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[[File:An-Wasserflüssen-Babylon-Birnstiel-CPE-Bach-Cortot-Berlin-1765.jpg|thumb|upright|4-part chorale of "An Wasserflüssen Babylon" by J.S. Bach, edition of C.P.E. Bach & F.W. Birnstiel, 1765]]
[[File:An-Wasserflüssen-Babylon-Birnstiel-CPE-Bach-Cortot-Berlin-1765.jpg|thumb|upright|4-part chorale of "An Wasserflüssen Babylon" by J.S. Bach, edition of C.P.E. Bach & F.W. Birnstiel, 1765]]
The eldest son of Bach, [[Wilhelm Friedemann Bach]], the "Berlin Bach," was intially supported by [[Anna Amalia, Abbess of Quedlinburg|Anna Amalia]], the sister of [[Frederick the Great]], and later by the harpsichordist [[Itzig_family#Sara(h)_Itzig_(1761–1854)|Sara Levy]], the great aunt of [[Felix Mendelssohn]]. The second eldest son, [[Carl Philipp Emanuel Bach]], the "Hamburg Bach," was the most significant as far as chorales were concerned. Around 1730 the choristers, organists and musicians in Leipzig had all become involved in Bach's famous "Draft for a Well-Appointed Church Music" (''"Entwurf einer wohlbestallten Kirchenmusik"''), with music-making amongst the whole Bach family. The genealogy of the Bach family, already traced out during Bach's lifetime, was completed by the 1754 [[Bach's Nekrolog|Nekrolog]], Bach's obituary and musical biography written by C.P.E. Bach and [[Johann Friedrich Agricola]] (Agricola trained as an organist under Bach in 1739–1741, before joining the Prussian court in Berlin).
The eldest son of Bach, [[Wilhelm Friedemann Bach]], the "Berlin Bach," was initially supported by [[Anna Amalia, Abbess of Quedlinburg|Anna Amalia]], the sister of [[Frederick the Great]], and later by the harpsichordist [[Itzig_family#Sara(h)_Itzig_(1761–1854)|Sara Levy]], the great aunt of [[Felix Mendelssohn]]. The second eldest son, [[Carl Philipp Emanuel Bach]], the "Hamburg Bach," was the most significant as far as chorales were concerned. Around 1730 the choristers, organists and musicians in Leipzig had all become involved in Bach's famous "Draft for a Well-Appointed Church Music" (''"Entwurf einer wohlbestallten Kirchenmusik"''), with music-making amongst the whole Bach family. The genealogy of the Bach family, already traced out during Bach's lifetime, was completed by the 1754 [[Bach's Nekrolog|Nekrolog]], Bach's obituary and musical biography written by C.P.E. Bach and [[Johann Friedrich Agricola]] (Agricola trained as an organist under Bach in 1739–1741, before joining the Prussian court in Berlin).
<gallery>
<gallery>
File:Marpurg-Birnstiel-Kritische-Briefe-über-Tonkunst-I-iv-title.jpeg|Title page of Vol. I/iv in Marpurg & Birnstiel's ''"Kritische Briefe über Tonkunst,"'' 1760
File:Marpurg-Birnstiel-Kritische-Briefe-über-Tonkunst-I-iv-title.jpeg|Title page of Vol. I/iv in Marpurg & Birnstiel's ''"Kritische Briefe über Tonkunst,"'' 1760
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===''Oden mit Melodien''===
===''Oden mit Melodien''===
''Oden mit Melodien'' (odes with melodies) was published in two volumes:
''Oden mit Melodien'' (odes with melodies) was published in two volumes:
* Vol.&nbsp;1 (1753, reprinted 1761)<ref>[http://www.mdz-nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:bvb:12-bsb11131262-1 ODEN mit Melodien. Erster Theil] at [[Munich Digitization Center]] website.</ref><ref>[[Hans-Günter Ottenberg]] (1992). [https://books.google.be/books?id=osn5E0EGh1cC&pg=PA247 "Die 1. berliner Liederschüle im Urteil der zeitgenössischen Presse", pp.&nbsp;247ff] in [https://books.google.be/books?id=osn5E0EGh1cC ''Studien zum deutschen weltlichen Kunstlied des 17. und 18. Jahrhunderts''] edited by Gudrun Busch and Anthony John Harper, Vol.&nbsp;12 of ''Chloe: Beihefte zum Daphnis''. Rodopi.</ref>
* Vol.&nbsp;1 (1753, reprinted 1761)<ref>[http://www.mdz-nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:bvb:12-bsb11131262-1 ODEN mit Melodien. Erster Theil] at [[Munich Digitization Center]] website.</ref><ref>[[Hans-Günter Ottenberg]] (1992). [https://books.google.com/books?id=osn5E0EGh1cC&pg=PA247 "Die 1. berliner Liederschüle im Urteil der zeitgenössischen Presse", pp.&nbsp;247ff] in [https://books.google.com/books?id=osn5E0EGh1cC ''Studien zum deutschen weltlichen Kunstlied des 17. und 18. Jahrhunderts''] edited by Gudrun Busch and Anthony John Harper, Vol.&nbsp;12 of ''Chloe: Beihefte zum Daphnis''. Rodopi.</ref>
* Vol.&nbsp;2 (1755)<ref>{{Google books|l0u3DQAAQBAJ|Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz 1999|page=32}}</ref>
* Vol.&nbsp;2 (1755)<ref>{{Google books|l0u3DQAAQBAJ|Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz 1999|page=32}}</ref>
The volumes contained works by [[Johann Friedrich Agricola]], [[Carl Philipp Emanuel Bach]], [[Johann Christian Bach]], [[Franz Benda]], [[Carl Friedrich Christian Fasch]], [[Johann Gottlieb Graun]], [[Carl Heinrich Graun]], [[Johann Philipp Kirnberger]], [[Christian Gottfried Krause]], [[Friedrich Wilhelm Marpurg]], [[Christoph Nichelmann]] and [[Johann Joachim Quantz]].<ref name="KrauseCorrespondence" />
The volumes contained works by [[Johann Friedrich Agricola]], [[Carl Philipp Emanuel Bach]], [[Johann Christian Bach]], [[Franz Benda]], [[Carl Friedrich Christian Fasch]], [[Johann Gottlieb Graun]], [[Carl Heinrich Graun]], [[Johann Philipp Kirnberger]], [[Christian Gottfried Krause]], [[Friedrich Wilhelm Marpurg]], [[Christoph Nichelmann]] and [[Johann Joachim Quantz]].<ref name="KrauseCorrespondence" />
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===''Kritische Briefe über die Tonkunst''===
===''Kritische Briefe über die Tonkunst''===
The {{ill|Kritische Briefe über die Tonkunst|scores|Kritische Briefe über die Tonkunst (Marpurg, Friedrich Wilhelm)|wikisource:de|lt=''Kritische Briefe über die Tonkunst''}} (critical letters about musical composition) were published from 1759 to 1764, edited by Friedrich Wilhelm Marpurg, who was also the author of most of the letters in this collection.<ref>{{OCLC|4882134}}, ''Kritische Briefe über die Tonkunst''.</ref> They were published in three volumes:
The {{ill|Kritische Briefe über die Tonkunst|scores|Kritische Briefe über die Tonkunst (Marpurg, Friedrich Wilhelm)|wikisource:de|lt=''Kritische Briefe über die Tonkunst''}} (critical letters about musical composition) were published from 1759 to 1764, edited by [[Friedrich Wilhelm Marpurg]], who was also the author of most of the letters in this collection.<ref>{{OCLC|4882134}}, ''Kritische Briefe über die Tonkunst''.</ref> They were published in three volumes:
* Vol.&nbsp;1, in four parts (letters 1–64, 1760).<ref>{{IA|KritischeBriefeberDieTonkunstBd.1|''Kritische Briefe über die Tonkunst'', Vol.&nbsp;1}}, {{MDZ|10527413-0}}, {{MDZ|10527411-9}}</ref>
* Vol.&nbsp;1, in four parts (letters 1–64, 1760).<ref>{{IA|KritischeBriefeberDieTonkunstBd.1|''Kritische Briefe über die Tonkunst'', Vol.&nbsp;1}}, {{MDZ|10527413-0}}, {{MDZ|10527411-9}}</ref>
* Vol.&nbsp;2, in four parts (letters 65–128, 1763).<ref>{{IA|KritischeBriefeberDieTonkunstBd.2|''Kritische Briefe über die Tonkunst'', Vol.&nbsp;2}}, {{MDZ|10527412-4}}={{Google books|qBhDAAAAcAAJ|Kritische Briefe über die Tonkunst (II)}}</ref>
* Vol.&nbsp;2, in four parts (letters 65–128, 1763).<ref>{{IA|KritischeBriefeberDieTonkunstBd.2|''Kritische Briefe über die Tonkunst'', Vol.&nbsp;2}}, {{MDZ|10527412-4}}={{Google books|qBhDAAAAcAAJ|Kritische Briefe über die Tonkunst (II)}}</ref>
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== Sources ==
== Sources ==
* {{cite book |last=Schulze |first=Hans-Joachim |author-link=Hans-Joachim Schulze |date=2003 |chapter='Vierstimmige Choraele, aus den Kirchen Stücken des Herrn J.&nbsp;S. Bachs zusammen getragen': Eine Handschrift Karl Friedrich Faschs in der Bibliothek der Sing-Akademie zu Berlin |chapter-url=https://books.google.com/books?id=rSG3DQAAQBAJ&pg=PA9 |editor1-last=Wagner |editor1-first=Günther |title=Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz |url=https://books.google.com/books?id=rSG3DQAAQBAJ |publisher=Springer |pages=9–30 |isbn=9783476028853 |ref=harv }}
* {{cite book |last=Schulze |first=Hans-Joachim |author-link=Hans-Joachim Schulze |date=2003 |chapter='Vierstimmige Choraele, aus den Kirchen Stücken des Herrn J.&nbsp;S. Bachs zusammen getragen': Eine Handschrift Karl Friedrich Faschs in der Bibliothek der Sing-Akademie zu Berlin |chapter-url=https://books.google.com/books?id=rSG3DQAAQBAJ&pg=PA9 |editor1-last=Wagner |editor1-first=Günther |title=Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz |url=https://books.google.com/books?id=rSG3DQAAQBAJ |publisher=Springer |pages=9–30 |isbn=9783476028853 }}
<!--
<!--
*{{citation|title=The History of Keyboard Music to 1700|first=Willi|last= Apel|authorlink=Willi Apel|translator=Hans Tischler|publisher=[[Indiana University Press]]|year= 1972|isbn=0253211417}}
*{{citation|title=The History of Keyboard Music to 1700|first=Willi|last= Apel|authorlink=Willi Apel|translator=Hans Tischler|publisher=[[Indiana University Press]]|year= 1972|isbn=0253211417}}
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*{{citation |last1=Schütz |first1=Heinrich |author-link1=Heinrich Schütz |date=1628 |chapter=Der CXXXVII. Psalm |chapter-url=http://daten.digitale-sammlungen.de/bsb00094385/image_572 |title=[[Psalmen Davids: Hiebevorn in Teutzsche Reimen gebracht durch D. Cornelium Beckern]] |language=de |location=Freiberg |publisher=Georg Hoffman |pages=560–564 |postscript=. {{RISM|00000990058712}} }}
*{{citation |last1=Schütz |first1=Heinrich |author-link1=Heinrich Schütz |date=1628 |chapter=Der CXXXVII. Psalm |chapter-url=http://daten.digitale-sammlungen.de/bsb00094385/image_572 |title=[[Psalmen Davids: Hiebevorn in Teutzsche Reimen gebracht durch D. Cornelium Beckern]] |language=de |location=Freiberg |publisher=Georg Hoffman |pages=560–564 |postscript=. {{RISM|00000990058712}} }}
*{{citation|last1=Schütz |first1=Heinrich |author-link1=Heinrich Schütz |translator-last=Johnston |translator-first=Gregory S. |date=2013 |title=A Heinrich Schütz Reader: Letters and Documents in Translation |url=https://books.google.com/books?id=F3VTON3VMDoC |location=United States |publisher= [[Oxford University Press]] |page=[https://books.google.com/books?id=F3VTON3VMDoC&pg=PA62 62] |isbn=0199812209}}
*{{citation|last1=Schütz |first1=Heinrich |author-link1=Heinrich Schütz |translator-last=Johnston |translator-first=Gregory S. |date=2013 |title=A Heinrich Schütz Reader: Letters and Documents in Translation |url=https://books.google.com/books?id=F3VTON3VMDoC |location=United States |publisher= [[Oxford University Press]] |page=[https://books.google.com/books?id=F3VTON3VMDoC&pg=PA62 62] |isbn=0199812209}}
*{{cite book |last1=Shannon |first1=John R. |date=2012 |title=The Evolution of Organ Music in the 17th Century: A Study of European Styles |url=https://books.google.com/books?id=GB64QIHirTEC |publisher=McFarland |isbn=9780786488667 |ref=harv}}
*{{cite book |last1=Shannon |first1=John R. |date=2012 |title=The Evolution of Organ Music in the 17th Century: A Study of European Styles |url=https://books.google.com/books?id=GB64QIHirTEC |publisher=McFarland |isbn=9780786488667}}
*{{GroveOnline|title=Schein, Johann Hermann||author= Snyder, Kerala Y.|author2=Johnson, Gregory S.|access-date=12 March 2018|url=https://doi.org/10.1093/gmo/9781561592630.article.24787}}
*{{GroveOnline|title=Schein, Johann Hermann||author= Snyder, Kerala Y.|author2=Johnson, Gregory S.|access-date=12 March 2018|url=https://doi.org/10.1093/gmo/9781561592630.article.24787}}
*{{citation|last=Spagnoli|first=Gina|title=The Early Baroque Era: From the late 16th century to the 1660s|chapter=Dresden at the Time of Heinrich Schütz|editor-last=Price|editor-first=Curtis|publisher=[[Macmillan Publishers|Macmillan]]|year=1993|pages=164–184}}
*{{citation|last=Spagnoli|first=Gina|title=The Early Baroque Era: From the late 16th century to the 1660s|chapter=Dresden at the Time of Heinrich Schütz|editor-last=Price|editor-first=Curtis|publisher=[[Macmillan Publishers|Macmillan]]|year=1993|pages=164–184}}
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{{DEFAULTSORT:Birnstiel, Friedrich}}
{{DEFAULTSORT:Birnstiel, Friedrich}}
[[Category:18th-century publishers (people)]]
[[Category:18th-century German publishers (people)]]
[[Category:German music publishers (people)]]
[[Category:German music publishers (people)]]

Latest revision as of 12:03, 11 September 2024

Friedrich Wilhelm Birnstiel was an 18th-century German music publisher known for publishing two volumes of four-part chorales by Johann Sebastian Bach in the 1760s.[1]

Publications

[edit]
Title page of Graun's Der Tod Jesu.

Friedrich Wilhelm Birnstiel was active as a publisher and editor of music between 1753 and 1782.[2]

Oden mit Melodien

[edit]

Oden mit Melodien (odes with melodies) was published in two volumes:

  • Vol. 1 (1753, reprinted 1761)[3][4]
  • Vol. 2 (1755)[5]

The volumes contained works by Johann Friedrich Agricola, Carl Philipp Emanuel Bach, Johann Christian Bach, Franz Benda, Carl Friedrich Christian Fasch, Johann Gottlieb Graun, Carl Heinrich Graun, Johann Philipp Kirnberger, Christian Gottfried Krause, Friedrich Wilhelm Marpurg, Christoph Nichelmann and Johann Joachim Quantz.[2]

Libretto of Graun's Der Tod Jesu cantata

[edit]
See also: Der Tod Jesu

In 1755 Birnstiel published Karl Wilhelm Ramler's libretto of Carl Heinrich Graun's cantata Der Tod Jesu. The music of this Passion setting was published five years later by Johann Gottlob Immanuel Breitkopf.[6]

Kritische Briefe über die Tonkunst

[edit]

The Kritische Briefe über die Tonkunst [scores; wikisource:de] (critical letters about musical composition) were published from 1759 to 1764, edited by Friedrich Wilhelm Marpurg, who was also the author of most of the letters in this collection.[7] They were published in three volumes:

  • Vol. 1, in four parts (letters 1–64, 1760).[8]
  • Vol. 2, in four parts (letters 65–128, 1763).[9]
  • Vol. 3, one part (letters 129–143, 1764).[10]
  • Vol. I (1760), p. 215 (28th letter, 1759, start)
    Vol. I (1760), p. 215 (28th letter, 1759, start)
  • Vol. I (1760), p. 220 (28th letter, 1759, end)
    Vol. I (1760), p. 220 (28th letter, 1759, end)
  • Vol. I (1760), title page of part IV (between pp. 380 and 381).
    Vol. I (1760), title page of part IV (between pp. 380 and 381).

Musikalisches Allerley

[edit]
Gottfried Heinrich Stölzel's Enharmonische Claviersonate in the second volume (13th instalment) of Musikalisches Allerley [scores].

Musikalisches Allerley von verschiedenen Tonkünstlern (musical miscellaneous by various composers):

  • Vol. 1 (instalments 1–6, 1760, and instalment 7, 1761)[11]
  • Vol. 2 (instalments 9–16, 1761)[12]
  • Vol. 3 (instalments 17–24, 1761)[13]
  • Vol. 4 (instalments 25–32, 1761)[14]
  • Vol. 5 (instalments 33–40, 1761)[15]
  • Vol. 6 (instalments 41–45, 1761, and instalments 46–48, 1762)[16]
  • Vol. 7 (instalments 49–56, 1762)[17]
  • Vol. 8 (instalments 57–64, 1763)[18]
  • Vol. 9 (instalments 65–72, 1763)[19]

Contains compositions by, among others, Johann Friedrich Agricola, Carl Philipp Emanuel Bach, Johann Thielemann Cramer [scores], Jean-François Dandrieu, Carl Friedrich Christian Fasch, Carl Heinrich Graun, August Bernhard Valentin Herbing, Johann Gottlieb Janitsch, Johann Philipp Kirnberger, Christian Gottfried Krause, Friedrich Wilhelm Marpurg, Christoph Nichelmann, Johann Joachim Quantz, Jean-Philippe Rameau, Friedrich Wilhelm Riedt, Johann Heinrich Rolle, Johann Philipp Sack [de], Christian Friedrich Schale [fr], Gottfried Heinrich Stölzel, Georg Christoph Wagenseil, Johann Friedrich Wilhelm Wenkel [scores].[11][12][13][14][15][16][17][18]

Johann Philipp Kirnbergers Clavierübungen mit der Bachischen Applicatur

[edit]

Johann Philipp Kirnbergers Clavierübungen mit der Bachischen Applicatur were published in four volumes from 1761 to 1766:[20]

Descriptions of painting collections

[edit]

Descriptions of painting collections, both published in 1763:

  • Beschreibung des Cabinets von Gemählden verschiedener berühmten Mahler des Herrn Johann Gottlieb Stein (description of Johann Gottlieb Stein's cabinet of paintings by various famous painters), with an introduction by Matthias Oesterreich [de].[25]
  • Des Herrn Daniel Stenglin in Hamburg Sammlung von italienischen, holländischen und deutschen Gemählden by Matthias Oesterreich.[26]

Kirnberger's Construction der gleichschwebenden Temperatur

[edit]

Kirnberger's Construction der gleichschwebenden Temperatur was published in 1764.[27]

Kleine Sing- und Spielstücke fürs Clavier

[edit]

The Kleine Sing- und Spielstücke fürs Clavier von verschiedenen Meistern volumes contained mostly material that had already been published before, for instance as examples in Marpurg's Kritische Briefe:

Johann Sebastian Bachs vierstimmige Choralgesänge

[edit]
See also: 18th-century prints of Bach's four-part chorales and List of chorale harmonisations by Johann Sebastian Bach

The first volume of Johann Sebastian Bachs vierstimmige Choralgesänge was published in 1765, and the second volume in 1769.[1][30] Each volume contained 100 chorale harmonisations, most of them by Johann Sebastian Bach.[31]

  • Vol. 1 (1765), title page
    Vol. 1 (1765), title page
  • Vol. 1 (1765), C. P. E. Bach's Preface (start)
    Vol. 1 (1765), C. P. E. Bach's Preface (start)
  • Vol. 1 (1765), C. P. E. Bach's Preface (end)
    Vol. 1 (1765), C. P. E. Bach's Preface (end)
  • Vol. 1 (1765), p. 3, containing BWV 267 by J. S. Bach and BWV Anh. 203 by D. Vetter.[32]
    Vol. 1 (1765), p. 3, containing BWV 267 by J. S. Bach and BWV Anh. 203 by D. Vetter.[32]

Adlung's Musica mechanica organoedi and Musikalisches Siebengestirn

[edit]

Jakob Adlung's Musica mechanica organoedi and Musikalisches Siebengestirn were published in 1768.[33][34]

Berlinisches litterarisches Wochenblatt

[edit]

Editions of the Berlinisches litterarisches Wochenblatt (Berlin literary weekly) were grouped in volumes:

Müller's Drey Sonaten for keyboard duet

[edit]

Drey Sonaten, fürs Clavier: als Doppelstücke für zwo Personen mit vier Händen by Christian Heinrich Müller [scores] was published in 1782.[39]

References

[edit]
  1. ^ a b RISM 00000990003402, Johann Sebastian Bachs vierstimmige Choralgesänge, gesammlet von Carl Philipp Emanuel Bach.
  2. ^ a b The Correspondence of Christian Gottfried Krause: A Music Lover in the Age of Sensibility, p. 124, at Google Books
  3. ^ ODEN mit Melodien. Erster Theil at Munich Digitization Center website.
  4. ^ Hans-Günter Ottenberg (1992). "Die 1. berliner Liederschüle im Urteil der zeitgenössischen Presse", pp. 247ff in Studien zum deutschen weltlichen Kunstlied des 17. und 18. Jahrhunderts edited by Gudrun Busch and Anthony John Harper, Vol. 12 of Chloe: Beihefte zum Daphnis. Rodopi.
  5. ^ Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz 1999, p. 32, at Google Books
  6. ^ A History of the Oratorio: Vol. 3: the Oratorio in the Classical Era, p. 403, at Google Books
  7. ^ OCLC 4882134, Kritische Briefe über die Tonkunst.
  8. ^ Kritische Briefe über die Tonkunst, Vol. 1 at the Internet Archive, urn:nbn:de:bvb:12-bsb10527413-0, urn:nbn:de:bvb:12-bsb10527411-9
  9. ^ Kritische Briefe über die Tonkunst, Vol. 2 at the Internet Archive, urn:nbn:de:bvb:12-bsb10527412-4=Kritische Briefe über die Tonkunst (II) at Google Books
  10. ^ Kritische Briefe über die Tonkunst, Vol. 3 at Berlin State Library website.
  11. ^ a b Musikalisches Allerley von verschiedenen Tonkünstlern: 1ste Sammlung (1760 - 1761) at University of Bonn website.
  12. ^ a b Musikalisches Allerley von verschiedenen Tonkünstlern: 2te Sammlung (1761) at University of Bonn website.
  13. ^ a b Musikalisches Allerley von verschiedenen Tonkünstlern: 3te Sammlung (1761) at University of Bonn website.
  14. ^ a b Musikalisches Allerley von verschiedenen Tonkünstlern: 4te Sammlung (1761) at University of Bonn website.
  15. ^ a b Musikalisches Allerley von verschiedenen Tonkünstlern: 5te Sammlung (1761) at University of Bonn website.
  16. ^ a b Musikalisches Allerley von verschiedenen Tonkünstlern: 6te Sammlung (1761 - 1762) at University of Bonn website.
  17. ^ a b Musikalisches Allerley von verschiedenen Tonkünstlern: 7te Sammlung (1762) at University of Bonn website.
  18. ^ a b Musikalisches Allerley von verschiedenen Tonkünstlern: 8te Sammlung (1763) at University of Bonn website.
  19. ^ OCLC 930856857, Musikalisches Allerley von verschiedenen Tonkünstlern, 9te Sammlung
  20. ^ OCLC 977981450, Clavierübungen, mit der Bachischen Applicatur, in einer Folge von den leichtesten bis zu den schwersten Stücken.
  21. ^ Johann Philipp Kirnbergers Clavierübungen mit der bachischen Applicatur, 1 at Berlin University of the Arts website.
  22. ^ Johann Philipp Kirnbergers Clavierübungen mit der bachischen Applicatur, 2 at Berlin University of the Arts website.
  23. ^ Johann Philipp Kirnbergers Clavierübungen mit der bachischen Applicatur, 3 at Berlin University of the Arts website.
  24. ^ Johann Philipp Kirnbergers Clavierübungen mit der bachischen Applicatur, 4 at Berlin University of the Arts website.
  25. ^ Beschreibung des Cabinets von Gemählden verschiedener berühmten Mahler des Herrn Johann Gottlieb Stein at archive.org website; at HathiTrust website (full view)
  26. ^ Des Herrn Daniel Stenglin in Hamburg Sammlung von italienischen, holländischen und deutschen Gemählden at HathiTrust website; Des Herrn Daniel Stenglin in Hamburg Sammlung von Italienischen, Holländischen und Deutschen Gemählden at Berlin State Library website.
  27. ^ Construktion der gleichschwebenden Temperatur at Munich Digitization Center website.
  28. ^ a b Allgemeine deutsche Bibliothek: Anhang, Volume 1, p. 2, at Google Books
  29. ^ Wöchentliche Nachrichten und Anmerkungen, die Musik betreffend, Volume 73, p. 110, at Google Books
  30. ^ Schulze 2003, pp. 10–11.
  31. ^ Druck Choralsammlung Birnstiel, Teil I: 1765 and Birnstiel, Teil II: 1769 at Bach Digital website.
  32. ^ Works 00337, An Wasserflüssen Babylon / Ein Lämmlein geht und trägt die Schuld, and 01514, Ich hebe meine Augen auf, at Bach Digital website.
  33. ^ Musica mechanica organoedi at the Internet Archive
  34. ^ Musikalisches Siebengestirn at Munich Digitization Center website.
  35. ^ Berlinisches litterarisches wochenblatt, Volume 1 of 1776 at Google Books; at HathiTrust (full view)
  36. ^ Berlinisches litterarisches wochenblatt, Volume 2 of 1776 at Google Books; at HathiTrust (full view)
  37. ^ Berlinisches litterarisches wochenblatt, Volume 1 of 1777 at Google Books
  38. ^ Berlinisches litterarisches wochenblatt, Volume 2 of 1777 at Google Books; at HathiTrust (full view)
  39. ^ Drey Sonaten, fürs Clavier: als Doppelstücke für zwo Personen mit vier Händen at Munich Digitization Center website.

Sources

[edit]
[edit]
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