Wallraf–Richartz Museum: Difference between revisions
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{{Short description|Museum in Cologne, Germany}} |
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|name = ''{{lang|de|Wallraf-Richartz-Museum & Foundation Corboud}}'' |
|name = ''{{lang|de|Wallraf-Richartz-Museum & Foundation Corboud}}'' |
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|caption = Wallraf–Richartz Museum |
|caption = Wallraf–Richartz Museum |
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|alt = Wallraf–Richartz Museum |
|alt = Wallraf–Richartz Museum |
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|map_caption = Location of the Wallraf–Richartz Museum in Germany |
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|map_alt = |
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|mapframe-zoom = 14 |
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|coordinates = {{coord|50.9378848|6.9592605|display=inline}} |
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|coordinates = {{coord|50|56|15|N|6|57|31|E|display=it}} |
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|established = {{start date and age|1861|07|01|df=y}} |
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|dissolved = |
|dissolved = |
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|location = Obenmarspforten 40 <br/> Am Kölner Rathaus <br/> 50667 [[Cologne]], |
|location = Obenmarspforten 40 <br/> Am Kölner Rathaus <br/> 50667 [[Cologne]], Germany |
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|type = |
|type = |
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|collection = '''European Fine art:'''<br/> Gothic, <br/> Renaissance, <br/> Baroque, <br/> Impressionist |
|collection = '''European Fine art:'''<br/> Gothic, <br/> Renaissance, <br/> Baroque, <br/> Impressionist |
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|visitors = |
|visitors = |
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|director = |
|director = Marcus Dekiert |
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|president = |
|president = |
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|curator = |
|curator = |
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|publictransit = {{ |
|publictransit = {{rcb|Cologne Stadtbahn|5|inline=route}} {{rcb|Cologne Stadtbahn|16|inline=route}} {{rcb|Cologne Stadtbahn|18|inline=route}} [[Köln Hauptbahnhof|Köln Hbf]] |
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|network = |
|network = |
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|website = {{ |
|website = {{URL|www.wallraf.museum/en}} |
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}} |
}} |
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The '''Wallraf–Richartz Museum''' (full name in German: ''{{lang|de|Wallraf-Richartz-Museum & Fondation Corboud}}'') is |
The '''Wallraf–Richartz Museum''' (full name in German: ''{{lang|de|Wallraf-Richartz-Museum & Fondation Corboud}}'') is an art museum in [[Cologne]], Germany, with a collection of fine art from the [[medieval]] period to the early twentieth century. It is one of the three major [[List of museums in Cologne|museums in Cologne]]. |
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== History == |
== History == |
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⚫ | The museum dates back to the year 1824, when the comprehensive collection of [[medieval art]] from [[Ferdinand Franz Wallraf]] came to the city of Cologne by inheritance. The first building was donated by [[Johann Heinrich Richartz]], and the museum was opened in 1861, just after his death.<ref>Josine Ianco-Starrels (1 June 1986), [https://www.latimes.com/archives/la-xpm-1986-06-01-ca-8557-story.html German Exhibition At Santa Barbara Museum] ''[[Los Angeles Times]]''.</ref> |
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⚫ | The museum dates back to the year 1824, when the comprehensive collection of [[medieval art]] from |
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The collection was regularly expanded by donations, especially the Haubrich collection of contemporary art |
The collection was regularly expanded by donations, especially the Haubrich collection of contemporary art in 1946. In 1976, on the occasion of the donation of Mr. and Mrs. Ludwig, the collection was split. The new [[Museum Ludwig]] took over the exhibition of the 20th century art. |
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The current building from 2001, near the [[Cologne City Hall]], was designed by [[Oswald Mathias Ungers]]. Also in 2001, Swiss collector [[Gérard Corboud]] gave his [[impressionist]] and [[postimpressionist]] collection of over 170 works to the museum as a permanent loan. The museum then added "Fondation Corboud" to its name.<ref>{{cite web|url=http://www.wallraf.museum/en/the-museum/history/fondation-corboud/ |title=Fondation Corboud: Wallraf-Richartz-Museum |website=Wallraf.museum |date=2017 |
The current building from 2001, near the [[Cologne City Hall]], was designed by [[Oswald Mathias Ungers]]. Also in 2001, Swiss collector [[Gérard Corboud]] gave his [[impressionist]] and [[postimpressionist]] collection of over 170 works to the museum as a permanent loan. The museum then added "Fondation Corboud" to its name.<ref>{{cite web|url=http://www.wallraf.museum/en/the-museum/history/fondation-corboud/ |title=Fondation Corboud: Wallraf-Richartz-Museum |website=Wallraf.museum |date=5 March 2017 |access-date=14 March 2017}}</ref> |
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==Collections== |
==Collections== |
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[[Image:Stefan_Lochner_Madonna_im_Rosenhag.jpg|thumb|200px|''Madonna |
[[Image:Stefan_Lochner_Madonna_im_Rosenhag.jpg|thumb|200px|''[[Madonna of the Rose Bower (Lochner)|Madonna of the Rose Bower]]'', by [[Stefan Lochner]], 1448]] |
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===Gothic collection=== |
===Gothic collection=== |
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The ''Madonna |
The ''[[Madonna of the Rose Bower (Lochner)|Madonna of the Rose Bower]]'' is among the Gothic paintings in the collection of the Wallraf–Richartz Museum. It was created by [[Stefan Lochner]], who lived in Germany between 1410 and 1451, mainly working in Cologne. He is considered a late [[Gothic art|Gothic]] painter. His work usually has a clean appearance, combining the Gothic attention to long flowing lines with brilliant colors and a [[Flemish painting|Flemish]] influence of [[Realism (arts)|realism]] and attention to detail. This painting is considered typical of his style. It was executed about 1450, and shows the Virgin and Child reposing in a blooming [[rose]] [[arbor (garden)|arbor]] that is attended by Lochner's characteristic, child [[angel]]s. Another outstanding Gothic painting in the Wallraf-Richartz's collection is an ''[[Arrest of Jesus]]'' by the "[[Master of the Karlsruhe Passion]]", the only surviving panel of that painter's influential [[Passion of Jesus|Passion cycle]] not kept in the [[Staatliche Kunsthalle Karlsruhe]].<ref>{{cite web |title=Der unvollständige Leidensweg – die "Karlsruher Passion" |url=http://syndrome-de-stendhal.blogspot.com/2016/11/der-unvollstandige-leidensweg-die.html |website=syndrome-de-stendhal.blogspot.com |access-date=14 May 2019}}</ref> |
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===Renaissance collection=== |
===Renaissance collection=== |
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The Wallraf-Richartz-Museum houses an [[altarpiece]] (1515) from the [[Great St. Martin Church|Great Saint Martin Church]] in Cologne, one of the few known works by [[Jacob van Utrecht]]. Among other [[early Renaissance]] works in the collection are the [[Adoration of the Child (Bosch)|''Adoration of the Child'']] by [[ |
The Wallraf-Richartz-Museum houses an [[altarpiece]] (1515) from the [[Great St. Martin Church|Great Saint Martin Church]] in Cologne, one of the few known works by [[Jacob van Utrecht]]. Among other [[early Renaissance]] works in the collection are the [[Adoration of the Child (Bosch)|''Adoration of the Child'']] by an unknown artist; previously thought to have been painted by [[Hieronymus Bosch]], and a panel of the [[Jabach Altarpiece]] by [[Albrecht Dürer]]. |
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===Baroque collection=== |
===Baroque collection=== |
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Among the artists in the collection from the Baroque through Rococo period are works by [[Peter Paul Rubens|Rubens]] (''[[Juno and Argus]]'', 1610); [[Rembrandt van Rijn|Rembrandt]] (self-portrait); [[Jacob Jordaens|Jordaens]]; [[Frans Snyders]]; [[ |
Among the artists in the collection from the Baroque through Rococo period are works by [[Peter Paul Rubens|Rubens]] (''[[Juno and Argus]]'', 1610); [[Rembrandt van Rijn|Rembrandt]] (self-portrait); [[Jacob Jordaens|Jordaens]]; [[Frans Snyders]]; [[Anthony van Dyck|van Dyck]]; [[Frans Hals]]; [[Gerard van Honthorst]]; [[Pieter de Hooch]]; [[Gerard de Lairesse]]; [[François Boucher]]; [[Nicolas de Largillierre]]; [[Jean-Honoré Fragonard]]; [[Marguerite Gérard]], and [[Giambattista Pittoni]].<ref>{{cite web|url=http://www.wallraf.museum/en/collections/baroque/ |title=Information: Wallraf-Richartz-Museum |publisher=Wallraf.museum |access-date=14 March 2017}}</ref> |
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===Impressionist collection=== |
===Impressionist collection=== |
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==Monet forgery discovered== |
==Monet forgery discovered== |
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On February |
On 14 February 2008, the Wallraf–Richartz Museum announced that ''On the Banks of the Seine by Port Villez'', attributed to [[Claude Monet]], was a forgery.<ref>{{Cite web |title=Kulturelles Erbe Köln: Monet, Claude Oscar, Bords de la Seine à Port-Villez (Seinelandschaft / Am Ufer der Seine bei Port-Villez) |url=https://www.kulturelles-erbe-koeln.de/ete?action=addFilter&filter=filter_titel_motiv&term=Bords%20de%20la%20Seine%20%C3%A0%20Port-Villez&sstate=eJztWd1y28YVFqUmUmjLUjZO43Hr1EVvMimlYPFHgkqnsSzZMSVLdihXtesMZgksQRggQAMLWpatGT9DnqBv0IvMZCbXvemDNO-RswBIiRAIphld9EK6EHfPOd-3Z8_Zv0MuVdB_K1VErcH6y5iGr9cjRnyLhNbqT-_-s3BjTlg0TcMijH5WkeTqtTDuhI5LfcMbeiJGH4v4-c6_f_B8Gt5uk37fi32b-jcX7uxtCQvMcz-fkzZyIAndOiSeF5Lu29ngL6srXcdjNDTc2I-YR0N062HgU1a7fdcjsUXfujFtNkVJlUVdF9_is-jG3FfV1tJoPje_qH7EZ-kFgRsPxtNEczfnhOXqXPKZ4j6rNL5_964i3Koubm3eN3b376PVdi949ZjH5xsaxR6LblSEf66c6r9beSMYURCHJhWabwTHNz1wLhKa_xBMU6gJVmD2KSPQMgOfEQembIDMj_sdGual7PWAcoxjCd-e1IQkLZw1jQS1eHss7ASBxz_7ccRgOGgQZvYMiDBIT06-rSUaww-4FnpRL4g9i7dPgDulLOQBeZ8LJjMuNAXIWkHaBKCbApIAdCblM8G5jAO6NOXCjFnyeUaxbVM-sTd80mEA44ggdY4hXViCVhCmszbN9Wy9w7AkMgXumBFDKrIukBPbjrifxj3niFprB5Aug_e5_1E6AcoHF4wsk-k4evrH3cmHpwCbMxmRqOfg8my4XAJXZsOVErg6G66WwLXZcK0EXp8Nr5fAG7PhjRK4PhuuT4djcSYcTKbD8Ww4LoHPXnW4ZNXh2asO51ZdtquPY5v4Nt9hcb-Qo8iuiOj0eJhOMrYpImAOo57RD5gzLOM4azZBE3RegHcODeEIM46jQo68TZEfcAvZAxoWE-RtigiSqwwOsMQqOcimE52zLSK0CWPpuVzCdGpURAG3EA0d4hmMmr0ymknD6Ztt9nIXJ5b7yQlc0dXqwjYWUQVD-ypvS2iBBSb06rwno3WXumuDuOM55togDKzYZE7grw9p-Ip4fHr8nWAxN6Cev27REaWCKhq0r_C2iub9YKTQUEWE9m95u46W08fCo5BG1GcjQAPNYwk6H_KOjpbgxo_7qf6D6vy2lLq7ClpJRKPXVzYBCaMFuIayISQJLU9chiD_scIVCvpXhbaOXzzdfPBajR-EO6748nV0tH_8dPhox4yOHm4-bu8d3H3YONAau21zyJ7Yvf2tbXlPM8XdYxEfKOEz0dTvOR3XbeF497Fpk4Nn-9-494-Up666_-SwRbYOv97b844b5Jmrtoh3r2H1PWo-8fah_TjcWVv7e3_QOgh2jl_0W4N2f7AH-pd_e3a46ZL-kU0OPfsp7kWOdsf6urXX4HNa5q6r6Dc-XPdZtCQNzVM_C6_USGPDwySnkV6BpoIWuwEkLLQygYoWJVGvS6KcBGp-W0OTb1Aul0Guoz93iOk21RreIJD6Id2AHbshqiKuy7ixMdkD0N0EtBHRAQkJC8ImziMx1kRZ2gg7xDBFrGJVn1QAyWZC0hzl_VdxtBKOTepRTjHhT_N_5bqfcP11xDUgJv11RBfpVD5ISk3Jp0isK3LGASSSOqm4YH_qCdcXY3_UmvrLlsxFOqEnXHjshFbTYC3CrmPUyoxh5IaONyZ7F-zGdsL1l7Eb9Vo9FwtJlhSccFiiJMm6bIh4UndRm2krIfkyOwDAlfxO_kWu8NOljVGlntV12-2k2Lus6y7rusu67rKuu6zrLuu6y7ru_6mum4fbOi0MoBBqQ413rtb6HZdjhJyIudTxo9jsdckwCJ2sEGtDMTguxNpQCy7x28FIq6tbXKSi620G6zTaDWzHh382tfZjlhQq |access-date=2024-01-24 |website=www.kulturelles-erbe-koeln.de}}</ref> The discovery was made when the painting was examined by restorers prior to an upcoming Impressionism exhibition. [[X-ray]] and [[infrared]] testing revealed that a "colorless substance" had been applied to the canvas to make it appear older. The picture was acquired by the museum in 1954. The museum, which will keep the forgery, still has five authentic Monet paintings in its collection.<ref>[http://afp.google.com/article/ALeqM5jVxW8AFhmjVkdIHZYB64fOsqnkrQ German museum discovers prized Monet is a fake] {{webarchive |url=https://web.archive.org/web/20080218163050/http://afp.google.com/article/ALeqM5jVxW8AFhmjVkdIHZYB64fOsqnkrQ |date=18 February 2008 }}</ref> |
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==Gallery of art== |
==Gallery of art== |
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<gallery> |
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<gallery widths="140px" heights="140px" perrow="3"> |
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File: |
File:BoschAdorationOfTheChildPainting.jpg|[[Hieronymus Bosch]], [[Adoration of the Child (Bosch)|''Adoration of the Child'']], c.1568 or later |
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File:Joos de Momper (II) - Mountain Scene with Bridges - WGA16133.jpg|[[Joos de Momper]], ''[[Mountain Scene with Bridges]]'', Late 16th century or early 17th century |
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File:Gerard van Honthorst 001.jpg|[[Gerard van Honthorst]], ''[[Adoration of the Shepherds]]'', 1622 |
File:Gerard van Honthorst 001.jpg|[[Gerard van Honthorst]], ''[[Adoration of the Shepherds]]'', 1622 |
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File:Peter Paul Rubens 059.jpg|[[Rubens]], ''[[Holy Family]]'', 1634 |
File:Peter Paul Rubens 059.jpg|[[Rubens]], ''[[Holy Family]]'', 1634 |
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File:Vincent Van Gogh 0014.jpg|[[Van Gogh]], ''[[Langlois Bridge at Arles]]'', 1888 |
File:Vincent Van Gogh 0014.jpg|[[Van Gogh]], ''[[Langlois Bridge at Arles]]'', 1888 |
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File:Marianne Stokes Melisande.jpg|[[Marianne Stokes]], ''[[Melisande (Stokes)|Melisande]]'', 1895-1898 |
File:Marianne Stokes Melisande.jpg|[[Marianne Stokes]], ''[[Melisande (Stokes)|Melisande]]'', 1895-1898 |
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File:Monet Ninfee (Colonia).jpg|[[Claude Monet|Claude Oscar Monet]] "''Nymphéas''" (Waterlilies), Wallraf-Richartz-Museum & Fondation Corboud (Dep. 0377, Cologne); catalogue raisonné [[iarchive:c.rclaudemonetvolumeivwildensteininstitute/page/n181/mode/2up|W 1852]] |
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File:DPAG 2011 150 Jahre Wallraf-Richartz-Museum.jpg|[[Postage stamps and postal history of Germany|German postage stamp]] celebrating 150 years of the museum |
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</gallery> |
</gallery> |
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==See also== |
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* [[Max Silberberg]] |
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* [[List of claims for restitution for Nazi-looted art]] |
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==References== |
==References== |
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{{Commons category|Wallraf-Richartz-Museum}} |
{{Commons category|Wallraf-Richartz-Museum}} |
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* {{official website|http://www.wallraf.museum/en/now/}} |
* {{official website|http://www.wallraf.museum/en/now/}} |
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* Literature on and by Walraf-Richartz Museum [https://www.worldcat.org/search?qt=worldcat_org_all&q=Wallraf-Richartz-Museum] |
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{{Authority control}} |
{{Authority control}} |
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[[Category:Museums in Cologne]] |
[[Category:Museums in Cologne]] |
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[[Category:Innenstadt, Cologne]] |
[[Category:Innenstadt, Cologne]] |
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[[Category:Art museums established in 1824]] |
[[Category:Art museums and galleries established in 1824]] |
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[[Category:1824 establishments in Prussia]] |
[[Category:1824 establishments in Prussia]] |
Revision as of 13:48, 25 September 2024
Established | 1 July 1861 |
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Location | Obenmarspforten 40 Am Kölner Rathaus 50667 Cologne, Germany |
Coordinates | 50°56′15″N 6°57′31″E / 50.93750°N 6.95861°E |
Collection size | European Fine art: Gothic, Renaissance, Baroque, Impressionist |
Director | Marcus Dekiert |
Public transit access | 5 16 18 Köln Hbf |
Website | www |
The Wallraf–Richartz Museum (full name in German: Wallraf-Richartz-Museum & Fondation Corboud) is an art museum in Cologne, Germany, with a collection of fine art from the medieval period to the early twentieth century. It is one of the three major museums in Cologne.
History
The museum dates back to the year 1824, when the comprehensive collection of medieval art from Ferdinand Franz Wallraf came to the city of Cologne by inheritance. The first building was donated by Johann Heinrich Richartz, and the museum was opened in 1861, just after his death.[1]
The collection was regularly expanded by donations, especially the Haubrich collection of contemporary art in 1946. In 1976, on the occasion of the donation of Mr. and Mrs. Ludwig, the collection was split. The new Museum Ludwig took over the exhibition of the 20th century art.
The current building from 2001, near the Cologne City Hall, was designed by Oswald Mathias Ungers. Also in 2001, Swiss collector Gérard Corboud gave his impressionist and postimpressionist collection of over 170 works to the museum as a permanent loan. The museum then added "Fondation Corboud" to its name.[2]
Collections
Gothic collection
The Madonna of the Rose Bower is among the Gothic paintings in the collection of the Wallraf–Richartz Museum. It was created by Stefan Lochner, who lived in Germany between 1410 and 1451, mainly working in Cologne. He is considered a late Gothic painter. His work usually has a clean appearance, combining the Gothic attention to long flowing lines with brilliant colors and a Flemish influence of realism and attention to detail. This painting is considered typical of his style. It was executed about 1450, and shows the Virgin and Child reposing in a blooming rose arbor that is attended by Lochner's characteristic, child angels. Another outstanding Gothic painting in the Wallraf-Richartz's collection is an Arrest of Jesus by the "Master of the Karlsruhe Passion", the only surviving panel of that painter's influential Passion cycle not kept in the Staatliche Kunsthalle Karlsruhe.[3]
Renaissance collection
The Wallraf-Richartz-Museum houses an altarpiece (1515) from the Great Saint Martin Church in Cologne, one of the few known works by Jacob van Utrecht. Among other early Renaissance works in the collection are the Adoration of the Child by an unknown artist; previously thought to have been painted by Hieronymus Bosch, and a panel of the Jabach Altarpiece by Albrecht Dürer.
Baroque collection
Among the artists in the collection from the Baroque through Rococo period are works by Rubens (Juno and Argus, 1610); Rembrandt (self-portrait); Jordaens; Frans Snyders; van Dyck; Frans Hals; Gerard van Honthorst; Pieter de Hooch; Gerard de Lairesse; François Boucher; Nicolas de Largillierre; Jean-Honoré Fragonard; Marguerite Gérard, and Giambattista Pittoni.[4]
Impressionist collection
The Wallraf-Richartz collection includes works by the Impressionists Monet, Pissarro, Sisley, Gustave Caillebotte, and Berthe Morisot, whose Child among staked roses or "Kind zwischen Stockrosen", was painted in 1881.
Monet forgery discovered
On 14 February 2008, the Wallraf–Richartz Museum announced that On the Banks of the Seine by Port Villez, attributed to Claude Monet, was a forgery.[5] The discovery was made when the painting was examined by restorers prior to an upcoming Impressionism exhibition. X-ray and infrared testing revealed that a "colorless substance" had been applied to the canvas to make it appear older. The picture was acquired by the museum in 1954. The museum, which will keep the forgery, still has five authentic Monet paintings in its collection.[6]
Gallery of art
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Hieronymus Bosch, Adoration of the Child, c.1568 or later
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Joos de Momper, Mountain Scene with Bridges, Late 16th century or early 17th century
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Rubens, Holy Family, 1634
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Van Gogh, Langlois Bridge at Arles, 1888
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Marianne Stokes, Melisande, 1895-1898
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Claude Oscar Monet "Nymphéas" (Waterlilies), Wallraf-Richartz-Museum & Fondation Corboud (Dep. 0377, Cologne); catalogue raisonné W 1852
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Berthe Morisot "Child among staked roses", 1881
See also
References
- ^ Josine Ianco-Starrels (1 June 1986), German Exhibition At Santa Barbara Museum Los Angeles Times.
- ^ "Fondation Corboud: Wallraf-Richartz-Museum". Wallraf.museum. 5 March 2017. Retrieved 14 March 2017.
- ^ "Der unvollständige Leidensweg – die "Karlsruher Passion"". syndrome-de-stendhal.blogspot.com. Retrieved 14 May 2019.
- ^ "Information: Wallraf-Richartz-Museum". Wallraf.museum. Retrieved 14 March 2017.
- ^ "Kulturelles Erbe Köln: Monet, Claude Oscar, Bords de la Seine à Port-Villez (Seinelandschaft / Am Ufer der Seine bei Port-Villez)". www.kulturelles-erbe-koeln.de. Retrieved 24 January 2024.
- ^ German museum discovers prized Monet is a fake Archived 18 February 2008 at the Wayback Machine
External links
- Official website
- Literature on and by Walraf-Richartz Museum [1]