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{{short description|American painter (1831–1913)}}
{{about||the environmentalist|Kootenay Brown|the Ontario politician|John G. Brown}}
{{about||the environmentalist|Kootenay Brown|the Ontario politician|John G. Brown}}

[[File:John George Brown - Self-portrait (1908).jpg|thumb|John George Brown ''Self-portrait'', 1908]]
{{Use mdy dates|date=March 2020}}
{{Infobox artist
| image = John George Brown - Self-portrait (1908).jpg
| name = John George Brown
| birth_date = November 11, 1831
| birth_place = [[Durham, England]], U.K.
| death_date = {{d-da|February 8, 1913|November 11, 1831}}
| death_place = [[New York City, New York]], U.S.
| style = [[Genre art]]
}}
[[File:John George Brown - Only A Nickel, Joe (1906).jpg|thumb|''Only A Nickel, Joe'', 1906. Private collection.]]
[[File:John George Brown - The Cider Mill.jpg|thumb|''The Cider Mill'', 1880, [[Terra Foundation for American Art]], Daniel J. Terra Collection]]
[[File:John George Brown - The Cider Mill.jpg|thumb|''The Cider Mill'', 1880, [[Terra Foundation for American Art]], Daniel J. Terra Collection]]
[[File:Three for Five by John George Brown - BMA.jpg|thumb|''Three for Five'', 1890, [[Birmingham Museum of Art]], Birmingham, Alabama]]
[[File:Three for Five by John George Brown - BMA.jpg|thumb|''Three for Five'', 1890, [[Birmingham Museum of Art]], Birmingham, Alabama]]
'''John George Brown''' (November 11, 1831, [[Durham, England]] – February 8, 1913, [[New York City]]) was a [[British people|British]] citizen and an [[United States|American]] [[Painting|painter]] who specialized in [[Genre art|genre]] scenes.
'''John George Brown''' (November 11, 1831 – February 8, 1913) was a [[British people|British]] citizen and an [[United States|American]] [[Painting|painter]] who specialized in [[Genre art|genre]] scenes.


==Biography==
==Biography==
His parents apprenticed him to the career of [[glazier|glass worker]] at the age of fourteen in an attempt to dissuade him from pursuing painting.<ref name="source a">{{cite book | last1 = Birmingham Museum of Art | title = Masterpieces East and West: from the Collection of the Birmingham Museum of Art | year = 1993 | location = Birmingham, Alabama | pages = 202 | url = http://www.birminghammuseumstore.org/masterpieces-east-amp-west-from-the-birmingham-museum-of-art.html | accessdate = 2011-07-16 | isbn = 0-931394-37-6}}</ref> He studied nights at the School of Design in [[Newcastle-on-Tyne]] while working as a glass cutter there between 1849 and 1852 and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 and 1853.<ref>Maddox, Kenneth W., "Biography and Works: John George Brown," http://www.museothyssen.org/en/thyssen/ficha_artista/101</ref> After moving to [[New York City]] in 1853, he studied with [[Thomas Seir Cummings]] at the [[National Academy of Design]] where he was elected a National [[Academician]] in 1861. Brown was the Academy's vice-president from 1899 to 1904.<ref>{{cite web | url = http://www.nationalacademy.org/index.asp | title = National Academy Museum and School of Fine Arts | accessdate = 2011-06-24 | last = National Academy Museum and School | year = 2010 | publisher = National Academy | url-status = dead | archiveurl = https://web.archive.org/web/20110429120934/http://www.nationalacademy.org/index.asp | archivedate = 2011-04-29 }}</ref>
John George Brown was born in [[Durham, England]] on November 11, 1831. His parents apprenticed him to the career of [[glazier|glass worker]] at the age of fourteen in an attempt to dissuade him from pursuing painting.<ref name="source a">{{cite book | last1 = Birmingham Museum of Art | title = Masterpieces East and West: from the Collection of the Birmingham Museum of Art | year = 1993 | location = Birmingham, Alabama | pages = 202 | url = http://www.birminghammuseumstore.org/masterpieces-east-amp-west-from-the-birmingham-museum-of-art.html | accessdate = 2011-07-16 | isbn = 0-931394-37-6 | archive-url = https://web.archive.org/web/20160314080526/http://www.birminghammuseumstore.org/masterpieces-east-amp-west-from-the-birmingham-museum-of-art.html | archive-date = 2016-03-14 | url-status = dead }}</ref> He studied nights at the School of Design in [[Newcastle-on-Tyne]] while working as a glass cutter there between 1849 and 1852 and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 and 1853.<ref>Maddox, Kenneth W., "Biography and Works: John George Brown," http://www.museothyssen.org/en/thyssen/ficha_artista/101</ref> After moving to [[New York City]] in 1853, he studied with [[Thomas Seir Cummings]] at the [[National Academy of Design]] where he was elected a National [[Academician]] in 1861. Brown was the Academy's vice-president from 1899 to 1904.<ref>{{cite web | url = http://www.nationalacademy.org/index.asp | title = National Academy Museum and School of Fine Arts | accessdate = 2011-06-24 | last = National Academy Museum and School | year = 2010 | publisher = National Academy | url-status = dead | archiveurl = https://web.archive.org/web/20110429120934/http://www.nationalacademy.org/index.asp | archivedate = 2011-04-29 }}</ref>


Around 1855, he worked for the owner of the Brooklyn Glass Company as a [[glassblower]], and later married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time.<ref name="source a" /> He established a studio in 1860 and, in 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904. Brown became famous for his idealized depictions of street urchins in New York ([[bootblack]]s, street musicians, posy sellers, [[newspaper hawker|newsboys]], etc.).<ref name="source 1">{{cite book | last1 = Birmingham Museum of Art | title = Birmingham Museum of Art: A Guide to the Collection | publisher = Giles | year = 2010 | location = London | pages = 129 | url = http://www.birminghammuseumstore.org/bmapu.html | accessdate = 2011-06-24 | isbn = 978-1-904832-77-5 | url-status = dead | archiveurl = https://web.archive.org/web/20110910171150/http://www.birminghammuseumstore.org/bmapu.html | archivedate = 2011-09-10 }}</ref>
Around 1855, he worked for the owner of the Brooklyn Glass Company as a [[glassblower]], and later married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time.<ref name="source a" /> He established a studio in 1860 and, in 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904.<ref name="EB1911">{{EB1911|inline=y|wstitle=Brown, John George|volume=4|page=661}}</ref> Brown became famous for his idealized depictions of street urchins in New York ([[bootblack]]s, street musicians, posy sellers, [[newspaper hawker|newsboys]], etc.).<ref name="source 1">{{cite book | last1 = Birmingham Museum of Art | title = Birmingham Museum of Art: A Guide to the Collection | publisher = Giles | year = 2010 | location = London | pages = 129 | url = http://www.birminghammuseumstore.org/bmapu.html | accessdate = 2011-06-24 | isbn = 978-1-904832-77-5 | url-status = dead | archiveurl = https://web.archive.org/web/20110910171150/http://www.birminghammuseumstore.org/bmapu.html | archivedate = 2011-09-10 }}</ref>


His ''Passing Show'' (Paris, Salon, 1877) and ''Street Boys at Play'' (Paris Exhibition, 1900) are good examples of his popular talent. Brown's art is best characterized as British genre paintings adapted to American subjects. Essentially literary, Brown's paintings are executed with precise detail, but poor in color, and more popular with the general public than with connoisseurs. His paintings were quite popular with wealthy collectors. Many of Brown's paintings were reproduced as lithographs and widely distributed with packaged teas. He also painted some landscapes, just for pleasure.
His ''Passing Show'' (Paris, Salon, 1877) and ''Street Boys at Play'' (Paris Exhibition, 1900) are good examples of his popular talent.<ref name="EB1911"/> Brown's art is best characterized as British genre paintings adapted to American subjects. Essentially literary, Brown's paintings are executed with precise detail, but poor in color, and more popular with the general public than with connoisseurs. His paintings were quite popular with wealthy collectors. Many of Brown's paintings were reproduced as lithographs and widely distributed with packaged teas. He also painted some landscapes, just for pleasure.

He died at his home in New York City on February 8, 1913.<ref>{{Cite news |url=https://www.newspapers.com/clip/47343847/famous-painter-is-dead-in-new-york/ |title=Famous Painter is Dead in New York |newspaper=[[San Francisco Chronicle]] |location=New York |page=33 |date=1913-02-09 |access-date=2020-03-25 |via=Newspapers.com}}</ref>


==Quotes==
==Quotes==
Line 16: Line 30:
*Brown was trying to capture the spirit of the street children as people who "pull themselves up by their bootstraps."<ref name="source 1" />
*Brown was trying to capture the spirit of the street children as people who "pull themselves up by their bootstraps."<ref name="source 1" />
*Many years later, Brown claimed that most of the street children he painted had grown to become successful businessmen.<ref name="source 1" />
*Many years later, Brown claimed that most of the street children he painted had grown to become successful businessmen.<ref name="source 1" />
*Brown claimed to bobbies, "I do not paint poor boys solely because the public likes such pictures and pays me for them, but because I love the boys myself, for I, too, was once a poor lad like them."
*Brown claimed to bobbies, "I do not paint poor boys solely because the public likes such pictures and pays me for them, but because I love the boys myself, for I, too, was once a poor lad like them."


==References==
==References==
{{reflist}}
{{reflist}}
*{{EB1911|wstitle=Brown, John George}}
*{{NIE}}
*{{NIE}}


==External links==
==External links==
{{Commonscat inline|John George Brown}}
{{Commons category-inline|John George Brown}}
{{EB1911 poster|Brown, John George}}
* [http://www.museumsyndicate.com/artist.php?artist=490 John George Brown at MuseumSyndicate]
* [http://www.museumsyndicate.com/artist.php?artist=490 John George Brown at MuseumSyndicate]
* [http://www.bedfordfineartgallery.com/john_george_brown.html Paintings by John George Brown]
* [http://www.bedfordfineartgallery.com/john_george_brown.html Paintings by John George Brown]
* {{Find a Grave|32252308}}


{{Authority control}}
{{Authority control}}

{{DEFAULTSORT:Brown, John George}}
{{DEFAULTSORT:Brown, John George}}
[[Category:1831 births]]
[[Category:1831 births]]
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[[Category:Burials at Green-Wood Cemetery]]
[[Category:Burials at Green-Wood Cemetery]]
[[Category:19th-century American painters]]
[[Category:19th-century American painters]]
[[Category:Artists from New York City]]
[[Category:Painters from New York City]]
[[Category:American male painters]]
[[Category:American male painters]]
[[Category:British emigrants to the United States]]
[[Category:British emigrants to the United States]]
[[Category:20th-century American painters]]
[[Category:20th-century American painters]]
[[Category:19th-century American male artists]]
[[Category:20th-century American male artists]]

Latest revision as of 16:10, 29 September 2024

For the environmentalist, see Kootenay Brown. For the Ontario politician, see John G. Brown.

John George Brown
BornNovember 11, 1831
Durham, England, U.K.
DiedFebruary 8, 1913 (1913-02-09) (aged 81)
New York City, New York, U.S.
StyleGenre art
Only A Nickel, Joe, 1906. Private collection.
The Cider Mill, 1880, Terra Foundation for American Art, Daniel J. Terra Collection
Three for Five, 1890, Birmingham Museum of Art, Birmingham, Alabama

John George Brown (November 11, 1831 – February 8, 1913) was a British citizen and an American painter who specialized in genre scenes.

Biography

[edit]

John George Brown was born in Durham, England on November 11, 1831. His parents apprenticed him to the career of glass worker at the age of fourteen in an attempt to dissuade him from pursuing painting.[1] He studied nights at the School of Design in Newcastle-on-Tyne while working as a glass cutter there between 1849 and 1852 and evenings at the Trustees Academy in Edinburgh while working at the Holyrood Glass Works between 1852 and 1853.[2] After moving to New York City in 1853, he studied with Thomas Seir Cummings at the National Academy of Design where he was elected a National Academician in 1861. Brown was the Academy's vice-president from 1899 to 1904.[3]

Around 1855, he worked for the owner of the Brooklyn Glass Company as a glassblower, and later married the daughter of his employer. His father-in-law encouraged his artistic abilities, supporting him financially, letting Brown pursue painting full-time.[1] He established a studio in 1860 and, in 1866, he became one of the charter members of the Water-Color Society, of which he was president from 1887 to 1904.[4] Brown became famous for his idealized depictions of street urchins in New York (bootblacks, street musicians, posy sellers, newsboys, etc.).[5]

His Passing Show (Paris, Salon, 1877) and Street Boys at Play (Paris Exhibition, 1900) are good examples of his popular talent.[4] Brown's art is best characterized as British genre paintings adapted to American subjects. Essentially literary, Brown's paintings are executed with precise detail, but poor in color, and more popular with the general public than with connoisseurs. His paintings were quite popular with wealthy collectors. Many of Brown's paintings were reproduced as lithographs and widely distributed with packaged teas. He also painted some landscapes, just for pleasure.

He died at his home in New York City on February 8, 1913.[6]

Quotes

[edit]
  • Wishing to more faithfully capture his subjects as they appeared in real life, Brown once said, "They will change their dress, as though to show the extent of their wardrobe. Being cautioned expressly on Saturday, and told to return in the same fustian jacket your boy will appear on Monday morning, if he appears at all, in a red woolen shirt. And they are constantly having their hair trimmed--perfect dandies!"[5]
  • Brown was trying to capture the spirit of the street children as people who "pull themselves up by their bootstraps."[5]
  • Many years later, Brown claimed that most of the street children he painted had grown to become successful businessmen.[5]
  • Brown claimed to bobbies, "I do not paint poor boys solely because the public likes such pictures and pays me for them, but because I love the boys myself, for I, too, was once a poor lad like them."

References

[edit]
  1. ^ a b Birmingham Museum of Art (1993). Masterpieces East and West: from the Collection of the Birmingham Museum of Art. Birmingham, Alabama. p. 202. ISBN 0-931394-37-6. Archived from the original on March 14, 2016. Retrieved July 16, 2011.{{cite book}}: CS1 maint: location missing publisher (link)
  2. ^ Maddox, Kenneth W., "Biography and Works: John George Brown," http://www.museothyssen.org/en/thyssen/ficha_artista/101
  3. ^ National Academy Museum and School (2010). "National Academy Museum and School of Fine Arts". National Academy. Archived from the original on April 29, 2011. Retrieved June 24, 2011.
  4. ^ a b  One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Brown, John George". Encyclopædia Britannica. Vol. 4 (11th ed.). Cambridge University Press. p. 661.
  5. ^ a b c d Birmingham Museum of Art (2010). Birmingham Museum of Art: A Guide to the Collection. London: Giles. p. 129. ISBN 978-1-904832-77-5. Archived from the original on September 10, 2011. Retrieved June 24, 2011.
  6. ^ "Famous Painter is Dead in New York". San Francisco Chronicle. New York. February 9, 1913. p. 33. Retrieved March 25, 2020 – via Newspapers.com.
[edit]

Media related to John George Brown at Wikimedia Commons

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