Accattone: Difference between revisions
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'''''Accattone''''' ({{IPA |
'''''Accattone''''' ({{IPA|it|akkatˈto:ne|}}, lit. "vagabond", "scrounger"<ref>{{cite book|url=https://books.google.com/books?id=DxA6AwAAQBAJ&q=accattone+scrounger&pg=PA164|title=Film Sound in Italy: Listening to the Screen|first=A.|last=Sisto|date=13 March 2014|publisher=Springer|isbn=9781137387714|via=Google Books}}</ref><ref>{{cite book|url=https://books.google.com/books?id=9lbUXhrkkjwC&q=accattone+scrounger&pg=PA105|title=The Cinema of Italy|author1-link=Giorgio Bertellini|first=Giorgio|last=Bertellini|date=14 December 2017|publisher=Wallflower Press|isbn=9781903364987|via=Google Books}}</ref>) is a 1961 Italian [[drama (film and television)|drama film]] written and directed by [[Pier Paolo Pasolini]]. It was Pasolini's first film as a director and premiered at the [[Venice Film Festival]].<ref name="Schwarz">{{cite book|last = Schwarz |first = Barth David |title = Pasolini Requiem |publisher = Pantheon Books |date = 2017 |location = New York |edition=2 |isbn = 9780226335025}}</ref> In 2008, the film was included on the [[Ministry of Cultural Heritage and Activities and Tourism|Italian Ministry of Cultural Heritage]]’s [[100 film italiani da salvare|100 Italian films to be saved]], a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."<ref>{{Cite web|title=Ecco i cento film italiani da salvare Corriere della Sera|url=https://www.corriere.it/spettacoli/08_febbraio_28/elenco_cento_film_d83cacd8-e5ce-11dc-ab61-0003ba99c667.shtml|access-date=2021-03-11|website=www.corriere.it}}</ref> |
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==Plot== |
==Plot== |
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Vittorio, |
Vittorio, known as "Accattone," lives a relatively calm life as a pimp on the outskirts of Rome. However, his world is disrupted when a rival gang injures his prostitute, Maddalena, who ends up in prison due to false testimony. With his income gone and little interest in regular work, Accattone initially attempts to reconcile with the estranged mother of his child but faces rejection from her relatives. Turning to a simple working girl named Stella, he endeavors to persuade her into prostitution. Despite her initial willingness, a traumatic encounter with her first client leaves her in tears, leading to her expulsion from the car. Accattone briefly tries working as an iron worker to support them, but he abandons the effort after just one day. Haunted by a dream of his own death, he turns to a life of theft with a few friends, ultimately meeting a tragic end in a traffic accident while attempting to evade the police on a stolen motorcycle. |
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==Cast== |
==Cast== |
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[[Category:Italian drama films]] |
[[Category:Italian drama films]] |
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[[Category:1960s Italian films]] |
[[Category:1960s Italian films]] |
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[[Category:Italian-language drama films]] |
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[[Category:Films set in slums]] |
Latest revision as of 03:58, 9 September 2024
Accattone | |
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Directed by | Pier Paolo Pasolini |
Written by | Pier Paolo Pasolini |
Produced by | |
Starring |
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Cinematography | Tonino Delli Colli |
Edited by | Nino Baragli |
Music by | Johann Sebastian Bach |
Production company | Arco Film |
Distributed by | Titanus |
Release date |
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Running time | 117 minutes |
Country | Italy |
Language | Italian |
Accattone ([akkatˈto:ne], lit. "vagabond", "scrounger"[1][2]) is a 1961 Italian drama film written and directed by Pier Paolo Pasolini. It was Pasolini's first film as a director and premiered at the Venice Film Festival.[3] In 2008, the film was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978."[4]
Plot
[edit]Vittorio, known as "Accattone," lives a relatively calm life as a pimp on the outskirts of Rome. However, his world is disrupted when a rival gang injures his prostitute, Maddalena, who ends up in prison due to false testimony. With his income gone and little interest in regular work, Accattone initially attempts to reconcile with the estranged mother of his child but faces rejection from her relatives. Turning to a simple working girl named Stella, he endeavors to persuade her into prostitution. Despite her initial willingness, a traumatic encounter with her first client leaves her in tears, leading to her expulsion from the car. Accattone briefly tries working as an iron worker to support them, but he abandons the effort after just one day. Haunted by a dream of his own death, he turns to a life of theft with a few friends, ultimately meeting a tragic end in a traffic accident while attempting to evade the police on a stolen motorcycle.
Cast
[edit]- Franco Citti as Vittorio "Accattone" Cataldi
- Franca Pasut as Stella
- Silvana Corsini as Maddalena
- Paola Guidi as Ascenza
- Adriana Asti as Amore
- Luciano Conti as Il Moicano
- Luciano Gonini as Piede D'Oro
- Renato Capogna as Renato
- Alfredo Leggi as Papo Hirmedo
- Galeazzo Riccardi as Cipolla
- Leonardo Muraglia as Mammoletto
- Giuseppe Ristagno as Peppe
- Roberto Giovannoni as The German
- Mario Cipriani as Balilla
- Roberto Scaringella as Cartagine
- Silvio Citti as Sabino
- Monica Vitti (uncredited) as Ascenza (voice)
Production
[edit]The film was initially supposed to be produced by Federiz, a short-lived production company founded by Federico Fellini and Angelo Rizzoli.[5] Test shoots were arranged to assess Pasolini's work as a debuting director, but the test was flunked by Rizzoli's main collaborator Clemente Fracassi and the project was dismissed.[5] Tonino Cervi was also interested, but failed to convince Carlo Ponti to produce the film.[5] Thanks to the efforts of Mauro Bolognini, who had previously collaborated with Pasolini and had been impressed by the film script, the project was eventually taken over by Alfredo Bini, who had just produced Bolognini's box office hit Il bell'Antonio, and who eventually involved Cino Del Duca in the film's funding.[5]
The first choice for the title's role was Franco Interlenghi.[5]
Reception and legacy
[edit]Critic Gino Moliterno, writing for Senses of Cinema magazine, described Accatone and its successor Mamma Roma as cinematic renditions of the world of the "borgate" (Roman shanty towns) of Pasolini's novels Ragazzi di vita (The Ragazzi or The Street Kids, 1955) and Una vita violenta (A Violent Life, 1959).[6] Nick Barbaro of The Austin Chronicle titled it the possibly grimmest film he had ever seen.[7]
Awards
[edit]Franco Citti was nominated for the BAFTA Award for Best Foreign Actor in 1963 for his performance.[8]
References
[edit]- ^ Sisto, A. (13 March 2014). Film Sound in Italy: Listening to the Screen. Springer. ISBN 9781137387714 – via Google Books.
- ^ Bertellini, Giorgio (14 December 2017). The Cinema of Italy. Wallflower Press. ISBN 9781903364987 – via Google Books.
- ^ Schwarz, Barth David (2017). Pasolini Requiem (2 ed.). New York: Pantheon Books. ISBN 9780226335025.
- ^ "Ecco i cento film italiani da salvare Corriere della Sera". www.corriere.it. Retrieved 11 March 2021.
- ^ a b c d e Faldini, Franca; Fofi, Goffredo (2009). L'avventurosa storia del cinema italiano. Bologna: Cineteca Bologna. pp. 47–61. ISBN 978-8899196349.
- ^ Moliterno, Gino (February 2004). "Accattone". Senses of Cinema Inc. Archived from the original on 6 September 2007. Retrieved 26 September 2007.
- ^ Barbaro, Nick (19 January 2001). "Che Bella: Italian Neorealism and the Movies -- and the AFS Series -- It Inspired". The Austin Chronicle. Archived from the original on 7 December 2006. Retrieved 13 December 2006.
- ^ "Film in 1963". BAFTA. Retrieved 27 January 2023.