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{{short description|1973 short story by Charles Bukowski}}
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'''"The Killers"''' is a short-story by [[Charles Bukowski]] collected in his 1973 collection ''[[South of No North (book)|South of No North]]'', originally published by [[John Martin (publisher)|John Martin]]'s [[Black Sparrow Press]]. The story elucidates Bukowski's publicly acknowledged artistic debt to [[Ernest Hemingway]], the writer who had the most influence on American writers of Bukowksi's generation. Like "[[The Killers (Hemingway short story)|The Killers]]", Bukowski's story of the same name has as its thematic trope Murder in a nihilistic universe. Unlike Hemingway, the killers actually accomplish their act in the time-frame of the story.
'''"The Killers"''' is a short story by [[Charles Bukowski]] collected in his 1973 collection ''[[South of No North (book)|South of No North]]'', originally published by [[John Martin (publisher)|John Martin]]'s [[Black Sparrow Press]]. The story elucidates Bukowski's publicly acknowledged artistic debt to [[Ernest Hemingway]], the writer who had the most influence on American writers of Bukowksi's generation. Like Hemingway's "[[The Killers (Hemingway short story)|The Killers]]", Bukowski's story of the same name has as its thematic trope murder in a nihilistic universe. Unlike Hemingway, the killers actually accomplish their act in the time-frame of the story.


Bukowski's authorial point-of-view in his version of "The Killers" also is influenced by Hemingway, as he it be seen as a logical outgrowth of the attitude expressed by Hemingway's fictional alter-ego [[Nick Adams (character)|Nick Adams]] at the end of the 1927 "Killers":
Bukowski's authorial point of view in his version of "The Killers" also is influenced by Hemingway, as he sees it as a logical outgrowth of the attitude expressed by Hemingway's fictional alter-ego [[Nick Adams (character)|Nick Adams]] at the end of the 1927 "Killers":


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Bukowski's fiction is full of attempts to escape the Los Angeles of his childhood and teen-years, all of which are doomed to failure as his fictional alter-ego, [[Henry Chinaski]], finds the same appalling corruption everywhere he travels. In Bukowski's "The Killers", there is no escape for the murderers who are the protagonists of the story, mirroring the doomed boxer Ole Andreson in Hemingway's original.
Bukowski's fiction is full of attempts to escape the Los Angeles of his childhood and teen-years, all of which are doomed to failure as his fictional alter-ego, [[Henry Chinaski]], finds the same appalling corruption everywhere he travels. In Bukowski's "The Killers", there is no escape for the murderers who are the protagonists of the story, mirroring the doomed boxer Ole Andreson in Hemingway's original.


==References==
{{The Killers (short story)}}
{{reflist}}


{{Charles Bukowski}}
{{Ernest Hemingway|state=collapsed}}

{{DEFAULTSORT:Killers}}
[[Category:Works by Charles Bukowski]]
[[Category:Works by Charles Bukowski]]
[[Category:1973 short stories]]

Latest revision as of 17:24, 10 October 2024

"The Killers" is a short story by Charles Bukowski collected in his 1973 collection South of No North, originally published by John Martin's Black Sparrow Press. The story elucidates Bukowski's publicly acknowledged artistic debt to Ernest Hemingway, the writer who had the most influence on American writers of Bukowksi's generation. Like Hemingway's "The Killers", Bukowski's story of the same name has as its thematic trope murder in a nihilistic universe. Unlike Hemingway, the killers actually accomplish their act in the time-frame of the story.

Bukowski's authorial point of view in his version of "The Killers" also is influenced by Hemingway, as he sees it as a logical outgrowth of the attitude expressed by Hemingway's fictional alter-ego Nick Adams at the end of the 1927 "Killers":

"I'm going to get out of this town," Nick said.
"Yes," said George. "That's a good thing to do."

Bukowski's fiction is full of attempts to escape the Los Angeles of his childhood and teen-years, all of which are doomed to failure as his fictional alter-ego, Henry Chinaski, finds the same appalling corruption everywhere he travels. In Bukowski's "The Killers", there is no escape for the murderers who are the protagonists of the story, mirroring the doomed boxer Ole Andreson in Hemingway's original.

References

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