Hendrik Frans Schaefels: Difference between revisions
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{{Short description|Belgian painter}} |
{{Short description|Belgian painter}} |
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[[File:Joseph Dupont - Portrait of the painter Hendrik Frans Schaefels (cropped).jpg|thumb|''Portrait of Hendrik Frans Schaefels'', c. 1865]] |
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{{Infobox artist |
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|name=Hendrik Frans Schaefels |
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|image=Portret van de schilder Hendrik Frans Schaefels, halffiguur L'Ecole d'Anvers. Portraits Biographies Cartes de Visite. Collection Dupont. (serietitel), RP-F-00-1349.jpg |
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|caption=Self portrait |
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|birth_name=Hendrik Frans Schaefels |
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|birth_date={{Birth date|1827|12|2}} |
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|birth_place=[[Antwerp]], Belgium |
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|death_date={{Death date and age|1904|6|9|1827|12|2}} |
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|death_place=Antwerp, Belgium |
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|occupation=[[Painter]] |
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|education=[[Royal Academy of Fine Arts (Antwerp)|Royal Academy of Fine Arts of Antwerp]] |
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|parents= |
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}} |
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'''Hendrik Frans Schaefels''' or '''Henri François Schaefels''', also known as '''Rik Schaefels''' ([[Antwerp]], 2 December 1827 – Antwerp, 9 June 1904), was a [[Belgians|Belgian]] [[Romanticism|Romantic]] painter, draughtsman and engraver known for his seascapes, [[Veduta|cityscapes]], [[Genre art|genre paintings]], landscapes with figures and [[history painting]]s. He worked in the [[Romanticism|Romantic]] style popular in Belgium in the mid nineteenth century and was highly esteemed in Europe for his representations of historic naval battles.<ref name=ben>[http://oxfordindex.oup.com/view/10.1093/benz/9780199773787.article.B00162032?rskey=M4uI0j&result=3 SCHAEFELS, Hendrik Frans (1827 - 1904), Painter, engraver] {{Webarchive|url=https://web.archive.org/web/20151117023623/http://oxfordindex.oup.com/view/10.1093/benz/9780199773787.article.B00162032?rskey=M4uI0j&result=3 |date=2015-11-17 }}, in: Benezit Dictionary of Artists</ref><ref name=rkd>[https://rkd.nl/explore/artists/70076 Henri François Schaefels] {{Webarchive|url=https://web.archive.org/web/20151117015338/https://rkd.nl/explore/artists/70076 |date=2015-11-17 }} at the [[Netherlands Institute for Art History]] {{in lang|nl}}</ref> |
'''Hendrik Frans Schaefels''' or '''Henri François Schaefels''', also known as '''Rik Schaefels''' ([[Antwerp]], 2 December 1827 – Antwerp, 9 June 1904), was a [[Belgians|Belgian]] [[Romanticism|Romantic]] painter, draughtsman and engraver known for his seascapes, [[Veduta|cityscapes]], [[Genre art|genre paintings]], landscapes with figures and [[history painting]]s. He worked in the [[Romanticism|Romantic]] style popular in Belgium in the mid nineteenth century and was highly esteemed in Europe for his representations of historic naval battles.<ref name=ben>[http://oxfordindex.oup.com/view/10.1093/benz/9780199773787.article.B00162032?rskey=M4uI0j&result=3 SCHAEFELS, Hendrik Frans (1827 - 1904), Painter, engraver] {{Webarchive|url=https://web.archive.org/web/20151117023623/http://oxfordindex.oup.com/view/10.1093/benz/9780199773787.article.B00162032?rskey=M4uI0j&result=3 |date=2015-11-17 }}, in: Benezit Dictionary of Artists</ref><ref name=rkd>[https://rkd.nl/explore/artists/70076 Henri François Schaefels] {{Webarchive|url=https://web.archive.org/web/20151117015338/https://rkd.nl/explore/artists/70076 |date=2015-11-17 }} at the [[Netherlands Institute for Art History]] {{in lang|nl}}</ref> |
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==Life== |
==Life== |
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Hendrik Frans Schaefels was the son of Hendrik Raphael Schaefels, a decorative painter working in a Neo-Classical style and a teacher of decorative design at the [[Royal Academy of Fine Arts (Antwerp)|Antwerp Academy]].<ref name=rkd/> His older brother [[Lucas Victor Schaefels]] ( |
Hendrik Frans Schaefels was the son of Hendrik Raphael Schaefels, a decorative painter working in a Neo-Classical style and a teacher of decorative design at the [[Royal Academy of Fine Arts (Antwerp)|Antwerp Academy]].<ref name=rkd/> His older brother [[Lucas Victor Schaefels]] (1824–1885) became a successful still life painter and draughtsman and a teacher at the Antwerp Academy.<ref name=herck>Claire Baisier, '17th and 18th Century Drawings: The Van Herck Collection', King Baudoin Foundation, 2000, pp. 292-294</ref> |
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[[File:Hendrik Frans Schaefels - |
[[File:Hendrik Frans Schaefels - In the heat of a furious naval engagement.jpg|thumb|260px|left|''Naval battle'']] |
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Hendrik Frans Schaefels began as a student at the [[Royal Academy of Fine Arts (Antwerp)|Antwerp Academy]] of landscape painter [[Jan Baptiste de Jonghe]] and landscape and marine painter [[Jacob Jacobs (artist)|Jacob Jacobs]]. After leaving the |
Hendrik Frans Schaefels began as a student at the [[Royal Academy of Fine Arts (Antwerp)|Antwerp Academy]] of landscape painter [[Jan Baptiste de Jonghe]] and landscape and marine painter [[Jacob Jacobs (artist)|Jacob Jacobs]]. After leaving the academy he worked between his 15th and 17th year at the studio of [[Jan Michiel Ruyten]], a painter of cityscapes, Ruyten's work would leave an important mark on Schaefels' own cityscapes.<ref name=max>Max Rooses, 'Hendrik Schaefels' in: Max Rooses, 'Oude en Nieuwe Kunst', Boekhandel J. Vuylsteke, Ghent, 1896, p.156-166 {{in lang|nl}}</ref> A seascape by Schaefel was accepted at the tri-annual salon of Antwerp when the artist was only 17 years old. |
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Schaefels spent his entire career in Antwerp. He was friends with leading Antwerp artists and intellectuals such as [[Hendrik Conscience]], [[Jan Lambrecht Domien Sleeckx]], [[Max Rooses]], [[Frans Van Kuyck]] and [[Peter Benoit]].<ref name=mul>Josef Muls, ''Frank VAN DEN WIJNGAERT: Hendrik Schaefels, Teekenaar van het schip en van de oud-Antwerpsche Haven. - N.V. Standaard-Boekhandel, Antwerpen 1944'' in: Dietsche Warande en Belfort. Jaargang 1945. Uitgeversmij N.V. Standaard-Boekhandel, Antwerpen z.j., p. 466-467 {{in lang|nl}}</ref> Schaefels was a member of the association 'Artibus Patriae', which was founded in 1865 with the goal of supporting new acquisitions by the museums in Antwerp. He was for a time engaged in local politics for the Catholic Party. From 1869 to 1872 he had a seat on the Antwerp city council where he represented the interests of artists and art promotion in general.<ref name=max/> |
Schaefels spent his entire career in Antwerp. He was friends with leading Antwerp artists and intellectuals such as [[Hendrik Conscience]], [[Jan Lambrecht Domien Sleeckx]], [[Max Rooses]], [[Frans Van Kuyck]] and [[Peter Benoit]].<ref name=mul>Josef Muls, ''Frank VAN DEN WIJNGAERT: Hendrik Schaefels, Teekenaar van het schip en van de oud-Antwerpsche Haven. - N.V. Standaard-Boekhandel, Antwerpen 1944'' in: Dietsche Warande en Belfort. Jaargang 1945. Uitgeversmij N.V. Standaard-Boekhandel, Antwerpen z.j., p. 466-467 {{in lang|nl}}</ref> Schaefels was a member of the association 'Artibus Patriae', which was founded in 1865 with the goal of supporting new acquisitions by the museums in Antwerp. He was for a time engaged in local politics for the Catholic Party. From 1869 to 1872 he had a seat on the Antwerp city council where he represented the interests of artists and art promotion in general.<ref name=max/> |
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==Work== |
==Work== |
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===General=== |
===General=== |
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[[File:Hendrik Frans Schaefels - Naval battle.jpg|thumb|320px|Naval battle]] |
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Hendrik Frans Schaefels worked in many genres including [[history painting]]s, seascapes, [[Genre art|genre paintings]], landscapes with figures and [[Veduta|cityscapes]]. His early work, which was influenced by Jan Michiel Ruyten, consisted mainly of cityscapes of Antwerp and genre scenes. He is now principally known for his seascapes often representing historical events such as sea battles and for his cityscapes of Antwerp. |
Hendrik Frans Schaefels worked in many genres including [[history painting]]s, seascapes, [[Genre art|genre paintings]], landscapes with figures and [[Veduta|cityscapes]]. His early work, which was influenced by Jan Michiel Ruyten, consisted mainly of cityscapes of Antwerp and genre scenes. He is now principally known for his seascapes often representing historical events such as sea battles and for his cityscapes of Antwerp. |
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===Marine paintings=== |
===Marine paintings=== |
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Belgium was in the grip of Romantic art at the time Schaefels started out on his artistic career. Belgian Romantic painters such as [[Gustaf Wappers]], [[Nicaise de Keyser]], [[Edouard Hamman]] and [[Louis Gallait]] gained international success with their history paintings. These usually depicted glorious or famous events in the history of what became the state of Belgium, which had only recently been established as an independent country in 1830. Such historic themes were the favorite subjects of artists working in the years from 1830 to 1850. |
Belgium was in the grip of Romantic art at the time Schaefels started out on his artistic career. Belgian Romantic painters such as [[Gustaf Wappers]], [[Nicaise de Keyser]], [[Edouard Hamman]] and [[Louis Gallait]] gained international success with their history paintings. These usually depicted glorious or famous events in the history of what became the state of Belgium, which had only recently been established as an independent country in 1830. Such historic themes were the favorite subjects of artists working in the years from 1830 to 1850. |
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[[File:Hendrik Frans Schaefels - Sint-Annagodshuis in the Otto Veniusstraat, Antwerp.jpg|thumb|260px|''Sint-Annagodshuis in the Otto Veniusstraat'']] |
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Hendrik Frans Schaefels combined in his work this tradition of history painting and marine art. He excelled in his dramatic portrayals of naval battles and other historical events that took place at sea such as the [[Battle of Trafalgar]], episodes from the wars between England and the Dutch Republic. His large compositions, with sizes varying from 2 to 9 meters long, often showed a pseudo-Baroque design. Schaefels painted both compositions depicting an entire naval battle as well as more anecdotal episodes depicting the action on the deck of a single warship such as in the ''[[:File:Hendrik Frans Schaefels - Death of Nelson.jpg|Death of Nelson]]''. For his naval battles he relied on historical literature and printed materials.<ref name=okv>[http://www.tento.be/OKV-artikel/schilders-van-de-zee Norbert Hostyn, ''Schilders van de zee''] {{Webarchive|url=https://web.archive.org/web/20190525035602/http://www.tento.be/OKV-artikel/schilders-van-de-zee |date=2019-05-25 }} at Openbaar Kunstbezit Vlaanderen {{in lang|nl}}</ref> |
Hendrik Frans Schaefels combined in his work this tradition of history painting and marine art. He excelled in his dramatic portrayals of naval battles and other historical events that took place at sea such as the [[Battle of Trafalgar]], episodes from the wars between England and the Dutch Republic. His large compositions, with sizes varying from 2 to 9 meters long, often showed a pseudo-Baroque design. Schaefels painted both compositions depicting an entire naval battle as well as more anecdotal episodes depicting the action on the deck of a single warship such as in the ''[[:File:Hendrik Frans Schaefels - Death of Nelson.jpg|Death of Nelson]]''. For his naval battles he relied on historical literature and printed materials.<ref name=okv>[http://www.tento.be/OKV-artikel/schilders-van-de-zee Norbert Hostyn, ''Schilders van de zee''] {{Webarchive|url=https://web.archive.org/web/20190525035602/http://www.tento.be/OKV-artikel/schilders-van-de-zee |date=2019-05-25 }} at Openbaar Kunstbezit Vlaanderen {{in lang|nl}}</ref> |
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===Cityscapes and genre paintings=== |
===Cityscapes and genre paintings=== |
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[[File:Hendrik Frans Schaefels - |
[[File:Hendrik Frans Schaefels - Artist who lost his inspiration.jpg|thumb|200px|''Artist who has lost his inspiration'']] |
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Hendrik Frans Schaefels painted many views of the city of Antwerp which provide important documentary evidence on the city in the 19th century. These works showed the influence of his master Jan Michiel Ruyten.<ref name=max/> Like other Belgian Romantic painters such as [[Henri Leys]] and [[Nicaise De Keyser]] he drew inspiration from [[Johann Wolfgang von Goethe|Goethe]]'s ''[[Goethe's Faust|Faust]]'' as seen in his ''[[:File:Hendrik Frans Schaefels Szene aus Goethes Faust.jpg|Scene from Goethe's Faust]]'' (1863, auctioned at Dorotheum on 15 February 2011 in Vienna, lot 31). An interesting composition painted by Schaefels twice is ''[[:File:Hendrik Frans Schaefels - The grave of Rubens and his family upon its opening in 1855.jpeg|The grave of Rubens and his family upon its opening in 1855]]''. The composition shows Rubens' opened grave lit by candles and is thus at the same time a document of the event as well as an expression of Schaefels' Romantic veneration for the great Antwerp master Rubens.<ref>Ludo Dosogne, ''Belgische romantiek heeft vele gezichten'', in: Openbaar Kunstbezit Vlaanderen 2005-1, p. 21-23 {{in lang|nl}}</ref><ref>Margit Didelez, ''EEN BEELD VAN EEN KUNSTENAAR Belgische kunstenaarsportretten 1830 – 1900'', Master thesis Universiteit Gent Academiejaar 2010 – 2011, p. 31 {{in lang|nl}}</ref> |
Hendrik Frans Schaefels painted many views of the city of Antwerp which provide important documentary evidence on the city in the 19th century. These works showed the influence of his master Jan Michiel Ruyten.<ref name=max/> Like other Belgian Romantic painters such as [[Henri Leys]] and [[Nicaise De Keyser]] he drew inspiration from [[Johann Wolfgang von Goethe|Goethe]]'s ''[[Goethe's Faust|Faust]]'' as seen in his ''[[:File:Hendrik Frans Schaefels Szene aus Goethes Faust.jpg|Scene from Goethe's Faust]]'' (1863, auctioned at Dorotheum on 15 February 2011 in Vienna, lot 31). An interesting composition painted by Schaefels twice is ''[[:File:Hendrik Frans Schaefels - The grave of Rubens and his family upon its opening in 1855.jpeg|The grave of Rubens and his family upon its opening in 1855]]''. The composition shows Rubens' opened grave lit by candles and is thus at the same time a document of the event as well as an expression of Schaefels' Romantic veneration for the great Antwerp master Rubens.<ref>Ludo Dosogne, ''Belgische romantiek heeft vele gezichten'', in: Openbaar Kunstbezit Vlaanderen 2005-1, p. 21-23 {{in lang|nl}}</ref><ref>Margit Didelez, ''EEN BEELD VAN EEN KUNSTENAAR Belgische kunstenaarsportretten 1830 – 1900'', Master thesis Universiteit Gent Academiejaar 2010 – 2011, p. 31 {{in lang|nl}}</ref> |
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He was one of various Belgian graphic artists such as [[Adolf Dillens]] and [[Félicien Rops]] who provided illustrations to the second edition of '[[The Legend of Thyl Ulenspiegel and Lamme Goedzak]]' published in Paris in 1869.<ref>[http://www.erfgoedinzicht.be/uilenspiegelmuseum/data/50934XX ''La procession qui se gratte''] {{Webarchive|url=https://web.archive.org/web/20151117022807/http://www.erfgoedinzicht.be/uilenspiegelmuseum/data/50934XX |date=2015-11-17 }} at Erfgoedinzicht {{in lang|nl}}</ref><ref>[http://lib.ugent.be/en/catalog/rug01:001702163 Charles de Coster, 'La légende et les aventures d'Ulenspiegel et de Lamme Goedzak] {{Webarchive|url=https://web.archive.org/web/20151117025218/http://lib.ugent.be/en/catalog/rug01:001702163 |date=2015-11-17 }}, Paris, 1869</ref> |
He was one of various Belgian graphic artists such as [[Adolf Dillens]] and [[Félicien Rops]] who provided illustrations to the second edition of '[[The Legend of Thyl Ulenspiegel and Lamme Goedzak]]' published in Paris in 1869.<ref>[http://www.erfgoedinzicht.be/uilenspiegelmuseum/data/50934XX ''La procession qui se gratte''] {{Webarchive|url=https://web.archive.org/web/20151117022807/http://www.erfgoedinzicht.be/uilenspiegelmuseum/data/50934XX |date=2015-11-17 }} at Erfgoedinzicht {{in lang|nl}}</ref><ref>[http://lib.ugent.be/en/catalog/rug01:001702163 Charles de Coster, 'La légende et les aventures d'Ulenspiegel et de Lamme Goedzak] {{Webarchive|url=https://web.archive.org/web/20151117025218/http://lib.ugent.be/en/catalog/rug01:001702163 |date=2015-11-17 }}, Paris, 1869</ref> |
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[[File:Hendrik Frans Schaefels - Admiral Ruyter on the river Thames.jpg|thumb|330px|''Admiral Ruyter on the river Thames'']] |
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===Drawings and graphic work=== |
===Drawings and graphic work=== |
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==References== |
==References== |
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{{Reflist}} |
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==External links== |
==External links== |
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{{DEFAULTSORT:Schaefels, Hendrik Frans}} |
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Latest revision as of 07:13, 10 October 2024
Hendrik Frans Schaefels or Henri François Schaefels, also known as Rik Schaefels (Antwerp, 2 December 1827 – Antwerp, 9 June 1904), was a Belgian Romantic painter, draughtsman and engraver known for his seascapes, cityscapes, genre paintings, landscapes with figures and history paintings. He worked in the Romantic style popular in Belgium in the mid nineteenth century and was highly esteemed in Europe for his representations of historic naval battles.[1][2]
Life
[edit]Hendrik Frans Schaefels was the son of Hendrik Raphael Schaefels, a decorative painter working in a Neo-Classical style and a teacher of decorative design at the Antwerp Academy.[2] His older brother Lucas Victor Schaefels (1824–1885) became a successful still life painter and draughtsman and a teacher at the Antwerp Academy.[3]
Hendrik Frans Schaefels began as a student at the Antwerp Academy of landscape painter Jan Baptiste de Jonghe and landscape and marine painter Jacob Jacobs. After leaving the academy he worked between his 15th and 17th year at the studio of Jan Michiel Ruyten, a painter of cityscapes, Ruyten's work would leave an important mark on Schaefels' own cityscapes.[4] A seascape by Schaefel was accepted at the tri-annual salon of Antwerp when the artist was only 17 years old.
Schaefels spent his entire career in Antwerp. He was friends with leading Antwerp artists and intellectuals such as Hendrik Conscience, Jan Lambrecht Domien Sleeckx, Max Rooses, Frans Van Kuyck and Peter Benoit.[5] Schaefels was a member of the association 'Artibus Patriae', which was founded in 1865 with the goal of supporting new acquisitions by the museums in Antwerp. He was for a time engaged in local politics for the Catholic Party. From 1869 to 1872 he had a seat on the Antwerp city council where he represented the interests of artists and art promotion in general.[4]
Work
[edit]General
[edit]Hendrik Frans Schaefels worked in many genres including history paintings, seascapes, genre paintings, landscapes with figures and cityscapes. His early work, which was influenced by Jan Michiel Ruyten, consisted mainly of cityscapes of Antwerp and genre scenes. He is now principally known for his seascapes often representing historical events such as sea battles and for his cityscapes of Antwerp.
Marine paintings
[edit]Belgium was in the grip of Romantic art at the time Schaefels started out on his artistic career. Belgian Romantic painters such as Gustaf Wappers, Nicaise de Keyser, Edouard Hamman and Louis Gallait gained international success with their history paintings. These usually depicted glorious or famous events in the history of what became the state of Belgium, which had only recently been established as an independent country in 1830. Such historic themes were the favorite subjects of artists working in the years from 1830 to 1850.
Hendrik Frans Schaefels combined in his work this tradition of history painting and marine art. He excelled in his dramatic portrayals of naval battles and other historical events that took place at sea such as the Battle of Trafalgar, episodes from the wars between England and the Dutch Republic. His large compositions, with sizes varying from 2 to 9 meters long, often showed a pseudo-Baroque design. Schaefels painted both compositions depicting an entire naval battle as well as more anecdotal episodes depicting the action on the deck of a single warship such as in the Death of Nelson. For his naval battles he relied on historical literature and printed materials.[6]
Schaefels also painted more recent and peaceful marine events such as the Queen Victoria on board the Royal Yacht, which depicts the 1843 visit of Ostend by Queen Victoria with her husband Prince Albert.[7]
Cityscapes and genre paintings
[edit]Hendrik Frans Schaefels painted many views of the city of Antwerp which provide important documentary evidence on the city in the 19th century. These works showed the influence of his master Jan Michiel Ruyten.[4] Like other Belgian Romantic painters such as Henri Leys and Nicaise De Keyser he drew inspiration from Goethe's Faust as seen in his Scene from Goethe's Faust (1863, auctioned at Dorotheum on 15 February 2011 in Vienna, lot 31). An interesting composition painted by Schaefels twice is The grave of Rubens and his family upon its opening in 1855. The composition shows Rubens' opened grave lit by candles and is thus at the same time a document of the event as well as an expression of Schaefels' Romantic veneration for the great Antwerp master Rubens.[8][9]
Schaefles also painted in his early career a number of genre scenes such as Admiring the newborn (1857, auctioned at Christie's on 19–20 September 2006 in Amsterdam, lot 204).
Illustrations
[edit]Hendrik Frans Schaefels was in demand as a book illustrator and provided illustrations to various contemporary publications.[4] He illustrated the 1854 collection of short stories entitled 'Dorpsverhalen' ("Village stories') by Flemish writer Jan Renier Snieders and was one of the illustrators of the novel 'De gasthuisnon: een verhael uit onzen tyd' ('The hospital nun: a story of our time') by August Snieders.[10][11]
He was one of various Belgian graphic artists such as Adolf Dillens and Félicien Rops who provided illustrations to the second edition of 'The Legend of Thyl Ulenspiegel and Lamme Goedzak' published in Paris in 1869.[12][13]
Drawings and graphic work
[edit]Hendrik Frans Schaefels made many drawings which served as studies for his paintings. He spent much of his time outdoors drawing the ships and activities in the port of Antwerp and houses and people in the streets of Antwerp. His drawings are careful and picturesque.[4] His drawings include studies of all types of ships, cutters, shock cherry, clubs, people on the docks, the wharf, the dockyards and the first steamships such as the 'British Queen' and 'Baron Osy'. The drawings and the notes that Schaefels added to his drawings provide historical information on maritime and river transport of the time.[5] A selection of his drawings are in the collection of the Plantin-Moretus Museum in Antwerp.[3]
Schaefels was an avid engraver and his prints depict the same subjects as his drawings and are executed in a loose style.
References
[edit]- ^ SCHAEFELS, Hendrik Frans (1827 - 1904), Painter, engraver Archived 2015-11-17 at the Wayback Machine, in: Benezit Dictionary of Artists
- ^ a b Henri François Schaefels Archived 2015-11-17 at the Wayback Machine at the Netherlands Institute for Art History (in Dutch)
- ^ a b Claire Baisier, '17th and 18th Century Drawings: The Van Herck Collection', King Baudoin Foundation, 2000, pp. 292-294
- ^ a b c d e Max Rooses, 'Hendrik Schaefels' in: Max Rooses, 'Oude en Nieuwe Kunst', Boekhandel J. Vuylsteke, Ghent, 1896, p.156-166 (in Dutch)
- ^ a b Josef Muls, Frank VAN DEN WIJNGAERT: Hendrik Schaefels, Teekenaar van het schip en van de oud-Antwerpsche Haven. - N.V. Standaard-Boekhandel, Antwerpen 1944 in: Dietsche Warande en Belfort. Jaargang 1945. Uitgeversmij N.V. Standaard-Boekhandel, Antwerpen z.j., p. 466-467 (in Dutch)
- ^ Norbert Hostyn, Schilders van de zee Archived 2019-05-25 at the Wayback Machine at Openbaar Kunstbezit Vlaanderen (in Dutch)
- ^ Trusts and Estates, Volume 121, Fiduciary Publishers, 1982, p. 46
- ^ Ludo Dosogne, Belgische romantiek heeft vele gezichten, in: Openbaar Kunstbezit Vlaanderen 2005-1, p. 21-23 (in Dutch)
- ^ Margit Didelez, EEN BEELD VAN EEN KUNSTENAAR Belgische kunstenaarsportretten 1830 – 1900, Master thesis Universiteit Gent Academiejaar 2010 – 2011, p. 31 (in Dutch)
- ^ Jan Renier Snieders, Henry Schaefels, 'Dorpsverhalen', Van Dieren, 1854 (in Dutch)
- ^ August Snieders (junior), J. B. Wittkamp, Henry Schaefels, Luc Schaefels, Henry Brown, Jos Hemeleer, De gasthuisnon: een verhael uit onzen tyd, J. P. Van Dieren en Company, 1855 (in Dutch)
- ^ La procession qui se gratte Archived 2015-11-17 at the Wayback Machine at Erfgoedinzicht (in Dutch)
- ^ Charles de Coster, 'La légende et les aventures d'Ulenspiegel et de Lamme Goedzak Archived 2015-11-17 at the Wayback Machine, Paris, 1869
External links
[edit]Media related to Hendrik Frans Schaefels at Wikimedia Commons