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{{Short description|1969 film by Robert Altman}}
{{Infobox film
{{Infobox film
| name = That Cold Day in the Park
| name = That Cold Day in the Park
| image = Poster of the movie That Cold Day in the Park.jpg
| image = Poster of the movie That Cold Day in the Park.jpg

| image_size =
| caption = Theatrical release poster
| caption = Theatrical release poster
| director = [[Robert Altman]]
| director = [[Robert Altman]]
| producer = Donald Factor<br />Leon Mirell
| producer = Donald Factor<br />Leon Mirell
| writer = [[Peter Miles (child actor)|Peter Miles]] (novel)<br />[[Gillian Freeman]]
| screenplay = [[Gillian Freeman]]
| based_on = {{Based on|''That Cold Day in the Park''<br>1965 novel|[[Peter Miles (American actor)|Richard Miles]]}}
| narrator =
| starring = [[Sandy Dennis]]
| starring = [[Sandy Dennis]]<br>[[Michael Burns (actor)|Michael Burns]]<br>[[Susanne Benton]]
| music = [[Johnny Mandel]]
| music = [[Johnny Mandel]]
| cinematography = [[László Kovács (cinematographer)|László Kovács]]
| cinematography = [[László Kovács (cinematographer)|László Kovács]]
Line 14: Line 15:
| studio = [[Commonwealth United Entertainment]]
| studio = [[Commonwealth United Entertainment]]
| distributor = Commonwealth United
| distributor = Commonwealth United
| released = 8 June 1969 (US)
| released = {{Film date|1969|06|08|US}}
| runtime = 113 minutes
| runtime = 113 minutes
| country = United States<br>Canada
| country = United States<br>Canada
Line 20: Line 21:
| budget =$1,200,000<ref>'Park' a Lark in Vancouver
| budget =$1,200,000<ref>'Park' a Lark in Vancouver
Loynd, Ray. Los Angeles Times 22 Dec 1968: b26.</ref>
Loynd, Ray. Los Angeles Times 22 Dec 1968: b26.</ref>
| preceded_by =
| followed_by =
}}
}}
'''''That Cold Day in the Park''''' is a 1969 suspense film directed by [[Robert Altman]] and starring [[Sandy Dennis]]. Based on the novel of the same name by [[Peter Miles (child actor)|Peter Miles]] and adapted for the screen by [[Gillian Freeman]], it was filmed on location in [[Vancouver]], British Columbia, where the events occur. The supporting cast includes [[Michael Burns (actor and historian)|Michael Burns]], [[Luana Anders]], John Garfield, Jr., and [[Michael Murphy (actor)|Michael Murphy]]. The picture was screened at the [[1969 Cannes Film Festival]] outside of the main competition.<ref name="festival-cannes.com">{{cite web |url=http://www.festival-cannes.com/en/archives/ficheFilm/id/2662/year/1969.html |title=Festival de Cannes: That Cold Day in the Park |accessdate=2009-04-10|work=festival-cannes.com}}</ref>
'''''That Cold Day in the Park''''' is a 1969 [[psychological drama]] [[psychological thriller|thriller film]] directed by [[Robert Altman]] and starring [[Sandy Dennis]]. Based on the novel of the same name by [[Peter Miles (American actor)|Richard Miles]] and adapted for the screen by [[Gillian Freeman]], it was filmed on location in [[Vancouver]], British Columbia, where the events occur. The supporting cast includes [[Michael Burns (actor)|Michael Burns]], [[Luana Anders]], John Garfield Jr., and [[Michael Murphy (actor)|Michael Murphy]].


==Plot==
==Plot==
Frances notices a nineteen-year-old boy sitting in the rain in the park outside her house and invites him inside. The boy does not speak but appears to understand everything. Frances allows him to bathe and eat, then buys him new clothes the next day. That night the boy visits his parents and younger siblings then returns to his small apartment with his older sister Nina and explains what has happened to him.
Frances Austen, a woman who has inherited her late parents' [[Vancouver]] apartment, notices a nineteen-year-old boy sitting in the rain in a nearby park and invites him inside. The boy does not speak but appears to understand everything. Frances runs a bath for him, gives him a meal, and makes up a bed in her spare room; when the boy has settled down for the night, she quietly locks him in. Frances buys him new clothes the next day. That night the boy slips away through the spare room window. He briefly visits his parents and younger siblings, then goes to a [[houseboat]] owned by his older sister, Nina. He tells Nina and her boyfriend Nick what has happened to him. He is perfectly well able to speak, but Nina explains to Nick that he has a habit of going mute and refusing to talk to people. The three of them share cookies, home made by Nina and containing [[cannabis]].


The next day the boy returns bearing homemade cookies and unexpectedly encounters the maid, Mrs. Parnell. Frances invites him in and sends Mrs. Parnell away. Mrs. Parnell remarks that the cookies are burnt before leaving but Frances opens an expensive bottle of wine to accompany the cookies. She holds one-sided conversations and flirts with the boy, developing a strong attachment. The following day the boy allows his sister Nina to use Frances's bath while Frances is away having a [[Diaphragm (birth control)|contraceptive diaphragm]] fitted and dispensed at a local [[family planning]] clinic.
The next day, the boy returns bearing homemade cookies and unexpectedly encounters Frances' maid, Mrs. Parnell. Frances invites him in and tells Mrs. Parnell to leave early. Mrs. Parnell remarks that the cookies are burnt, but Frances opens an expensive bottle of wine to accompany them; neither woman notices their real nature. Frances holds one-sided conversations and flirts with the boy, developing a growing attachment. The following day she has to go out and will not return before evening. While she is away, Nina enters by the spare room window. She takes a bath, and pulls her half-dressed brother into the water. Meanwhile Frances has had a [[Diaphragm (birth control)|contraceptive diaphragm]] fitted and dispensed at a local [[family planning]] clinic; she then goes to play [[lawn bowls]] with a group of friends, most of them people much older than herself. Charles, a doctor from the group, accompanies Frances home, where he makes romantic and sexual advances towards her. She refuses him and he leaves.


When Charles, an older suitor from Frances's [[lawn bowls]] group, visits that night, Frances locks the door to the boy's room while she rebuffs the man's advances until he leaves. She then inserts the diaphragm and enters the boy's room and asks him to make love to her but is distraught to find that the bed is merely stuffed with dolls.
Frances goes to the spare room. It is in darkness, with a shape visible under the bedclothes. She tells the boy about Charles. For years he has wanted to make love to her. Frances says repeatedly that she is not at all attracted to him, that he smells old, that he disgusts her. Finally she lies down on the bed and asks the boy to make love to her - only to discover that no one else is there, and the shape under the bedcover is made of dolls and stuffed toys.


The boy sneaks back into his room at Frances's house and sleeps until the next day, when he finds that all of the doors and windows are nailed shut. He confronts Frances and she apologizes but insists that she wants things to remain as they are, leaving him locked in the house as she goes out to a bar. She notices a woman sitting alone and invites her to come spend the night with the boy but the woman becomes upset. A man overhears and helps Frances find a prostitute named Sylvia at a nearby diner. Frances brings Sylvia home and locks her in the room with the boy then listens through the door as they have intercourse. Overcome with emotion, Frances enters the room and stabs Sylvia through the heart, killing her. The boy desperately searches for an exit but Frances tells him that he can stay with her and that he does not have to be afraid.
The boy sneaks back into his room and sleeps until the next day, when he finds that all of the doors and windows have been nailed shut. He confronts Frances, who apologizes but insists that she wants things to remain as they are, leaving him locked in the house as she goes out to a bar. She notices a woman sitting alone and invites her to come spend the night with the boy, but the woman becomes upset. A man overhears and helps Frances find a [[prostitution|prostitute]] named Sylvia at a nearby diner. Frances brings Sylvia home and locks her in the room with the boy, then listens through the door as they have sex. Overcome with emotion, Frances enters the room and stabs Sylvia through the heart, killing her. The boy desperately searches for an exit but Frances tells him that he can stay with her and that he does not have to be afraid. As the credits roll, she kisses him repeatedly and tells him she wants him to make love to her while he remains in a horrified state.


==Cast==
==Cast==
{{castlist|
* [[Sandy Dennis]] - Frances Austen
* [[Sandy Dennis]] - Frances Austen
* [[Michael Burns (actor)|Michael Burns]] - The Boy
* [[Michael Burns (actor)|Michael Burns]] - The Boy
* [[Susanne Benton]] - Nina
* [[Susanne Benton]] - Nina
* [[David Garfield]] - Nick (billed as John Garfield, Jr.)
* David Garfield - Nick (billed as John Garfield, Jr.)
* [[Luana Anders]] - Sylvia
* [[Luana Anders]] - Sylvia
* [[Edward Greenhalgh]] - Dr. Stevenson
* Edward Greenhalgh - Dr. Stevenson
* [[Lloyd Berry]] - Mr. Parnell
* Lloyd Berry - Mr. Parnell
* [[Rae Brown]] - Mrs. Parnell
* Rae Brown - Mrs. Parnell
* [[Linda Sorenson]] - Prostitute
* [[Linda Sorenson]] - Prostitute
* [[Doris Buckingham]] - Mrs. Ebury
* Doris Buckingham - Mrs. Ebury
* Frank Wade - Mr. Ebury
* Frank Wade - Mr. Ebury
* [[Alicia Ammon]] - Mrs. Pitt
* Alicia Ammon - Mrs. Pitt
* [[Michael Murphy (actor)|Michael Murphy]] - The Rounder
* [[Michael Murphy (actor)|Michael Murphy]] - The Rounder
}}

==Themes==
Writer Frank Caso identified themes of the film as including obsession and [[personality disorder]], and linked the film to director Robert Altman's later films ''[[Images (film)|Images]]'' (1972) and ''[[3 Women]]'' (1977), declaring them a trilogy.<ref>{{cite book |last=Caso |first=Frank |chapter=Strange Interlude |title=Robert Altman: In the American Grain |publisher=Reaktion Books |date=2015 |isbn=978-1780235523 }}</ref>

==Release==
The film was screened at the [[1969 Cannes Film Festival]] outside of the main competition.<ref name="festival-cannes.com">{{cite web |url=http://www.festival-cannes.com/en/archives/ficheFilm/id/2662/year/1969.html |title=Festival de Cannes: That Cold Day in the Park |access-date=2009-04-10|work=festival-cannes.com}}</ref>

==Critical reception==
[[Roger Ebert]] of the ''[[Chicago Sun-Times]]'' gave the film a negative review,<ref name=Ebert>{{cite web|url=https://www.rogerebert.com/reviews/that-cold-day-in-the-park-1969|title=That Cold Day in the Park|last1=Ebert|first1=Roger|author-link=Roger Ebert|newspaper=Chicago Sun-Times|via=RogerEbert.com|date=July 22, 1969|accessdate=February 7, 2023}}</ref> declaring that while it was well-shot, the plot was too convoluted and absurd to generate any suspense:<blockquote>The plot is too improbable to be taken seriously, and yet director Robert Altman apparently does take it seriously. And so we get a torturous essay on abnormal psychology when, with less trouble, we could have had a simple, juicy horror film. There are some of the same exploitation angles as ''[[Rosemary's Baby (film)|Rosemary's Baby]]'' (clinical discussions of reproduction, an eerie apartment, strange games), but they just don't work. In a straightforward horror movie, you can push pretty far before the audience starts laughing; they want to be scared. But ''That Cold Day in the Park'' doesn't declare itself as a horror film until too late, and the audience is already lost.<ref name=Ebert/></blockquote>

The [[review aggregator]] [[Rotten Tomatoes]] gave the film a rating of 50% based on 8 reviews.


==See also==
==See also==
Line 57: Line 69:
==External links==
==External links==
* {{IMDb title|id=0065086|title=That Cold Day in the Park}}
* {{IMDb title|id=0065086|title=That Cold Day in the Park}}
* [https://archive.is/20130129025343/http://moviemorlocks.com/2006/11/25/the-robert-altman-that-got-away.html The Robert Altman Film That Got Away (TCM Movie Morlocks)]
* [https://archive.today/20130129025343/http://moviemorlocks.com/2006/11/25/the-robert-altman-that-got-away.html The Robert Altman Film That Got Away (TCM Movie Morlocks)]
* {{webarchive |url=https://web.archive.org/web/20070214110954/http://www.cinematheque.bc.ca/sept_oct_06/turner.html |date=February 14, 2007 |title=Robert Altman's Vancouver }} (essay by Michael Turner)
* {{webarchive |url=https://web.archive.org/web/20070214110954/http://www.cinematheque.bc.ca/sept_oct_06/turner.html |date=February 14, 2007 |title=Robert Altman's Vancouver }} (essay by Michael Turner)
* [http://www.cinema.ucla.edu/events/2013-03-16/cold-day-park-1969 UCLA Film & Television Archive] (note by Shannon Kelley)
* [http://www.cinema.ucla.edu/events/2013-03-16/cold-day-park-1969 UCLA Film & Television Archive] (note by Shannon Kelley)
Line 65: Line 77:


{{DEFAULTSORT:That Cold Day In The Park}}
{{DEFAULTSORT:That Cold Day In The Park}}
[[Category:1960s American films]]
[[Category:1960s English-language films]]
[[Category:1960s psychological thriller films]]
[[Category:1969 drama films]]
[[Category:1969 films]]
[[Category:1969 films]]
[[Category:American films]]
[[Category:American drama films]]
[[Category:English-language films]]
[[Category:1960s drama films]]
[[Category:American independent films]]
[[Category:American independent films]]
[[Category:Films scored by Johnny Mandel]]
[[Category:American psychological thriller films]]
[[Category:Films about kidnapping]]
[[Category:Films based on American novels]]
[[Category:Films based on American novels]]
[[Category:Films directed by Robert Altman]]
[[Category:Films directed by Robert Altman]]
[[Category:Films scored by Johnny Mandel]]
[[Category:Films set in Vancouver]]
[[Category:Films shot in Vancouver]]
[[Category:Films shot in Vancouver]]
[[Category:Films set in Vancouver]]
[[Category:English-language thriller films]]
[[Category:American drama films]]


{{indie-drama-film-stub}}

Latest revision as of 04:54, 8 October 2024

That Cold Day in the Park
Theatrical release poster
Directed byRobert Altman
Screenplay byGillian Freeman
Based onThat Cold Day in the Park
1965 novel
by Richard Miles
Produced byDonald Factor
Leon Mirell
StarringSandy Dennis
Michael Burns
Susanne Benton
CinematographyLászló Kovács
Edited byDanford B. Greene
Music byJohnny Mandel
Production
company
Distributed byCommonwealth United
Release date
  • June 8, 1969 (1969-06-08) (US)
Running time
113 minutes
CountriesUnited States
Canada
LanguageEnglish
Budget$1,200,000[1]

That Cold Day in the Park is a 1969 psychological drama thriller film directed by Robert Altman and starring Sandy Dennis. Based on the novel of the same name by Richard Miles and adapted for the screen by Gillian Freeman, it was filmed on location in Vancouver, British Columbia, where the events occur. The supporting cast includes Michael Burns, Luana Anders, John Garfield Jr., and Michael Murphy.

Plot

[edit]

Frances Austen, a woman who has inherited her late parents' Vancouver apartment, notices a nineteen-year-old boy sitting in the rain in a nearby park and invites him inside. The boy does not speak but appears to understand everything. Frances runs a bath for him, gives him a meal, and makes up a bed in her spare room; when the boy has settled down for the night, she quietly locks him in. Frances buys him new clothes the next day. That night the boy slips away through the spare room window. He briefly visits his parents and younger siblings, then goes to a houseboat owned by his older sister, Nina. He tells Nina and her boyfriend Nick what has happened to him. He is perfectly well able to speak, but Nina explains to Nick that he has a habit of going mute and refusing to talk to people. The three of them share cookies, home made by Nina and containing cannabis.

The next day, the boy returns bearing homemade cookies and unexpectedly encounters Frances' maid, Mrs. Parnell. Frances invites him in and tells Mrs. Parnell to leave early. Mrs. Parnell remarks that the cookies are burnt, but Frances opens an expensive bottle of wine to accompany them; neither woman notices their real nature. Frances holds one-sided conversations and flirts with the boy, developing a growing attachment. The following day she has to go out and will not return before evening. While she is away, Nina enters by the spare room window. She takes a bath, and pulls her half-dressed brother into the water. Meanwhile Frances has had a contraceptive diaphragm fitted and dispensed at a local family planning clinic; she then goes to play lawn bowls with a group of friends, most of them people much older than herself. Charles, a doctor from the group, accompanies Frances home, where he makes romantic and sexual advances towards her. She refuses him and he leaves.

Frances goes to the spare room. It is in darkness, with a shape visible under the bedclothes. She tells the boy about Charles. For years he has wanted to make love to her. Frances says repeatedly that she is not at all attracted to him, that he smells old, that he disgusts her. Finally she lies down on the bed and asks the boy to make love to her - only to discover that no one else is there, and the shape under the bedcover is made of dolls and stuffed toys.

The boy sneaks back into his room and sleeps until the next day, when he finds that all of the doors and windows have been nailed shut. He confronts Frances, who apologizes but insists that she wants things to remain as they are, leaving him locked in the house as she goes out to a bar. She notices a woman sitting alone and invites her to come spend the night with the boy, but the woman becomes upset. A man overhears and helps Frances find a prostitute named Sylvia at a nearby diner. Frances brings Sylvia home and locks her in the room with the boy, then listens through the door as they have sex. Overcome with emotion, Frances enters the room and stabs Sylvia through the heart, killing her. The boy desperately searches for an exit but Frances tells him that he can stay with her and that he does not have to be afraid. As the credits roll, she kisses him repeatedly and tells him she wants him to make love to her while he remains in a horrified state.

Cast

[edit]

Themes

[edit]

Writer Frank Caso identified themes of the film as including obsession and personality disorder, and linked the film to director Robert Altman's later films Images (1972) and 3 Women (1977), declaring them a trilogy.[2]

Release

[edit]

The film was screened at the 1969 Cannes Film Festival outside of the main competition.[3]

Critical reception

[edit]

Roger Ebert of the Chicago Sun-Times gave the film a negative review,[4] declaring that while it was well-shot, the plot was too convoluted and absurd to generate any suspense:

The plot is too improbable to be taken seriously, and yet director Robert Altman apparently does take it seriously. And so we get a torturous essay on abnormal psychology when, with less trouble, we could have had a simple, juicy horror film. There are some of the same exploitation angles as Rosemary's Baby (clinical discussions of reproduction, an eerie apartment, strange games), but they just don't work. In a straightforward horror movie, you can push pretty far before the audience starts laughing; they want to be scared. But That Cold Day in the Park doesn't declare itself as a horror film until too late, and the audience is already lost.[4]

The review aggregator Rotten Tomatoes gave the film a rating of 50% based on 8 reviews.

See also

[edit]

References

[edit]
  1. ^ 'Park' a Lark in Vancouver Loynd, Ray. Los Angeles Times 22 Dec 1968: b26.
  2. ^ Caso, Frank (2015). "Strange Interlude". Robert Altman: In the American Grain. Reaktion Books. ISBN 978-1780235523.
  3. ^ "Festival de Cannes: That Cold Day in the Park". festival-cannes.com. Retrieved 2009-04-10.
  4. ^ a b Ebert, Roger (July 22, 1969). "That Cold Day in the Park". Chicago Sun-Times. Retrieved February 7, 2023 – via RogerEbert.com.
[edit]