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Theodore Watts-Dunton, from a painting by H. B. Norris

Theodore Watts-Dunton (12 October 1832 – 6 June 1914), from St Ives, Huntingdonshire, was an English poetry critic with major periodicals, and himself a poet. He is remembered particularly as the friend and minder of Algernon Charles Swinburne, whom he rescued from alcoholism and drug use and persuaded to continue writing.

Birth and education

Walter Theodore Watts was born at St Ives, in what was then Huntingdonshire. He added his mother's maiden name Dunton to his surname in 1897. He was originally educated as a naturalist, and saw much of the East Anglian Gypsies, of whose superstitions and folklore he made careful study. Abandoning natural history for the law, he qualified as a solicitor and went to London, where he practised for some years, giving his spare time to his chosen pursuit of literature.^[1] One of his clients was Swinburne, whom he befriended in 1872.^[2]

Literary contributions

Watts-Dunton contributed regularly to The Examiner from 1874 and to The Athenaeum from 1875 until 1898, being for more than twenty years the principal poetry critic of poetry in the latter. He wrote widely for other publications and contributed several articles to the Encyclopædia Britannica 9th edition (1885), of which the most significant was the one on "Poetry" in the ninth edition, where he explored poetry's first principles.^[1]

Literary associations

Watts-Dunton had considerable influence as the friend of many of the leading men of letters of his time; he enjoyed the confidence of Tennyson and contributed an appreciation of him to the authorised biography. He was in later years Dante Gabriel Rossetti's most intimate friend^[1]^[3] (Rossetti made a portrait of Watts in pastel in 1874). In 1879 Swinburne's alcoholic dysentery so alarmed him that he moved the poet into his semi-detached home, The Pines, 11 Putney Hill, Putney, which they shared for nearly thirty years until Swinburne's death in 1909.

Watts' household included his sister Miranda Mason, her husband Charles (also a solicitor), her son, Bertie (born 1874) and later, a second sister. They also employed a live-in cook and a housemaid. Watts-Dunton married Clara Reich on 29 November 1905 and she settled into the family with ease.^[4]

Swinburne and Dunn

Watts is widely praised for extending Swinburne's life and encouraging his enthusiasm for the landscape verse that was amongst the best of his later works. However, Watts has also been castigated for sabotaging the completion of Swinburne's erotic sadomasochistic novel Lesbia Brandon.^[5] Even so, he was not able to wean Swinburne of his interest in flagellation.^[6]

Watts-Dunton later decided also to take in Henry Treffry Dunn, who had been one of Rossetti's assistants.^[7] Like Swinburne, Dunn was prone to alcoholism. He died in 1899 whilst still living with Watts-Dunton and Swinburne.^[7]

Publications

It was not until 1897 that Watts-Dunton published a poetry volume under his own name, albeit with the addition of his mother's maiden name. His erstwhile friend Whistler sent him a letter mocking his perceived aggrandisement: "Theodore," it read, "What's Dunton?" The book was his collection of poems called The Coming of Love, some of which he had printed previously in periodicals.

In the following year his prose romance Aylwin attained immediate success and ran through many editions in the course of a few months.^[1] The late 19th-century English novelist George Gissing noted in his diary in November 1898 that the novel had been "extravagantly praised", but that Gissing thought it showed a "dull mechanism".^[8] Both The Coming of Love and Aylwin set forth – the one in poetry, the other in prose – the romantic and passionate associations of Romany life, and maintain the traditions of George Borrow, whom Watts-Dunton had known well in his own youth. Imaginative glamour and mysticism are their prominent characteristics, and the novel in particular was credited with bringing pure romance back into public favour.

Watts-Dunton edited Borrow's Lavengro in 1893 and Romany Rye in 1903. In 1903 he also published The Renascence of Wonder, a treatise on the romantic movement. His Studies of Shakespeare appeared in 1910.^[1] But it was not only in his published work that Watts-Dunton's influence on the literary life of his time was potent. His long and intimate association with Rossetti and Swinburne made him a unique figure in the world of letters. His grasp of metrical principle and of the historic perspective of English poetry brought him respect as a literary critic.^[1]

Theodore Watts-Dunton died at The Pines, Putney, on 6 June 1914, and was survived by his wife, Clara (née Reich). He is buried at West Norwood Cemetery, where his monument is a low capped stone. A blue plaque marks his home in Putney.

In popular culture

Watts-Dunton's elongated name was celebrated by Stephen Potter's book on Gamesmanship, in which the Dunton-Watts supercharger was merely a thrust in the motoring gamesman's ploy to get one up on the opponent. When faced with an equally adept car man, the gamesman could expect a riposte involving the inevitably superior Watson-Dunn supercharger.

Works

'Poetry', Encyclopædia Britannica (9th edition), (1885) Vol. XIX
The Coming of Love, (London: John Lane, 1897)
Aylwin, (London: Hurst and Blackett, 1898) (film 1920)
The Christmas Dream, (London: 1901)
Christmas at the Mermaid, (London: John Lane, 1902, illustrated by Herbert Cole)
The Renascence of Wonder, (London: 1903)
Studies of Shakespeare, (London: 1910)
Poetry and The Renascence of Wonder, (E. P. Dutton, 1914, facsimile ed. 2006)
Old Familiar Faces, (London: 1916)

Bibliography

James Douglas, Theodore Watts-Dunton: Poet, Novelist, Critic (1904, repr. 1973)
Max Beerbohm, 'No. 2 The Pines', And Even Now (London: Heinemann, 1920)
Clara Watts-Dunton, The Home Life of Swinburne (London: Philpot, 1922)
Mollie Panter-Downes, At the Pines: Swinburne and Watts-Dunton in Putney (Boston: Gambit, 1971) ISBN 0-87645-049-4
Thomas Hake and Arthur Compton-Rickett, The Life and Letters of Theodore Watts Dunton (London: Jack, 1916; reproduced: Whitefish, MT: Kessinger Publishing, 2005) ISBN 1-4179-6143-0

Notes

^ ^a ^b ^c ^d ^e ^f One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Watts-Dunton, Walter Theodore". Encyclopædia Britannica. Vol. 28 (11th ed.). Cambridge University Press. pp. 422–423.
^ Encyclopædia Britannica Theodore Watts-Dunton. Retrieved 12 November 2017.
^ The Magazine of poetry (1890) Charles Wells Moulton, Buffalo, New York [1]
^ Megan A. Stephan, "Dunton, (Walter) Theodore Watts- (1832–1914)", Oxford Dictionary of National Biography (Oxford, UK: OUP, 2004) Retrieved 12 November 2017.
^ Peter Horne and Reina Lewis, Outlooks: Lesbian and Gay Sexualities and Visual Cultures, Routledge, 1996, ISBN 0-415-12468-9, p. 70.
^ Henderson, Philip (1974). Swinburne: the portrait of a poet. London: Routledge and Kegan Paul. p. 2. ISBN 0-7100-7734-3.
^ ^a ^b Rossetti, William Michael (1990). Selected letters of William Michael Rossetti p. 220. p. 728. ISBN 0271044241.
^ Pierre Coustillas, ed., London and the Life of Literature in Late Victorian England: the Diary of George Gissing, Novelist. Brighton: Harvester Press, 1978, p. 506.

External links

[EB1911-1] ^ ^a ^b ^c ^d ^e ^f One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Watts-Dunton, Walter Theodore". Encyclopædia Britannica. Vol. 28 (11th ed.). Cambridge University Press. pp. 422–423.

[2] Encyclopædia Britannica Theodore Watts-Dunton. Retrieved 12 November 2017.

[3] The Magazine of poetry (1890) Charles Wells Moulton, Buffalo, New York [1]

[4] Megan A. Stephan, "Dunton, (Walter) Theodore Watts- (1832–1914)", Oxford Dictionary of National Biography (Oxford, UK: OUP, 2004) Retrieved 12 November 2017.

[5] Peter Horne and Reina Lewis, Outlooks: Lesbian and Gay Sexualities and Visual Cultures, Routledge, 1996, ISBN 0-415-12468-9, p. 70.

[6] Henderson, Philip (1974). Swinburne: the portrait of a poet. London: Routledge and Kegan Paul. p. 2. ISBN 0-7100-7734-3.

[wmr-7] Rossetti, William Michael (1990). Selected letters of William Michael Rossetti p. 220. p. 728. ISBN 0271044241.

[8] Pierre Coustillas, ed., London and the Life of Literature in Late Victorian England: the Diary of George Gissing, Novelist. Brighton: Harvester Press, 1978, p. 506.

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@@ Line 1: / Line 1: @@
+{{Short description|19th/20th-century English critic and poet}}
-{{refimprove|date=December 2013}}
+{{Use British English|date=October 2019}}
-[[File:Theodore.watts-dunton.jpeg|thumb|right|250px|Theodore Watts-Dunton, from a painting by H.B. Norris]]
+{{Use dmy dates|date=October 2019}}
+[[File:Theodore.watts-dunton.jpeg|thumb|right|250px|Theodore Watts-Dunton, from a painting by H. B. Norris]]
-'''Theodore Watts-Dunton''' (12 October 1832 – 6 June 1914) was an English critic and poet. He is often remembered as the friend and minder of [[Algernon Charles Swinburne]], whom he rescued from [[alcoholism]].
+'''Theodore Watts-Dunton''' (12 October 1832 – 6 June 1914), from [[St Ives, Cambridgeshire|St Ives]], [[Huntingdonshire]], was an English poetry critic with major periodicals, and himself a poet. He is remembered particularly as the friend and minder of [[Algernon Charles Swinburne]], whom he rescued from [[alcoholism]] and drug use and persuaded to continue writing.
 ==Birth and education==
-Walter Theodore Watts was born at [[St Ives, Cambridgeshire|St. Ives]] in what was then [[Huntingdonshire]]. He added his mother's name of Dunton to his surname in 1897. He was originally educated as a naturalist, and saw much of the East Anglian [[Romani people|Gypsies]], of whose superstitions and folk-lore he made careful study. Abandoning natural history for the law, he qualified as a solicitor and went to London, where he practised for some years, giving his spare time to his chosen pursuit of literature. One of his clients was [[Algernon Charles Swinburne|Swinburne]], whom he befriended in 1872. {{citation needed|date=December 2013}}
+Walter Theodore Watts was born at St Ives, in what was then [[Huntingdonshire]]. He added his mother's [[maiden name]] Dunton to his surname in 1897. He was originally educated as a naturalist, and saw much of the East Anglian [[Romani people|Gypsies]], of whose superstitions and folklore he made careful study. Abandoning natural history for the law, he qualified as a solicitor and went to London, where he practised for some years, giving his spare time to his chosen pursuit of literature.<ref name="EB1911">{{EB1911 |inline=y |wstitle=Watts-Dunton, Walter Theodore |volume=28 |pages=422–423}}</ref> One of his clients was [[Algernon Charles Swinburne|Swinburne]], whom he befriended in 1872.<ref>Encyclopædia Britannica [https://www.britannica.com/biography/Theodore-Watts-Dunton Theodore Watts-Dunton]. Retrieved 12 November 2017.</ref>
 ==Literary contributions==
-He contributed regularly to the ''[[The Examiner (1808–86)|Examiner]]'' from 1874 and to the ''[[Athenaeum (British magazine)|Athenaeum]]'' from 1875 until 1898, being for more than twenty years the principal critic of poetry in the latter journal. He wrote widely for other publications and contributed several articles to the [[Encyclopædia Britannica]], of which the most significant was that on ''Poetry'' in the ninth edition. In that article he explored the first principles of poetry.{{sfn|Chisholm|1911}}
+Watts-Dunton contributed regularly to ''[[The Examiner (1808–1886)|The Examiner]]'' from 1874 and to ''[[The Athenaeum (British magazine)|The Athenaeum]]'' from 1875 until 1898, being for more than twenty years the principal poetry critic of poetry in the latter. He wrote widely for other publications and contributed several articles to the ''[[Encyclopædia Britannica]]'' 9th edition (1885), of which the most significant was the one on "Poetry" in the ninth edition, where he explored poetry's first principles.<ref name="EB1911"/>
 ==Literary associations==
 [[File:Henry Treffry Dunn Rossetti and Dunton at 16 Cheyne Walk.jpg|thumb|right|''Rossetti and Watts-Dunton at 16 [[Cheyne Walk]]'' by [[Henry Treffry Dunn]] ]]
-Watts-Dunton had considerable influence as the friend of many of the leading [[Intellectual|men of letters]] of his time; he enjoyed the confidence of [[Alfred Tennyson, 1st Baron Tennyson|Tennyson]], and contributed an appreciation of him to the authorized biography. He was in later years [[Dante Gabriel Rossetti]]'s most intimate friend<ref>''[[The Magazine of poetry]]'' (1890) [[Charles Wells Moulton]], Buffalo, New York [https://books.google.com/books?id=EdgKAAAAYAAJ&source=gbs_navlinks_s]</ref> (Rossetti made a portrait of Watts in pastel in 1874). In 1879 [[Algernon Charles Swinburne|Swinburne's]] alcoholic dysentery so alarmed him that he moved the poet into his semi-detached home, [[The Pines, Putney|The Pines]], 11 Putney Hill, [[Putney]], which they shared for nearly thirty years until Swinburne's death in 1909.
+Watts-Dunton had considerable influence as the friend of many of the leading [[Intellectual|men of letters]] of his time; he enjoyed the confidence of [[Alfred Tennyson, 1st Baron Tennyson|Tennyson]] and contributed an appreciation of him to the authorised biography. He was in later years [[Dante Gabriel Rossetti]]'s most intimate friend<ref name="EB1911"/><ref>''[[The Magazine of poetry]]'' (1890) [[Charles Wells Moulton]], Buffalo, New York [https://books.google.com/books?id=EdgKAAAAYAAJ]</ref> (Rossetti made a portrait of Watts in pastel in 1874). In 1879 [[Algernon Charles Swinburne|Swinburne's]] alcoholic dysentery so alarmed him that he moved the poet into his semi-detached home, [[The Pines, Putney|The Pines]], 11 Putney Hill, [[Putney]], which they shared for nearly thirty years until Swinburne's death in 1909.
-Watts' household included his sister Miranda Mason, her husband Charles (who was also a solicitor), her son, Bertie (born 1874) and later, a second sister. They also employed a live-in cook and a housemaid. Watts-Dunton married Clara Reich in 1905 and she settled into the family with ease.{{citation needed|date=December 2013}}
+Watts' household included his sister Miranda Mason, her husband Charles (also a solicitor), her son, Bertie (born 1874) and later, a second sister. They also employed a live-in cook and a housemaid. Watts-Dunton married Clara Reich on 29 November 1905 and she settled into the family with ease.<ref>Megan A. Stephan, "Dunton, (Walter) Theodore Watts- (1832–1914)", ''Oxford Dictionary of National Biography'' (Oxford, UK: OUP, 2004) [http://www.oxforddnb.com/view/article/36785,  Retrieved 12 November 2017.]</ref>
 ==Swinburne and Dunn==
-[[File:Theodore Watts 001.jpg|thumb|120px|Theodore Watts as a young man]]
+[[File:Theodore Watts 001.jpg|thumb|Theodore Watts as a young man]]
-Although Watts is widely praised for extending Swinburne's life and encouraging his enthusiasm for the landscape verse that was amongst the best of his later works, Watts has been castigated for sabotaging the completion of Swinburne's erotic sadomasochistic novel ''[[Lesbia Brandon]]''{{Citation needed|date=December 2009}} but he was not able to wean Swinburne from his interest in [[flagellation]].<ref>{{cite book|title=Swinburne: the portrait of a poet|first=Philip|last=Henderson|location=London|publisher=Routledge and Kegan Paul|year=1974|isbn=0-7100-7734-3|page=2}}</ref>
+Watts is widely praised for extending Swinburne's life and encouraging his enthusiasm for the landscape verse that was amongst the best of his later works. However, Watts has also been castigated for sabotaging the completion of Swinburne's erotic sadomasochistic novel ''[[Lesbia Brandon]]''.<ref>Peter Horne and Reina Lewis, ''Outlooks: Lesbian and Gay Sexualities and Visual Cultures'', Routledge, 1996, {{ISBN|0-415-12468-9}}, p. 70.</ref> Even so, he was not able to wean Swinburne of his interest in [[flagellation]].<ref>{{Cite book |title=Swinburne: the portrait of a poet |first=Philip |last=Henderson |location=London |publisher=Routledge and Kegan Paul |year=1974 |isbn=0-7100-7734-3 |page=2}}</ref>
-Watts Dunton later decided to also take in [[Henry Treffry Dunn]] who had been one of Rosetti's assistants.<ref name=wmr>{{cite book|last=Rosetti|first=William Michael|title=Selected letters of William Michael Rossett p.220i|year=1990|pages=728|url=https://books.google.com/books?id=_JVbv4v1eNEC&dq=henry+treffry+dunn&source=gbs_navlinks_s}}</ref> Like Swinburne, Dunn was also prone to alcoholism. Dunn died in 1899 whilst still living with Watts-Dunton and Swinburne.<ref name=wmr/>
+Watts-Dunton later decided also to take in [[Henry Treffry Dunn]], who had been one of Rossetti's assistants.<ref name=wmr>{{Cite book |last=Rossetti |first=William Michael |title=Selected letters of William Michael Rossetti p. 220 |year=1990 |pages=728 |isbn=0271044241 |url=https://books.google.com/books?id=_JVbv4v1eNEC&q=henry+treffry+dunn}}</ref> Like Swinburne, Dunn was prone to alcoholism. He died in 1899 whilst still living with Watts-Dunton and Swinburne.<ref name=wmr/>
 ==Publications==
-[[File:The Pines, Putney 10.JPG|thumb|[[The Pines, Putney]]]]
+[[File:The Pines, Putney 10.JPG|thumb|160px|[[The Pines, Putney]]]]
-[[File:The Pines, Putney 03.jpg|thumb|Blue plaque at The Pines, Putney]]
+[[File:ALGERNON CHARLES SWINBURNE (1837-1909) ~ Poet ~ and his friend THEODORE WATTS-DUNTON (1832-1914) Poet-Novelist-Critic Lived and died here (23944897239).jpg|thumb|160px|[[Blue plaque]] at The Pines, Putney]]
-It was not until 1897 that he published a poetry volume under his own name, albeit with the addition of his mother's maiden name. His erstwhile friend [[James McNeill Whistler|Whistler]] sent him a letter mocking his perceived aggrandisement: "Theodore," it read, "What's Dunton?" The book was his collection of poems called ''The Coming of Love'', portions of which he had printed previously in periodicals.
+It was not until 1897 that Watts-Dunton published a poetry volume under his own name, albeit with the addition of his mother's maiden name. His erstwhile friend [[James McNeill Whistler|Whistler]] sent him a letter mocking his perceived aggrandisement: "Theodore," it read, "What's Dunton?" The book was his collection of poems called ''The Coming of Love'', some of which he had printed previously in periodicals.
-In the following year his prose romance ''Aylwin'' attained immediate success, and ran through many editions in the course of a few months.
-Both ''The Coming of Love'' and ''Aylwin'' set forth, the one in poetry, the other in prose, the romantic and passionate associations of Romany life, and maintain the traditions of [[George Borrow]], whom Watts-Dunton had known well in his own youth.
+In the following year his prose romance ''Aylwin'' attained immediate success and ran through many editions in the course of a few months.<ref name="EB1911"/> The late 19th-century English novelist [[George Gissing]] noted in his diary in November 1898 that the novel had been "extravagantly praised", but that Gissing thought it showed a "dull mechanism".<ref>Pierre Coustillas, ed., ''London and the Life of Literature in Late Victorian England: the Diary of George Gissing, Novelist''. Brighton: Harvester Press, 1978, p. 506.</ref> Both ''The Coming of Love'' and ''Aylwin'' set forth – the one in poetry, the other in prose – the romantic and passionate associations of Romany life, and maintain the traditions of [[George Borrow]], whom Watts-Dunton had known well in his own youth.
-Imaginative glamour and mysticism are their prominent characteristics, and the novel in particular was credited with bringing pure romance back into public favour.{{sfn|Chisholm|1911}}
+Imaginative glamour and mysticism are their prominent characteristics, and the novel in particular was credited with bringing pure romance back into public favour.
-He edited Borrow's ''[[Lavengro]]'' (1893) and ''[[Romany Rye]]'' (1903); in 1903 he published ''The Renascence of Wonder'', a treatise on the [[romantic movement]]; and his ''Studies of Shakespeare'' appeared in 1910. {{sfn|Chisholm|1911}}
+Watts-Dunton edited Borrow's ''[[Lavengro]]'' in 1893 and ''[[Romany Rye]]'' in 1903. In 1903 he also published ''The Renascence of Wonder'', a treatise on the [[romantic movement]]. His ''Studies of Shakespeare'' appeared in 1910.<ref name="EB1911"/> But it was not only in his published work that Watts-Dunton's influence on the literary life of his time was potent. His long and intimate association with Rossetti and Swinburne made him a unique figure in the world of letters. His grasp of metrical principle and of the historic perspective of English poetry brought him respect as a literary critic.<ref name="EB1911"/>
+Theodore Watts-Dunton died at [[The Pines, Putney|The Pines]], Putney, on 6 June 1914, and was survived by his wife, Clara (née Reich). He is buried at [[West Norwood Cemetery]], where his monument is a low capped stone. A [[blue plaque]] marks his home in Putney.
-But it was not only in his published work that Watts-Dunton's influence on the literary life of his time was potent. His long and intimate association with Rossetti and Swinburne made him a unique figure in the world of letters. His grasp of metrical principle and of the historic perspective of English poetry brought him respect as a literary critic.{{sfn|Chisholm|1911}}
+==In popular culture==
-He died at [[The Pines, Putney|The Pines]], Putney, on 6 June 1914, and was survived by his wife, Clara (née Reich). He is buried at [[West Norwood Cemetery]], where his monument is a low capped stone. A [[blue plaque]] marks his home in Putney.
+Watts-Dunton's elongated name was celebrated by [[Stephen Potter]]'s book on [[Gamesmanship]], in which the Dunton-Watts supercharger was merely a thrust in the motoring gamesman's ploy to get one up on the opponent. When faced with an equally adept car man, the gamesman could expect a riposte involving the inevitably superior Watson-Dunn supercharger.
 ==Works==
-*Theodore Watts, 'Poetry', ''Encyclopædia Britannica'' (9th edition), (1885) Vol. XIX
+*'Poetry', ''Encyclopædia Britannica'' (9th edition), (1885) Vol. XIX
-*Theodore Watts-Dunton, ''The Coming of Love'', (London: John Lane, 1897)
+*''The Coming of Love'', (London: John Lane, 1897)
-*Theodore Watts-Dunton, ''Aylwin'', (London: Hurst and Blackett, 1898)
+*''Aylwin'', (London: Hurst and Blackett, 1898) ([[Aylwin (film)|film 1920]])
-*Theodore Watts-Dunton, ''The Christmas Dream'', (London: 1901)
+*''The Christmas Dream'', (London: 1901)
-*Theodore Watts-Dunton, ''Christmas at the Mermaid'', (London: John Lane, 1902). (illustrated by Herbert Cole).
+*''Christmas at the Mermaid'', (London: John Lane, 1902, illustrated by Herbert Cole)
-*Theodore Watts-Dunton, ''The Renascence of Wonder'', (London: 1903)
+*''The Renascence of Wonder'', (London: 1903)
-*Theodore Watts-Dunton, ''Studies of Shakespeare'', (London: 1910)
+*''Studies of Shakespeare'', (London: 1910)
-*Theodore Watts-Dunton, ''Poetry and The Renascence of Wonder'', (E. P. Dutton, 1914, facs. ed. 2006)
+*''Poetry and The Renascence of Wonder'', (E. P. Dutton, 1914, facsimile ed. 2006)
-*Theodore Watts-Dunton, ''Old Familiar Faces'', (London: 1916)
+*''Old Familiar Faces'', (London: 1916)
 ==Bibliography==
-* James Douglas, ''Theodore Watts-Dunton: Poet, Novelist, Critic'' (1904, repr. 1973)
+*James Douglas, ''Theodore Watts-Dunton: Poet, Novelist, Critic'' (1904, repr. 1973)
-* Max Beerbohm, 'No. 2 The Pines', ''And Even Now'' (London: Heinemann, 1920)
+*Max Beerbohm, 'No. 2 The Pines', ''And Even Now'' (London: Heinemann, 1920)
-* Clara Watts-Dunton, ''The Home Life of Swinburne'' (London: Philpot, 1922)
+*Clara Watts-Dunton, ''The Home Life of Swinburne'' (London: Philpot, 1922)
-* Mollie Panter-Downes, ''At the Pines: Swinburne and Watts-Dunton in Putney'' (Boston: Gambit, 1971) {{ISBN|0-87645-049-4}}
+*Mollie Panter-Downes, ''At the Pines: Swinburne and Watts-Dunton in Putney'' (Boston: Gambit, 1971) {{ISBN|0-87645-049-4}}
-* Thomas Hake and Arthur Compton-Rickett, ''The Life and Letters of Theodore Watts Dunton'' (London: Jack, 1916; repr: Whitefish, MT: Kessinger Publishing, 2005) {{ISBN|1-4179-6143-0}}
+*Thomas Hake and Arthur Compton-Rickett, ''The Life and Letters of Theodore Watts Dunton'' (London: Jack, 1916; reproduced: Whitefish, MT: Kessinger Publishing, 2005) {{ISBN|1-4179-6143-0}}
 ==Notes==
-{{Reflist}}
+{{Reflist|30em}}
-;Attribution
-{{EB1911|wstitle=Watts-Dunton, Walter Theodore}}
 ==External links==
@@ Line 61: / Line 64: @@
 {{Wikiquote}}
 {{commons category}}
-* [http://www.npg.org.uk/live/search/portrait.asp?linkID=mp04732&rNo=0&role=sit Portrait of Watts-Dunton] by [[Rossetti]]
+*[http://www.npg.org.uk/live/search/portrait.asp?linkID=mp04732&rNo=0&role=sit Portrait of Watts-Dunton] by [[Dante Gabriel Rossetti|Rossetti]]
-* {{Gutenberg author |id=Watts-Dunton,+Theodore | name=Theodore Watts-Dunton}}
+*{{Gutenberg author |id=5054| name=Theodore Watts-Dunton}}
-* {{Internet Archive author |sname=Theodore Watts-Dunton}}
+*{{Internet Archive author |sname=Theodore Watts-Dunton}}
-* {{UK National Archives ID}}
+*{{UK National Archives ID}}
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