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{{Use dmy dates|date=April 2013}}
{{Use dmy dates|date=February 2022}}
{{Use British English|date=February 2013}}
{{Use British English|date=February 2013}}
{{Good article}}
{{Infobox Doctor Who episode
{{Infobox Doctor Who episode
| number = 237
| number = 237
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| type = episode
| type = episode
| image = [[File:Doctor Who The Crimson Horror.jpg|275px]]
| image = [[File:Doctor Who The Crimson Horror.jpg|275px]]
| caption = Official poster
| caption = Promotional poster
| doctor = [[Matt Smith]] – [[Eleventh Doctor]]
| doctor = [[Matt Smith]] – [[Eleventh Doctor]]
| companion = [[Jenna Coleman|Jenna-Louise Coleman]] – [[Clara Oswald]]
| companion = [[Jenna Coleman|Jenna-Louise Coleman]] – [[Clara Oswald]]
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*[[Brendan Patricks]] – Edmund & Mr Thursday
*[[Brendan Patricks]] – Edmund & Mr Thursday
*Graham Turner – Amos
*Graham Turner – Amos
*Scott Stevenson - Dipped Man
*Scott Stevenson Dipped Man
*[[Olivia Vinall]] – Effie
*[[Olivia Vinall]] – Effie
*Michelle Tate – Abigail
*Michelle Tate – Abigail
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| director = [[Saul Metzstein]]
| director = [[Saul Metzstein]]
| writer = [[Mark Gatiss]]
| writer = [[Mark Gatiss]]
| producer = Marcus Wilson<ref name="programme info">{{cite web|url=https://www.bbc.co.uk/mediacentre/proginfo/2013/19/doctor-who-PI-week-19.html|title=Doctor Who - The Crimson Horror|publisher=[[BBC]]|accessdate=5 May 2013}}</ref>
| producer = Marcus Wilson<ref name="programme info">{{cite web|url=https://www.bbc.co.uk/mediacentre/proginfo/2013/19/doctor-who-PI-week-19.html|title=Doctor Who The Crimson Horror|publisher=[[BBC]]|access-date=5 May 2013|archive-url=https://web.archive.org/web/20130810071613/https://www.bbc.co.uk/mediacentre/proginfo/2013/19/doctor-who-PI-week-19.html|archive-date=10 August 2013}}</ref>
| executive_producer = {{Plainlist|
| executive_producer = {{Plainlist|
* Steven Moffat
* Steven Moffat
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}}
}}


"'''The Crimson Horror'''" is the eleventh episode of the [[Doctor Who (series 7)|seventh series]] of the British science-fiction drama ''[[Doctor Who]]''. It was written by [[Mark Gatiss]] and directed by [[Saul Metzstein]],<ref name="accumulator">{{cite web|url=http://www.sfx.co.uk/2013/03/19/doctor-who-series-7-news-accumulator-4/|title=Doctor Who Series 7 News Accumulator|work=[[SFX (magazine)|SFX]]|date=19 March 2013|accessdate=19 March 2013}}</ref> and was first broadcast on [[BBC One]] on 4 May 2013.
"'''The Crimson Horror'''" is the eleventh episode of the [[Doctor Who (series 7)|seventh series]] of the British science-fiction drama ''[[Doctor Who]]''. It was written by [[Mark Gatiss]] and directed by [[Saul Metzstein]],<ref name="accumulator">{{cite web|url=http://www.sfx.co.uk/2013/03/19/doctor-who-series-7-news-accumulator-4/|title=Doctor Who Series 7 News Accumulator|work=[[SFX (magazine)|SFX]]|date=19 March 2013|access-date=19 March 2013|archive-url=https://web.archive.org/web/20130325072605/http://www.sfx.co.uk/2013/03/19/doctor-who-series-7-news-accumulator-4/|archive-date=25 March 2013}}</ref> and was first broadcast on [[BBC One]] on 4 May 2013. It marks the 100th episode, including specials, since [[List of Doctor Who episodes (2005–present)|the return of ''Doctor Who'']] on 26 March 2005.<ref>{{cite web |title=Doctor Who series 7: The Crimson Horror review |first=Simon |last=Brew |date=4 May 2013 |work=[[Den of Geek]] |url=https://www.denofgeek.com/tv/doctor-who-series-7-the-crimson-horror-review/ |access-date=1 October 2022 |archive-url=https://web.archive.org/web/20221001101721/https://www.denofgeek.com/tv/doctor-who-series-7-the-crimson-horror-review/ |archive-date=1 October 2022 |url-status=live}}</ref>


The first half of the episode focuses on the [[Victorian-era]] detectives [[Madame Vastra]] ([[Neve McIntosh]]) and [[Jenny Flint]] ([[Catrin Stewart]]), and their alien butler [[Madame Vastra, Jenny Flint, and Strax|Strax]] ([[Dan Starkey (actor)|Dan Starkey]]), who find and rescue their missing friend, the alien [[Time travel in fiction|time traveller]] [[Eleventh Doctor|the Doctor]] ([[Matt Smith]]), in 1893 Yorkshire. The second half involves the team joining with the Doctor and his [[Companion (Doctor Who)|companion]] [[Clara Oswald]] ([[Jenna-Louise Coleman]]) to prevent a plot by the chemist and engineer Mrs Gillyflower ([[Diana Rigg]]) from starting a new world by wiping out all of humanity apart from a community selected by her. The episode was watched by 6.47 million viewers in the United Kingdom and received generally positive reviews from critics. The episode is the 100th episode since the reboot back in 2005.
Set in 1893 Yorkshire, the episode features the [[Victorian-era]] detectives [[Madame Vastra]] ([[Neve McIntosh]]), [[Jenny Flint]] ([[Catrin Stewart]]), and their alien butler [[Madame Vastra, Jenny Flint, and Strax|Strax]] ([[Dan Starkey (actor)|Dan Starkey]]). The first half of the episode focuses on the detectives' search for their missing friend, the alien [[Time travel in fiction|time traveller]] [[Eleventh Doctor|the Doctor]] ([[Matt Smith]]).
In the second half, they team up with the Doctor and his [[Companion (Doctor Who)|companion]] [[Clara Oswald]] ([[Jenna-Louise Coleman]]) to prevent a plot by the chemist and engineer Mrs Gillyflower ([[Diana Rigg]]), who wishes to start a new world by wiping out all of humanity, apart from a community she deems as being "perfect".

The episode was the third appearance of Vastra, Jenny, and Strax – informally referred to as the "Paternoster Gang" – and was conceived as a pseudo-spinoff for the characters. The episode also included numerous [[Homage (arts)|homages]] in tone to Rigg's work in the British TV show ''[[The Avengers (TV series)|The Avengers]]'', specifically referencing Rigg's character in the show, [[Emma Peel]]. The episode was watched by 6.47 million viewers in the United Kingdom and received generally positive reviews from critics.


==Plot==
==Plot==


===Synopsis===
===Synopsis===
In 1893, [[Silurian (Doctor Who)|Silurian]] [[Madame Vastra]], her human wife [[Jenny Flint]], and their [[Sontaran]] butler [[Madame Vastra, Jenny Flint, and Strax|Strax]] are asked to investigate the "Crimson Horror", a mysterious cause of death in which victims are found dumped in the canal with bright red skin. The latest victim, Edmund, has the image of the [[Eleventh Doctor]] retained in his retina. Vastra, Jenny, and Strax travel to Yorkshire, where Jenny infiltrates Sweetville, a utopian community led by chemist and engineer Mrs Gillyflower and the never-seen Mr Sweet.
In 1893, [[Silurian (Doctor Who)|Silurian]] [[Madame Vastra]], her human wife [[Jenny Flint]], and their [[Sontaran]] butler [[Madame Vastra, Jenny Flint, and Strax|Strax]] are asked to investigate a mysterious cause of death known as the "Crimson Horror", the victims of which are found dumped in the canal with bright red skin. The latest victim, Edmund, has the image of the [[Eleventh Doctor]] retained in his retina. Vastra, Jenny, and Strax travel to Yorkshire, where Jenny infiltrates Sweetville, a utopian community led by chemist and engineer Mrs Gillyflower and the never-seen Mr Sweet.


[[File:Mrs Gillyflower and Mr Sweet from The Crimson Horror (10634871713).jpg|thumb|left|Mrs Gillyflower's costume, Mr. Sweet and the controls to launch the rocket, as shown at the Doctor Who Experience.]]
[[File:Mrs Gillyflower and Mr Sweet from The Crimson Horror (10634871713).jpg|thumb|left|Mrs Gillyflower's costume, Mr. Sweet and the controls to launch the rocket, as shown at the [[Doctor Who Experience]].]]
Jenny discovers the Doctor, who is chained up and exhibits red skin and a stiff stature. At his silent direction she puts him into a chamber to reverse the process. Once restored, he explains to Jenny that he and [[Clara Oswald|Clara]] were also investigating the Crimson Horror. They had also infiltrated Sweetville, but learned that they were to be preserved to survive an apocalypse. The process did not work on the Doctor because he was not human, and he was saved from being destroyed when Mrs Gillyflower's blind daughter Ada had hidden him. The Doctor finds Clara and reverses the process on her. Meanwhile, Vastra recognises that Sweetville is using the venom of a prehistoric red leech her people knew. The Doctor and Clara confront Mrs Gillyflower, who reveals that she plans to launch a rocket to spread the poison all over the skies; everyone on Earth will die except everyone who lives in Sweetville, who will then start over to make a better world. "Mr Sweet" is also revealed to be a red leech from Vastra's prehistoric times that has formed a [[Symbiosis|symbiotic]] relationship with Mrs Gillyflower. The Doctor berates Mrs Gillyflower for experimenting on Ada to get the preservation formula right. Clara smashes the controls to the rocket. However, Mrs Gillyflower holds a gun to Ada's head and heads into the rocket silo, which has been disguised as a chimney, to reach the secondary control.
Jenny discovers the Doctor, who is chained up and exhibits red skin and a stiff stature. At his silent direction she puts him into a chamber to reverse the process. Once restored, he explains to Jenny that he and [[Clara Oswald|Clara]] were also investigating the Crimson Horror. They had also infiltrated Sweetville, but learned that they were to be preserved to survive an apocalypse. The process did not work on the Doctor because he was not human, and he was saved from being destroyed by Gillyflower when her blind daughter Ada had hidden him. The Doctor finds Clara and reverses the process on her.


Meanwhile, Vastra recognises that Sweetville is using the venom of a prehistoric red leech her people knew. The Doctor and Clara confront Mrs Gillyflower, who reveals that she plans to launch a rocket to spread the poison all over the skies; everyone on Earth will die except the people living in Sweetville, who will then start over to make a better world. "Mr Sweet" is also revealed to be a red leech from Vastra's prehistoric times that has formed a [[Symbiosis|symbiotic]] relationship with Mrs Gillyflower. The Doctor berates Mrs Gillyflower for experimenting on Ada to get the preservation formula right. Clara smashes the controls to the rocket. However, Mrs Gillyflower holds a gun to Ada's head and heads into the rocket silo, which has been disguised as a chimney, to reach the secondary control.
Mrs Gillyflower launches the rocket, but Vastra and Jenny have already removed the red leech poison from it, rendering it worthless. Strax shoots at Mrs Gillyflower to stop her from killing the others, causing her to stumble backwards off the stairs, through the banister, and die. Ada kills Mr Sweet with her cane, causing a foul, slimy green goo to spurt out. When Clara returns home, she finds the two children that she babysits for, Angie and Artie, have discovered photos of Clara from the past on the Internet. They force her to take them on a trip.


Mrs Gillyflower launches the rocket, but Vastra and Jenny have already removed the red leech poison from it, rendering it worthless. Strax shoots at Mrs Gillyflower to stop her from killing the others, causing her to tumble over the stair railing and fall to her death. Ada kills Mr Sweet with her cane. When Clara returns home, she finds that the two children that she babysits for, Angie and Artie, have discovered photos of Clara from her trips to the past on the TARDIS on the Internet. They force her to take them on a trip in the TARDIS.
===Continuity===
When the Doctor arrives in Yorkshire, he mentions to Clara that he once spent ages trying to get a "gobby Australian" to [[Heathrow Airport]], a reference to the [[Fifth Doctor| Fifth Doctor's]] companion [[Tegan Jovanka]] and his efforts to get her back to Heathrow from ''[[Four to Doomsday]]'' to ''[[Time-Flight]]'' (1982).<ref name=FourthDimension>{{cite web|url=https://www.bbc.co.uk/programmes/b01sfhyp/features/the-crimson-horror-the-fourth-dimension|title=The Fourth Dimension: The Crimson Horror|publisher=BBC|accessdate=4 May 2013}}</ref> Further reference to Tegan is made when the Doctor tells Clara, "Brave heart, Clara," a phrase he often used when talking to Tegan.<ref name=FourthDimension />


===Continuity===
In the flashback sequence, the Doctor says that the Romani people believe that the last image a dead person sees is retained on the retina. This is similar to a version that the [[Fourth Doctor]] tells the crew of Nerva Beacon just before he connects his mind to the retina of the dead Wirrn in ''[[The Ark in Space]]'' (1975).<ref name=FourthDimension />
When the Doctor arrives in Yorkshire, he mentions to Clara that he once spent ages trying to get a "gobby Australian" to [[Heathrow Airport]], a reference to the [[Fifth Doctor| Fifth Doctor's]] companion [[Tegan Jovanka]] and his efforts to get her back to Heathrow from ''[[Four to Doomsday]]'' to ''[[Time-Flight]]'' (1982).<ref name=FourthDimension>{{cite web|url=https://www.bbc.co.uk/programmes/articles/rG4WFM8XC1PdPhVbMt1dG7/the-fourth-dimension|title=The Fourth Dimension: The Crimson Horror|publisher=BBC|access-date=4 May 2013|archive-date=13 October 2018|archive-url=https://web.archive.org/web/20181013235432/http://www.bbc.co.uk/programmes/articles/rG4WFM8XC1PdPhVbMt1dG7/the-fourth-dimension|url-status=live}}</ref> Further reference to Tegan is made when the Doctor tells Clara, "Brave heart, Clara," a phrase he often used when talking to Tegan.<ref name=FourthDimension />


Upon arriving home, Clara discovers that the children she looks after have found historical photographs of her from 1974 ("[[Hide (Doctor Who)|Hide]]") and 1983 ("[[Cold War (Doctor Who)|Cold War]]"). They also found an 1892 photo of Clara Oswin Oswald / Miss Montague ("[[The Snowmen]]"), whom they assume to be ''their'' Clara. Clara doesn't recognise this one at all.
In the flashback sequence, the Doctor says that the Romani people believe that the last image a dead person sees is retained on the retina. This is similar to a version that the [[Fourth Doctor]] tells the crew of Nerva Beacon just before he connects his mind to the dead Wirrn in ''[[The Ark in Space]]'' (1975).<ref name=FourthDimension /> Upon arriving home, Clara discovers that the children she looks after have found historical photographs of her from 1974 ("[[Hide (Doctor Who)|Hide]]") and 1983 ("[[Cold War (Doctor Who)|Cold War]]"). They also find an 1892 photo of Clara Oswin Oswald / Miss Montague ("[[The Snowmen]]"), whom they assume to be ''their'' Clara, who does not recognise it.<ref name=FourthDimension />


==Production==
==Production==
===Writing===
"The Crimson Horror" saw the return of Vastra, Jenny, and Strax from "[[The Snowmen]]". Executive producer [[Steven Moffat]] told ''[[Radio Times]]'' that the story would be from their point of view, for the audience "to see them tackle a case of their own, and stumble across the Doctor's path, quite accidentally".<ref name="accumulator"/><ref>{{cite journal| last=Moffat | first=Steven | date=30 March – 5 April 2013 |journal=[[Radio Times]]|title=none|publisher=[[Immediate Media Company]]}}</ref> Moffat had planned to write the episode from the trio's point of view himself, but he realised he would not be able to and called his "old friend" [[Mark Gatiss]].<ref>{{cite web|url=http://www.bbcamerica.com/doctor-who/videos/steven-moffat-on-the-crimson-horror/|title=Steven Moffat on 'The Crimson Horror'|publisher=[[BBC America]]|format=Video|date=6 May 2013|accessdate=7 May 2013}}</ref>
"The Crimson Horror" saw the return of Vastra, Jenny, and Strax from "[[The Snowmen]]". Executive producer [[Steven Moffat]] told ''[[Radio Times]]'' that the story would be from their point of view, for the audience "to see them tackle a case of their own, and stumble across the Doctor's path, quite accidentally".<ref name="accumulator"/><ref>{{cite journal| last=Moffat | first=Steven | date=30 March – 5 April 2013 |journal=[[Radio Times]]|title=none|publisher=[[Immediate Media Company]]}}</ref> Moffat had planned to write the episode from the trio's point of view himself, but he realised he would not be able to and called his "old friend" [[Mark Gatiss]].<ref>{{cite web|url=http://www.bbcamerica.com/doctor-who/videos/steven-moffat-on-the-crimson-horror/|title=Steven Moffat on 'The Crimson Horror'|work=[[BBC America]]|format=Video|date=6 May 2013|access-date=7 May 2013|archive-date=11 May 2013|archive-url=https://web.archive.org/web/20130511014223/http://www.bbcamerica.com/doctor-who/videos/steven-moffat-on-the-crimson-horror/|url-status=dead}}</ref> The initial pitch of the episode was "almost a Paternoster gang spinoff", featuring the author of the [[Sherlock Holmes]] books, Sir [[Arthur Conan Doyle]]. However, when Gatiss could not find a way to give Doyle a significant enough role in the story, his appearance was cut. The antagonist of the episode was originally intended to be "mummies" that were "all in black, sort of like [[Scottish Widows|Scottish widows]]", inspired by sufferers of the [[Phossy jaw]] condition.<ref name="GatissRadioTimes">{{Cite web|url=https://www.radiotimes.com/tv/sci-fi/mark-gatiss-crimson-horror-target-big-rt-interivew/|title=Mark Gatiss on revisiting Doctor Who's The Crimson Horror and its surprising links to Sherlock Holmes and Dracula|date=14 March 2021|first1=Morgan|last1=Jeffery|access-date=14 November 2021|work=Radio Times|archive-date=14 November 2021|archive-url=https://web.archive.org/web/20211114230244/https://www.radiotimes.com/tv/sci-fi/mark-gatiss-crimson-horror-target-big-rt-interivew/|url-status=live}}</ref>


The episode was specially written for mother and daughter [[Diana Rigg]] and [[Rachael Stirling]].<ref name="telegraph casting">{{cite news|first=Daisy|last=Bowie-Sell|url=https://www.telegraph.co.uk/culture/tvandradio/doctor-who/9370201/Diana-Rigg-cast-opposite-her-daughter-in-Doctor-Who.html|title=Diana Rigg cast opposite her daughter in Doctor Who|work=[[The Daily Telegraph]]|date=2 July 2012|accessdate=24 March 2013}}</ref> It was the first time the two had worked together on screen.<ref name="telegraph casting"/> Gatiss had worked on a play with Stirling, who mentioned that she and Rigg had never appeared in something together, and Gatiss offered to "tailor" them into his ''Doctor Who'' episode, for which he had devised the basic premise.<ref name="RT Gatiss">{{cite web|first=Patrick|last=Mulkern|url=http://www.radiotimes.com/news/2013-04-28/doctor-who-mark-gatiss-sets-the-scene-for-the-crimson-horror|title=Doctor Who: Mark Gatiss sets the scene for The Crimson Horror|work=[[Radio Times]]|date=28 April 2013|accessdate=28 April 2013}}</ref> Stirling said that Gatiss had written "an on-screen relationship between Ma and I that is truly delicious. We have never before worked together because the offers have not been tempting, but when such a funny and original script comes through you know the time has come."<ref name="SFX casting">{{cite web|first=Dave|last=Golder|url=http://www.sfx.co.uk/2012/07/02/doctor-who-series-7-diana-rigg-to-guest-star/|title=Doctor Who Series 7: Diana Rigg to Guest Star|work=[[SFX (magazine)|SFX]]|date=2 July 2012|accessdate=24 March 2013}}</ref> Gatiss stated that he wanted to write "a properly northern Who" and revealed that Rigg was able to use her native [[Doncaster]] accent for the first time.<ref name="RT Gatiss"/> He also included numerous [[Homage (arts)|homages]] to Rigg's work in the British TV show ''[[The Avengers (TV series)|The Avengers]]'': a similar over-the-top melodramatic tone ("The wrong hands!"); an eccentric English woman bent on destroying the entire world; and Jenny fighting the henchmen hand-to-hand in a leather catsuit that was a trademark of Rigg's [[Emma Peel]] from almost a half-century ago.{{cn|date=April 2020}}
The episode was specially written for mother and daughter [[Diana Rigg]] and [[Rachael Stirling]].<ref name="telegraph casting">{{cite news|first=Daisy|last=Bowie-Sell|url=https://www.telegraph.co.uk/culture/tvandradio/doctor-who/9370201/Diana-Rigg-cast-opposite-her-daughter-in-Doctor-Who.html|title=Diana Rigg cast opposite her daughter in Doctor Who|work=[[The Daily Telegraph]]|date=2 July 2012|access-date=24 March 2013|archive-date=9 August 2013|archive-url=https://web.archive.org/web/20130809100526/http://www.telegraph.co.uk/culture/tvandradio/doctor-who/9370201/Diana-Rigg-cast-opposite-her-daughter-in-Doctor-Who.html|url-status=live}}</ref> It was the first time the two had worked together on screen.<ref name="telegraph casting"/> Gatiss had worked on a play with Stirling, who mentioned that she and Rigg had never appeared in something together, and Gatiss offered to "tailor" them into his ''Doctor Who'' episode, for which he had devised the basic premise.<ref name="RT Gatiss">{{cite web|first=Patrick|last=Mulkern|url=http://www.radiotimes.com/news/2013-04-28/doctor-who-mark-gatiss-sets-the-scene-for-the-crimson-horror|title=Doctor Who: Mark Gatiss sets the scene for The Crimson Horror|work=[[Radio Times]]|date=28 April 2013|access-date=28 April 2013|archive-date=1 May 2013|archive-url=https://web.archive.org/web/20130501072901/http://www.radiotimes.com/news/2013-04-28/doctor-who-mark-gatiss-sets-the-scene-for-the-crimson-horror|url-status=live}}</ref> Stirling said that Gatiss had written "an on-screen relationship between Ma and I that is truly delicious. We have never before worked together because the offers have not been tempting, but when such a funny and original script comes through you know the time has come."<ref name="SFX casting">{{cite web|first=Dave|last=Golder|url=http://www.sfx.co.uk/2012/07/02/doctor-who-series-7-diana-rigg-to-guest-star/|title=Doctor Who Series 7: Diana Rigg to Guest Star|work=[[SFX (magazine)|SFX]]|date=2 July 2012|access-date=24 March 2013|archive-url=https://web.archive.org/web/20130927154155/http://www.sfx.co.uk/2012/07/02/doctor-who-series-7-diana-rigg-to-guest-star/|archive-date=27 September 2013}}</ref> Gatiss stated that he wanted to write "a properly northern Who" and revealed that Rigg was able to use her native [[Doncaster]] accent for the first time.<ref name="RT Gatiss"/>


===Filming===
The episode began filming the week of 2 July 2012,<ref name="SFX casting"/> with location filming done in [[Bute Town]], [[Caerphilly]] and [[Tonyrefail]].<ref name="SFX filming">{{cite web|url=http://www.sfx.co.uk/2012/07/03/doctor-who-series-7-diana-rigg-filming-pics/|title=Doctor Who Series 7: Diana Rigg Filming Pics|work=[[SFX (magazine)|SFX]]|date=3 July 2012|accessdate=24 March 2013}}</ref>
The [[read-through]] for "The Crimson Horror" took place on 28 June 2012, with filming beginning on 2 July.<ref name="FourthDimension"/> Location filming occurred in [[Bute Town]], [[Caerphilly]] and [[Tonyrefail]].<ref name="SFX filming">{{cite web|url=http://www.sfx.co.uk/2012/07/03/doctor-who-series-7-diana-rigg-filming-pics/|title=Doctor Who Series 7: Diana Rigg Filming Pics|work=[[SFX (magazine)|SFX]]|date=3 July 2012|access-date=24 March 2013|archive-url=https://web.archive.org/web/20120706033344/http://www.sfx.co.uk/2012/07/03/doctor-who-series-7-diana-rigg-filming-pics/|archive-date=6 July 2012}}</ref> The scenes shot in the Sweetville streets were shot around the BBC's [[Cardiff]] studios. Production Designer Michael Pickwoad emphasised that the street had to be "almost too perfect" to demonstrate how the influence of Mrs. Gillyflower had corrupted it from within.<ref name="FourthDimension"/>


==Broadcast and reception==
==Broadcast and reception==
===Broadcast===
"The Crimson Horror" was first broadcast in the United Kingdom on [[BBC One]] on 4 May 2013.<ref name="programme info"/> Overnight ratings showed that it was watched by 4.61 million viewers live. The final consolidated rating was 6.47 million viewers, making it the lowest rated story of the season.<ref>{{cite web|first=Dave|last=Golder|url=http://www.sfx.co.uk/2013/05/05/doctor-who-the-crimson-horror-overnight-ratings/|title=Doctor Who "The Crimson Horror" Overnight Ratings|work=[[SFX (magazine)|SFX]]|date=5 May 2013|accessdate=5 May 2013}}</ref> It received an [[Appreciation Index]] of 85.<ref>{{cite web|url=http://www.doctorwhonews.net/2013/05/the-crimson-horror-ai85.html|title=The Crimson Horror AI:85|publisher=[[Doctor Who News Page]]|date=6 May 2013|accessdate=6 May 2013}}</ref>
{{TV ratings
<!-- Reviewers -->
| rev1 = ''[[The Daily Telegraph]]''
| rev1Score = {{rating|5|5}}<ref name="telegraph">{{cite news|first=Ben|last=Lawrence|url=https://www.telegraph.co.uk/culture/tvandradio/doctor-who/10036239/Doctor-Who-The-Crimson-Horror.html|title=Doctor Who: The Crimson Horror|work=[[The Daily Telegraph]]|date=4 May 2013|access-date=5 May 2013|archive-date=6 May 2013|archive-url=https://web.archive.org/web/20130506101805/http://www.telegraph.co.uk/culture/tvandradio/doctor-who/10036239/Doctor-Who-The-Crimson-Horror.html|url-status=live}}</ref>
| rev2 = ''[[The A.V. Club]]''
| rev2Score =A-<ref name="av club">{{cite web |last=Wilkins |first=Alasdair |title=Doctor Who: "The Crimson Horror" |url=https://www.avclub.com/doctor-who-the-crimson-horror-1798176705 |website=[[The A.V. Club]] |date=4 May 2013 |access-date=24 November 2021 |archive-date=24 November 2021 |archive-url=https://web.archive.org/web/20211124191209/https://www.avclub.com/doctor-who-the-crimson-horror-1798176705 |url-status=live }}</ref>
| rev3 = ''[[Radio Times]]''
| rev3Score = {{rating|5|5}}<ref name= "RadioTimesReview">{{cite web|first=Patrick|last=Mulkern|url=https://www.radiotimes.com/tv/sci-fi/doctor-who-guide/the-crimson-horror/|title=Doctor Who: The Crimson Horror|work=[[Radio Times]]|date=4 May 2013|access-date=5 May 2013|archive-date=6 March 2021|archive-url=https://web.archive.org/web/20210306092354/https://www.radiotimes.com/tv/sci-fi/doctor-who-guide/the-crimson-horror/|url-status=live}}</ref>
| rev4 = ''[[IGN]]''
| rev4Score = 8.7<ref name="IGN">{{cite web|first=Mark|last=Snow|url=http://www.ign.com/articles/2013/05/05/doctor-who-the-crimson-horror-review|title=The Doctor Heads Back to 19th Century Yorkshire for an Episode That's Penned by Mark Gatiss|work=[[IGN]]|date=4 May 2013|access-date=5 May 2013|archive-date=7 May 2013|archive-url=https://web.archive.org/web/20130507110558/http://www.ign.com/articles/2013/05/05/doctor-who-the-crimson-horror-review|url-status=live}}</ref>
| rev5 = ''[[SFX (magazine)|SFX]]''
| rev5Score = {{rating|4|5}}<ref name="SFX">{{cite web|first=Nick|last=Setchfield|url=http://www.sfx.co.uk/2013/05/04/doctor-who-7-11-the-crimson-horror-review/|title=Doctor Who 7.11 "The Crimson Horror" Review|work=[[SFX (magazine)|SFX]]|date=4 May 2013|access-date=5 May 2013|archive-url= https://web.archive.org/web/20130509051333/http://www.sfx.co.uk/2013/05/04/doctor-who-7-11-the-crimson-horror-review/|archive-date=9 May 2013}}</ref>
}}

"The Crimson Horror" was first broadcast in the United Kingdom on [[BBC One]] on 4 May 2013.<ref name="programme info"/> Overnight ratings showed that it was watched by 4.61 million viewers live. The final consolidated rating was 6.47 million viewers, making it the lowest rated story of the season.<ref name="AllRatings">{{cite web|title=Ratings Guide|url=http://guide.doctorwhonews.net/info.php?detail=ratings&type=date|website=Doctor Who News|access-date=27 December 2014|archive-url=https://web.archive.org/web/20151018011335/http://guide.doctorwhonews.net/info.php?detail=ratings&type=date|archive-date=18 October 2015|url-status=live}}</ref> It received an [[Appreciation Index]] of 85.<ref>{{cite web|url=http://www.doctorwhonews.net/2013/05/the-crimson-horror-ai85.html|title=The Crimson Horror AI:85|work=[[Doctor Who News Page]]|date=6 May 2013|access-date=6 May 2013|archive-date=7 May 2013|archive-url=https://web.archive.org/web/20130507112634/http://www.doctorwhonews.net/2013/05/the-crimson-horror-ai85.html|url-status=live}}</ref>


===Critical reception===
===Critical reception===
"The Crimson Horror" received generally positive reviews from critics. Ben Lawrence of ''[[The Daily Telegraph]]'' gave the episode five out of five stars, writing that it "crammed in idea after idea while still maintaining a terrific, breezy pace and delivering a fantastically satisfying story". He praised the way the Doctor and Clara did not enter the episode for fifteen minutes, which cut down on the amount of exposition.<ref name="telegraph">{{cite news|first=Ben|last=Lawrence|url=https://www.telegraph.co.uk/culture/tvandradio/doctor-who/10036239/Doctor-Who-The-Crimson-Horror.html|title=Doctor Who: The Crimson Horror|work=[[The Daily Telegraph]]|date=4 May 2013|accessdate=5 May 2013}}</ref> ''[[The Guardian]]'' reviewer Dan Martin was positive towards the way the episode played with genre and form, saying that it "was as demented and creepy as the show should always be".<ref name="guardian">{{cite web|first=Dan|last=Martin|url=https://www.theguardian.com/tv-and-radio/2013/may/04/doctor-who-hide-series-33-episode-11|title=Doctor Who: Journey to the Centre of the Tardis – series 33, episode 11|work=[[The Guardian]]|date=4 May 2013|accessdate=5 May 2013}}</ref> Neela Debnath, writing for ''[[The Independent]]'', said that the episode had a "great plot to match the gigantic scale".<ref name="independent">{{cite web|first=Neela|last=Debnath|url=http://blogs.independent.co.uk/2013/05/04/review-of-doctor-who-the-crimson-horror-–-series-7-episode-11/|title=Doctor Who 'The Crimson Horror' - Series 7, episode 11|work=[[The Independent]]|date=4 May 2013|accessdate=7 May 2013}}</ref>
"The Crimson Horror" received generally positive reviews from critics. Ben Lawrence of ''[[The Daily Telegraph]]'' gave the episode five out of five stars, writing that it "crammed in idea after idea while still maintaining a terrific, breezy pace and delivering a fantastically satisfying story". He praised the way the Doctor and Clara did not enter the episode for fifteen minutes, which cut down on the amount of exposition.<ref name="telegraph"/> ''[[The Guardian|Guardian]]'' reviewer Dan Martin was positive towards the way the episode played with genre and form, saying that it "was as demented and creepy as the show should always be".<ref name="guardian">{{cite web|first=Dan|last=Martin|url=https://www.theguardian.com/tv-and-radio/2013/may/04/doctor-who-hide-series-33-episode-11|title=Doctor Who: The Crimson Horror – series 33, episode 11|work=[[The Guardian]]|date=4 May 2013|access-date=5 May 2013|archive-date=6 November 2013|archive-url=https://web.archive.org/web/20131106041259/http://www.theguardian.com/tv-and-radio/2013/may/04/doctor-who-hide-series-33-episode-11|url-status=live}}</ref> Alasdair Wilkins of ''[[The A.V. Club]]'' described ''The Crimson Horror'' as a "fun episode" and a "romp", praising Stirling's performance and the episode's lighthearted tone. He too praised the episode's stylistic choices, also enjoying the decision to not have the Doctor or Clara appear until later in the episode.<ref name="av club"/>


Patrick Mulkern of ''[[Radio Times]]'' wrote that it had "decent mystery, a logical plot, a dollop of camp but perhaps most rewarding of all it's a ''[[danse macabre]]''". He noted that the episode had "more than a dash of ''[[The Avengers (TV series)|The Avengers]]"'', in which Rigg is famous for starring.<ref>{{cite web|first=Patrick|last=Mulkern|url=http://www.radiotimes.com/news/2013-05-04/doctor-who-the-crimson-horror-review--a-hugely-entertaining-mystery-with-a-dollop-of-camp|title=Doctor Who: The Crimson Horror review – a hugely entertaining mystery with a dollop of camp|work=[[SFX (magazine)|SFX]]|date=4 May 2013|accessdate=5 May 2013}}</ref> [[IGN]]'s Mark Snow gave "The Crimson Horror" a rating of 8.7 out of 10, calling it "the best yet" of this half of the season. He praised the humour and style, and commented, "the threat was never truly looming, nor was the scale as grand or epic as its recent predecessors, but that also meant that for once there was just enough story to fit into one sole episode".<ref>{{cite web|first=Mark|last=Snow|url=http://www.ign.com/articles/2013/05/05/doctor-who-the-crimson-horror-review|title=The Doctor Heads Back to 19th Century Yorkshire for an Episode That's Penned by Mark Gatiss|date=4 May 2013|accessdate=5 May 2013}}</ref> ''[[SFX (magazine)|SFX]]'' reviewer Nick Setchfield gave the episode four out of five stars, describing it as a "sufficiently sure-footed to waltz right to the brink of parody and no further". While he praised Rigg, he said that Stirling had "the stand-out performance".<ref name="SFX">{{cite web|first=Nick|last=Setchfield|url=http://www.sfx.co.uk/2013/05/04/doctor-who-7-11-the-crimson-horror-review/|title=Doctor Who 7.11 "The Crimson Horror" Review|work=[[SFX (magazine)|SFX]]|date=4 May 2013|accessdate=5 May 2013}}</ref> [[Digital Spy]]'s Morgan Jeffery was more critical, giving the episode two out of five stars. He remarked that it felt like "filler" and criticised Rigg's character for being scripted as "an over-the-top cackling crone". However, he praised the emotional depth added by Stirling's character and the direction.<ref>{{cite web|first=Morgan|last=Jeffery|url=http://www.digitalspy.com/british-tv/s7/doctor-who/recaps/a477901/doctor-who-new-episode-the-crimson-horror-review.html|title='Doctor Who': New episode 'The Crimson Horror' review|publisher=[[Digital Spy]]|date=4 May 2013|accessdate=5 May 2013}}</ref>
Patrick Mulkern of ''[[Radio Times]]'' wrote that it had "decent mystery, a logical plot, a dollop of camp but perhaps most rewarding of all it's a ''[[danse macabre]]''". He noted that the episode had "more than a dash of ''[[The Avengers (TV series)|The Avengers]]"'', in which Rigg is famous for starring.<ref name= "RadioTimesReview"/> [[IGN]]'s Mark Snow gave "The Crimson Horror" a rating of 8.7 out of 10, calling it "the best yet" of this half of the season. He praised the humour and style, and commented, "the threat was never truly looming, nor was the scale as grand or epic as its recent predecessors, but that also meant that for once there was just enough story to fit into one sole episode".<ref name="IGN"/> ''[[SFX (magazine)|SFX]]'' reviewer Nick Setchfield gave the episode four out of five stars, describing it as "sufficiently sure-footed to waltz right to the brink of parody and no further". While he praised Rigg, he said that Stirling had "the stand-out performance".<ref name="SFX"/> Graham Kibble-White, reviewer in ''[[Doctor Who Magazine]]'', also gave it a positive review, calling it "bloody brilliant" and "a remarkably well-told tall tale, in which every element including its name radiates a real luminosity", describing the story as "a thoroughly wicked yarn full of sly jokes".<ref>{{cite magazine|last=Kibble-White |first=Graham |title=The Crimson Horror |magazine=[[Doctor Who Magazine]] |date=June 2013 }}</ref>


[[Digital Spy]]'s Morgan Jeffery was more critical, giving the episode two out of five stars. He remarked that it felt like "filler" and criticised Rigg's character for being scripted as "an over-the-top cackling crone". However, he praised the emotional depth added by Stirling's character and the direction.<ref>{{cite web|first=Morgan|last=Jeffery|url=http://www.digitalspy.com/british-tv/s7/doctor-who/recaps/a477901/doctor-who-new-episode-the-crimson-horror-review.html|title='Doctor Who': New episode 'The Crimson Horror' review|work=[[Digital Spy]]|date=4 May 2013|access-date=5 May 2013|archive-date=6 May 2013|archive-url=https://web.archive.org/web/20130506115658/http://www.digitalspy.com/british-tv/s7/doctor-who/recaps/a477901/doctor-who-new-episode-the-crimson-horror-review.html|url-status=live}}</ref>
Graham Kibble-White, reviewer in ''[[Doctor Who Magazine]]'', also gave it a positive review, calling it "bloody brilliant" and "a remarkably well-told tall tale, in which every element - including its name - radiates a real luminosity." He described the story as "a thoroughly wicked yarn full of sly jokes," and complimented the way that the Doctor wasn't in during the first third, calling it a "bold move." Additionally, he praised Vastra, Jenny, and Strax, saying "once again they have the wherewithal and the panache to hold their own against the mighty magnetic pull of ''When's the Doctor coming on?''" He claimed that, to him, Strax's "continual championing of things like triple-blast brain-splitters is starting to grate." He complained that he already hated Artie and Angie, and that the scene in which they appear felt "as if we've careened from a Sunday afternoon serial into a Saturday morning cartoon."<ref>{{cite web|last=Kibble-White |first=Graham |title=The Crimson Horror |work=[[Doctor Who Magazine]] |date=June 2013 }}</ref>


==Commercial releases==
==In print==
===In print===
{{Infobox book
{{Infobox book
|name = The Crimson Horror
|name = The Crimson Horror
Line 90: Line 110:
|release_date = 11 March 2021
|release_date = 11 March 2021
|publisher = [[BBC Books]]
|publisher = [[BBC Books]]
|pages =
|isbn = 978-1-785-94504-5
|isbn = 978-1-785-94504-5
|italic title = no
|italic title = no
}}
}}
A [[List of Doctor Who novelisations|novelisation]] of this story written by Mark Gatiss was released in paperback and digital formats 11 March 2021 as part of the ''[[Target Books|Target]] Collection''.<ref>{{Cite web|url=https://www.doctorwho.tv/news/?article=five-adventures-new-doctor-who-target-book|title=New Target novel collection in July 2020|website=Doctor Who.tv}}</ref><ref>https://www.amazon.co.uk/dp/1785945041/</ref>
A [[List of Doctor Who novelisations|novelisation]] of this story written by Mark Gatiss was released in paperback and digital formats 11 March 2021 as part of the ''[[Target Books|Target]] Collection''.<ref>{{Cite web|url=https://www.doctorwho.tv/news/?article=five-adventures-new-doctor-who-target-book|title=New Target novel collection in July 2020|website=Doctor Who.tv|access-date=15 November 2021|archive-date=22 March 2020|archive-url=https://web.archive.org/web/20200322143408/https://www.doctorwho.tv/news/?article=five-adventures-new-doctor-who-target-book|url-status=live}}</ref><ref>{{Cite book|title=Doctor Who: The Crimson Horror (Target Collection) Paperback – 11 Mar. 2021|id={{ASIN|1785945041|country=uk}}}}</ref> An audiobook narrated by Dan Starkey and Catrin Stewart was released on the same day.<ref>{{Cite web|url=https://www.audible.co.uk/pd/Doctor-Who-The-Crimson-Horror-Audiobook/1529128374|title=Doctor Who: The Crimson Horror – 11 Mar. 2021|access-date=10 December 2021|archive-date=10 December 2021|archive-url=https://web.archive.org/web/20211210214411/https://www.audible.co.uk/pd/Doctor-Who-The-Crimson-Horror-Audiobook/1529128374|url-status=live}}</ref>

When writing the adaptation, Gatiss wanted to keep the pacing of it as close as possible to the episode, adding only one extra scene detailing Jenny's first meeting with The Doctor. The novel is written from the perspective of the Paternoster Gang, with portions of it narrated by Jenny and Strax. The novelisation is dedicated to Diana Rigg, who had died in September 2020.<ref name="GatissRadioTimes" />

{{clear}}


==References==
==References==
Line 103: Line 126:
*{{BBCDWnew | year=2013 | id=b01sfhyp | title=The Crimson Horror}}
*{{BBCDWnew | year=2013 | id=b01sfhyp | title=The Crimson Horror}}
*{{TardisIndexFile}}
*{{TardisIndexFile}}

*{{IMDb episode|2204480|The Crimson Horror}}
*{{IMDb episode|2204480|The Crimson Horror}}


{{Doctor Who episodes|N7}}
{{Doctor Who episodes|N7}}
{{Doctor Who episodes by Mark Gatiss |state=autocollapse}}
{{Eleventh Doctor stories|selected=Television}}
{{Silurian stories}}
{{Silurian stories}}
{{Sontaran stories}}
{{Sontaran stories}}
{{Doctor Who episodes by Mark Gatiss |state=autocollapse}}


{{DEFAULTSORT:Crimson Horror, The}}
{{DEFAULTSORT:Crimson Horror, The}}
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[[Category:Doctor Who stories set on Earth]]
[[Category:Doctor Who stories set on Earth]]
[[Category:Television episodes set in Yorkshire]]
[[Category:Television episodes set in Yorkshire]]
[[Category:Television episodes set in the 1890s]]
[[Category:Fiction about poisonings]]
[[Category:Television episodes set in the 2010s]]
[[Category:Television episodes set in London]]

Latest revision as of 23:13, 30 September 2024

237 – "The Crimson Horror"
Doctor Who episode
Promotional poster
Cast
Others
Production
Directed bySaul Metzstein
Written byMark Gatiss
Produced byMarcus Wilson[1]
Executive producer(s)
  • Steven Moffat
  • Caroline Skinner
Music byMurray Gold
SeriesSeries 7
Running time45 minutes
First broadcast4 May 2013 (2013-05-04)
Chronology
← Preceded by
"Journey to the Centre of the TARDIS"
Followed by →
"Nightmare in Silver"
List of episodes (2005–present)

"The Crimson Horror" is the eleventh episode of the seventh series of the British science-fiction drama Doctor Who. It was written by Mark Gatiss and directed by Saul Metzstein,[2] and was first broadcast on BBC One on 4 May 2013. It marks the 100th episode, including specials, since the return of Doctor Who on 26 March 2005.[3]

Set in 1893 Yorkshire, the episode features the Victorian-era detectives Madame Vastra (Neve McIntosh), Jenny Flint (Catrin Stewart), and their alien butler Strax (Dan Starkey). The first half of the episode focuses on the detectives' search for their missing friend, the alien time traveller the Doctor (Matt Smith). In the second half, they team up with the Doctor and his companion Clara Oswald (Jenna-Louise Coleman) to prevent a plot by the chemist and engineer Mrs Gillyflower (Diana Rigg), who wishes to start a new world by wiping out all of humanity, apart from a community she deems as being "perfect".

The episode was the third appearance of Vastra, Jenny, and Strax – informally referred to as the "Paternoster Gang" – and was conceived as a pseudo-spinoff for the characters. The episode also included numerous homages in tone to Rigg's work in the British TV show The Avengers, specifically referencing Rigg's character in the show, Emma Peel. The episode was watched by 6.47 million viewers in the United Kingdom and received generally positive reviews from critics.

Plot

[edit]

Synopsis

[edit]

In 1893, Silurian Madame Vastra, her human wife Jenny Flint, and their Sontaran butler Strax are asked to investigate a mysterious cause of death known as the "Crimson Horror", the victims of which are found dumped in the canal with bright red skin. The latest victim, Edmund, has the image of the Eleventh Doctor retained in his retina. Vastra, Jenny, and Strax travel to Yorkshire, where Jenny infiltrates Sweetville, a utopian community led by chemist and engineer Mrs Gillyflower and the never-seen Mr Sweet.

Mrs Gillyflower's costume, Mr. Sweet and the controls to launch the rocket, as shown at the Doctor Who Experience.

Jenny discovers the Doctor, who is chained up and exhibits red skin and a stiff stature. At his silent direction she puts him into a chamber to reverse the process. Once restored, he explains to Jenny that he and Clara were also investigating the Crimson Horror. They had also infiltrated Sweetville, but learned that they were to be preserved to survive an apocalypse. The process did not work on the Doctor because he was not human, and he was saved from being destroyed by Gillyflower when her blind daughter Ada had hidden him. The Doctor finds Clara and reverses the process on her.

Meanwhile, Vastra recognises that Sweetville is using the venom of a prehistoric red leech her people knew. The Doctor and Clara confront Mrs Gillyflower, who reveals that she plans to launch a rocket to spread the poison all over the skies; everyone on Earth will die except the people living in Sweetville, who will then start over to make a better world. "Mr Sweet" is also revealed to be a red leech from Vastra's prehistoric times that has formed a symbiotic relationship with Mrs Gillyflower. The Doctor berates Mrs Gillyflower for experimenting on Ada to get the preservation formula right. Clara smashes the controls to the rocket. However, Mrs Gillyflower holds a gun to Ada's head and heads into the rocket silo, which has been disguised as a chimney, to reach the secondary control.

Mrs Gillyflower launches the rocket, but Vastra and Jenny have already removed the red leech poison from it, rendering it worthless. Strax shoots at Mrs Gillyflower to stop her from killing the others, causing her to tumble over the stair railing and fall to her death. Ada kills Mr Sweet with her cane. When Clara returns home, she finds that the two children that she babysits for, Angie and Artie, have discovered photos of Clara from her trips to the past on the TARDIS on the Internet. They force her to take them on a trip in the TARDIS.

Continuity

[edit]

When the Doctor arrives in Yorkshire, he mentions to Clara that he once spent ages trying to get a "gobby Australian" to Heathrow Airport, a reference to the Fifth Doctor's companion Tegan Jovanka and his efforts to get her back to Heathrow from Four to Doomsday to Time-Flight (1982).[4] Further reference to Tegan is made when the Doctor tells Clara, "Brave heart, Clara," a phrase he often used when talking to Tegan.[4]

In the flashback sequence, the Doctor says that the Romani people believe that the last image a dead person sees is retained on the retina. This is similar to a version that the Fourth Doctor tells the crew of Nerva Beacon just before he connects his mind to the dead Wirrn in The Ark in Space (1975).[4] Upon arriving home, Clara discovers that the children she looks after have found historical photographs of her from 1974 ("Hide") and 1983 ("Cold War"). They also find an 1892 photo of Clara Oswin Oswald / Miss Montague ("The Snowmen"), whom they assume to be their Clara, who does not recognise it.[4]

Production

[edit]

Writing

[edit]

"The Crimson Horror" saw the return of Vastra, Jenny, and Strax from "The Snowmen". Executive producer Steven Moffat told Radio Times that the story would be from their point of view, for the audience "to see them tackle a case of their own, and stumble across the Doctor's path, quite accidentally".[2][5] Moffat had planned to write the episode from the trio's point of view himself, but he realised he would not be able to and called his "old friend" Mark Gatiss.[6] The initial pitch of the episode was "almost a Paternoster gang spinoff", featuring the author of the Sherlock Holmes books, Sir Arthur Conan Doyle. However, when Gatiss could not find a way to give Doyle a significant enough role in the story, his appearance was cut. The antagonist of the episode was originally intended to be "mummies" that were "all in black, sort of like Scottish widows", inspired by sufferers of the Phossy jaw condition.[7]

The episode was specially written for mother and daughter Diana Rigg and Rachael Stirling.[8] It was the first time the two had worked together on screen.[8] Gatiss had worked on a play with Stirling, who mentioned that she and Rigg had never appeared in something together, and Gatiss offered to "tailor" them into his Doctor Who episode, for which he had devised the basic premise.[9] Stirling said that Gatiss had written "an on-screen relationship between Ma and I that is truly delicious. We have never before worked together because the offers have not been tempting, but when such a funny and original script comes through you know the time has come."[10] Gatiss stated that he wanted to write "a properly northern Who" and revealed that Rigg was able to use her native Doncaster accent for the first time.[9]

Filming

[edit]

The read-through for "The Crimson Horror" took place on 28 June 2012, with filming beginning on 2 July.[4] Location filming occurred in Bute Town, Caerphilly and Tonyrefail.[11] The scenes shot in the Sweetville streets were shot around the BBC's Cardiff studios. Production Designer Michael Pickwoad emphasised that the street had to be "almost too perfect" to demonstrate how the influence of Mrs. Gillyflower had corrupted it from within.[4]

Broadcast and reception

[edit]

Broadcast

[edit]
Professional ratings
Review scores
SourceRating
The Daily Telegraph[12]
The A.V. ClubA-[13]
Radio Times[14]
IGN8.7[15]
SFX[16]

"The Crimson Horror" was first broadcast in the United Kingdom on BBC One on 4 May 2013.[1] Overnight ratings showed that it was watched by 4.61 million viewers live. The final consolidated rating was 6.47 million viewers, making it the lowest rated story of the season.[17] It received an Appreciation Index of 85.[18]

Critical reception

[edit]

"The Crimson Horror" received generally positive reviews from critics. Ben Lawrence of The Daily Telegraph gave the episode five out of five stars, writing that it "crammed in idea after idea while still maintaining a terrific, breezy pace and delivering a fantastically satisfying story". He praised the way the Doctor and Clara did not enter the episode for fifteen minutes, which cut down on the amount of exposition.[12] Guardian reviewer Dan Martin was positive towards the way the episode played with genre and form, saying that it "was as demented and creepy as the show should always be".[19] Alasdair Wilkins of The A.V. Club described The Crimson Horror as a "fun episode" and a "romp", praising Stirling's performance and the episode's lighthearted tone. He too praised the episode's stylistic choices, also enjoying the decision to not have the Doctor or Clara appear until later in the episode.[13]

Patrick Mulkern of Radio Times wrote that it had "decent mystery, a logical plot, a dollop of camp but perhaps most rewarding of all it's a danse macabre". He noted that the episode had "more than a dash of The Avengers", in which Rigg is famous for starring.[14] IGN's Mark Snow gave "The Crimson Horror" a rating of 8.7 out of 10, calling it "the best yet" of this half of the season. He praised the humour and style, and commented, "the threat was never truly looming, nor was the scale as grand or epic as its recent predecessors, but that also meant that for once there was just enough story to fit into one sole episode".[15] SFX reviewer Nick Setchfield gave the episode four out of five stars, describing it as "sufficiently sure-footed to waltz right to the brink of parody and no further". While he praised Rigg, he said that Stirling had "the stand-out performance".[16] Graham Kibble-White, reviewer in Doctor Who Magazine, also gave it a positive review, calling it "bloody brilliant" and "a remarkably well-told tall tale, in which every element – including its name – radiates a real luminosity", describing the story as "a thoroughly wicked yarn full of sly jokes".[20]

Digital Spy's Morgan Jeffery was more critical, giving the episode two out of five stars. He remarked that it felt like "filler" and criticised Rigg's character for being scripted as "an over-the-top cackling crone". However, he praised the emotional depth added by Stirling's character and the direction.[21]

In print

[edit]
The Crimson Horror
AuthorMark Gatiss
Cover artistAnthony Dry
SeriesDoctor Who book:
Target novelisations
PublisherBBC Books
Publication date
11 March 2021
ISBN978-1-785-94504-5

A novelisation of this story written by Mark Gatiss was released in paperback and digital formats 11 March 2021 as part of the Target Collection.[22][23] An audiobook narrated by Dan Starkey and Catrin Stewart was released on the same day.[24]

When writing the adaptation, Gatiss wanted to keep the pacing of it as close as possible to the episode, adding only one extra scene detailing Jenny's first meeting with The Doctor. The novel is written from the perspective of the Paternoster Gang, with portions of it narrated by Jenny and Strax. The novelisation is dedicated to Diana Rigg, who had died in September 2020.[7]

References

[edit]
  1. ^ a b "Doctor Who – The Crimson Horror". BBC. Archived from the original on 10 August 2013. Retrieved 5 May 2013.
  2. ^ a b "Doctor Who Series 7 News Accumulator". SFX. 19 March 2013. Archived from the original on 25 March 2013. Retrieved 19 March 2013.
  3. ^ Brew, Simon (4 May 2013). "Doctor Who series 7: The Crimson Horror review". Den of Geek. Archived from the original on 1 October 2022. Retrieved 1 October 2022.
  4. ^ a b c d e f "The Fourth Dimension: The Crimson Horror". BBC. Archived from the original on 13 October 2018. Retrieved 4 May 2013.
  5. ^ Moffat, Steven (30 March – 5 April 2013). Radio Times. Immediate Media Company.{{cite journal}}: CS1 maint: untitled periodical (link)
  6. ^ "Steven Moffat on 'The Crimson Horror'". BBC America. 6 May 2013. Archived from the original (Video) on 11 May 2013. Retrieved 7 May 2013.
  7. ^ a b Jeffery, Morgan (14 March 2021). "Mark Gatiss on revisiting Doctor Who's The Crimson Horror and its surprising links to Sherlock Holmes and Dracula". Radio Times. Archived from the original on 14 November 2021. Retrieved 14 November 2021.
  8. ^ a b Bowie-Sell, Daisy (2 July 2012). "Diana Rigg cast opposite her daughter in Doctor Who". The Daily Telegraph. Archived from the original on 9 August 2013. Retrieved 24 March 2013.
  9. ^ a b Mulkern, Patrick (28 April 2013). "Doctor Who: Mark Gatiss sets the scene for The Crimson Horror". Radio Times. Archived from the original on 1 May 2013. Retrieved 28 April 2013.
  10. ^ Golder, Dave (2 July 2012). "Doctor Who Series 7: Diana Rigg to Guest Star". SFX. Archived from the original on 27 September 2013. Retrieved 24 March 2013.
  11. ^ "Doctor Who Series 7: Diana Rigg Filming Pics". SFX. 3 July 2012. Archived from the original on 6 July 2012. Retrieved 24 March 2013.
  12. ^ a b Lawrence, Ben (4 May 2013). "Doctor Who: The Crimson Horror". The Daily Telegraph. Archived from the original on 6 May 2013. Retrieved 5 May 2013.
  13. ^ a b Wilkins, Alasdair (4 May 2013). "Doctor Who: "The Crimson Horror"". The A.V. Club. Archived from the original on 24 November 2021. Retrieved 24 November 2021.
  14. ^ a b Mulkern, Patrick (4 May 2013). "Doctor Who: The Crimson Horror". Radio Times. Archived from the original on 6 March 2021. Retrieved 5 May 2013.
  15. ^ a b Snow, Mark (4 May 2013). "The Doctor Heads Back to 19th Century Yorkshire for an Episode That's Penned by Mark Gatiss". IGN. Archived from the original on 7 May 2013. Retrieved 5 May 2013.
  16. ^ a b Setchfield, Nick (4 May 2013). "Doctor Who 7.11 "The Crimson Horror" Review". SFX. Archived from the original on 9 May 2013. Retrieved 5 May 2013.
  17. ^ "Ratings Guide". Doctor Who News. Archived from the original on 18 October 2015. Retrieved 27 December 2014.
  18. ^ "The Crimson Horror AI:85". Doctor Who News Page. 6 May 2013. Archived from the original on 7 May 2013. Retrieved 6 May 2013.
  19. ^ Martin, Dan (4 May 2013). "Doctor Who: The Crimson Horror – series 33, episode 11". The Guardian. Archived from the original on 6 November 2013. Retrieved 5 May 2013.
  20. ^ Kibble-White, Graham (June 2013). "The Crimson Horror". Doctor Who Magazine.
  21. ^ Jeffery, Morgan (4 May 2013). "'Doctor Who': New episode 'The Crimson Horror' review". Digital Spy. Archived from the original on 6 May 2013. Retrieved 5 May 2013.
  22. ^ "New Target novel collection in July 2020". Doctor Who.tv. Archived from the original on 22 March 2020. Retrieved 15 November 2021.
  23. ^ Doctor Who: The Crimson Horror (Target Collection) Paperback – 11 Mar. 2021. ASIN 1785945041.
  24. ^ "Doctor Who: The Crimson Horror – 11 Mar. 2021". Archived from the original on 10 December 2021. Retrieved 10 December 2021.
[edit]