Kultur Lige: Difference between revisions
Content deleted Content added
Undid revision 317889701 by Eliscoming1234 (talk) |
m v2.05b - Bot T20 CW#61 - Fix errors for CW project (Reference before punctuation) |
||
| (36 intermediate revisions by 27 users not shown) | |||
| Line 1: | Line 1: | ||
{{Jewish Labour Bund}} |
|||
The '''''Kultur Lige''''' (Culture League) was a secular [[socialist]] [[Jewish]] organization |
The '''''Kultur Lige''''' (Culture League) was a secular [[socialist]] [[Jewish]] organization established in [[Kiev]] in 1918, whose aim was to promote [[Yiddish]] language literature, theater and culture.<ref name=Bartelik>Marek Bartelik, "Early Polish modern art: unity in multiplicity, Issue 7255", Manchester University Press, 2005, p. 140, [https://books.google.com/books?id=-UrRTzxe2SAC&dq=Kultur+Lige&pg=PA140]</ref> The league organized various activities, including theater performances, poetry recitals, and concerts in Yiddish with the aim of disseminating Jewish art in Eastern Europe and Russia. Among some notable members of the organization were the [[scenic designer]] [[Boris Aronson]] (who later worked on [[Broadway theatre|Broadway]]),<ref name=Roshwald/> the artist and architect [[El Lissitzky]],<ref name=Roshwald>Aviel Roshwald, Richard Stites, "European culture in the Great War: the arts, entertainment, and propaganda, 1914-1918", Cambridge University Press, 2002, p. 123, [https://books.google.com/books?id=uteV3ytfmqQC&dq=Kultur+lige&pg=PA123]</ref> the writer [[David Bergelson]],<ref name="Naumov">[[Joshua Rubenstein]], Vladimir Pavlovich Naumov, "Stalin's secret pogrom: the postwar inquisition of the Jewish Anti-Fascist Committee, Issue 4713", Yale University Press, 2001, p. 145, [https://books.google.com/books?id=66AfGxYxNZ4C&dq=Kultur+lige&pg=RA1-PA145]</ref> the sculptor [[Joseph Chaikov]], the writer [[Peretz Markish]],<ref name=Veid>Jeffrey Veidlinger, "The Moscow State Yiddish Theater: Jewish culture on the Soviet stage", Indiana University Press, 2000, p. 119, [https://books.google.com/books?id=SsjfV_e4Bo4C&dq=Kultur+lige&pg=PA119]</ref> the poet [[David Hofstein]],<ref name=Levin>Nora Levin, "The Jews in the Soviet Union since 1917: paradox of survival, Volume 1", NYU Press, 1990, p. 201, [https://books.google.com/books?id=1Nz0N5GBW6MC&dq=Kultur+lige&pg=PA201]</ref> musicologist [[Moisei Beregovsky]], and artist [[Issachar Ber Ryback]].<ref name=Roshwald/> Bergelson, Markish and Hofstein were later executed on [[Joseph Stalin]]'s orders during the [[Night of the Murdered Poets]], in 1952. |
||
Artists like Ryback and Lissitzky who were members of the group tried to develop a distinctively Jewish form of [[modernism]] in which [[Abstract art|abstract forms]] would be used as a means of expressing and disseminating [[popular culture]].<ref name=Roshwald/> |
Artists like Ryback and Lissitzky who were members of the group tried to develop a distinctively Jewish form of [[modernism]] in which [[Abstract art|abstract forms]] would be used as a means of expressing and disseminating [[popular culture]].<ref name=Roshwald/> |
||
| Line 5: | Line 6: | ||
The manifesto of the group, published in November 1919, stated: |
The manifesto of the group, published in November 1919, stated: |
||
:"The goal of the Kulturlige is to assist in creating a new Yiddish secular culture in the Yiddish language, in Jewish national forms, with the living forces of the broad Jewish masses, in the spirit of the working man and in harmony with their ideals of the future."<ref name=Marg>Victor Margolin, "The struggle for utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946", University of Chicago Press, 1997, p. 27, [https://books.google.com/books?id=q93LHoimzjcC&q=Kultur+&pg=PA26]</ref> |
|||
It also listed the "three pillars" of the Kultur Lige as Yiddish education for the people, Yiddish literature, and Jewish art.<ref name=Harshav>Benjamin Harshav, "The Moscow Yiddish Theater: art on stage in the time of revolution", Yale University Press, 2008, |
It also listed the "three pillars" of the Kultur Lige as Yiddish education for the people, Yiddish literature, and Jewish art.<ref name=Harshav>Benjamin Harshav, "The Moscow Yiddish Theater: art on stage in the time of revolution", Yale University Press, 2008, p. 6, [https://books.google.com/books?id=M6ZBP78Q63UC&dq=Kultur+lige&pg=PA6]</ref> |
||
In 1919 members of the group, [[Victor Alter]] and [[Henryk Berlewi]], organized a major exhibition of [[Polish-Jewish]] art in [[ |
In 1919 members of the group, [[Victor Alter]] and [[Henryk Berlewi]], organized a major exhibition of [[Polish-Jewish]] art in [[Białystok]] under the name "First Exhibition of Jewish Painting and Sculpture". The exhibition was targeted at the Yiddish speaking Jewish community, as well as the Polish workers of the city. During the same year, the organization helped to sponsor sixty three Yiddish schools, fifty four libraries and many other cultural and educational institutions.<ref name=Fishman>David E. Fishman, "The rise of modern Yiddish culture", Univ of Pittsburgh Press, 2005, p. 83, [https://books.google.com/books?id=ZB_MCB1dL4EC&dq=Kultur+lige&pg=PA83]</ref> |
||
In 1920 the Kiev branch of the organization was taken over by the [[Bolsheviks]] and the Jewish section of the Soviet Communist party, [[Yevsektsiya]], and subjected to the [[bureaucracy]] of the Soviet state.<ref name=Marg/> |
In 1920 the Kiev branch of the organization was taken over by the [[Bolsheviks]] and the Jewish section of the [[Soviet Communist party]], [[Yevsektsiya]], and subjected to the [[bureaucracy]] of the Soviet state.<ref name=Marg/> Its [[printing presses]] were taken away, it was denied paper for publishing and its central committee was forcefully disbanded.<ref name=Marg/> As a result, the [[Warsaw]] branch became the main center for the organization.<ref name=Bartelik/> |
||
Afterward, the remains of the Kultur Lige in the Soviet Union continued under the auspices of the Yevsektsiya as a publishing house, mostly focusing on Yiddish textbooks for children. In Poland, the League established offices in other cities such as [[Wilno]] and [[Łódź]]. In 1924, it began to issue the ''{{ill|Literarishe Bleter|he|ליטערארישע בלעטער}}'' magazine (based on the Polish ''{{ill|Wiadomości Literackie|pl}}'') (''Literary News''), which became the main forum for discussions by the Yiddish intelligentsia on subjects of art, literature and theater.<ref name=Fishman/> |
|||
==References== |
==References== |
||
{{reflist}} |
{{reflist}} |
||
==External links== |
|||
| ⚫ | |||
*[http://irbis-nbuv.gov.ua/cgi-bin/ua/elib.exe?Z21ID=&I21DBN=UKRLIB&P21DBN=UKRLIB&S21STN=1&S21REF=10&S21FMT=online_book&C21COM=S&S21CNR=20&S21P01=0&S21P02=0&S21P03=FF=&S21STR=ukr0000223 ''Kultur lige: artistic avant-garde of the 1910s and 1920s''] (''Культур-Ліга: художній авангард 1910-1920-х років : альбом-каталог''), [[Kyiv]], Дух і Літера, 2007. |
|||
{{jewish-org-stub}} |
|||
{{Authority control}} |
|||
[[Category:1918 establishments in Ukraine]] |
|||
| ⚫ | |||
[[Category:Jewish anti-Zionism in Ukraine]] |
|||
[[Category:Jews and Judaism in Kyiv]] |
|||
[[Category:Yiddish culture in Ukraine]] |
|||
[[Category:Socialism in Ukraine]] |
|||
[[Category:Secular Jewish culture in Ukraine]] |
|||
Latest revision as of 13:28, 9 October 2024
| Part of a series on |
| Bundism |
|---|
 |
| 1890s to World War I |
|
| Interwar years and World War II |
| After 1945 |
|
| People |
| Press |
| Songs |
| Associated organisations |
| Splinter groups |
|
| Categories |
The Kultur Lige (Culture League) was a secular socialist Jewish organization established in Kiev in 1918, whose aim was to promote Yiddish language literature, theater and culture.[1] The league organized various activities, including theater performances, poetry recitals, and concerts in Yiddish with the aim of disseminating Jewish art in Eastern Europe and Russia. Among some notable members of the organization were the scenic designer Boris Aronson (who later worked on Broadway),[2] the artist and architect El Lissitzky,[2] the writer David Bergelson,[3] the sculptor Joseph Chaikov, the writer Peretz Markish,[4] the poet David Hofstein,[5] musicologist Moisei Beregovsky, and artist Issachar Ber Ryback.[2] Bergelson, Markish and Hofstein were later executed on Joseph Stalin's orders during the Night of the Murdered Poets, in 1952.
Artists like Ryback and Lissitzky who were members of the group tried to develop a distinctively Jewish form of modernism in which abstract forms would be used as a means of expressing and disseminating popular culture.[2]
The manifesto of the group, published in November 1919, stated:
- "The goal of the Kulturlige is to assist in creating a new Yiddish secular culture in the Yiddish language, in Jewish national forms, with the living forces of the broad Jewish masses, in the spirit of the working man and in harmony with their ideals of the future."[6]
It also listed the "three pillars" of the Kultur Lige as Yiddish education for the people, Yiddish literature, and Jewish art.[7]
In 1919 members of the group, Victor Alter and Henryk Berlewi, organized a major exhibition of Polish-Jewish art in Białystok under the name "First Exhibition of Jewish Painting and Sculpture". The exhibition was targeted at the Yiddish speaking Jewish community, as well as the Polish workers of the city. During the same year, the organization helped to sponsor sixty three Yiddish schools, fifty four libraries and many other cultural and educational institutions.[8]
In 1920 the Kiev branch of the organization was taken over by the Bolsheviks and the Jewish section of the Soviet Communist party, Yevsektsiya, and subjected to the bureaucracy of the Soviet state.[6] Its printing presses were taken away, it was denied paper for publishing and its central committee was forcefully disbanded.[6] As a result, the Warsaw branch became the main center for the organization.[1]
Afterward, the remains of the Kultur Lige in the Soviet Union continued under the auspices of the Yevsektsiya as a publishing house, mostly focusing on Yiddish textbooks for children. In Poland, the League established offices in other cities such as Wilno and Łódź. In 1924, it began to issue the Literarishe Bleter magazine (based on the Polish Wiadomości Literackie) (Literary News), which became the main forum for discussions by the Yiddish intelligentsia on subjects of art, literature and theater.[8]
References
[edit]- ^ a b Marek Bartelik, "Early Polish modern art: unity in multiplicity, Issue 7255", Manchester University Press, 2005, p. 140, [1]
- ^ a b c d Aviel Roshwald, Richard Stites, "European culture in the Great War: the arts, entertainment, and propaganda, 1914-1918", Cambridge University Press, 2002, p. 123, [2]
- ^ Joshua Rubenstein, Vladimir Pavlovich Naumov, "Stalin's secret pogrom: the postwar inquisition of the Jewish Anti-Fascist Committee, Issue 4713", Yale University Press, 2001, p. 145, [3]
- ^ Jeffrey Veidlinger, "The Moscow State Yiddish Theater: Jewish culture on the Soviet stage", Indiana University Press, 2000, p. 119, [4]
- ^ Nora Levin, "The Jews in the Soviet Union since 1917: paradox of survival, Volume 1", NYU Press, 1990, p. 201, [5]
- ^ a b c Victor Margolin, "The struggle for utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946", University of Chicago Press, 1997, p. 27, [6]
- ^ Benjamin Harshav, "The Moscow Yiddish Theater: art on stage in the time of revolution", Yale University Press, 2008, p. 6, [7]
- ^ a b David E. Fishman, "The rise of modern Yiddish culture", Univ of Pittsburgh Press, 2005, p. 83, [8]
External links
[edit]- Kultur lige: artistic avant-garde of the 1910s and 1920s (Культур-Ліга: художній авангард 1910-1920-х років : альбом-каталог), Kyiv, Дух і Літера, 2007.
