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| name = Irakal
| name = Irakal
| image = Irakal.jpg
| image = Irakal.jpg
| image_size =
| caption =
| caption =
| director = [[K. G. George]]
| director = [[K. G. George]]
| producer = [[Sukumaran]]
| producer = [[Sukumaran]]
| writer = [[K. G. George]]
| writer = K. G. George
| narrator =
| narrator =
| starring = {{ubl|[[K. B. Ganesh Kumar|Ganesh Kumar]]|[[Thilakan]]|[[Sukumaran]]|[[Ashokan (actor)|Ashokan]]|[[Radha (actress)|Radha]]}}
| starring = {{ubl|[[K. B. Ganesh Kumar]]|[[Thilakan]]|[[Sukumaran]]|[[Ashokan (actor)|Ashokan]]|[[Radha (actress)|Radha]]}}
| music = [[M. B. Sreenivasan]]
| music = [[M. B. Sreenivasan]]
| cinematography = [[Venu (cinematographer)|Venu]]
| cinematography = [[Venu (cinematographer)|Venu]]
| editing =
| editing = M. N. Appu
| studio = Indraraj Productions
| studio = M.S. Films
| distributor =
| distributor = Gandhimathi Release
| genre =
| released = {{Film date|1985|9|17|df=y}}
| released = {{Film date|1985|9|17|df=y}}
| runtime =
| runtime =
| country = India
| country = India
| language = Malayalam
| language = Malayalam
| preceded_by =
| followed_by =
}}
}}
'''''Irakal''''' ({{lang-ml|ഇരകള്‍}}, {{lang-en|The Victims}}) is a 1985 [[Malayalam]] [[psychological thriller]] film written and directed by [[K. G. George]] and produced by the then prominent actor [[Sukumaran]].<ref>{{cite web|url=http://www.malayalachalachithram.com/movie.php?i=1769|title=Irakal|accessdate=2014-10-07|publisher=www.malayalachalachithram.com}}</ref><ref>{{cite web|url=http://malayalasangeetham.info/m.php?4240|title=Irakal|accessdate=2014-10-07|publisher=malayalasangeetham.info}}</ref><ref>{{cite web|url=http://spicyonion.com/title/irakal-malayalam-movie/|title=Irakal|accessdate=2014-10-07|publisher=spicyonion.com}}</ref> The film is an in-depth exploration of the psychology of violence. The film's theme in undertones depicted political conditions of the country during that time including [[The Emergency (India)|The Emergency]]. [[Indira Gandhi]] and her son [[Sanjay Gandhi]] is symbolically presented by Thilakan and Ganesh respectively in the film, though George didn't say it directly.<ref>{{cite web|url=http://thefridaymania.com/honour-for-an-influential-filmmaker/}}</ref>
'''''Irakal''''' ({{trans|Victims}}) is a 1985 Indian [[Malayalam]]-language [[psychological thriller]] film written and directed by [[K. G. George]] and produced by [[Sukumaran]]. The film stars [[K. B. Ganesh Kumar]], [[Thilakan]], [[Sukumaran]], [[Ashokan (actor)|Ashokan]], and [[Radha (actress)|Radha]].<ref>{{cite web|url=http://www.malayalachalachithram.com/movie.php?i=1769|title=Irakal|accessdate=2014-10-07|publisher=www.malayalachalachithram.com}}</ref><ref>{{cite web|url=http://malayalasangeetham.info/m.php?4240|title=Irakal|accessdate=2014-10-07|publisher=malayalasangeetham.info}}</ref> It won two [[Kerala State Film Awards]]—[[Kerala State Film Award for Second Best Film|Second Best Film]], and [[Kerala State Film Award for Best Story|Best Story]]. Irakal is considered the first dark movie in Malayalam and is regarded as a classic film.<ref>{{Cite web|date=2017-09-12|title=From 'Sadayam' to 'Kaiyoppu': 10 Malayalam films that flopped but have a cult status|url=https://www.thenewsminute.com/article/sadayam-kaiyoppu-10-malayalam-films-flopped-have-cult-status-68294|access-date=2021-06-13|website=The News Minute|language=en}}</ref> <ref>{{cite web|url=https://scroll.in/reel/1056495/start-the-week-with-a-film-kg-georges-irakal-is-a-singular-study-of-a-psycho|title=Start the week with a film: KG George's 'Irakal' is a singular study of a psycho|date=25 September 2023 |publisher=Scroll}}</ref>
The film met with critical acclaim upon release, though not commercially successful. It received several accolades including the [[Kerala State Film Awards|state awards]] of that year. In 2021, [[Joji (film)|Joji]] was considered to be a tribute to the film's violent psyche in terms of being cooped up during Covid-19.


==Plot==
==Plot==
A ruthless, [[Saint Thomas Christians|Syrian Christian]] [[Natural rubber|rubber]] baron, Mathews aka Mathukutty, builds an empire, through business acumen and greasing palms of cops and labour union leaders. His business includes [[marijuana]] and [[Moonshine|hooch]]. His sons Koshy, who is the second-in-commands in his business and illegal activities, is equally ruthless and violent. His second son Sunny is an alcoholic, but a normal guy struggling to get out of his father's stranglehold; he rebels once a while, but incompetent and lazy to go his own way. Mathukutty's only daughter, Annie, is a nymphomaniac, who has no feelings for her husband Andrews or daughter. Her husband is fed up of her wayward lifestyle. Annie comes to live with her maternal family every month, in the pretence of some fight with her husband, so that she can sleep with Mathukutty's henchman and rubber employee, Unnunni. Mathukutty and Koshy are not aware of Annie's wayward lifestyle, and think their son-in-law is unduly suspicious by nature. They mince no words while chastising Annie's husband for being the guilty party in the marriage; Koshy even roughs him up, when Andrews refuses to come for a reconciliation meeting.
A ruthless [[Saint Thomas Christians|Syrian Christian]] [[Natural rubber|rubber]] baron, Mathews aka Mathukutty, builds an empire through business acumen and greasing palms of cops and labour union leaders. His business includes [[marijuana]] and [[Moonshine|hooch]]. His son, Koshy, who is the second-in-command in his business and illegal activities, is equally ruthless and violent. His second son, Sunny, is an alcoholic, but a normal guy struggling to get out of his father's stranglehold. He rebels once in a while but is incompetent and lazy to go his own way. Mathukutty's only daughter, Annie, is a nymphomaniac, who has no feelings for her husband Andrews or daughter. Her husband is fed up with her wayward lifestyle. Annie comes to live with her maternal family every month, in the pretense of some fight with her husband, so that she can sleep with Mathukutty's henchman and rubber employee, Unnunni. Mathukutty and Koshy are not aware of Annie's wayward lifestyle and think their son-in-law is unduly suspicious by nature. They mince no words while chastising Annie's husband for being the guilty party in the marriage. Koshy even roughs him up when Andrews refuses to come for a reconciliation meeting.


Mathukkutty's youngest son, Baby, is an engineering student. He shows early signs of antisocial behaviors which manifests itself when ragging a junior (freshman). He strangles the junior student with an electric wire. Baby is suspended from the college and returns home. The junior student is admitted to hospital in a serious condition. His family gets to know of the incident through a newspaper article and dismiss it as a ragging incident gone bad. Baby always keeps the electric wire in his bag as a memento of the incident. Baby is a marijuana addict and he shows no alarmiy outward symptoms of his mental illness. His uncle Bishop senses something wrong with his nephew and cannot get through him.
Mathukkutty's youngest son, Baby, is an engineering student. At college, he fantasises about murder and gushing blood. He shows early signs of antisocial behaviors which manifests itself when ragging a junior (freshman). He strangles a junior student with an electric wire. Baby is suspended from the college and returns home. The junior student is admitted to the hospital in a serious condition. His family gets to know of the incident through a newspaper article and dismisses it as a ragging incident gone bad. Baby always keeps the electric wire in his bag as a memento of the incident. Baby is a marijuana addict and shows no alarming outward symptoms of his mental illness. His uncle, Bishop, senses something wrong with his nephew and cannot get through to him.


Baby observes Annie's affair with Unnunni and decides to murder him. He manages to strangle Ununni to death at the tools shed where Unnunni and Annie meet up. Baby hangs the body to stage a suicide. Upon discovering the body, the family disposes of the body to avoid any police investigation into the unnatural death.
Baby observes Annie's affair with Unnunni, who is later found dead (possibly murdered by Baby). Baby has violent dreams, constantly plays with his father's rifle, and imagines murdering Annie, multiple times, using his electric wire and the gun. He likes Nirmala, a village girl from a poor family. Nirmala, a young teenager, keeps him interested, and even makes love to him under the shade of coffee shrubs in broad daylight. However she is a practical girl. She enjoys seducing the rich kid and has no intention of marrying him as she is aware of the caste and class divide between them.


Baby has violent dreams, constantly plays with his father's rifle, and imagines murdering Annie, multiple times, using his electric wire and gun. He likes Nirmala, a village girl from a poor family. Nirmala, a young teenager, keeps him interested and even makes love to him under the shade of coffee shrubs in broad daylight. She loves Baby but is well aware of the caste and class divide between them. Nirmala gets engaged to a local shop owner, Balan. She ends the relationship with Baby. Baby murders Balan by strangling him with his preferred weapon, the electric wire. The murder goes unsolved as Baby removes money from the shop making it look like a robbery gone bad.
Her marriage is fixed with a local shop-owner, Balan. Baby silently watches her talking to Balan, and later kills Balan by strangling him with his preferred weapon, the electric wire. The murder goes unsolved as Baby removes money from the shop making it look like a robbery gone bad. Nirmala believes that Baby is behind Balan's death, and confronts him when they meet at the river. Baby tries to kill her as well, but Nirmala escapes without knowing his intention. Nirmala's mother fixes her wedding to Raghavan, a rubber tapper and Baby's friend. Baby tries to strangle Raghavan too, but fails in his attempt. Raghavan sees Baby's face when the mask he was wearing comes out and reports it to the police. The cops start searching for Baby, who goes into hiding. While his family tries to find him, he suddenly appears with a revolver. He shoots at Koshy who confronts him and shoots at his father too when he shouts at him to stop. Mathukutty escapes the shot, but Koshy is hit though not fatally. While the scuffle is going on, Baby is shot dead by Mathukkutty, using his rifle. His family in pursuit of making money did not realise the animal he is becoming through avoidance to the society and them.


Nirmala believes that Baby is behind Balan's death and confronts him when they meet at the river. Baby tries to kill her as well, but Nirmala escapes without knowing his intention. Nirmala's mother fixes her wedding to Raghavan, a rubber tapper and Baby's friend. Baby tries to strangle Raghavan too, but fails in his attempt. Raghavan sees Baby's face when the mask he was wearing comes out and reports it to the police. The cops start searching for Baby, who goes into hiding. While his family tries to find him, he suddenly appears with a revolver. He shoots at Koshy, who confronts him, and his father when he shouts at him to stop. Mathukutty escapes the shot, but Koshy is hit though not fatally. While the scuffle is going on, Baby is shot dead by Mathukkutty, using his rifle. His family, in pursuit of making money, did not realise the animal and danger he was becoming through avoidance of society and them.
==Review==
The one scene near Nirmala's house when the camera slowly zooms back from a close view of the house taking in more and more of the surroundings till it reveals the cold and menacing figure of Ganesh is the work of pure genius. The music, though loud at times, is suited to the mood of the film. But Malayalam film has got to a long way to go, if it has to provide a really good score for films such as these. In a situation where so many complex shots have to be joined up, editing can be a tough job. But it has been handed very professionally, with none of the amateurishness often seen in the 'parallel' cinema. The audiography too blends in with the general tone of the film. 'Irakal' can be analysed from the sociological, psychological and philosophical levels in addition to the surface level of pure cinema (Review published in Vaartha, 1986, the Press Club Trrivandrum's Diploma Newspaper, by late AP Prem Kumar).


==Cast==
==Cast==
{{Cast listing|
* [[K. B. Ganesh Kumar]] as Baby Mathews
* [[K. B. Ganesh Kumar]] as Baby Mathews
* [[Thilakan]] as Mathews / Mathukutty
* [[Thilakan]] as Mathews / Mathukutty
* P. C. George as Koshy Mathews
* [[P. C. George (actor)]] as Koshy Mathews
* [[Sukumaran]] as Sunny Mathews
* [[Sukumaran]] as Sunny Mathews
*[[Srividya]] as Annie
* [[Srividya]] as Annie
* [[Nedumudi Venu]] as Andrews, Annie's husband
* [[Nedumudi Venu]] as Andrews, Annie's husband
* [[Radha (actress)|Radha]] as Nirmala
* [[Radha (actress)|Radha]] as Nirmala
Line 50: Line 45:
* [[Ashokan (actor)|Ashokan]] as Raghavan
* [[Ashokan (actor)|Ashokan]] as Raghavan
* [[Innocent (actor)|Innocent]] as Aniyan Pillai
* [[Innocent (actor)|Innocent]] as Aniyan Pillai
* [[Bharath Gopi]] as the Bishop
* [[Bharath Gopi]] as Fr. Stephen
* [[Azeez (actor)|Azeez]] as Ramakrishnan, the police inspector
* [[Azeez (actor)|Azeez]] as Ramakrishnan, the police inspector
* Chandran Nair
* Chandran Nair
* [[Mohan Jose]] as Unnunni
* [[Mohan Jose]] as Unnunni
* [[Kannur Sreelatha]] as Sunny's wife
* [[Kannur Sreelatha]] as Nancy, Sunny's wife
* [[Shammi Thilakan]] as Baby's classmate
* [[Shammi Thilakan]] as Cyril, Baby's classmate
* Sabu Oommen as Gopan
}}

==Analysis==
The film is an in-depth exploration of the psychology of violence. Its theme in undertones depicted the political conditions of the country during that time including [[The Emergency (India)|The Emergency]]. [[Indira Gandhi]] and her son [[Sanjay Gandhi]] are symbolically presented by Thilakan and Ganesh respectively in the film, though George didn't say it directly.<ref>{{cite web|url=http://thefridaymania.com/honour-for-an-influential-filmmaker/|title=Honour for an influential filmmaker|date=17 September 2016|accessdate=13 April 2021|work=Friday Mania|first=Sreejith|last=Kamalanayanan}}</ref> Film critic K. B. Venu noted similarity between the film's story and the [[Koodathayi Cyanide Murders]] case. Some consider ''Irakal'' as one of the best works of George.<ref>{{Cite web|url=https://www.newindianexpress.com/states/kerala/2019/oct/07/case-evokes-thread-of-psychological-thriller-irakal-2044123.html|title=Case evokes thread of psychological thriller 'Irakal'|date=7 October 2019 }}</ref> Certain critics cite the 2021 film ''[[Joji (film)|Joji]]'' could have taken inspiration from this film with regards to theme.<ref>{{cite web|url=https://www.thenewsminute.com/article/joji-and-irakal-alike-theme-different-tone-146901|work=thenewsminute|title='Joji' and 'Irakal': Alike in theme, different in tone|last=Menon|first=Neelima|date=10 April 2021|access-date=13 April 2021}}</ref>


==Awards==
==Awards==
The film won two [[Kerala State Film Awards]]: for [[Kerala State Film Award for Second Best Film|Second Best Film]] and [[Kerala State Film Award for Best Story|Best Story]] (K. G. George).<ref>{{cite web |url=http://www.prd.kerala.gov.in/stateawards2.htm |title=Archived copy |accessdate=2011-02-19 |url-status=dead |archiveurl=https://web.archive.org/web/20091119014326/http://www.prd.kerala.gov.in/stateawards2.htm |archivedate=19 November 2009 |df=dmy-all }}</ref> Thilakan narrowly missed the [[National Film Award (India)|National Film Award]] that year. Actress [[Srividya]] got the [[Kerala State Film Award for Second Best Actress]] . <ref>http://www.hinduonnet.com/thehindu/thscrip/print.pl?file=2008061250010200.htm&date=2008/06/12/&prd=th&</ref> In 2016, George was awarded the [[Muttathu Varkey Award]] for writing the screenplay of the film. It was for the first time in the history of the prestigious award that a screenplay was chosen to be awarded.<ref>{{cite news|url=http://www.thehindu.com/news/cities/Kochi/muttathu-varkey-award/article8662362.ece|title=MUTTATHU VARKEY AWARD|date=29 May 2016|newspaper=The Hindu|accessdate=30 September 2017}}</ref>
The film won four [[Kerala State Film Awards]] for [[Kerala State Film Award for Second Best Film|Second Best Film]], [[Kerala State Film Award for Second Best Actress|Second Best Actress]] for [[Sreevidya]], and [[Second Best Actor]] for [[Thilakan]].[[Kerala State Film Award for Best Story|Best Story]] for [[K. G. George]].<ref>{{cite web |url=http://www.prd.kerala.gov.in/stateawards2.htm |title=+++++++++++++ official website of INFORMATION AND PUBLIC RELATION DEPARTMENT OF KERALA +++++++++++++ |accessdate=2011-02-19 |url-status=dead |archiveurl=https://web.archive.org/web/20091119014326/http://www.prd.kerala.gov.in/stateawards2.htm |archivedate=19 November 2009 |df=dmy-all }}</ref> In 2016, George was awarded the [[Muttathu Varkey Award]] for writing the screenplay of the film. It was the first time in the history of the prestigious award that a screenplay was chosen to be awarded.<ref>{{cite news|url=http://www.thehindu.com/news/cities/Kochi/muttathu-varkey-award/article8662362.ece|title=MUTTATHU VARKEY AWARD|date=29 May 2016|newspaper=The Hindu|accessdate=30 September 2017}}</ref>


== References ==
== References ==
Line 64: Line 64:


==External links==
==External links==
{{IMDB title|0214799}}
*{{IMDb title|0214799}}


[[Category:Indian films]]
[[Category:1980s Malayalam-language films]]
[[Category:1980s Malayalam-language films]]
[[Category:1985 films]]
[[Category:1985 films]]
[[Category:1980s psychological thriller films]]
[[Category:1980s psychological thriller films]]
[[Category:Films directed by K. G. George]]
[[Category:Films directed by K. G. George]]
[[Category:Indian psychological thriller films]]

Latest revision as of 10:50, 21 September 2024

Irakal
Directed byK. G. George
Written byK. G. George
Produced bySukumaran
Starring
CinematographyVenu
Edited byM. N. Appu
Music byM. B. Sreenivasan
Production
company
M.S. Films
Distributed byGandhimathi Release
Release date
  • 17 September 1985 (1985-09-17)
CountryIndia
LanguageMalayalam

Irakal (transl. Victims) is a 1985 Indian Malayalam-language psychological thriller film written and directed by K. G. George and produced by Sukumaran. The film stars K. B. Ganesh Kumar, Thilakan, Sukumaran, Ashokan, and Radha.[1][2] It won two Kerala State Film AwardsSecond Best Film, and Best Story. Irakal is considered the first dark movie in Malayalam and is regarded as a classic film.[3] [4]

Plot

[edit]

A ruthless Syrian Christian rubber baron, Mathews aka Mathukutty, builds an empire through business acumen and greasing palms of cops and labour union leaders. His business includes marijuana and hooch. His son, Koshy, who is the second-in-command in his business and illegal activities, is equally ruthless and violent. His second son, Sunny, is an alcoholic, but a normal guy struggling to get out of his father's stranglehold. He rebels once in a while but is incompetent and lazy to go his own way. Mathukutty's only daughter, Annie, is a nymphomaniac, who has no feelings for her husband Andrews or daughter. Her husband is fed up with her wayward lifestyle. Annie comes to live with her maternal family every month, in the pretense of some fight with her husband, so that she can sleep with Mathukutty's henchman and rubber employee, Unnunni. Mathukutty and Koshy are not aware of Annie's wayward lifestyle and think their son-in-law is unduly suspicious by nature. They mince no words while chastising Annie's husband for being the guilty party in the marriage. Koshy even roughs him up when Andrews refuses to come for a reconciliation meeting.

Mathukkutty's youngest son, Baby, is an engineering student. At college, he fantasises about murder and gushing blood. He shows early signs of antisocial behaviors which manifests itself when ragging a junior (freshman). He strangles a junior student with an electric wire. Baby is suspended from the college and returns home. The junior student is admitted to the hospital in a serious condition. His family gets to know of the incident through a newspaper article and dismisses it as a ragging incident gone bad. Baby always keeps the electric wire in his bag as a memento of the incident. Baby is a marijuana addict and shows no alarming outward symptoms of his mental illness. His uncle, Bishop, senses something wrong with his nephew and cannot get through to him.

Baby observes Annie's affair with Unnunni and decides to murder him. He manages to strangle Ununni to death at the tools shed where Unnunni and Annie meet up. Baby hangs the body to stage a suicide. Upon discovering the body, the family disposes of the body to avoid any police investigation into the unnatural death.

Baby has violent dreams, constantly plays with his father's rifle, and imagines murdering Annie, multiple times, using his electric wire and gun. He likes Nirmala, a village girl from a poor family. Nirmala, a young teenager, keeps him interested and even makes love to him under the shade of coffee shrubs in broad daylight. She loves Baby but is well aware of the caste and class divide between them. Nirmala gets engaged to a local shop owner, Balan. She ends the relationship with Baby. Baby murders Balan by strangling him with his preferred weapon, the electric wire. The murder goes unsolved as Baby removes money from the shop making it look like a robbery gone bad.

Nirmala believes that Baby is behind Balan's death and confronts him when they meet at the river. Baby tries to kill her as well, but Nirmala escapes without knowing his intention. Nirmala's mother fixes her wedding to Raghavan, a rubber tapper and Baby's friend. Baby tries to strangle Raghavan too, but fails in his attempt. Raghavan sees Baby's face when the mask he was wearing comes out and reports it to the police. The cops start searching for Baby, who goes into hiding. While his family tries to find him, he suddenly appears with a revolver. He shoots at Koshy, who confronts him, and his father when he shouts at him to stop. Mathukutty escapes the shot, but Koshy is hit though not fatally. While the scuffle is going on, Baby is shot dead by Mathukkutty, using his rifle. His family, in pursuit of making money, did not realise the animal and danger he was becoming through avoidance of society and them.

Cast

[edit]

Analysis

[edit]

The film is an in-depth exploration of the psychology of violence. Its theme in undertones depicted the political conditions of the country during that time including The Emergency. Indira Gandhi and her son Sanjay Gandhi are symbolically presented by Thilakan and Ganesh respectively in the film, though George didn't say it directly.[5] Film critic K. B. Venu noted similarity between the film's story and the Koodathayi Cyanide Murders case. Some consider Irakal as one of the best works of George.[6] Certain critics cite the 2021 film Joji could have taken inspiration from this film with regards to theme.[7]

Awards

[edit]

The film won four Kerala State Film Awards for Second Best Film, Second Best Actress for Sreevidya, and Second Best Actor for Thilakan.Best Story for K. G. George.[8] In 2016, George was awarded the Muttathu Varkey Award for writing the screenplay of the film. It was the first time in the history of the prestigious award that a screenplay was chosen to be awarded.[9]

References

[edit]
  1. ^ "Irakal". www.malayalachalachithram.com. Retrieved 7 October 2014.
  2. ^ "Irakal". malayalasangeetham.info. Retrieved 7 October 2014.
  3. ^ "From 'Sadayam' to 'Kaiyoppu': 10 Malayalam films that flopped but have a cult status". The News Minute. 12 September 2017. Retrieved 13 June 2021.
  4. ^ "Start the week with a film: KG George's 'Irakal' is a singular study of a psycho". Scroll. 25 September 2023.
  5. ^ Kamalanayanan, Sreejith (17 September 2016). "Honour for an influential filmmaker". Friday Mania. Retrieved 13 April 2021.
  6. ^ "Case evokes thread of psychological thriller 'Irakal'". 7 October 2019.
  7. ^ Menon, Neelima (10 April 2021). "'Joji' and 'Irakal': Alike in theme, different in tone". thenewsminute. Retrieved 13 April 2021.
  8. ^ "+++++++++++++ official website of INFORMATION AND PUBLIC RELATION DEPARTMENT OF KERALA +++++++++++++". Archived from the original on 19 November 2009. Retrieved 19 February 2011.
  9. ^ "MUTTATHU VARKEY AWARD". The Hindu. 29 May 2016. Retrieved 30 September 2017.
[edit]