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{{About|the film noir||Red light (disambiguation)}}
{{Short description|1949 film noir}}
{{Infobox film
{{Infobox film
| name = Red Light
| name = Red Light
| image = Red Light movie poster.jpg
| image = Red Light movie poster.jpg
| image size =
| alt =
| alt =
| caption = Theatrical release poster
| caption = Theatrical release poster
| director = [[Roy Del Ruth]]
| director = [[Roy Del Ruth]]
| producer = Roy Del Ruth
| producer = Roy Del Ruth<br>[[Joseph Kaufman (producer)|Joseph Kaufman]] (associate)
| writer = '''Story:'''<br>Don 'Red' Barry<br>'''Screenplay:'''<br>George Callahan<br>'''Additional dialogue:'''<br>Charles Grayson
| screenplay = George Callahan<br>[[Charles Grayson (writer)|Charles Grayson]] (additional dialogue)
| based_on = {{based on|the story "This Guy Gideon"|[[Don "Red" Barry]]}}
| narrator =
| starring = [[George Raft]]<br>[[Virginia Mayo]]<br>[[Gene Lockhart]]
| starring = [[George Raft]]<br/>[[Virginia Mayo]]
| music = [[Dimitri Tiomkin]]
| music = [[Dimitri Tiomkin]]
| cinematography = [[Bert Glennon]]
| cinematography = [[Bert Glennon]]
| editing =
| editing = Richard V. Heermance
| studio = [[United Artists]]
| studio = Roy Del Ruth Productions (as Pioneer Pictures Corp.)
| distributor =
| distributor = [[United Artists]]
| released = {{Start date|1949|09|30}}
| released = {{film date|1949|09|30|United States}}
| runtime = 83 minutes
| runtime = 83 minutes
| country = United States
| country = United States
| language = English
| language = English
| budget =
| budget =
| gross =
| gross =
}}
}}
'''''Red Light''''' is a 1949 [[film noir]], directed and produced by [[Roy Del Ruth]]. The film has an overtly religious tone, based on the story "This Guy Gideon" written by Don "Red" Barry.<ref>{{Imdb title|id=0041790|title=Red Light}}.</ref>
'''''Red Light''''' is a 1949 American [[film noir]] [[crime film]] starring [[George Raft]] and [[Virginia Mayo]], and directed and produced by [[Roy Del Ruth]]. Based on the story "This Guy Gideon" by [[Don "Red" Barry]], it features strong religious overtones.<ref>{{IMDb title|id=0041790|title=Red Light}}.</ref>

It was one of several thrillers Raft made in the late 1940s.<ref>{{cite magazine|magazine=Filmink|url=https://www.filmink.com.au/stars-stop-stars-george-raft/|first=Stephen|last=Vagg|title=Why Stars Stop Being Stars: George Raft|date=February 9, 2020}}</ref>


==Plot==
==Plot==
[[Embezzler]] Nick Cherney plots revenge after he is fired from Johnny Torno's freight (truck) line. Just before his release from a California prison four years later (and to give himself a clever alibi), Nick hires his former cell mate, Rocky, to murder Johnny's brother, Jess, a [[Catholic]] [[chaplain]] just returned from [[World War II]].
Bookkeeper Nick Cherney is sent to jail for [[Embezzlement|embezzling]] from Johnny Torno's trucking company. One week before getting out, he sees a [[newsreel]] showing Johnny welcoming home his heroic brother Jess, a [[Catholic]] [[chaplain]] just returned from a [[World War II]] prisoner-of-war camp. Nick decides to get back at Johnny and hires Rocky (a fellow-inmate about to be released) to murder Jess.


Johnny arrives soon after Rocky has shot his brother. Knowing that he is about to die, Jess indicates that a clue can be found in the room's [[Gideon Bible]]. However, the book is not there.
Both Nick and Rocky know who Jess is, having seen the reunion of the two brothers on local television.


Johnny investigates on his own, creating much tension with the police. He tracks down and questions people who occupied Jess' hotel room, believing that one of them has the Bible. He hires Carla North, who once stayed in the room, and lost her brother in World War II, to help him search. He insists she live at his luxury apartment; he moves into his office.
Jess is staying in a local hotel room, about to depart for his first parish in another city. Not long before Rocky's arrival at the hotel to do the evil deed, Jess and Johnny meet with a local priest, Father Redmond. It is during that meeting that Johnny finds out Jess is moving away. Part of the discussion revolves around Johnny's childhood penchant for breaking windows. As a matter of fact, Johnny's prosperous trucking business has enabled him to donate a $20,000 stained glass window to the parish that Father Redmond ministers to.


While Johnny is questioning another hotel guest, now in Reno, he notices Rocky watching him and sets a trap. Rocky manages to escape, after Johnny wounds him.
Johnny coincidentally arrives at his brother's hotel room, not long after Jess is shot by Rocky. Knowing that he is about to die, Jess vaguely indicates that a clue to his being shot can be found within the covers of the room's [[Bible]]. Johnny takes this to mean that the name of the killer himself is inscribed somewhere therein.


Later Rocky attempts to blackmail Nick, who shoves him off the train. The clerk at Nick's apartment tells him that he told a man that Nick had gone to Reno. Deducing who the man was, Nick goes to Johnny's trucking company office and murders manager Warni Hazard. The death is reported as an accident.
The remainder of the movie is taken up by Johnny's hunt for the missing Bible. In the course of his all consuming search, it is inherent that he locate several strangers who occupied the same room as his brother. He believes that one of them has what he is so frantically looking for.


Along the way, Johnny meets Carla. She is one of those who occupied the hotel room, but she doesn't have the Bible. Johnny then hires her to help him find it, inviting her to stay at his luxury apartment, while he moves to his office. Although a bit suspicious of Johnny's motives, Carla nevertheless agrees to both work for him and to stay at his apartment.
Obsessed with revenge, Johnny asks Carla to locate the last person on his list, Pablo Cabrillo. But she is tired of Johnny's overbearing quest and tells him they need to forget about the dead. He slaps her, then tries to apologize, but she leaves. The police confront Johnny and subsequently put a 24-hour watch on him. With help from an employee, he manages to slip away.


Johnny drives to see Cabrillo, who turns out to be a veteran, blinded in the war. He admits to taking the Bible, but asks to keep it due to its significance to him. He explains that, believing he would be a burden to his family, he was about to shoot himself when the window washer stopped him. He picked up the Bible and read to him, restoring his hope. Johnny insists on taking the book and Cabrillo agrees to let him have it, but they learn that it was taken only an hour earlier by a young, beautiful woman.
When Johnny finally locates the missing [[Gideon Bible]], he finds written therein a warning from his deceased brother. In a way, the cautionary note helps him to avoid the sins of revenge and murder, thus presumably avoiding eternal damnation.


Johnny angrily goes to church where, in a burst of rage, he breaks a stained-glass window that he had recently donated in thanksgiving for Jess' safe return from the war. Remorseful, he returns to his office and writes a check to replace the window; while there he receives word that Carla has checked into a hotel. Nick arrives at Johnny's office and agrees to help find Carla.  She soon arrives at the office with the Bible. The police show up moments later to tell Johnny that they found his gun—one he had taken from Rocky.
On the other hand, it is likely that both Nick and Rocky ended up in hell, but at the hands of divine providence one could speculate.


Worried, Nick watches as Carla gives Johnny the book. Inside, he finds nothing about the killer's identity; instead he finds that his brother circled around [[Romans 12:19]], and wrote a plea from him not to kill. Johnny is initially angry and disappointed, until Carla asks him to re-read what his brother wrote and consider that it was the last instruction he left him.
Sometime before the final showdown at Torno's freight office, Nick shoots Rocky and throws him off the rear of a moving train. Then, Nick goes to Torno's office to witness the search of the Gideon Bible found earlier by Carla.


Nick thinks he is off the hook. Relieved, he turns to leave, only to spot Rocky in the lobby. In a shootout, Nick fatally wounds Rocky, but before Rocky dies, he tells the others that Nick payed for Jess' murder. Holding all of them at gunpoint, Nick confesses in front of the police before Johnny shoots and wounds him.
After finding that the name of the brother's killer is not actually written in the Bible, Nick thinks he's off the hook. He turns to leave.


Pursued by Johnny and the police, Nick flees to the roof. Nick has a clear shot at Johnny, but he is out of bullets. Johnny aims at Nick, but remembers his brother's injunction. Nick flees up a huge neon sign for Torno's trucking company as the police close in. He accidentally steps on the sign's power supply and is electrocuted. Carla confronts Johnny, assuming he killed Nick, before the police tell her otherwise. The policeman tells Johnny that his brother "believed Someone else was on the case," and that he was right.
However, when he gets to the head of the stairs, he looks down to find a very resilient Rocky looking up at him from the floor below, just inside the front door. Rocky gets a shot off at Nick, but Nick finally does Rocky in once and for all.

On the other hand, Nick's demise occurs outside in a rainstorm, Johnny in quick pursuit. Nick accidentally steps on the main power supply to Torno's huge rooftop neon sign advertising 24-hour service. The combination of water and the electrical current do the rest.


==Cast==
==Cast==
Line 55: Line 54:
* [[Gene Lockhart]] as Warni Hazard
* [[Gene Lockhart]] as Warni Hazard
* [[Raymond Burr]] as Nick Cherney
* [[Raymond Burr]] as Nick Cherney
* [[Harry Morgan|Henry Morgan]] as Rocky
* [[Harry Morgan]] as Rocky (listed as "Henry Morgan" in credits)
* [[Barton MacLane]] as Detective Strecker
* [[Barton MacLane]] as Detective Strecker
* [[Phillip Pine]] as Pablo Cabrillo
* [[Arthur Franz]] as Father (Chaplain) Jess Torno
* [[Arthur Franz]] as Father (Chaplain) Jess Torno
* [[Arthur Shields]] as Father Redmond
* [[Arthur Shields]] as Father Redmond
* [[William Frawley]] as a hotel night clerk


==Production==
==Critical reception==
The film is based on a story by writer Donald Barry called ''Mr Gideon''. Roy Del Ruth and his associate Joe Kaufman brought the film rights in May 1946 from Barry and producer Lou Rock.<ref>{{Cite news|author=Schallert, E.|title='Free agent' leslie will do independent picture.|date=May 28, 1946|work=Los Angeles Times|id={{ProQuest|165643975}}}}</ref>
Film critic Dennis Schwartz said of the film, "Roy Del Ruth directs a routine film noir infused with themes of revenge and religion, as it veers more towards a regular crime drama except for photographic flashes that reveal the film's dark undertones. The film's classic noir shot is of the villainous Raymond Burr smoking and smiling as his frightened victim is being crushed to death while hiding under a trailer, as Burr has just kicked out the jack holding it up... The film held my interest mainly because this was a perfect part for Raft and it was well-crafted."<ref>[http://homepages.sover.net/~ozus/redlight.htm Schwartz, Dennis.] ''Ozus' World Movie Reviews,'' film review, March 21, 2004. Last accessed: November 30, 2009.</ref>

Del Ruth set up his production company at [[Monogram Pictures]], who were trying to expand into more prestigious films. He made ''[[It Happened on Fifth Avenue]]'' for them, one of Monogram's most expensive pictures to date. He was meant to follow it with ''Mr Gideon'' but the project was delayed.<ref>{{Cite news|title=OUT HOLLYWOOD WAY|author=T. F.|date=Sep 8, 1946|work=New York Times|id={{ProQuest|107412501}}}}</ref>

The story was retitled ''Red Light'' after a survey.<ref>{{cite news|title=French Star to Keynote Korda Bilingual Series|author=Schallert, Edwin|work=Los Angeles Times|date=22 Mar 1947|page=A5}}</ref> Del Ruth started doing background filming in San Francisco in June 1947,<ref>{{Cite news|author=Schallert, E.|title=DRAMA AND FILM.|date=Jun 30, 1947|work=Los Angeles Times|id={{ProQuest|165773654}}}}</ref> followed by delay.

Monogram formed a subsidiary, Allied Artists, to distribute their more prestigious movies. Del Ruth made ''[[The Babe Ruth Story]]'' for Allied Artists, which announced it would finance ''Red Light''.<ref>{{Cite news|title=Of local origin. |date=Jun 1, 1948|work=New York Times|id={{ProQuest|108194978}}}}</ref> Del Ruth wanted [[Edward G. Robinson]], [[William Bendix]] and [[Charles Bickford]] for the main roles.<ref>{{Cite news|author=Schallert, E. |date=Apr 15, 1948|title=Film vaudeville here; ryan avenger at MGM|work=Los Angeles Times}}</ref> He thought the budget would be around $1.25 to $1.5 million.<ref>{{Cite news|author=Scheuer, P. K. |date=Aug 28, 1947|title=DRAMA AND FILM|work=Los Angeles Times}}</ref> In September 1948 Joseph Kaufman, who worked for Del Ruth, said they were trying to get [[Robert Ryan]] to play the lead.<ref>{{cite news|title=Article 3 -- No Title|date=Sep 9, 1948|work=Los Angeles Times|page=23}}</ref>

In January 1949 it was announced that Monogram and [[United Artists]] had signed a deal whereby United Artists would distribute ''Red Light'' and another movie ''[[Gun Crazy]]''. The films would be financed by Pioneer Pictures, a new company which Monogram co-owned with Eastern investors. George Raft was announced as star.<ref>{{cite news|author=THOMAS F BRADY |date=Jan 11, 1949|title=UA AND MONOGRAM IN DEAL ON SELLING|work=New York Times}}</ref> [[Virginia Mayo]] was borrowed from producer [[Samuel Goldwyn]] to play the female lead.

Raft was paid $65,000 for his role.<ref name="raft">{{Cite news|title=Everett Aaker, ''The Films of George Raft'', McFarland & Company, 2013 p 141}}</ref> He signed in February 1949 and filming started in March.<ref>{{Cite news|title=BISCHOFF CANCELS FILM FINANCE DEAL|author=THOMAS F BRADY|date=Feb 8, 1949|work=New York Times|id={{ProQuest|105764606}}}}</ref>

==Reception==

===Critical response===
The Los Angeles Times said the film "generates suspense and promises to emerge as a taut, exciting melodrama" but that it was let down by its "religious reform theme".<ref>{{Cite news|author=Scott, J. L. |date=Sep 16, 1949|title='Red light' stars raft on music hall screens|work=Los Angeles Times|id={{ProQuest|166017743}}}}</ref>

The New York Times said the film was "in the main, a contest familiar to Raft's retinue of fans, complete with hard, laconic characters, a search for a culprit, a few fireworks and with the Word in the Good Book as its sole, extraordinary twist."<ref>{{Cite news|title=George raft in a crime melodrama. |date=Jan 16, 1950|work=New York Times|id={{ProQuest|111356922}}}}</ref>

In 2004 film critic Dennis Schwartz said of the film, "Roy Del Ruth directs a routine film noir infused with themes of revenge and religion, as it veers more towards a regular crime drama except for photographic flashes that reveal the film's dark undertones. The film's classic noir shot is of the villainous Raymond Burr smoking and smiling as his frightened victim is being crushed to death while hiding under a trailer, as Burr has just kicked out the jack holding it up ... The film held my interest mainly because this was a perfect part for Raft and it was well-crafted."<ref>[https://dennisschwartzreviews.com/redlight Schwartz, Dennis] ''Dennis Schwartz Movie Reviews'', film review, March 21, 2004. Last accessed: July 20, 2024.</ref>

Has been shown on the [[Turner Classic Movies]] show 'Noir Alley' with [[Eddie Muller]].


==References==
==References==
Line 67: Line 89:


==External links==
==External links==
* {{Imdb title|id=0041790|title=Red Light}}
* {{IMDb title|id=0041790|title=Red Light}}
* {{AllMovie title|id=107450|title=Red Light}}
* {{TCMDb title|id=26662|title=Red Light}}
* {{AFI film|26068}}
* {{Internet Archive film|id=redlight1949|name=Red Light}}
* [http://www.noiroftheweek.com/2008/06/red-light-1949.html ''Red Light''] analysis at Film Noir of the Week by Stone Wallace
* [http://www.noiroftheweek.com/2008/06/red-light-1949.html ''Red Light''] analysis at Film Noir of the Week by Stone Wallace
* [https://archive.org/details/variety175-1949-07/page/n117/mode/2up ''Red Light''] Review of film at Variety
* {{YouTube|dEJ7SI4_HUI|''Red Light'' film scene}}


{{Roy Del Ruth}}
{{Roy Del Ruth}}


[[Category:1949 films]]
[[Category:1949 films]]
[[Category:1940s crime films]]
[[Category:1949 crime drama films]]
[[Category:American films]]
[[Category:American black-and-white films]]
[[Category:Black-and-white films]]
[[Category:American crime drama films]]
[[Category:Crime drama films]]
[[Category:1940s English-language films]]
[[Category:English-language films]]
[[Category:Film noir]]
[[Category:Film noir]]
[[Category:Films scored by Dimitri Tiomkin]]
[[Category:Films directed by Roy Del Ruth]]
[[Category:Films directed by Roy Del Ruth]]
[[Category:United Artists films]]
[[Category:United Artists films]]
[[Category:Films based on short fiction]]

[[Category:1940s American films]]
[[fr:Feu rouge (film, 1949)]]
[[Category:English-language crime drama films]]
[[it:Luce rossa (film 1949)]]

Latest revision as of 21:18, 17 September 2024

Red Light
Theatrical release poster
Directed byRoy Del Ruth
Screenplay byGeorge Callahan
Charles Grayson (additional dialogue)
Based onthe story "This Guy Gideon"
by Don "Red" Barry
Produced byRoy Del Ruth
Joseph Kaufman (associate)
StarringGeorge Raft
Virginia Mayo
CinematographyBert Glennon
Edited byRichard V. Heermance
Music byDimitri Tiomkin
Production
company
Roy Del Ruth Productions (as Pioneer Pictures Corp.)
Distributed byUnited Artists
Release date
  • September 30, 1949 (1949-09-30) (United States)
Running time
83 minutes
CountryUnited States
LanguageEnglish

Red Light is a 1949 American film noir crime film starring George Raft and Virginia Mayo, and directed and produced by Roy Del Ruth. Based on the story "This Guy Gideon" by Don "Red" Barry, it features strong religious overtones.[1]

It was one of several thrillers Raft made in the late 1940s.[2]

Plot

[edit]

Bookkeeper Nick Cherney is sent to jail for embezzling from Johnny Torno's trucking company. One week before getting out, he sees a newsreel showing Johnny welcoming home his heroic brother Jess, a Catholic chaplain just returned from a World War II prisoner-of-war camp. Nick decides to get back at Johnny and hires Rocky (a fellow-inmate about to be released) to murder Jess.

Johnny arrives soon after Rocky has shot his brother. Knowing that he is about to die, Jess indicates that a clue can be found in the room's Gideon Bible. However, the book is not there.

Johnny investigates on his own, creating much tension with the police. He tracks down and questions people who occupied Jess' hotel room, believing that one of them has the Bible. He hires Carla North, who once stayed in the room, and lost her brother in World War II, to help him search. He insists she live at his luxury apartment; he moves into his office.

While Johnny is questioning another hotel guest, now in Reno, he notices Rocky watching him and sets a trap. Rocky manages to escape, after Johnny wounds him.

Later Rocky attempts to blackmail Nick, who shoves him off the train. The clerk at Nick's apartment tells him that he told a man that Nick had gone to Reno. Deducing who the man was, Nick goes to Johnny's trucking company office and murders manager Warni Hazard. The death is reported as an accident.

Obsessed with revenge, Johnny asks Carla to locate the last person on his list, Pablo Cabrillo. But she is tired of Johnny's overbearing quest and tells him they need to forget about the dead. He slaps her, then tries to apologize, but she leaves. The police confront Johnny and subsequently put a 24-hour watch on him. With help from an employee, he manages to slip away.

Johnny drives to see Cabrillo, who turns out to be a veteran, blinded in the war. He admits to taking the Bible, but asks to keep it due to its significance to him. He explains that, believing he would be a burden to his family, he was about to shoot himself when the window washer stopped him. He picked up the Bible and read to him, restoring his hope. Johnny insists on taking the book and Cabrillo agrees to let him have it, but they learn that it was taken only an hour earlier by a young, beautiful woman.

Johnny angrily goes to church where, in a burst of rage, he breaks a stained-glass window that he had recently donated in thanksgiving for Jess' safe return from the war. Remorseful, he returns to his office and writes a check to replace the window; while there he receives word that Carla has checked into a hotel. Nick arrives at Johnny's office and agrees to help find Carla.  She soon arrives at the office with the Bible. The police show up moments later to tell Johnny that they found his gun—one he had taken from Rocky.

Worried, Nick watches as Carla gives Johnny the book. Inside, he finds nothing about the killer's identity; instead he finds that his brother circled around Romans 12:19, and wrote a plea from him not to kill. Johnny is initially angry and disappointed, until Carla asks him to re-read what his brother wrote and consider that it was the last instruction he left him.

Nick thinks he is off the hook. Relieved, he turns to leave, only to spot Rocky in the lobby. In a shootout, Nick fatally wounds Rocky, but before Rocky dies, he tells the others that Nick payed for Jess' murder. Holding all of them at gunpoint, Nick confesses in front of the police before Johnny shoots and wounds him.

Pursued by Johnny and the police, Nick flees to the roof. Nick has a clear shot at Johnny, but he is out of bullets. Johnny aims at Nick, but remembers his brother's injunction. Nick flees up a huge neon sign for Torno's trucking company as the police close in. He accidentally steps on the sign's power supply and is electrocuted. Carla confronts Johnny, assuming he killed Nick, before the police tell her otherwise. The policeman tells Johnny that his brother "believed Someone else was on the case," and that he was right.

Cast

[edit]

Production

[edit]

The film is based on a story by writer Donald Barry called Mr Gideon. Roy Del Ruth and his associate Joe Kaufman brought the film rights in May 1946 from Barry and producer Lou Rock.[3]

Del Ruth set up his production company at Monogram Pictures, who were trying to expand into more prestigious films. He made It Happened on Fifth Avenue for them, one of Monogram's most expensive pictures to date. He was meant to follow it with Mr Gideon but the project was delayed.[4]

The story was retitled Red Light after a survey.[5] Del Ruth started doing background filming in San Francisco in June 1947,[6] followed by delay.

Monogram formed a subsidiary, Allied Artists, to distribute their more prestigious movies. Del Ruth made The Babe Ruth Story for Allied Artists, which announced it would finance Red Light.[7] Del Ruth wanted Edward G. Robinson, William Bendix and Charles Bickford for the main roles.[8] He thought the budget would be around $1.25 to $1.5 million.[9] In September 1948 Joseph Kaufman, who worked for Del Ruth, said they were trying to get Robert Ryan to play the lead.[10]

In January 1949 it was announced that Monogram and United Artists had signed a deal whereby United Artists would distribute Red Light and another movie Gun Crazy. The films would be financed by Pioneer Pictures, a new company which Monogram co-owned with Eastern investors. George Raft was announced as star.[11] Virginia Mayo was borrowed from producer Samuel Goldwyn to play the female lead.

Raft was paid $65,000 for his role.[12] He signed in February 1949 and filming started in March.[13]

Reception

[edit]

Critical response

[edit]

The Los Angeles Times said the film "generates suspense and promises to emerge as a taut, exciting melodrama" but that it was let down by its "religious reform theme".[14]

The New York Times said the film was "in the main, a contest familiar to Raft's retinue of fans, complete with hard, laconic characters, a search for a culprit, a few fireworks and with the Word in the Good Book as its sole, extraordinary twist."[15]

In 2004 film critic Dennis Schwartz said of the film, "Roy Del Ruth directs a routine film noir infused with themes of revenge and religion, as it veers more towards a regular crime drama except for photographic flashes that reveal the film's dark undertones. The film's classic noir shot is of the villainous Raymond Burr smoking and smiling as his frightened victim is being crushed to death while hiding under a trailer, as Burr has just kicked out the jack holding it up ... The film held my interest mainly because this was a perfect part for Raft and it was well-crafted."[16]

Has been shown on the Turner Classic Movies show 'Noir Alley' with Eddie Muller.

References

[edit]
  1. ^ Red Light at IMDb.
  2. ^ Vagg, Stephen (February 9, 2020). "Why Stars Stop Being Stars: George Raft". Filmink.
  3. ^ Schallert, E. (May 28, 1946). "'Free agent' leslie will do independent picture". Los Angeles Times. ProQuest 165643975.
  4. ^ T. F. (Sep 8, 1946). "OUT HOLLYWOOD WAY". New York Times. ProQuest 107412501.
  5. ^ Schallert, Edwin (22 Mar 1947). "French Star to Keynote Korda Bilingual Series". Los Angeles Times. p. A5.
  6. ^ Schallert, E. (Jun 30, 1947). "DRAMA AND FILM". Los Angeles Times. ProQuest 165773654.
  7. ^ "Of local origin". New York Times. Jun 1, 1948. ProQuest 108194978.
  8. ^ Schallert, E. (Apr 15, 1948). "Film vaudeville here; ryan avenger at MGM". Los Angeles Times.
  9. ^ Scheuer, P. K. (Aug 28, 1947). "DRAMA AND FILM". Los Angeles Times.
  10. ^ "Article 3 -- No Title". Los Angeles Times. Sep 9, 1948. p. 23.
  11. ^ THOMAS F BRADY (Jan 11, 1949). "UA AND MONOGRAM IN DEAL ON SELLING". New York Times.
  12. ^ "Everett Aaker, The Films of George Raft, McFarland & Company, 2013 p 141".
  13. ^ THOMAS F BRADY (Feb 8, 1949). "BISCHOFF CANCELS FILM FINANCE DEAL". New York Times. ProQuest 105764606.
  14. ^ Scott, J. L. (Sep 16, 1949). "'Red light' stars raft on music hall screens". Los Angeles Times. ProQuest 166017743.
  15. ^ "George raft in a crime melodrama". New York Times. Jan 16, 1950. ProQuest 111356922.
  16. ^ Schwartz, Dennis Dennis Schwartz Movie Reviews, film review, March 21, 2004. Last accessed: July 20, 2024.
[edit]