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| image_alt =
| image_alt =
| caption =
| caption =
| writer = Stephen Adly Guirgis
| writer = [[Stephen Adly Guirgis]]
| chorus =
| chorus =
| characters = Holy Roller<br>
| characters = Holy Roller<br>Lenny<br>Greer<br>Mrs. Reyes<br>Demaris<br>Steven Schub Daisy<br>Charlie<br>Skank<br>Chickie<br>Sammy<br>Jake
Lenny<br>
Greer<br>
Mrs. Reyes<br>
Demaris<br>
Steven Schub Daisy<br>
Charlie<br>
Skank<br>
Chickie<br>
Sammy<br>
Jake
| setting = [[New York City]]
| setting = [[New York City]]
| premiere = <!-- {{Start date|YYYY|MM|DD}} -->
| premiere = <!-- {{Start date|YYYY|MM|DD}} -->
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| genre =
| genre =
| web =
| web =
| playbill =
}}
}}


'''''In Arabia We'd All Be Kings''''' is a dramatic [[play (theatre)|play]] set in [[New York City]], written by Stephen Adly Guirgis.<ref>[http://www.imdb.com/name/nm0000450/bio IMDB]</ref> It chronicles the demise of a group of individuals living in New York's [[Hell's Kitchen, Manhattan|Hell's Kitchen]] around the time of before [[Rudy Giuliani]]'s efforts to clean up the city. Out of work and strapped for money, the lives of these individuals revolve around a local bar and their misguided hopes and dreams. The play deals primarily with issues of commercialism, hope, and friendship.
'''''In Arabia We'd All Be Kings''''' is a dramatic [[play (theatre)|play]] set in [[New York City]], written by [[Stephen Adly Guirgis]].<ref name=arabia/> It chronicles the demise of a group of individuals living in New York's [[Hell's Kitchen, Manhattan|Hell's Kitchen]] around the time before [[Rudy Giuliani]]'s efforts to clean up the city. Out of work and strapped for money, the lives of these individuals revolve around a local bar and their misguided hopes and dreams. The play deals primarily with issues of commercialism, hope, and friendship.


==Plot==
==Plot==
Lenny is a recently released ex-[[convict]]. Despite his imposing size, he was gang [[raped]] repeatedly while [[incarcerated]] and struggles to find his manhood on the outside. Daisy, his [[alcoholic]] girlfriend, craves a “real” life with a “real” man and abandons him at a seedy pre-[[Rudy Giuliani|Giuliani]] [[Times Square]] bar in pursuit of some cheap Chinese takeout. At the bar is Skank, a former failed actor turned junkie, who is trying to outlast the rain storm and get a buyback from the long-missing Irish bartender as he begins to go through withdrawals. Also at the bar is Sammy, an old, dying guilt-ridden drunk who exists somewhere between reality and the afterlife. DeMaris, a seventeen-year-old gun-brandishing single mother, wants to learn to turn tricks. She enlists the aid of Chickie, Skank’s girlfriend, a young [[crackhead]] [[Prostitution|hooker]] who plays Go Fish with the simple-minded day bartender Charlie, who thinks he’s a [[Jedi]] warrior and who buys meals for Chickie because he loves her and because he lives for the day they can go out someday, “just as friends.” The owner of the bar is Jake. The place was his father’s before him, and after thirty years, he longs for the chance to leave “this sewer” for a re-invented life in Florida. The real-estate boom, “[[gentrification]]” and the emergence of Disney in Times Square affords him that opportunity. Unaware that their last piece of home is about to be pulled out from under them, the bar patrons struggle on. Their sense of humor, their misguided hopes and dreams, and their lack of self-pity are badges that are tattooed to their souls. They will all, before the end, demand and take the chance to face head on their complicated and sad truths.
Lenny is a recently released ex-[[convict]]. Despite his imposing size, he was gang [[raped]] repeatedly while [[incarcerated]] and struggles to find his manhood on the outside. Daisy, his [[alcoholic]] girlfriend, craves a “real” life with a “real” man and abandons him at a seedy bar in pursuit of some cheap Chinese takeout. At the bar is Skank, a former failed actor turned junkie, who is trying to outlast the rain storm and get a buyback from the long-missing Irish bartender as he begins to go through withdrawals. Also at the bar is Sammy, an old, dying guilt-ridden drunk who exists somewhere between reality and the afterlife. DeMaris, a seventeen-year-old gun-brandishing single mother, wants to learn to turn tricks. She enlists the aid of Chickie, Skank’s girlfriend, a young [[crackhead]] [[Prostitution|hooker]] who plays Go Fish with the simple-minded day bartender Charlie, who thinks he’s a [[Jedi]] warrior and who buys meals for Chickie because he loves her and because he lives for the day they can go out someday, “just as friends.” The owner of the bar is Jake. The place was his father’s before him, and after thirty years, he longs for the chance to leave “this sewer” for a re-invented life in Florida. The real-estate boom, “[[gentrification]]” and the emergence of Disney in Times Square affords him that opportunity. Unaware that their last piece of home is about to be pulled out from under them, the bar patrons struggle on. Their sense of humor, their misguided hopes and dreams, and their lack of self-pity are badges that are tattooed to their souls. They will all, before the end, demand and take the chance to face head on their complicated and sad truths.


==Characters==
==Characters==
Chickie and Skank, a pair of crackheads. Charlie, a mentally disabled barman, sees himself as a Jedi fighter from Star Wars. And Demaris, a 17-year-old apprentice hooker, craves security for herself and her baby. Lenny, a hoodlum, goes for an unlikely job interview as an on-site field marketeer which actually involves handing out flyers. Skank is obliged to supply sexual favors to feed his own desolate habit.

*Holy Roller
*Holy Roller
*Lenny
*Lenny
Line 48: Line 39:


==Productions==
==Productions==
===1999===
Presented at Center Stage in New York. Directed by [[Philip Seymour Hoffman]] with Russell G. Jones as Greer, [[Trevor Long]] as Skank, [[David Zayas]] as Lenny, Liza Zayas as Daisy, [[Ana Ortiz]] as Demaris, Tiprin Mandalay as Chicky, Sal Inzerillo as Charlie, Richard Petrocelli as Jake, Mark Hammer as Sammy, and Begonya Plaza as Mrs. Reyes.<ref name=NYTimes>{{cite web|last=Hampton|first=Wilborn|title=THEATER REVIEW; A Lot of Degradation and a Little Bit of Humor|url=http://theater.nytimes.com/mem/theater/treview.html?res=9B0CE2DF1F3FF932A15754C0A96F958260|publisher=New York Times|accessdate=August 2, 2012|date=July 21, 1999}}</ref> As ''[[The New York Times]] described it, "Zoot-suited craps players have been replaced by junkies in dirty T-shirts who will do anything for drug money, and the Salvation Army evangelists are now religious nuts who carve up the prostitutes rather than preach to them."<ref name=NYTimes />


===2003===
===Off-Off-Broadway, 1999===
The play premiered [[Off-Off-Broadway]] at Center Stage in a LAByrinth Theatre Company production on June 23, 1999 in previews, July 8 officially and closed on July 23, 1999.<ref>[http://www.playbill.com/news/article/philip-seymour-hoffman-to-stay-in-ob-arabia-until-july-23-83056 "Philip Seymour Hoffman to Stay in OB Arabia Until July 23"] playbill.com, July 13, 1999</ref><ref name=arabia>[http://labtheater.org/events/arabia-wed-kings/ "Listing"] {{Webarchive|url=https://web.archive.org/web/20160304205942/http://labtheater.org/events/arabia-wed-kings/ |date=2016-03-04 }} labtheater.org, accessed April 23, 2015</ref>
Performed at the [[Hampstead Theatre]] in London from 24 April 17 May 2003. Directed by Robert Delamere, featuring Danny Cerqueira, [[Tom Hardy]], [[Ashley Davies]], [[Sam Douglas]], Evelyn Duah, [[David Hinton]], Gerry Lepkowski, [[Colin McFarlane]], Celia Meiras, [[Garfield Morgan]], Deborah Weston, and [[Benedict Wong]]. Chickie (Davies) and Skank (Hardy), are a pair of crackheads. Charlie (Lepkowski), a retarded barman, who sees himself as a Jedi fighter from Star Wars. And Demaris, a 17-year-old apprentice hooker, craves security for herself and her baby. Lenny, a hoodlum, goes for an unlikely job interview as an on-site field marketeer which actually involves handing out flyers. Skank is obliged to supply sexual favors to feed his own desolate habit.<ref>{{cite web|last=Billington|first=Michael|url=http://www.guardian.co.uk/stage/2003/apr/29/theatre.artsfeatures2|publisher=Guardian|title=Guardian :: In Arabia, We'd All Be Kings|accessdate=August 2, 2012|date=28 April 2003}}</ref> It earned Hardy a win for the Evening Standard Theatre award for Outstanding Newcomer.

Directed by [[Philip Seymour Hoffman]], the cast featured [[Russell G. Jones]] as Greer, [[Trevor Long (actor)|Trevor Long]] as Skank, [[David Zayas]] as Lenny, Liza Zayas as Daisy, [[Ana Ortiz]] as Demaris, Tiprin Mandalay as Chicky, Sal Inzerillo as Charlie, Richard Petrocelli as Jake, Mark Hammer as Sammy, and Begonya Plaza as Mrs. Reyes.<ref name=NYTimes>{{cite web|last=Hampton|first=Wilborn|title=THEATER REVIEW; A Lot of Degradation and a Little Bit of Humor|url=http://theater.nytimes.com/mem/theater/treview.html?res=9B0CE2DF1F3FF932A15754C0A96F958260|work=New York Times|accessdate=August 2, 2012|date=July 21, 1999}}</ref><ref name=arabia/> As ''[[The New York Times]]'' described it, "Zoot-suited craps players have been replaced by junkies in dirty T-shirts who will do anything for drug money, and the Salvation Army evangelists are now religious nuts who carve up the prostitutes rather than preach to them."<ref name=NYTimes />


===London, 2003===
In its review, the ''[[London Evening Standard]]'' said, "Chickie’s boyfriend, Skank, played by Tom Hardy in a remarkable stage debut, is all meaningless hand gestures and contorted body language, as he ineffectually tries to drive a hard sexual bargain with an exploitative businessmen. The scene powerfully conveys Guirgis’s outrage at the way the poor lose out."{{cn}} ''[[Variety (magazine)|Variety]]''' found that, "The play underscores the tragic truth that the human psyche yearns for stability and will eventually accept any remnant of it that can be found."<ref>[http://www.variety.com/review/VE1117933123.html?categoryid=33&cs=1 Variety]</ref>
The play was performed at the [[Hampstead Theatre]] in London from 24 April to 17 May 2003. Directed by Robert Delamere, the cast featured Danny Cerqueira, [[Tom Hardy]] (Skank), Ashley Davies, [[Sam Douglas]], Evelyn Duah, [[David Hinton]], Gerry Lepkowski (Charlie), [[Colin McFarlane]], Celia Meiras, [[Garfield Morgan]], Deborah Weston, and [[Benedict Wong]].<ref>{{cite web|last=Billington|first=Michael|url=https://www.theguardian.com/stage/2003/apr/29/theatre.artsfeatures2|publisher=Guardian|title=Guardian :: In Arabia, We'd All Be Kings|accessdate=August 2, 2012|date=28 April 2003}}</ref> Hardy received the [[Evening Standard Theatre Awards#Outstanding Newcomer|Evening Standard Theatre Award for Outstanding Newcomer]].<ref>[http://www.westendtheatre.com/11751/awards/evening-standard-theatre-awards-2003/ "Evening Standard Theatre Award, 2003"]
westendtheatre.com, accessed April 23, 2015</ref>


In its review, the ''[[London Evening Standard]]'' said, "Chickie’s boyfriend, Skank, played by Tom Hardy in a remarkable stage debut, is all meaningless hand gestures and contorted body language, as he ineffectually tries to drive a hard sexual bargain with an exploitative businessmen. The scene powerfully conveys Guirgis’s outrage at the way the poor lose out."{{citation needed|date=February 2014}} ''[[Variety (magazine)|Variety]]''' found that, "The play underscores the tragic truth that the human psyche yearns for stability and will eventually accept any remnant of it that can be found."<ref>[https://www.variety.com/review/VE1117933123.html?categoryid=33&cs=1 Variety]</ref>
===2007===
Presented at the [[Elephant Theatre Company]] in Hollywood, California from January 26, 2007 - April 21, 2007. Directed by Founding Artistic Director, [http://www.DavidFofi.com David Fofi], featuring Jade Dornfeld, Carolina Espiro, Dan Gilvary, Torrance Jordan, Patricia Rae, Charlie Romanelli, George Russo, Steven Schub, Bernadette Speakes, Tim Starks, Kenny Suarez, and Jason Warren. The production garnered 4 LA Drama Critic's Circle Awards including Best Production, Best Play, and Best Direction.


===California, 2007===
:::"Scripter Stephen Adly Guirgis' powerful legiter "In Arabia We'd All Be Kings" takes a jaundiced look at Mayor Rudy Giuliani's 1990s New York City beautification project and its effect on a group of Hell's Kitchen locals. Helmer David Fofi advances Guirgis' agenda thanks to a perfectly cast 12-member ensemble embodying the woebegone urbanites whose shaky sense of stability has been totally disrupted." [http://www.variety.com/review/VE1117933123 Variety] (Julio Martinez)
Presented at the [[Elephant Theatre Company]] in Hollywood, California from January 26, 2007 - April 21, 2007. Directed by Founding Artistic Director, David Fofi, featuring Jade Dornfeld, Carolina Espiro, Dan Gilvary, Torrance Jordan, Patricia Rae, Charlie Romanelli, George Russo, Steven Schub, Bernadette Speakes, Tim Starks, Kenny Suarez, and Jason Warren.<ref name=compile/> The production garnered 4 LA Drama Critic's Circle Awards: Production, Writing, Scenic Design and Lighting Design.<ref>Jones, Kenneth. [http://www.playbill.com/news/article/l.a.-drama-critics-embrace-13-stephen-adly-guirgis-and-zanna-dont-in-annual-148489 "L.A. Drama Critics Embrace 13, Stephen Adly Guirgis and Zanna, Don't! in Annual Awards"] playbill.com, March 18, 2008</ref>


:::“David Fofi, one of L.A.'s best directors, keeps his exceptional cast grounded in each moment; their comedy and heartbreak feels equally earned, and the artistic discipline on view here finds strong chemistry with the play's outsized rhythms...Arabia carries an undeniably cumulative power. Critic's Choice in the LA Times (Charlotte Stoudt)
Julio Martinez of ''[[Variety (magazine)|Variety]]'' said the play "takes a jaundiced look at Mayor Rudy Giuliani's 1990s New York City beautification project and its effect on a group of Hell's Kitchen locals. Helmer David Fofi advances Guirgis' agenda thanks to a perfectly cast 12-member ensemble embodying the woebegone urbanites whose shaky sense of stability has been totally disrupted."<ref>Martinez, Julio. [https://www.variety.com/review/VE1117933123 "Review"] ''Variety'', March 19, 2007</ref> Calling David Fofi "one of L.A.'s best directors", Charlotte Stoudt of the ''[[Los Angeles Times]]'' said he "keeps his exceptional cast grounded in each moment; their comedy and heartbreak feels equally earned, and the artistic discipline on view here finds strong chemistry with the play's outsized rhythms...Arabia carries an undeniably cumulative power."<ref>Stoudt, Charlotte. [https://www.latimes.com/archives/la-xpm-2007-feb-02-et-arabia2-story.html "Theatre review. No way to treat a king"] ''LA Times'', February 2, 2007</ref>


Les Spindle of ''Backstage West'' found the production "magnificently acted and impeccably mounted", and that "raucous hilarity segues to heartbreak and fear in a heartbeat", and praised its "seamless ensemble."<ref name=compile>[https://www.plays411.net/newsite/review/play_reviews.asp?show_id=822 "Compilation of Reviews"] plays411.net, accessed April 23, 2015</ref> Steven Mikulan of ''[[L.A. Weekly]]'' said the ensemble's "standouts include Tim Starks as a self-motivated wheeler-dealer named Greer, and George Russo as the bar’s misanthropic owner, Jake. The action unfolds on Joel Daavid’s wonderfully detailed bar set that Daavid also lights with feeble, subterranean illumination."<ref name=compile/>
:::"...it's hard to imagine a finer realization of the play's profound human truths than in director David Fofi's magnificently acted and impeccably mounted rendition. In Fofi's superbly nuanced interpretation, raucous hilarity segues to heartbreak and fear in a heartbeat. He's aided enormously by a seamless ensemble. (This) smashing production makes one want to immediately view another Guirgis play.” Backstage (Les Spindle)


===Cleveland, 2012===
:::"...director David Fofi plays the personal conflicts like a pinball wizard...and has assembled a reliable ensemble whose standouts include Tim Starks as a self-motivated wheeler-dealer named Greer, and George Russo as the bar’s misanthropic owner, Jake. The action unfolds on Joel Daavid’s wonderfully detailed bar set that Daavid also lights with feeble, subterranean illumination." - LA Weekly (Steven Mikulan)
It was produced at Cleveland Play House in [[Cleveland]], Ohio, from February 1–11, 2012, by the Graduate Ensemble of 2014.<ref>{{cite web|title=PlayhouseSquare :: In Arabia We'd All Be Kings|url=http://www.playhousesquare.org/default.asp?playhousesquare=58&objId=2222|publisher=PlayhouseSquare|accessdate=August 2, 2012|date=February 2012|archive-url=https://web.archive.org/web/20120304100404/http://www.playhousesquare.org/default.asp?playhousesquare=58&objId=2222|archive-date=March 4, 2012|url-status=dead}}</ref><ref>{{cite web|title=CWRU/CPH MFA/In Arabia We'd All Be Kings|url=http://clevelandplayhouse.com/cwru-cph-mfa/2011-2012/in-arabia-wed-all-be-kings|publisher=Cleveland Playhouse|accessdate=August 2, 2012|archive-url=https://web.archive.org/web/20120531133938/http://www.clevelandplayhouse.com/cwru-cph-mfa/2011-2012/in-arabia-wed-all-be-kings|archive-date=May 31, 2012|url-status=dead}}</ref>


===2012===
=== Dublin, 2015 ===
The play was produced at the Players Theatre in Dublin in 2015. The production was directed by Liam Hallahan.<ref>{{Cite web|url=https://nomoreworkhorse.com/2015/07/02/in-arabia-wed-all-be-kings-players-theatre-review/|title=In Arabia We'd All Be Kings – Players' Theatre – Review|last=Workhorse|first=No More|date=2015-07-02|website=No More Workhorse|language=en|access-date=2019-12-31}}</ref>
Presented at Cleveland Play House in [[Cleveland]], OH from February 1 - February 11, 2012. A gritty exploration of a seedy NYC bar’s clientele and their ignorance as to what’s happening in this city that’s edging them out. Performed by the Graduate Ensemble of 2014.<ref>{{cite web|title=PlayhouseSquare :: In Arabia We'd All Be Kings|url=http://www.playhousesquare.org/default.asp?playhousesquare=58&objId=2222|publisher=PlayhouseSquare|accessdate=August 2, 2012|date=February 2012}}</ref> Directed by Ron Wilson with Bernard Bygott as Lenny, Christa Hinckley as Chickie, Drew Derek as Charlie/Holy Roller, Michael Feldsher as Jake/Sal/Greer, Sarah Kinsey as Daisy/Miss Reyes, Stephen Spencer as Skank, Therese Anderberg as Demaris and TJ Gainley as Sammy/Vic.<ref>{{cite web|title=CWRU/CPH MFA/In Arabia We'd All Be Kings|url=http://clevelandplayhouse.com/cwru-cph-mfa/2011-2012/in-arabia-wed-all-be-kings|publisher=Cleveland Playhouse|accessdate=August 2, 2012}}</ref>


== References ==
== References ==
Line 74: Line 68:


== External links ==
== External links ==
* {{cite press release | url = http://www.labtheater.org/about/news23.html | title= LAByrinth Theater Company and the Public Theater present the World Premiere of a New Play By Stephen Adly Guirgis, ''The Little Flower of East Orange'' | publisher = O&M Company | date= February 8, 2008 | archivedate= October 17, 2008 | archiveurl = https://web.archive.org/web/20081017074822/http://www.labtheater.org/about/news23.html}} Includes background on the playwright.
* [http://www.labtheater.org/about/news23.html Lab Theater]
* [http://www.ladramacriticscircle.com/awards07_nom.htm LA Drama Critics Circle]
* [http://centerstageny.weebly.com/index.html Center Stage NY]


[[Category:1999 plays]]
[[Category:1999 plays]]
[[Category:Plays by Stephen Adly Guirgis]]

Latest revision as of 23:29, 3 September 2024

In Arabia We'd All Be Kings
Written byStephen Adly Guirgis
CharactersHoly Roller
Lenny
Greer
Mrs. Reyes
Demaris
Steven Schub Daisy
Charlie
Skank
Chickie
Sammy
Jake
Place premieredCenter Stage, New York, 1999
Original languageEnglish
SettingNew York City

In Arabia We'd All Be Kings is a dramatic play set in New York City, written by Stephen Adly Guirgis.[1] It chronicles the demise of a group of individuals living in New York's Hell's Kitchen around the time before Rudy Giuliani's efforts to clean up the city. Out of work and strapped for money, the lives of these individuals revolve around a local bar and their misguided hopes and dreams. The play deals primarily with issues of commercialism, hope, and friendship.

Plot

[edit]

Lenny is a recently released ex-convict. Despite his imposing size, he was gang raped repeatedly while incarcerated and struggles to find his manhood on the outside. Daisy, his alcoholic girlfriend, craves a “real” life with a “real” man and abandons him at a seedy bar in pursuit of some cheap Chinese takeout. At the bar is Skank, a former failed actor turned junkie, who is trying to outlast the rain storm and get a buyback from the long-missing Irish bartender as he begins to go through withdrawals. Also at the bar is Sammy, an old, dying guilt-ridden drunk who exists somewhere between reality and the afterlife. DeMaris, a seventeen-year-old gun-brandishing single mother, wants to learn to turn tricks. She enlists the aid of Chickie, Skank’s girlfriend, a young crackhead hooker who plays Go Fish with the simple-minded day bartender Charlie, who thinks he’s a Jedi warrior and who buys meals for Chickie because he loves her and because he lives for the day they can go out someday, “just as friends.” The owner of the bar is Jake. The place was his father’s before him, and after thirty years, he longs for the chance to leave “this sewer” for a re-invented life in Florida. The real-estate boom, “gentrification” and the emergence of Disney in Times Square affords him that opportunity. Unaware that their last piece of home is about to be pulled out from under them, the bar patrons struggle on. Their sense of humor, their misguided hopes and dreams, and their lack of self-pity are badges that are tattooed to their souls. They will all, before the end, demand and take the chance to face head on their complicated and sad truths.

Characters

[edit]

Chickie and Skank, a pair of crackheads. Charlie, a mentally disabled barman, sees himself as a Jedi fighter from Star Wars. And Demaris, a 17-year-old apprentice hooker, craves security for herself and her baby. Lenny, a hoodlum, goes for an unlikely job interview as an on-site field marketeer which actually involves handing out flyers. Skank is obliged to supply sexual favors to feed his own desolate habit.

  • Holy Roller
  • Lenny
  • Greer
  • Mrs. Reyes
  • Demaris
  • Daisy
  • Charlie
  • Skank
  • Chickie
  • Sammy
  • Jake

Productions

[edit]

Off-Off-Broadway, 1999

[edit]

The play premiered Off-Off-Broadway at Center Stage in a LAByrinth Theatre Company production on June 23, 1999 in previews, July 8 officially and closed on July 23, 1999.[2][1]

Directed by Philip Seymour Hoffman, the cast featured Russell G. Jones as Greer, Trevor Long as Skank, David Zayas as Lenny, Liza Zayas as Daisy, Ana Ortiz as Demaris, Tiprin Mandalay as Chicky, Sal Inzerillo as Charlie, Richard Petrocelli as Jake, Mark Hammer as Sammy, and Begonya Plaza as Mrs. Reyes.[3][1] As The New York Times described it, "Zoot-suited craps players have been replaced by junkies in dirty T-shirts who will do anything for drug money, and the Salvation Army evangelists are now religious nuts who carve up the prostitutes rather than preach to them."[3]

London, 2003

[edit]

The play was performed at the Hampstead Theatre in London from 24 April to 17 May 2003. Directed by Robert Delamere, the cast featured Danny Cerqueira, Tom Hardy (Skank), Ashley Davies, Sam Douglas, Evelyn Duah, David Hinton, Gerry Lepkowski (Charlie), Colin McFarlane, Celia Meiras, Garfield Morgan, Deborah Weston, and Benedict Wong.[4] Hardy received the Evening Standard Theatre Award for Outstanding Newcomer.[5]

In its review, the London Evening Standard said, "Chickie’s boyfriend, Skank, played by Tom Hardy in a remarkable stage debut, is all meaningless hand gestures and contorted body language, as he ineffectually tries to drive a hard sexual bargain with an exploitative businessmen. The scene powerfully conveys Guirgis’s outrage at the way the poor lose out."[citation needed] Variety' found that, "The play underscores the tragic truth that the human psyche yearns for stability and will eventually accept any remnant of it that can be found."[6]

California, 2007

[edit]

Presented at the Elephant Theatre Company in Hollywood, California from January 26, 2007 - April 21, 2007. Directed by Founding Artistic Director, David Fofi, featuring Jade Dornfeld, Carolina Espiro, Dan Gilvary, Torrance Jordan, Patricia Rae, Charlie Romanelli, George Russo, Steven Schub, Bernadette Speakes, Tim Starks, Kenny Suarez, and Jason Warren.[7] The production garnered 4 LA Drama Critic's Circle Awards: Production, Writing, Scenic Design and Lighting Design.[8]

Julio Martinez of Variety said the play "takes a jaundiced look at Mayor Rudy Giuliani's 1990s New York City beautification project and its effect on a group of Hell's Kitchen locals. Helmer David Fofi advances Guirgis' agenda thanks to a perfectly cast 12-member ensemble embodying the woebegone urbanites whose shaky sense of stability has been totally disrupted."[9] Calling David Fofi "one of L.A.'s best directors", Charlotte Stoudt of the Los Angeles Times said he "keeps his exceptional cast grounded in each moment; their comedy and heartbreak feels equally earned, and the artistic discipline on view here finds strong chemistry with the play's outsized rhythms...Arabia carries an undeniably cumulative power."[10]

Les Spindle of Backstage West found the production "magnificently acted and impeccably mounted", and that "raucous hilarity segues to heartbreak and fear in a heartbeat", and praised its "seamless ensemble."[7] Steven Mikulan of L.A. Weekly said the ensemble's "standouts include Tim Starks as a self-motivated wheeler-dealer named Greer, and George Russo as the bar’s misanthropic owner, Jake. The action unfolds on Joel Daavid’s wonderfully detailed bar set that Daavid also lights with feeble, subterranean illumination."[7]

Cleveland, 2012

[edit]

It was produced at Cleveland Play House in Cleveland, Ohio, from February 1–11, 2012, by the Graduate Ensemble of 2014.[11][12]

Dublin, 2015

[edit]

The play was produced at the Players Theatre in Dublin in 2015. The production was directed by Liam Hallahan.[13]

References

[edit]
  1. ^ a b c "Listing" Archived 2016-03-04 at the Wayback Machine labtheater.org, accessed April 23, 2015
  2. ^ "Philip Seymour Hoffman to Stay in OB Arabia Until July 23" playbill.com, July 13, 1999
  3. ^ a b Hampton, Wilborn (July 21, 1999). "THEATER REVIEW; A Lot of Degradation and a Little Bit of Humor". New York Times. Retrieved August 2, 2012.
  4. ^ Billington, Michael (28 April 2003). "Guardian :: In Arabia, We'd All Be Kings". Guardian. Retrieved August 2, 2012.
  5. ^ "Evening Standard Theatre Award, 2003" westendtheatre.com, accessed April 23, 2015
  6. ^ Variety
  7. ^ a b c "Compilation of Reviews" plays411.net, accessed April 23, 2015
  8. ^ Jones, Kenneth. "L.A. Drama Critics Embrace 13, Stephen Adly Guirgis and Zanna, Don't! in Annual Awards" playbill.com, March 18, 2008
  9. ^ Martinez, Julio. "Review" Variety, March 19, 2007
  10. ^ Stoudt, Charlotte. "Theatre review. No way to treat a king" LA Times, February 2, 2007
  11. ^ "PlayhouseSquare :: In Arabia We'd All Be Kings". PlayhouseSquare. February 2012. Archived from the original on March 4, 2012. Retrieved August 2, 2012.
  12. ^ "CWRU/CPH MFA/In Arabia We'd All Be Kings". Cleveland Playhouse. Archived from the original on May 31, 2012. Retrieved August 2, 2012.
  13. ^ Workhorse, No More (2015-07-02). "In Arabia We'd All Be Kings – Players' Theatre – Review". No More Workhorse. Retrieved 2019-12-31.
[edit]