Out of the Inkwell (1938 film): Difference between revisions
Tom.Reding (talk | contribs) m WP:STUBSPACING followup |
|||
| (One intermediate revision by one other user not shown) | |||
| Line 43: | Line 43: | ||
[[Category:Betty Boop cartoons]] |
[[Category:Betty Boop cartoons]] |
||
[[Category:1938 animated films]] |
[[Category:1938 animated films]] |
||
[[Category:American black-and-white films]] |
[[Category:American animated black-and-white films]] |
||
[[Category:Paramount Pictures short films]] |
[[Category:Paramount Pictures short films]] |
||
[[Category:Fleischer Studios short films]] |
[[Category:Fleischer Studios short films]] |
||
Revision as of 05:30, 15 September 2024
| Out of the Inkwell | |
|---|---|
| Directed by | Dave Fleischer Animated Sequences: Thomas Johnson |
| Produced by | Max Fleischer S. Roy Luby (associate) |
| Starring | Bonnie Poe as Betty Boop (voice - uncredited) Oscar Polk as a black janitor (uncredited) |
| Cinematography | Sid Glenar |
| Animation by | Thomas Johnson Otto Feuer |
| Color process | Black and white |
Production company | |
| Distributed by | Paramount Pictures |
Release date |
|
Running time | 7 minutes |
| Country | United States |
| Language | English |
Out of the Inkwell is a 1938 Max Fleischer/Betty Boop live-action and animated short film.[1] The title and concept for the film were a tribute to the Out of the Inkwell series of films that Max Fleischer had produced during the 1920s.
Synopsis
A live-action black janitor, played by Oscar Polk, best known for his portrayal as the servant "Pork" in the 1939 film Gone with the Wind, studies hypnotism from a book while cleaning Max Fleischer's desk at the Fleischer studio. He manages to conjure Max's pen into drawing Betty Boop. In a sequence of animation mixed with live-action, he uses his new powers to control the white animated Boop. She in turn is able to control a small dog. After waking from the spell, Betty manages to work a few more spells. Fraught with racial innuendo, one of her tricks includes turning the black man white for a split-second, after which he begins cleaning in overdrive. Before that, he was sleeping on his broom and sweeping dirt under the carpet. At the end, Betty Boop leaps into a bottle of black ink.
Reception
Boxoffice (March 24, 1938): "Mostly juvenile appeal. That popular Max Fleischer animated stunt is used here, but their results are far from effective. There is a colored porter, who picks up hypnotism from a book lying on a cartoonist's desk. He brings the pen to life with an unaided drawing of Betty Boop. Betty watches the porter tire at his work and then hypnotized him into doing the work at a speedy clip."[2]
Motion Picture Exhibitor (May 1, 1938): "The Boops will not be distributed by Paramount next year. This entrant will do nothing to make any exhibitor regret the company's decision. It has novelty, true, but of the old days."[2]
References
- ^ Lenburg, Jeff (1999). The Encyclopedia of Animated Cartoons. Checkmark Books. pp. 54–56. ISBN 0-8160-3831-7. Retrieved 6 June 2020.
- ^ a b Sampson, Henry T. (1998). That's Enough, Folks: Black Images in Animated Cartoons, 1900-1960. Scarecrow Press. p. 196. ISBN 978-0810832503.
External links
- Out of the Inkwell on Youtube
- Out of the Inkwell at IMDb
- Out of the Inkwell at The Big Cartoon Database[dead link].