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{{short description|American cartoonist}}

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{{Infobox person
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*writer}}
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| known_for = {{plainlist|
| known_for = {{plainlist|
*''Flesh & Bone'' (2010)
*''Flesh and Bone'' (2010)
*''Black Is The Color'' (2013)
*''Black Is The Color'' (2013)
*''Laid Waste'' (2016)}}
*''Laid Waste'' (2016)}}
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'''Julia Gfrörer''' (born September 12, 1982) is an American [[cartoonist]], [[graphic novel]]ist, illustrator, and author. Her work is often [[Transgressive fiction|transgressive]], invoking [[Occult|occult themes]] within an ambience of subtly observed [[Historicism#New|historicist concerns,]] in narratives generally characterized by "[[mumblecore]] dialogue, persistent overtones of horror and suffering, and unapologetic sexuality."<ref>{{Cite news|url=https://lareviewofbooks.org/article/sex-despair-fantasy-desire/#!|title=Sex, Despair, and the Fantasy of Desire |work=Los Angeles Review of Books|access-date=4 June 2018}}</ref> She's been hailed as "one of the most promising artists of her generation" by [[Phoebe Gloeckner]].<ref>{{Cite web|url=http://www.fantagraphics.com/artists/julia-gfroerer/|title=Our Artists: Julia Gfrörer|last=|first=|date=|website=Fantagraphics: Publisher of the world's greatest cartoonists|archive-url=|archive-date=|dead-url=|access-date=February 1, 2019}}</ref>
'''Julia Gfrörer''' (born September 12, 1982) is an American [[cartoonist]], [[graphic novel]]ist, illustrator, and author. Her work is often [[Transgressive fiction|transgressive]], invoking [[Occult|occult themes]] within an ambience of subtly observed [[Historicism#New|historicist concerns]], in narratives generally characterized by "[[mumblecore]] dialogue, persistent overtones of horror and suffering, and unapologetic sexuality."<ref>{{Cite news|url=https://lareviewofbooks.org/article/sex-despair-fantasy-desire/#!|title=Sex, Despair, and the Fantasy of Desire |work=Los Angeles Review of Books|access-date=4 June 2018}}</ref> She's been hailed as "one of the most promising artists of her generation" by [[Phoebe Gloeckner]].<ref>{{Cite web|url=http://www.fantagraphics.com/artists/julia-gfroerer/|title=Our Artists: Julia Gfrörer|website=Fantagraphics: Publisher of the world's greatest cartoonists|access-date=February 1, 2019}}</ref>


== Background ==
== Background ==
Gfrörer graduated from [[Cornish College of the Arts|Cornish College]] with a [[Bachelor of Fine Arts|BFA]] in [[printmaking]].<ref>{{Cite web|url=http://www.tcj.com/julia-gfrorer/|title=Julia Gfrörer! {{!}} The Comics Journal|website=www.tcj.com|date=January 25, 2012 |access-date=4 June 2018}}</ref> Her thesis show explored depictions of [[martyr]]dom – a subject she has returned to frequently in later works (e.g. ''How Life Became Unbearable''<ref>{{Cite web|url=http://www.comicsbeat.com/big-interview-julia-gfrorer-i-dont-get-why-people-write-stories-without-sex-in-them/|title=I Don't Get Why People Write Stories Without Sex in Them|last=Akhtar|first=Zainab|date=July 1, 2013|website=Comics Beat|archive-url=https://web.archive.org/web/20180614144103/http://www.comicsbeat.com/big-interview-julia-gfrorer-i-dont-get-why-people-write-stories-without-sex-in-them/|archive-date=June 14, 2018|url-status=dead|access-date=June 4, 2018}}</ref>'', Palm Ash''<ref>{{Cite news|url=http://www.comicstavern.com/10-questions-with-comics-brewmaster-julia-gfrorer/|title=10 Questions with Julia Gfrörer|date=September 23, 2014|access-date=4 June 2018}}</ref>'', Martyrdom: A Coloring Book)''.<ref name=":0">{{Cite web|url=http://studygroupcomics.com/main/process-party-episode-05-julia-gfrorer/|title=Process Party – Episode 05 – Julia Gfrörer!|website=Study Group Comic Books|access-date=4 June 2018}}</ref> Moving to Portland after graduation, she met Dylan Williams (founder of [[Sparkplug Comics]]) in the process of consigning her DIY mini-comic about St. Francis of Assisi at the Pony Club Gallery where he happened to be working. He became Gfrörer's first publisher. Her first full-length comic, ''Flesh & Bone'' (2010), was nominated for an [[Ignatz Award]] for outstanding achievement in the form, and was excerpted in ''[[The Best American Comics]]'' (2011) anthology shortly thereafter.

Gfrörer graduated from [[Cornish College of the Arts|Cornish College]] with a [[Bachelor of Fine Arts|BFA]] in [[printmaking]].<ref>{{Cite web|url=http://www.tcj.com/julia-gfrorer/|title=Julia Gfrörer! {{!}} The Comics Journal|website=www.tcj.com|access-date=4 June 2018}}</ref> Her thesis show explored depictions of [[martyr]]dom – a subject she has returned to frequently in later works (e.g. ''How Life Became Unbearable''<ref>{{Cite web|url=http://www.comicsbeat.com/big-interview-julia-gfrorer-i-dont-get-why-people-write-stories-without-sex-in-them/|title=I Don't Get Why People Write Stories Without Sex in Them|last=Akhtar|first=Zainab|date=July 1, 2013|website=Comics Beat|archive-url=http://www.comicsbeat.com/big-interview-julia-gfrorer-i-dont-get-why-people-write-stories-without-sex-in-them/|archive-date=June 4, 2018|dead-url=y|access-date=June 4, 2018}}</ref>'', Palm Ash''<ref>{{Cite news|url=http://www.comicstavern.com/10-questions-with-comics-brewmaster-julia-gfrorer/|title=10 Questions with Julia Gfrörer|date=September 23, 2014|access-date=4 June 2018}}</ref>'', Martyrdom: A Coloring Book)''.<ref name=":0">{{Cite web|url=http://studygroupcomics.com/main/process-party-episode-05-julia-gfrorer/|title=Process Party – Episode 05 – Julia Gfrörer!|website=Study Group Comic Books|access-date=4 June 2018}}</ref> Moving to Portland after graduation, she met Dylan Williams (founder of Sparkplug Comics) in the process of consigning her DIY mini-comic about St. Francis of Assisi at the Pony Club Gallery where he happened to be working. He became Gfrörer's first publisher. Her first full-length comic, ''Flesh & Bone'' (2010), was nominated for an [[Ignatz Award]] for outstanding achievement in the form, and was excerpted in the Best American Comics (2011) anthology shortly thereafter.


== Career ==
== Career ==
[[File:Flesh & Bone by Julia Gfrorer.jpg|thumb|Flesh & Bone by Julia Gfrörer, 2010. Published by Sparkplug.]]
[[File:Flesh & Bone by Julia Gfrorer.jpg|thumb|Flesh & Bone by Julia Gfrörer, 2010. Published by Sparkplug.]]
Gfrörer has been twice nominated for the [[Ignatz Award]]<ref>{{Cite web|url=http://www.smallpressexpo.com/2010-ignatz-award-recipients|title=2010 Ignatz Award Recipients {{!}} SPX: The Small Press Expo|website=www.smallpressexpo.com|access-date=4 June 2018}}</ref><ref>{{Cite web|url=https://www.washingtonpost.com/blogs/comic-riffs/post/spx-ignatz-awards-here-are-your-2012-small-press-expo-nominees/2012/08/13/e9be83dc-e551-11e1-8f62-58260e3940a0_blog.html|title=SPX IGNATZ AWARDS: Here are your 2012 Small Press Expo nominees...|last=Cavna|first=Michael|date=August 13, 2012|website=The Washington Post|access-date=4 June 2018}}</ref> and twice featured as a contributor in [[The Best American Comics|Best American Comics]].<ref>{{Cite book|url=https://books.google.com/books/about/The_Best_American_Comics_2011.html?id=-ORh-Bu6urwC|title=The Best American Comics 2011|last=Bechdel|first=Alison|last2=Abel|first2=Jessica|last3=Madden|first3=Matt|date=2011|publisher=Houghton Mifflin Harcourt|isbn=0547333625|language=en}}</ref><ref>{{Cite book|url=https://books.google.com/books?id=ns6TCgAAQBAJ&printsec=frontcover&dq=best+american+comics+2015+contributor+julia+gfrorer&hl=en&sa=X&ved=0ahUKEwjTl_GQ7LrbAhUM34MKHWKqAqAQ6AEIJzAA#v=onepage&q&f=false|title=The Best American Comics 2015|last=Lethem|first=Jonathan|last2=Kartalopoulos|first2=Bill|date=October 6, 2015|publisher=Houghton Mifflin Harcourt|isbn=9780544102668|language=en}}</ref>
Gfrörer has been twice nominated for the [[Ignatz Award]]<ref>{{Cite web|url=http://www.smallpressexpo.com/2010-ignatz-award-recipients|title=2010 Ignatz Award Recipients {{!}} SPX: The Small Press Expo|website=www.smallpressexpo.com|access-date=4 June 2018}}</ref><ref>{{Cite news|url=https://www.washingtonpost.com/blogs/comic-riffs/post/spx-ignatz-awards-here-are-your-2012-small-press-expo-nominees/2012/08/13/e9be83dc-e551-11e1-8f62-58260e3940a0_blog.html|title=SPX IGNATZ AWARDS: Here are your 2012 Small Press Expo nominees...|last=Cavna|first=Michael|date=August 13, 2012|newspaper=The Washington Post|access-date=4 June 2018}}</ref> and twice featured as a contributor in [[The Best American Comics|Best American Comics]].<ref>{{Cite book|url=https://books.google.com/books?id=-ORh-Bu6urwC|title=The Best American Comics 2011|last1=Bechdel|first1=Alison|last2=Abel|first2=Jessica|last3=Madden|first3=Matt|date=2011|publisher=Houghton Mifflin Harcourt|isbn=978-0547333625|language=en}}</ref><ref>{{Cite book|url=https://books.google.com/books?id=ns6TCgAAQBAJ&q=best+american+comics+2015+contributor+julia+gfrorer|title=The Best American Comics 2015|last1=Lethem|first1=Jonathan|last2=Kartalopoulos|first2=Bill|date=October 6, 2015|publisher=Houghton Mifflin Harcourt|isbn=9780544102668|language=en}}</ref>


After experimenting with self-publishing and working with a number of smaller presses (Sparkplug, Study Group etc.), Gfrörer's second graphic novella, ''Black Is The Color'', was published at [[Fantagraphics Books|Fantagraphics]] after being digitally serialized on the Study Group Comics website.<ref>{{Cite web|url=http://studygroupcomics.com/main/black-is-the-color-by-julia-gfrorer/|title=Black Is the Color – by Julia Gfrörer|website=Study Group Comic Books|access-date=4 June 2018}}</ref><ref>{{Cite web|url=http://www.tcj.com/reviews/black-is-the-color/|title=Black Is the Color {{!}} The Comics Journal|website=www.tcj.com|access-date=4 June 2018}}</ref><ref>{{Cite web|url=http://www.fantagraphics.com/blackisthecolor/|title=New Releases :: Black is the Color|website=''fantagraphics.com''|access-date=4 June 2018}}</ref> Fantagraphics published her book about the [[Black Death]], ''Laid Waste,'' in 2016 which was released to general critical acclaim.<ref>{{Cite web|url=https://www.pastemagazine.com/articles/2016/12/julia-gfrorers-laid-waste-raises-a-hand-out-of-the.html|title=Julia Gfrorer's ''Laid Waste'' Raises a Hand From the Darkness|author=Hillary Brown|date=14 December 2016|work=Paste Magazine|access-date=4 June 2018}}</ref><ref>{{Cite news|url=https://creators.vice.com/en_uk/article/9anxqy/laid-waste-best-indie-comic-roundup|title=‘Laid Waste’ May Be the Best Indie Comic All Year|date=November 4, 2016|work=Creators|access-date=4 June 2018}}</ref><ref>{{Cite news|url=https://www.publishersweekly.com/978-1-60699-971-4|title=Comics Book Review: Laid Waste by Julia Gfrörer. Fantagraphics, $14.99 trade paper (80p) ISBN 978-1-60699-971-4|work=Publishers Weekly|access-date=4 June 2018}}</ref><ref>{{Cite news|url=https://comicsgrinder.com/2016/09/01/review-laid-waste-by-julia-gfrorer/|title=Review: LAID WASTE by Julia Gfrörer|date=September 1, 2016|work=Comics Grinder|access-date=4 June 2018}}</ref>
After experimenting with self-publishing and working with a number of smaller presses (Sparkplug, Study Group etc.), Gfrörer's second graphic novella, ''Black Is The Color'', was published at [[Fantagraphics Books|Fantagraphics]] after being digitally serialized on the Study Group Comics website.<ref>{{Cite web|url=http://studygroupcomics.com/main/black-is-the-color-by-julia-gfrorer/|title=Black Is the Color – by Julia Gfrörer|website=Study Group Comic Books|access-date=4 June 2018}}</ref><ref>{{Cite web|url=http://www.tcj.com/reviews/black-is-the-color/|title=Black Is the Color {{!}} The Comics Journal|website=www.tcj.com|access-date=4 June 2018}}</ref><ref>{{Cite web|url=http://www.fantagraphics.com/blackisthecolor/|title=New Releases :: Black is the Color|website=fantagraphics.com|access-date=4 June 2018}}</ref> Fantagraphics published her book about the [[Black Death]], ''Laid Waste,'' in 2016 which was released to general critical acclaim.<ref>{{Cite web|url=https://www.pastemagazine.com/articles/2016/12/julia-gfrorers-laid-waste-raises-a-hand-out-of-the.html|title=Julia Gfrorer's ''Laid Waste'' Raises a Hand From the Darkness|author=Hillary Brown|date=14 December 2016|work=Paste Magazine|access-date=4 June 2018}}</ref><ref>{{Cite news|url=https://creators.vice.com/en_uk/article/9anxqy/laid-waste-best-indie-comic-roundup|title='Laid Waste' May Be the Best Indie Comic All Year|date=November 4, 2016|work=Creators|access-date=4 June 2018}}</ref><ref>{{Cite news|url=https://www.publishersweekly.com/978-1-60699-971-4|title=Comics Book Review: Laid Waste by Julia Gfrörer. Fantagraphics, $14.99 trade paper (80p) ISBN 978-1-60699-971-4|work=Publishers Weekly|access-date=4 June 2018}}</ref><ref>{{Cite news|url=https://comicsgrinder.com/2016/09/01/review-laid-waste-by-julia-gfrorer/|title=Review: LAID WASTE by Julia Gfrörer|date=September 1, 2016|work=Comics Grinder|access-date=4 June 2018}}</ref>


Gfrörer appeared in Fantagraphics' Next Wave panel alongside colleagues [[Simon Hanselmann]], Anya Davidson, [[Benjamin Marra]], and [[Noah Van Sciver]] in 2016.<ref>{{Citation|last=SmallPressExpo|title=SPX 2016 Panel – Fantagraphics Next Wave|date=October 19, 2016|url=https://www.youtube.com/watch?v=FzxjYShp8Sk|accessdate=4 June 2018}}</ref> She's also presented at PEN America's "Transcendent Obscenity" panel,<ref>{{Cite news|url=https://pen.org/laid-waste/|title=Laid Waste – PEN America|date=April 27, 2017|work=PEN America|access-date=4 June 2018}}</ref> and at the [[Parsons School of Design|Parsons School of Art & Design]]<ref>{{Cite web|url=https://events.newschool.edu/event/new_york_comics_picture-story_symposium_featuring_julia_gfrorer|title=New York Comics & Picture-Story Symposium: Featuring Julia Gfrorer|website=The New School|access-date=4 June 2018}}</ref> while teaching workshops at SAW<ref>{{Cite news|url=https://www.sequentialartistsworkshop.org/blog/julia-gfrorer|title=Comics Workshop with Julia Gfrorer: March 5 – 8 2018|work=Sequential Artists Workshop|access-date=4 June 2018}}</ref> and exhibiting work at [[MoCCA Festival|MoCCA]]<ref>{{Cite web|url=https://www.societyillustrators.org/exhibits/comic-and-cartoon-art-annual-special-format-comic-strip-long-form|title=Comic and Cartoon Art Annual Special Format, Comic Strip, Long Form {{!}} Society of Illustrators|website=www.societyillustrators.org|access-date=4 June 2018}}</ref> and elsewhere.
Gfrörer appeared in Fantagraphics' Next Wave panel alongside colleagues [[Simon Hanselmann]], Anya Davidson, [[Benjamin Marra]], and [[Noah Van Sciver]] in 2016.<ref>{{Citation|last=SmallPressExpo|title=SPX 2016 Panel – Fantagraphics Next Wave|date=October 19, 2016|url=https://www.youtube.com/watch?v=FzxjYShp8Sk|access-date=4 June 2018}}</ref> She's also presented at PEN America's "Transcendent Obscenity" panel,<ref>{{Cite news|url=https://pen.org/laid-waste/|title=Laid Waste – PEN America|date=April 27, 2017|work=PEN America|access-date=4 June 2018}}</ref> and at the [[Parsons School of Design|Parsons School of Art & Design]]<ref>{{Cite web|url=https://events.newschool.edu/event/new_york_comics_picture-story_symposium_featuring_julia_gfrorer|title=New York Comics & Picture-Story Symposium: Featuring Julia Gfrorer|website=The New School|access-date=4 June 2018}}</ref> while teaching workshops at SAW<ref>{{Cite news|url=https://www.sequentialartistsworkshop.org/blog/julia-gfrorer|title=Comics Workshop with Julia Gfrorer: March 5 – 8 2018|work=Sequential Artists Workshop|access-date=4 June 2018}}</ref> and exhibiting work at [[MoCCA Festival|MoCCA]]<ref>{{Cite web|url=https://www.societyillustrators.org/exhibits/comic-and-cartoon-art-annual-special-format-comic-strip-long-form|title=Comic and Cartoon Art Annual Special Format, Comic Strip, Long Form {{!}} Society of Illustrators|website=www.societyillustrators.org|access-date=4 June 2018}}</ref> and elsewhere.


While Fantagraphics publishes Gfrörer's major works, she continues to publish shorter works and collaborations under her own imprint, Thuban Press.
While Fantagraphics publishes Gfrörer's major works, she continues to publish shorter works and collaborations under her own imprint, Thuban Press. In 2016, Thuban published ''No End Will Be Found'', a harrowing novella set during the Würzburg witch trials by author [[Gretchen Felker-Martin]] whose work continues to appear under the imprint.


Gfrörer and Sean T. Collins (her partner & frequent collaborator) were selected to curate and edit the second volume of 2D Cloud's annual anthology ''Mirror, Mirror'' in 2017.<ref>{{Cite news|url=https://www.publishersweekly.com/978-1-937541-31-6|title=Comics Book Review: Mirror Mirror 2 by Edited by Julia Gfrörer and Sean T. Collins. 2dcloud (Consortium, dist.), $39.95 trade paper (244p) ISBN 978-1-937541-31-6|work=Publishers Weekly|access-date=4 June 2018}}</ref><ref name=":0" />
Gfrörer and Sean T. Collins (her partner & frequent collaborator) were selected to curate and edit the second volume of 2D Cloud's annual anthology ''Mirror, Mirror'' in 2017.<ref name=":0" /><ref>{{Cite news|url=https://www.publishersweekly.com/978-1-937541-31-6|title=Comics Book Review: Mirror Mirror 2 by Edited by Julia Gfrörer and Sean T. Collins. 2dcloud (Consortium, dist.), $39.95 trade paper (244p) ISBN 978-1-937541-31-6|work=Publishers Weekly|access-date=4 June 2018}}</ref> More recently ''Analog Self-Publishing'' has been released as a starter-kit for aspiring zine and comic book artists, the ''Visions'' trilogy, and ''All-Fucked Up'' (in collaboration with Sean T. Collins & Felker-Martin).


== Selected works ==
== Selected works ==

=== Graphic novellas ===
=== Graphic novellas ===
* ''Flesh and Bone'' (2010): after returning from a [[black mass]], a witch meets a forlorn young man who has come to ask for her aid in reuniting him with his dead lover. Selected by [[Alison Bechdel]] for inclusion in Best American Comics 2011.
* ''Black is the Color'' (2013): a 17th century sailor abandoned at sea by his shipmates endures, and eventually succumbs to, both his lingering death sentence and the advances of an amorous [[mermaid]].
* ''Laid Waste'' (2017): as corpses accumulate around her in a [[Plague (disease)|plague]]-ravaged medieval city, a young widow named Agnès must weigh her obligations to the dead and dying against her desire to protect what little remains.


=== Minicomics ===
* '''''Laid Waste''''' (2017): as corpses accumulate around her in a [[plague]]-ravaged medieval city, a young widow named Agnès must weigh her obligations to the dead and dying against her desire to protect what little remains.
*''Vision (Vol. I-III)''
* '''''Black Is The Color''''' (2013): a 17th century sailor abandoned at sea by his shipmates endures, and eventually succumbs to, both his lingering death sentence and the advances of a cruel and amorous mermaid.
*''Analog Self-Publishing''
* '''''Flesh & Bone''''' (2010): after returning from a [[black mass]], a witch meets a forlorn young man who's come to ask for her aid in reuniting him with his dead lover. Selected by [[Alison Bechdel]] for inclusion in Best American Comics 2011.

=== Comic books ===
[[File:Palm Ash by Julia Gfrorer.jpg|thumb|''Palm Ash'' by Julia Gfrorer, 2014. Published by Thuban Press.]]

*''Dark Age'': a pair of lovers in a primeval age explore a deep cave.
*''Dark Age'': a pair of lovers in a primeval age explore a deep cave.
*''Palm Ash'': a doomed love story set during the [[Diocletianic Persecution]]. Selected by [[Jonathan Lethem]] for inclusion in Best American Comics, 2015.
*''Palm Ash'': a doomed love story set during the [[Diocletianic Persecution]]. Selected by [[Jonathan Lethem]] for inclusion in Best American Comics, 2015.
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*''Black Light'': collects the short stories "River of Tears", "All is Lost", "Unclean", and "Phosphorus".
*''Black Light'': collects the short stories "River of Tears", "All is Lost", "Unclean", and "Phosphorus".
*''Goodnight Seattle'': morbid visions of ''[[Frasier]]''.
*''Goodnight Seattle'': morbid visions of ''[[Frasier]]''.
*''Ariadne auf Naxos I, II, and III'': short comic strips.
*''Ariadne auf Naxos I, II, and III'' ([[Floating World Comics]]): short comic strips.
*''All the Ancient Kings'': imagined interactions between (mostly) dead artists.
*''All the Ancient Kings'': imagined interactions between (mostly) dead artists.
*''How Life Became Unbearable'': a story involving [[Francis of Assisi]].
*''How Life Became Unbearable'': a story involving [[Francis of Assisi]].


=== Collaborations ===
=== Collaborations ===
* ''In Pace Requiescat'', ''The Hideous Dropping Away of the Veil'', ''The Deep Ones'', and ''Hiders'' by Sean T. Collins, illustrated by Julia Gfrörer

* ''In Pace Requiescat'' by Sean T. Collins, illustrated by Julia Gfrorer
* ''Martyrdom: A Coloring Book'' by Hallie Fryd, illustrated by Julia Gfrörer
* ''The Hiddeous Dropping Away of the Veil'' by Sean T. Collins, illustrated by Julia Gfrorer
* ''All Fucked-Up: Tales from the Roadhouse (Expanded Universe)'', featuring Julia Gfrorer, Sean T. Collins, Gretchen Felker-Martin
* ''The Deep Ones'' by Sean T. Collins, illustrated by Julia Gfrorer
* ''Martyrdom: A Coloring Book'' by Hallie Fryd, illustrated by Julia Gfrorer


=== Other publications ===
=== Other publications ===
* ''Mirror, Mirror II'' edited by Julia Gfrörer and Sean T. Collins (including "Heroic Devices" by [[Claude Paradin]], translated and illustrated by Julia Gfrörer)

* ''Mirror, Mirror II'' edited by Julia Gfrorer & Sean T. Collins (including "Heroic Devices" by [[Claude Paradin]], translated & illustrated by Julia Gfrörer)
* ''No End Will Be Found'' by Gretchen Felker-Martin (published by Thuban)
* ''No End Will Be Found'' by Gretchen Felker-Martin (published by Thuban)
* ''Symbol Reader'' (at ''[[The Comics Journal]]'')
* ''Symbol Reader'' (at ''[[The Comics Journal]]'')


=== Anthology appearances ===
=== Anthology appearances ===

* ''Best American Comics, 2011'' ed. by [[Alison Bechdel]] ("Fear of Fire" excerpted from ''Flesh & Bone'')
* ''Best American Comics, 2011'' ed. by [[Alison Bechdel]] ("Fear of Fire" excerpted from ''Flesh & Bone'')
* ''Best American Comics, 2015'' ed. by [[Jonathan Lethem]] ("Palm Ash")
* ''Best American Comics, 2015'' ed. by [[Jonathan Lethem]] ("Palm Ash")
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* ''Cringe: An Anthology of Embarrassment''
* ''Cringe: An Anthology of Embarrassment''
* ''Black Eye #3''
* ''Black Eye #3''

=== Album Covers ===
* ''Ire Adrift, 2011'' (debut album by Ire Adrift)<ref>{{Cite web |title=S/T, by Ire Adrift |url=https://ireadrift.bandcamp.com/album/s-t |access-date=2022-03-12 |website=Ire Adrift |language=en}}</ref>


== References ==
== References ==
{{Reflist|2}}
{{Reflist|2}}
{{authority control}}
{{authority control}}

== External links ==
* [https://www.lambiek.net/artists/g/gfroerer_julia.htm Lambiek Comiclopedia article about Julia Gfrörer.]


{{DEFAULTSORT:Gfrorer, Julia}}
{{DEFAULTSORT:Gfrorer, Julia}}
[[Category:Alternative cartoonists]]
[[Category:Alternative cartoonists]]
[[Category:American cartoonists]]
[[Category:American comics writers]]
[[Category:American comics writers]]
[[Category:American graphic novelists]]
[[Category:American graphic novelists]]
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[[Category:Writers from New Hampshire]]
[[Category:Writers from New Hampshire]]
[[Category:Artists from New Hampshire]]
[[Category:Artists from New Hampshire]]
[[Category:Women cartoonists]]
[[Category:American women cartoonists]]
[[Category:Female comics writers]]
[[Category:American female comics writers]]
[[Category:American cartoonists]]
[[Category:21st-century American women]]

Latest revision as of 22:11, 4 September 2024

Julia Gfrörer
Born (1982-09-12) September 12, 1982 (age 42)
Occupations
Known for
  • Flesh and Bone (2010)
  • Black Is The Color (2013)
  • Laid Waste (2016)

Julia Gfrörer (born September 12, 1982) is an American cartoonist, graphic novelist, illustrator, and author. Her work is often transgressive, invoking occult themes within an ambience of subtly observed historicist concerns, in narratives generally characterized by "mumblecore dialogue, persistent overtones of horror and suffering, and unapologetic sexuality."[1] She's been hailed as "one of the most promising artists of her generation" by Phoebe Gloeckner.[2]

Background

[edit]

Gfrörer graduated from Cornish College with a BFA in printmaking.[3] Her thesis show explored depictions of martyrdom – a subject she has returned to frequently in later works (e.g. How Life Became Unbearable[4], Palm Ash[5], Martyrdom: A Coloring Book).[6] Moving to Portland after graduation, she met Dylan Williams (founder of Sparkplug Comics) in the process of consigning her DIY mini-comic about St. Francis of Assisi at the Pony Club Gallery where he happened to be working. He became Gfrörer's first publisher. Her first full-length comic, Flesh & Bone (2010), was nominated for an Ignatz Award for outstanding achievement in the form, and was excerpted in The Best American Comics (2011) anthology shortly thereafter.

Career

[edit]
Flesh & Bone by Julia Gfrörer, 2010. Published by Sparkplug.

Gfrörer has been twice nominated for the Ignatz Award[7][8] and twice featured as a contributor in Best American Comics.[9][10]

After experimenting with self-publishing and working with a number of smaller presses (Sparkplug, Study Group etc.), Gfrörer's second graphic novella, Black Is The Color, was published at Fantagraphics after being digitally serialized on the Study Group Comics website.[11][12][13] Fantagraphics published her book about the Black Death, Laid Waste, in 2016 which was released to general critical acclaim.[14][15][16][17]

Gfrörer appeared in Fantagraphics' Next Wave panel alongside colleagues Simon Hanselmann, Anya Davidson, Benjamin Marra, and Noah Van Sciver in 2016.[18] She's also presented at PEN America's "Transcendent Obscenity" panel,[19] and at the Parsons School of Art & Design[20] while teaching workshops at SAW[21] and exhibiting work at MoCCA[22] and elsewhere.

While Fantagraphics publishes Gfrörer's major works, she continues to publish shorter works and collaborations under her own imprint, Thuban Press. In 2016, Thuban published No End Will Be Found, a harrowing novella set during the Würzburg witch trials by author Gretchen Felker-Martin whose work continues to appear under the imprint.

Gfrörer and Sean T. Collins (her partner & frequent collaborator) were selected to curate and edit the second volume of 2D Cloud's annual anthology Mirror, Mirror in 2017.[6][23] More recently Analog Self-Publishing has been released as a starter-kit for aspiring zine and comic book artists, the Visions trilogy, and All-Fucked Up (in collaboration with Sean T. Collins & Felker-Martin).

Selected works

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Graphic novellas

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  • Flesh and Bone (2010): after returning from a black mass, a witch meets a forlorn young man who has come to ask for her aid in reuniting him with his dead lover. Selected by Alison Bechdel for inclusion in Best American Comics 2011.
  • Black is the Color (2013): a 17th century sailor abandoned at sea by his shipmates endures, and eventually succumbs to, both his lingering death sentence and the advances of an amorous mermaid.
  • Laid Waste (2017): as corpses accumulate around her in a plague-ravaged medieval city, a young widow named Agnès must weigh her obligations to the dead and dying against her desire to protect what little remains.

Minicomics

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  • Vision (Vol. I-III)
  • Analog Self-Publishing
  • Dark Age: a pair of lovers in a primeval age explore a deep cave.
  • Palm Ash: a doomed love story set during the Diocletianic Persecution. Selected by Jonathan Lethem for inclusion in Best American Comics, 2015.
  • Too Dark to See: a relationship is slowly broken apart by succubi.
  • Black Light: collects the short stories "River of Tears", "All is Lost", "Unclean", and "Phosphorus".
  • Goodnight Seattle: morbid visions of Frasier.
  • Ariadne auf Naxos I, II, and III (Floating World Comics): short comic strips.
  • All the Ancient Kings: imagined interactions between (mostly) dead artists.
  • How Life Became Unbearable: a story involving Francis of Assisi.

Collaborations

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  • In Pace Requiescat, The Hideous Dropping Away of the Veil, The Deep Ones, and Hiders by Sean T. Collins, illustrated by Julia Gfrörer
  • Martyrdom: A Coloring Book by Hallie Fryd, illustrated by Julia Gfrörer
  • All Fucked-Up: Tales from the Roadhouse (Expanded Universe), featuring Julia Gfrorer, Sean T. Collins, Gretchen Felker-Martin

Other publications

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  • Mirror, Mirror II edited by Julia Gfrörer and Sean T. Collins (including "Heroic Devices" by Claude Paradin, translated and illustrated by Julia Gfrörer)
  • No End Will Be Found by Gretchen Felker-Martin (published by Thuban)
  • Symbol Reader (at The Comics Journal)

Anthology appearances

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  • Best American Comics, 2011 ed. by Alison Bechdel ("Fear of Fire" excerpted from Flesh & Bone)
  • Best American Comics, 2015 ed. by Jonathan Lethem ("Palm Ash")
  • Kramer's Ergot #9 ed. by Sammy Harkham ("Four Thieves")
  • Mammoth Book of Cult Comics ("Too Dark To See")
  • Cringe: An Anthology of Embarrassment
  • Black Eye #3

Album Covers

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  • Ire Adrift, 2011 (debut album by Ire Adrift)[24]

References

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  1. ^ "Sex, Despair, and the Fantasy of Desire". Los Angeles Review of Books. Retrieved June 4, 2018.
  2. ^ "Our Artists: Julia Gfrörer". Fantagraphics: Publisher of the world's greatest cartoonists. Retrieved February 1, 2019.
  3. ^ "Julia Gfrörer! | The Comics Journal". www.tcj.com. January 25, 2012. Retrieved June 4, 2018.
  4. ^ Akhtar, Zainab (July 1, 2013). "I Don't Get Why People Write Stories Without Sex in Them". Comics Beat. Archived from the original on June 14, 2018. Retrieved June 4, 2018.
  5. ^ "10 Questions with Julia Gfrörer". September 23, 2014. Retrieved June 4, 2018.
  6. ^ a b "Process Party – Episode 05 – Julia Gfrörer!". Study Group Comic Books. Retrieved June 4, 2018.
  7. ^ "2010 Ignatz Award Recipients | SPX: The Small Press Expo". www.smallpressexpo.com. Retrieved June 4, 2018.
  8. ^ Cavna, Michael (August 13, 2012). "SPX IGNATZ AWARDS: Here are your 2012 Small Press Expo nominees..." The Washington Post. Retrieved June 4, 2018.
  9. ^ Bechdel, Alison; Abel, Jessica; Madden, Matt (2011). The Best American Comics 2011. Houghton Mifflin Harcourt. ISBN 978-0547333625.
  10. ^ Lethem, Jonathan; Kartalopoulos, Bill (October 6, 2015). The Best American Comics 2015. Houghton Mifflin Harcourt. ISBN 9780544102668.
  11. ^ "Black Is the Color – by Julia Gfrörer". Study Group Comic Books. Retrieved June 4, 2018.
  12. ^ "Black Is the Color | The Comics Journal". www.tcj.com. Retrieved June 4, 2018.
  13. ^ "New Releases :: Black is the Color". fantagraphics.com. Retrieved June 4, 2018.
  14. ^ Hillary Brown (December 14, 2016). "Julia Gfrorer's Laid Waste Raises a Hand From the Darkness". Paste Magazine. Retrieved June 4, 2018.
  15. ^ "'Laid Waste' May Be the Best Indie Comic All Year". Creators. November 4, 2016. Retrieved June 4, 2018.
  16. ^ "Comics Book Review: Laid Waste by Julia Gfrörer. Fantagraphics, $14.99 trade paper (80p) ISBN 978-1-60699-971-4". Publishers Weekly. Retrieved June 4, 2018.
  17. ^ "Review: LAID WASTE by Julia Gfrörer". Comics Grinder. September 1, 2016. Retrieved June 4, 2018.
  18. ^ SmallPressExpo (October 19, 2016), SPX 2016 Panel – Fantagraphics Next Wave, retrieved June 4, 2018
  19. ^ "Laid Waste – PEN America". PEN America. April 27, 2017. Retrieved June 4, 2018.
  20. ^ "New York Comics & Picture-Story Symposium: Featuring Julia Gfrorer". The New School. Retrieved June 4, 2018.
  21. ^ "Comics Workshop with Julia Gfrorer: March 5 – 8 2018". Sequential Artists Workshop. Retrieved June 4, 2018.
  22. ^ "Comic and Cartoon Art Annual Special Format, Comic Strip, Long Form | Society of Illustrators". www.societyillustrators.org. Retrieved June 4, 2018.
  23. ^ "Comics Book Review: Mirror Mirror 2 by Edited by Julia Gfrörer and Sean T. Collins. 2dcloud (Consortium, dist.), $39.95 trade paper (244p) ISBN 978-1-937541-31-6". Publishers Weekly. Retrieved June 4, 2018.
  24. ^ "S/T, by Ire Adrift". Ire Adrift. Retrieved March 12, 2022.
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