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{{About|the film noir||Red light (disambiguation)}}
{{Short description|1949 film noir}}
{{Infobox film
{{Infobox film
| name = Red Light
| name = Red Light
| image = Red Light movie poster.jpg
| image = Red Light movie poster.jpg
| image size =
| alt =
| alt =
| caption = Theatrical release poster
| caption = Theatrical release poster
| director = [[Roy Del Ruth]]
| director = [[Roy Del Ruth]]
| producer = Roy Del Ruth<br>'''associate''<br>[[Joseph Kaufman]]
| producer = Roy Del Ruth<br>[[Joseph Kaufman (producer)|Joseph Kaufman]] (associate)
| screenplay = George Callahan <br> [[Charles Grayson (writer)|Charles Grayson]]
| screenplay = George Callahan<br>[[Charles Grayson (writer)|Charles Grayson]] (additional dialogue)
| based on = {{based on|the story "This Guy Gideon"|[[Don 'Red' Barry]]}}
| based_on = {{based on|the story "This Guy Gideon"|[[Don "Red" Barry]]}}
| narrator =
| starring = [[George Raft]]<br/>[[Virginia Mayo]]
| starring = [[George Raft]]<br/>[[Virginia Mayo]]
| music = [[Dimitri Tiomkin]]
| music = [[Dimitri Tiomkin]]
Line 24: Line 22:
| gross =
| gross =
}}
}}
'''''Red Light''''' is a 1949 American [[film noir]] [[crime film]] directed and produced by [[Roy Del Ruth]], starring [[George Raft]] and [[Virginia Mayo]], and based on the story "This Guy Gideon" by [[Don "Red" Barry]], featuring strong religious overtones.<ref>{{IMDb title|id=0041790|title=Red Light}}.</ref>
'''''Red Light''''' is a 1949 American [[film noir]] [[crime film]] starring [[George Raft]] and [[Virginia Mayo]], and directed and produced by [[Roy Del Ruth]]. Based on the story "This Guy Gideon" by [[Don "Red" Barry]], it features strong religious overtones.<ref>{{IMDb title|id=0041790|title=Red Light}}.</ref>

It was one of several thrillers Raft made in the late 1940s.<ref>{{cite magazine|magazine=Filmink|url=https://www.filmink.com.au/stars-stop-stars-george-raft/|first=Stephen|last=Vagg|title=Why Stars Stop Being Stars: George Raft|date=February 9, 2020}}</ref>


It was one of several thrillers Raft made in the late 1940s.<ref>{{cite magazine|magazine=Filmink|url=https://www.filmink.com.au/stars-stop-stars-george-raft/?fbclid=IwAR2N0F3tX1kfOvID6D7GJgjFTjvq-k_wWEUQL_pKuctEDz3361EIK66w6yU|first=Stephen|last=Vagg|title=Why Stars Stop Being Stars: George Raft|date=February 9, 2020}}</ref>
==Plot==
==Plot==
Bookkeeper Nick Cherney is sent to jail for [[Embezzlement|embezzling]] from Johnny Torno's trucking company. In a California prison, he sees a [[newsreel]] showing Johnny welcoming home his brother Jess, a heroic Catholic [[chaplain]] just returned from a [[World War II]] prisoner-of-war camp. Just before his release four years later (and to give himself a clever alibi), Nick hires Rocky, an inmate who has just finished his sentence, to murder Jess.
Bookkeeper Nick Cherney is sent to jail for [[Embezzlement|embezzling]] from Johnny Torno's trucking company. One week before getting out, he sees a [[newsreel]] showing Johnny welcoming home his heroic brother Jess, a [[Catholic]] [[chaplain]] just returned from a [[World War II]] prisoner-of-war camp. Nick decides to get back at Johnny and hires Rocky (a fellow-inmate about to be released) to murder Jess.


Johnny arrives soon after Rocky has shot his brother. Knowing that he is about to die, Jess indicates that a clue can be found in the room's [[Gideon Bible]]. However, the book is not there.
Jess is staying in a local hotel room, about to depart for his first parish in another city. The brothers meet with a local priest, Father Redmond. It is during that meeting that Johnny finds out Jess is moving away.


Johnny investigates on his own, creating much tension with the police. He tracks down and questions people who occupied Jess' hotel room, believing that one of them has the Bible. He hires Carla North, who once stayed in the room, and lost her brother in World War II, to help him search. He insists she live at his luxury apartment; he moves into his office.
Johnny arrives at his brother's hotel room not long after Jess is shot by Rocky. Knowing that he is about to die, Jess vaguely indicates that a clue to his murderer can be found within the covers of the room's [[Bible]]. Johnny takes this to mean that the name of the killer himself is inscribed somewhere therein. However, the book is not there.


While Johnny is questioning another hotel guest, now in Reno, he notices Rocky watching him and sets a trap. Rocky manages to escape, after Johnny wounds him.
Johnny refuses to wait for the police to investigate. He tracks down and questions several strangers who occupied the same room, among them Carla North. He believes that one of them has the Bible. Once he satisfies himself that Carla is not a suspect, he hires her to help in the search, inviting her to stay at his luxury apartment, while he moves to his office. Although a bit suspicious of Johnny's motives, Carla agrees.


Later Rocky attempts to blackmail Nick, who shoves him off the train. The clerk at Nick's apartment tells him that he told a man that Nick had gone to Reno. Deducing who the man was, Nick goes to Johnny's trucking company office and murders manager Warni Hazard. The death is reported as an accident.
While Johnny is questioning another hotel guest, he notices Rocky watching him. Setting a trap, he lets Rocky see him buying a book from the former guest and wrapping it up, then leaves it lying around while he gets his shoes shined. When Rocky steals the book, Johnny catches him and reveals that it is just a cookbook. Rocky manages to escape, though Johnny wounds him slightly with his gun.


Obsessed with revenge, Johnny asks Carla to locate the last person on his list, Pablo Cabrillo. But she is tired of Johnny's overbearing quest and tells him they need to forget about the dead. He slaps her, then tries to apologize, but she leaves. The police confront Johnny and subsequently put a 24-hour watch on him. With help from an employee, he manages to slip away.
Later, aboard a train back to town, Rocky tells Nick that he is through, and that he intends to blackmail Nick. Nick sucker punches him, causing him to fall off the rear of a moving train. Then, Nick goes to Torno's office to witness the search of the Gideon Bible found earlier by Carla.


Johnny drives to see Cabrillo, who turns out to be a veteran, blinded in the war. He admits to taking the Bible, but asks to keep it due to its significance to him. He explains that, believing he would be a burden to his family, he was about to shoot himself when the window washer stopped him. He picked up the Bible and read to him, restoring his hope. Johnny insists on taking the book and Cabrillo agrees to let him have it, but they learn that it was taken only an hour earlier by a young, beautiful woman.
When Johnny finally locates the missing [[Gideon Bible]], he finds written within not information about the killer's identity, but a plea from his brother not to seek revenge. Nick thinks he is off the hook. Relieved, he turns to leave.


Johnny angrily goes to church where, in a burst of rage, he breaks a stained-glass window that he had recently donated in thanksgiving for Jess' safe return from the war. Remorseful, he returns to his office and writes a check to replace the window; while there he receives word that Carla has checked into a hotel. Nick arrives at Johnny's office and agrees to help find Carla.  She soon arrives at the office with the Bible. The police show up moments later to tell Johnny that they found his gun—one he had taken from Rocky.
However, when he gets to the head of the stairs, he spots Rocky on the floor below. In a shootout, Nick fatally wounds Rocky, but before he dies, Rocky identifies Nick as the mastermind behind Jess's murder.


Worried, Nick watches as Carla gives Johnny the book. Inside, he finds nothing about the killer's identity; instead he finds that his brother circled around [[Romans 12:19]], and wrote a plea from him not to kill. Johnny is initially angry and disappointed, until Carla asks him to re-read what his brother wrote and consider that it was the last instruction he left him.
Johnny pursues Nick to the roof, out in a rainstorm. Nick accidentally steps on the main power supply to Torno's huge [[neon sign]] and is electrocuted.

Nick thinks he is off the hook. Relieved, he turns to leave, only to spot Rocky in the lobby. In a shootout, Nick fatally wounds Rocky, but before Rocky dies, he tells the others that Nick payed for Jess' murder. Holding all of them at gunpoint, Nick confesses in front of the police before Johnny shoots and wounds him.

Pursued by Johnny and the police, Nick flees to the roof. Nick has a clear shot at Johnny, but he is out of bullets. Johnny aims at Nick, but remembers his brother's injunction. Nick flees up a huge neon sign for Torno's trucking company as the police close in. He accidentally steps on the sign's power supply and is electrocuted. Carla confronts Johnny, assuming he killed Nick, before the police tell her otherwise. The policeman tells Johnny that his brother "believed Someone else was on the case," and that he was right.


==Cast==
==Cast==
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* [[Gene Lockhart]] as Warni Hazard
* [[Gene Lockhart]] as Warni Hazard
* [[Raymond Burr]] as Nick Cherney
* [[Raymond Burr]] as Nick Cherney
* [[Harry Morgan]] as Rocky
* [[Harry Morgan]] as Rocky (listed as "Henry Morgan" in credits)
* [[Barton MacLane]] as Detective Strecker
* [[Barton MacLane]] as Detective Strecker
* [[Phillip Pine]] as Pablo Cabrillo
* [[Phillip Pine]] as Pablo Cabrillo
Line 59: Line 62:


==Production==
==Production==
It was based on a story called ''Mr Gideon''. Roy Del Ruth and his associate Joe Kaufman brought the film rights in May 1946 from writer Donald Barry and Producer Lou Rock. The originally announced wanting [[Frank Sinatra]] to play the lead.<ref>Schallert, E. (1946, May 28). 'Free agent' leslie will do independent picture. Los Angeles Times (1923-Current File) Retrieved from https://search.proquest.com/docview/165643975</ref>
The film is based on a story by writer Donald Barry called ''Mr Gideon''. Roy Del Ruth and his associate Joe Kaufman brought the film rights in May 1946 from Barry and producer Lou Rock.<ref>{{Cite news|author=Schallert, E.|title='Free agent' leslie will do independent picture.|date=May 28, 1946|work=Los Angeles Times|id={{ProQuest|165643975}}}}</ref>


Roy Del Ruth set up his production company at [[Monogram Pictures]], who were trying to expand into more prestigious product. Del Ruth made ''[[It Happened on Fifth Avenue]]'' for them, one of Monogram's most expensive pictures to date. He was meant to follow it with ''Mr Gideon'' but the project was delayed.<ref>By, T. F. (1946, Sep 08). OUT HOLLYWOOD WAY. New York Times (1923-Current File) Retrieved from https://search.proquest.com/docview/107412501</ref>
Del Ruth set up his production company at [[Monogram Pictures]], who were trying to expand into more prestigious films. He made ''[[It Happened on Fifth Avenue]]'' for them, one of Monogram's most expensive pictures to date. He was meant to follow it with ''Mr Gideon'' but the project was delayed.<ref>{{Cite news|title=OUT HOLLYWOOD WAY|author=T. F.|date=Sep 8, 1946|work=New York Times|id={{ProQuest|107412501}}}}</ref>


The story was retitled ''Red Light'' after a survey.<ref>French Star to Keynote Korda Bilingual Series
The story was retitled ''Red Light'' after a survey.<ref>{{cite news|title=French Star to Keynote Korda Bilingual Series|author=Schallert, Edwin|work=Los Angeles Times|date=22 Mar 1947|page=A5}}</ref> Del Ruth started doing background filming in San Francisco in June 1947,<ref>{{Cite news|author=Schallert, E.|title=DRAMA AND FILM.|date=Jun 30, 1947|work=Los Angeles Times|id={{ProQuest|165773654}}}}</ref> followed by delay.
Schallert, Edwin. Los Angeles Times (1923-Current File); Los Angeles, Calif. [Los Angeles, Calif]22 Mar 1947: A5. Browse this issue</ref> Del Ruth started doing background filming in San Francisco in June 1947.<ref>Schallert, E. (1947, Jun 30). DRAMA AND FILM. Los Angeles Times (1923-Current File) Retrieved from https://search.proquest.com/docview/165773654</ref> However it was a while before filming of the actual movie began.


Monogram formed a subsidiary, Allied Artists, who would distribute their more prestigious movies. Del Ruth made ''[[The Babe Ruth Story]]'' for Allied Artists and they announced they would finance ''Red Light''.<ref>Of local origin. (1948, Jun 01). New York Times (1923-Current File) Retrieved from https://search.proquest.com/docview/108194978</ref> Del Ruth wanted [[Edward G. Robinson]], [[William Bendix]] and [[Charles Bickford]] for the main roles.<ref>Schallert, E. (1948, Apr 15). Film vaudeville here; ryan avenger at MGM. Los Angeles Times (1923-Current File) Retrieved from https://search.proquest.com/docview/165830437</ref> He thought the budget would be around $1.25 to 1.5 million.<ref>Scheuer, P. K. (1947, Aug 28). DRAMA AND FILM. Los Angeles Times (1923-Current File) Retrieved from https://search.proquest.com/docview/165792323</ref>
Monogram formed a subsidiary, Allied Artists, to distribute their more prestigious movies. Del Ruth made ''[[The Babe Ruth Story]]'' for Allied Artists, which announced it would finance ''Red Light''.<ref>{{Cite news|title=Of local origin. |date=Jun 1, 1948|work=New York Times|id={{ProQuest|108194978}}}}</ref> Del Ruth wanted [[Edward G. Robinson]], [[William Bendix]] and [[Charles Bickford]] for the main roles.<ref>{{Cite news|author=Schallert, E. |date=Apr 15, 1948|title=Film vaudeville here; ryan avenger at MGM|work=Los Angeles Times}}</ref> He thought the budget would be around $1.25 to $1.5 million.<ref>{{Cite news|author=Scheuer, P. K. |date=Aug 28, 1947|title=DRAMA AND FILM|work=Los Angeles Times}}</ref> In September 1948 Joseph Kaufman, who worked for Del Ruth, said they were trying to get [[Robert Ryan]] to play the lead.<ref>{{cite news|title=Article 3 -- No Title|date=Sep 9, 1948|work=Los Angeles Times|page=23}}</ref>


In January 1949 it was announced that Monogram and [[United Artists]] had signed a deal whereby United Artists would distribute ''Red Light'' and another movie ''[[Gun Crazy]]''. The films would be financed by Pioneer Pictures, a new company which Monogram half owned, the other half being owned by Eastern investors. George Raft was announced as star.<ref>By THOMAS F BRADY Special to The New York Times. (1949, Jan 11). UA AND MONOGRAM IN DEAL ON SELLING. New York Times (1923-Current File) Retrieved from https://search.proquest.com/docview/105807478</ref> [[Virginia Mayo]] was borrowed to play the female lead.
In January 1949 it was announced that Monogram and [[United Artists]] had signed a deal whereby United Artists would distribute ''Red Light'' and another movie ''[[Gun Crazy]]''. The films would be financed by Pioneer Pictures, a new company which Monogram co-owned with Eastern investors. George Raft was announced as star.<ref>{{cite news|author=THOMAS F BRADY |date=Jan 11, 1949|title=UA AND MONOGRAM IN DEAL ON SELLING|work=New York Times}}</ref> [[Virginia Mayo]] was borrowed from producer [[Samuel Goldwyn]] to play the female lead.


Raft was paid $65,000 for his role.<ref name="raft">Everett Aaker, ''The Films of George Raft'', McFarland & Company, 2013 p 141</ref> He signed in February 1949 and filming started in March.<ref>By THOMAS F BRADY Special to The New York Times. (1949, Feb 08). BISCHOFF CANCELS FILM FINANCE DEAL. New York Times (1923-Current File) Retrieved from https://search.proquest.com/docview/105764606</ref> The production manager, Joe Gilpin, died of a heart attack during filming.<ref>JOE C. GILPIN. (1949, Mar 20). New York Times (1923-Current File) Retrieved from https://search.proquest.com/docview/105704007</ref>
Raft was paid $65,000 for his role.<ref name="raft">{{Cite news|title=Everett Aaker, ''The Films of George Raft'', McFarland & Company, 2013 p 141}}</ref> He signed in February 1949 and filming started in March.<ref>{{Cite news|title=BISCHOFF CANCELS FILM FINANCE DEAL|author=THOMAS F BRADY|date=Feb 8, 1949|work=New York Times|id={{ProQuest|105764606}}}}</ref>


==Reception==
==Reception==


===Critical response===
===Critical response===
The ''Los Angeles Times'' said the film "generates suspense and promises to emerge as a taut, exciting melodrama" but that it was let down by its "religious reform theme".<ref>Scott, J. L. (1949, Sep 16). 'Red light' stars raft on music hall screens. Los Angeles Times (1923-Current File) Retrieved from https://search.proquest.com/docview/166017743</ref>
The Los Angeles Times said the film "generates suspense and promises to emerge as a taut, exciting melodrama" but that it was let down by its "religious reform theme".<ref>{{Cite news|author=Scott, J. L. |date=Sep 16, 1949|title='Red light' stars raft on music hall screens|work=Los Angeles Times|id={{ProQuest|166017743}}}}</ref>

The New York Times said the film was "in the main, a contest familiar to Raft's retinue of fans, complete with hard, laconic characters, a search for a culprit, a few fireworks and with the Word in the Good Book as its sole, extraordinary twist."<ref>{{Cite news|title=George raft in a crime melodrama. |date=Jan 16, 1950|work=New York Times|id={{ProQuest|111356922}}}}</ref>


In 2004 film critic Dennis Schwartz said of the film, "Roy Del Ruth directs a routine film noir infused with themes of revenge and religion, as it veers more towards a regular crime drama except for photographic flashes that reveal the film's dark undertones. The film's classic noir shot is of the villainous Raymond Burr smoking and smiling as his frightened victim is being crushed to death while hiding under a trailer, as Burr has just kicked out the jack holding it up ... The film held my interest mainly because this was a perfect part for Raft and it was well-crafted."<ref>[https://dennisschwartzreviews.com/redlight Schwartz, Dennis] ''Dennis Schwartz Movie Reviews'', film review, March 21, 2004. Last accessed: July 20, 2024.</ref>
The ''New York Times'' said the film was "in the main, a contest familiar to Raft's retinue of fans, complete with hard, laconic characters, a search for a culprit, a few fireworks and with the Word in the Good Book as its sole, extraordinary twist."<ref>George raft in a crime melodrama. (1950, Jan 16). New York Times (1923-Current File) Retrieved from https://search.proquest.com/docview/111356922</ref>


Has been shown on the [[Turner Classic Movies]] show 'Noir Alley' with [[Eddie Muller]].
Film critic Dennis Schwartz said of the film, "Roy Del Ruth directs a routine film noir infused with themes of revenge and religion, as it veers more towards a regular crime drama except for photographic flashes that reveal the film's dark undertones. The film's classic noir shot is of the villainous Raymond Burr smoking and smiling as his frightened victim is being crushed to death while hiding under a trailer, as Burr has just kicked out the jack holding it up ... The film held my interest mainly because this was a perfect part for Raft and it was well-crafted."<ref>[http://homepages.sover.net/~ozus/redlight.htm Schwartz, Dennis.] ''Ozus' World Movie Reviews,'' film review, March 21, 2004. Last accessed: November 30, 2009.</ref>


==References==
==References==
Line 86: Line 90:
==External links==
==External links==
* {{IMDb title|id=0041790|title=Red Light}}
* {{IMDb title|id=0041790|title=Red Light}}
* {{Allmovie title|id=107450|title=Red Light}}
* {{AllMovie title|id=107450|title=Red Light}}
* {{Tcmdb title|id=26662|title=Red Light}}
* {{TCMDb title|id=26662|title=Red Light}}
* {{AFI film|26068}}
* {{Internet Archive film|id=redlight1949|name=Red Light}}
* [http://www.noiroftheweek.com/2008/06/red-light-1949.html ''Red Light''] analysis at Film Noir of the Week by Stone Wallace
* [http://www.noiroftheweek.com/2008/06/red-light-1949.html ''Red Light''] analysis at Film Noir of the Week by Stone Wallace
*[https://archive.org/details/variety175-1949-07/page/n117/mode/1up/search/%22george+raft%22?q=%22george+raft%22 Review of film] at Variety
* [https://archive.org/details/variety175-1949-07/page/n117/mode/2up ''Red Light''] Review of film at Variety
* {{YouTube|dEJ7SI4_HUI|''Red Light'' film scene}}
* {{YouTube|dEJ7SI4_HUI|''Red Light'' film scene}}


Line 95: Line 101:


[[Category:1949 films]]
[[Category:1949 films]]
[[Category:1940s crime drama films]]
[[Category:1949 crime drama films]]
[[Category:American films]]
[[Category:American black-and-white films]]
[[Category:American black-and-white films]]
[[Category:American crime drama films]]
[[Category:American crime drama films]]
[[Category:English-language films]]
[[Category:1940s English-language films]]
[[Category:Film noir]]
[[Category:Film noir]]
[[Category:Films scored by Dimitri Tiomkin]]
[[Category:Films scored by Dimitri Tiomkin]]
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[[Category:United Artists films]]
[[Category:United Artists films]]
[[Category:Films based on short fiction]]
[[Category:Films based on short fiction]]
[[Category:1940s American films]]
[[Category:English-language crime drama films]]

Latest revision as of 21:18, 17 September 2024

Red Light
Theatrical release poster
Directed byRoy Del Ruth
Screenplay byGeorge Callahan
Charles Grayson (additional dialogue)
Based onthe story "This Guy Gideon"
by Don "Red" Barry
Produced byRoy Del Ruth
Joseph Kaufman (associate)
StarringGeorge Raft
Virginia Mayo
CinematographyBert Glennon
Edited byRichard V. Heermance
Music byDimitri Tiomkin
Production
company
Roy Del Ruth Productions (as Pioneer Pictures Corp.)
Distributed byUnited Artists
Release date
  • September 30, 1949 (1949-09-30) (United States)
Running time
83 minutes
CountryUnited States
LanguageEnglish

Red Light is a 1949 American film noir crime film starring George Raft and Virginia Mayo, and directed and produced by Roy Del Ruth. Based on the story "This Guy Gideon" by Don "Red" Barry, it features strong religious overtones.[1]

It was one of several thrillers Raft made in the late 1940s.[2]

Plot

[edit]

Bookkeeper Nick Cherney is sent to jail for embezzling from Johnny Torno's trucking company. One week before getting out, he sees a newsreel showing Johnny welcoming home his heroic brother Jess, a Catholic chaplain just returned from a World War II prisoner-of-war camp. Nick decides to get back at Johnny and hires Rocky (a fellow-inmate about to be released) to murder Jess.

Johnny arrives soon after Rocky has shot his brother. Knowing that he is about to die, Jess indicates that a clue can be found in the room's Gideon Bible. However, the book is not there.

Johnny investigates on his own, creating much tension with the police. He tracks down and questions people who occupied Jess' hotel room, believing that one of them has the Bible. He hires Carla North, who once stayed in the room, and lost her brother in World War II, to help him search. He insists she live at his luxury apartment; he moves into his office.

While Johnny is questioning another hotel guest, now in Reno, he notices Rocky watching him and sets a trap. Rocky manages to escape, after Johnny wounds him.

Later Rocky attempts to blackmail Nick, who shoves him off the train. The clerk at Nick's apartment tells him that he told a man that Nick had gone to Reno. Deducing who the man was, Nick goes to Johnny's trucking company office and murders manager Warni Hazard. The death is reported as an accident.

Obsessed with revenge, Johnny asks Carla to locate the last person on his list, Pablo Cabrillo. But she is tired of Johnny's overbearing quest and tells him they need to forget about the dead. He slaps her, then tries to apologize, but she leaves. The police confront Johnny and subsequently put a 24-hour watch on him. With help from an employee, he manages to slip away.

Johnny drives to see Cabrillo, who turns out to be a veteran, blinded in the war. He admits to taking the Bible, but asks to keep it due to its significance to him. He explains that, believing he would be a burden to his family, he was about to shoot himself when the window washer stopped him. He picked up the Bible and read to him, restoring his hope. Johnny insists on taking the book and Cabrillo agrees to let him have it, but they learn that it was taken only an hour earlier by a young, beautiful woman.

Johnny angrily goes to church where, in a burst of rage, he breaks a stained-glass window that he had recently donated in thanksgiving for Jess' safe return from the war. Remorseful, he returns to his office and writes a check to replace the window; while there he receives word that Carla has checked into a hotel. Nick arrives at Johnny's office and agrees to help find Carla.  She soon arrives at the office with the Bible. The police show up moments later to tell Johnny that they found his gun—one he had taken from Rocky.

Worried, Nick watches as Carla gives Johnny the book. Inside, he finds nothing about the killer's identity; instead he finds that his brother circled around Romans 12:19, and wrote a plea from him not to kill. Johnny is initially angry and disappointed, until Carla asks him to re-read what his brother wrote and consider that it was the last instruction he left him.

Nick thinks he is off the hook. Relieved, he turns to leave, only to spot Rocky in the lobby. In a shootout, Nick fatally wounds Rocky, but before Rocky dies, he tells the others that Nick payed for Jess' murder. Holding all of them at gunpoint, Nick confesses in front of the police before Johnny shoots and wounds him.

Pursued by Johnny and the police, Nick flees to the roof. Nick has a clear shot at Johnny, but he is out of bullets. Johnny aims at Nick, but remembers his brother's injunction. Nick flees up a huge neon sign for Torno's trucking company as the police close in. He accidentally steps on the sign's power supply and is electrocuted. Carla confronts Johnny, assuming he killed Nick, before the police tell her otherwise. The policeman tells Johnny that his brother "believed Someone else was on the case," and that he was right.

Cast

[edit]

Production

[edit]

The film is based on a story by writer Donald Barry called Mr Gideon. Roy Del Ruth and his associate Joe Kaufman brought the film rights in May 1946 from Barry and producer Lou Rock.[3]

Del Ruth set up his production company at Monogram Pictures, who were trying to expand into more prestigious films. He made It Happened on Fifth Avenue for them, one of Monogram's most expensive pictures to date. He was meant to follow it with Mr Gideon but the project was delayed.[4]

The story was retitled Red Light after a survey.[5] Del Ruth started doing background filming in San Francisco in June 1947,[6] followed by delay.

Monogram formed a subsidiary, Allied Artists, to distribute their more prestigious movies. Del Ruth made The Babe Ruth Story for Allied Artists, which announced it would finance Red Light.[7] Del Ruth wanted Edward G. Robinson, William Bendix and Charles Bickford for the main roles.[8] He thought the budget would be around $1.25 to $1.5 million.[9] In September 1948 Joseph Kaufman, who worked for Del Ruth, said they were trying to get Robert Ryan to play the lead.[10]

In January 1949 it was announced that Monogram and United Artists had signed a deal whereby United Artists would distribute Red Light and another movie Gun Crazy. The films would be financed by Pioneer Pictures, a new company which Monogram co-owned with Eastern investors. George Raft was announced as star.[11] Virginia Mayo was borrowed from producer Samuel Goldwyn to play the female lead.

Raft was paid $65,000 for his role.[12] He signed in February 1949 and filming started in March.[13]

Reception

[edit]

Critical response

[edit]

The Los Angeles Times said the film "generates suspense and promises to emerge as a taut, exciting melodrama" but that it was let down by its "religious reform theme".[14]

The New York Times said the film was "in the main, a contest familiar to Raft's retinue of fans, complete with hard, laconic characters, a search for a culprit, a few fireworks and with the Word in the Good Book as its sole, extraordinary twist."[15]

In 2004 film critic Dennis Schwartz said of the film, "Roy Del Ruth directs a routine film noir infused with themes of revenge and religion, as it veers more towards a regular crime drama except for photographic flashes that reveal the film's dark undertones. The film's classic noir shot is of the villainous Raymond Burr smoking and smiling as his frightened victim is being crushed to death while hiding under a trailer, as Burr has just kicked out the jack holding it up ... The film held my interest mainly because this was a perfect part for Raft and it was well-crafted."[16]

Has been shown on the Turner Classic Movies show 'Noir Alley' with Eddie Muller.

References

[edit]
  1. ^ Red Light at IMDb.
  2. ^ Vagg, Stephen (February 9, 2020). "Why Stars Stop Being Stars: George Raft". Filmink.
  3. ^ Schallert, E. (May 28, 1946). "'Free agent' leslie will do independent picture". Los Angeles Times. ProQuest 165643975.
  4. ^ T. F. (Sep 8, 1946). "OUT HOLLYWOOD WAY". New York Times. ProQuest 107412501.
  5. ^ Schallert, Edwin (22 Mar 1947). "French Star to Keynote Korda Bilingual Series". Los Angeles Times. p. A5.
  6. ^ Schallert, E. (Jun 30, 1947). "DRAMA AND FILM". Los Angeles Times. ProQuest 165773654.
  7. ^ "Of local origin". New York Times. Jun 1, 1948. ProQuest 108194978.
  8. ^ Schallert, E. (Apr 15, 1948). "Film vaudeville here; ryan avenger at MGM". Los Angeles Times.
  9. ^ Scheuer, P. K. (Aug 28, 1947). "DRAMA AND FILM". Los Angeles Times.
  10. ^ "Article 3 -- No Title". Los Angeles Times. Sep 9, 1948. p. 23.
  11. ^ THOMAS F BRADY (Jan 11, 1949). "UA AND MONOGRAM IN DEAL ON SELLING". New York Times.
  12. ^ "Everett Aaker, The Films of George Raft, McFarland & Company, 2013 p 141".
  13. ^ THOMAS F BRADY (Feb 8, 1949). "BISCHOFF CANCELS FILM FINANCE DEAL". New York Times. ProQuest 105764606.
  14. ^ Scott, J. L. (Sep 16, 1949). "'Red light' stars raft on music hall screens". Los Angeles Times. ProQuest 166017743.
  15. ^ "George raft in a crime melodrama". New York Times. Jan 16, 1950. ProQuest 111356922.
  16. ^ Schwartz, Dennis Dennis Schwartz Movie Reviews, film review, March 21, 2004. Last accessed: July 20, 2024.
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