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{{Short description|1926 novel by Sylvia Townsend Warner}}
{{Refimprove|date=September 2014}}
{{Use dmy dates|date=April 2022}}
{{More citations needed|date=September 2014}}
{{infobox book | <!-- See [[Wikipedia:WikiProject Novels]] or [[Wikipedia:WikiProject Books]] -->
{{infobox book | <!-- See [[Wikipedia:WikiProject Novels]] or [[Wikipedia:WikiProject Books]] -->
| name = Lolly Willowes
| name = Lolly Willowes
| title_orig =
| title_orig =
| image = <!--prefer 1st edition-->
| image = File:LollyWillowes.jpg
| caption =
| caption = First US edition
| author = [[Sylvia Townsend Warner]]
| author = [[Sylvia Townsend Warner]]
| illustrator =
| illustrator =
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| country = United Kingdom
| country = United Kingdom
| language = English
| language = English
| genre =
| genre = [[Fantasy]], [[Satire]]
| publisher = Chatto & Windus
| publisher = [[Chatto & Windus]] (UK)<br />[[Viking Press]] (US)
| release_date =1926
| release_date = 1926
| media_type = Print ([[hardcover|hardback]] & [[paperback]])
| media_type = Print ([[hardcover|hardback]] & [[paperback]])
| pages =
| pages =
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| preceded_by =
| preceded_by =
| followed_by =
| followed_by =
| wikisource = Lolly Willowes
}}
}}


'''''Lolly Willowes; or The Loving Huntsman''''' is a novel by [[Sylvia Townsend Warner]], her first, published in 1926.
'''''Lolly Willowes; or The Loving Huntsman''''' is a novel by English writer [[Sylvia Townsend Warner]], her first, published in 1926. It has been described as an early [[Feminism|feminist]] classic.<ref>[https://www.theguardian.com/books/2012/mar/18/lolly-willowes-townsend-warner-review Lolly Willowes by Sylvia Townsend Warner – review"] by Lucy Scholes, ''[[The Guardian]]'', Sunday 18 March 2012. Retrieved 15 December 2017</ref>

==Title==
"Lolly" is the version of Laura's name used by her family after a mispronunciation by a young niece. She comes to dislike being called "Aunt Lolly" and to see the name as a symbol of her lack of independence. "The Loving Huntsman" refers to [[Satan]], whom Laura envisions as hunting souls in a kindly way.


==Synopsis==
==Synopsis==
''Lolly Willowes'' is a satirical [[comedy of manners]] incorporating elements of fantasy. It is the story of a middle-aged spinster who moves to a country village to escape her controlling relatives and takes up the practice of [[witchcraft]].<ref>[[Brian Stableford]], " Re-Enchantment in the Aftermath of War", in Stableford, Gothic Grotesques: Essays on Fantastic Literature. Wildside Press, 2009, {{ISBN|978-1-4344-0339-1}} (pp. 110-121)</ref> The novel opens at the turn of the twentieth century, with Laura Willowes moving from Somerset to London to live with her brother Henry and his family. The move comes in the wake of the death of Laura's father, Everard, with whom she lived at the family home, Lady Place. Laura's other brother, James, moves into Lady Place with his wife and his young son, Titus, with the intention to continue the family's brewing business. However, James dies suddenly of a heart attack and Lady Place is rented out, with the view that Titus, once grown up, will return to the home and run the business.


After twenty years of being a live-in aunt Laura finds herself feeling increasingly stifled both by her obligations to the family and by living in London. When shopping for flowers on the [[Moscow Road]], Laura decides she wishes to move to the [[Chiltern Hills]] and, buying a guide book and map to the area, she picks the village of Great Mop as her new home. Against the wishes of her extended family, Laura moves to Great Mop and finds herself entranced and overwhelmed by the chalk hills and beech woods. Though sometimes disturbed by strange noises at night, she settles in and befriends her landlady and a poultry farmer.
''Lolly Willowes'' is satirical comedy of manners incorporating elements of fantasy, it is the story of a middle-aged spinster who moves to a country village to escape her controlling relatives and takes up the practice of witchcraft.<ref>[[Brian Stableford]], " Re-Enchantment in the Aftermath of War", in Stableford, Gothic Grotesques: Essays on Fantastic Literature. Wildside Press, 2009, ISBN 978-1-4344-0339-1 (pp. 110-121)</ref> The novel opens at the turn of the twentieth century, with Laura Willowes moving from Somerset to London to live with her brother, Henry, and his family. The move comes in the wake of the death of Laura's father, Everard, with whom she lived with at the family home, Lady Place. Laura's other brother, James, moves into Lady Place with his wife and his young son, Titus, with the intention to continue the family's brewing business. However, James dies suddenly of a heart attack and Lady Place is rented out, with the view that Titus, once grown up, will return to the home and run the business.


Laura finds herself feeling increasingly stifled both by the obligations of being a live-in aunt and living in London. When shopping for flowers on the Moscow Road, Laura decides she wishes to move to the [[Chiltern Hills]] and, buying a guide book and map to the area, she decides upon the (fictional) village of Great Mop as her new home. Against the wishes of her extended family, Laura moves to Great Mop and finds herself entranced and overwhelmed by the chalk hills and beech woods. When out walking, she makes a pact with a force that she takes to be Satan, so as she can remain in the Chilterns rather than return to her duties as an aunt. On returning to her lodgings, she discovers a kitten, whom she takes to be Satan's emissary, and names him Vinegar Tom, in reference to the English history of witchcraft.
After a while, Titus decides to move from his lodgings in Bloomsbury to Great Mop and be a writer, rather than managing the family business. Titus's renewed social and domestic reliance on Laura make her feel frustrated that even living in the Chilterns she cannot escape the duties expected of women. When out walking, she makes a pact with a force that she takes to be Satan, to be free from such duties. On returning to her lodgings, she discovers a kitten, whom she takes to be Satan's emissary, and names him Vinegar, in reference to an old picture of witches' familiars. Subsequently, her landlady takes her to a [[Witches' Sabbath]] attended by many of the villagers.


In the meantime, Titus, having visited Laura, has decided he wants to move from his lodgings in Bloomsbury to Great Mop and be a writer, rather than inheriting the family business. Titus' renewed social and domestic reliance on Laura make Laura feel frustrated that even as a witch living in the Chilterns she cannot escape the duties expected of women. Satan intervenes, plaguing Titus with tricks, such as curdling his milk and, finally, setting a nest of wasps upon him. Finally, having had his wasp stings treated by a Londoner named Pandora Williams, Titus proposes marriage to Pandora and the two retreat to London. Laura, relieved, meets Satan at Mulgrave Folly and tells him that women are like 'sticks of dynamite' waiting to explode and that all women are witches even 'if they never do anything with their witchcraft, they know it's there - ready!' The novel ends with Laura acknowledging that her new freedom comes at the expense of knowing that she belongs to the 'satisfied but profound indifferent ownership' of Satan.
Titus is plagued with misadventures, such as having his milk constantly curdle and falling into a nest of wasps. Finally, he proposes marriage to a London visitor, Pandora Williams, who has treated his wasp stings, and the two retreat to London. Laura, relieved, meets Satan at Mulgrave Folly and tells him that women are like 'sticks of dynamite' waiting to explode and that all women are witches even 'if they never do anything with their witchcraft, they know it's there ready!' The novel ends with Laura acknowledging that her new freedom comes at the expense of knowing that she belongs to the 'satisfied but profoundly indifferent ownership' of Satan.


==Reception and Legacy==
==Reception and legacy==
The novel was well received by critics on its publication. In France it was shortlisted for the [[Prix Femina]] and in the USA it was the very first Book Of The Month for the Book Club.<ref>[https://www.theguardian.com/books/2014/sep/15/100-best-novels-lolly-willowes-sylvia-townsend-warner-robert-mccrum The 100 best novels: No 52 – Lolly Willowes by Sylvia Townsend Warner (1926)] ''The Guardian''. 14 September 2014.</ref>
The novel was well received by critics on its publication. In France it was shortlisted for the [[Prix Femina]] and in the USA it was the very first Book Of The Month for the [[Book of the Month Club|Book Club]].<ref name=Guardian>[https://www.theguardian.com/books/2014/sep/15/100-best-novels-lolly-willowes-sylvia-townsend-warner-robert-mccrum The 100 best novels: No 52 – Lolly Willowes by Sylvia Townsend Warner (1926)] ''The Guardian''. 14 September 2014.</ref>


Until the 1960s, the Manuscript of Lolly Willowes was displayed in the [[New York Public Library]].<ref>[https://www.theguardian.com/books/2014/sep/15/100-best-novels-lolly-willowes-sylvia-townsend-warner-robert-mccrum The 100 best novels: No 52 – Lolly Willowes by Sylvia Townsend Warner (1926)] ''The Guardian''. 14 September 2014.</ref>
Until the 1960s, the manuscript of Lolly Willowes was displayed in the [[New York Public Library]].<ref name=Guardian />


In a 1999 introduction to the novel's republication by [[New York Review Books]], [[Alison Lurie]] wrote that "a woman who refuses the 'Aunt Lolly' role is, in the view of conventional society, a kind of witch, even if she does no evil," tying the novel to [[Virginia Woolf]]'s ''[[A Room of One's Own]]'', noting that Warner "had spoken for [such women] first."<ref>Lurie, Alison. "Introduction." ''Lolly Willowes'' by Sylvia Townsend Warner. New York Review Books, 1999, xiii.</ref>
In 2014, [[Robert McCrum]] chose it as one of the 100 Best Novels in English, for his list for The Guardian.<ref>[https://www.theguardian.com/books/2014/sep/15/100-best-novels-lolly-willowes-sylvia-townsend-warner-robert-mccrum The 100 best novels: No 52 – Lolly Willowes by Sylvia Townsend Warner (1926)] ''The Guardian''. 14 September 2014.</ref>

Similarly, in her 2012 review of the novel, Lucy Scholes takes note of the feminist focus of the novel, as well as the fact that it predates the better known ''A Room of One's Own'': "With its clear feminist agenda, ''Lolly Willowes'' holds its own among Townsend Warner's historical fiction, but it's also an elegantly enchanting tale that transcends its era."<ref>{{Cite news |last=Scholes |first=Lucy |date=2012-03-18 |title=Lolly Willowes by Sylvia Townsend Warner – review |language=en-GB |work=The Guardian |url=https://www.theguardian.com/books/2012/mar/18/lolly-willowes-townsend-warner-review |access-date=2023-03-21 |issn=0261-3077}}</ref>

In 2014, [[Robert McCrum]] chose it as one of the 100 Best Novels in English, for his list for ''[[The Guardian]]''.<ref name=Guardian />

==See also==
* [[Devil in the arts and popular culture]]
* ''[[Vinegar Tom]]'', a 1976 feminist play about witchcraft


==Notes==
==Notes==
<references />
<references />

==External links==
* {{Wikisource-inline|Lolly Willowes|''Lolly Willowes''|single=true}}
* {{StandardEbooks|Standard Ebooks URL=https://standardebooks.org/ebooks/sylvia-townsend-warner/lolly-willowes}}
* {{HathiTrust|htid=mdp.39015065539754}}
* {{librivox book | title=Lolly Willowes: or, the Loving Huntsman | author=Sylvia Townsend Warner}}


[[Category:1926 British novels]]
[[Category:1926 British novels]]
[[Category:Debut novels]]
[[Category:British magic realism novels]]
[[Category:British magic realism novels]]
[[Category:Witchcraft in written fiction]]
[[Category:Novels about witches and witchcraft]]
[[Category:Novels about demons]]
[[Category:Fiction about the Devil]]
[[Category:Novels about Satanism]]
[[Category:Feminist novels]]
[[Category:1926 debut novels]]
[[Category:Chatto & Windus books]]
[[Category:Viking Press books]]
[[Category:NYRB Classics]]

Latest revision as of 19:54, 11 September 2024

Lolly Willowes
First US edition
AuthorSylvia Townsend Warner
LanguageEnglish
GenreFantasy, Satire
PublisherChatto & Windus (UK)
Viking Press (US)
Publication date
1926
Publication placeUnited Kingdom
Media typePrint (hardback & paperback)
TextLolly Willowes at Wikisource

Lolly Willowes; or The Loving Huntsman is a novel by English writer Sylvia Townsend Warner, her first, published in 1926. It has been described as an early feminist classic.[1]

Title

[edit]

"Lolly" is the version of Laura's name used by her family after a mispronunciation by a young niece. She comes to dislike being called "Aunt Lolly" and to see the name as a symbol of her lack of independence. "The Loving Huntsman" refers to Satan, whom Laura envisions as hunting souls in a kindly way.

Synopsis

[edit]

Lolly Willowes is a satirical comedy of manners incorporating elements of fantasy. It is the story of a middle-aged spinster who moves to a country village to escape her controlling relatives and takes up the practice of witchcraft.[2] The novel opens at the turn of the twentieth century, with Laura Willowes moving from Somerset to London to live with her brother Henry and his family. The move comes in the wake of the death of Laura's father, Everard, with whom she lived at the family home, Lady Place. Laura's other brother, James, moves into Lady Place with his wife and his young son, Titus, with the intention to continue the family's brewing business. However, James dies suddenly of a heart attack and Lady Place is rented out, with the view that Titus, once grown up, will return to the home and run the business.

After twenty years of being a live-in aunt Laura finds herself feeling increasingly stifled both by her obligations to the family and by living in London. When shopping for flowers on the Moscow Road, Laura decides she wishes to move to the Chiltern Hills and, buying a guide book and map to the area, she picks the village of Great Mop as her new home. Against the wishes of her extended family, Laura moves to Great Mop and finds herself entranced and overwhelmed by the chalk hills and beech woods. Though sometimes disturbed by strange noises at night, she settles in and befriends her landlady and a poultry farmer.

After a while, Titus decides to move from his lodgings in Bloomsbury to Great Mop and be a writer, rather than managing the family business. Titus's renewed social and domestic reliance on Laura make her feel frustrated that even living in the Chilterns she cannot escape the duties expected of women. When out walking, she makes a pact with a force that she takes to be Satan, to be free from such duties. On returning to her lodgings, she discovers a kitten, whom she takes to be Satan's emissary, and names him Vinegar, in reference to an old picture of witches' familiars. Subsequently, her landlady takes her to a Witches' Sabbath attended by many of the villagers.

Titus is plagued with misadventures, such as having his milk constantly curdle and falling into a nest of wasps. Finally, he proposes marriage to a London visitor, Pandora Williams, who has treated his wasp stings, and the two retreat to London. Laura, relieved, meets Satan at Mulgrave Folly and tells him that women are like 'sticks of dynamite' waiting to explode and that all women are witches even 'if they never do anything with their witchcraft, they know it's there – ready!' The novel ends with Laura acknowledging that her new freedom comes at the expense of knowing that she belongs to the 'satisfied but profoundly indifferent ownership' of Satan.

Reception and legacy

[edit]

The novel was well received by critics on its publication. In France it was shortlisted for the Prix Femina and in the USA it was the very first Book Of The Month for the Book Club.[3]

Until the 1960s, the manuscript of Lolly Willowes was displayed in the New York Public Library.[3]

In a 1999 introduction to the novel's republication by New York Review Books, Alison Lurie wrote that "a woman who refuses the 'Aunt Lolly' role is, in the view of conventional society, a kind of witch, even if she does no evil," tying the novel to Virginia Woolf's A Room of One's Own, noting that Warner "had spoken for [such women] first."[4]

Similarly, in her 2012 review of the novel, Lucy Scholes takes note of the feminist focus of the novel, as well as the fact that it predates the better known A Room of One's Own: "With its clear feminist agenda, Lolly Willowes holds its own among Townsend Warner's historical fiction, but it's also an elegantly enchanting tale that transcends its era."[5]

In 2014, Robert McCrum chose it as one of the 100 Best Novels in English, for his list for The Guardian.[3]

See also

[edit]

Notes

[edit]
  1. ^ Lolly Willowes by Sylvia Townsend Warner – review" by Lucy Scholes, The Guardian, Sunday 18 March 2012. Retrieved 15 December 2017
  2. ^ Brian Stableford, " Re-Enchantment in the Aftermath of War", in Stableford, Gothic Grotesques: Essays on Fantastic Literature. Wildside Press, 2009, ISBN 978-1-4344-0339-1 (pp. 110-121)
  3. ^ a b c The 100 best novels: No 52 – Lolly Willowes by Sylvia Townsend Warner (1926) The Guardian. 14 September 2014.
  4. ^ Lurie, Alison. "Introduction." Lolly Willowes by Sylvia Townsend Warner. New York Review Books, 1999, xiii.
  5. ^ Scholes, Lucy (18 March 2012). "Lolly Willowes by Sylvia Townsend Warner – review". The Guardian. ISSN 0261-3077. Retrieved 21 March 2023.
[edit]