Glenn Miller discography: Difference between revisions
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{{Infobox artist discography |
{{Infobox artist discography |
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| Artist = [[Glenn Miller]] and [[Glenn Miller Orchestra|His Orchestra]] |
| Artist = [[Glenn Miller]] and [[Glenn Miller Orchestra|His Orchestra]] |
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| Image = |
| Image = Glenn Miller.jpg |
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| Caption = Glenn Miller, 1941 |
| Caption = Glenn Miller, 1941 |
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| Singles = 266 <!--- 78rpm ---> |
| Singles = 266 <!--- 78rpm ---> |
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<!---Please include only official single and album releases: Bluebird / Victor / RCA Victor / RCA Camden / Pickwick / RCA / Sony BMG / Sony Legacy. Please do not include small label releases, with the only exceptions being certificated and/or charted albums. ---> |
<!---Please include only official single and album releases: Bluebird / Victor / RCA Victor / RCA Camden / Pickwick / RCA / Sony BMG / Sony Legacy. Please do not include small label releases, with the only exceptions being certificated and/or charted albums. ---> |
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Between 1938 and 1944, Glenn Miller and His Orchestra released 266 [[Single (music)|singles]] on the [[ |
Between 1938 and 1944, [[Glenn Miller Orchestra|Glenn Miller and His Orchestra]] released 266 [[Single (music)|singles]] on the [[monaural]] ten-inch [[phonograph record|shellac 78 rpm]] format. Their studio output comprised a variety of [[List of music styles|musical styles]] inside of the Swing genre, including [[Sentimental ballad|ballads]], band chants, [[Swing music|dance instrumentals]], [[Novelty song|novelty tracks]], songs adapted from motion pictures, and, as the [[Second World War]] approached, [[Military band#United States|patriotic music]]. |
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[[Traditional pop|Non-instrumental]] songs featured Miller's various vocalists, generally [[Ray Eberle]] or [[Marion Hutton]] before 1940, with [[Tex Beneke]], vocal group [[The Modernaires]], and Skip Nelson all making studio vocal appearances after the turn of the decade. <!---The album Glenn Miller wasn't his first, but it was the first that was artist-specific, covering his band only.--->Beginning with ''[[Glenn Miller (1945 album)|An Album of Outstanding Arrangements]]'' in 1945, this collection has been repackaged into various album formats over time with release on 78 rpm, 10 and 12 inch [[LP record|LP]], [[Single (music)#7- |
[[Traditional pop|Non-instrumental]] songs featured Miller's various vocalists, generally [[Ray Eberle]] or [[Marion Hutton]] before 1940, with [[Tex Beneke]], vocal group [[The Modernaires]], and Skip Nelson all making studio vocal appearances after the turn of the decade. <!---The album Glenn Miller wasn't his first, but it was the first that was artist-specific, covering his band only.--->Beginning with ''[[Glenn Miller (1945 album)|An Album of Outstanding Arrangements]]'' in 1945, this collection has been repackaged into various album formats over time with release on 78 rpm, 10 and 12 inch [[LP record|LP]], [[Single (music)#7-inch format|7 inch 45 rpm]], [[Compact Cassette|compact cassette]], [[8-track tape|8-track]], [[compact disc]] (CD), and digital formats. |
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Before his popularity, in the late 1920s, Miller played or wrote [[ |
Before his popularity, in the late 1920s, Miller played or wrote [[arrangement]]s for many [[Dixieland|hot jazz]] groups, including a stint as a trombonist-arranger for [[Red Nichols]]’ famed ''Five Pennies'' recordings. |
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==Charted singles and selected discography, 1938–1942== |
==Charted singles and selected discography, 1938–1942== |
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Chart is sorted by order of individual song debut date. |
Chart is sorted by order of individual song debut date. |
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<br> |
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{| class="sortable wikitable" |
{| class="sortable wikitable" |
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! rowspan="2"| Year |
! rowspan="2"| Year |
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! width="375" rowspan="2" | Single <!---Capitalization and characters included in titles reproduce exactly as seen on label on original 78rpm Bluebird and Victor pressings.---> |
! width="375" rowspan="2" | Single <!---Capitalization and characters included in titles reproduce exactly as seen on label on original 78rpm Bluebird and Victor pressings.---> |
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! width ="80" |Peak chart position |
! width ="80" |Peak chart position |
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! width="80" rowspan="2" |Total<br>weeks<br>charted |
! width="80" rowspan="2" |Total<br />weeks<br />charted |
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! width="450" rowspan="2" class=unsortable style="text-align:center;"|Background |
! width="450" rowspan="2" class=unsortable style="text-align:center;"|Background |
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|- style="font-size:smaller;" |
|- style="font-size:smaller;" |
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! width="80" data-sort-type=number text-align="center" | |
! width="80" data-sort-type=number text-align="center" | U.S.<ref name=Whitburn>{{cite book|last=Whitburn| first=Joel |title= Pop Memories, The History of American Popular Music 1900-1940 |date= 2015}}</ref><ref name=WhitburnPop>{{cite book|last=Whitburn| first=Joel |title= Pop Hits, Singles and Albums 1940-1954 |date= 2002}}</ref> |
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| align="center"| 1938 |
| align="center"| 1938 |
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|Recorded September 27, 1938, with vocals by Ray Eberle, "My Reverie" was the first release by the reformed Glenn Miller Orchestra on Victor Bluebird. Larry Clinton released a popular version of it the same year with Bea Wain on vocals, writing lyrics to Claude DeBussy's Reverie.<ref>{{cite web|url=http://www.bigbandlibrary.com/larryclinton.html |title=Larry Clinton "True Confession" |publisher=Big Band Library |date |
|Recorded September 27, 1938, with vocals by Ray Eberle, "My Reverie" was the first release by the reformed Glenn Miller Orchestra on Victor Bluebird. Larry Clinton released a popular version of it the same year with Bea Wain on vocals, writing lyrics to Claude DeBussy's Reverie.<ref>{{cite web |url=http://www.bigbandlibrary.com/larryclinton.html |title=Larry Clinton "True Confession" |publisher=Big Band Library |access-date=2012-01-07 |archive-date=2017-10-11 |archive-url=https://web.archive.org/web/20171011092349/http://www.bigbandlibrary.com/larryclinton.html |url-status=live }}</ref> According to George Simon, the original arrangement was to be an instrumental, but a producer at RCA Victor wanted Glenn Miller to play a solo trombone ''a'la Tommy Dorsey'', with a Ray Eberle vocal.<ref>Simon 144</ref> The B side was "King Porter Stomp". |
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| align="left"| "Wishing <small>(Will Make It So)</small>" |
| align="left"| "Wishing <small>(Will Make It So)</small>" |
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| align="center"|1 |
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| align="center"|14 |
| align="center"|14 |
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| An instrumental, arranged by Bill Finegan and recorded by Miller in 1939.<ref>Flower 59</ref> It was also a standard that ended up twenty years later in the [[United Artists]] movie ''[[Some Like It Hot]]'' with [[Marilyn Monroe]], directed by [[Billy Wilder]].<ref>{{cite web|author=A. H. Weiler |url=http://movies.nytimes.com/movie/review?res=9E07E2D8103EE63BBC4850DFB5668382649EDE |title=Movie Review - - Screen: 2-Hour Comedy |website=Movies.nytimes.com |date=1959-03-30 | |
| An instrumental, arranged by Bill Finegan and recorded by Miller in 1939.<ref>Flower 59</ref> It was also a standard that ended up twenty years later in the [[United Artists]] movie ''[[Some Like It Hot]]'' with [[Marilyn Monroe]], directed by [[Billy Wilder]].<ref>{{cite web |author=A. H. Weiler |url=http://movies.nytimes.com/movie/review?res=9E07E2D8103EE63BBC4850DFB5668382649EDE |title=Movie Review - - Screen: 2-Hour Comedy |website=Movies.nytimes.com |date=1959-03-30 |access-date=2017-07-27 |archive-date=2011-03-05 |archive-url=https://web.archive.org/web/20110305144913/http://movies.nytimes.com/movie/review?res=9E07E2D8103EE63BBC4850DFB5668382649EDE |url-status=live }}</ref> |
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| align="left"| "[[Stairway to the Stars|Stairway To The Stars]]" |
| align="left"| "[[Stairway to the Stars|Stairway To The Stars]]" |
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| align="center"| 1 |
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| align="center"| 13 |
| align="center"| 13 |
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|Instrumental. Traditional, although the songwriting credit is sometimes assigned to Joseph Eastburn Winner,<ref>{{cite web|url=http://www.greatscores.com/p/song/songname/Little_Brown_Jug/sheetmusic/1002087 |title=Little Brown Jug Sheet Music/Score - Traditional, Duke Ellington, Joseph E. Winner, Joseph E. Winner Sheet Music - Download & Print Score |publisher=Greatscores.com |date= | |
|Instrumental. Traditional, although the songwriting credit is sometimes assigned to Joseph Eastburn Winner,<ref>{{cite web |url=http://www.greatscores.com/p/song/songname/Little_Brown_Jug/sheetmusic/1002087 |title=Little Brown Jug Sheet Music/Score - Traditional, Duke Ellington, Joseph E. Winner, Joseph E. Winner Sheet Music - Download & Print Score |publisher=Greatscores.com |access-date=2012-01-07 |archive-date=2012-02-12 |archive-url=https://web.archive.org/web/20120212161317/http://www.greatscores.com/p/song/songname/Little_Brown_Jug/sheetmusic/1002087 |url-status=live }}</ref> who published a version in 1869.<ref>{{cite web |url=http://www.mudcat.org/thread.cfm?threadid=71781 |title=Lyr Req: Little Brown Jug |publisher=mudcat.org |access-date=2012-01-07 |archive-date=2012-02-13 |archive-url=https://web.archive.org/web/20120213004051/http://www.mudcat.org/thread.cfm?threadid=71781 |url-status=live }}</ref> Arranged by Bill Finegan, it was recorded April 10, 1939.<ref>Flower 58</ref> ''The Glenn Miller Story'' takes dramatic license and gives the date of the arrangement as 1944, as a surprise for Helen Miller for a Christmas Day broadcast by the Army Air Force band from Europe.<ref>{{cite web|url=http://www.tcm.com/tcmdb/title.jsp?stid=76497|title=The Glenn Miller Story (1954) - Overview - TCM.com|work=Turner Classic Movies|access-date=2009-02-05|archive-date=2008-12-25|archive-url=https://web.archive.org/web/20081225081237/http://www.tcm.com/tcmdb/title.jsp?stid=76497|url-status=live}}</ref> |
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| align="left"| "Moon Love" |
| align="left"| "Moon Love" |
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| align="center"| 1 |
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| align="center"| 16 |
| align="center"| 16 |
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| align="left"| "[[Over the Rainbow|Over The Rainbow]]" |
| align="left"| "[[Over the Rainbow|Over The Rainbow]]" |
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| align="center"| 1 |
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| align="center"| 15 |
| align="center"| 15 |
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| align="left"| "The Man With The Mandolin" |
| align="left"| "The Man With The Mandolin" |
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| align="center"| 1 |
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| align="center"| 10 |
| align="center"| 10 |
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| align="left"| "Blue Orchids" |
| align="left"| "Blue Orchids" |
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| align="center"| 1 |
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| align="center"| 12 |
| align="center"| 12 |
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| align="left"| "[[In the Mood|In The Mood]]" |
| align="left"| "[[In the Mood|In The Mood]]" |
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| align="center"| 1 |
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| align="center"| 28 |
| align="center"| 28 |
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|Instrumental. Number one for 13 weeks. "In The Mood" had a long history, even before Glenn Miller recorded it. Composition was credited to Jerry Gray, but fragments of the song had been found in earlier recordings dating back to the early 1930s.<ref>{{cite web |
|Instrumental. Number one for 13 weeks. "In The Mood" had a long history, even before Glenn Miller recorded it. Composition was credited to Jerry Gray, but fragments of the song had been found in earlier recordings dating back to the early 1930s.<ref>{{cite web |url=https://www.npr.org/templates/story/story.php?storyId=1080105 |title=In the Mood |publisher=NPR |date=2000-07-29 |access-date=2017-07-27 |archive-date=2012-02-28 |archive-url=https://web.archive.org/web/20120228032911/http://www.npr.org/templates/story/story.php?storyId=1080105 |url-status=live }}</ref> The 1939 Bluebird recording was also released as V-Disc 123B in February 1944. A version was also released as V-Disc 842B in May 1948 by Glenn Miller and Overseas Band by the U.S. War Department. |
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| align="left"| "[[Tuxedo Junction]]" |
| align="left"| "[[Tuxedo Junction]]" |
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| align="center"| 1 |
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| align="center"| 17 |
| align="center"| 17 |
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| Instrumental. Selling a reported 110,000 pressings the first week of its availability, "Tuxedo Junction" was number one for nine weeks on Billboard's Juke Box chart. [[Buddy Feyne]] added lyrics. Glenn Miller copyrighted his arrangement of the song on February 8, 1940.<ref>{{cite book|url=https://books.google.com/books?id=tCVjAAAAIAAJ& |
| Instrumental. Selling a reported 110,000 pressings the first week of its availability, "Tuxedo Junction" was number one for nine weeks on Billboard's Juke Box chart. [[Buddy Feyne]] added lyrics. Glenn Miller copyrighted his arrangement of the song on February 8, 1940.<ref>{{cite book|url=https://books.google.com/books?id=tCVjAAAAIAAJ&q=catalog+of+copyright+entries+musical+compositions+glenn+miller+1940+tuxedo&pg=PA447 |title=Catalog of Copyright Entries: Musical compositions |year=1941 |page=447 |access-date=2017-07-27}}</ref> |
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| Vocal by Ray Eberle, written by Ned Washington and Leigh Harline for ''[[Pinocchio (1940 film)|Pinocchio]]'' in 1940. Number two for 5 weeks.<ref>{{cite web|url=https://www.imdb.com/title/tt0032910/soundtrack|publisher=[[Internet Movie Database]]|title=''Pinocchio'' (1940) soundtracks| |
| Vocal by Ray Eberle, written by Ned Washington and Leigh Harline for ''[[Pinocchio (1940 film)|Pinocchio]]'' in 1940. Number two for 5 weeks.<ref>{{cite web|url=https://www.imdb.com/title/tt0032910/soundtrack|publisher=[[Internet Movie Database]]|title=''Pinocchio'' (1940) soundtracks|access-date=2017-07-27|archive-date=2016-04-07|archive-url=https://web.archive.org/web/20160407022337/http://www.imdb.com/title/tt0032910/soundtrack|url-status=live}}</ref> |
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| align="left"| "[[The Woodpecker Song]]" |
| align="left"| "[[The Woodpecker Song]]" |
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| align="center"| 1 |
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| align="center"| 14 |
| align="center"| 14 |
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|Vocal by Marion Hutton, written by Eldo |
|Vocal by Marion Hutton, written by [[Eldo Di Lazzaro]] and Harold Adamson. Number one for 5 weeks.<ref>Flower 125</ref><!-- ", and Bruno Cherubini" got deleted because Flower only lists the other two as composers. If anyone can find references for Mr. Cherubini please reinsert his name --> |
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| align="left"| "[[Pennsylvania 6-5000 (song)|Pennsylvania Six-Five |
| align="left"| "[[Pennsylvania 6-5000 (song)|Pennsylvania Six-Five Thousand]]" |
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| align="center"| 5 |
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|Vocal by Ray Eberle. Written by Hoagy Carmicheal, lyrics by Ned Washington. "The Bluebird label recording was a moderate success, appearing on the pop charts at the end of June [1940]..."<ref>{{cite web|url=http://www.jazzstandards.com/compositions-0/thenearnessofyou.htm |title=Jazz Standards Songs and Instrumentals (The Nearness of You) |website=Jazzstandards.com |date |
|Vocal by Ray Eberle. Written by Hoagy Carmicheal, lyrics by Ned Washington. "The Bluebird label recording was a moderate success, appearing on the pop charts at the end of June [1940]..."<ref>{{cite web |url=http://www.jazzstandards.com/compositions-0/thenearnessofyou.htm |title=Jazz Standards Songs and Instrumentals (The Nearness of You) |website=Jazzstandards.com |access-date=2017-07-27 |archive-date=2009-02-09 |archive-url=https://web.archive.org/web/20090209125542/http://jazzstandards.com/compositions-0/thenearnessofyou.htm |url-status=live }}</ref> |
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| align="left"| "[[The Song of the Volga Boatmen|Song Of The Volga Boatmen]]" |
| align="left"| "[[The Song of the Volga Boatmen|Song Of The Volga Boatmen]]" |
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| Vocal by Dorothy Claire and The Modernaires.<ref name="Flower 280">Flower 280</ref> Written by Milton Leeds and Alberto Dominguez, Victor released two performances, one the Bluebird studio recording from February 19, 1941 and the other from June 3, 1941 at the Pacific Square Ballroom in San Diego, California,<ref>{{cite web |url=http://www.tuxjunction.net/millerphotos/pacificsquare.jpg |title=Archived copy | |
| Vocal by Dorothy Claire and The Modernaires.<ref name="Flower 280">Flower 280</ref> Written by Milton Leeds and Alberto Dominguez, Victor released two performances, one the Bluebird studio recording from February 19, 1941 and the other from June 3, 1941 at the Pacific Square Ballroom in San Diego, California,<ref>{{cite web |url=http://www.tuxjunction.net/millerphotos/pacificsquare.jpg |title=Archived copy |access-date=2009-02-05 |url-status=dead |archive-url=https://web.archive.org/web/20101130003035/http://tuxjunction.net/millerphotos/pacificsquare.jpg |archive-date=2010-11-30 }}</ref> with Paula Kelly replacing Dorothy Claire. |
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| align="left"| "[[Chattanooga Choo Choo]]" |
| align="left"| "[[Chattanooga Choo Choo]]" |
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| align="center"| 23 |
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| align="left"| "[[Elmer's Tune]]" |
| align="left"| "[[Elmer's Tune]]" |
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| align="center"| 15 |
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|Vocal in ''Sun Valley Serenade'' by [[The Modernaires]], and [[Six Hits and a Miss]].<ref>Simon 256</ref><ref>{{cite web|url=http://www.bigbandbuddies.co.uk/Pat-friday.htm|title=Pat Friday|website=Bigbandbuddies.co.uk| |
|Vocal in ''Sun Valley Serenade'' by [[The Modernaires]], and [[Six Hits and a Miss]].<ref>Simon 256</ref><ref>{{cite web|url=http://www.bigbandbuddies.co.uk/Pat-friday.htm|title=Pat Friday|website=Bigbandbuddies.co.uk|access-date=23 March 2019|archive-date=7 September 2008|archive-url=https://web.archive.org/web/20080907111006/http://www.bigbandbuddies.co.uk/Pat-friday.htm|url-status=live}}</ref> Also recorded separately by the band for Bluebird in New York City on August 11, 1941 and released as a Bluebird B-11263-A.<ref name="Flower 335"/><ref>Recording and filming dates for ''Sun Valley Serenade'': March 24 – May 3, 1941 see Flower 289 |
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Recording and filming dates for ''Orchestra Wives'': March 23 – May 22, 1942 see Flower 426</ref> The single reached number 18 on the Billboard chart in 1941, staying on for one week. |
Recording and filming dates for ''Orchestra Wives'': March 23 – May 22, 1942 see Flower 426</ref> The single reached number 18 on the Billboard chart in 1941, staying on for one week. |
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|Vocal by Paula Kelly and the Modernaires. The B-side to "Chattanooga Choo Choo", recorded May 7, 1941, also was featured in ''Sun Valley Serenade''.<ref>Flower 305</ref> Sung by Pat Friday<ref>{{cite web|url=http://www.bigbandbuddies.co.uk/Pat-friday.htm |title=Pat Friday |website=Bigbandbuddies.co.uk |date= | |
|Vocal by Paula Kelly and the Modernaires. The B-side to "Chattanooga Choo Choo", recorded May 7, 1941, also was featured in ''Sun Valley Serenade''.<ref>Flower 305</ref> Sung by Pat Friday<ref>{{cite web |url=http://www.bigbandbuddies.co.uk/Pat-friday.htm |title=Pat Friday |website=Bigbandbuddies.co.uk |access-date=2017-07-27 |archive-date=2008-09-07 |archive-url=https://web.archive.org/web/20080907111006/http://www.bigbandbuddies.co.uk/Pat-friday.htm |url-status=live }}</ref> and John Payne<ref name="Pat Friday">{{cite web |url=http://www.bigbandbuddies.co.uk/Pat-friday.htm |title=Pat Friday |publisher=Bigbandbuddies.co.uk |access-date=2017-07-27 |archive-date=2008-09-07 |archive-url=https://web.archive.org/web/20080907111006/http://www.bigbandbuddies.co.uk/Pat-friday.htm |url-status=live }}</ref> with the Modernaires in ''Sun Valley Serenade''.<ref>Flower 290</ref> |
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| align="left"| "[[A String of Pearls (song)|A String Of Pearls]]" |
| align="left"| "[[A String of Pearls (song)|A String Of Pearls]]" |
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| align="left"| "[[Moonlight Cocktail]]" |
| align="left"| "[[Moonlight Cocktail]]" |
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| align="left" data-sort-value="I've Got a Gal In Kalamazoo"| "[[(I've Got a Gal In) Kalamazoo|<small>(I've Got a Gal In)</small> Kalamazoo]]" |
| align="left" data-sort-value="I've Got a Gal In Kalamazoo"| "[[(I've Got a Gal In) Kalamazoo|<small>(I've Got a Gal In)</small> Kalamazoo]]" |
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| Vocal by Tex Beneke, Marion Hutton and the Modernaires. Number one for 7 weeks. The biggest hit from ''[[Orchestra Wives]]'',<ref>Flower 429</ref> it was recorded at RCA Victor's studios in Hollywood<ref>Flower 445</ref> |
| Vocal by Tex Beneke, Marion Hutton and the Modernaires. Number one for 7 weeks. The biggest hit from ''[[Orchestra Wives]]'',<ref>Flower 429</ref> it was recorded at RCA Victor's studios in Hollywood,<ref>Flower 445</ref> pressed as Victor 27934-A, and was number one for 7 weeks on the Billboard Best Sellers chart in 1942.<ref>Benny Goodman and his Orchestra recorded a cover version in 1942 which was released as a 78, Columbia 36622</ref> |
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| Envisioned as a major song for ''Sun Valley Serenade'' with an arrangement by Jerry Gray and Bill Finegan, "At Last" was sung off-screen by Pat Friday<ref name="Pat Friday"/> with actor [[John Payne (actor)|John Payne]]. However, the song was mostly deleted from the release print; The audio portion survives and has been issued many times.<ref name="Flower 292"/> Reintroduced in an alternative arrangement the next year, with dual vocals by Ray Eberle and Pat Friday,<ref name="Pat Friday"/> its musical motif was played throughout the movie during dramatic and romantic scenes. Eberle sang it solo for the Victor 78.<ref>Flower 445–446</ref> Glenn Miller was the first to record "At Last", reaching fourteen on the Billboard in 1942 and his recording became the first in a long history of popular versions. "At Last" subsequently became a standard covered by Nat King Cole<ref>{{cite web|url=http://www.secondhandsongs.com/song/30148.html |title= |
| Envisioned as a major song for ''Sun Valley Serenade'' with an arrangement by Jerry Gray and Bill Finegan, "At Last" was sung off-screen by Pat Friday<ref name="Pat Friday"/> with actor [[John Payne (actor)|John Payne]]. However, the song was mostly deleted from the release print; The audio portion survives and has been issued many times.<ref name="Flower 292"/> Reintroduced in an alternative arrangement the next year, with dual vocals by Ray Eberle and Pat Friday,<ref name="Pat Friday"/> its musical motif was played throughout the movie during dramatic and romantic scenes. Eberle sang it solo for the Victor 78.<ref>Flower 445–446</ref> Glenn Miller was the first to record "At Last", reaching fourteen on the Billboard in 1942 and his recording became the first in a long history of popular versions. "At Last" subsequently became a standard covered by Nat King Cole<ref>{{cite web|url=http://www.secondhandsongs.com/song/30148.html |title=Second Hand Songs - Song: At Last - Nat King Cole |website=SecondHandSongs |access-date=2009-02-05 |url-status=dead |archive-url=https://web.archive.org/web/20081223193151/http://www.secondhandsongs.com/song/30148.html |archive-date=2008-12-23 }}</ref> and Etta James<ref>{{cite web|url=http://www.rockhall.com/inductees/etta-james|title=Etta James|work=rockhall.com|access-date=2014-06-21|archive-date=2014-07-20|archive-url=https://web.archive.org/web/20140720103519/https://rockhall.com/inductees/etta-james/|url-status=live}}</ref> in the 1950s and 1960s, the Etta James version reaching number 47 on the ''Billboard'' Hot 100 and number two on the R&B chart in 1961, [[Ray Anthony]], who reached number two on ''Billboard'' with a remake in 1952, [[Lou Rawls]], [[Celine Dion]], [[Diana Krall]], [[Eva Cassidy]], [[Miles Davis]], [[Joni Mitchell]], [[Bing Crosby]], [[Aretha Franklin]], the [[Oak Ridge Boys]], [[Cyndi Lauper]], [[Doris Day]], [[Ella Fitzgerald]], [[Chet Baker]], [[Michael Bolton]], [[Dianne Reeves]], [[Stevie Wonder]], [[Christina Aguilera]], and [[Beyoncé]] in 2008. By the 2000s, Etta James' version seemed to have eclipsed Miller's. Miller's version, however, appeared in ''Till There Was You'' (1997). [[Beyoncé]] also sang it at one of the Inaugural Balls for President [[Barack Obama]] in 2009.<ref>[http://www.suntimes.com/entertainment/people/1385702,w-beyonce-at-last-obama-inauguration-ball.article "Beyonce to Sing Etta James Classic at Inaugural Ball"] {{Webarchive|url=https://web.archive.org/web/20090503100102/http://www.suntimes.com/entertainment/people/1385702,w-beyonce-at-last-obama-inauguration-ball.article |date=2009-05-03 }}. ''Chicago Sun-Times'', January 19, 2009.</ref> |
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| align="left"| "Dearly Beloved" |
| align="left"| "Dearly Beloved" |
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| Vocal by Skip Nelson and the Modernaires. |
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| align="left"| "[[That Old Black Magic]]" |
| align="left"| "[[That Old Black Magic]]" |
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* "[[Sold American]]" – written by Glenn Miller and Chummy MacGregor, was first recorded on May 23, 1938, as part of the first session for the new, reformed Glenn Miller Orchestra on Brunswick.<ref name="Flower 14">Flower 14</ref> When Miller signed with Victor he recorded "Sold American" again on June 27, 1939.<ref>Flower 72–73</ref> |
* "[[Sold American]]" – written by Glenn Miller and Chummy MacGregor, was first recorded on May 23, 1938, as part of the first session for the new, reformed Glenn Miller Orchestra on Brunswick.<ref name="Flower 14">Flower 14</ref> When Miller signed with Victor he recorded "Sold American" again on June 27, 1939.<ref>Flower 72–73</ref> |
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* "The Rhumba Jumps!" – Vocal by Marion Hutton and Tex Beneke. |
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* "The Rhumba Jumps!" – Vocal by Marion Hutton and Tex Beneke. |
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* "[[Sometime (Glenn Miller song)|Sometime]]" – vocal by Ray Eberle, composed by Glenn Miller and Chummy MacGregor in 1939, the song was only performed for radio broadcast; published in 1940 with lyrics credited to Mitchell Parish |
* "[[Sometime (Glenn Miller song)|Sometime]]" – vocal by Ray Eberle, composed by Glenn Miller and Chummy MacGregor in 1939, the song was only performed for radio broadcast; published in 1940 with lyrics credited to Mitchell Parish |
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* "Long Tall Mama" – written by Billy May under his first wife's name, "Arletta May". |
* "Long Tall Mama" – written by Billy May under his first wife's name, "Arletta May". |
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* "Measure for Measure" – written by Billy May, recording exists from ''Sun Valley Serenade'' sound-on-film sessions. |
* "Measure for Measure" – written by Billy May, recording exists from ''Sun Valley Serenade'' sound-on-film sessions. |
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* "Daisy Mae" – written by Billy May with Hal McIntyre |
* "Daisy Mae" – written by Billy May with Hal McIntyre |
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* "Gabby Goose" – written by Billy May |
* "Gabby Goose" – written by Billy May |
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* "Swinging at the Seance" - composed by Edward Stone, whose real name was Abie Steinfeld. The song was covered by The Moon-Rays in 2008, and the Deep River Boys in 2009. |
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* "Yesterthoughts" – vocal by Ray Eberle. |
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* "Swinging at the Seance" - composed by Edward Stone whose real name was Abie Steinfeld. The song was covered by The Moon-Rays in 2008, and the Deep River Boys in 2009. |
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* "Yester Thoughts" – vocal by Ray Eberle. |
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* "Flagwaver" - written by Jerry Gray. |
* "Flagwaver" - written by Jerry Gray. |
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* "A Love Song Hasn't Been Sung" - written by Jerry Gray, Bill Conway, and Harold Dickinson. |
* "A Love Song Hasn't Been Sung" - written by Jerry Gray, Bill Conway, and Harold Dickinson. |
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* "Are You Rusty, Gate?" – written by Jerry Gray. |
* "Are You Rusty, Gate?" – written by Jerry Gray. |
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* "[[Introduction to a Waltz]]" – instrumental composed by Glenn Miller, Jerry Gray, and Hal Dickinson and performed for radio broadcast only.<ref>The song was recorded by the Jack Million Band on the album ''In the Mood for Glenn Miller, Volume 1.''</ref> |
* "[[Introduction to a Waltz]]" – instrumental composed by Glenn Miller, Jerry Gray, and Hal Dickinson and performed for radio broadcast only.<ref>The song was recorded by the Jack Million Band on the album ''In the Mood for Glenn Miller, Volume 1.''</ref> |
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* "The Man in the Moon" – Vocal by Ray Eberle. Written by Jerry Gray, Jerry Lawrence, and John Benson Brooks and recorded on September 3, 1941.<ref>An unreleased instrumental version was recorded for the ''Orchestra Wives'' soundtrack and never used in the release print. See the 1994 compact disc "Glenn Miller in Stereo" and its accompanying liner notes.</ref> |
* "The Man in the Moon" – Vocal by Ray Eberle. Written by Jerry Gray, Jerry Lawrence, and John Benson Brooks and recorded on September 3, 1941.<ref>An unreleased instrumental version was recorded for the ''Orchestra Wives'' soundtrack and never used in the release print. See the 1994 compact disc "Glenn Miller in Stereo" and its accompanying liner notes.</ref> |
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* "Solid as a Stonewall, Jackson" – written by Chummy MacGregor and Jerry Gray |
* "Solid as a Stonewall, Jackson" – written by Chummy MacGregor and Jerry Gray |
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* "[[Stardust (1927 song)|Stardust]]" by Hoagy Carmicheal and Mitchell Parish. Recorded January 29, 1940 for Bluebird.<ref name="Flower 124">Flower 124</ref> |
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* "[[Stardust (song)|Stardust]]" by Hoagy Carmicheal and Mitchell Parish. Recorded January 29, 1940 for Bluebird.<ref name="Flower 124">Flower 124</ref> |
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* "Delilah" – Vocal by Tex Beneke and the Modernaires. |
* "Delilah" – Vocal by Tex Beneke and the Modernaires. |
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* "Sentimental Me" – Vocal by [[Dorothy Claire]].<ref>Flower 266, 272, 276</ref> |
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* "Sentimental Me" – Vocal by Dorothy Claire.<ref>Flower 266, 272, 276</ref> |
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* "Ida! Sweet As Apple Cider" – Vocal by Tex Beneke; Recorded January 17, 1941. Written by Eddie Leonard. Two recordings exist, one a test pressing. Arranged by Billy May.<ref>Flower 270</ref> |
* "Ida! Sweet As Apple Cider" – Vocal by Tex Beneke; Recorded January 17, 1941. Written by Eddie Leonard. Two recordings exist, one a test pressing. Arranged by Billy May.<ref>Flower 270</ref> |
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* "Down for the Count" - written by Bill Finegan, performed over broadcast. |
* "Down for the Count" - written by Bill Finegan, performed over broadcast. |
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* "Conversation Piece" - written by Bill Finegan, performed over broadcast. |
* "Conversation Piece" - written by Bill Finegan, performed over broadcast. |
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* "[[Tiger Rag]]" – composed by Nick LaRocca.<ref>Originally recorded by the Original Dixieland Jazz Band in 1917 in New York, it became a jazz standard and one of the most covered jazz songs of the twentieth century.</ref> |
* "[[Tiger Rag]]" – composed by Nick LaRocca.<ref>Originally recorded by the Original Dixieland Jazz Band in 1917 in New York, it became a jazz standard and one of the most covered jazz songs of the twentieth century.</ref> |
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* "Slumber Song" – written by Chummy MacGregor and Saul Tepper.<ref>Flower 379</ref> It was used as Glenn Miller's theme song in 1941 when contractual problems with [[ASCAP]]<ref>{{cite web |url=http://www.donaldclarkemusicbox.com/rise-and-fall/detail.php?c=12 |title=The Rise and Fall of Popular Music |website=Donaldclarkemusicbox.com |access-date=2017-07-27 |archive-date=2019-04-22 |archive-url=https://web.archive.org/web/20190422064953/http://donaldclarkemusicbox.com/rise-and-fall/detail.php?c=12 |url-status=live }}</ref> forbade him from using "Moonlight Serenade".<ref>Simon 243</ref> |
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* "Slumber Song" – written by Chummy MacGregor and Saul Tepper.<ref>Flower 379</ref> It was used as Glenn Miller's theme song in 1941 when contractual problems with [[ASCAP]],<ref>{{cite web|url=http://www.donaldclarkemusicbox.com/rise-and-fall/detail.php?c=12 |title=The Rise and Fall of Popular Music |website=Donaldclarkemusicbox.com |date= |accessdate=2017-07-27}}</ref> forbade him from using "Moonlight Serenade".<ref>Simon 243</ref> |
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* "The Spirit is Willing" – written by Jerry Gray. Recorded for the soundtrack, but not used for ''Sun Valley Serenade''. Audio still survives and has been reissued several times.<ref name="Flower 292">Flower 292</ref> Issued on 78 as Bluebird B-11135-A.<ref name="Flower 280"/> |
* "The Spirit is Willing" – written by Jerry Gray. Recorded for the soundtrack, but not used for ''Sun Valley Serenade''. Audio still survives and has been reissued several times.<ref name="Flower 292">Flower 292</ref> Issued on 78 as Bluebird B-11135-A.<ref name="Flower 280"/> |
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* "Helpless" – written by Glenn Miller Orchestra; guitarist and vocalist [[Jack Lathrop]] |
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* "Long Time No See, Baby" – Vocal by [[Marion Hutton]] – [[Jack Lathrop]] & [[Sunny Skylar]] (w&m) |
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* "Helpless" – written by Glenn Miller Orchestra guitarist and vocalist Jack Lathrop. |
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* "Long Time No See, Baby" – Vocal by Marion Hutton – written by Jack Lathrop. |
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* "Keep 'Em Flying" – written by Jerry Gray. Glenn Miller changed the song title from "That's Where I Came In" to "Keep 'Em Flying". Recorded December 8, 1941.<ref name="Flower 385"/> |
* "Keep 'Em Flying" – written by Jerry Gray. Glenn Miller changed the song title from "That's Where I Came In" to "Keep 'Em Flying". Recorded December 8, 1941.<ref name="Flower 385"/> |
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* "Oh! So Good" – written by Jerry Gray |
* "Oh! So Good" – written by Jerry Gray |
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* "Soldier, Let Me Read Your Letter" – arranged by arranger/trumpeter Billy May; written by Sidney Lippman, Pvt. Pat Fallon and Pvt. Tim Pasma |
* "Soldier, Let Me Read Your Letter" – arranged by arranger/trumpeter Billy May; written by Sidney Lippman, Pvt. Pat Fallon and Pvt. Tim Pasma |
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* "[[I Got Rhythm]]" – Billy May, arranger; January 1, 1942 broadcast <ref>Flower, 398</ref> |
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* "[[I Got Rhythm]]" – Billy May, arranger /January 1, 1942 broadcast <ref>Flower, 398</ref> |
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* "[[Boom Shot]]" – composed by Glenn Miller and Billy May (under his wife's name Arletta May) for ''Orchestra Wives'' and arranged by George Williams. |
* "[[Boom Shot]]" – composed by Glenn Miller and Billy May (under his wife's name Arletta May) for ''Orchestra Wives'' and arranged by George Williams. |
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* "Blues in the Night" — December 18, 1941 broadcast. |
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* "When Johnny Comes Marching Home" — Recorded February 18, 1942. |
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* "Blues in the Night" |
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* "Rainbow Rhapsody" — Recorded July 16, 1942. |
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* "Make Believe" — September 9, 1942 broadcast. |
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* "When Johnny Comes Marching Home" |
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* "Lullaby of the Rain" — Recorded May 20, 1942. |
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* "Rainbow Rhapsody" |
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* "[[Polka Dots and Moonbeams]]" |
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* "Make Believe" |
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* "Twenty Four Robbers" |
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* "On A Little Street in Singapore" |
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'''[[Harry Warren]] and [[Mack Gordon]] songs for ''[[Sun Valley Serenade]]'' and ''[[Orchestra Wives]]'':''' |
'''[[Harry Warren]] and [[Mack Gordon]] songs for ''[[Sun Valley Serenade]]'' and ''[[Orchestra Wives]]'':''' |
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<small>Harry Warren and Mack Gordon were songwriters under contract with Twentieth Century Fox from 1940 to 1943.<ref>{{cite web|url=http://www.hollywood.com/celebrity/Harry_Warren/191540|title=Harry Warren|website=Archive.is| |
<small>Harry Warren and Mack Gordon were songwriters under contract with Twentieth Century Fox from 1940 to 1943.<ref>{{cite web|url=http://www.hollywood.com/celebrity/Harry_Warren/191540|title=Harry Warren|website=Archive.is|access-date=2017-07-27|url-status=bot: unknown|archive-url=https://archive.today/20130126115836/http://www.hollywood.com/celebrity/Harry_Warren/191540|archive-date=2013-01-26}}</ref> During that time period they composed the songs for Miller's movies for Fox.</small> |
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* "The Kiss Polka", used in ''Sun Valley Serenade''<ref>Flower 290, 291</ref> and also appeared as a Bluebird 78.<ref name="Flower 335">Flower 335</ref> |
* "The Kiss Polka", used in ''Sun Valley Serenade''<ref>Flower 290, 291</ref> and also appeared as a Bluebird 78.<ref name="Flower 335">Flower 335</ref> |
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* "The World is Waiting to Waltz Again" – vocal by John Payne, cut out of the release print of ''Sun Valley Serenade''. |
* "The World is Waiting to Waltz Again" – vocal by John Payne, cut out of the release print of ''Sun Valley Serenade''. |
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* "People Like You and Me" – Vocals by Marion Hutton, Tex Beneke, Ray Eberle, and the Modernaires in ''Orchestra Wives''.<ref name="Flower 427"/> Not recorded commercially or performed for broadcast. |
* "People Like You and Me" – Vocals by Marion Hutton, Tex Beneke, Ray Eberle, and the Modernaires in ''Orchestra Wives''.<ref name="Flower 427"/> Not recorded commercially or performed for broadcast. |
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* "That's Sabotage" – vocal by Marion Hutton. Cut out of the release print of ''Orchestra Wives'' supposedly by pressure from the United States government about how the war effort was being presented in the song.<ref>{{cite book|url=https://books.google.com/books?id=_Y0yJS0SWdcC&pg=PA143 |title=Chattanooga Choo Choo: The Life and Times of the World Famous Glenn Miller ... |author=Richard Grudens |year=2004 |page=143 |isbn=9781575792774 |access-date=2017-07-27}}</ref> The 35mm audio survives and has been released many times.<ref>{{cite web|last=Dargis |first=Manohla |url=https://movies.nytimes.com/movie/127021/LIFE-Goes-to-War/overview |archive-url=https://web.archive.org/web/20121020103449/http://movies.nytimes.com/movie/127021/LIFE-Goes-to-War/overview |url-status=dead |archive-date=2012-10-20 |title=Movie Reviews |department=Movies & TV Dept. |work=[[The New York Times]] |date=2012 |access-date=2017-07-27}}</ref><ref>Flower 430</ref> Also recorded with Marion Hutton for RCA Victor.<ref>Flower 455</ref> |
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'''Radio format''':<br /> |
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* "That's Sabotage" – vocal by Marion Hutton. Cut out of the release print of ''Orchestra Wives'' supposedly by pressure from the United States government about how the war effort was being presented in the song.<ref>{{cite book|url=https://books.google.com/books?id=_Y0yJS0SWdcC&pg=PA143 |title=Chattanooga Choo Choo: The Life and Times of the World Famous Glenn Miller ... |author=Richard Grudens |page=143 |website=Books.google.com |date= |accessdate=2017-07-27}}</ref> The 35mm audio survives and has been released many times.<ref>{{cite web|last=Dargis |first=Manohla |url=https://movies.nytimes.com/movie/127021/LIFE-Goes-to-War/overview |title=Movie Reviews |website=Movies.nytimes.com |date=2017-07-20 |accessdate=2017-07-27}}</ref><ref>Flower 430</ref> Also recorded with Marion Hutton for RCA Victor.<ref>Flower 455</ref> |
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In sharing air time with the Andrews Sisters for the early Chesterfield Shows, the Miller band had nine minutes to present its music. Miller instituted medleys of ''Something Old, Something New, Something Borrowed, Something Blue'' into the band's broadcasts to enable it to play as much as possible.<ref>Simon 199</ref> This medley tradition continued into both later programs and the ''I Sustain The Wings'' radio broadcasts of the Major Glenn Miller Army Air Forces Orchestra (March 20, 1943 to January 15, 1946). |
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'''Radio format''':<br> |
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In sharing air time with the Andrews Sisters for the early Chesterfield Shows, the Miller band had nine minutes to present its music. Miller instituted medleys of ''Something Old, Something New, Something Borrowed, Something Blue'' into the band's broadcasts to enable it to play as much as possible.<ref>Simon 199</ref> This medley tradition continued into both later programs and the Army Air Force band's radio broadcasts. |
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Sample Glenn Miller medley, June 19, 1940 Cincinnati, Ohio, ''Chesterfield show'' with a Jerry Gray arrangement of all tracks: |
Sample Glenn Miller medley, June 19, 1940, Cincinnati, Ohio, ''Chesterfield show'' with a Jerry Gray arrangement of all tracks: |
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'''Old''' – "The Touch of Your Hand" <small>(Generally an older song)</small> |
'''Old''' – "The Touch of Your Hand" <small>(Generally an older song)</small> |
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'''Borrowed''' – "The Waltz You Saved For Me" <small>(Themes or songs made famous by other bands/bandleaders; Borrowed from bandleader [[Wayne King]], written by King, Gus Kahn and Emil Flindt)</small> |
'''Borrowed''' – "The Waltz You Saved For Me" <small>(Themes or songs made famous by other bands/bandleaders; Borrowed from bandleader [[Wayne King]], written by King, Gus Kahn and Emil Flindt)</small> |
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'''Blue''' – "[[The Blue Danube|Blue Danube]]" <small>("Blue" in title, written by Johann Strauss |
'''Blue''' – "[[The Blue Danube|Blue Danube]]" <small>("Blue" in title, written by Johann Strauss Jr., 1867)<ref>Flower 184</ref></small> |
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==Recordings as sideman, arranger, and leader: 1926–1938== |
==Recordings as sideman, arranger, and leader: 1926–1938== |
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The first authenticated recordings made by Glenn Miller were in 1926. In the fall of 1926, Earl Baker, a cornetist, made recordings on cylinders using the Edison Standard Phonograph recording device, making the first recordings of Glenn Miller, Benny Goodman, and Fud Livingston. Miller and Goodman were both in the [[Ben Pollack]] and his Californians band at that time. The Ben Pollack band was in Chicago, Illinois, to make studio recordings for Victor. The Baker cylinders are available on the album "The Legendary Earl Baker Cylinders", released by the Jazz Archives record label as JA43 in 1979. The songs performed included "Sleepy Time Gal", "Sister Kate", "After I Say I'm Sorry", and "Sobbin' Blues".<ref>{{cite web|author=Eduard Voelker |url=http://members.kabsi.at/specials/miller/bands.htm |title=Glenn Miller's Bands |publisher=Members.kabsi.at |date=1938-01-01 | |
The first authenticated recordings made by Glenn Miller were in 1926. In the fall of 1926, Earl Baker, a cornetist, made recordings on cylinders using the Edison Standard Phonograph recording device, making the first recordings of Glenn Miller, Benny Goodman, and Fud Livingston. Miller and Goodman were both in the [[Ben Pollack]] and his Californians band at that time. The Ben Pollack band was in Chicago, Illinois, to make studio recordings for Victor. The Baker cylinders are available on the album "The Legendary Earl Baker Cylinders", released by the Jazz Archives record label as JA43 in 1979. The songs performed included "Sleepy Time Gal", "Sister Kate", "After I Say I'm Sorry", and "Sobbin' Blues".<ref>{{cite web |author=Eduard Voelker |url=http://members.kabsi.at/specials/miller/bands.htm |title=Glenn Miller's Bands |publisher=Members.kabsi.at |date=1938-01-01 |access-date=2012-01-07 |archive-date=2012-02-16 |archive-url=https://web.archive.org/web/20120216110010/http://members.kabsi.at/specials/miller/bands.htm |url-status=live }}</ref> |
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* "When I First Met Mary" – recorded on December 9, 1926 in Chicago as part of Ben Pollack and his Californians which featured Benny Goodman on clarinet. The recording was released as Victor 20394. |
* "When I First Met Mary" – recorded on December 9, 1926, in Chicago as part of Ben Pollack and his Californians which featured Benny Goodman on clarinet. The recording was released as Victor 20394. |
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* "He's the Last Word" – recorded on December 12, 1926 with Ben Pollack and featuring a solo by Benny Goodman |
* "He's the Last Word" – recorded on December 12, 1926, with Ben Pollack and featuring a solo by Benny Goodman |
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* "Room 1411 (Goin' to Town)" – Miller's first known composition, written with Benny Goodman in 1928 and recorded with Miller's peers was released on 78 as Brunswick 4013. |
* "Room 1411 (Goin' to Town)" – Miller's first known composition, written with Benny Goodman in 1928 and recorded with Miller's peers was released on 78 as Brunswick 4013. |
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* "[[Solo Hop]]" – composed by Glenn Miller in 1935 when he began recording under his own name which features a trumpet solo by Bunny Berigan. The record reached number seven on the Billboard singles chart in 1935 becoming Miller's first hit record. |
* "[[Solo Hop]]" – composed by Glenn Miller in 1935 when he began recording under his own name which features a trumpet solo by Bunny Berigan. The record reached number seven on the Billboard singles chart in 1935 becoming Miller's first hit record. |
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* "[[Dese Dem Dose]]" – with the Dorsey Brothers and Ray Noble. |
* "[[Dese Dem Dose]]" – with the Dorsey Brothers and Ray Noble. |
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* "When Icky Morgan Plays the Organ" – recorded with the Clark Randall Orchestra in 1935. Clark Randall was the pseudonym of Frank Tennille, the father of Toni Tennille of the Captain and Tennille. Most of the band members in the Clark Randall Orchestra were part of the Bob Crosby Orchestra. |
* "When Icky Morgan Plays the Organ" – recorded with the Clark Randall Orchestra in 1935. Clark Randall was the pseudonym of Frank Tennille, the father of Toni Tennille of the Captain and Tennille. Most of the band members in the Clark Randall Orchestra were part of the Bob Crosby Orchestra. |
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* "[[Annie's Cousin Fanny]]" – with the Dorsey Brothers in 1934, vocal by Kay Weber and orchestra. This song was covered by Dick Pierce, Russ Carlton and his Orchestra, Marshall Royal and Maxwell Davis on the album ''Studio Cuts'' which includes two takes of the song and in 2000 by Mora's Modern Rhythmists Dance Orchestra, a ten-piece ensemble that plays jazz and swing from the 1920s and 1930s. The record was banned by radio stations in 1934 because of suggestive lyrics relying on double entendre.<ref>{{cite web |url=http://www.morasmodern.com/music-usa.ASP |title= |
* "[[Annie's Cousin Fanny]]" – with the Dorsey Brothers in 1934, vocal by Kay Weber and orchestra. This song was covered by Dick Pierce, Russ Carlton and his Orchestra, Marshall Royal and Maxwell Davis on the album ''Studio Cuts'' which includes two takes of the song and in 2000 by Mora's Modern Rhythmists Dance Orchestra, a ten-piece ensemble that plays jazz and swing from the 1920s and 1930s. The record was banned by radio stations in 1934 because of suggestive lyrics relying on double entendre.<ref>{{cite web |url=http://www.morasmodern.com/music-usa.ASP |title=M O R A' S M O D e R N M U S I C |access-date=2009-02-05 |url-status=dead |archive-url=https://web.archive.org/web/20081231192915/http://morasmodern.com/music-USA.asp |archive-date=2008-12-31 }}</ref> |
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* "Every Day's a Holiday" was a 1938 Brunswick 78 single by Glenn Miller and his Orchestra that reached number 17 on Billboard, staying on the charts for one week. This was Glenn Miller's second hit record before he switched to the Bluebird label. |
* "Every Day's a Holiday" was a 1938 Brunswick 78 single by Glenn Miller and his Orchestra that reached number 17 on Billboard, staying on the charts for one week. This was Glenn Miller's second hit record before he switched to the Bluebird label. |
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* "[[Doin' the Jive]]" |
* "[[Doin' the Jive]]" |
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* "[[Community Swing]]" |
* "[[Community Swing]]" |
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===Pre-1938 charted recordings=== |
===Pre-1938 charted recordings=== |
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{| class="sortable wikitable" |
{| class="sortable wikitable" |
||
! rowspan="2" width="40"| Year |
! rowspan="2" width="40"| Year |
||
! width=" |
! width="225" rowspan="2" | Single |
||
! width=" |
! width="300" rowspan="2" | Group |
||
! width=" |
! width="225" colspan="3" text-align="left" style="text-align:center;"|Role |
||
! Peak chart position |
! width="80"| Peak chart position |
||
! width="80" rowspan="2"|Total |
! width="80" rowspan="2" data-sort-type=number |Total{{Clear}}weeks charted |
||
|- |
|||
|- style="font-size:smaller;" |
|||
! width=" |
! width="75" data-sort-type=text |Sideman |
||
! width="75" data-sort-type=text |Arranger |
|||
! width="75" data-sort-type=text |Leader |
|||
! width="80" data-sort-type=number |US<ref name=Whitburn/> |
|||
|- |
|- |
||
| align="center"| 1928 |
| align="center"| 1928 |
||
| align="left"| "[[Sweet Sue, Just You|Sweet Sue – Just You]]" |
| align="left"| "[[Sweet Sue, Just You|Sweet Sue – Just You]]" |
||
| align="center"| [[Ben Pollack |
| align="center"| [[Ben Pollack]] and His Californians |
||
| align="center |
| align="center"|{{check mark-n}} |
||
| |
|||
| |
|||
| align="center"| 3 |
| align="center"| 3 |
||
| align="center"| 7 |
| align="center"| 7 |
||
|- |
|- |
||
| align="center" rowspan=" |
| align="center" rowspan="4"| 1929 |
||
| align="left"| "Sally Of My Dreams" |
|||
| align="center"| [[The Dorsey Brothers|Dorsey Brothers' Orchestra]] |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 17 |
|||
| align="center"| 2 |
|||
|- |
|||
| align="left"| "[[Let's Do It, Let's Fall in Love|Let's Do It {{small|(Let's Fall In Love)}}]]" |
|||
| align="center"| [[Bing Crosby]] {{small|(with Dorsey Brothers' Orchestra)}} |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 9 |
|||
| align="center"| 4 |
|||
|- |
|||
| align="left"| "[[I Wonder Where My Easy Rider's Gone#"Yellow Dog Rag"/"Yellow Dog Blues"|Yellow Dog Blues]]" |
| align="left"| "[[I Wonder Where My Easy Rider's Gone#"Yellow Dog Rag"/"Yellow Dog Blues"|Yellow Dog Blues]]" |
||
| align="center"| [[Ben Pollack|Ben's Bad Boys |
| align="center"| [[Ben Pollack|Ben]]'s Bad Boys |
||
| align="center"|{{check mark-n}} |
|||
| |
|||
| |
|||
| align="center"| 20 |
| align="center"| 20 |
||
| align="center"| 1 |
| align="center"| 1 |
||
|- |
|- |
||
| align="left"| "Indiana" |
| align="left"| "Indiana" |
||
| align="center"| [[Red Nichols |
| align="center"| [[Red Nichols]] and His Five Pennies |
||
| align="center"|{{check mark-n}} |
|||
| |
|||
| |
|||
| align="center"| 19 |
| align="center"| 19 |
||
| align="center"| 1 |
| align="center"| 1 |
||
|- |
|- |
||
| align="center" rowspan=" |
| align="center" rowspan="7"| 1930 |
||
| align="left"| "[[Strike Up the Band (song)|Strike Up the Band]]" |
| align="left"| "[[Strike Up the Band (song)|Strike Up the Band]]" |
||
| align="center"| |
| align="center"| Red Nichols and His{{Clear}}"Strike Up The Band" Orchestra |
||
| align="center"|{{check mark-n}} |
|||
| |
|||
| |
|||
| align="center"| 7 |
| align="center"| 7 |
||
| align="center"| 7 |
| align="center"| 7 |
||
Line 942: | Line 944: | ||
| align="left"| "[[I Want to Be Happy]]" |
| align="left"| "[[I Want to Be Happy]]" |
||
| align="center" rowspan="5"| Red Nichols and His Five Pennies |
| align="center" rowspan="5"| Red Nichols and His Five Pennies |
||
| align="center |
| align="center"|{{check mark-n}} |
||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 19 |
| align="center"| 19 |
||
| align="center"| 1 |
| align="center"| 1 |
||
|- |
|- |
||
| align="left"| "[[China Boy]]" |
| align="left"| "[[China Boy]]" |
||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 18 |
| align="center"| 18 |
||
| align="center"| 1 |
| align="center"| 1 |
||
|- |
|- |
||
| align="left"| "[[Embraceable You]]" |
| align="left"| "[[Embraceable You]]" |
||
| align="center |
| align="center"|{{check mark-n}} |
||
| |
|||
| |
|||
| align="center"| 3 |
| align="center"| 3 |
||
| align="center"| 9 |
| align="center"| 9 |
||
|- |
|- |
||
| align="left"| "[[It Had to Be You (song)|It Had to Be You]]" |
| align="left"| "[[It Had to Be You (song)|It Had to Be You]]" |
||
| align="center"|{{check mark-n}} |
|||
| |
|||
| |
|||
| align="center"| 19 |
| align="center"| 19 |
||
| align="center"| 1 |
| align="center"| 1 |
||
|- |
|- |
||
| align="left"| "[[I Got Rhythm]]" |
| align="left"| "[[I Got Rhythm]]" |
||
| align="center"|{{check mark-n}} |
|||
| |
|||
| |
|||
| align="center"| 5 |
| align="center"| 5 |
||
| align="center"| 8 |
| align="center"| 8 |
||
|- |
|- |
||
| align=" |
| align="left"| "[[Fine and Dandy]]" |
||
| align="center"| [[The Dorsey Brothers|The Travelers]] |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 18 |
|||
| align="center"| 1 |
|||
|- |
|||
| align="center" rowspan="13"| 1931 |
|||
| align="left"| "He's Not Worth Your Tears" |
| align="left"| "He's Not Worth Your Tears" |
||
| align="center"| [[Benny Goodman |
| align="center"| [[Benny Goodman]] and His Orchestra |
||
| align="center"|{{check mark-n}} |
|||
| |
|||
| |
|||
| align="center"| 20 |
| align="center"| 20 |
||
| align="center"| 1 |
| align="center"| 1 |
||
|- |
|- |
||
| align="left"| "Blue Again" |
| align="left"| "Blue Again" |
||
| align="center |
| align="center"| Red Nichols and His Five Pennies |
||
| align="center"|{{check mark-n}} |
|||
| |
|||
| |
|||
| align="center"| 10 |
| align="center"| 10 |
||
| align="center"| 6 |
| align="center"| 6 |
||
|- |
|||
| align="left"| "[[Walkin' My Baby Back Home (song)|Walkin' My Baby Back Home]]" |
|||
| align="center"| [[The Charleston Chasers]] |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| |
|||
| align="center"| 15 |
|||
| align="center"| 4 |
|||
|- |
|- |
||
| align="left"| "[[Corrine, Corrina|Corrine Corrina]]" |
| align="left"| "[[Corrine, Corrina|Corrine Corrina]]" |
||
| align="center"| Red Nichols and His Five Pennies |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| |
|||
| align="center"| 18 |
| align="center"| 18 |
||
| align="center"| 1 |
| align="center"| 1 |
||
|- |
|||
| align="left"| "[[Basin Street Blues]]" |
|||
| align="center"| The Charleston Chasers |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"| |
|||
| align="center"| 14 |
|||
| align="center"| 5 |
|||
|- |
|||
| align="left"| "Say A Little Prayer For Me" |
|||
| align="center"| [[Smith Ballew]] and His Orchestra |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"| |
|||
| align="center"| 15 |
|||
| align="center"| 2 |
|||
|- |
|- |
||
| align="left"| "[[You Rascal You]]" |
| align="left"| "[[You Rascal You]]" |
||
| align="center"| Red Nichols and His Five Pennies |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| |
|||
| align="center"| 17 |
| align="center"| 17 |
||
| align="center"| 1 |
| align="center"| 1 |
||
|- |
|||
| align="left"| "Little Girl" |
|||
| align="center"| [[Joe Venuti]] and His Orchestra |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| |
|||
| align="center"| 4 |
|||
| align="center"| 6 |
|||
|- |
|- |
||
| align="left"| "Fan It" |
| align="left"| "Fan It" |
||
| align="center"| Red Nichols and His Five Pennies |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| |
|||
| align="center"| 20 |
| align="center"| 20 |
||
| align="center"| 1 |
| align="center"| 1 |
||
|- |
|- |
||
| align=" |
| align="left"| "What Is It?" |
||
| align="center" rowspan="3"| Smith Ballew and His Orchestra |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 17 |
|||
| align="center"| 2 |
|||
|- |
|||
| align="left"| "[[Time on My Hands (song)|Time on My Hands {{small|(You In My Arms)}}]]" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 6 |
|||
| align="center"| 6 |
|||
|- |
|||
| align="left"| "You Call It Madness {{small|(But I Call It Love)}}" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 12 |
|||
| align="center"| 4 |
|||
|- |
|||
| align="left"| "Ooh That Kiss" |
|||
| align="center"|Dorsey Brothers' Orchestra |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 18 |
|||
| align="center"| 1 |
|||
|- |
|||
| align="center" rowspan="1"|1932 |
|||
| align="left"| "Was That the Human Thing to Do?" |
|||
| align="center" rowspan="2"| [[The Boswell Sisters]] {{small|( w/ Dorsey Brothers' Orchestra)}} |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 7 |
|||
| align="center"| 4 |
|||
|- |
|||
| align="center" rowspan="7"|1934 |
|||
| align="left"| "[[You Oughta Be in Pictures|You Oughta Be in Pictures{{Clear}}{{small|(My Star Of Stars)}}]]" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 17 |
|||
| align="center"| 1 |
|||
|- |
|||
| align="left"| "Lost In A Fog" |
| align="left"| "Lost In A Fog" |
||
| align="center" rowspan="6"| |
| align="center" rowspan="6"| Dorsey Brothers' Orchestra |
||
| align="center |
| align="center"|{{check mark-n}} |
||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 15 |
| align="center"| 15 |
||
| align="center"| 2 |
| align="center"| 2 |
||
|- |
|- |
||
| align="left"| "[[I'm Getting Sentimental Over You]]" |
| align="left"| "[[I'm Getting Sentimental Over You]]" |
||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 20 |
| align="center"| 20 |
||
| align="center"| 1 |
| align="center"| 1 |
||
|- |
|- |
||
| align="left"| "[[What a Diff'rence a Day Made|What A Diff'rence A Day Made]]" |
| align="left"| "[[What a Diff'rence a Day Made|What A Diff'rence A Day Made]]" |
||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 5 |
| align="center"| 5 |
||
| align="center"| 7 |
| align="center"| 7 |
||
|- |
|- |
||
| align="left"| "[[You're the Top|You're The Top]]" |
| align="left"| "[[You're the Top|You're The Top]]" |
||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 17 |
| align="center"| 17 |
||
| align="center"| 2 |
| align="center"| 2 |
||
|- |
|- |
||
| align="left"| "It's Dark On Observatory Hill" |
| align="left"| "It's Dark On Observatory Hill" |
||
| align="center"| |
| align="center"|{{check mark-n}} |
||
| align="center"| |
| align="center"|{{check mark-n}} |
||
| |
| |
||
| align="center" rowspan="4"|1935 |
|||
| align="left"| "It's Dark On Observatory Hill" |
|||
| align="center"| 16 |
| align="center"| 16 |
||
| align="center"| 3 |
| align="center"| 3 |
||
|- |
|- |
||
| align="left"| "If It's Love" |
| align="left"| "If It's Love" |
||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 18 |
| align="center"| 18 |
||
| align="center"| 1 |
| align="center"| 1 |
||
|- |
|- |
||
| align="center" rowspan="13"|1935 |
|||
| align="left"| "Clouds" |
| align="left"| "Clouds" |
||
| align="center" rowspan=" |
| align="center" rowspan="3"| [[Ray Noble]] and His Orchestra |
||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 5 |
| align="center"| 5 |
||
| align="center"| 9 |
| align="center"| 9 |
||
|- |
|||
| align="left"| "It's Bad For Me" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 15 |
|||
| align="center"| 2 |
|||
|- |
|- |
||
| align="left"| "Flowers for Madame" |
| align="left"| "Flowers for Madame" |
||
| align="center"| |
| align="center"|{{check mark-n}} |
||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 11 |
|||
| align="center"| 9 |
| align="center"| 9 |
||
|- |
|||
| align="left"| "[[Lullaby of Broadway (song)|Lullaby of Broadway]]" |
|||
| align="center"| Dorsey Brothers' Orchestra |
|||
| |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| ① |
|||
| align="center"| 11 |
|||
|- |
|||
| align="left"| "Paris in Spring" |
|||
| align="center" rowspan="2"| Ray Noble and His Orchestra |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| ① |
|||
| align="center"| 11 |
|||
|- |
|||
| align="left"| "Let's Swing It" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| ① |
|||
| align="center"| 7 |
|||
|- |
|- |
||
| align="left"| "[[Solo Hop]]" |
| align="left"| "[[Solo Hop]]" |
||
| align="center"| |
| align="center"| Glenn Miller and His Orchestra{{Clear}}{{small|(Studio group)}} |
||
| |
|||
| align="center"| Leader |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"| 7 |
| align="center"| 7 |
||
| align="center"| 5 |
| align="center"| 5 |
||
|- |
|- |
||
| align=" |
| align="left"| "[[Chinatown, My Chinatown]]" |
||
| align=" |
| align="center" rowspan="13"| Ray Noble and His Orchestra |
||
| align="center"| |
| align="center"|{{check mark-n}} |
||
| align="center"| |
| align="center"|{{check mark-n}} |
||
| |
|||
| align="center"| 14 |
|||
| align="center"| 2 |
|||
|- |
|||
| align="left"| "[[Top Hat, White Tie and Tails|Top Hat]]" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 4 |
|||
| align="center"| 6 |
|||
|- |
|||
| align="left"| "Double Trouble" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 12 |
|||
| align="center"| 10 |
|||
|- |
|||
| align="left"| "[[Mad About the Boy|Mad About The Boy]]" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 19 |
| align="center"| 19 |
||
| align="center"| 1 |
|||
|- |
|||
| align="left"| "The Piccolino" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 14 |
|||
| align="center"| 2 |
|||
|- |
|||
| align="left"| "Where Am I {{small|(Am I In Heaven?)}}" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 16 |
|||
| align="center"| 4 |
|||
|- |
|||
| align="center" rowspan=10|1936 |
|||
| align="left"| "Dinner For One Please, James" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 7 |
|||
| align="center"| 10 |
|||
|- |
|||
| align="left"| "I Built A Dream One Day" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 19 |
|||
| align="center"| 1 |
|||
|- |
|||
| align="left"| "A Beautiful Lady In Blue" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 13 |
|||
| align="center"| 3 |
|||
|- |
|||
| align="left"| "It's Great To Be In Love" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 20 |
|||
| align="center"| 1 |
|||
|- |
|||
| align="left"| "The Touch of Your Lips" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 12 |
|||
| align="center"| 4 |
|||
|- |
|||
| align="left"| "When I'm With You" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 15 |
|||
| align="center"| 4 |
|||
|- |
|||
| align="left"| "But Definitely" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 20 |
|||
| align="center"| 1 |
| align="center"| 1 |
||
|- |
|- |
||
| align="left"| "Thru' The Courtesy of Love" |
| align="left"| "Thru' The Courtesy of Love" |
||
| align="center"| [[ |
| align="center"| [[Ben Pollack|Ben Pollack and His Orchestra]] |
||
| align="center"| |
| align="center"|{{check mark-n}} |
||
| |
|||
| |
|||
| align="center"| 19 |
| align="center"| 19 |
||
| align="center"| 1 |
| align="center"| 1 |
||
|- |
|- |
||
| align="left"| "[[I've Got You Under My Skin]]" |
|||
| align="center" rowspan="3"| Ray Noble and His Orchestra |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 3 |
|||
| align="center"| 13 |
|||
|- |
|||
| align="left"| "[[You'd Be So Easy to Love|Easy To Love]]" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 7 |
|||
| align="center"| 9 |
|||
|- |
|||
| align="center"|1937 |
|||
| align="left"| "[[I've Got My Love to Keep Me Warm|I've Got My Love To Keep Me Warm]]" |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"|{{check mark-n}} |
|||
| |
|||
| align="center"| 3 |
|||
| align="center"| 9 |
|||
|- |
|||
| align="center"|1938 |
| align="center"|1938 |
||
| align="left"| "[[Every Day's a Holiday (song)|Every Day's A Holiday]]" |
| align="left"| "[[Every Day's a Holiday (song)|Every Day's A Holiday]]" |
||
| align="center"| Glenn Miller and His Orchestra<br><small>(Brunswick Records predecessor band)</small> |
| align="center"| Glenn Miller and His Orchestra<br /><small>(Brunswick Records predecessor band)</small> |
||
| |
|||
| align="center"| Leader |
|||
| |
|||
| align="center"|{{check mark-n}} |
|||
| align="center"| 17 |
| align="center"| 17 |
||
| align="center"| 1 |
| align="center"| 1 |
||
Line 1,057: | Line 1,339: | ||
|} |
|} |
||
==Army Air Force Band and V-Discs: 1943–1944== |
==Army Air Force Band (Glenn Miller Army Air Forces Orchestra) and V-Discs: 1943–1944== |
||
Navy V-Discs featured different color schemes than standard V-Discs. |
Navy V-Discs featured different color schemes than standard V-Discs. |
||
Line 1,064: | Line 1,346: | ||
! rowspan="2" width="40" style="text-align:center;"|Year released |
! rowspan="2" width="40" style="text-align:center;"|Year released |
||
! width="70" rowspan="2" text-align="left" style="text-align:center;"|V-Disc type |
! width="70" rowspan="2" text-align="left" style="text-align:center;"|V-Disc type |
||
! width="45" rowspan="2" text-align="left" data-sort-type="number" style="text-align:center;"| |
! width="45" rowspan="2" text-align="left" data-sort-type="number" style="text-align:center;"|No. |
||
! width="250" rowspan="2" style="text-align:center;"|Songs |
! width="250" rowspan="2" style="text-align:center;"|Songs |
||
! width="250" rowspan="2" data-sort-type=text style="text-align:center;"|Group |
! width="250" rowspan="2" data-sort-type=text style="text-align:center;"|Group |
||
Line 1,077: | Line 1,359: | ||
|- |
|- |
||
| align="center"| 39 |
| align="center"| 39 |
||
| align="center"| "Moonlight Serenade" / <br>"My Melancholy Baby" |
| align="center"| "Moonlight Serenade" / <br />"My Melancholy Baby" |
||
|- |
|- |
||
| align="center"| 65 |
| align="center"| 65 |
||
| align="center"| <small>''Spoken Introduction''</small> "Stardust" / <br>"[[Saint Louis Blues (song)|St. Louis Blues March]]" |
| align="center"| <small>''Spoken Introduction''</small> "Stardust" / <br />"[[Saint Louis Blues (song)|St. Louis Blues March]]" |
||
| align="center"| Captain Glenn Miller and the Army Air Forces Training Command Orchestra |
| align="center"| Captain Glenn Miller and the Army Air Forces Training Command Orchestra |
||
|{{show |
|{{show |
||
Line 1,086: | Line 1,368: | ||
| |
| |
||
|"Stardust": The civilian band's arrangement by Glenn Miller and Bill Finegan was recorded in 1940 for Bluebird.<ref name="Flower 124"/> The Army Air Force band uses a completely different arrangement making use of its string section and includes a French horn solo. A version was released as V-Disc 65A in December, 1943 with a spoken message by Glenn Miller: "This is Captain Glenn Miller speaking for the Army Air Forces Training Command Orchestra and we hope that you soldiers of the Allied forces enjoy these V-Discs that we're making just for you." |
|"Stardust": The civilian band's arrangement by Glenn Miller and Bill Finegan was recorded in 1940 for Bluebird.<ref name="Flower 124"/> The Army Air Force band uses a completely different arrangement making use of its string section and includes a French horn solo. A version was released as V-Disc 65A in December, 1943 with a spoken message by Glenn Miller: "This is Captain Glenn Miller speaking for the Army Air Forces Training Command Orchestra and we hope that you soldiers of the Allied forces enjoy these V-Discs that we're making just for you." |
||
<br> |
<br /> |
||
"St. Louis Blues March": Arranged by Jerry Gray, Ray McKinley, and Perry Burgett and recorded on October 29, 1943. Released as V-Disc 65B |
"St. Louis Blues March": Arranged by Jerry Gray, Ray McKinley, and Perry Burgett and recorded on October 29, 1943. Released as V-Disc 65B in December 1943 and as Navy V-Disc 114A. "St. Louis Blues March", credited as a "March" side, was released as V-Disc 522A in October, 1945. |
||
}} |
}} |
||
|- |
|- |
||
Line 1,093: | Line 1,375: | ||
| align="center"| V-Disc |
| align="center"| V-Disc |
||
| align="center"| 91 |
| align="center"| 91 |
||
| align="center"| "[[Stormy Weather (song)|Stormy Weather]]" /<br> "Buckle Down, Winsocki", "[[El Capitan (operetta)|El Capitan]]" |
| align="center"| "[[Stormy Weather (song)|Stormy Weather]]" /<br /> "Buckle Down, Winsocki", "[[El Capitan (operetta)|El Capitan]]" |
||
| align="center"| Captain Glenn Miller and the Army Air Forces Training Command Orchestra |
| align="center"| Captain Glenn Miller and the Army Air Forces Training Command Orchestra |
||
|{{show |
|{{show |
||
|style=text-align="center" |
|style=text-align="center" |
||
| |
| |
||
|"Stormy Weather": Released as V-Disc 91A in January 1944 as a "Sweet" side by Captain Glenn Miller and the AAFTC Orchestra.<br> |
|"Stormy Weather": Released as V-Disc 91A in January 1944 as a "Sweet" side by Captain Glenn Miller and the AAFTC Orchestra.<br /> |
||
"El Capitan": Released as the flip side, by the 418th AAFTC Band Under the Direction of Captain Glenn Miller as a "March" side; composed by [[John Philip Sousa]] and originally recorded by his band in 1895. |
"El Capitan": Released as the flip side, by the 418th AAFTC Band Under the Direction of Captain Glenn Miller as a "March" side; composed by [[John Philip Sousa]] and originally recorded by his band in 1895. |
||
}} |
}} |
||
Line 1,134: | Line 1,416: | ||
| align="center"| V-Disc |
| align="center"| V-Disc |
||
| align="center"| 201 |
| align="center"| 201 |
||
| align="center"| "[[Moon Dreams]]" /<br> "Sleepy Town Train" |
| align="center"| "[[Moon Dreams]]" /<br /> "Sleepy Town Train" |
||
| align="center"| Captain Glenn Miller and the Army Air Forces Training Command Orchestra / Glenn Miller and His Orchestra |
| align="center"| Captain Glenn Miller and the Army Air Forces Training Command Orchestra / Glenn Miller and His Orchestra |
||
|{{show |
|{{show |
||
|style=text-align="center" |
|style=text-align="center" |
||
| |
| |
||
| "Moon Dreams": Vocal by Johnny Desmond and the Crew Chiefs, was recorded with the Glenn Miller AAF Band and released as [[V-Disc]] 201A in October, 1944 and Navy V-Disc 114B. The music was written by Chummy MacGregor and lyrics by Johnny Mercer.<ref>The song was covered by the [[Miles Davis]] Nonet in 1950 on his album [[Birth of the Cool]] and also appears on "The Complete Birth of the Cool", arranged by [[Gil Evans]]</ref><ref>{{cite web|last=Brown |first=Scott |url=http://www.allaboutjazz.com/php/article.php?id=2961 |title=Miles Davis: The Complete Birth of the Cool |website=Allaboutjazz.com |date= | |
| "Moon Dreams": Vocal by Johnny Desmond and the Crew Chiefs, was recorded with the Glenn Miller AAF Band and released as [[V-Disc]] 201A in October, 1944 and Navy V-Disc 114B. The music was written by Chummy MacGregor and lyrics by Johnny Mercer.<ref>The song was covered by the [[Miles Davis]] Nonet in 1950 on his album [[Birth of the Cool]] and also appears on "The Complete Birth of the Cool", arranged by [[Gil Evans]]</ref><ref>{{cite web |last=Brown |first=Scott |url=http://www.allaboutjazz.com/php/article.php?id=2961 |title=Miles Davis: The Complete Birth of the Cool |website=Allaboutjazz.com |date=October 1998 |access-date=2017-07-27 |archive-date=2013-05-28 |archive-url=https://web.archive.org/web/20130528123253/http://www.allaboutjazz.com/php/article.php?id=2961 |url-status=live }}</ref> [[Gil Evans]] was also a main arranger for the Claude Thornhill orchestra in the forties, which was financed by Miller.<ref>{{cite web |url=http://www.parabrisas.com/d_thornhillc.php |title=Solid! -- Claude Thornhill |access-date=2009-02-05 |url-status=dead |archive-url=https://web.archive.org/web/20090415075633/http://www.parabrisas.com/d_thornhillc.php |archive-date=2009-04-15 }}</ref> As such, Glenn Miller had a very slight relationship with modern jazz, tangential nonetheless. Incidentally, Miles Davis did not like Thornhill's interpretations of some bebop songs that Evans arranged, like "Donna Lee", calling them "mannered". Despite this, Evans and Davis were best friends and collaborators for the rest of their lives. The Miles Davis Nonet recorded a live performance of "Moon Dreams" in 1948 in New York. [[Martha Tilton]] also recorded a version in 1942.<ref>{{cite web |url=http://www.organissimo.org/forum/lofiversion/index.php/t44130.html |title="The Birth of the Cool Songbook" on Night Lights - Jazz Radio & Podcasts - organissimo jazz forums - the best jazz discussion forum on the web! |access-date=2009-02-05 |url-status=dead |archive-url=https://archive.today/20130415142315/http://www.organissimo.org/forum/lofiversion/index.php/t44130.html |archive-date=2013-04-15 }}</ref> Jazz historian Richard Jessen has also proposed that Miller's recording of "Wham" from August 1, 1939, predates the same phrasing used in famed bebop track "[[Salt Peanuts]]" by [[Charlie Parker]] and [[Dizzy Gillespie]] in 1944.<ref>{{cite web |last=Brown |first=Scott |url=http://www.allaboutjazz.com/php/article.php?id=14387 |title=Glenn Miller: The Godfather Of Bop? |website=Allaboutjazz.com |date=14 August 2004 |access-date=2017-07-27 |archive-date=2012-10-22 |archive-url=https://web.archive.org/web/20121022093709/http://www.allaboutjazz.com/php/article.php?id=14387 |url-status=live }}</ref> |
||
<br> |
<br /> |
||
"Sleepy Town Train": 1942 RCA Bluebird studio recording, "Sweet" side. |
"Sleepy Town Train": 1942 RCA Bluebird studio recording, "Sweet" side. |
||
}} |
}} |
||
Line 1,146: | Line 1,428: | ||
| align="center"| V-Disc |
| align="center"| V-Disc |
||
| align="center"| 223 |
| align="center"| 223 |
||
| align="center" rowspan="2"| "[[Everybody Loves My Baby|Everybody Loves My Baby <small>(But My Baby Don't Love Me)</small>]]", "[[Stompin' at the Savoy]]" / <br>"Stealin' Apples" |
| align="center" rowspan="2"| "[[Everybody Loves My Baby|Everybody Loves My Baby <small>(But My Baby Don't Love Me)</small>]]", "[[Stompin' at the Savoy]]" / <br />"Stealin' Apples" |
||
| align="center" rowspan="2"| Captain Glenn Miller and the Army Air Forces Training Command Orchestra |
| align="center" rowspan="2"| Captain Glenn Miller and the Army Air Forces Training Command Orchestra |
||
| align="center" rowspan="2"|{{show |
| align="center" rowspan="2"|{{show |
||
Line 1,185: | Line 1,467: | ||
| align="center"| V-Disc |
| align="center"| V-Disc |
||
| align="center"| 302 |
| align="center"| 302 |
||
| align="center" rowspan="2"| "[[These Foolish Things (Remind Me of You)|These Foolish Things Remind Me of You]]", "[[ |
| align="center" rowspan="2"| "[[These Foolish Things (Remind Me of You)|These Foolish Things Remind Me of You]]", "[[Hit the Deck (musical)|Hallelujah]]" /<br /> "[[In the Gloaming (song)|In the Gloaming]]", "[[Deep Purple (song)|Deep Purple]]" |
||
| align="center" rowspan="2"| Benny Goodman and His V-Disc All-Star Band // and His V-Disc Quartette /<br> Major Glenn Miller and the Army Air Forces Training Command Orchestra |
| align="center" rowspan="2"| Benny Goodman and His V-Disc All-Star Band // and His V-Disc Quartette /<br /> Major Glenn Miller and the Army Air Forces Training Command Orchestra |
||
| align="center" rowspan="2"| {{show |
| align="center" rowspan="2"| {{show |
||
|style=text-align="center" |
|style=text-align="center" |
||
Line 1,198: | Line 1,480: | ||
| align="center"| V-Disc |
| align="center"| V-Disc |
||
| align="center"| 334 |
| align="center"| 334 |
||
| align="center"| "[[My Buddy (song)|My Buddy]]", "[[Farewell Blues]]" /<br> "Theme", "[[Lover |
| align="center"| "[[My Buddy (song)|My Buddy]]", "[[Farewell Blues]]" /<br /> "Theme", "[[Lover When You're Near Me|Lover]]" |
||
| align="center"| Major Glenn Miller and the Army Air Forces Training Command Orchestra / [[David Rose (songwriter)|David Rose]] and His Orchestra |
| align="center"| Major Glenn Miller and the Army Air Forces Training Command Orchestra / [[David Rose (songwriter)|David Rose]] and His Orchestra |
||
| align="center"| {{show |
| align="center"| {{show |
||
Line 1,209: | Line 1,491: | ||
| align="center"| V-Disc |
| align="center"| V-Disc |
||
| align="center"| 352 |
| align="center"| 352 |
||
| align="center"| "(All of a Sudden) My Heart Sings", "[[Singin' in the Rain (song)|Singin' in the Rain]]" /<br> "[[Missouri Waltz]]", "[[Alice Blue Gown]]" |
| align="center"| "(All of a Sudden) My Heart Sings", "[[Singin' in the Rain (song)|Singin' in the Rain]]" /<br /> "[[Missouri Waltz]]", "[[Alice Blue Gown]]" |
||
| align="center"| [[Guy Lombardo]] and His Orchestra /<br> Glenn Miller and His Orchestra |
| align="center"| [[Guy Lombardo]] and His Orchestra /<br /> Glenn Miller and His Orchestra |
||
| align="center"| {{show |
| align="center"| {{show |
||
|style=text-align="center" |
|style=text-align="center" |
||
Line 1,229: | Line 1,511: | ||
| align="center"| V-Disc |
| align="center"| V-Disc |
||
| align="center"| 421 |
| align="center"| 421 |
||
| align="center"| "[[Holiday for Strings (song)|Holiday for Strings]]" /<br>"[[By the Sleepy Lagoon|Sleepy Lagoon]]", "[[Hora staccato|Hora Staccato]]" |
| align="center"| "[[Holiday for Strings (song)|Holiday for Strings]]" /<br />"[[By the Sleepy Lagoon|Sleepy Lagoon]]", "[[Hora staccato|Hora Staccato]]" |
||
| align="center"| Major Glenn Miller and the Army Air Forces Training Command Orchestra / Paul Baron and His Orchestra |
| align="center"| Major Glenn Miller and the Army Air Forces Training Command Orchestra / Paul Baron and His Orchestra |
||
| align="center"| {{show |
| align="center"| {{show |
||
Line 1,296: | Line 1,578: | ||
| align="center"| V-Disc |
| align="center"| V-Disc |
||
| align="center"| 587 |
| align="center"| 587 |
||
| align="center"| "Why Dream", "Passage Interdit" /<br>"[[Beale Street Blues]]" |
| align="center"| "Why Dream", "Passage Interdit" /<br />"[[Beale Street Blues]]" |
||
| align="center"| Major Glenn Miller's Army Air Forces Overseas Orchestra /<br> [[Jack Teagarden]] and His Orchestra |
| align="center"| Major Glenn Miller's Army Air Forces Overseas Orchestra /<br /> [[Jack Teagarden]] and His Orchestra |
||
| align="center"| {{show |
| align="center"| {{show |
||
|style=text-align="center" |
|style=text-align="center" |
||
Line 1,306: | Line 1,588: | ||
| align="center"| V-Disc |
| align="center"| V-Disc |
||
| align="center"| 601 |
| align="center"| 601 |
||
| align="center"| "Symphony"/<br>"[[I Got Rhythm]]" |
| align="center"| "[[Symphony (1945 song)|Symphony]]"/<br />"[[I Got Rhythm]]" |
||
| align="center"| Major Glenn Miller's AAF Overseas Orchestra / [[Benny Goodman# |
| align="center"| Major Glenn Miller's AAF Overseas Orchestra / [[Benny Goodman#Decline of swing|The Benny Goodman Sextet]] |
||
| align="center"| {{show |
| align="center"| {{show |
||
|style=text-align="center" |
|style=text-align="center" |
||
Line 1,317: | Line 1,599: | ||
| align="center"| V-Disc |
| align="center"| V-Disc |
||
| align="center"| 842 |
| align="center"| 842 |
||
| align="center"| "[[Indian Love Call]]", "[[Rambling Rose (1948 song)|Ramblin' Rose]]" /<br>"In the Mood", "[[Minnesota March|University Of Minnesota March]]" |
| align="center"| "[[Indian Love Call]]", "[[Rambling Rose (1948 song)|Ramblin' Rose]]" /<br />"In the Mood", "[[Minnesota March|University Of Minnesota March]]" |
||
| align="center"| [[Tony Pastor (bandleader)|Tony Pastor]] with All-Star Band /<br> Glenn Miller and Overseas Band,<br> Bert Hirsch and V-Disc Band |
| align="center"| [[Tony Pastor (bandleader)|Tony Pastor]] with All-Star Band /<br /> Glenn Miller and Overseas Band,<br /> Bert Hirsch and V-Disc Band |
||
| align="center"| {{show |
| align="center"| {{show |
||
|style=text-align="center" |
|style=text-align="center" |
||
Line 1,334: | Line 1,616: | ||
* "Passage Interdit" - written by Jerry Gray. Released as V-Disc 587A in February, 1946. |
* "Passage Interdit" - written by Jerry Gray. Released as V-Disc 587A in February, 1946. |
||
* "Snafu Jump" – written by Jerry Gray |
* "Snafu Jump" – written by Jerry Gray |
||
* "[[Long Ago (And Far Away)]]" vocal Johnny Desmond / Norman Leyden, arranger March 25, 1944, broadcast<ref name="bigbandlibrary1">{{cite web|url=http://www.bigbandlibrary.com/glennmillerparttwo.html |title=Glenn Miller: "A Dream Band" |publisher=Big Band Library |date= | |
* "[[Long Ago (And Far Away)]]" vocal Johnny Desmond / Norman Leyden, arranger March 25, 1944, broadcast<ref name="bigbandlibrary1">{{cite web |url=http://www.bigbandlibrary.com/glennmillerparttwo.html |title=Glenn Miller: "A Dream Band" |publisher=Big Band Library |access-date=2017-07-27 |archive-date=2017-10-06 |archive-url=https://web.archive.org/web/20171006185904/http://www.bigbandlibrary.com/glennmillerparttwo.html |url-status=live }}</ref> |
||
* "[[People Will Say We're In Love]]" vocal Johnny Desmond / Norman Leyden, arranger |
* "[[People Will Say We're In Love]]" vocal Johnny Desmond / Norman Leyden, arranger |
||
* "[[Flying Home]]", written by Benny Goodman, Eddie DeLange, and Lionel Hampton; arranged by Steve Steck; April 8, 1944, broadcast<ref name="bigbandlibrary1"/> |
* "[[Flying Home]]", written by Benny Goodman, Eddie DeLange, and Lionel Hampton; arranged by Steve Steck; April 8, 1944, broadcast<ref name="bigbandlibrary1"/> |
||
Line 1,341: | Line 1,623: | ||
Songs that were in the civilian band and Army Air Force band libraries include:<ref>Some songs were performed by the civilian band and the Army Air Force Band but might be better known by one band over the other. For example, the Army Air Force band and the civilian band both had "In The Mood", "String of Pearls", "Moonlight Serenade", "Jukebox Saturday Night", "Caribbean Clipper", "Here We Go Again" and "Chattanooga Choo Choo" in their libraries.</ref> |
Songs that were in the civilian band and Army Air Force band libraries include:<ref>Some songs were performed by the civilian band and the Army Air Force Band but might be better known by one band over the other. For example, the Army Air Force band and the civilian band both had "In The Mood", "String of Pearls", "Moonlight Serenade", "Jukebox Saturday Night", "Caribbean Clipper", "Here We Go Again" and "Chattanooga Choo Choo" in their libraries.</ref> |
||
* "Jeep Jockey Jump" – written by Jerry Gray and one broadcast of the song was done by the civilian band.<ref>Flower 440</ref> |
* "Jeep Jockey Jump" – written by Jerry Gray and one broadcast of the song was done by the civilian band.<ref>Flower 440</ref> |
||
* "[[It Must Be Jelly ('Cause Jam Don't Shake Like That)]]" – music written by Chummy MacGregor and George Williams and lyrics by Sunny Skylar.<ref>{{cite web |url=http://www.nfo.net/cal/ts5.html |title=Archived copy | |
* "[[It Must Be Jelly ('Cause Jam Don't Shake Like That)]]" – music written by Chummy MacGregor and George Williams and lyrics by Sunny Skylar.<ref>{{cite web |url=http://www.nfo.net/cal/ts5.html |title=Archived copy |access-date=2009-02-05 |url-status=dead |archive-url=https://web.archive.org/web/20081220130959/http://www.nfo.net/cal/ts5.html |archive-date=2008-12-20 }}</ref> George Williams, arranger /Mar. 11, 1944 Chant by the band.<ref name="bigbandlibrary1"/> This version is from the Army Air Force band. The civilian band played the same arrangement that was performed at least twice, available on a Victor 78 recording, Vi-20-1546-A, recorded July 15, 1942 <ref>Flower 463–464</ref> or also taken from a radio remote broadcast from September 15, 1942, in Boston, Massachusetts <ref>Flower, 480</ref> and later re-released by RCA Victor on LPT 6700.<ref>Flower 480</ref><ref>Woody Herman covered the song in 1944 and released it as a V-Disc and commercially released it as a Columbia 78 with matrix number 71904. Sunny Skylar added lyrics. Herman's version was recorded March 23, 1944. Woody Herman information taken from Visser, Joop. "Discography." Liner notes. ''The Woody Herman Story''. CD. Properbox 15: Proper Records Ltd.,2000.</ref> According to the tsort.com website, the 78 single, Victor 20–1546, reached number twelve on the Billboard charts in January, 1944, where it stayed for eight weeks on the chart.<ref>{{cite web |url=http://tsort.info/music/jkgsu0.htm |title=Song artist 11 - Glenn Miller |website=Tsort.info |access-date=2017-07-27 |archive-date=2015-10-02 |archive-url=https://web.archive.org/web/20151002002944/http://tsort.info/music/jkgsu0.htm |url-status=live }}</ref> Moreover, the record was a crossover hit, reaching number two on the Billboard 'Harlem' Hit Parade Chart on February 19, 1944, the then equivalent of the later R&B chart, and number sixteen on the Billboard Juke Box Chart. [[Harry James]], Johnny Long, and [[Frankie Ford]] also recorded versions. Woody Herman recorded a version that was also released as a [[V-Disc]], No. 320B, in November, 1944. |
||
* "Sun Valley Jump" – written by Jerry Gray. Released as a V-Disc, No. 281A, |
* "Sun Valley Jump" – written by Jerry Gray. Released as a V-Disc, No. 281A, in October 1944 by Glenn Miller and the AAFTC Orchestra. |
||
* "[[Rhapsody in Blue]]" – written by George Gershwin. The civilian band version has [[Bobby Hackett]] solo in the middle.<ref name="Flower 465">Flower 465</ref> "Rhapsody in Blue" from the civilian band is not the entire work, but rather a section of the work arranged to fit on a 10" 78 rpm record. It was released as Victor 20-1529-A.<ref name="Flower 465"/> |
* "[[Rhapsody in Blue]]" – written by George Gershwin. The civilian band version has [[Bobby Hackett]] solo in the middle.<ref name="Flower 465">Flower 465</ref> "Rhapsody in Blue" from the civilian band is not the entire work, but rather a section of the work arranged to fit on a 10" 78 rpm record. It was released as Victor 20-1529-A.<ref name="Flower 465"/> |
||
* "Blue Rain" – written by Johnny Mercer and Jimmy Van Heusen,<ref>Flower 90</ref> Civilian band-arrangement with Ray Eberle vocal, unknown arranger. Army Air Force band: arrangement with strings, no vocal. |
* "Blue Rain" – written by Johnny Mercer and Jimmy Van Heusen,<ref>Flower 90</ref> Civilian band-arrangement with Ray Eberle vocal, unknown arranger. Army Air Force band: arrangement with strings, no vocal. |
||
* "Are You Jumpin' Jack?" – written by Bill Finegan. First civilian band version, December 21, 1940 for a remote broadcast on NBC.<ref>Flower 258–259</ref><!-- This is the silliest title for a song I have ever heard --> |
* "Are You Jumpin' Jack?" – written by Bill Finegan. First civilian band version, December 21, 1940, for a remote broadcast on NBC.<ref>Flower 258–259</ref><!-- This is the silliest title for a song I have ever heard --> |
||
* " Enlisted Men's Mess" – written by Jerry Gray. In the civilian band's library but not performed or recorded.<ref>Flower 527</ref> Performed by the Army Air Forces Training Command Band and broadcast on the ''I Sustain the Wings'' radio program, May 5, 1944.<ref name="ReferenceA"/> |
* " Enlisted Men's Mess" – written by Jerry Gray. In the civilian band's library but not performed or recorded.<ref>Flower 527</ref> Performed by the Army Air Forces Training Command Band and broadcast on the ''I Sustain the Wings'' radio program, May 5, 1944.<ref name="ReferenceA"/> |
||
[[File:Moon Dream Glenn Miller Navy V Disc 114B.jpg|thumb|U.S. Navy V Disc No. 114B.]] |
[[File:Moon Dream Glenn Miller Navy V Disc 114B.jpg|thumb|U.S. Navy V Disc No. 114B.]] |
||
Songs that were prepared for but went unreleased on V-Disc include: |
Songs that were prepared for but went unreleased on V-Disc include: |
||
* "Stardust" (breakdown) |
* "Stardust" (breakdown) |
||
* "[[A Perfect Day (song)| |
* "[[A Perfect Day (song)|(The End Of A) Perfect Day]]" |
||
* "[[Blue Room (1926 song)|Blue Room]]" |
* "[[Blue Room (1926 song)|Blue Room]]" |
||
* "[[Holiday for Strings (song)|Holiday for Strings]]", in two parts |
* "[[Holiday for Strings (song)|Holiday for Strings]]", in two parts |
||
Line 1,359: | Line 1,641: | ||
* "Moonlight Serenade" (AAF arrangement) |
* "Moonlight Serenade" (AAF arrangement) |
||
A disc released in 2010 is called "The Final - His Last Recordings"<ref>{{cite web|url=http://www.cdbaby.com/glennmiller2 |title=Glenn Miller | The Final - His Last Recordings |publisher=CD Baby |date=1944-12-24 | |
A disc released in 2010 is called "The Final - His Last Recordings"<ref>{{cite web|url=http://www.cdbaby.com/glennmiller2 |title=Glenn Miller | The Final - His Last Recordings |publisher=CD Baby |date=1944-12-24 |access-date=2012-01-07}}</ref> and collects Miller's last known recorded performances (November, 1944) plus bonus spoken bits for the radio program "Music for the [[Wehrmacht]]", starring Major Miller with German speaker Ilse Weinberger. The album also contains a September 1944 interview and - as final track - the [[BBC]] radio announcement of Miller's disappearance. |
||
==Album discography, 1928–1944== |
==Album discography, 1928–1944== |
||
Line 1,366: | Line 1,648: | ||
!Year |
!Year |
||
!colwidth="350"|Album |
!colwidth="350"|Album |
||
!Original release <br>format(s)<!---Keep in mind "original": Some albums were later issued on other formats, but not at the time of release.---> |
!Original release <br />format(s)<!---Keep in mind "original": Some albums were later issued on other formats, but not at the time of release.---> |
||
! data-sort-type= alphabetical |Peak<br>chart<br>position |
! data-sort-type= alphabetical |Peak<br />chart<br />position |
||
!Total<br>weeks<br>charted |
!Total<br />weeks<br />charted |
||
!data-sort-type= alphabetical |Sales<br>certifications |
!data-sort-type= alphabetical |Sales<br />certifications |
||
|- |
|- |
||
|rowspan="2" style="text-align:center;"|1943 |
|rowspan="2" style="text-align:center;"|1943 |
||
Line 1,405: | Line 1,687: | ||
|rowspan=5 style="text-align:center;"|1951 |
|rowspan=5 style="text-align:center;"|1951 |
||
|''Glenn Miller Concert, Vol. One'' |
|''Glenn Miller Concert, Vol. One'' |
||
|rowspan="17" style="text-align:center;"|<small>33⅓ rpm vinyl<br>45 rpm vinyl</small> |
|rowspan="17" style="text-align:center;"|<small>33⅓ rpm vinyl<br />45 rpm vinyl</small> |
||
|data-sort-value="d" style="text-align:center;"|2 |
|data-sort-value="d" style="text-align:center;"|2 |
||
|style="text-align:center;"|27 |
|style="text-align:center;"|27 |
||
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|- |
|- |
||
|rowspan="5" style="text-align:center;"|1956 |
|rowspan="5" style="text-align:center;"|1956 |
||
|''Second Pressing <br> <small>(Repressing of Limited Edition)</small>'' |
|''Second Pressing <br /> <small>(Repressing of Limited Edition)</small>'' |
||
|- |
|- |
||
|''The Sound of Glenn Miller'' |
|''The Sound of Glenn Miller'' |
||
|- |
|- |
||
|''This Is Glenn Miller and His Orchestra'' <br><small>(Expanded version of 1951 LP)</small> |
|''This Is Glenn Miller and His Orchestra'' <br /><small>(Expanded version of 1951 LP)</small> |
||
|- |
|- |
||
|''Glenn Miller Plays Selections From the Film <br>"The Glenn Miller Story" And Other Hits<br><small>(Expanded version of 1954 LP)</small>'' |
|''Glenn Miller Plays Selections From the Film <br />"The Glenn Miller Story" And Other Hits<br /><small>(Expanded version of 1954 LP)</small>'' |
||
|- |
|- |
||
|''Glenn Miller Concert <br><small>(Combination of Volume One and Three of earlier "Concert" series)</small>'' |
|''Glenn Miller Concert <br /><small>(Combination of Volume One and Three of earlier "Concert" series)</small>'' |
||
|rowspan="7" style="text-align:center;"|<small>33⅓ rpm vinyl</small> |
|rowspan="7" style="text-align:center;"|<small>33⅓ rpm vinyl</small> |
||
|- |
|- |
||
|style="text-align:center;"|1957 |
|style="text-align:center;"|1957 |
||
|''Marvelous Miller Moods <br><small>(Glenn Miller and the Army Air Force Band)</small>'' |
|''Marvelous Miller Moods <br /><small>(Glenn Miller and the Army Air Force Band)</small>'' |
||
|data-sort-value="i" style="text-align:center;"|16 |
|data-sort-value="i" style="text-align:center;"|16 |
||
|style="text-align:center;"|6 |
|style="text-align:center;"|6 |
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|rowspan="4" style="text-align:center;"|1963 |
|rowspan="4" style="text-align:center;"|1963 |
||
|''On the Air – Volume One'' |
|''On the Air – Volume One'' |
||
|rowspan="3" style="text-align:center;"|<small>33⅓ rpm vinyl<br>compact cassette</small> |
|rowspan="3" style="text-align:center;"|<small>33⅓ rpm vinyl<br />compact cassette</small> |
||
|- |
|- |
||
|''On the Air – Volume Two'' |
|''On the Air – Volume Two'' |
||
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|- |
|- |
||
|''The Great Glenn Miller and His Orchestra'' |
|''The Great Glenn Miller and His Orchestra'' |
||
|rowspan="22" style="text-align:center;"|<small>33⅓ rpm vinyl<br>compact cassette<br>8-track cartridge</small> |
|rowspan="22" style="text-align:center;"|<small>33⅓ rpm vinyl<br />compact cassette<br />8-track cartridge</small> |
||
|- |
|- |
||
|style="text-align:center;"|1964 |
|style="text-align:center;"|1964 |
||
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|style="text-align:center;"|1989 |
|style="text-align:center;"|1989 |
||
|''The Popular Recordings (1938-1942)'' |
|''The Popular Recordings (1938-1942)'' |
||
|rowspan="4" style="text-align:center;"|<small>compact cassette<br>compact disc</small> |
|rowspan="4" style="text-align:center;"|<small>compact cassette<br />compact disc</small> |
||
|- |
|- |
||
|style="text-align:center;"|1991 |
|style="text-align:center;"|1991 |
||
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|style="text-align:center;"|1993 |
|style="text-align:center;"|1993 |
||
|''The Ultimate Glenn Miller'' |
|''The Ultimate Glenn Miller'' |
||
|- |
|||
|rowspan="2" style="text-align:center;"|1995 |
|||
|''The Lost Recordings'' |
|||
|style="text-align:center;"|– |
|||
|style="text-align:center;"|– |
|||
|data-sort-value="e" style="text-align:center;"|[[British Phonographic Industry|BPI]]: Gold |
|||
|- |
|- |
||
| ''The Essential Glenn Miller'' |
| ''The Essential Glenn Miller'' |
||
|style="text-align:center;"|<small>compact disc<br>digital</small> |
|style="text-align:center;"|<small>compact disc<br />digital</small> |
||
|rowspan="8" style="text-align:center;"|– |
|rowspan="8" style="text-align:center;"|– |
||
|rowspan="8" style="text-align:center;"|– |
|rowspan="8" style="text-align:center;"|– |
||
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|style="text-align:center;"|1996 |
|style="text-align:center;"|1996 |
||
| ''Greatest Hits <small>(RCA Victor imprint)</small>'' |
| ''Greatest Hits <small>(RCA Victor imprint)</small>'' |
||
|style="text-align:center;"|<small>compact cassette<br>compact disc</small> |
|style="text-align:center;"|<small>compact cassette<br />compact disc</small> |
||
|- |
|||
|rowspan="2" style="text-align:center;"|1996 |
|||
|''The Lost Recordings'' |
|||
|style="text-align:center;"|– |
|||
|style="text-align:center;"|– |
|||
|data-sort-value="e" style="text-align:center;"|[[BMG Music]]; [[British Phonographic Industry|BPI]]: Gold |
|||
|- |
|||
|style="text-align:center;"|1996 |
|||
| ''Secret Broadcasts <small>(RCA Victor)</small>'' |
|||
|style="text-align:center;"|<small>compact disc</small> |
|||
|- |
|- |
||
|rowspan="2" style="text-align:center;"|1999 |
|rowspan="2" style="text-align:center;"|1999 |
||
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|style="text-align:center;"|2003 |
|style="text-align:center;"|2003 |
||
|''Platinum Glenn Miller'' |
|''Platinum Glenn Miller'' |
||
|rowspan="4" style="text-align:center;"|<small>compact disc<br>digital</small> |
|rowspan="4" style="text-align:center;"|<small>compact disc<br />digital</small> |
||
|- |
|- |
||
|style="text-align:center;"|2004 |
|style="text-align:center;"|2004 |
||
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==References== |
==References== |
||
{{ |
{{Reflist|colwidth=30em}} |
||
==Bibliography== |
==Bibliography== |
||
* Polic, Edward F. (1990). ''The Glenn Miller Army Air Force Band''. The Scarecrow Press, Inc.; Sustineo Alas/I Sustain the Wings edition (June 1, 1990) {{ISBN|0-8108-2269-5}} |
* Polic, Edward F. (1990). ''The Glenn Miller Army Air Force Band''. The Scarecrow Press, Inc.; Sustineo Alas/I Sustain the Wings edition (June 1, 1990) {{ISBN|0-8108-2269-5}} |
||
*{{cite book |title=Swing, Swing, Swing: The Life and Times of Benny Goodman |last=Firestone |first=Ross |year=1998 |publisher=W.W. Norton |isbn=978-0-393-31168-6 |
*{{cite book |title=Swing, Swing, Swing: The Life and Times of Benny Goodman |last=Firestone |first=Ross |year=1998 |publisher=W.W. Norton |isbn=978-0-393-31168-6 |url=https://books.google.com/books?id=P4IG7YDFyoUC }} |
||
*{{cite book |title=Moonlight Serenade: A Bio-discography of the Glenn Miller Civilian Band |last=Flower |first=John |
*{{cite book |title=Moonlight Serenade: A Bio-discography of the Glenn Miller Civilian Band |last=Flower |first=John |year=1972 |publisher=Arlington House |isbn=0-87000-161-2 |url=https://books.google.com/books?id=pLo4AQAAIAAJ }} |
||
*{{cite book |title=Glenn Miller and His Orchestra |last=Simon |first=George Thomas | |
*{{cite book |title=Glenn Miller and His Orchestra |last=Simon |first=George Thomas |author-link=George T. Simon |year=1980 |publisher=Da Capo paperback |location=New York |isbn=0-306-80129-9 |url=https://books.google.com/books?id=DvLC5_RJS0MC }} |
||
* Miller, Glenn (1943). ''Glenn Miller's Method for Orchestral Arranging''. New York: Mutual Music Society. ASIN: B0007DMEDQ |
* Miller, Glenn (1943). ''Glenn Miller's Method for Orchestral Arranging''. New York: Mutual Music Society. ASIN: B0007DMEDQ |
||
* Miller, Glenn (1927). ''Glenn Miller's 125 Jazz Breaks For Trombone''. Chicago: Melrose Brothers Music Company. |
* Miller, Glenn (1927). ''Glenn Miller's 125 Jazz Breaks For Trombone''. Chicago: Melrose Brothers Music Company. |
||
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{{Glenn Miller|state=collapsed}} |
{{Glenn Miller|state=collapsed}} |
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{{Authority control}} |
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{{DEFAULTSORT:Miller, Glenn}} |
{{DEFAULTSORT:Miller, Glenn}} |
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[[Category:Glenn Miller|Discography]] |
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[[Category:Glenn Miller songs| ]] |
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[[Category:Discographies of American artists]] |
[[Category:Discographies of American artists]] |
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[[Category:Jazz discographies]] |
[[Category:Jazz discographies]] |
Latest revision as of 01:35, 7 October 2024
Glenn Miller and His Orchestra discography | |
---|---|
Singles | 266 |
V-Discs | 24 |
EPs | 37 |
Soundtracks | 2 |
Box sets | 6 |
Between 1938 and 1944, Glenn Miller and His Orchestra released 266 singles on the monaural ten-inch shellac 78 rpm format. Their studio output comprised a variety of musical styles inside of the Swing genre, including ballads, band chants, dance instrumentals, novelty tracks, songs adapted from motion pictures, and, as the Second World War approached, patriotic music.
Non-instrumental songs featured Miller's various vocalists, generally Ray Eberle or Marion Hutton before 1940, with Tex Beneke, vocal group The Modernaires, and Skip Nelson all making studio vocal appearances after the turn of the decade. Beginning with An Album of Outstanding Arrangements in 1945, this collection has been repackaged into various album formats over time with release on 78 rpm, 10 and 12 inch LP, 7 inch 45 rpm, compact cassette, 8-track, compact disc (CD), and digital formats.
Before his popularity, in the late 1920s, Miller played or wrote arrangements for many hot jazz groups, including a stint as a trombonist-arranger for Red Nichols’ famed Five Pennies recordings.
Charted singles and selected discography, 1938–1942
[edit]Chart is sorted by order of individual song debut date.
Year | Single | Peak chart position | Total weeks charted |
Background |
---|---|---|---|---|
U.S.[1][2] | ||||
1938 | "My Reverie" | 11 | 3 | Recorded September 27, 1938, with vocals by Ray Eberle, "My Reverie" was the first release by the reformed Glenn Miller Orchestra on Victor Bluebird. Larry Clinton released a popular version of it the same year with Bea Wain on vocals, writing lyrics to Claude DeBussy's Reverie.[3] According to George Simon, the original arrangement was to be an instrumental, but a producer at RCA Victor wanted Glenn Miller to play a solo trombone a'la Tommy Dorsey, with a Ray Eberle vocal.[4] The B side was "King Porter Stomp".
|
1939 | "Moonlight Serenade" | 3 | 15 | Instrumental. Miller's theme song, and a favorite of the swing era. Composed by Miller himself, as "Now I Lay Me Down to Weep", out of a Joseph Schillinger exercise, it was number three for 1 week.
|
"Sunrise Serenade" | 7 | 11 | Instrumental. Flip side of "Moonlight Serenade" and Frankie Carle's composition and theme song.
| |
"Wishing (Will Make It So)" | 1 | 14 | Vocal by Ray Eberle, written by Buddy G. DeSylva, from the RKO movie Love Affair. Number one for four weeks.[5]
| |
"The Lady's In Love With You" | 2 | 12 | Call and response vocal by Glenn Miller and Ray Eberle. Number two for 1 week.
| |
"My Last Goodbye" | 13 | 2 | ||
"Runnin' Wild" | 12 | 1 | An instrumental, arranged by Bill Finegan and recorded by Miller in 1939.[6] It was also a standard that ended up twenty years later in the United Artists movie Some Like It Hot with Marilyn Monroe, directed by Billy Wilder.[7]
| |
"Stairway To The Stars" | 1 | 13 | Vocal by Ray Eberle. Number one for 4 weeks.
| |
"Little Brown Jug" | 10 | 7 | Instrumental. Traditional, although the songwriting credit is sometimes assigned to Joseph Eastburn Winner,[8] who published a version in 1869.[9] Arranged by Bill Finegan, it was recorded April 10, 1939.[10] The Glenn Miller Story takes dramatic license and gives the date of the arrangement as 1944, as a surprise for Helen Miller for a Christmas Day broadcast by the Army Air Force band from Europe.[11]
| |
"Moon Love" | 1 | 16 | Vocal by Ray Eberle, Based on Tchaikovsky's Symphony No.5 in E Minor, Op.64. Number one for 4 weeks.
| |
"Cinderella (Stay In My Arms)" | 16 | 2 | ||
"Back To Back" | 8 | 5 | Vocal by Marion Hutton.[12]
| |
"Ain't Cha Comin' Out?" | 8 | 2 | ||
"Over The Rainbow" | 1 | 15 | Vocal by Ray Eberle, from the MGM movie The Wizard of Oz. Number one for 7 weeks.
| |
"Ding-Dong! The Witch Is Dead" | 17 | 2 | Vocal by Marion Hutton, from the MGM movie The Wizard of Oz. Flip side of "Over the Rainbow".
| |
"The Little Man Who Wasn't There" | 7 | 11 | Vocal by Ray Eberle. Halloween song. Flip side of "The Man With the Mandolin".
| |
"The Man With The Mandolin" | 1 | 10 | Vocal by Marion Hutton. Number one for 3 weeks.
| |
"Blue Orchids" | 1 | 12 | Vocal by Ray Eberle. Number one for 1 week.
| |
"My Isle Of Golden Dreams" | 15 | 1 | Instrumental.
| |
"In The Mood" | 1 | 28 | Instrumental. Number one for 13 weeks. "In The Mood" had a long history, even before Glenn Miller recorded it. Composition was credited to Jerry Gray, but fragments of the song had been found in earlier recordings dating back to the early 1930s.[13] The 1939 Bluebird recording was also released as V-Disc 123B in February 1944. A version was also released as V-Disc 842B in May 1948 by Glenn Miller and Overseas Band by the U.S. War Department.
| |
"Melancholy Lullaby" | 15 | 3 | ||
"My Prayer" | 3 | 7 | Vocal by Ray Eberle. Number three for 1 week.
| |
"Speaking Of Heaven" | 8 | 7 | ||
"(Why Couldn't It Last) Last Night" | 7 | 3 | ||
"Bluebirds In The Moonlight (Silly Idea)" | 9 | 2 | ||
1940 | "Vagabond Dreams" | 16 | 1 | |
"This Changing World" | 8 | 6 | ||
"Careless" | 2 | 11 | Vocal by Ray Eberle. Number two for 9 weeks.
| |
"Indian Summer" | 8 | 10 | ||
"Faithful Forever" | 5 | 3 | ||
"The Gaucho Serenade" | 7 | 2 | ||
"Danny Boy (Londonderry Air)" | 17 | 2 | Instrumental. An adaptation of Londonderry Air, "Danny Boy" was arranged by Glenn Miller and Chummy MacGregor. The Bluebird 78 single made Billboard's chart in 1940, staying for 2 weeks.
| |
"Ooh! What You Said" | 13 | 6 | ||
"Tuxedo Junction" | 1 | 17 | Instrumental. Selling a reported 110,000 pressings the first week of its availability, "Tuxedo Junction" was number one for nine weeks on Billboard's Juke Box chart. Buddy Feyne added lyrics. Glenn Miller copyrighted his arrangement of the song on February 8, 1940.[14]
| |
"In An Old Dutch Garden (By An Old Dutch Mill)" | 8 | 2 | ||
"It's A Blue World" | 14 | 4 | ||
"When You Wish Upon A Star" | 2 | 7 | ||
"Say "Si Si" (Para Vigo Me Voy)" | 14 | 4 | Vocal by Marion Hutton.
| |
"Starlit Hour" | 10 | 1 | ||
"The Woodpecker Song" | 1 | 14 | Vocal by Marion Hutton, written by Eldo Di Lazzaro and Harold Adamson. Number one for 5 weeks.[16]
| |
"The Sky Fell Down" | 16 | 2 | ||
"Boog It" | 7 | 5 | ||
"Alice Blue Gown" | 18 | 2 | ||
"I'm Stepping Out With A Memory Tonight" | 7 | 6 | ||
"Say It" | 7 | 4 | ||
"Imagination" | 2 | 8 | Vocal by Ray Eberle, Number two for 2 weeks.
| |
"Slow Freight" | 9 | 3 | ||
"Hear My Song, Violetta" | 9 | 8 | ||
"Shake Down The Stars" | 10 | 1 | ||
"Fools Rush In (Where Angels Fear To Tread)" | 3 | 7 | Vocal by Ray Eberle, written by Johnny Mercer and Rube Bloom.
| |
"Pennsylvania Six-Five Thousand" | 5 | 6 | Featuring a band chant vocal, written by Jerry Gray and Carl Sigman, Pennsylvania Six-Five Thousand reached number five on Billboard's charts on August 31, 1940; Retrospectively one of Miller's most popular and enduring songs.
| |
"Devil May Care" | 16 | 2 | ||
"The Nearness Of You" | 5 | 8 | Vocal by Ray Eberle. Written by Hoagy Carmicheal, lyrics by Ned Washington. "The Bluebird label recording was a moderate success, appearing on the pop charts at the end of June [1940]..."[17]
| |
"Sierra Sue" | 17 | 1 | ||
"Blueberry Hill" | 2 | 14 | Vocal by Ray Eberle. Number two for 4 weeks. Later became Fats Domino's most popular hit.
| |
"I'll Never Smile Again" | 17 | 1 | ||
"When the Swallows Come Back To Capistrano" | 10 | 1 | ||
"Crosstown" | 9 | 1 | Vocal by Jack Lathrop. Written by James Cavanaugh, John Redmond, and Nat Simon,[18] "Crosstown" reached number nine on the Billboard Best Sellers chart on October 5, 1940.
| |
"Our Love Affair" | 8 | 2 | ||
"The Call Of The Canyon" | 10 | 1 | ||
"Beat Me Daddy, Eight To A Bar" | 15 | 1 | Vocal by Vocal by Jack Lathrop. Written by Don Raye, Hughie Prince, and Ray McKinley, under his wife's maiden name Eleanore Sheehy; Ray McKinley would later lead the official tribute Glenn Miller Orchestra.
| |
"A Handful Of Stars" | 10 | 2 | ||
"A Nightingale Sang In Berkeley Square" | 2 | 6 | Vocal by Ray Eberle. Number two for 2 weeks.
| |
1941 | "Anvil Chorus, Part One / Anvil Chorus, Part Two" | 3 | 10 | Instrumental. Arranged by Jerry Gray, adapted from the Giuseppe Verdi opera Il Trovatore.
|
"Five O'Clock Whistle" | 6 | 2 | ||
"Along The Santa Fe Trail" | 7 | 4 | ||
"Frenesi" | 18 | 2 | Instrumental.
| |
"Song Of The Volga Boatmen" | 1 | 8 | Instrumental. Based on a Russian folk song; Number one for 1 week on the Billboard Best Sellers chart in 1941.
| |
"I Dreamt I Dwelt In Harlem" | 3 | 4 | Instrumental. Music written by Jerry Gray, Ben Smith and Leonard Ware, lyrics by Robert B. Wright, the pseudonym of Buddy Feyne, who also wrote the lyrics to "Tuxedo Junction". The single reached number three on the Billboard Best Sellers chart on April 5, 1941, staying five weeks total.
| |
"Perfidia" | 13 | 4 | Vocal by Dorothy Claire and The Modernaires.[19] Written by Milton Leeds and Alberto Dominguez, Victor released two performances, one the Bluebird studio recording from February 19, 1941 and the other from June 3, 1941 at the Pacific Square Ballroom in San Diego, California,[20] with Paula Kelly replacing Dorothy Claire.
| |
"Boulder Buff" | 19 | 2 | ||
"The Booglie Wooglie Piggy" | 7 | 5 | ||
"Adios" | 17 | 4 | Instrumental.
| |
"You And I" | 4 | 6 | ||
"The Cowboy Serenade" | 17 | 2 | ||
"Chattanooga Choo Choo" | 1 | 23 | Vocal by Tex Beneke, Paula Kelly and the Modernaires. Number one for nine weeks. Recorded for the soundtrack of Sun Valley Serenade and then recorded on May 7, 1941 for Victor Bluebird in Hollywood, California.[21] The song also acts as a 39 second teaser in 1942's Orchestra Wives.[22][23] Released as V-Disc 281A in October 1944 with Sgt. Ray McKinley and the Crew Chiefs on vocals with Glenn Miller and the AAFTC Orchestra.
| |
"Elmer's Tune" | 1 | 15 | Vocal by Ray Eberle and the Modernaires, music written by Elmer Albrecht. Number one for 1 week.
| |
"It Happened In Sun Valley" | 20 | 1 | Vocal in Sun Valley Serenade by The Modernaires, and Six Hits and a Miss.[24][25] Also recorded separately by the band for Bluebird in New York City on August 11, 1941 and released as a Bluebird B-11263-A.[26][27] The single reached number 18 on the Billboard chart in 1941, staying on for one week.
| |
"I Know Why" | 19 | 1 | ||
"I'm Thrilled" | 20 | 1 | ||
"Jingle Bells" | 5 | 2 | Vocal by Tex Beneke, Ernie Caceres and the Modernaires.
| |
1942 | "(There'll Be Bluebirds Over) The White Cliffs of Dover" | 6 | 7 | |
"A String Of Pearls" | 1 | 18 | ||
"Ev'rything I Love" | 7 | 4 | Vocal by Ray Eberle and Choir.
| |
"This Is No Laughing Matter" | 17 | 1 | ||
"Moonlight Cocktail" | 1 | 10 | Vocal by Ray Eberle and The Modernaires, Number one for 10 weeks, it was written by James Kimball "Kim" Gannon and Charles Luckey Roberts.[34]
| |
"Don't Sit Under the Apple Tree (With Anyone Else But Me)" | 2 | 13 | Vocal by Marion Hutton, Tex Beneke and The Modernaires. Number two for 2 weeks.
| |
"Skylark" | 7 | 11 | ||
"The Story Of A Starry Night" | 19 | 1 | ||
"Always In My Heart" | 10 | 1 | ||
"American Patrol" | 19 | 1 | Instrumental, composed in 1885 by F.W. Meacham.[35] First Glenn Miller hit after his Orchestra was upgraded to full-price Victor label.
| |
"(I've Got a Gal In) Kalamazoo" | 1 | 18 | Vocal by Tex Beneke, Marion Hutton and the Modernaires. Number one for 7 weeks. The biggest hit from Orchestra Wives,[36] it was recorded at RCA Victor's studios in Hollywood,[37] pressed as Victor 27934-A, and was number one for 7 weeks on the Billboard Best Sellers chart in 1942.[38]
| |
"Sweet Eloise" | 14 | 8 | Vocal by Ray Eberle and the Modernaires. Recorded April 2, 1942. Written by Mack David, bandleader Russ Morgan, and arranged by Jerry Gray.[39]
| |
"Serenade in Blue" | 2 | 15 | Vocal by Ray Eberle and the Modernaires. Number two for 1 week. Featured in Orchestra Wives with Pat Friday ghost singing.[30]
| |
"At Last" | 14 | 8 | Envisioned as a major song for Sun Valley Serenade with an arrangement by Jerry Gray and Bill Finegan, "At Last" was sung off-screen by Pat Friday[30] with actor John Payne. However, the song was mostly deleted from the release print; The audio portion survives and has been issued many times.[40] Reintroduced in an alternative arrangement the next year, with dual vocals by Ray Eberle and Pat Friday,[30] its musical motif was played throughout the movie during dramatic and romantic scenes. Eberle sang it solo for the Victor 78.[41] Glenn Miller was the first to record "At Last", reaching fourteen on the Billboard in 1942 and his recording became the first in a long history of popular versions. "At Last" subsequently became a standard covered by Nat King Cole[42] and Etta James[43] in the 1950s and 1960s, the Etta James version reaching number 47 on the Billboard Hot 100 and number two on the R&B chart in 1961, Ray Anthony, who reached number two on Billboard with a remake in 1952, Lou Rawls, Celine Dion, Diana Krall, Eva Cassidy, Miles Davis, Joni Mitchell, Bing Crosby, Aretha Franklin, the Oak Ridge Boys, Cyndi Lauper, Doris Day, Ella Fitzgerald, Chet Baker, Michael Bolton, Dianne Reeves, Stevie Wonder, Christina Aguilera, and Beyoncé in 2008. By the 2000s, Etta James' version seemed to have eclipsed Miller's. Miller's version, however, appeared in Till There Was You (1997). Beyoncé also sang it at one of the Inaugural Balls for President Barack Obama in 2009.[44]
| |
"Juke Box Saturday Night" | 7 | 8 | ||
"Moonlight Becomes You" | 5 | 8 | Vocal by Skip Nelson and the Modernaires.
| |
"Dearly Beloved" | 5 | 4 | Vocal by Skip Nelson.
| |
1943 | "Moonlight Mood" | 16 | 2 | Vocal by Skip Nelson and the Modernaires.
|
"That Old Black Magic" | 1 | 14 | Vocal by Skip Nelson and the Modernaires, number one for 1 week. Written by Johnny Mercer and Harold Arlen, it was the last Glenn Miller number one hit.
| |
"Rhapsody In Blue" | 15 | 6 | ||
"Blue Rain" (re-issue) | 9 | 3 | Reissue B-side "Caribbean Clipper" written by arranger Jerry Gray.
| |
1944 | "It Must Be Jelly ('Cause Jam Don't Shake Like That)" | 12 | 8 | |
"Sunrise Serenade" (re-issue) | 18 | 1 | ||
"A String of Pearls" (re-issue) | 18 | 1 | ||
"Here We Go Again" | 20 | 1 | ||
1948 | "Adios" (re-issue) | 20 | 1 |
Other discographical highlights, radio format
[edit]- "Sold American" – written by Glenn Miller and Chummy MacGregor, was first recorded on May 23, 1938, as part of the first session for the new, reformed Glenn Miller Orchestra on Brunswick.[45] When Miller signed with Victor he recorded "Sold American" again on June 27, 1939.[46]
- "The Rhumba Jumps!" – Vocal by Marion Hutton and Tex Beneke.
- "Sometime" – vocal by Ray Eberle, composed by Glenn Miller and Chummy MacGregor in 1939, the song was only performed for radio broadcast; published in 1940 with lyrics credited to Mitchell Parish
- "Long Tall Mama" – written by Billy May under his first wife's name, "Arletta May".
- "Measure for Measure" – written by Billy May, recording exists from Sun Valley Serenade sound-on-film sessions.
- "Daisy Mae" – written by Billy May with Hal McIntyre
- "Gabby Goose" – written by Billy May
- "Swinging at the Seance" - composed by Edward Stone, whose real name was Abie Steinfeld. The song was covered by The Moon-Rays in 2008, and the Deep River Boys in 2009.
- "Yesterthoughts" – vocal by Ray Eberle.
- "Flagwaver" - written by Jerry Gray.
- "A Love Song Hasn't Been Sung" - written by Jerry Gray, Bill Conway, and Harold Dickinson.
- "Are You Rusty, Gate?" – written by Jerry Gray.
- "Introduction to a Waltz" – instrumental composed by Glenn Miller, Jerry Gray, and Hal Dickinson and performed for radio broadcast only.[47]
- "The Man in the Moon" – Vocal by Ray Eberle. Written by Jerry Gray, Jerry Lawrence, and John Benson Brooks and recorded on September 3, 1941.[48]
- "Solid as a Stonewall, Jackson" – written by Chummy MacGregor and Jerry Gray
- "Stardust" by Hoagy Carmicheal and Mitchell Parish. Recorded January 29, 1940 for Bluebird.[49]
- "Delilah" – Vocal by Tex Beneke and the Modernaires.
- "Sentimental Me" – Vocal by Dorothy Claire.[50]
- "Ida! Sweet As Apple Cider" – Vocal by Tex Beneke; Recorded January 17, 1941. Written by Eddie Leonard. Two recordings exist, one a test pressing. Arranged by Billy May.[51]
- "Down for the Count" - written by Bill Finegan, performed over broadcast.
- "Conversation Piece" - written by Bill Finegan, performed over broadcast.
- "Tiger Rag" – composed by Nick LaRocca.[52]
- "Slumber Song" – written by Chummy MacGregor and Saul Tepper.[53] It was used as Glenn Miller's theme song in 1941 when contractual problems with ASCAP[54] forbade him from using "Moonlight Serenade".[55]
- "The Spirit is Willing" – written by Jerry Gray. Recorded for the soundtrack, but not used for Sun Valley Serenade. Audio still survives and has been reissued several times.[40] Issued on 78 as Bluebird B-11135-A.[19]
- "Helpless" – written by Glenn Miller Orchestra; guitarist and vocalist Jack Lathrop
- "Long Time No See, Baby" – Vocal by Marion Hutton – Jack Lathrop & Sunny Skylar (w&m)
- "Keep 'Em Flying" – written by Jerry Gray. Glenn Miller changed the song title from "That's Where I Came In" to "Keep 'Em Flying". Recorded December 8, 1941.[34]
- "Oh! So Good" – written by Jerry Gray
- "Soldier, Let Me Read Your Letter" – arranged by arranger/trumpeter Billy May; written by Sidney Lippman, Pvt. Pat Fallon and Pvt. Tim Pasma
- "I Got Rhythm" – Billy May, arranger; January 1, 1942 broadcast [56]
- "Boom Shot" – composed by Glenn Miller and Billy May (under his wife's name Arletta May) for Orchestra Wives and arranged by George Williams.
- "Blues in the Night" — December 18, 1941 broadcast.
- "When Johnny Comes Marching Home" — Recorded February 18, 1942.
- "Rainbow Rhapsody" — Recorded July 16, 1942.
- "Make Believe" — September 9, 1942 broadcast.
- "Lullaby of the Rain" — Recorded May 20, 1942.
Harry Warren and Mack Gordon songs for Sun Valley Serenade and Orchestra Wives: Harry Warren and Mack Gordon were songwriters under contract with Twentieth Century Fox from 1940 to 1943.[57] During that time period they composed the songs for Miller's movies for Fox.
- "The Kiss Polka", used in Sun Valley Serenade[58] and also appeared as a Bluebird 78.[26]
- "The World is Waiting to Waltz Again" – vocal by John Payne, cut out of the release print of Sun Valley Serenade.
- "People Like You and Me" – Vocals by Marion Hutton, Tex Beneke, Ray Eberle, and the Modernaires in Orchestra Wives.[22] Not recorded commercially or performed for broadcast.
- "That's Sabotage" – vocal by Marion Hutton. Cut out of the release print of Orchestra Wives supposedly by pressure from the United States government about how the war effort was being presented in the song.[59] The 35mm audio survives and has been released many times.[60][61] Also recorded with Marion Hutton for RCA Victor.[62]
Radio format:
In sharing air time with the Andrews Sisters for the early Chesterfield Shows, the Miller band had nine minutes to present its music. Miller instituted medleys of Something Old, Something New, Something Borrowed, Something Blue into the band's broadcasts to enable it to play as much as possible.[63] This medley tradition continued into both later programs and the I Sustain The Wings radio broadcasts of the Major Glenn Miller Army Air Forces Orchestra (March 20, 1943 to January 15, 1946).
Sample Glenn Miller medley, June 19, 1940, Cincinnati, Ohio, Chesterfield show with a Jerry Gray arrangement of all tracks:
Old – "The Touch of Your Hand" (Generally an older song)
New – "Basket Weaver Man" (A way to introduce a new song, written by Joe McCarthy and Walter Donaldson)
Borrowed – "The Waltz You Saved For Me" (Themes or songs made famous by other bands/bandleaders; Borrowed from bandleader Wayne King, written by King, Gus Kahn and Emil Flindt)
Blue – "Blue Danube" ("Blue" in title, written by Johann Strauss Jr., 1867)[64]
Recordings as sideman, arranger, and leader: 1926–1938
[edit]The first authenticated recordings made by Glenn Miller were in 1926. In the fall of 1926, Earl Baker, a cornetist, made recordings on cylinders using the Edison Standard Phonograph recording device, making the first recordings of Glenn Miller, Benny Goodman, and Fud Livingston. Miller and Goodman were both in the Ben Pollack and his Californians band at that time. The Ben Pollack band was in Chicago, Illinois, to make studio recordings for Victor. The Baker cylinders are available on the album "The Legendary Earl Baker Cylinders", released by the Jazz Archives record label as JA43 in 1979. The songs performed included "Sleepy Time Gal", "Sister Kate", "After I Say I'm Sorry", and "Sobbin' Blues".[65]
- "When I First Met Mary" – recorded on December 9, 1926, in Chicago as part of Ben Pollack and his Californians which featured Benny Goodman on clarinet. The recording was released as Victor 20394.
- "He's the Last Word" – recorded on December 12, 1926, with Ben Pollack and featuring a solo by Benny Goodman
- "Room 1411 (Goin' to Town)" – Miller's first known composition, written with Benny Goodman in 1928 and recorded with Miller's peers was released on 78 as Brunswick 4013.
- "Solo Hop" – composed by Glenn Miller in 1935 when he began recording under his own name which features a trumpet solo by Bunny Berigan. The record reached number seven on the Billboard singles chart in 1935 becoming Miller's first hit record.
- "Dese Dem Dose" – with the Dorsey Brothers and Ray Noble.
- "When Icky Morgan Plays the Organ" – recorded with the Clark Randall Orchestra in 1935. Clark Randall was the pseudonym of Frank Tennille, the father of Toni Tennille of the Captain and Tennille. Most of the band members in the Clark Randall Orchestra were part of the Bob Crosby Orchestra.
- "Annie's Cousin Fanny" – with the Dorsey Brothers in 1934, vocal by Kay Weber and orchestra. This song was covered by Dick Pierce, Russ Carlton and his Orchestra, Marshall Royal and Maxwell Davis on the album Studio Cuts which includes two takes of the song and in 2000 by Mora's Modern Rhythmists Dance Orchestra, a ten-piece ensemble that plays jazz and swing from the 1920s and 1930s. The record was banned by radio stations in 1934 because of suggestive lyrics relying on double entendre.[66]
- "Every Day's a Holiday" was a 1938 Brunswick 78 single by Glenn Miller and his Orchestra that reached number 17 on Billboard, staying on the charts for one week. This was Glenn Miller's second hit record before he switched to the Bluebird label.
- "Doin' the Jive"
- "Community Swing"
Pre-1938 charted recordings
[edit]Year | Single | Group | Role | Peak chart position | Totalweeks charted | ||
---|---|---|---|---|---|---|---|
Sideman | Arranger | Leader | US[1] | ||||
1928 | "Sweet Sue – Just You" | Ben Pollack and His Californians | 3 | 7 | |||
1929 | "Sally Of My Dreams" | Dorsey Brothers' Orchestra | 17 | 2 | |||
"Let's Do It (Let's Fall In Love)" | Bing Crosby (with Dorsey Brothers' Orchestra) | 9 | 4 | ||||
"Yellow Dog Blues" | Ben's Bad Boys | 20 | 1 | ||||
"Indiana" | Red Nichols and His Five Pennies | 19 | 1 | ||||
1930 | "Strike Up the Band" | Red Nichols and His"Strike Up The Band" Orchestra | 7 | 7 | |||
"I Want to Be Happy" | Red Nichols and His Five Pennies | 19 | 1 | ||||
"China Boy" | 18 | 1 | |||||
"Embraceable You" | 3 | 9 | |||||
"It Had to Be You" | 19 | 1 | |||||
"I Got Rhythm" | 5 | 8 | |||||
"Fine and Dandy" | The Travelers | 18 | 1 | ||||
1931 | "He's Not Worth Your Tears" | Benny Goodman and His Orchestra | 20 | 1 | |||
"Blue Again" | Red Nichols and His Five Pennies | 10 | 6 | ||||
"Walkin' My Baby Back Home" | The Charleston Chasers | 15 | 4 | ||||
"Corrine Corrina" | Red Nichols and His Five Pennies | 18 | 1 | ||||
"Basin Street Blues" | The Charleston Chasers | 14 | 5 | ||||
"Say A Little Prayer For Me" | Smith Ballew and His Orchestra | 15 | 2 | ||||
"You Rascal You" | Red Nichols and His Five Pennies | 17 | 1 | ||||
"Little Girl" | Joe Venuti and His Orchestra | 4 | 6 | ||||
"Fan It" | Red Nichols and His Five Pennies | 20 | 1 | ||||
"What Is It?" | Smith Ballew and His Orchestra | 17 | 2 | ||||
"Time on My Hands (You In My Arms)" | 6 | 6 | |||||
"You Call It Madness (But I Call It Love)" | 12 | 4 | |||||
"Ooh That Kiss" | Dorsey Brothers' Orchestra | 18 | 1 | ||||
1932 | "Was That the Human Thing to Do?" | The Boswell Sisters ( w/ Dorsey Brothers' Orchestra) | 7 | 4 | |||
1934 | "You Oughta Be in Pictures(My Star Of Stars)" | 17 | 1 | ||||
"Lost In A Fog" | Dorsey Brothers' Orchestra | 15 | 2 | ||||
"I'm Getting Sentimental Over You" | 20 | 1 | |||||
"What A Diff'rence A Day Made" | 5 | 7 | |||||
"You're The Top" | 17 | 2 | |||||
"It's Dark On Observatory Hill" | 16 | 3 | |||||
"If It's Love" | 18 | 1 | |||||
1935 | "Clouds" | Ray Noble and His Orchestra | 5 | 9 | |||
"It's Bad For Me" | 15 | 2 | |||||
"Flowers for Madame" | 11 | 9 | |||||
"Lullaby of Broadway" | Dorsey Brothers' Orchestra | ① | 11 | ||||
"Paris in Spring" | Ray Noble and His Orchestra | ① | 11 | ||||
"Let's Swing It" | ① | 7 | |||||
"Solo Hop" | Glenn Miller and His Orchestra(Studio group) | 7 | 5 | ||||
"Chinatown, My Chinatown" | Ray Noble and His Orchestra | 14 | 2 | ||||
"Top Hat" | 4 | 6 | |||||
"Double Trouble" | 12 | 10 | |||||
"Mad About The Boy" | 19 | 1 | |||||
"The Piccolino" | 14 | 2 | |||||
"Where Am I (Am I In Heaven?)" | 16 | 4 | |||||
1936 | "Dinner For One Please, James" | 7 | 10 | ||||
"I Built A Dream One Day" | 19 | 1 | |||||
"A Beautiful Lady In Blue" | 13 | 3 | |||||
"It's Great To Be In Love" | 20 | 1 | |||||
"The Touch of Your Lips" | 12 | 4 | |||||
"When I'm With You" | 15 | 4 | |||||
"But Definitely" | 20 | 1 | |||||
"Thru' The Courtesy of Love" | Ben Pollack and His Orchestra | 19 | 1 | ||||
"I've Got You Under My Skin" | Ray Noble and His Orchestra | 3 | 13 | ||||
"Easy To Love" | 7 | 9 | |||||
1937 | "I've Got My Love To Keep Me Warm" | 3 | 9 | ||||
1938 | "Every Day's A Holiday" | Glenn Miller and His Orchestra (Brunswick Records predecessor band) |
17 | 1 |
Army Air Force Band (Glenn Miller Army Air Forces Orchestra) and V-Discs: 1943–1944
[edit]Navy V-Discs featured different color schemes than standard V-Discs.
Year released | V-Disc type | No. | Songs | Group | Background |
---|---|---|---|---|---|
1943 | V-Disc | 12 | "At Last" / "Moonlight Mood" | Glenn Miller and His Orchestra | |
39 | "Moonlight Serenade" / "My Melancholy Baby" | ||||
65 | Spoken Introduction "Stardust" / "St. Louis Blues March" |
Captain Glenn Miller and the Army Air Forces Training Command Orchestra | "Stardust": The civilian band's arrangement by Glenn Miller and Bill Finegan was recorded in 1940 for Bluebird.[49] The Army Air Force band uses a completely different arrangement making use of its string section and includes a French horn solo. A version was released as V-Disc 65A in December, 1943 with a spoken message by Glenn Miller: "This is Captain Glenn Miller speaking for the Army Air Forces Training Command Orchestra and we hope that you soldiers of the Allied forces enjoy these V-Discs that we're making just for you."
| ||
1944 | V-Disc | 91 | "Stormy Weather" / "Buckle Down, Winsocki", "El Capitan" |
Captain Glenn Miller and the Army Air Forces Training Command Orchestra | "Stormy Weather": Released as V-Disc 91A in January 1944 as a "Sweet" side by Captain Glenn Miller and the AAFTC Orchestra. "El Capitan": Released as the flip side, by the 418th AAFTC Band Under the Direction of Captain Glenn Miller as a "March" side; composed by John Philip Sousa and originally recorded by his band in 1895. |
V-Disc | 123 | "Going Home", "Honeysuckle Rose", I Sustain the Wings (uncredited)→ "My Blue Heaven" / "In the Mood" | Captain Glenn Miller and the Army Air Forces Training Command Orchestra / Glenn Miller and His Orchestra | "Going Home": Written by Antonín Dvořák, arranged by Harry Katzman, and broadcast on June 2, 1944 on the I Sustain the Wings radio program.[67] "I Sustain the Wings": The 1943 NBC radio program theme was co-written by Glenn Miller and was used to introduce some V-Discs. Released as V-Disc 123A in February 1944 as an "Orchestral" side by Capt. Glenn Miller and the AAFTC Orchestra.
| |
V-Disc | 144 | "The Squadron Song", "Tail End Charlie" / "Don't Be That Way", "Blue Champagne" | Captain Glenn Miller and the Army Air Forces Training Command Orchestra | "Tail End Charlie": Written by Bill Finegan. Released as V-Disc 144A in March 1944 as a "Swing" side by Captain Glenn Miller and the AAFTC Orchestra.
| |
V-Disc | 183 | "Embraceable You", "G.I. Jive" / "Sophisticated Lady", "Azure" | Captain Glenn Miller and the Army Air Forces Training Command Orchestra / Duke Ellington and His Orchestra | Glenn Miller tracks recorded 21 January 1944. V-Disc released May, 1944.
| |
V-Disc | 201 | "Moon Dreams" / "Sleepy Town Train" |
Captain Glenn Miller and the Army Air Forces Training Command Orchestra / Glenn Miller and His Orchestra | "Moon Dreams": Vocal by Johnny Desmond and the Crew Chiefs, was recorded with the Glenn Miller AAF Band and released as V-Disc 201A in October, 1944 and Navy V-Disc 114B. The music was written by Chummy MacGregor and lyrics by Johnny Mercer.[68][69] Gil Evans was also a main arranger for the Claude Thornhill orchestra in the forties, which was financed by Miller.[70] As such, Glenn Miller had a very slight relationship with modern jazz, tangential nonetheless. Incidentally, Miles Davis did not like Thornhill's interpretations of some bebop songs that Evans arranged, like "Donna Lee", calling them "mannered". Despite this, Evans and Davis were best friends and collaborators for the rest of their lives. The Miles Davis Nonet recorded a live performance of "Moon Dreams" in 1948 in New York. Martha Tilton also recorded a version in 1942.[71] Jazz historian Richard Jessen has also proposed that Miller's recording of "Wham" from August 1, 1939, predates the same phrasing used in famed bebop track "Salt Peanuts" by Charlie Parker and Dizzy Gillespie in 1944.[72]
| |
V-Disc | 223 | "Everybody Loves My Baby (But My Baby Don't Love Me)", "Stompin' at the Savoy" / "Stealin' Apples" |
Captain Glenn Miller and the Army Air Forces Training Command Orchestra | Glenn Miller tracks recorded 21 January and 20 May 1944. V-Disc released July, 1944.
| |
Navy V-Disc | 3 | ||||
V-Disc | 242 | "A Fellow On A Furlough", "Guns In The Sky" / "Poinciana" | Captain Glenn Miller and the Army Air Forces Training Command Orchestra | Recorded 20 May 1944. V-Disc released August, 1944.
| |
Navy V-Disc | 22 | ||||
V-Disc | 281 | "Chattanooga Choo Choo", "Sun Valley Jump" / "It Had to Be You", "Special Delivery Stomp" | Captain Glenn Miller and the Army Air Forces Training Command Orchestra / Artie Shaw and His Gramercy Five | Glenn Miller tracks recorded 3 June 1944. V-Disc released October, 1944.
| |
Navy V-Disc | 61 | ||||
V-Disc | 302 | "These Foolish Things Remind Me of You", "Hallelujah" / "In the Gloaming", "Deep Purple" |
Benny Goodman and His V-Disc All-Star Band // and His V-Disc Quartette / Major Glenn Miller and the Army Air Forces Training Command Orchestra |
Glenn Miller tracks recorded 20 May 1944. V-Disc released November, 1944.
| |
Navy V-Disc | 82 | ||||
V-Disc | 334 | "My Buddy", "Farewell Blues" / "Theme", "Lover" |
Major Glenn Miller and the Army Air Forces Training Command Orchestra / David Rose and His Orchestra | Glenn Miller tracks recorded 10 June 1944. "Farewell Blues": written by Elmer Schoebel, Paul Mares, and Leon Roppolo of The New Orleans Rhythm Kings in 1922. Released as Bluebird 10495-B in 1939 and V-Disc 334A issued December, 1944.
| |
1945 | V-Disc | 352 | "(All of a Sudden) My Heart Sings", "Singin' in the Rain" / "Missouri Waltz", "Alice Blue Gown" |
Guy Lombardo and His Orchestra / Glenn Miller and His Orchestra |
Glenn Miller tracks recorded by civilian band in 1940 for Victor Bluebird. V-Disc released January, 1945.
|
V-Disc | 381 | "I've Got A Heart Filled With Love For You Dear" / "Sleigh Ride in July", "I Can't Tell Why I Love You But I Do" | Major Glenn Miller and the Army Air Forces Training Command Orchestra / Dinah Shore | Glenn Miller tracks recorded 13 May 1944. V-Disc released March, 1945.
| |
V-Disc | 421 | "Holiday for Strings" / "Sleepy Lagoon", "Hora Staccato" |
Major Glenn Miller and the Army Air Forces Training Command Orchestra / Paul Baron and His Orchestra | Glenn Miller tracks recorded 3 June 1944. V-Disc released July, 1945.
| |
V-Disc | 466 | "Bye Bye Blues", "Wang Wang Blues" / "Too Marvelous for Words" | Major Glenn Miller and the Army Air Forces Training Command Orchestra / Harry James and His Orchestra | Glenn Miller tracks recorded 13 May and 3 June 1944. V-Disc released July, 1945.
| |
Navy V-Disc | 246 | ||||
V-Disc | 482 | "I Can't Give You Anything But Love Baby", "Little Brown Jug" / "I Can't Get Started", "Keep the Home Fires Burning" | Major Glenn Miller and the Army Air Forces Training Command Orchestra / Charlie Barnet and His Orchestra | Glenn Miller tracks recorded 13 and 27 May 1944. V-Disc released August, 1945.
| |
V-Disc | 504 | "The Army Air Corps Song", "I Hear You Screaming" / "A Kiss Goodnight", "Northwest Passage" | Major Glenn Miller and the Army Air Forces Training Command Orchestra / Woody Herman and His Orchestra | Glenn Miller tracks recorded 13 May and 3 June 1944. V-Disc released September, 1945.
| |
Navy V-Disc | 264 | ||||
V-Disc | 522 | "St. Louis Blues" / "Dinah" | Captain Glenn Miller and the Army Air Forces Training Command Orchestra / Sam Donahue And The Navy Dance Band | "St. Louis Blues March" recorded 29 October 1943. Reissue of B-side of V-Disc 65, 522 was released October, 1945.
| |
V-Disc | 533 | "Songs My Mother Taught Me" / "Peggy, The Pin Up Girl", "My Melancholy Baby" | Major Glenn Miller and the Army Air Forces Training Command Orchestra / Sam Donahue And The Navy Dance Band | Glenn Miller tracks recorded 29 April and 6 May 1944. V-Disc released November, 1945.
| |
1946 | V-Disc | 587 | "Why Dream", "Passage Interdit" / "Beale Street Blues" |
Major Glenn Miller's Army Air Forces Overseas Orchestra / Jack Teagarden and His Orchestra |
Glenn Miller tracks recorded 27 October and 10 November 1945. V-Disc released February, 1946.
|
V-Disc | 601 | "Symphony"/ "I Got Rhythm" |
Major Glenn Miller's AAF Overseas Orchestra / The Benny Goodman Sextet | Glenn Miller track recorded 27 October 1945. V-Disc released March, 1946.
| |
1948 | V-Disc | 842 | "Indian Love Call", "Ramblin' Rose" / "In the Mood", "University Of Minnesota March" |
Tony Pastor with All-Star Band / Glenn Miller and Overseas Band, Bert Hirsch and V-Disc Band |
Glenn Miller track recorded 17 November 1945. V-Disc released May, 1948.
|
Unreleased V-Discs and addendum
[edit]Other popular tracks, not recorded for or unreleased as V-Discs were:
- "7-0-5" or "Seven-O-Five" – written by Glenn Miller. While recorded for V-Disc, it went unreleased.
- "Passage Interdit" - written by Jerry Gray. Released as V-Disc 587A in February, 1946.
- "Snafu Jump" – written by Jerry Gray
- "Long Ago (And Far Away)" vocal Johnny Desmond / Norman Leyden, arranger March 25, 1944, broadcast[73]
- "People Will Say We're In Love" vocal Johnny Desmond / Norman Leyden, arranger
- "Flying Home", written by Benny Goodman, Eddie DeLange, and Lionel Hampton; arranged by Steve Steck; April 8, 1944, broadcast[73]
- "Mission to Moscow" - Mel Powell, composer and arranger
Songs that were in the civilian band and Army Air Force band libraries include:[74]
- "Jeep Jockey Jump" – written by Jerry Gray and one broadcast of the song was done by the civilian band.[75]
- "It Must Be Jelly ('Cause Jam Don't Shake Like That)" – music written by Chummy MacGregor and George Williams and lyrics by Sunny Skylar.[76] George Williams, arranger /Mar. 11, 1944 Chant by the band.[73] This version is from the Army Air Force band. The civilian band played the same arrangement that was performed at least twice, available on a Victor 78 recording, Vi-20-1546-A, recorded July 15, 1942 [77] or also taken from a radio remote broadcast from September 15, 1942, in Boston, Massachusetts [78] and later re-released by RCA Victor on LPT 6700.[79][80] According to the tsort.com website, the 78 single, Victor 20–1546, reached number twelve on the Billboard charts in January, 1944, where it stayed for eight weeks on the chart.[81] Moreover, the record was a crossover hit, reaching number two on the Billboard 'Harlem' Hit Parade Chart on February 19, 1944, the then equivalent of the later R&B chart, and number sixteen on the Billboard Juke Box Chart. Harry James, Johnny Long, and Frankie Ford also recorded versions. Woody Herman recorded a version that was also released as a V-Disc, No. 320B, in November, 1944.
- "Sun Valley Jump" – written by Jerry Gray. Released as a V-Disc, No. 281A, in October 1944 by Glenn Miller and the AAFTC Orchestra.
- "Rhapsody in Blue" – written by George Gershwin. The civilian band version has Bobby Hackett solo in the middle.[82] "Rhapsody in Blue" from the civilian band is not the entire work, but rather a section of the work arranged to fit on a 10" 78 rpm record. It was released as Victor 20-1529-A.[82]
- "Blue Rain" – written by Johnny Mercer and Jimmy Van Heusen,[83] Civilian band-arrangement with Ray Eberle vocal, unknown arranger. Army Air Force band: arrangement with strings, no vocal.
- "Are You Jumpin' Jack?" – written by Bill Finegan. First civilian band version, December 21, 1940, for a remote broadcast on NBC.[84]
- " Enlisted Men's Mess" – written by Jerry Gray. In the civilian band's library but not performed or recorded.[85] Performed by the Army Air Forces Training Command Band and broadcast on the I Sustain the Wings radio program, May 5, 1944.[67]
Songs that were prepared for but went unreleased on V-Disc include:
- "Stardust" (breakdown)
- "(The End Of A) Perfect Day"
- "Blue Room"
- "Holiday for Strings", in two parts
- "Here We Go Again"
- "In An Eighteenth Century Drawing Room"
- "The Old Refrain"
- "Song Of The Volga Boatmen"
- "Moonlight Serenade" (AAF arrangement)
A disc released in 2010 is called "The Final - His Last Recordings"[86] and collects Miller's last known recorded performances (November, 1944) plus bonus spoken bits for the radio program "Music for the Wehrmacht", starring Major Miller with German speaker Ilse Weinberger. The album also contains a September 1944 interview and - as final track - the BBC radio announcement of Miller's disappearance.
Album discography, 1928–1944
[edit]Year | Album | Original release format(s) |
Peak chart position |
Total weeks charted |
Sales certifications |
---|---|---|---|---|---|
1943 | Red Nichols Jazz Classics, Vol. One (Five Pennies compilation) | 78 rpm shellac | – | – | – |
Chicago Jazz Classics (Benny Goodman's Boys compilation) | |||||
1944 | Up Swing | 4 | 3 | – | |
1945 | Glenn Miller and His Orchestra | ①16 | 130 | RIAA: Gold | |
1947 | Glenn Miller Masterpieces, Volume II | ①6 | 32 | – | |
1949 | Starlight Serenades | 5 | 10 | ||
1951 | Glenn Miller Concert, Vol. One | 33⅓ rpm vinyl 45 rpm vinyl |
2 | 27 | |
Glenn Miller Concert, Vol. Two | 6 | 8 | |||
Glenn Miller Concert, Vol. Three | – | – | – | ||
This Is Glenn Miller and His Orchestra | |||||
This Is Glenn Miller and His Orchestra, Vol. Two | |||||
1953 | Limited Edition | 3 | 3 | – | |
Glenn Miller Plays Selections From the Film "The Glenn Miller Story" | ①11 | 78 | RIAA: Gold | ||
1954 | Juke Box Saturday Night | – | – | – | |
Sun Valley Serenade | |||||
Orchestra Wives | |||||
Limited Edition, Vol. Two | 4 | 16 | – | ||
Sunrise Serenade | – | – | – | ||
1955 | Glenn Miller Army Air Force Band | ||||
1956 | Second Pressing (Repressing of Limited Edition) | ||||
The Sound of Glenn Miller | |||||
This Is Glenn Miller and His Orchestra (Expanded version of 1951 LP) | |||||
Glenn Miller Plays Selections From the Film "The Glenn Miller Story" And Other Hits (Expanded version of 1954 LP) | |||||
Glenn Miller Concert (Combination of Volume One and Three of earlier "Concert" series) |
33⅓ rpm vinyl | ||||
1957 | Marvelous Miller Moods (Glenn Miller and the Army Air Force Band) |
16 | 6 | – | |
1958 | Marvelous Miller Medleys | – | – | – | |
The Glenn Miller Carnegie Hall Concert | 19 | 3 | – | ||
Original Film Soundtracks | – | – | – | ||
1959 | For the Very First Time | ||||
1960 | Yesterday – The Authentic Sound of Glenn Miller | ||||
1963 | On the Air – Volume One | 33⅓ rpm vinyl compact cassette | |||
On the Air – Volume Two | |||||
On the Air – Volume Three | |||||
The Great Glenn Miller and His Orchestra | 33⅓ rpm vinyl compact cassette 8-track cartridge | ||||
1964 | The Original Recordings By Glenn Miller and His Orchestra | ||||
1966 | The Best of Glenn Miller, Volume Two | ||||
Blue Moonlight | |||||
1967 | The Nearness of You | ||||
The Chesterfield Broadcasts, Volume 1 | |||||
1968 | The Chesterfield Broadcasts, Volume 2 | ||||
The One and Only Glenn Miller | |||||
The Unforgettable Glenn Miller | – | – | RIAA: Platinum | ||
1969 | The Best of Glenn Miller, Vol. III | – | – | – | |
1970 | A Memorial: 1944-1969 | – | – | RIAA: Gold | |
1972 | Sunrise Serenade | – | – | – | |
The Original Big Band Hits, Vol. 1 | |||||
The Original Big Band Hits, Vol. 2 | |||||
1973 | String of Pearls | ||||
1974 | A Legendary Performer | 115 | 9 | – | |
Golden Hour of Glenn Miller | – | – | BPI: Silver | ||
His Original Recordings of Greatest Hits | BVMI: Gold | ||||
1975 | Pure Gold | RIAA: Gold | |||
1975-80 | The Complete Glenn Miller (LP releases) | – | – | – | |
1976 | Collection | – | – | BPI: Gold | |
1977 | The Unforgettable Glenn Miller | – | – | – | |
1989 | The Popular Recordings (1938-1942) | compact cassette compact disc | |||
1991 | The Complete Glenn Miller (13x CD set) | ||||
1993 | The Ultimate Glenn Miller | ||||
The Essential Glenn Miller | compact disc digital |
– | – | – | |
1996 | Greatest Hits (RCA Victor imprint) | compact cassette compact disc | |||
1996 | The Lost Recordings | – | – | BMG Music; BPI: Gold | |
1996 | Secret Broadcasts (RCA Victor) | compact disc | |||
1999 | Candlelight Miller | compact disc | |||
The Fabulous Glenn Miller | |||||
2003 | Platinum Glenn Miller | compact disc digital | |||
2004 | Centennial Collection | ||||
2005 | The Essential Glenn Miller (Reissue) | ||||
2008 | The Best of Glenn Miller 1938–1942 (RCA Original Masters series) |
References
[edit]- ^ a b Whitburn, Joel (2015). Pop Memories, The History of American Popular Music 1900-1940.
- ^ Whitburn, Joel (2002). Pop Hits, Singles and Albums 1940-1954.
- ^ "Larry Clinton "True Confession"". Big Band Library. Archived from the original on 2017-10-11. Retrieved 2012-01-07.
- ^ Simon 144
- ^ Flower 57
- ^ Flower 59
- ^ A. H. Weiler (1959-03-30). "Movie Review - - Screen: 2-Hour Comedy". Movies.nytimes.com. Archived from the original on 2011-03-05. Retrieved 2017-07-27.
- ^ "Little Brown Jug Sheet Music/Score - Traditional, Duke Ellington, Joseph E. Winner, Joseph E. Winner Sheet Music - Download & Print Score". Greatscores.com. Archived from the original on 2012-02-12. Retrieved 2012-01-07.
- ^ "Lyr Req: Little Brown Jug". mudcat.org. Archived from the original on 2012-02-13. Retrieved 2012-01-07.
- ^ Flower 58
- ^ "The Glenn Miller Story (1954) - Overview - TCM.com". Turner Classic Movies. Archived from the original on 2008-12-25. Retrieved 2009-02-05.
- ^ Flower 68
- ^ "In the Mood". NPR. 2000-07-29. Archived from the original on 2012-02-28. Retrieved 2017-07-27.
- ^ Catalog of Copyright Entries: Musical compositions. 1941. p. 447. Retrieved 2017-07-27.
- ^ "Pinocchio (1940) soundtracks". Internet Movie Database. Archived from the original on 2016-04-07. Retrieved 2017-07-27.
- ^ Flower 125
- ^ "Jazz Standards Songs and Instrumentals (The Nearness of You)". Jazzstandards.com. Archived from the original on 2009-02-09. Retrieved 2017-07-27.
- ^ Flower 200
- ^ a b Flower 280
- ^ "Archived copy". Archived from the original on 2010-11-30. Retrieved 2009-02-05.
{{cite web}}
: CS1 maint: archived copy as title (link) - ^ Flower, 304
- ^ a b Flower 427
- ^ Cab Calloway and his Orchestra covered the song and released it on Conqueror in 1941. On February 10, 1942, Glenn Miller was presented with the first gold record in history for selling one million and two hundred thousand records of "Chattanooga Choo Choo". Wally Early of Victor presented this live on the Chesterfield program of February 10, 1942.
- ^ Simon 256
- ^ "Pat Friday". Bigbandbuddies.co.uk. Archived from the original on 7 September 2008. Retrieved 23 March 2019.
- ^ a b Flower 335
- ^ Recording and filming dates for Sun Valley Serenade: March 24 – May 3, 1941 see Flower 289 Recording and filming dates for Orchestra Wives: March 23 – May 22, 1942 see Flower 426
- ^ Flower 305
- ^ "Pat Friday". Bigbandbuddies.co.uk. Archived from the original on 2008-09-07. Retrieved 2017-07-27.
- ^ a b c d "Pat Friday". Bigbandbuddies.co.uk. Archived from the original on 2008-09-07. Retrieved 2017-07-27.
- ^ Flower 290
- ^ Flower 367
- ^ Jerry Gray composed a sequel called "Restringing the Pearls" in the 1950s according to Dance band expert Christopher Papa
- ^ a b Flower 385
- ^ John Philip Sousa also recorded it with his band.
- ^ Flower 429
- ^ Flower 445
- ^ Benny Goodman and his Orchestra recorded a cover version in 1942 which was released as a 78, Columbia 36622
- ^ Flower 434
- ^ a b Flower 292
- ^ Flower 445–446
- ^ "Second Hand Songs - Song: At Last - Nat King Cole". SecondHandSongs. Archived from the original on 2008-12-23. Retrieved 2009-02-05.
- ^ "Etta James". rockhall.com. Archived from the original on 2014-07-20. Retrieved 2014-06-21.
- ^ "Beyonce to Sing Etta James Classic at Inaugural Ball" Archived 2009-05-03 at the Wayback Machine. Chicago Sun-Times, January 19, 2009.
- ^ Flower 14
- ^ Flower 72–73
- ^ The song was recorded by the Jack Million Band on the album In the Mood for Glenn Miller, Volume 1.
- ^ An unreleased instrumental version was recorded for the Orchestra Wives soundtrack and never used in the release print. See the 1994 compact disc "Glenn Miller in Stereo" and its accompanying liner notes.
- ^ a b Flower 124
- ^ Flower 266, 272, 276
- ^ Flower 270
- ^ Originally recorded by the Original Dixieland Jazz Band in 1917 in New York, it became a jazz standard and one of the most covered jazz songs of the twentieth century.
- ^ Flower 379
- ^ "The Rise and Fall of Popular Music". Donaldclarkemusicbox.com. Archived from the original on 2019-04-22. Retrieved 2017-07-27.
- ^ Simon 243
- ^ Flower, 398
- ^ "Harry Warren". Archive.is. Archived from the original on 2013-01-26. Retrieved 2017-07-27.
{{cite web}}
: CS1 maint: bot: original URL status unknown (link) - ^ Flower 290, 291
- ^ Richard Grudens (2004). Chattanooga Choo Choo: The Life and Times of the World Famous Glenn Miller ... p. 143. ISBN 9781575792774. Retrieved 2017-07-27.
- ^ Dargis, Manohla (2012). "Movie Reviews". Movies & TV Dept. The New York Times. Archived from the original on 2012-10-20. Retrieved 2017-07-27.
- ^ Flower 430
- ^ Flower 455
- ^ Simon 199
- ^ Flower 184
- ^ Eduard Voelker (1938-01-01). "Glenn Miller's Bands". Members.kabsi.at. Archived from the original on 2012-02-16. Retrieved 2012-01-07.
- ^ "M O R A' S M O D e R N M U S I C". Archived from the original on 2008-12-31. Retrieved 2009-02-05.
- ^ a b Glenn Miller: The Secret Broadcasts, RCA Victor, 75605-52500-2, 1996
- ^ The song was covered by the Miles Davis Nonet in 1950 on his album Birth of the Cool and also appears on "The Complete Birth of the Cool", arranged by Gil Evans
- ^ Brown, Scott (October 1998). "Miles Davis: The Complete Birth of the Cool". Allaboutjazz.com. Archived from the original on 2013-05-28. Retrieved 2017-07-27.
- ^ "Solid! -- Claude Thornhill". Archived from the original on 2009-04-15. Retrieved 2009-02-05.
- ^ ""The Birth of the Cool Songbook" on Night Lights - Jazz Radio & Podcasts - organissimo jazz forums - the best jazz discussion forum on the web!". Archived from the original on 2013-04-15. Retrieved 2009-02-05.
- ^ Brown, Scott (14 August 2004). "Glenn Miller: The Godfather Of Bop?". Allaboutjazz.com. Archived from the original on 2012-10-22. Retrieved 2017-07-27.
- ^ a b c "Glenn Miller: "A Dream Band"". Big Band Library. Archived from the original on 2017-10-06. Retrieved 2017-07-27.
- ^ Some songs were performed by the civilian band and the Army Air Force Band but might be better known by one band over the other. For example, the Army Air Force band and the civilian band both had "In The Mood", "String of Pearls", "Moonlight Serenade", "Jukebox Saturday Night", "Caribbean Clipper", "Here We Go Again" and "Chattanooga Choo Choo" in their libraries.
- ^ Flower 440
- ^ "Archived copy". Archived from the original on 2008-12-20. Retrieved 2009-02-05.
{{cite web}}
: CS1 maint: archived copy as title (link) - ^ Flower 463–464
- ^ Flower, 480
- ^ Flower 480
- ^ Woody Herman covered the song in 1944 and released it as a V-Disc and commercially released it as a Columbia 78 with matrix number 71904. Sunny Skylar added lyrics. Herman's version was recorded March 23, 1944. Woody Herman information taken from Visser, Joop. "Discography." Liner notes. The Woody Herman Story. CD. Properbox 15: Proper Records Ltd.,2000.
- ^ "Song artist 11 - Glenn Miller". Tsort.info. Archived from the original on 2015-10-02. Retrieved 2017-07-27.
- ^ a b Flower 465
- ^ Flower 90
- ^ Flower 258–259
- ^ Flower 527
- ^ "Glenn Miller | The Final - His Last Recordings". CD Baby. 1944-12-24. Retrieved 2012-01-07.
Bibliography
[edit]- Polic, Edward F. (1990). The Glenn Miller Army Air Force Band. The Scarecrow Press, Inc.; Sustineo Alas/I Sustain the Wings edition (June 1, 1990) ISBN 0-8108-2269-5
- Firestone, Ross (1998). Swing, Swing, Swing: The Life and Times of Benny Goodman. W.W. Norton. ISBN 978-0-393-31168-6.
- Flower, John (1972). Moonlight Serenade: A Bio-discography of the Glenn Miller Civilian Band. Arlington House. ISBN 0-87000-161-2.
- Simon, George Thomas (1980). Glenn Miller and His Orchestra. New York: Da Capo paperback. ISBN 0-306-80129-9.
- Miller, Glenn (1943). Glenn Miller's Method for Orchestral Arranging. New York: Mutual Music Society. ASIN: B0007DMEDQ
- Miller, Glenn (1927). Glenn Miller's 125 Jazz Breaks For Trombone. Chicago: Melrose Brothers Music Company.
- Miller, Glenn (1939). Feist All-Star Series of Modern Rhythm Choruses Arranged By Glenn Miller For Trombone. New York: Leo J. Feist, Inc.
- Grudens, Richard (2004). Chattanooga Choo Choo: The Life and Times of the World Famous Glenn Miller Orchestra. Stony Brook, NY: Celebrity Profiles, 2004. ISBN 978-1-57579-277-4
- Sears, Richard S. (1980). V-Discs: A History and Discography. Greenwood Press; illustrated edition (December 23, 1980) ISBN 978-0-313-22207-8