==See also==
==See also==
Line 79: Line 86:
*'''Documentary Film''': ''Aimless Walk: Alexander Hammid'' (1996, 48 minutes) directed by Martina Kudlacek
*'''Documentary Film''': ''Aimless Walk: Alexander Hammid'' (1996, 48 minutes) directed by Martina Kudlacek


==References==
== References ==
{{Reflist}}
{{Reflist|3}}


==External links==
==External links==
* {{cite web | title = Alexander Hammid Biography and films| url = http://hammid.wz.cz/content/index_en.html }}
* {{cite web| title = Alexander Hammid Biography and films| url = http://hammid.wz.cz/content/index_en.html| access-date = 2014-08-24| archive-date = 2015-04-06| archive-url = https://web.archive.org/web/20150406063640/http://hammid.wz.cz/content/index_en.html| url-status = dead}}
*[http://www.radio.cz/en/article/56570 Czech avant-garde pioneer Alexandr Hackenschmied (Hammid) dies at 96] Radio Prague article.
*[http://www.radio.cz/en/article/56570 Czech avant-garde pioneer Alexandr Hackenschmied (Hammid) dies at 96] Radio Prague article.
*{{IMDb name|id=0352413|name=Alexander Hammid}}
*{{IMDb name|id=0352413|name=Alexander Hammid}}
Line 90: Line 97:
*[https://web.archive.org/web/20070504020544/http://www.batahistory.com/ Bata company history]
*[https://web.archive.org/web/20070504020544/http://www.batahistory.com/ Bata company history]


{{Alexandr Hackenschmied|state=expanded}}
{{Maya Deren}}
{{Authority control}}
{{Authority control}}


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[[Category:American experimental filmmakers]]
[[Category:American experimental filmmakers]]
[[Category:American documentary filmmakers]]
[[Category:American documentary filmmakers]]
[[Category:Czech emigrants to the United States]]
[[Category:Czechoslovak emigrants to the United States]]
[[Category:People from Linz]]
[[Category:People from Linz]]
[[Category:American film editors]]
[[Category:American film editors]]

Latest revision as of 18:39, 3 September 2024

Alexandr Hackenschmied
Alexander Hammid in a screenshot of the short film Meshes of the Afternoon (1943)
Born17 December 1907
Linz, Austria-Hungary
Died26 July 2004 (aged 96)
New York City, United States
NationalityCzech (1907–1942)
American (1942–2004)
Occupation(s)Film director, photographer, cinematographer, film editor
SpouseMaya Deren (1942–1947) Hella Hilde Heyman (1948–1992; her death)

Alexandr Hackenschmied,[1] born Alexander Siegfried George Hackenschmied, known later as Alexander Hammid (17 December 1907 – 26 July 2004), was a Czech-American photographer, film director, cinematographer and film editor. He immigrated to the U.S. in 1938 and became involved in American avant-garde cinema. He is best known for three films: Crisis (1939), Meshes of the Afternoon (1943) and To Be Alive! (1964). He made Meshes of the Afternoon with Maya Deren, to whom he was married from 1942 to 1947. His second marriage was to the photographer Hella Heyman, who had also collaborated with Hammid and Deren on several films.[2]

He won the 1965 Academy Award for Best Documentary (Short Subject) for To Be Alive! (1964), which he co-directed with Francis Thompson.[3]

Born in Linz, Austria-Hungary to the son of a school-teacher,[4] he changed his name to Alexander Hammid when he became a citizen of the United States in 1942. He is best known for his work in documentary film, both as a director, cameraman, and editor.

Career

[edit]

According to Jaroslav Anděl's biography of Hackenschmied, in 1930, Hackenschmied created his first film Bezúčelná procházka (Aimless Walk) which inaugurated the movement of avant-garde film in Czechoslovakia. The same year he also organized the Exhibition of New Czech Photography in the Aventinská Mansarda—a showcase for artists of the Aventinum publishing house in Prague—and the first show of European avant-garde films in the Kotva Cinema, also in Prague. He contributed to the illustrated weekly Pestrý týden and also published a number of articles on photography and film, in which he formulated the new aesthetics of both fields.[5]

Before emigrating from Czechoslovakia, Hackenschmied worked for the Baťa Film Studio in Zlín, founded by Jan Antonín Baťa in the 1930s who hired young filmmakers and artists to develop modern films, primarily for advertising. While employed there, Hackenschmied made numerous advertising and documentary films. One of the most famous was a four minute commercial for Bata tires called The Highway Sings. Created together with director Elmar Klos and cinematographer Jan Lukas in 1937, it featured an avant-garde style montage of auto tires in motion.[6]

During the late 1930s he collaborated with the American filmmaker Herbert Kline on the feature-length documentary Crisis (1939) and moved to the USA where he met and married Maya Deren. Together they made Meshes of the Afternoon (1943), an experimental film with the directors playing the two protagonists.[7] He also directed the documentaries The Forgotten Village (1941), The Valley of the Tennessee (1944), and A Better Tomorrow (1945). Hammid also made the 22-minute short The Private Life of a Cat (1947). This short film was part narrative, part documentary about cats and their daily lives. The film starts off with two cats, a male and a female. The female is eventually impregnated by the male cat, and begins to search for shelter for when she gives birth to her kittens. The film shows her giving birth to five kittens in graphic detail.

In 1944, he directed a documentary featuring conductor Arturo Toscanini, Hymn of the Nations, produced by the Office of War Information. He also appeared in Maya Deren's At Land (1944), a 15-minute silent experimental film. His documentary Library of Congress (1945) was nominated for an Academy Award for Best Short Documentary. Through the 1950s and 1960s Hammid made documentaries. In 1951, Hackenschmied and Gian Carlo Menotti co-directed the film version of Menotti's opera The Medium.

Hammid directed his final film, To Be Alive! (1964), for screening at the 1964 New York World's Fair. The film won an Academy Award for Best Documentary Short in 1965.

Hammid worked in partnership with filmmaker Francis Thompson for over 25 years, producing numerous “in-house” documentaries as well as several films for general viewership. One of the best known of these is the first IMAX format film, To Fly! (1976), which premiered at the Smithsonian Institution’s National Air and Space Museum (NASM) at the museum’s grand opening celebration on July 1, 1976. Produced in conjunction with MacGillivray Freeman Films, it continues to play regularly at the Air and Space Museum.

During his years with Francis Thompson, Inc., Hammid went on to be involved with several other early IMAX films. Graeme Ferguson, co-founder of IMAX Corporation (speaking at Francis Thompson’s memorial service in 2004) recalled how he had wanted Hammid and Thompson to make the first commercial IMAX films because of their extensive work in earlier large-scale multi-screen films including To Be Alive! (which won an Oscar after being shown at the New York World's Fair in 1964), We Are Young (on six screens for the Montreal World's Fair/Expo 67 in 1967) and US (for San Antonio's Hemisfair in 1969).

Death

[edit]

Hammid died in July 2004 in his Manhattan apartment. He was 96.[8]

Legacy

[edit]

Austrian film director, Martina Kudláček directed, documentary, Aimless Walk: Alexander Hammid (1996) based on his life and work.[9] In 2006, MoMA organized a tribute film exhibition titled, "Alexander Hammid: A Memorial Salute" based on its film archives.[4]

The Academy Film Archive has preserved Arturo Toscanini: Conducting Music of Giuseppe Verdi and Library of Congress by Alexandr Hackenschmied.[10]

Filmography

[edit]

Director

[edit]

Editor

[edit]
  • Loupežník (1931)
  • Zem spievá (1933, The Earth Sings)
  • A život jde dál (1935)
  • Crisis (1939)
  • The Photographer (1948)
  • The Medium (1951)
  • Miracle in Java (1956)
  • Out (1957)
  • To Be Alive! (1964)

See also

[edit]
  • Book: Michael Omasta (ed.): Tribute to Sasha (Vienna: SYNEMA, 2002) (German/English)
  • Documentary Film: Aimless Walk: Alexander Hammid (1996, 48 minutes) directed by Martina Kudlacek

References

[edit]
  1. ^ Kathryn L. Shattuck (August 8, 2004). "Alexander Hammid, 96, Filmmaker Known for Many Styles". The New York Times. Retrieved August 24, 2014.
  2. ^ "Alexandr Hackenschmied - Monoskop". monoskop.org. Retrieved 2020-07-10.
  3. ^ "1965 (38th Academy Award)". Academy Awards® Database - AMPAS. Archived from the original on 2012-07-01. Retrieved 2014-08-24.
  4. ^ a b "Alexander Hammid: A Memorial Salute". MoMA. February 24–26, 2006. Retrieved 2014-08-24.
  5. ^ "Alexandr Hackenschmied". Schaden.com.
  6. ^ Marta Filipová (2020-02-28). "Artwork of the Month, February 2020: The Highway Sings by Elmar Klos, Jan Lukas and Alexander Hackenschmied (1937)". Continuity/Rupture: Art and Architecture in Central Europe 1918–1939. Retrieved 2021-04-12.
  7. ^ "MoMA | Maya Deren. Meshes of the Afternoon. 1943". www.moma.org. Retrieved 2021-04-22.
  8. ^ Shattuck, Kathryn L. (2004-08-08). "Alexander Hammid, 96, Filmmaker Known for Many Styles". The New York Times. ISSN 0362-4331. Retrieved 2024-07-05.
  9. ^ Aimless Walk: Alexander Hammid at IMDb
  10. ^ "Preserved Projects". Academy Film Archive.
[edit]
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