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{{short description|American operatic baritone}}
'''Brian Mulligan''' is an American operatic baritone who has performed in major opera houses and concert halls all over the world.
'''Brian Mulligan''' is an American operatic [[baritone]] who has performed in major [[opera house]]s and [[List of concert halls|concert halls]] all over the world.


Mulligan’s diverse repertoire currently includes over 60 roles in seven languages. He regularly performs the standard works of Puccini, Verdi and Wagner, yet also sings the music of living composers such as [[John Adams]], [[Dominick Argento]] and [[Gregory Spears]].
Mulligan's diverse repertoire currently includes over 60 roles in seven languages. He regularly performs the standard works of [[Puccini]], [[Verdi]], and [[Wagner]], yet also sings the music of living composers such as [[John Adams (composer)|John Adams]], [[Dominick Argento]], and [[Gregory Spears]].


In September of 2018 the [[Washington Post]] wrote “Mulligan is a big man with a big voice. His baritone is almost embarrassingly rich in its low and middle registers, with a high range and head voice of bell-like purity. His diction is flawless. Most importantly, he imbues every syllable with unmistakable meaning and purpose.<ref>https://www.washingtonpost.com/entertainment/music/walden-delivers-gripping-concert-for-vocal-arts/2018/09/17/4e0f2760-ba2b-11e8-adb8-01125416c102_story.html?utm_term=.352c267a6005</ref>
In September 2018, ''[[The Washington Post]]'' wrote "Mulligan is a big man with a big voice. His baritone is almost embarrassingly rich in its low and middle registers, with a high range and head voice of bell-like purity. His diction is flawless. Most importantly, he imbues every syllable with unmistakable meaning and purpose."<ref>{{cite news |url=https://www.washingtonpost.com/entertainment/music/walden-delivers-gripping-concert-for-vocal-arts/2018/09/17/4e0f2760-ba2b-11e8-adb8-01125416c102_story.html |title='Walden' delivers gripping concert for Vocal Arts |date=2018-09-17 |author1=Patrick Rucker |newspaper=[[The Washington Post]] |place=Washington, D.C. |issn=0190-8286 |oclc=1330888409}}</ref>


== Early Life and Education ==
== Early life and education ==


Born in Endicott, New York, Mulligan has two younger brothers and was raised in an Irish Catholic home. His parents were born in Ireland, which allowed Mulligan to be granted dual citizenship with the United States and Ireland.<ref>https://www.operawarhorses.com/2012/08/26/rising-stars-an-interview-with-brian-mulligan/</ref>
Born in [[Endicott, New York]], Mulligan has two younger brothers and was raised in an Irish Catholic home. His parents were born in [[Republic of Ireland|Ireland]], which allowed Mulligan to be granted dual citizenship with the United States and Ireland.<ref>{{Cite web|url=https://www.operawarhorses.com/2012/08/26/rising-stars-an-interview-with-brian-mulligan/|title = Rising Stars: An Interview with Brian Mulligan – Opera Warhorses}}</ref>


Mulligan studied voice at [[the Juilliard School]] and [[Yale University]]. His primary voice teachers were Dale Moore, [[Beverley Peck Johnson]] and [[W. Stephen Smith]], who he still studies with today.
Mulligan studied voice at the [[Juilliard School]] and [[Yale University]]. His primary voice teachers were Dale Moore, [[Beverley Peck Johnson]], and [[W. Stephen Smith]], with whom he still studies today.


Mulligan spent five summers as a student at the [[Aspen Music Festival and School]], two summers as a Young Artist with [[Wolf Trap Opera]] and one summer with the Steans Institute at the [[Ravinia Festival]].
Mulligan spent five summers as a student at the [[Aspen Music Festival and School]], two summers as a Young Artist with [[Wolf Trap Opera]] and one summer with the Steans Institute at the [[Ravinia Festival]].


== Career ==
== Career ==


Brian Mulligan made his professional debut at the [[Metropolitan Opera]] in December of 2003. He was still a student at Juilliard at the time of his debut, singing the role of Der Wächter in Die Frau Ohne Schatten. Since then, he has gone on to perform at some of the most important opera houses in the world, including the [[Wiener Staatsoper]] (debut as Balstrode in Peter Grimes), [[San Francisco Opera]] (debut as Marcello in La Bohème), [[Opernhaus Zürich]] (debut as Yeletsky in Pique Dame), [[Lyric Opera of Chicago]] (debut as Enrico in Lucia di Lammermoor), [[Oper Frankfurt]] (debut as Prospero in Ades' The Tempest), [[Los Angeles Opera]] (debut as Prometheus in Die Vögel), [[New York City Opera]] (debut as Jake Wallace in La Fanciulla del West) and [[Houston Grand Opera]] (debut as Marcello in La Bohème).
Brian Mulligan made his professional debut at the [[Metropolitan Opera]] in December 2003. He was still a student at Juilliard at the time of his debut, singing the role of Der Wächter in ''[[Die Frau ohne Schatten]]''. Since then, he has gone on to perform at some of the most important opera houses in the world, including the [[Vienna State Opera|Wiener Staatsoper]] (debut as Balstrode in ''[[Peter Grimes]]''), [[San Francisco Opera]] (debut as Marcello in ''[[La bohème]]''), [[Zürich Opera House|Opernhaus Zürich]] (debut as Yeletsky in [[Pique Dame (Suppé)|''Pique Dame'']]), [[Lyric Opera of Chicago]] (debut as Enrico in ''[[Lucia di Lammermoor]]''), [[Opern- und Schauspielhaus Frankfurt|Oper Frankfurt]] (debut as Prospero in [[Thomas Adès|Adès]]' [[The Tempest (opera)|''The Tempest'']]), [[Los Angeles Opera]] (debut as Prometheus in [[Die Vögel (opera)|''Die Vögel'']]), [[New York City Opera]] (debut as Jake Wallace in ''[[La fanciulla del West]]'') and [[Houston Grand Opera]] (debut as Marcello in ''La bohème'').


Recent appearance include Mandryka in Arabella with San Francisco Opera, Golaud in Pelleas et Melisande at Oper Frankfurt, Sharpless in Madama Butterfly with Opernhaus Zürich, Gunther in Gotterdammerung and Donner in Das Rheingold with San Francisco Opera, Paolo Albiani in Simon Boccanegra at the Metropolitan Opera, Amonasro in Aida at the Aspen Music Festival, John Proctor in The Crucible at the [[Glimmerglass Festival]], Nelusko in L’Africaine at Oper Frankfurt, Tadeusz in The Passenger at the [[Theater an der Wien]] and Roderick Usher in Debussy's La chute de la Maison Usher at San Francisco Opera.
Recent appearance include Mandryka in ''[[Arabella]]'' with San Francisco Opera, Golaud in [[Pelléas et Mélisande (opera)|''Pelléas et Mélisande'']] at [[Opern- und Schauspielhaus Frankfurt|Oper Frankfurt]], Sharpless in ''[[Madama Butterfly]]'' with Opernhaus Zürich, Gunther in ''[[Götterdämmerung]]'' and Donner in ''[[Das Rheingold]]'' with San Francisco Opera, Paolo Albiani in ''[[Simon Boccanegra]]'' at the Metropolitan Opera, Amonasro in ''[[Aida]]'' at the [[Aspen Music Festival and School|Aspen Music Festival]], John Proctor in [[The Crucible (opera)|''The Crucible'']] at the [[Glimmerglass Festival]], Nelusko in ''[[L'Africaine]]'' at Oper Frankfurt, Tadeusz in [[The Passenger (opera)|''The Passenger'']] at the [[Theater an der Wien]] and Roderick Usher in [[Claude Debussy|Debussy]]'s [[La chute de la maison Usher (opera)|''La chute de la maison Usher'']] at San Francisco Opera.


Mulligan has garnered much critical acclaim in his career, particularly for his performances of Sweeney Todd and Richard Nixon in Nixon in China, both with San Francisco Opera, Enrico in the David Alden production of Lucia di Lammermoor at [[Canadian Opera Company]], [[English National Opera]] and [[Washington National Opera]], the title role of Hamlet at Minnesota Opera and Valentin in Faust at the Metropolitan Opera, Opernhaus Zürich and San Francisco Opera.
Mulligan has garnered much critical acclaim in his career, particularly for his performances of [[Sweeney Todd: The Demon Barber of Fleet Street|''Sweeney Todd'']] and Richard Nixon in ''Nixon'' in China, both with San Francisco Opera, Enrico in the David Alden production of ''Lucia di Lammermoor'' at [[Canadian Opera Company]], [[English National Opera]], and [[Washington National Opera]], the title role of [[Hamlet (Thomas)|''Hamlet'']] at [[Minnesota Opera]] and Valentin in [[Faust (opera)|''Faust'']] at the Metropolitan Opera, Opernhaus Zürich, and San Francisco Opera.


Other roles include Di Luna in Il Trovatore at Oper Frankfurt, Renato in Un Ballo in Maschera and Chorebe in Les Troyens both at San Francisco Opera, Thérèse at [[Wexford Festival Opera]], Hänsel und Gretel at Lyric Opera of Chicago, Carmina Burana with [[the Cleveland Orchestra]] and Peter Grimes at the Aspen Music Festival. Mulligan has also appeared at the Ravinia Festival, [[Spoleto Festival USA]] and the [[Saito Kinen Festival]] in Japan.
Other roles include Di Luna in ''[[Il trovatore]]'' at [[Oper Frankfurt]], Renato in ''[[Un ballo in maschera]]'' and Chorebe in ''[[Les Troyens]]'' both at [[San Francisco Opera]], Thérèse at [[Wexford Festival Opera]], [[Hansel and Gretel (opera)|''Hansel and Gretel'']] at [[Lyric Opera of Chicago]], [[Carmina Burana (Orff)|''Carmina Burana'']] with the [[Cleveland Orchestra]] and ''Peter Grimes'' at the [[Aspen Music Festival]]. Mulligan has also appeared at the [[Ravinia Festival]], [[Spoleto Festival USA]] and the [[Seiji Ozawa Matsumoto Festival|Saito Kinen Festival]] in Japan.


Brian Mulligan has performed with many of the finest orchestras in America, including the Cleveland Orchestra (A Sea Symphony), the [[San Francisco Symphony Orchestra]] (Das Klagende Lied), the [[Chicago Symphony Orchestra]] (Songs for Adam), the [[Houston Symphony]] (Paulus) and the [[Los Angeles Philharmonic]] (Mahler Symphony #8).
Brian Mulligan has performed with many of the finest orchestras in America, including the Cleveland Orchestra (''[[A Sea Symphony]]''), the [[San Francisco Symphony]] Orchestra (''[[Das klagende Lied]]''), the [[Chicago Symphony Orchestra]] (''Songs for Adam''), the [[Houston Symphony]] (''Paulus'') and the [[Los Angeles Philharmonic]] ([[Mahler Symphony No. 8 discography|''Mahler Symphony #8'']]).


== The Shining (Opera) ==
==''The Shining'' (opera) ==


In May 2016, Brian Mulligan created the role of [[Jack Torrance]] in the world premiere of [[The Shining (opera)|''The Shining'']] by [[Paul Moravec]] at [[Minnesota Opera]]. The entire run of the production was sold out and the opera was proclaimed "a chilling, artistic triumph" by ''[[Musical America]]''. The reviews for Mulligan's portrayal of Jack Torrance were raves.<ref>{{Cite web |url=https://mnopera.org/season/the-shining-reviews/ |title=The Shining Reviews &#124; Minnesota Opera |access-date=2018-12-18 |archive-url=https://web.archive.org/web/20181219001218/https://mnopera.org/season/the-shining-reviews/ |archive-date=2018-12-19 |url-status=dead }}</ref> ''[[Opera News]]'' wrote, "As Jack Torrance, Brian Mulligan does the seemingly impossible—he actually makes you forget [[Jack Nicholson]]".<ref>[https://www.operanews.com/Opera_News_Magazine/2016/5/Reviews/ST__PAUL__The_Shining.html The Shining] operanews.com</ref> ''Musical America'' wrote, "Bringing all this to life was a first-rate cast led by Brian Mulligan, who used his powerful baritone and looming physicality to explore the terrifying drama of Jack's internal battle. Exuding immense charm in the opening scenes, and a genuine desire to reconnect with Wendy and turn things right, he conveyed a sense of the inevitability behind the dark forces that torment him—a veritable operatic curse—and of the strength he needed to summon for the climactic scene".<ref>{{Cite web|url=http://www.musicalamerica.com/news/printarticle.cfm?sid=36234&cid= |title=Printer-Friendly Receipt}}</ref> The ''[[Star Tribune]]'' wrote, "Brian Mulligan was an unforgettable Jack, alternately pathetic and terrifying and richly sung."<ref>{{cite web |url=http://www.startribune.com/shining-opera-premiere-is-scary-good/378585276/ |title='Shining' opera premiere is scary good - StarTribune.com |website=www.startribune.com |url-status=dead |archive-url=https://web.archive.org/web/20160510141216/http://www.startribune.com/shining-opera-premiere-is-scary-good/378585276/ |archive-date=2016-05-10}}</ref>
In May of 2016, Brian Mulligan created the role of Jack Torrance in the world premiere of The Shining by [[Paul Moravec]] at [[Minnesota Opera]]. The entire run of the production was sold out and the opera was proclaimed “a chilling, artistic triumph” by Musical America. The reviews for Mulligan’s portrayal of Jack Torrance were raves. <ref>https://mnopera.org/season/the-shining-reviews/</ref>


== Recordings ==
Opera News wrote “As Jack Torrance, Brian Mulligan does the seemingly impossible - he actually makes you forget Jack Nicholson”. <ref>https://www.operanews.com/Opera_News_Magazine/2016/5/Reviews/ST__PAUL__The_Shining.html</ref>


Brian Mulligan's debut solo album was released by [[Naxos Records]] in August 2017. The recording consisted of two song cycles by Dominick Argento: [[Andrée's Arctic balloon expedition|''The Andrée Expedition'']] and ''[[From the Diary of Virginia Woolf]]''. Timothy Long is the pianist and [[Adam Abeshouse]] is the producer. The album was a critical success, and named Critics Choice by ''[[Opera News]]'' in the February 2018 issue.<ref>[https://www.operanews.com/Opera_News_Magazine/2018/2/Recordings/ARGENTO__The_Andrée_Expedition;_From_the_Diary_of_Virginia_Woolf.html Argento: The Andrée Expedition; From the Diary of Virginia Woolf ]</ref> [[Gramophone (magazine)|''Gramophone'']] reviewed the album as "... a succession of poignant gem-like moments, exquisite distillations of love and brief emotional surges...".<ref>Vittes, Laurence: [https://www.gramophone.co.uk/review/argento-the-andrée-expedition-from-the-diary-of-virginia-woolf Argento The Andrée Expedition. From the Diary of Virginia Woolf] [[Gramophone (magazine)|Gramophone]]</ref>
Musical America wrote “Bringing all this to life was a first-rate cast led by Brian Mulligan, who used his powerful baritone and looming physicality to explore the terrifying drama of Jack’s internal battle. Exuding immense charm in the opening scenes, and a genuine desire to reconnect with Wendy and turn things right, he conveyed a sense of the inevitability behind the dark forces that torment him—a veritable operatic curse—and of the strength he needed to summon for the climactic scene”. <ref>http://www.musicalamerica.com/news/printarticle.cfm?sid=36234&cid=</ref>


Brian Mulligan's second album, entitled ''Old Fashioned'', is scheduled to be released by [[Bridge Records]] in January 2019. Craig Rutenberg is the pianist and Adam Abeshouse is the producer. The album consists of songs from the early part of the 20th century, made popular through renditions by great American baritones of the past, including [[Nelson Eddy]], [[John Charles Thomas]], [[Lawrence Tibbett]], and [[Leonard Warren]].
The Star Tribune wrote “Brian Mulligan was an unforgettable Jack, alternately pathetic and terrifying and richly sung.” <ref>http://www.startribune.com/shining-opera-premiere-is-scary-good/378585276/</ref>


Mulligan has also been featured on recordings by [[ArkivMusic]], [[Deutsche Grammophon]], and [[Opera Rara]]/[[Warner Classics]].
== Recordings ==

Brian Mulligan's debut solo album was released by [[Naxos Records]] in August of 2017. The recording consisted of two song cycles by Dominick Argento: [[The Andrée Expedition]] and [[From the Diary of Virginia Woolf]]. Timothy Long was the pianist and Adam Abeshouse was the producer. The album was a critical success, and named Critics Choice by Opera News in the February 2018 issue. Gramophone reviewed the album as "... a succession of poignant gem-like moments, exquisite distillations of love and brief emotional surges...".<ref>https://www.gramophone.co.uk/review/argento-the-andrée-expedition-from-the-diary-of-virginia-woolf</ref>

Brian Mulligan's second album, entitled Old Fashioned, is scheduled to be released by [[Bridge Records]] in January of 2019. Craig Rutenberg was the pianist and Adam Abeshouse was the producer. The album consists of songs from the early part of the 20th century, made popular through renditions by great American baritones of the past, including [[Nelson Eddy]], [[John Charles Thomas]], [[Lawrence Tibbett]] and [[Leonard Warren]].


== References ==
== References ==
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[[Category:American operatic baritones|Mulligan, Brian]]
{{DEFAULTSORT:Mulligan, Brian}}
[[Category:American people of Irish descent|Mulligan, Brian]]
[[Category:American operatic baritones]]
[[Category:Juilliard School alumni|Mulligan, Brian]]
[[Category:American people of Irish descent]]
[[Category:Juilliard School alumni]]
[[Category:Living people]]
[[Category:Year of birth missing (living people)]]

Latest revision as of 20:58, 7 October 2024

Brian Mulligan is an American operatic baritone who has performed in major opera houses and concert halls all over the world.

Mulligan's diverse repertoire currently includes over 60 roles in seven languages. He regularly performs the standard works of Puccini, Verdi, and Wagner, yet also sings the music of living composers such as John Adams, Dominick Argento, and Gregory Spears.

In September 2018, The Washington Post wrote "Mulligan is a big man with a big voice. His baritone is almost embarrassingly rich in its low and middle registers, with a high range and head voice of bell-like purity. His diction is flawless. Most importantly, he imbues every syllable with unmistakable meaning and purpose."[1]

Early life and education

[edit]

Born in Endicott, New York, Mulligan has two younger brothers and was raised in an Irish Catholic home. His parents were born in Ireland, which allowed Mulligan to be granted dual citizenship with the United States and Ireland.[2]

Mulligan studied voice at the Juilliard School and Yale University. His primary voice teachers were Dale Moore, Beverley Peck Johnson, and W. Stephen Smith, with whom he still studies today.

Mulligan spent five summers as a student at the Aspen Music Festival and School, two summers as a Young Artist with Wolf Trap Opera and one summer with the Steans Institute at the Ravinia Festival.

Career

[edit]

Brian Mulligan made his professional debut at the Metropolitan Opera in December 2003. He was still a student at Juilliard at the time of his debut, singing the role of Der Wächter in Die Frau ohne Schatten. Since then, he has gone on to perform at some of the most important opera houses in the world, including the Wiener Staatsoper (debut as Balstrode in Peter Grimes), San Francisco Opera (debut as Marcello in La bohème), Opernhaus Zürich (debut as Yeletsky in Pique Dame), Lyric Opera of Chicago (debut as Enrico in Lucia di Lammermoor), Oper Frankfurt (debut as Prospero in Adès' The Tempest), Los Angeles Opera (debut as Prometheus in Die Vögel), New York City Opera (debut as Jake Wallace in La fanciulla del West) and Houston Grand Opera (debut as Marcello in La bohème).

Recent appearance include Mandryka in Arabella with San Francisco Opera, Golaud in Pelléas et Mélisande at Oper Frankfurt, Sharpless in Madama Butterfly with Opernhaus Zürich, Gunther in Götterdämmerung and Donner in Das Rheingold with San Francisco Opera, Paolo Albiani in Simon Boccanegra at the Metropolitan Opera, Amonasro in Aida at the Aspen Music Festival, John Proctor in The Crucible at the Glimmerglass Festival, Nelusko in L'Africaine at Oper Frankfurt, Tadeusz in The Passenger at the Theater an der Wien and Roderick Usher in Debussy's La chute de la maison Usher at San Francisco Opera.

Mulligan has garnered much critical acclaim in his career, particularly for his performances of Sweeney Todd and Richard Nixon in Nixon in China, both with San Francisco Opera, Enrico in the David Alden production of Lucia di Lammermoor at Canadian Opera Company, English National Opera, and Washington National Opera, the title role of Hamlet at Minnesota Opera and Valentin in Faust at the Metropolitan Opera, Opernhaus Zürich, and San Francisco Opera.

Other roles include Di Luna in Il trovatore at Oper Frankfurt, Renato in Un ballo in maschera and Chorebe in Les Troyens both at San Francisco Opera, Thérèse at Wexford Festival Opera, Hansel and Gretel at Lyric Opera of Chicago, Carmina Burana with the Cleveland Orchestra and Peter Grimes at the Aspen Music Festival. Mulligan has also appeared at the Ravinia Festival, Spoleto Festival USA and the Saito Kinen Festival in Japan.

Brian Mulligan has performed with many of the finest orchestras in America, including the Cleveland Orchestra (A Sea Symphony), the San Francisco Symphony Orchestra (Das klagende Lied), the Chicago Symphony Orchestra (Songs for Adam), the Houston Symphony (Paulus) and the Los Angeles Philharmonic (Mahler Symphony #8).

The Shining (opera)

[edit]

In May 2016, Brian Mulligan created the role of Jack Torrance in the world premiere of The Shining by Paul Moravec at Minnesota Opera. The entire run of the production was sold out and the opera was proclaimed "a chilling, artistic triumph" by Musical America. The reviews for Mulligan's portrayal of Jack Torrance were raves.[3] Opera News wrote, "As Jack Torrance, Brian Mulligan does the seemingly impossible—he actually makes you forget Jack Nicholson".[4] Musical America wrote, "Bringing all this to life was a first-rate cast led by Brian Mulligan, who used his powerful baritone and looming physicality to explore the terrifying drama of Jack's internal battle. Exuding immense charm in the opening scenes, and a genuine desire to reconnect with Wendy and turn things right, he conveyed a sense of the inevitability behind the dark forces that torment him—a veritable operatic curse—and of the strength he needed to summon for the climactic scene".[5] The Star Tribune wrote, "Brian Mulligan was an unforgettable Jack, alternately pathetic and terrifying and richly sung."[6]

Recordings

[edit]

Brian Mulligan's debut solo album was released by Naxos Records in August 2017. The recording consisted of two song cycles by Dominick Argento: The Andrée Expedition and From the Diary of Virginia Woolf. Timothy Long is the pianist and Adam Abeshouse is the producer. The album was a critical success, and named Critics Choice by Opera News in the February 2018 issue.[7] Gramophone reviewed the album as "... a succession of poignant gem-like moments, exquisite distillations of love and brief emotional surges...".[8]

Brian Mulligan's second album, entitled Old Fashioned, is scheduled to be released by Bridge Records in January 2019. Craig Rutenberg is the pianist and Adam Abeshouse is the producer. The album consists of songs from the early part of the 20th century, made popular through renditions by great American baritones of the past, including Nelson Eddy, John Charles Thomas, Lawrence Tibbett, and Leonard Warren.

Mulligan has also been featured on recordings by ArkivMusic, Deutsche Grammophon, and Opera Rara/Warner Classics.

References

[edit]
  1. ^ Patrick Rucker (2018-09-17). "'Walden' delivers gripping concert for Vocal Arts". The Washington Post. Washington, D.C. ISSN 0190-8286. OCLC 1330888409.
  2. ^ "Rising Stars: An Interview with Brian Mulligan – Opera Warhorses".
  3. ^ "The Shining Reviews | Minnesota Opera". Archived from the original on 2018-12-19. Retrieved 2018-12-18.
  4. ^ The Shining operanews.com
  5. ^ "Printer-Friendly Receipt".
  6. ^ "'Shining' opera premiere is scary good - StarTribune.com". www.startribune.com. Archived from the original on 2016-05-10.
  7. ^ Argento: The Andrée Expedition; From the Diary of Virginia Woolf
  8. ^ Vittes, Laurence: Argento The Andrée Expedition. From the Diary of Virginia Woolf Gramophone
[edit]