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{{short description|French opera singer}}

[[File:Lise Tautin.jpg|thumb|right|Lise Tautin]]
[[File:Lise Tautin.jpg|thumb|right|Lise Tautin]]
'''Lise Tautin''' (born Louise Vaissière,<ref name="Yon">Yon, Jean-Claude. ''Jacques Offenbach.'' Editions Gallimard, Paris, 2000.</ref> [[Paris]] in 1836, died Boulogne, May 1874), was a French [[soprano]], associated with the [[opéra-bouffe]] in Paris in the middle of the 19th century, particularly the works of [[Jacques Offenbach|Offenbach]].<ref name="Gänzl">Gänzl K. ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994.</ref>
'''Lise Tautin''', known on the stage by the pseudonym '''Mademoiselle (Mlle) Cor''',<ref>{{cite encyclopedia|page=897|first1= K. J.|last1= Kutsch|first2= Leo|last2= Riemens|encyclopedia=[[Grosses Sängerlexikon]]|publisher=[[K. G. Saur Verlag]]|editor-first=Hansjörg|editor-last= Rost|title=Cor, Mlle|year=2003|isbn=9783598440885}}</ref> (born Louise Vaissière,<ref name="Yon">[[Jean-Claude Yon|Yon, Jean-Claude]]. ''Jacques Offenbach.'' Editions Gallimard, Paris, 2000.</ref> [[Yvetot]] in 1834, died [[Bologna]], May 1874), was a French [[soprano]], associated with the [[opéra-bouffe]] in Paris in the middle of the 19th century, particularly the works of [[Jacques Offenbach|Offenbach]].<ref name="Gänzl">Gänzl K. ''The Encyclopaedia of the Musical Theatre.'' Blackwell, Oxford, 1994.</ref>


==Life and career==
==Life and career==
Having been spotted by Offenbach at the [[Grand Théâtre de Lyon]], Tautin made her debut with the Bouffes-Parisiens as Aspasie in ''Une demoiselle en loterie'' in July 1857 and was a big success with critics and the audiences.<ref name="Yon"/> She also sang
Having been spotted by Offenbach at the [[Grand Théâtre de Lyon]], Tautin made her debut with the [[Bouffes-Parisiens]] as Aspasie in ''[[Une demoiselle en loterie]]'' in July 1857 and was a big success with critics and the audiences.<ref name="Yon"/> She also sang
Fanchette in ''[[Le mariage aux lanternes]]'' (1857), Crout-ou-pôt in ''[[Mesdames de la Halle]]'' (1858), Minette in ''[[La chatte métamorphosée en femme]]'' 1858 - her incarnation of both girl and cat was praised, and Eurydice in ''[[Orphée aux Enfers]]'' (1858 and 1860 revival), where her ‘Hymne a Bacchus’ was encored, or often sung three times at each performance.
Fanchette in ''[[Le mariage aux lanternes]]'' (1857), Crout-ou-pôt in ''[[Mesdames de la Halle]]'' (1858), Minette in ''[[La chatte métamorphosée en femme]]'' 1858 - her incarnation of both girl and cat was praised, and Eurydice in ''[[Orphée aux Enfers]]'' (1858 and 1860 revival), where her ‘Hymne a Bacchus’ was encored, or often sung three times at each performance.


Then followed Rosita in ''Un mari a la porte'' (1859), Gratioso and other roles in the first version of ''[[Geneviève de Brabant]]'' (1859), Les Bouffes-Parisiens in ''Le carnaval des revues'' (1860), Catarina in ''[[Le pont des soupirs]]'' (1861), and Ernestina in ''[[M. Choufleuri restera chez lui le . . .]]'' (1861).
Then followed Rosita in ''[[Un mari à la porte]]'' (1859), Gratioso and other roles in the first version of ''[[Geneviève de Brabant]]'' (1859), Les Bouffes-Parisiens in ''Le carnaval des revues'' (1860), Catarina in ''[[Le pont des soupirs]]'' (1861), and Ernestina in ''[[M. Choufleuri restera chez lui le . . .]]'' (1861).
She visited Vienna with the Bouffes-Parisiens in the summer of 1861, during which she created La Sincère in ''Les bergers''.<ref name="Gänzl"/>
She visited Vienna with the Bouffes-Parisiens in the summer of 1861, during which she created La Sincère in ''Les bergers''.<ref name="Gänzl"/>


In the spring of 1862 she starred in ''La boite au lait'' at the [[Théâtre des Variétés]].
In the spring of 1862 she starred in ''La boîte au lait'' at the [[Théâtre des Variétés]].
Tautin took over title role for some performances of ''[[La belle Hélène]]'' in 1865. She was taken ill returning from a tour to Constantinople in 1874.<ref name="Yon"/>
Tautin took over the title role for some performances of ''[[La belle Hélène]]'' in 1865. She was taken ill returning from a tour to Constantinople in 1874.<ref name="Yon"/>


==References==
==References==
{{Reflist}}
{{Reflist}}

{{authority control}}


{{DEFAULTSORT:Tautin, Lise}}
{{DEFAULTSORT:Tautin, Lise}}
[[Category:1836 births]]
[[Category:1834 births]]
[[Category:1874 deaths]]
[[Category:1874 deaths]]
[[Category:French opera singers]]
[[Category:French operatic sopranos]]
[[Category:Operatic sopranos]]
[[Category:Musicians from Paris]]
[[Category:French sopranos]]
[[Category:19th-century French women singers]]
[[Category:People from Paris]]

[[fr:Lise Tautin]]

Latest revision as of 15:54, 23 September 2024

Lise Tautin

Lise Tautin, known on the stage by the pseudonym Mademoiselle (Mlle) Cor,[1] (born Louise Vaissière,[2] Yvetot in 1834, died Bologna, May 1874), was a French soprano, associated with the opéra-bouffe in Paris in the middle of the 19th century, particularly the works of Offenbach.[3]

Life and career

[edit]

Having been spotted by Offenbach at the Grand Théâtre de Lyon, Tautin made her debut with the Bouffes-Parisiens as Aspasie in Une demoiselle en loterie in July 1857 and was a big success with critics and the audiences.[2] She also sang Fanchette in Le mariage aux lanternes (1857), Crout-ou-pôt in Mesdames de la Halle (1858), Minette in La chatte métamorphosée en femme 1858 - her incarnation of both girl and cat was praised, and Eurydice in Orphée aux Enfers (1858 and 1860 revival), where her ‘Hymne a Bacchus’ was encored, or often sung three times at each performance.

Then followed Rosita in Un mari à la porte (1859), Gratioso and other roles in the first version of Geneviève de Brabant (1859), Les Bouffes-Parisiens in Le carnaval des revues (1860), Catarina in Le pont des soupirs (1861), and Ernestina in M. Choufleuri restera chez lui le . . . (1861). She visited Vienna with the Bouffes-Parisiens in the summer of 1861, during which she created La Sincère in Les bergers.[3]

In the spring of 1862 she starred in La boîte au lait at the Théâtre des Variétés. Tautin took over the title role for some performances of La belle Hélène in 1865. She was taken ill returning from a tour to Constantinople in 1874.[2]

References

[edit]
  1. ^ Kutsch, K. J.; Riemens, Leo (2003). "Cor, Mlle". In Rost, Hansjörg (ed.). Grosses Sängerlexikon. K. G. Saur Verlag. p. 897. ISBN 9783598440885.
  2. ^ a b c Yon, Jean-Claude. Jacques Offenbach. Editions Gallimard, Paris, 2000.
  3. ^ a b Gänzl K. The Encyclopaedia of the Musical Theatre. Blackwell, Oxford, 1994.
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