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{{Use American English|date=January 2022}}
{{Use American English|date=January 2022}}
[[File:New-adventures-of-alice-cover-1917.png|''[[New Adventures of Alice]]'' (1917) by John Rae, an early [[pastiche]] or fan fiction|thumb]]
[[File:New-adventures-of-alice-cover-1917.png|''[[New Adventures of Alice]]'' (1917) by John Rae, an early [[pastiche]] or fan fiction|thumb]]
'''Fan fiction''' or '''fanfiction''' (also abbreviated to '''fan fic''', '''fanfic''', '''fic''' or '''FF''') is [[Fiction|fictional writing]] written in an [[amateur]] capacity by [[Fan (person)|fans]], unauthorized by, but [[derivative work|based on an existing work of fiction]]. [[Copyright protection for fictional characters|The author uses copyrighted characters]], settings, or other [[Intellectual property|intellectual properties]] from the original creator(s) as a basis for their writing. Fan fiction ranges from a couple of sentences to an entire novel, and fans can retain the creator's characters and settings, add their own, or both. It is a form of [[fan labor]]. Fan fiction can be based on any fictional (and occasional [[Nonfiction|non-fictional]]) subject. Common bases for fan fiction include [[novel]]s, [[movies]], [[comic]]s, [[television shows]], [[Musical ensemble|musical groups]], [[cartoon]]s, [[anime]], [[manga]], and [[video game]]s.
'''Fan fiction''' or '''fanfiction''', also known as '''fan fic''', '''fanfic''', '''fic''' or '''FF''', is [[fiction]] written in an [[amateur]] capacity by [[Fan (person)|fans]] as a form of [[fan labor]], unauthorized by, but based on, an [[Derivative work|existing work of fiction]]. The author uses [[Copyright protection for fictional characters|copyrighted characters]], settings, or other [[Intellectual property|intellectual properties]] from the original creator(s) as a basis for their writing and can retain the original characters and settings, add their own, or both. Fan fiction ranges in length from a few sentences to novel-length and can be based on fictional and non-fictional media, including [[novel]]s, [[movies]], [[comic]]s, [[television shows]], [[Musical ensemble|musical groups]], [[cartoon]]s, [[anime]] and [[manga]], and [[video game]]s.


Fan fiction is rarely commissioned or authorized by the original work's creator or publisher and is rarely professionally published. It may [[Copyright infringement|infringe on the original author's copyright]], depending on the jurisdiction and on legal questions such as whether or not it qualifies as "[[fair use]]" (see [[Legal issues with fan fiction]]). Attitudes of authors and copyright owners of original works to fan fiction have ranged from indifference to encouragement to rejection. [[Copyright owner]]s have occasionally responded with legal action.
Fan fiction is rarely commissioned or authorized by the original work's creator or publisher or professionally published. It may [[Copyright infringement|infringe on the original author's copyright]], depending on the jurisdiction and on legal questions, such as whether or not it qualifies as "[[fair use]]" (see [[Legal issues with fan fiction]]). The attitudes of authors and [[copyright owner]]s of original works towards fan fiction have ranged from encouragement to indifference or disapproval, and have occasionally responded with legal action.


The term came into use in the 20th century as [[copyright|copyright laws]] began to delineate between stories using established characters that were authorized by the copyright holder and those that were not.<ref>{{Cite news|url=https://reporter.rit.edu/views/fanfiction-legal-battle-creativity|title=Fanfiction: A Legal Battle of Creativity|date=February 5, 2016|work=Reporter Magazine|access-date=March 19, 2018|archive-date=February 3, 2018|archive-url=https://web.archive.org/web/20180203053110/https://reporter.rit.edu/views/fanfiction-legal-battle-creativity|url-status=live}}</ref>
The term came into use in the 20th century as [[copyright|copyright laws]] began to distinguish between stories using established characters that were authorized by the copyright holder and those that were not.<ref>{{Cite news|url=https://reporter.rit.edu/views/fanfiction-legal-battle-creativity|title=Fanfiction: A Legal Battle of Creativity|date=February 5, 2016|work=Reporter Magazine|access-date=March 19, 2018|archive-date=February 3, 2018|archive-url=https://web.archive.org/web/20180203053110/https://reporter.rit.edu/views/fanfiction-legal-battle-creativity|url-status=live}}</ref>


Fan fiction is defined by being related to its subject's [[Canon (fiction)|canonical]] [[fictional universe]], either staying within those boundaries but not being of the canon itself, or else branching outside of it into an [[Alternative universe (fan fiction)|''alternative universe'']].<ref>{{cite web |url=https://www.britannica.com/topic/Fan-Fiction-TV-Viewers-Have-It-Their-Way-1518184 |title=Fan Fiction—TV Viewers Have It Their Way |author=Schulz, Nancy |date=December 31, 2001 |publisher=[[Encyclopædia Britannica]] |access-date=November 23, 2018 |archive-date=August 6, 2020 |archive-url=https://web.archive.org/web/20200806194929/https://www.britannica.com/topic/Fan-Fiction-TV-Viewers-Have-It-Their-Way-1518184 |url-status=live }}</ref> Thus, what is "'''fanon'''" is separate from what is ''canon''. Fan fiction is often written and published within circles of fans, and therefore would usually not cater to readers who have no knowledge of the original fiction.
Fan fiction is defined by being related to its subject's [[Canon (fiction)|canonical]] [[fictional universe]], either staying within those boundaries but not being part of the canon, or being set in an [[Alternative universe (fan fiction)|alternative universe]].<ref>{{cite web |url=https://www.britannica.com/topic/Fan-Fiction-TV-Viewers-Have-It-Their-Way-1518184 |title=Fan Fiction—TV Viewers Have It Their Way |author=Schulz, Nancy |date=December 31, 2001 |publisher=[[Encyclopædia Britannica]] |access-date=November 23, 2018 |archive-date=August 6, 2020 |archive-url=https://web.archive.org/web/20200806194929/https://www.britannica.com/topic/Fan-Fiction-TV-Viewers-Have-It-Their-Way-1518184 |url-status=live }}</ref> Thus, what is considered "fanon" is separate from canon. Fan fiction is often written and published among fans, and as such does not usually cater to readers without knowledge of the original media.
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==Definition==
==Definition==
The term ''fan fiction'' has been used in print as early as 1938; in the earliest known citations, it is used to refer to amateur-written [[science fiction]] (as opposed to "pro fiction").<ref name="sfdictionary">{{cite web | url = https://sfdictionary.com/view/223/fan-fiction | website = Historical Dictionary of Science Fiction | title = fan fiction n. | access-date = January 2, 2024 | archive-date = January 2, 2024 | archive-url = https://web.archive.org/web/20240102183432/https://sfdictionary.com/view/223/fan-fiction | url-status = live }}</ref><ref name="bravenewwords">{{cite book |title=[[Brave New Words: The Oxford Dictionary of Science Fiction]] |publisher=Oxford University Press, Inc. |year=2007 |isbn=978-0-19-530567-8 |editor=Jeff Prucher |location=New York |page=57 |chapter=fan fiction |chapter-url=https://books.google.com/books?id=iYzi8m8FbEsC&pg=PA57 |access-date=August 15, 2019 |archive-date=February 22, 2024 |archive-url=https://web.archive.org/web/20240222192251/https://books.google.com/books?id=iYzi8m8FbEsC&pg=PA57#v=onepage&q&f=false |url-status=live }}</ref> The term also appears in the 1944 ''Fancyclopedia'', an encyclopedia of [[fandom]] [[jargon]]. It is defined there as "fiction about fans, or sometimes about pros, and occasionally bringing in some famous characters from [science fiction] stories". The book also mentions that the term is "sometimes improperly used to mean fan science fiction; that is, ordinary [[fantasy]] published in a [[fan magazine]]".<ref name="bravenewwords" /><ref name="fancyclopedia1944">{{cite book | title = Fancyclopedia | author = John Bristol | year = 1944 | publisher = The Fantasy Foundation | url = http://fanac.org/Fannish_Reference_Works/Fancyclopedia/Fancyclopedia_I/f1.html#8 | access-date = April 22, 2015 | archive-date = January 24, 2016 | archive-url = https://web.archive.org/web/20160124234443/http://fanac.org/Fannish_Reference_Works/Fancyclopedia/Fancyclopedia_I/f1.html#8 | url-status = live }}</ref>
The term ''fan fiction'' has been used in print as early as 1938; in the earliest known citations, it refers to amateur-written [[science fiction]], as opposed to "pro fiction".<ref name="sfdictionary">{{cite web | url = https://sfdictionary.com/view/223/fan-fiction | website = Historical Dictionary of Science Fiction | title = fan fiction n. | access-date = January 2, 2024 | archive-date = January 2, 2024 | archive-url = https://web.archive.org/web/20240102183432/https://sfdictionary.com/view/223/fan-fiction | url-status = live }}</ref><ref name="bravenewwords">{{cite book |title=[[Brave New Words: The Oxford Dictionary of Science Fiction]] |publisher=Oxford University Press, Inc. |year=2007 |isbn=978-0-19-530567-8 |editor=Jeff Prucher |location=New York |page=57 |chapter=fan fiction |chapter-url=https://books.google.com/books?id=iYzi8m8FbEsC&pg=PA57 |access-date=August 15, 2019 |archive-date=February 22, 2024 |archive-url=https://web.archive.org/web/20240222192251/https://books.google.com/books?id=iYzi8m8FbEsC&pg=PA57#v=onepage&q&f=false |url-status=live }}</ref> The term also appears in the 1944 ''Fancyclopedia'', an encyclopaedia of [[fandom]] [[jargon]], in which it is defined as "fiction about fans, or sometimes about pros, and occasionally bringing in some famous characters from [science fiction] stories". It also mentions that the term is "sometimes improperly used to mean fan science fiction; that is, ordinary [[fantasy]] published in a [[fan magazine]]".<ref name="bravenewwords" /><ref name="fancyclopedia1944">{{cite book | title = Fancyclopedia | author = John Bristol | year = 1944 | publisher = The Fantasy Foundation | url = http://fanac.org/Fannish_Reference_Works/Fancyclopedia/Fancyclopedia_I/f1.html#8 | access-date = April 22, 2015 | archive-date = January 24, 2016 | archive-url = https://web.archive.org/web/20160124234443/http://fanac.org/Fannish_Reference_Works/Fancyclopedia/Fancyclopedia_I/f1.html#8 | url-status = live }}</ref>


==History==
==History==
===Before copyright===
===Before copyright===
{{See also|History of copyright law}}
{{See also|History of copyright law}}
Before the adoption of copyright in the modern sense, it was not unusual for authors to copy characters, if not entire plots. For example, [[William Shakespeare|Shakespeare]]'s plays ''[[Romeo and Juliet]]'', ''[[Much Ado About Nothing]]'', ''[[Othello]]'', ''[[As You Like It]]'' and ''[[The Winter's Tale]]'' were all based on relatively recent fiction by other authors.<ref>{{Cite web|url=https://www.britannica.com/biography/William-Shakespeare|title=William Shakespeare – Shakespeare's sources|website=Encyclopædia Britannica|date=September 7, 2023|access-date=March 4, 2019|archive-date=May 3, 2015|archive-url=https://web.archive.org/web/20150503171055/http://www.britannica.com/EBchecked/topic/537853/William-Shakespeare|url-status=live}}</ref>
Before the adoption of copyright in the modern sense, it was common for authors to copy characters or plots from other works. For instance, [[William Shakespeare|Shakespeare]]'s plays ''[[Romeo and Juliet]]'', ''[[Much Ado About Nothing]]'', ''[[Othello]]'', ''[[As You Like It]]'' and ''[[The Winter's Tale]]'' were based on recent works by other authors of the time.<ref>{{Cite web|url=https://www.britannica.com/biography/William-Shakespeare|title=William Shakespeare – Shakespeare's sources|website=Encyclopædia Britannica|date=September 7, 2023|access-date=March 4, 2019|archive-date=May 3, 2015|archive-url=https://web.archive.org/web/20150503171055/http://www.britannica.com/EBchecked/topic/537853/William-Shakespeare|url-status=live}}</ref>


In 1614 [[Alonso Fernández de Avellaneda]] wrote a sequel to Cervantes' ''[[Don Quixote]]'', before Cervantes finished and published his own second volume.
In 1614, [[Alonso Fernández de Avellaneda]] wrote a sequel to Cervantes' ''[[Don Quixote]]'' before he had finished and published his own second volume.


===19th century===
===19th century===
{{Further|Pastiche|Unofficial sequel}}
{{Further|Pastiche|Unofficial sequel}}
Among 19th-century literature subject to notable depictions not initially authorized by the original author, is included [[Bram Stoker]]'s ''[[Dracula]]''{{'}}s depiction in the translated adaptation ''[[Powers of Darkness]]''.<ref>{{cite news |last1=Fleming |first1=Colin |title=The Icelandic Dracula: Bram Stoker's vampire takes a second bite |url=https://www.theguardian.com/books/2017/apr/19/icelandic-dracula-bram-stoker-translator-powers-of-darkness-valdimir-asmundsson-makt-myrkranna |work=The Guardian |date=April 19, 2017 |access-date=October 26, 2020 |archive-date=September 6, 2019 |archive-url=https://web.archive.org/web/20190906023158/https://www.theguardian.com/books/2017/apr/19/icelandic-dracula-bram-stoker-translator-powers-of-darkness-valdimir-asmundsson-makt-myrkranna |url-status=live }}</ref> The works of [[Jane Austen]] remain one of the most popular works to make unauthorized depictions of,<ref>{{cite news |title=The early adventures of the apocryphal Sherlock Holmes |url=https://www.dailydot.com/unclick/fic-excerpt-anne-jamison-sherlock-holmes/ |work=The Daily Dot |date=January 16, 2014 |access-date=October 26, 2020 |archive-date=October 30, 2020 |archive-url=https://web.archive.org/web/20201030095229/https://www.dailydot.com/unclick/fic-excerpt-anne-jamison-sherlock-holmes/ |url-status=live }}</ref> with one notable [[Jane Austen fan fiction]] being ''[[Old Friends and New Fancies]]''. Many unauthorized stories of [[Sherlock Holmes]] by [[Arthur Conan Doyle]] have been created, including ''The Adventure of the Two Collaborators'' by [[J. M. Barrie]].<ref>{{cite web |title=In long-lost play, the author of 'Peter Pan' spoofs 'Sherlock Holmes' and the mystery genre |url=https://www.pbs.org/newshour/arts/long-lost-play-author-peter-pan-spoofs-sherlock-holmes-mystery-genre |website=PBS NewsHour |date=August 10, 2017 |access-date=October 26, 2020 |archive-date=October 30, 2020 |archive-url=https://web.archive.org/web/20201030070351/https://www.pbs.org/newshour/arts/long-lost-play-author-peter-pan-spoofs-sherlock-holmes-mystery-genre |url-status=live }}</ref> Also created has been ''[[The Space Machine]]'' based on ''[[The War of the Worlds]]'' and ''[[Morlock Night]]'' based on ''[[The Time Machine]]'' by [[H. G. Wells]]; ''[[A New Alice in the Old Wonderland]]'' based on ''[[Alice's Adventures in Wonderland]]'' by [[Lewis Carroll]]; and ''[[Wide Sargasso Sea]]'' based on ''[[Jane Eyre]]'' by [[Charlotte Bronte]].<ref>{{cite web |last1=Anderson |first1=Hephzibah |title=The book that changed Jane Eyre forever |url=https://www.bbc.com/culture/article/20161019-the-book-that-changed-jane-eyre-forever |publisher=BBC |access-date=October 26, 2020 |archive-date=November 11, 2020 |archive-url=https://web.archive.org/web/20201111145001/https://www.bbc.com/culture/article/20161019-the-book-that-changed-jane-eyre-forever |url-status=live }}</ref>
Among 19th-century literature that has been subject to depictions not authorized by the original author include [[Bram Stoker]]'s ''[[Dracula]]''{{'}}s depiction in the translated adaptation ''[[Powers of Darkness]]''.<ref>{{cite news |last1=Fleming |first1=Colin |title=The Icelandic Dracula: Bram Stoker's vampire takes a second bite |url=https://www.theguardian.com/books/2017/apr/19/icelandic-dracula-bram-stoker-translator-powers-of-darkness-valdimir-asmundsson-makt-myrkranna |work=The Guardian |date=April 19, 2017 |access-date=October 26, 2020 |archive-date=September 6, 2019 |archive-url=https://web.archive.org/web/20190906023158/https://www.theguardian.com/books/2017/apr/19/icelandic-dracula-bram-stoker-translator-powers-of-darkness-valdimir-asmundsson-makt-myrkranna |url-status=live }}</ref> The works of [[Jane Austen]] remain among the most popular works for unauthorized adaptations,<ref>{{cite news |title=The early adventures of the apocryphal Sherlock Holmes |url=https://www.dailydot.com/unclick/fic-excerpt-anne-jamison-sherlock-holmes/ |work=The Daily Dot |date=January 16, 2014 |access-date=October 26, 2020 |archive-date=October 30, 2020 |archive-url=https://web.archive.org/web/20201030095229/https://www.dailydot.com/unclick/fic-excerpt-anne-jamison-sherlock-holmes/ |url-status=live }}</ref> with a notable example of [[Jane Austen fan fiction]] being ''[[Old Friends and New Fancies]]''. Many unauthorized stories of [[Sherlock Holmes]] by [[Arthur Conan Doyle]] have been created, including ''The Adventure of the Two Collaborators'' by [[J. M. Barrie]].<ref>{{cite web |title=In long-lost play, the author of 'Peter Pan' spoofs 'Sherlock Holmes' and the mystery genre |url=https://www.pbs.org/newshour/arts/long-lost-play-author-peter-pan-spoofs-sherlock-holmes-mystery-genre |website=PBS NewsHour |date=August 10, 2017 |access-date=October 26, 2020 |archive-date=October 30, 2020 |archive-url=https://web.archive.org/web/20201030070351/https://www.pbs.org/newshour/arts/long-lost-play-author-peter-pan-spoofs-sherlock-holmes-mystery-genre |url-status=live }}</ref> Other notable works include ''[[The Space Machine]]'' and ''[[Morlock Night]]'', respectively based on ''[[The War of the Worlds]]'' and ''[[The Time Machine]]'' by [[H. G. Wells]]; ''[[A New Alice in the Old Wonderland]],'' based on ''[[Alice's Adventures in Wonderland]]'' by [[Lewis Carroll]]; and ''[[Wide Sargasso Sea]],'' based on ''[[Jane Eyre]]'' by [[Charlotte Bronte]].<ref>{{cite web |last1=Anderson |first1=Hephzibah |title=The book that changed Jane Eyre forever |url=https://www.bbc.com/culture/article/20161019-the-book-that-changed-jane-eyre-forever |publisher=BBC |access-date=October 26, 2020 |archive-date=November 11, 2020 |archive-url=https://web.archive.org/web/20201111145001/https://www.bbc.com/culture/article/20161019-the-book-that-changed-jane-eyre-forever |url-status=live }}</ref>


===''Star Trek'' fandom===
===''Star Trek'' fandom===
[[File:Spockanalia2.jpg|right|thumb|The ''Star Trek'' fanzine ''Spockanalia'' contained the first fan fiction in the modern sense of the term.]]
[[File:Spockanalia2.jpg|right|thumb|The ''Star Trek'' fanzine ''Spockanalia'' contained the first fan fiction in the modern sense of the term.]]
The modern phenomenon of fan fiction as an expression of [[fandom]] and fan interaction was popularized and defined via [[Star Trek fandom|''Star Trek'' fandom]] and their [[fanzine]]s published in the 1960s. The first ''[[Star Trek]]'' fanzine, ''Spockanalia'' (1967), contained some fan fiction; many others followed its example.<ref name="verba2003">{{cite book | title=Boldly Writing: A Trekker Fan & Zine History, 1967–1987 | author=Verba, Joan Marie | year=2003 | publisher=FTL Publications | location=Minnetonka MN | url=http://www.ftlpublications.com/bwebook.pdf | isbn=0-9653575-4-6 | access-date=April 3, 2017 | archive-url=https://web.archive.org/web/20160910042451/http://www.ftlpublications.com/bwebook.pdf | archive-date=September 10, 2016 | url-status=dead }}</ref>{{rp|1}} These fanzines were produced via offset printing and [[mimeograph]]y, and mailed to other fans or sold at [[science fiction conventions]] for a small fee to help recoup costs. Unlike other aspects of fandom, women dominated fan fiction authoring; 83% of ''Star Trek'' fan fiction authors were female by 1970, and 90% by 1973.<ref name = "Coppa in Hellekson and Busse">{{Cite book | first = Francesca | last = Coppa |author-link=Francesca Coppa | editor-last = Hellekson | editor-first = Karen | editor2-last = Busse | editor2-first = Kristina | contribution = A Brief History of Media Fandom | title = Fan Fiction and Fan Communities in the Age of the Internet | year = 2006 | pages = 41–59 | place = Jefferson, North Carolina | publisher = [[McFarland & Company]] | isbn = 978-0-7864-2640-9 }}</ref> One scholar states that fan fiction "fill[s] the need of a mostly female audience for fictional narratives that expand the boundary of the official source products offered on the television and movie screen."<ref name="cbs2000">{{cite book | title=Science Fiction Culture | publisher=University of Pennsylvania Press | author=Bacon-Smith, Camille | pages=112–113 | url=https://books.google.com/books?id=oCvIZpCSRA0C&pg=PA112 | year=2000 | isbn=978-0-8122-1530-4 | access-date=October 24, 2020 | archive-date=February 22, 2024 | archive-url=https://web.archive.org/web/20240222192407/https://books.google.com/books?id=oCvIZpCSRA0C&pg=PA112#v=onepage&q&f=false | url-status=live }}</ref>
The modern phenomenon of fan fiction as an expression of [[fandom]] and fan interaction was popularized and defined by the [[Star Trek fandom|''Star Trek'' fandom]] and its [[fanzine]]s, which were published in the 1960s. The first ''[[Star Trek]]'' fanzine, ''Spockanalia'' (1967), contained some fan fiction; many others followed its example.<ref name="verba2003">{{cite book | title=Boldly Writing: A Trekker Fan & Zine History, 1967–1987 | author=Verba, Joan Marie | year=2003 | publisher=FTL Publications | location=Minnetonka MN | url=http://www.ftlpublications.com/bwebook.pdf | isbn=0-9653575-4-6 | access-date=April 3, 2017 | archive-url=https://web.archive.org/web/20160910042451/http://www.ftlpublications.com/bwebook.pdf | archive-date=September 10, 2016 | url-status=dead }}</ref>{{rp|1}} These fanzines were produced using offset printing and [[mimeograph]]y and mailed to other fans or sold at [[science fiction conventions]] for a small fee to cover the cost of production. Unlike other aspects of fandom, women were the primary authors of fan fiction; 83% of ''Star Trek'' fan fiction authors were female by 1970, and 90% by 1973.<ref name = "Coppa in Hellekson and Busse">{{Cite book | first = Francesca | last = Coppa |author-link=Francesca Coppa | editor-last = Hellekson | editor-first = Karen | editor2-last = Busse | editor2-first = Kristina | contribution = A Brief History of Media Fandom | title = Fan Fiction and Fan Communities in the Age of the Internet | year = 2006 | pages = 41–59 | place = Jefferson, North Carolina | publisher = [[McFarland & Company]] | isbn = 978-0-7864-2640-9 }}</ref> One scholar states that fan fiction "fill[s] the need of a mostly female audience for fictional narratives that expand the boundary of the official source products offered on the television and movie screen."<ref name="cbs2000">{{cite book | title=Science Fiction Culture | publisher=University of Pennsylvania Press | author=Bacon-Smith, Camille | pages=112–113 | url=https://books.google.com/books?id=oCvIZpCSRA0C&pg=PA112 | year=2000 | isbn=978-0-8122-1530-4 | access-date=October 24, 2020 | archive-date=February 22, 2024 | archive-url=https://web.archive.org/web/20240222192407/https://books.google.com/books?id=oCvIZpCSRA0C&pg=PA112#v=onepage&q&f=false | url-status=live }}</ref>


===World Wide Web===
===World Wide Web===
Fan fiction has become more popular and widespread since the advent of the World Wide Web. According to one estimate, fan fiction comprises one-third of all content about books on the web.<ref name="boog20080918">{{cite web |url=http://www.mediabistro.com/galleycat/brokeback-33-percent_b7743?c=rss |title=Brokeback 33 Percent |work=Mediabistro |date=September 18, 2008 |access-date=January 22, 2012 |author=Boog, Jason |archive-url=https://web.archive.org/web/20130210011535/http://www.mediabistro.com/galleycat/brokeback-33-percent_b7743?c=rss |archive-date=February 10, 2013 |url-status=dead }}</ref> In addition to traditional fanzines and conventions, [[Usenet newsgroup]]s and [[electronic mailing list]]s were established for fan fiction as well as fan discussion. Online, searchable fan fiction archives were also established. The online archives were initially non-commercial hand-tended and fandom, or topic, specific. These archives were followed by non-commercial automated databases. In 1998, the not-for-profit site [[FanFiction.Net]] came online, which allowed anyone to upload content in any fandom.<ref name=time>{{Cite news |last=Buechner |first=Maryanne Murray |title=Pop Fiction |date=March 4, 2002 |url=http://www.time.com/time/magazine/article/0,9171,1001950,00.html |archive-url=https://web.archive.org/web/20070218130614/http://www.time.com/time/magazine/article/0%2C9171%2C1001950%2C00.html |url-status=dead |archive-date=February 18, 2007 |access-date=May 29, 2010 |newspaper=[[Time (magazine)|Time]]}}</ref> The ability to self-publish fan fiction at an easily accessible common archive that did not require insider knowledge to join, and the ability to review the stories directly on the site, became popular quite quickly.<ref>{{cite journal|author=Bradley, Karen|date=Winter 2005|title=Internet lives: Social context and moral domain in adolescent development|journal=New Directions for Youth Development|volume=2005|issue=108|pages=57–76|pmid=16570878|doi=10.1002/yd.142}}</ref>
Fan fiction has become more popular and widespread since the advent of the World Wide Web. According to one estimate, fan fiction comprises one-third of all book-related content on the internet.<ref name="boog20080918">{{cite web |url=http://www.mediabistro.com/galleycat/brokeback-33-percent_b7743?c=rss |title=Brokeback 33 Percent |work=Mediabistro |date=September 18, 2008 |access-date=January 22, 2012 |author=Boog, Jason |archive-url=https://web.archive.org/web/20130210011535/http://www.mediabistro.com/galleycat/brokeback-33-percent_b7743?c=rss |archive-date=February 10, 2013 |url-status=dead }}</ref> In addition to traditional fanzines and conventions, [[Usenet newsgroup]]s and [[electronic mailing list]]s were established for fan fiction and fan discussion. Online, searchable archives of fan fiction were also created, with these archives initially being non-commercial hand-tended and specific to a fandom or topic. These archives were followed by non-commercial automated databases. In 1998, the non-profit site [[FanFiction.Net]] was launched, which allowed anyone to upload content in any fandom.<ref name=time>{{Cite news |last=Buechner |first=Maryanne Murray |title=Pop Fiction |date=March 4, 2002 |url=http://www.time.com/time/magazine/article/0,9171,1001950,00.html |archive-url=https://web.archive.org/web/20070218130614/http://www.time.com/time/magazine/article/0%2C9171%2C1001950%2C00.html |url-status=dead |archive-date=February 18, 2007 |access-date=May 29, 2010 |newspaper=[[Time (magazine)|Time]]}}</ref> The ability to self-publish fan fiction in an easily accessible archive that did not require insider knowledge to join, as well as the ability to review stories directly on the site, led the site to quickly gain popularity.<ref>{{cite journal|author=Bradley, Karen|date=Winter 2005|title=Internet lives: Social context and moral domain in adolescent development|journal=New Directions for Youth Development|volume=2005|issue=108|pages=57–76|pmid=16570878|doi=10.1002/yd.142}}</ref>
One popular example of modern fan fiction is [[E. L. James]]'s ''[[Fifty Shades of Grey]]''. This series was originally written as fan fiction for the ''[[Twilight (novel series)|Twilight]]'' series of books and movies and played off the characters of Bella and Edward. In order to not infringe on copyright issues, James changed the character names to Ana and Christian for the purposes of her novels,<ref>{{cite web|url=https://www.avclub.com/article/holy-crow-fifty-shades-grey-crazy-similar-its-twil-215185|title=Holy crow! Fifty Shades Of Grey is crazy similar to its Twilight origin story|date=February 12, 2015|author=Marah Eakin|work=The A.V. Club|access-date=April 17, 2020|archive-date=August 18, 2017|archive-url=https://web.archive.org/web/20170818221436/http://www.avclub.com/article/holy-crow-fifty-shades-grey-crazy-similar-its-twil-215185|url-status=live}}</ref> which is a practice known as 'pulling-to-publish'.<ref>{{cite journal|last1=Brennan|first1=Joseph|last2=Large|first2=David|title='Let's get a bit of context': Fifty Shades and the phenomenon of 'pulling to publish' in Twilight fan fiction|journal=Media International Australia|date=2014|volume=152|issue=1|pages=27–39|doi=10.1177/1329878X1415200105|s2cid=140471681}}</ref> [[Anna Todd]]'s 2013 fan fiction ''[[After (Todd novel)|After]]'' about the English boy band [[One Direction]] secured a book and movie deal with renamed characters in 2014.<ref>{{cite web |url=https://deadline.com/2014/10/after-movie-rights-wattpad-book-anna-todd-paramount-852926/ |title='After' Movie: Paramount Acquires Rights To Wattpad Book By Anna Todd |date=October 16, 2014 |website=Deadline Hollywood |access-date=December 26, 2014 |archive-date=October 7, 2018 |archive-url=https://web.archive.org/web/20181007214745/https://deadline.com/2014/10/after-movie-rights-wattpad-book-anna-todd-paramount-852926/ |url-status=live }}</ref><ref>{{cite web|last1=Ford|first1=Rebecca|title='Mom' Writer Susan McMartin to Adapt One Direction-Inspired Fan-Fiction 'After' (Exclusive)|date=June 4, 2015|url=https://www.hollywoodreporter.com/news/one-direction-inspired-fan-fic-800189|publisher=The Hollywood Reporter|access-date=September 2, 2015|archive-date=August 29, 2015|archive-url=https://web.archive.org/web/20150829191949/http://www.hollywoodreporter.com/news/one-direction-inspired-fan-fic-800189|url-status=live}}</ref> The movie [[After (2019 film)|''After'']] was released on April 12, 2019.
A popular example of modern fan fiction is [[E. L. James]]'s ''[[Fifty Shades of Grey]],'' which was originally written as fan fiction for the ''[[Twilight (novel series)|Twilight]]'' series and featured Bella and Edward. To avoid copyright infringement, James changed the characters' names to Ana and Christian for the purposes of her novels,<ref>{{cite web|url=https://www.avclub.com/article/holy-crow-fifty-shades-grey-crazy-similar-its-twil-215185|title=Holy crow! Fifty Shades Of Grey is crazy similar to its Twilight origin story|date=February 12, 2015|author=Marah Eakin|work=The A.V. Club|access-date=April 17, 2020|archive-date=August 18, 2017|archive-url=https://web.archive.org/web/20170818221436/http://www.avclub.com/article/holy-crow-fifty-shades-grey-crazy-similar-its-twil-215185|url-status=live}}</ref> a practice known as 'pulling-to-publish'.<ref>{{cite journal|last1=Brennan|first1=Joseph|last2=Large|first2=David|title='Let's get a bit of context': Fifty Shades and the phenomenon of 'pulling to publish' in Twilight fan fiction|journal=Media International Australia|date=2014|volume=152|issue=1|pages=27–39|doi=10.1177/1329878X1415200105|s2cid=140471681}}</ref> [[Anna Todd]]'s 2013 fan fiction ''[[After (Todd novel)|After]],'' about the boy band [[One Direction]], secured a book and movie deal with renamed characters in 2014.<ref>{{cite web |url=https://deadline.com/2014/10/after-movie-rights-wattpad-book-anna-todd-paramount-852926/ |title='After' Movie: Paramount Acquires Rights To Wattpad Book By Anna Todd |date=October 16, 2014 |website=Deadline Hollywood |access-date=December 26, 2014 |archive-date=October 7, 2018 |archive-url=https://web.archive.org/web/20181007214745/https://deadline.com/2014/10/after-movie-rights-wattpad-book-anna-todd-paramount-852926/ |url-status=live }}</ref><ref>{{cite web|last1=Ford|first1=Rebecca|title='Mom' Writer Susan McMartin to Adapt One Direction-Inspired Fan-Fiction 'After' (Exclusive)|date=June 4, 2015|url=https://www.hollywoodreporter.com/news/one-direction-inspired-fan-fic-800189|publisher=The Hollywood Reporter|access-date=September 2, 2015|archive-date=August 29, 2015|archive-url=https://web.archive.org/web/20150829191949/http://www.hollywoodreporter.com/news/one-direction-inspired-fan-fic-800189|url-status=live}}</ref> A movie adaptation, [[After (2019 film)|''After'']], was released on April 12, 2019.


On May 22, 2013, the online retailer [[Amazon.com]] established a new publishing service, [[Kindle Worlds]]. This service enabled fan fiction stories of certain licensed media properties to be sold in the [[Kindle Store]] with terms including 35% of net sales for works of 10,000 words or more and 20% for short fiction ranging from 5,000 to 10,000 words. However, this arrangement included restrictions on content, copyright violations, poor document formatting, and use of misleading titles.<ref name="Amazon">{{cite news|last=Pepitone|first=Julianne|title=Amazon's "Kindle Worlds" lets fan fiction writers sell their stories|url=https://money.cnn.com/2013/05/23/technology/amazon-fan-fiction/?iid=HP_LN&hpt=us_bn5|access-date=May 23, 2013|newspaper=CNN Money|date=May 3, 2013|archive-date=June 15, 2013|archive-url=https://web.archive.org/web/20130615043153/http://money.cnn.com/2013/05/23/technology/amazon-fan-fiction/?iid=HP_LN&hpt=us_bn5|url-status=live}}</ref> Amazon shut down Kindle Worlds in August 2018.<ref>{{cite web|url=https://the-digital-reader.com/2018/05/15/amazon-to-shut-down-kindle-worlds/|title=Amazon to Shut Down Kindle Worlds – The Digital Reader|date=May 15, 2018|access-date=August 26, 2020|archive-date=August 20, 2020|archive-url=https://web.archive.org/web/20200820162400/https://the-digital-reader.com/2018/05/15/amazon-to-shut-down-kindle-worlds/|url-status=live}}</ref>
On May 22, 2013, online retailer [[Amazon (company)|Amazon]] launched a new publishing service, [[Kindle Worlds]], which allowed fan fiction of certain licensed media properties to be sold in the [[Kindle Store]], with terms including 35% of net sales for works of 10,000 words or more and 20% for short fiction ranging from 5,000 to 10,000 words. However, this arrangement included restrictions on content, copyright violations, poor document formatting, and use of misleading titles.<ref name="Amazon">{{cite news|last=Pepitone|first=Julianne|title=Amazon's "Kindle Worlds" lets fan fiction writers sell their stories|url=https://money.cnn.com/2013/05/23/technology/amazon-fan-fiction/?iid=HP_LN&hpt=us_bn5|access-date=May 23, 2013|newspaper=CNN Money|date=May 3, 2013|archive-date=June 15, 2013|archive-url=https://web.archive.org/web/20130615043153/http://money.cnn.com/2013/05/23/technology/amazon-fan-fiction/?iid=HP_LN&hpt=us_bn5|url-status=live}}</ref> Amazon shut down Kindle Worlds in August 2018.<ref>{{cite web|url=https://the-digital-reader.com/2018/05/15/amazon-to-shut-down-kindle-worlds/|title=Amazon to Shut Down Kindle Worlds – The Digital Reader|date=May 15, 2018|access-date=August 26, 2020|archive-date=August 20, 2020|archive-url=https://web.archive.org/web/20200820162400/https://the-digital-reader.com/2018/05/15/amazon-to-shut-down-kindle-worlds/|url-status=live}}</ref>


===Japanese dōjinshi===
===Japanese dōjinshi===
A similar trend in [[Japanese literature|Japan]] also began appearing around the 1960s and 1970s, where [[Self-published|independently published]] [[manga]] and novels, known as ''[[dōjinshi]]'', are frequently published by [[dōjin]] circles; many of these dōjinshi are based on existing [[manga]], [[anime]], and [[video game]] franchises. [[Mangaka|Manga authors]] like [[Shotaro Ishinomori]] and [[Fujiko Fujio]] formed dōjin groups such as Fujio's {{nihongo|New Manga Party|新漫画党|Shin Manga-tō}}. At this time, dōjin groups were used by artists to make a professional debut. This changed in the coming decades with dōjin groups forming as school clubs and the like. This culminated in 1975 with the [[Comiket]] in Tokyo.
A similar trend began in [[Japanese literature|Japan]] in the 1960s and 1970s, as ''[[dōjinshi]],'' [[Self-published|independently published]] [[manga]] and novels, were published by [[dōjin]] circles, with many being based on existing [[manga]], [[anime]], and [[video game]] franchises. [[Manga artist|Manga artists]] such as [[Shotaro Ishinomori]] and [[Fujiko Fujio]] formed dōjin groups, such as Fujio's {{nihongo|New Manga Party|新漫画党|Shin Manga-tō}}. At the time, artists used dōjin groups to make their debut as professional artists. This changed in the following decades, as ''dōjinshi'' became more popular and dōjin groups formed in groups such as school clubs. This culminated in 1975 with the [[Comiket]], a convention in Tokyo that helped to establish the fandom.


== Demographics ==
== Demographics ==
In a study done in 2010, it was found that 75.2% of account holders on [[FanFiction.Net]] allowed for the website to disclose their location. It was found that 57% of accounts originated from the [[United States]], followed by 9.2% created in the [[United Kingdom]], 5.6% in [[Canada]] and 4% in [[Australia]].<ref name="Fan Fiction Statistics">{{cite web |last1=Kelvin |first1=Lord |title=Fan Fiction Demographics in 2010 |url=http://ffnresearch.blogspot.com/2011/03/fan-fiction-demographics-in-2010-age.html |website=FFN Research |date=March 18, 2011 |publisher=Blogger |access-date=February 20, 2020 |archive-date=January 10, 2023 |archive-url=https://web.archive.org/web/20230110121611/http://ffnresearch.blogspot.com/2011/03/fan-fiction-demographics-in-2010-age.html |url-status=live }}</ref>
A 2010 study found that 75.2% of account holders on [[FanFiction.Net]] allowed the website to disclose their location and that 57% of accounts originated from the [[United States]], followed by 9.2% created in the [[United Kingdom]], 5.6% in [[Canada]], and 4% in [[Australia]].<ref name="Fan Fiction Statistics">{{cite web |last1=Kelvin |first1=Lord |title=Fan Fiction Demographics in 2010 |url=http://ffnresearch.blogspot.com/2011/03/fan-fiction-demographics-in-2010-age.html |website=FFN Research |date=March 18, 2011 |publisher=Blogger |access-date=February 20, 2020 |archive-date=January 10, 2023 |archive-url=https://web.archive.org/web/20230110121611/http://ffnresearch.blogspot.com/2011/03/fan-fiction-demographics-in-2010-age.html |url-status=live }}</ref>


More recently, a 2020 study of [[Archive Of Our Own]] users<ref name=":1">{{Cite journal|last=Duggan|first=Jennifer|date=September 1, 2020|title=Who writes Harry Potter fan fiction? Passionate detachment, 'zooming out,' and fan fiction paratexts on AO3|url=https://journal.transformativeworks.org/index.php/twc/article/view/1863/2599|access-date=July 10, 2021|journal=Transformative Works and Cultures|volume=34|doi=10.3983/twc.2020.1863|s2cid=224983629|doi-access=free|archive-date=June 28, 2023|archive-url=https://web.archive.org/web/20230628002939/https://journal.transformativeworks.org/index.php/twc/article/view/1863/2599|url-status=live}}</ref> found that of the surveyed profiles which stated a nationality, 59.7% were located in North America, 16.1% were in Great Britain with an additional 10% otherwise located in Mainland Europe, 6.3% were in Oceania, 2.8% were Scandinavian, 2.2% were in Asia, 1.8% were in South America and the Caribbean, and 0.2% were in the Middle East. This study did not include profiles written in Chinese, Greek, Indonesian, Japanese, Korean, Polish, Russian, or Turkish, which may affect these demographics.<ref name=":1" />
A 2020 study of [[Archive Of Our Own]] users<ref name=":1">{{Cite journal|last=Duggan|first=Jennifer|date=September 1, 2020|title=Who writes Harry Potter fan fiction? Passionate detachment, 'zooming out,' and fan fiction paratexts on AO3|url=https://journal.transformativeworks.org/index.php/twc/article/view/1863/2599|access-date=July 10, 2021|journal=Transformative Works and Cultures|volume=34|doi=10.3983/twc.2020.1863|s2cid=224983629|doi-access=free|archive-date=June 28, 2023|archive-url=https://web.archive.org/web/20230628002939/https://journal.transformativeworks.org/index.php/twc/article/view/1863/2599|url-status=live}}</ref> found that of the surveyed profiles that stated a nationality, 59.7% were located in North America, 16.1% in Great Britain and an additional 10% in Mainland Europe, 6.3% in Oceania, 2.8% in Scandinavia, 2.2% in Asia, 1.8% in South America and the Caribbean, and 0.2% in the Middle East. The study did not include profiles written in Chinese, Greek, Indonesian, Japanese, Korean, Polish, Russian, or Turkish.<ref name=":1" />


=== Sex and gender ===
=== Sex and gender ===
A 2020 study looking at Harry Potter fan fiction writers on Archive of Our Own found that of users who disclose their gender in their profiles, 50.4% are female or [[femme]]-leaning and 13.4% are masculine or masc-leaning. 11% of users disclose that they are [[transgender]], and over 21% identify as [[Non-binary gender|nonbinary]], [[Gender fluidity|genderfluid]], and/or [[genderqueer]], with an additional 3.9% indicating that they identify as [[agender]] or genderless.<ref name=":1" />
A 2020 study of Harry Potter fan fiction writers on [[Archive of Our Own]] found that of the users who disclosed their gender in their profiles, 50.4% were female or [[femme]]-leaning and 13.4% were masculine or masc-leaning. 11% of users were [[transgender]], 21% identified as [[Non-binary gender|nonbinary]], [[Gender fluidity|genderfluid]], and/or [[genderqueer]], and an additional 3.9% stated that they identified as [[agender]] or genderless.<ref name=":1" />


=== Age ===
=== Age ===
Overwhelmingly, the study also showed that fan fiction writers appear to be in their early- to mid-20s. Demographics have been assessed as being 56.7% university students and other young adults, while 21.3% register as being 30 years and older. 0.2% specify that they are of retirement age; teenagers make up the remaining 19.8%.<ref name=":1" />
The study also found that fan fiction writers tend to be in their early to mid-20s. Of these writers, 56.7% were university students and young adults, 21.3% were 30 years or older, 19.8% were teenagers, and 0.2% were of retirement age.<ref name=":1" />


==Categories and terms==
==Categories and terms==
Line 57: Line 57:


===Genres===
===Genres===
In addition to the "regular" [[list of genres]], there are a few genres which are particularly associated with fan fiction. These genres can overlap and include:
In addition to the "regular" [[list of genres]], there are some genres particularly associated with fan fiction. These genres can overlap and include:


====Angst====
====Angst====
A story with an angst-ridden mood centered on a character or characters who are brooding, sorrowful, or in anguish.
Stories with an [[angst]]-ridden mood that focus on a character or characters who are brooding, sorrowful, or in anguish.


====Alternative universe (AU)====
====Alternative universe (AU)====
{{Main|Alternative universe (fan fiction)}}
{{Main|Alternative universe (fan fiction)}}
"What if" fan fiction featuring characters set in a universe other than their canonical one.<ref>{{cite web|url=http://www.fanworks.org/writersresource/?tool=termdict&action=define&termid=16|title=FanWorks.org :: Fan Works Inc. – Help & Tools Index|website=www.fanworks.org|access-date=January 30, 2019|archive-date=January 30, 2019|archive-url=https://web.archive.org/web/20190130110511/http://www.fanworks.org/writersresource/?tool=termdict&action=define&termid=16|url-status=live}}</ref> There are multiple types of alternative universe settings: an alternative universe may make dramatic alterations to the setting (for instance, a "fantasy AU" that places characters from a non-fantasy canon into a world of magic); it may alter characterization (often referred to simply as someone being "out of character" (OOC) rather than an AU proper); or it may alter major plot events to suit the author's purposes (see, for example, "[[#Fix-it fic|Fix-it fic]]").<ref>{{Cite journal|last=Samutina|first=Natalia|date=July 3, 2016|title=Fan fiction as world-building: transformative reception in crossover writing|url=https://doi.org/10.1080/10304312.2016.1141863|journal=Continuum|volume=30|issue=4|pages=433–450|doi=10.1080/10304312.2016.1141863|s2cid=147685039|issn=1030-4312|access-date=July 11, 2021|archive-date=February 22, 2024|archive-url=https://web.archive.org/web/20240222192231/https://www.tandfonline.com/doi/full/10.1080/10304312.2016.1141863|url-status=live}}</ref>
Stories that feature characters set in a universe other than their canonical one.<ref>{{cite web|url=http://www.fanworks.org/writersresource/?tool=termdict&action=define&termid=16|title=FanWorks.org :: Fan Works Inc. – Help & Tools Index|website=www.fanworks.org|access-date=January 30, 2019|archive-date=January 30, 2019|archive-url=https://web.archive.org/web/20190130110511/http://www.fanworks.org/writersresource/?tool=termdict&action=define&termid=16|url-status=live}}</ref> There are several types of alternative universe: it may make dramatic changes to the setting, such as a "fantasy AU" that places characters from a non-fantasy canon in a world of magic; change characterization, which is often referred to as someone being "out of character" (OOC) rather than a proper AU; or change major plot events to suit the author's purposes, such as in a [[#Fix-it fic|fix-it fic]].<ref>{{Cite journal|last=Samutina|first=Natalia|date=July 3, 2016|title=Fan fiction as world-building: transformative reception in crossover writing|url=https://doi.org/10.1080/10304312.2016.1141863|journal=Continuum|volume=30|issue=4|pages=433–450|doi=10.1080/10304312.2016.1141863|s2cid=147685039|issn=1030-4312|access-date=July 11, 2021|archive-date=February 22, 2024|archive-url=https://web.archive.org/web/20240222192231/https://www.tandfonline.com/doi/full/10.1080/10304312.2016.1141863|url-status=live}}</ref>


====Crossover====
===== Soulmate AU =====
Stories that feature characters in a world, often very similar to canon, where [[soulmate]]s are real. Common mechanics include a person having their soulmate's name written on their skin at birth or a specific change that occurs when two soulmates see or touch each other for the first time. The most common trope in this genre is a character being convinced that they do not have, want, or deserve a soulmate, only to be proven wrong as they fall in love.
Crossovers are works featuring characters, items, or set pieces from multiple fandoms. This is also called "fusion fic" if the two worlds are merged into one.


==== Soulmate AU ====
===== Time travel AU =====
Stories in which a character is sent back in time to get a second chance while having knowledge of the original plot. It is also called "Peggy Sue" after the movie ''[[Peggy Sue Got Married]]'', in which this scenario happens to the titular character. "Groundhog Day", named after [[Groundhog Day (film)|the film]], is a variation of this trope in which time travel happens repeatedly, usually until the time traveler "gets it right".
The soulmate AU is a popular genre that envisions characters in a world, often very similar to canon, where soulmates are demonstrably real. Common mechanics for soulmates include each person having the name of their soulmate written on their skin at birth, or a specific change that occurs when two soulmates see or touch each other for the first time. The most common trope in this genre is one character being convinced they do not have, want, or deserve a soulmate, only to be proven wrong as they fall in love over the course of the fiction.


====Time travel AU====
====Crossover====
Stories that feature characters, items, or locations from multiple fandoms. Another type of crossover is "fusion fic", in which the two universes are merged into one.
A story in which one of the characters is sent back in time to get a second chance with knowledge of the original plot. This is also called the "Peggy Sue", after the movie ''[[Peggy Sue Got Married]]'', in which this happens to the titular character. This term may have fallen into disuse due to its similarity to "[[Mary Sue]]".

"Groundhog Day", named after [[Groundhog Day (film)|the film]], is a variation of this trope in which time travel happens repeatedly; typically until the time-traveling character "gets it right".


====Darkfic====
====Darkfic====
Stories that are considerably more grim or depressing than the original, often in deliberate contrast to the canonical work(s). Not all stories tagged as "[[Darkness#Literature|dark]]" count as darkfic. This is sometimes done with fandoms that are meant to be light-hearted or for children.<ref>{{Cite web|url=https://fanlore.org/wiki/Darkfic|title=Darkfic – Fanlore|website=fanlore.org|access-date=February 11, 2019|archive-date=February 12, 2019|archive-url=https://web.archive.org/web/20190212011909/https://fanlore.org/wiki/Darkfic|url-status=live}}</ref> Darkfic can also refer to content that is "intentionally disturbing" (that is, physical or emotional violence or abuse).
Stories that are darker or more depressing than the original, often done in contrast to them. This is sometimes done with media that is intended to be light-hearted or for children.<ref>{{Cite web|url=https://fanlore.org/wiki/Darkfic|title=Darkfic – Fanlore|website=fanlore.org|access-date=February 11, 2019|archive-date=February 12, 2019|archive-url=https://web.archive.org/web/20190212011909/https://fanlore.org/wiki/Darkfic|url-status=live}}</ref> Darkfic can also refer to content that is "intentionally disturbing", such as physical or emotional violence or abuse. However, not all stories tagged as "dark" are considered to be a darkfic.

"Dead Dove Do Not Eat", sometimes abbreviated as DDDNE, is a sub-category of darkfic.<ref>{{Cite web |title=Dead Dove: Do Not Eat - Fanlore |url=https://fanlore.org/wiki/Dead_Dove:_Do_Not_Eat |access-date=2024-07-15 |website=fanlore.org}}</ref> It began as an [[Archive of Our Own|AO3]] tag in 2015, intended to warn people that the story contained dark themes without explicitly condemning them; because the dark themes were tagged, it served to reinforce readers' attention to them. Since 2015, it has evolved into its own tag, meaning that sometimes other dark themes are not tagged and are assumed to be present in the story.


====Fix-it fic====
====Fix-it fic====
Fix-it fic refers to stories which rewrite canonical events that the fan fiction author disliked or otherwise wished to "fix". This may refer to an authorial misstep; that is, "fixing" major plot holes or to a tragic event or ending (for instance, "everyone lives" alternate universes). Fix-it fic that focuses on correcting flaws in the original work is also called "rebuild fic", named for the ''[[Rebuild of Evangelion]]'' series; if it focuses heavily on critical thinking skills and deductive reasoning, it can be considered a "rationalist rewrite", as popularized by ''[[Harry Potter and the Methods of Rationality]]''.
Stories that rewrite canonical events that the author disliked or otherwise wanted to "fix", such as major plot holes or a tragic event or ending; for instance, an alternate universe where "everyone lives". Fix-it fics that focus on correcting flaws in the original work are also known as a "rebuild fic", named after the ''[[Rebuild of Evangelion]]'' series. If it focuses heavily on critical thinking skills and deductive reasoning, it can be considered a "rationalist rewrite", as popularized by ''[[Harry Potter and the Methods of Rationality]]''.


====Fluff====
====Fluff====
"Feel good" fan fiction designed to be light-hearted and romantic.<ref name="FgGuideP83">{{Cite book |last=Maggs |first=Sam |title=The Fangirl's Guide to the Galaxy: a handbook for Girl Geeks |publisher=[[Quirk Books]] |year=2015 |isbn=9781594747892 |pages=83 |language=en}}</ref> Another term for this genre is WAFF, short for "warm and fuzzy feelings."
Stories designed to be light-hearted and romantic.<ref name="FgGuideP83">{{Cite book |last=Maggs |first=Sam |title=The Fangirl's Guide to the Galaxy: a handbook for Girl Geeks |publisher=[[Quirk Books]] |year=2015 |isbn=9781594747892 |pages=83 |language=en}}</ref> Another term for this genre is WAFF, which is short for "warm and fuzzy feelings."


====Hurt/comfort====
====Hurt/comfort====
A story in which a character is put through a traumatizing experience in order to be comforted.<ref>{{Cite web|url=http://expressions.populli.net/dictionary.html|title=Fan Fiction Dictionary -- Your Guide To Fanspeak|website=expressions.populli.net|access-date=May 12, 2016|archive-date=April 28, 2016|archive-url=https://web.archive.org/web/20160428103645/http://expressions.populli.net/dictionary.html|url-status=live}}</ref> The climax of these stories is typically when one character witnesses another character's suffering and alleviates it; however, a variation that prioritizes focus on the character's suffering (their "hurt"), sometimes to the exclusion of "comfort", is referred to as "whump".<ref>{{Cite journal|last=Linn|first=Rachel Elizabeth|date=September 15, 2017|title=Bodies in horrifying hurt/comfort fan fiction: Paying the toll|url=https://journal.transformativeworks.org/index.php/twc/article/view/1102|journal=Transformative Works and Cultures|volume=25|doi=10.3983/twc.2017.01102|issn=1941-2258|doi-access=free|access-date=July 11, 2021|archive-date=July 11, 2021|archive-url=https://web.archive.org/web/20210711002233/https://journal.transformativeworks.org/index.php/twc/article/view/1102|url-status=live}}</ref> Excessive whump may also be considered darkfic.
Stories in which a character is put through a traumatic experience in order to be comforted.<ref>{{Cite web|url=http://expressions.populli.net/dictionary.html|title=Fan Fiction Dictionary -- Your Guide To Fanspeak|website=expressions.populli.net|access-date=May 12, 2016|archive-date=April 28, 2016|archive-url=https://web.archive.org/web/20160428103645/http://expressions.populli.net/dictionary.html|url-status=live}}</ref> The climax of these stories is usually when one character witnesses another character's suffering and alleviates it. Another type of hurt/comfort is whump, which focuses on the character's suffering, sometimes to the exclusion of comfort; excessive whump may also be considered darkfic.<ref>{{Cite journal|last=Linn|first=Rachel Elizabeth|date=September 15, 2017|title=Bodies in horrifying hurt/comfort fan fiction: Paying the toll|url=https://journal.transformativeworks.org/index.php/twc/article/view/1102|journal=Transformative Works and Cultures|volume=25|doi=10.3983/twc.2017.01102|issn=1941-2258|doi-access=free|access-date=July 11, 2021|archive-date=July 11, 2021|archive-url=https://web.archive.org/web/20210711002233/https://journal.transformativeworks.org/index.php/twc/article/view/1102|url-status=live}}</ref>


====Self-insert====
====Self-insert====
Stories in which a version of the author is transported to the fictional world that the fan fiction is based on, which are often [[first-person narration|written in the first person]]. Self-insert fanfiction is often compared to [[Mary Sue]] characters. Some researchers argue that self-insert characters can be found in literature from the 19th century and earlier.<ref>{{Cite web |title="Too Good to Be True": 150 Years of Mary Sue, by Pat Pflieger |url=https://www.merrycoz.org/papers/MARYSUE.xhtml |access-date=2024-07-15 |website=www.merrycoz.org}}</ref> There are several types of self-inserts, including: "y/n" (short for [insert] your name"), "xReader," and "imagines."<ref>{{Cite web |date=2017-03-23 |title=Mary Sue |url=https://www.fansplaining.com/articles/mary-sue |access-date=2024-07-15 |website=Fansplaining |language=en-US}}</ref><ref name=es>{{Cite journal |last1=Sapuridis |first1=Effie |last2=Alberto |first2=Maria K. |date=June 2022 |title=Self-Insert Fanfiction as Digital Technology of the Self |journal=Humanities |language=en |volume=11 |issue=3 |pages=68 |doi=10.3390/h11030068 |doi-access=free |issn=2076-0787}}</ref> Several of these subgenres are unique to specific platforms.<ref name=es/>
A genre of fan fiction in which a version of the author is transported to, or discovers they are inside, the world that the fan fiction is based on. Almost always [[first-person narration|written in the first person]].


====Recursive | meta | fan-verse ====
==== Recursive | meta | fan-verse ====
Occasionally, a fan fiction will obtain enough popularity to inspire readers to write fan fiction based on that fic. On Archive of Our Own, this kind of recursive fan fiction is called a "remix".<ref>{{Cite web|title=Posting and Editing FAQ {{!}} Archive of Our Own|url=https://archiveofourown.org/faq/posting-and-editing?language_id=en#archivelink|access-date=July 10, 2021|website=archiveofourown.org|archive-date=June 13, 2021|archive-url=https://web.archive.org/web/20210613004843/https://archiveofourown.org/faq/posting-and-editing?language_id=en#archivelink|url-status=live}}</ref>
Stories based on an existing fan work. On Archive of Our Own, this type of recursive fan fiction is called a "remix".<ref>{{Cite web|title=Posting and Editing FAQ {{!}} Archive of Our Own|url=https://archiveofourown.org/faq/posting-and-editing?language_id=en#archivelink|access-date=July 10, 2021|website=archiveofourown.org|archive-date=June 13, 2021|archive-url=https://web.archive.org/web/20210613004843/https://archiveofourown.org/faq/posting-and-editing?language_id=en#archivelink|url-status=live}}</ref>


====Songfic====
====Songfic====
Songfic, also known as song fic or song-fic, is a genre of fan fiction that features a fictional work interspersed with the lyrics of a relevant song.<ref>{{Cite book|url=https://books.google.com/books?id=yfOTAgAAQBAJ&q=Songfic&pg=PA320|title=Critical Perspectives on Harry Potter|last=Heilman|first=Elizabeth E.|date=September 1, 2008|publisher=Routledge|isbn=9781135891541|pages=320–321|access-date=October 24, 2020|archive-date=February 22, 2024|archive-url=https://web.archive.org/web/20240222192408/https://books.google.com/books?id=yfOTAgAAQBAJ&q=Songfic&pg=PA320#v=snippet&q=Songfic&f=false|url-status=live}}</ref><ref>{{Cite book|url=https://books.google.com/books?id=WbcqDAAAQBAJ&q=Songfic&pg=PA148|title=Media Convergence Handbook – Vol. 2: Firms and User Perspectives|last1=Lugmayr|first1=Artur|last2=Zotto|first2=Cinzia Dal|date=July 23, 2016|publisher=Springer|isbn=9783642544873|page=148|access-date=October 24, 2020|archive-date=February 22, 2024|archive-url=https://web.archive.org/web/20240222192353/https://books.google.com/books?id=WbcqDAAAQBAJ&q=Songfic&pg=PA148#v=snippet&q=Songfic&f=false|url-status=live}}</ref> The term is a combination of "song" and "fiction"; as such, one might also see the genre referred to as "songfiction". As many lyrics are under [[copyright]], whether songfics are a violation of that copyright law is a subject of debate. Some fan fiction websites, such as FanFiction.Net, have barred authors from posting songfics with lyrics outside the [[public domain]].<ref>{{cite web|url=http://www.fanfiction.net/guidelines/|title=Guidelines|website=FanFiction.net|access-date=May 27, 2016|archive-date=March 11, 2016|archive-url=https://web.archive.org/web/20160311063712/https://www.fanfiction.net/guidelines/|url-status=live}}</ref>
Stories which are interspersed with the lyrics of a relevant song.<ref>{{Cite book|url=https://books.google.com/books?id=yfOTAgAAQBAJ&q=Songfic&pg=PA320|title=Critical Perspectives on Harry Potter|last=Heilman|first=Elizabeth E.|date=September 1, 2008|publisher=Routledge|isbn=9781135891541|pages=320–321|access-date=October 24, 2020|archive-date=February 22, 2024|archive-url=https://web.archive.org/web/20240222192408/https://books.google.com/books?id=yfOTAgAAQBAJ&q=Songfic&pg=PA320#v=snippet&q=Songfic&f=false|url-status=live}}</ref><ref>{{Cite book|url=https://books.google.com/books?id=WbcqDAAAQBAJ&q=Songfic&pg=PA148|title=Media Convergence Handbook – Vol. 2: Firms and User Perspectives|last1=Lugmayr|first1=Artur|last2=Zotto|first2=Cinzia Dal|date=July 23, 2016|publisher=Springer|isbn=9783642544873|page=148|access-date=October 24, 2020|archive-date=February 22, 2024|archive-url=https://web.archive.org/web/20240222192353/https://books.google.com/books?id=WbcqDAAAQBAJ&q=Songfic&pg=PA148#v=snippet&q=Songfic&f=false|url-status=live}}</ref> The term is a combination of "song" and "fiction"; as such, it is also referred to as "songfiction". Since many song lyrics are under [[copyright]], whether songfics are a violation of copyright law is a subject of debate. Some fan fiction sites, such as FanFiction.Net, have prevented authors from posting songfics with lyrics from songs that are not in the [[public domain]].<ref>{{cite web|url=http://www.fanfiction.net/guidelines/|title=Guidelines|website=FanFiction.net|access-date=May 27, 2016|archive-date=March 11, 2016|archive-url=https://web.archive.org/web/20160311063712/https://www.fanfiction.net/guidelines/|url-status=live}}</ref>


In an essay in ''Music, Sound, and Silence in Buffy the Vampire Slayer'', [[University of Sydney]] professor [[Catherine Driscoll]] commented that the genre was "one of the least distinguished modes of fan production" and that "within fan fiction excessive attachment to or foregrounding of popular music is itself dismissed as immature and derivative".<ref>{{Cite book|url=https://books.google.com/books?id=TKxBuIcAoeEC&q=Songfic&pg=PA129|title=Music, Sound and Silence in Buffy the Vampire Slayer|last1=Attinello|first1=Paul Gregory|last2=Halfyard|first2=Janet K.|last3=Knights|first3=Vanessa|date=January 1, 2010|publisher=Ashgate Publishing, Ltd.|isbn=9780754660415|pages=114, 129|access-date=October 24, 2020|archive-date=February 22, 2024|archive-url=https://web.archive.org/web/20240222192240/https://books.google.com/books?id=TKxBuIcAoeEC&q=Songfic&pg=PA129#v=snippet&q=Songfic&f=false|url-status=live}}</ref>
In an essay in ''Music, Sound, and Silence in Buffy the Vampire Slayer'', [[University of Sydney]] professor [[Catherine Driscoll]] commented that the genre was "one of the least distinguished modes of fan production" and that "within fan fiction excessive attachment to or foregrounding of popular music is itself dismissed as immature and derivative".<ref>{{Cite book|url=https://books.google.com/books?id=TKxBuIcAoeEC&q=Songfic&pg=PA129|title=Music, Sound and Silence in Buffy the Vampire Slayer|last1=Attinello|first1=Paul Gregory|last2=Halfyard|first2=Janet K.|last3=Knights|first3=Vanessa|date=January 1, 2010|publisher=Ashgate Publishing, Ltd.|isbn=9780754660415|pages=114, 129|access-date=October 24, 2020|archive-date=February 22, 2024|archive-url=https://web.archive.org/web/20240222192240/https://books.google.com/books?id=TKxBuIcAoeEC&q=Songfic&pg=PA129#v=snippet&q=Songfic&f=false|url-status=live}}</ref>


====Uberfic====
====Uberfic====
[[Uberfic]] is a form of AU fan fiction with characters who physically resemble and share personality traits with their canon counterparts, but have new names and backgrounds in a different setting. The term originated in ''[[Xena: Warrior Princess]]'' fandom<ref>{{Cite web|title=Whoosh!|url=http://www.whoosh.org/|access-date=2021-05-08|website=www.whoosh.org|archive-date=May 1, 2008|archive-url=https://web.archive.org/web/20080501111919/http://www.whoosh.org/|url-status=live}}</ref> and was inspired by the series episode "The Xena Scrolls", which featured 1940s-era descendents of the characters Xena, Gabrielle, and Joxer, all played by their respective actors, on an archaeological dig in an ''Indiana Jones'' [[pastiche]]. The uberfic style lends itself well to original fiction, and many uberfic authors such as Melissa Good, [[Radclyffe]], and [[Lori L. Lake]] have legally published their ''Xena'' uberfic as original [[lesbian literature]].
[[Uberfic]] is a form of alternative universe in which characters physically resemble and share personality traits with their canon counterparts, but have new names and backgrounds in a different setting. The term originated in the ''[[Xena: Warrior Princess]]'' fandom<ref>{{Cite web|title=Whoosh!|url=http://www.whoosh.org/|access-date=2021-05-08|website=www.whoosh.org|archive-date=May 1, 2008|archive-url=https://web.archive.org/web/20080501111919/http://www.whoosh.org/|url-status=live}}</ref> and was inspired by the episode "The Xena Scrolls", which featured 1940s-era descendants of the characters Xena, Gabrielle, and Joxer, who are played by their respective actors, on an archaeological dig in an ''Indiana Jones'' [[pastiche]]. As the concept of the uberfic can be adapted into original fiction, many uberfic authors, such as Melissa Good, [[Radclyffe]], and [[Lori L. Lake]], have legally published their ''Xena'' uberfic as original [[lesbian literature]].


===Terminology===
===Terminology===
====Author's note (A/N)====
====Author's note (A/N)====
A/N is an abbreviation of "author's note". Author's notes are typically found directly before the beginning or after the end of a fan fiction or its chapters, but can be written at any point during a fan fiction (in some cases interrupting the flow of the piece by appearing within the body of a fan fiction). A/Ns are used to convey direct messages from the author to the reader regarding the piece.<ref>{{Cite journal |last=Herzog |first=Alexandra Elisabeth |date=2012-09-15 |title="But this is my story and this is how I wanted to write it": Author's notes as a fannish claim to power in fan fiction writing |url=https://journal.transformativeworks.org/index.php/twc/article/view/406/337 |journal=[[Transformative Works and Cultures]] |doi=10.3983/twc.2012.0406 |via=[[Transformative Works and Cultures]] |doi-access=free |access-date=December 30, 2023 |archive-date=October 8, 2023 |archive-url=https://web.archive.org/web/20231008195226/https://journal.transformativeworks.org/index.php/twc/article/view/406/337 |url-status=live }}</ref>
Also abbreviated as A/N, author's notes are typically found directly before the beginning or after the end of a fan fiction or its chapters, but can be written at any point in the story and are used to convey direct messages from the author to the reader regarding it.<ref>{{Cite journal |last=Herzog |first=Alexandra Elisabeth |date=2012-09-15 |title="But this is my story and this is how I wanted to write it": Author's notes as a fannish claim to power in fan fiction writing |url=https://journal.transformativeworks.org/index.php/twc/article/view/406/337 |journal=[[Transformative Works and Cultures]] |volume=11 |doi=10.3983/twc.2012.0406 |doi-access=free |access-date=December 30, 2023 |archive-date=October 8, 2023 |archive-url=https://web.archive.org/web/20231008195226/https://journal.transformativeworks.org/index.php/twc/article/view/406/337 |url-status=live }}</ref>


====Beta reader====
====Beta reader====
{{main|Beta reader}}
{{main|Beta reader}}
A beta reader, or beta, is someone who [[Editing|edits]] or [[Proofreading|proofreads]] someone else's fan fiction.<ref>{{cite journal |last1=Kelley |first1=Brittany |title=Chocolate Frogs for My Betas!: Practicing Literacy at One Online Fanfiction Website |journal=Computers and Composition |date=June 2016 |volume=40 |pages=48–59 |doi=10.1016/j.compcom.2016.03.001}}</ref>
Also known as a beta. Someone who [[Editing|edits]] or [[Proofreading|proofreads]] someone else's fan fiction.<ref>{{cite journal |last1=Kelley |first1=Brittany |title=Chocolate Frogs for My Betas!: Practicing Literacy at One Online Fanfiction Website |journal=Computers and Composition |date=June 2016 |volume=40 |pages=48–59 |doi=10.1016/j.compcom.2016.03.001}}</ref>


====Canon====
====Canon====
{{main|Canon (fiction)}}
{{main|Canon (fiction)}}
Canon is the original story. This means anything related to the original source including the plot, settings, and character developments.<ref name="FgGuideP28">{{Cite book |last=Maggs |first=Sam |title=The Fangirl's Guide to the Galaxy: a handbook for Girl Geeks |publisher=[[Quirk Books]] |year=2015 |isbn=9781594747892 |pages=28 |language=en}}</ref>
The original story. This refers to anything related to the original source, including the plot, setting, and characters.<ref name="FgGuideP28">{{Cite book |last=Maggs |first=Sam |title=The Fangirl's Guide to the Galaxy: a handbook for Girl Geeks |publisher=[[Quirk Books]] |year=2015 |isbn=9781594747892 |pages=28 |language=en}}</ref>


====Disclaimer====
====Disclaimer====
{{see also|Legal issues with fan fiction}}
{{see also|Legal issues with fan fiction}}
[[Disclaimer]]s are author's notes typically informing readers about who deserves credit for the original source material,<ref>{{cite web|url=http://expressions.populli.net/dictionary.html|title=A Fanspeak Dictionary|last=Freeman|first=Morgan|access-date=April 20, 2017|archive-date=April 28, 2016|archive-url=https://web.archive.org/web/20160428103645/http://expressions.populli.net/dictionary.html|url-status=live}}</ref> and often containing pseudo-legal language disavowing any intent of [[copyright infringement]] or alluding to [[fair use]]. Such "disclaimers" are legally ineffective and based on misunderstandings of [[copyright law]], particularly confusion between illegal copyright infringement and unethical [[plagiarism]].<ref>{{cite web|url=http://dearauthor.com/features/letters-of-opinion/fan-fiction-plagiarism-and-copyright/|title=Fan Fiction, Plagiarism, and Copyright|date=March 18, 2012|access-date=July 27, 2017|archive-date=November 18, 2017|archive-url=https://web.archive.org/web/20171118222352/http://dearauthor.com/features/letters-of-opinion/fan-fiction-plagiarism-and-copyright/|url-status=dead}}</ref> Disclaimers have fallen out of use since the Archive of Our Own rose in popularity.
[[Disclaimer]]s are author's notes which typically inform readers about who deserves credit for the original source material,<ref>{{cite web|url=http://expressions.populli.net/dictionary.html|title=A Fanspeak Dictionary|last=Freeman|first=Morgan|access-date=April 20, 2017|archive-date=April 28, 2016|archive-url=https://web.archive.org/web/20160428103645/http://expressions.populli.net/dictionary.html|url-status=live}}</ref> and often containing pseudo-legal language disavowing any intent of [[copyright infringement]] or alluding to [[fair use]]. Such "disclaimers" are legally ineffective and are based on misunderstandings of [[copyright law]], particularly confusion between illegal copyright infringement and unethical [[plagiarism]].<ref>{{cite web|url=http://dearauthor.com/features/letters-of-opinion/fan-fiction-plagiarism-and-copyright/|title=Fan Fiction, Plagiarism, and Copyright|date=March 18, 2012|access-date=July 27, 2017|archive-date=November 18, 2017|archive-url=https://web.archive.org/web/20171118222352/http://dearauthor.com/features/letters-of-opinion/fan-fiction-plagiarism-and-copyright/|url-status=dead}}</ref> Disclaimers have fallen out of use since Archive of Our Own's rise in popularity.


====Drabble====
====Drabble====
A drabble is a piece of writing that is exactly 100 words long.<ref name="FgGuideP83"/>
A [[drabble]] is a piece of writing that is exactly 100 words long,<ref name="FgGuideP83"/> although it is commonly used to refer to any short fan fiction.


====Fandom====
====Fandom====
A [[fandom]] is a group of fans of a particular work of fiction (for example, novel, film, television show or video game). Members of a fandom are typically interested in even minor details of the plot or characters of their fandom and often spend a significant portion of their time and energy involved with their interest, which is why most fan fictions are written by members of a particular fandom(s).
A [[fandom]] is a group of fans of a work of fiction who dedicate their time and energy to their interest. [[Fan labor]], such as fan fiction, is written by fans as a way to express their creativity and love for the original work.


====Fangirl/fanboy====
====Fangirl/fanboy====
A fangirl or fanboy is an individual who is an extremely enthusiastic member of one or more fandoms. Furthermore, the term fangirling/fanboying refers to a moment where a person gets excited about a fandom.
A person who is an enthusiastic member of one or more fandoms. The term fangirling/fanboying refers to when a person is excited about a fandom.


====Fanon====
====Fanon====
Fanon (portmanteau of fan and canon) is an "unofficial canon" idea widely accepted to be true among fans,<ref name="VoxGlossary" /> but is neither confirmed nor officially endorsed by the original author or source creator, preventing it from being labeled as canon. Fanon may refer to a whole interpretation of the original work or particular details within it.
A portmanteau of fan and canon. It is an "unofficial canon" idea that is widely accepted to be true among fans,<ref name="VoxGlossary" /> but is neither confirmed nor officially endorsed by the original author or source creator, preventing it from being considered canon. Fanon can refer to an interpretation of the original work or details within it.


====Headcanon (HC)====
====Head canon (HC)====
Headcanon is a fan's personal interpretation of canon, such as the backstory of a character or the nature of relationships between characters.<ref name="VoxGlossary" /> It may represent a teasing out of subtext present in the canon, but it cannot directly contradict canon. If many other fans share this interpretation, it may become fanon.
A fan's personal interpretation of canon, such as the backstory of a character or the nature of relationships between characters.<ref name="VoxGlossary" /> It can be drawn from subtext present in the canon, but cannot directly contradict it. If other fans share this interpretation, it can become fanon.


====Mary Sue====
====Mary Sue====
Also of note is the concept of the "[[Mary Sue]]" (occasionally "MS"), a term credited as originating in ''[[Star Trek]]'' fan fiction that has crossed over to the mainstream, at least among editors and writers. In early ''Trek'' fan fiction, a common plot was that of a minor member of the USS ''Enterprise''{{'}}s crew saving the life of Captain Kirk or Mister Spock, often being rewarded with a sexual relationship as a result. The term "Mary Sue", originating in a parody of stories in this [[wish fulfillment]] genre, thus tends to refer to an idealized or overpowered character lacking flaws, often taken to represent the author.<ref>{{cite book |last1=Segall |year=2008 |title=Fan Fiction Writing: New Work Based on Favorite Fiction |publisher=Rosen Pub. |page=[https://archive.org/details/careerbuildingth0000sega/page/26 26] |isbn=978-1404213562 |url-access=registration |url=https://archive.org/details/careerbuildingth0000sega/page/26 }}</ref>
A [[Mary Sue]], also known as MS, is a term which editors and writers credit as originating in ''[[Star Trek]]'' fan fiction and later becoming part of the mainstream. In early fan fiction, a common plot was a minor member of the USS ''Enterprise''{{'}}s crew saving the life of Kirk or Spock, often being rewarded with a sexual relationship as a result. The term "Mary Sue", which originated in a parody of stories in the [[wish fulfillment]] genre, often refers to an idealized or overpowered character who lacks flaws and is often seen as a representation of the author.<ref>{{cite book |last1=Segall |year=2008 |title=Fan Fiction Writing: New Work Based on Favorite Fiction |publisher=Rosen Pub. |page=[https://archive.org/details/careerbuildingth0000sega/page/26 26] |isbn=978-1404213562 |url-access=registration |url=https://archive.org/details/careerbuildingth0000sega/page/26 }}</ref>


====One true pairing (OTP)====
====One true pairing (OTP)====
An abbreviation of the term "one true pairing", meaning a person's favorite ship.<ref name="VoxGlossary">{{Cite web |last=Romano |first=Aja |date=2016-06-07 |title=Canon, fanon, shipping and more: a glossary of the tricky terminology that makes up fandom |url=https://www.vox.com/2016/6/7/11858680/fandom-glossary-fanfiction-explained |access-date=2023-12-26 |website=Vox |language=en |archive-date=March 20, 2021 |archive-url=https://web.archive.org/web/20210320095339/https://www.vox.com/2016/6/7/11858680/fandom-glossary-fanfiction-explained |url-status=live }}</ref> OT3, OT4, and so on is the term used for a [[Polyamory|polyamorous]] OTP.<ref name="VoxGlossary" />
An abbreviation of the term "one true pairing", referring to a person's favorite ship.<ref name="VoxGlossary">{{Cite web |last=Romano |first=Aja |date=2016-06-07 |title=Canon, fanon, shipping and more: a glossary of the tricky terminology that makes up fandom |url=https://www.vox.com/2016/6/7/11858680/fandom-glossary-fanfiction-explained |access-date=2023-12-26 |website=Vox |language=en |archive-date=March 20, 2021 |archive-url=https://web.archive.org/web/20210320095339/https://www.vox.com/2016/6/7/11858680/fandom-glossary-fanfiction-explained |url-status=live }}</ref> OT3, OT4, and so on is the term used for a [[Polyamory|polyamorous]] OTP.<ref name="VoxGlossary" />


====One shot====
====One shot====
A one shot is a single piece of writing, as opposed to a multichapter work.<ref name="FgGuideP84" />
A standalone piece of writing, as opposed to a multichapter work.<ref name="FgGuideP84" />


====Real person fiction (RPF)====
====Real person fiction (RPF)====
{{main|Real person fiction}}
{{main|Real person fiction}}
Fan fiction works that tell stories about real people, usually celebrities, instead of fictional characters. The book ''[[After (Todd novel)|After]]'' by [[Anna Todd]], later adapted into a film of [[After (2019 film)|the same name]], was originally a real person fan fiction about [[One Direction]] member [[Harry Styles]].
Stories about real people, usually celebrities, rather than fictional characters. The book ''[[After (Todd novel)|After]]'' by [[Anna Todd]], later adapted into a film of [[After (2019 film)|the same name]], was originally a real person fan fiction about [[One Direction]] member [[Harry Styles]].


====Shipping====
====Shipping====
[[Shipping (fandom)|Shipping]] is a variant of [[list of genres#romance|romance]] focused on exploring a relationship between two or more characters from the original fandom(s). It has several fandom-specific subgenres, chief among which are slash (which focuses on homosexual pairings, usually of the male variety) and [[femslash]] (same as slash, but exclusively female/female). In another context, the term "shipping" within the community may mean that a fan is heavily invested in a relationship between two characters. Writers of fan fiction often use the genre to explore homosexual pairings for popular characters who are not in (or not specified as being in; see [[queerbaiting]]) homosexual relationships in the canon work.<ref>{{Citation |last1=Hayes |first1=Sharon |title=Queering cyberspace: fan fiction communities as spaces for expressing and exploring sexuality |date=2010 |work=Queering Paradigms |pages=219–240 |editor-last=Scherer |editor-first=B. |url=https://eprints.qut.edu.au/29777/ |access-date=October 21, 2020 |place=Switzerland |publisher=Peter Lang Publishing |isbn=978-3-03911-970-7 |last2=Ball |first2=Matthew |archive-date=August 31, 2022 |archive-url=https://web.archive.org/web/20220831015102/https://eprints.qut.edu.au/29777/ |url-status=live }}</ref> A subcategory of this, depicting romantic couples in mundane domestic situations (such as picking out curtains), was previously called "curtainfic", though the term has fallen somewhat out of use.
[[Shipping (fandom)|Shipping]] is a variant of [[list of genres#romance|romance]] that focuses on exploring a relationship between two or more characters from the original fandom(s). It has several fandom-specific subgenres, including slash, which focuses on homosexual pairings, and [[femslash]], which is similar but instead focuses on lesbian pairings. The term "shipping" can also refer to a fan who is heavily invested in a relationship between two characters. Writers of fan fiction often use the genre to explore homosexual pairings for popular characters who are not in, or not specified to be in, homosexual relationships in canon.<ref>{{Citation |last1=Hayes |first1=Sharon |title=Queering cyberspace: fan fiction communities as spaces for expressing and exploring sexuality |date=2010 |work=Queering Paradigms |pages=219–240 |editor-last=Scherer |editor-first=B. |url=https://eprints.qut.edu.au/29777/ |access-date=October 21, 2020 |place=Switzerland |publisher=Peter Lang Publishing |isbn=978-3-03911-970-7 |last2=Ball |first2=Matthew |archive-date=August 31, 2022 |archive-url=https://web.archive.org/web/20220831015102/https://eprints.qut.edu.au/29777/ |url-status=live }}</ref> A subcategory of shipping, "curtainfic", which depicts romantic couples in mundane domestic situations such as picking out curtains, was once used but has somewhat fallen out of use.


====Smut====
====Smut====
Smut, also called porn and (rarely) [[erotica]], is sexually explicit or pornographic fan fiction. This could refer to either a small portion of a story or the story in its entirety. Historically, the terms "lemon" (that is, explicit pornography) and "lime" (that is, sexually suggestive works) were euphemisms used to allude to explicit material.<ref name="FgGuideP84">{{Cite book |last=Maggs |first=Sam |title=The Fangirl's Guide to the Galaxy: a handbook for Girl Geeks |publisher=[[Quirk Books]] |year=2015 |isbn=9781594747892 |pages=84 |language=en}}</ref> These terms were in common use in the 2000s, and fell into disuse before resurging in December 2018 due to the [[censorship]] of adult content on [[Tumblr]]. The use of the terms lemon and lime allow writers to circumnavigate the "explicit terminologies" that may get work flagged by platforms like Tumblr, while still tagging their work as explicit for their readers.
Also known as porn or [[erotica]]. Sexually explicit or pornographic fan fiction, which can be a part of a story or the entire story. Historically, the terms "lemon", or explicit pornography, and "lime", sexually suggestive works, were euphemisms used to refer to explicit material.<ref name="FgGuideP84">{{Cite book |last=Maggs |first=Sam |title=The Fangirl's Guide to the Galaxy: a handbook for Girl Geeks |publisher=[[Quirk Books]] |year=2015 |isbn=9781594747892 |pages=84 |language=en}}</ref> These terms were once common in the 2000s, but fell out of use before becoming popular again in December 2018 due to the [[censorship]] of adult content on [[Tumblr]], as it allowed writers to circumvent "explicit terminologies" that could get their work flagged by platforms like Tumblr while still being able to tag their work as explicit.


====Trigger warning (TW)====
====Trigger warning (TW)====
[[Trigger warnings]] are intended to warn people of content in fan fiction that could be harmful or "triggering" to those who have dealt with traumatic situations. Fan fiction is often tagged using various TWs so that readers may prepare for or avoid certain content. Sometimes CW, an abbreviation of "content warning," is used, either instead of or in addition to a TW.
[[Trigger warnings]] are used to warn people of content in fan fiction that could be harmful or "triggering" for those who have dealt with traumatic situations, allowing them to prepare for or avoid certain content. Sometimes, content warning (CW) is used, either instead of or in addition to a trigger warning.


Trigger warnings are usually inserted when the subject matter of a piece of work deals with issues like drug abuse, mental illness, abuse, or extreme violence. Archive of Our Own has codified a system of common warnings into its core tags,<ref>{{Cite web|title=Tags FAQ {{!}} Archive of Our Own|url=https://archiveofourown.org/faq/tags?language_id=en#tagtypes|access-date=July 10, 2021|website=archiveofourown.org|archive-date=July 14, 2021|archive-url=https://web.archive.org/web/20210714075845/https://archiveofourown.org/faq/tags?language_id=en#tagtypes|url-status=live}}</ref> requiring authors to either disclose or explicitly choose not to disclose if their work contains graphic violence, major character death, rape, or underage sex.
Trigger warnings are usually used when the subject matter of a work deals with issues such as drug abuse, mental illness, abuse, or extreme violence. Archive of Our Own has codified a system of common warnings into its core [[Folksonomy|tags]],<ref>{{Cite web|title=Tags FAQ {{!}} Archive of Our Own|url=https://archiveofourown.org/faq/tags?language_id=en#tagtypes|access-date=July 10, 2021|website=archiveofourown.org|archive-date=July 14, 2021|archive-url=https://web.archive.org/web/20210714075845/https://archiveofourown.org/faq/tags?language_id=en#tagtypes|url-status=live}}</ref> requiring authors to either disclose or explicitly choose not to disclose if their work contains graphic violence, major character death, rape, or underage sex.


==Interactivity in the online era==
==Interactivity in the online era==
Reviews can be given by both anonymous and registered users of most sites, and sites are often programmed to notify the author of new feedback, making them a common way for readers and authors online to communicate directly. This system is intended for a type of bond between the reader and the writer, as well as helping the author improve their writing skills through [[constructive criticism]], enabling them to produce a better work next time.<ref name="Merlin">{{cite web|url=http://firefox.org/news/articles/650/11/Dr-Merlin039s-Guide-to-Fanfiction/Page11.html |title=Dr. Merlin's Guide to Fanfiction |author=Merlin, Missy |publisher=[[Firefox]] |date=September 13, 2007 |access-date=May 7, 2008 |url-status=dead |archive-url=https://web.archive.org/web/20080523223635/http://firefox.org/news/articles/650/11/Dr-Merlin039s-Guide-to-Fanfiction/Page11.html |archive-date=May 23, 2008 }}</ref>{{Unreliable source?|date=January 2009}} Occasionally, unmoderated review systems are abused to send [[Flaming (Internet)|flames]], [[spam (electronic)|spam]], or [[Internet troll|trolling]] messages. As a result, the author of the story can either disable or enable anonymous reviews, depending on their preference. Internet fan fiction allows young writers access to a wider audience for their literary efforts than ever before, resulting in improved literacy.<ref>Tosenberger, Catherine (2008) "Homosexuality at the Online Hogwarts: Harry Potter Slash Fanfiction" ''Children's Literature'' 36 pp. 185-207 {{doi|10.1353/chl.0.0017}}</ref>
Reviews can be posted by both anonymous and registered users on most sites, which are often programmed to notify the author of new feedback. This makes them a common way for readers and authors to communicate online, as well as to help authors improve their writing through [[constructive criticism]].<ref name="Merlin">{{cite web|url=http://firefox.org/news/articles/650/11/Dr-Merlin039s-Guide-to-Fanfiction/Page11.html |title=Dr. Merlin's Guide to Fanfiction |author=Merlin, Missy |publisher=[[Firefox]] |date=September 13, 2007 |access-date=May 7, 2008 |url-status=dead |archive-url=https://web.archive.org/web/20080523223635/http://firefox.org/news/articles/650/11/Dr-Merlin039s-Guide-to-Fanfiction/Page11.html |archive-date=May 23, 2008 }}</ref>{{Unreliable source?|date=January 2009}} Occasionally, unmoderated review systems are abused for [[Flaming (Internet)|flaming]], [[spam (electronic)|spam]], or [[Internet troll|trolling]]; to prevent this, an author can either disable or enable anonymous reviews, depending on their preference. Fan fiction has also been shown to improve literacy by allowing authors to have a wider audience for their works and encouraging people to write.<ref>Tosenberger, Catherine (2008) "Homosexuality at the Online Hogwarts: Harry Potter Slash Fanfiction" ''Children's Literature'' 36 pp. 185-207 {{doi|10.1353/chl.0.0017}}</ref>


There are other ways that fandom members may participate in their fandom community such as gift exchanges or fic exchanges. A gift exchange is an organized challenge in which participants create fan fiction specifically for other participants. They may research what the user receiving their gift enjoys or submissions may include a "letter" explaining what the receiver wants or does not want.<ref>{{Cite web |last=Romano |first=Aja |date=2012-10-01 |title=Yuletide, the Internet's biggest "Secret Santa" fanfiction exchange, turns 10 |url=https://www.dailydot.com/unclick/yuletide-fanfic-exchange-secret-santa-christmas/ |access-date=2024-01-09 |website=The Daily Dot |language=en-US |archive-date=July 9, 2023 |archive-url=https://web.archive.org/web/20230709150249/https://www.dailydot.com/unclick/yuletide-fanfic-exchange-secret-santa-christmas/ |url-status=live }}</ref>
Other ways that members of a fandom can participate in their community include gift exchanges and fic exchanges. A gift exchange is an organized challenge in which participants create fan fiction for other participants. They may research what the user receiving their gift enjoys or submissions may include a "letter" explaining what the recipient wants or does not want.<ref>{{Cite web |last=Romano |first=Aja |date=2012-10-01 |title=Yuletide, the Internet's biggest "Secret Santa" fanfiction exchange, turns 10 |url=https://www.dailydot.com/unclick/yuletide-fanfic-exchange-secret-santa-christmas/ |access-date=2024-01-09 |website=The Daily Dot |language=en-US |archive-date=July 9, 2023 |archive-url=https://web.archive.org/web/20230709150249/https://www.dailydot.com/unclick/yuletide-fanfic-exchange-secret-santa-christmas/ |url-status=live }}</ref>


==Legality==
==Legality==
Line 177: Line 177:
While the HP Lexicon case is an example of Western culture treatment of fan fiction and copyright law, in China, Harry Potter fan fiction is less addressed in legal conflicts but is used as a cultural and educational tool between Western and Chinese cultures. More specifically, while there are a number of "fake" Harry Potter books in China, most of these books are said to be addressing concepts and issues found in Chinese culture. This transformative usage of Harry Potter in fan fiction is allegedly from the desire to enhance and express value to Chinese tradition and culture.<ref>{{cite book |last=Gupta |first=Suman |title=Re-Reading Harry Potter 2nd Ed. |year=2009 |publisher=Basingstoke (UK); New York (US): Palgrave Macmillan}}</ref>
While the HP Lexicon case is an example of Western culture treatment of fan fiction and copyright law, in China, Harry Potter fan fiction is less addressed in legal conflicts but is used as a cultural and educational tool between Western and Chinese cultures. More specifically, while there are a number of "fake" Harry Potter books in China, most of these books are said to be addressing concepts and issues found in Chinese culture. This transformative usage of Harry Potter in fan fiction is allegedly from the desire to enhance and express value to Chinese tradition and culture.<ref>{{cite book |last=Gupta |first=Suman |title=Re-Reading Harry Potter 2nd Ed. |year=2009 |publisher=Basingstoke (UK); New York (US): Palgrave Macmillan}}</ref>


Some prominent authors have given their blessings to fan fiction, notably [[J.K. Rowling]]. By 2014, there were already almost 750,000 Harry Potter fan stories on the web, ranging from short stories to novel-length tomes.<ref>p.36 of Don Tresca. 2014. "Spellbound: An Analysis of Adult-Oriented ''Harry Potter'' Fanfiction", pp. 36-46 in Kristin M. Barton and Jonathan Malcolm Lampley (eds.). ''Fan CULTure: Essays on Participatory Fandom in the 21st Century''. London: McFarland & Company.</ref> Rowling said she was "flattered" that people wanted to write their own stories based on her fictional characters.<ref name="bcc-rowling">{{cite news |url=http://news.bbc.co.uk/1/hi/entertainment/arts/3753001.stm |title=Rowling backs Potter fan fiction |author=Waters, Darren |publisher=BBC |date=May 27, 2004 |access-date=April 24, 2008 |archive-date=February 26, 2008 |archive-url=https://web.archive.org/web/20080226122024/http://news.bbc.co.uk/1/hi/entertainment/arts/3753001.stm |url-status=live }}</ref> Similarly, [[Stephenie Meyer]] has put links on her website to fan fiction sites about her characters from the [[Twilight (novel series)|''Twilight'' series]].<ref>{{cite web|url=http://stepheniemeyer.com/ts_fansites.html |title=Twilight Series Fansites |publisher=StephenieMeyer.com |access-date=October 5, 2011 |url-status=dead |archive-url=https://web.archive.org/web/20111006021434/http://stepheniemeyer.com/ts_fansites.html |archive-date=October 6, 2011 }}</ref> The [[Fifty Shades (novel series)|''Fifty Shades'' trilogy]] was developed from a ''Twilight'' fan fiction originally titled ''Master of the Universe'' and published episodically on fan-fiction websites under the pen name "Snowqueen's Icedragon". The piece featured characters named after Stephenie Meyer's characters in ''Twilight'', [[Edward Cullen]] and [[Bella Swan]].<ref>{{cite web|work=mediabistro.com|url=http://www.mediabistro.com/galleycat/fifty-shades-of-grey-wayback-machine_b49124|title=The Lost History of ''Fifty Shades of Grey''|author=GalleyCat|access-date=June 30, 2015|archive-url=https://archive.today/20140727045638/http://www.mediabistro.com/galleycat/fifty-shades-of-grey-wayback-machine_b49124|archive-date=July 27, 2014|url-status=dead}}</ref><ref>{{cite web |work=mtv.com |url=http://www.mtv.com/news/articles/1685954/fifty-shades-of-grey-stephenie-meyer.jhtml |title=''Fifty Shades of Grey'': Stephenie Meyer Speaks Out |publisher=MTV |access-date=September 6, 2012 |archive-date=October 5, 2012 |archive-url=https://web.archive.org/web/20121005112806/http://www.mtv.com/news/articles/1685954/fifty-shades-of-grey-stephenie-meyer.jhtml |url-status=live }}</ref>
Some prominent authors have given their blessings to fan fiction, notably [[J.K. Rowling]]. By 2014, there were already almost 750,000 Harry Potter fan stories on the web, ranging from short stories to novel-length tomes.<ref>p.36 of Don Tresca. 2014. "Spellbound: An Analysis of Adult-Oriented ''Harry Potter'' Fanfiction", pp. 36-46 in Kristin M. Barton and Jonathan Malcolm Lampley (eds.). ''Fan CULTure: Essays on Participatory Fandom in the 21st Century''. London: McFarland & Company.</ref> Rowling said she was "flattered" that people wanted to write their own stories based on her fictional characters.<ref name="bcc-rowling">{{cite news |url=http://news.bbc.co.uk/1/hi/entertainment/arts/3753001.stm |title=Rowling backs Potter fan fiction |author=Waters, Darren |publisher=BBC |date=May 27, 2004 |access-date=April 24, 2008 |archive-date=February 26, 2008 |archive-url=https://web.archive.org/web/20080226122024/http://news.bbc.co.uk/1/hi/entertainment/arts/3753001.stm |url-status=live }}</ref> Similarly, [[Stephenie Meyer]] has put links on her website to fan fiction sites about her characters from the [[Twilight (novel series)|''Twilight'' series]].<ref>{{cite web|url=http://stepheniemeyer.com/ts_fansites.html |title=Twilight Series Fansites |publisher=StephenieMeyer.com |access-date=October 5, 2011 |url-status=dead |archive-url=https://web.archive.org/web/20111006021434/http://stepheniemeyer.com/ts_fansites.html |archive-date=October 6, 2011 }}</ref> The [[Fifty Shades (novel series)|''Fifty Shades'' trilogy]] was developed from a ''Twilight'' fan fiction originally titled ''Master of the Universe'' and published episodically on fan-fiction websites under the pen name "Snowqueen's Icedragon". The piece featured characters named after Stephenie Meyer's characters in ''Twilight'', [[Edward Cullen]] and [[Bella Swan]].<ref>{{cite web|work=mediabistro.com|url=http://www.mediabistro.com/galleycat/fifty-shades-of-grey-wayback-machine_b49124|title=The Lost History of ''Fifty Shades of Grey''|author=GalleyCat|access-date=June 30, 2015|archive-url=https://archive.today/20140727045638/http://www.mediabistro.com/galleycat/fifty-shades-of-grey-wayback-machine_b49124|archive-date=July 27, 2014|url-status=dead}}</ref><ref>{{cite web |work=mtv.com |url=http://www.mtv.com/news/articles/1685954/fifty-shades-of-grey-stephenie-meyer.jhtml |title=''Fifty Shades of Grey'': Stephenie Meyer Speaks Out |publisher=MTV |access-date=September 6, 2012 |archive-date=October 5, 2012 |archive-url=https://web.archive.org/web/20121005112806/http://www.mtv.com/news/articles/1685954/fifty-shades-of-grey-stephenie-meyer.jhtml |url-status=dead }}</ref>


However, in 2003, a British law firm representing J.K. Rowling and Warner Bros. sent a letter to webmasters requesting that adult Harry Potter fan fiction ("stories containing graphically violent and sexual content") be removed from a prominent fan fiction website, citing concerns that children might stumble upon the illicit content. In response, the webmasters from several websites hosting adult Harry Potter fan fiction, among other types of fan fiction, "made claims of 'fair use' and nonprofessional status" to justify their right to continue hosting the adult content.<ref>pp.36-37 of Tresca (2014)</ref>
However, in 2003, a British law firm representing J.K. Rowling and Warner Bros. sent a letter to webmasters requesting that adult Harry Potter fan fiction ("stories containing graphically violent and sexual content") be removed from a prominent fan fiction website, citing concerns that children might stumble upon the illicit content. In response, the webmasters from several websites hosting adult Harry Potter fan fiction, among other types of fan fiction, "made claims of 'fair use' and nonprofessional status" to justify their right to continue hosting the adult content.<ref>pp.36-37 of Tresca (2014)</ref>
Line 200: Line 200:
* Black, R. (2008). ''Adolescents and Online Fan Fiction''. New York: Peter Lang.
* Black, R. (2008). ''Adolescents and Online Fan Fiction''. New York: Peter Lang.
* [[Francesca Coppa|Coppa, Francesca]] (2017). ''The Fanfiction Reader: Folk Tales for the Digital Age''. University of Michigan Press.
* [[Francesca Coppa|Coppa, Francesca]] (2017). ''The Fanfiction Reader: Folk Tales for the Digital Age''. University of Michigan Press.
* {{cite journal |last1=Dow |first1=Nardeen |date=March 2020 |title=Homosocial or homoerotic: A re-reading of gender and sexuality in Harry Potter through fanfiction |url=https://intellectdiscover.com/content/journals/10.1386/qsmpc_00023_1 |journal=Queer Studies in Media & Popular Culture |volume=5 |issue=1 |pages=27-47 |doi=10.1386/qsmpc_00023_1 }}
* [[Anne Jamison|Jamison, Anne]] (2013). ''Fic: Why Fan Fiction is Taking Over the World''. Dallas, Tx: Smart Pop. {{ISBN|978-1-939529-19-0}}.
* [[Anne Jamison|Jamison, Anne]] (2013). ''Fic: Why Fan Fiction is Taking Over the World''. Dallas, Tx: Smart Pop. {{ISBN|978-1-939529-19-0}}.
* [[Henry Jenkins|Jenkins, Henry]] (1992). ''[[Textual Poachers: Television Fans & Participatory Culture]]''. New York: Routledge. {{ISBN|0-415-90571-0}}.
* [[Henry Jenkins|Jenkins, Henry]] (1992). ''[[Textual Poachers: Television Fans & Participatory Culture]]''. New York: Routledge. {{ISBN|0-415-90571-0}}.

Latest revision as of 07:03, 11 October 2024

New Adventures of Alice (1917) by John Rae, an early pastiche or fan fiction

Fan fiction or fanfiction, also known as fan fic, fanfic, fic or FF, is fiction written in an amateur capacity by fans as a form of fan labor, unauthorized by, but based on, an existing work of fiction. The author uses copyrighted characters, settings, or other intellectual properties from the original creator(s) as a basis for their writing and can retain the original characters and settings, add their own, or both. Fan fiction ranges in length from a few sentences to novel-length and can be based on fictional and non-fictional media, including novels, movies, comics, television shows, musical groups, cartoons, anime and manga, and video games.

Fan fiction is rarely commissioned or authorized by the original work's creator or publisher or professionally published. It may infringe on the original author's copyright, depending on the jurisdiction and on legal questions, such as whether or not it qualifies as "fair use" (see Legal issues with fan fiction). The attitudes of authors and copyright owners of original works towards fan fiction have ranged from encouragement to indifference or disapproval, and have occasionally responded with legal action.

The term came into use in the 20th century as copyright laws began to distinguish between stories using established characters that were authorized by the copyright holder and those that were not.[1]

Fan fiction is defined by being related to its subject's canonical fictional universe, either staying within those boundaries but not being part of the canon, or being set in an alternative universe.[2] Thus, what is considered "fanon" is separate from canon. Fan fiction is often written and published among fans, and as such does not usually cater to readers without knowledge of the original media.

Definition

[edit]

The term fan fiction has been used in print as early as 1938; in the earliest known citations, it refers to amateur-written science fiction, as opposed to "pro fiction".[3][4] The term also appears in the 1944 Fancyclopedia, an encyclopaedia of fandom jargon, in which it is defined as "fiction about fans, or sometimes about pros, and occasionally bringing in some famous characters from [science fiction] stories". It also mentions that the term is "sometimes improperly used to mean fan science fiction; that is, ordinary fantasy published in a fan magazine".[4][5]

History

[edit]
[edit]

Before the adoption of copyright in the modern sense, it was common for authors to copy characters or plots from other works. For instance, Shakespeare's plays Romeo and Juliet, Much Ado About Nothing, Othello, As You Like It and The Winter's Tale were based on recent works by other authors of the time.[6]

In 1614, Alonso Fernández de Avellaneda wrote a sequel to Cervantes' Don Quixote before he had finished and published his own second volume.

19th century

[edit]

Among 19th-century literature that has been subject to depictions not authorized by the original author include Bram Stoker's Dracula's depiction in the translated adaptation Powers of Darkness.[7] The works of Jane Austen remain among the most popular works for unauthorized adaptations,[8] with a notable example of Jane Austen fan fiction being Old Friends and New Fancies. Many unauthorized stories of Sherlock Holmes by Arthur Conan Doyle have been created, including The Adventure of the Two Collaborators by J. M. Barrie.[9] Other notable works include The Space Machine and Morlock Night, respectively based on The War of the Worlds and The Time Machine by H. G. Wells; A New Alice in the Old Wonderland, based on Alice's Adventures in Wonderland by Lewis Carroll; and Wide Sargasso Sea, based on Jane Eyre by Charlotte Bronte.[10]

Star Trek fandom

[edit]
The Star Trek fanzine Spockanalia contained the first fan fiction in the modern sense of the term.

The modern phenomenon of fan fiction as an expression of fandom and fan interaction was popularized and defined by the Star Trek fandom and its fanzines, which were published in the 1960s. The first Star Trek fanzine, Spockanalia (1967), contained some fan fiction; many others followed its example.[11]: 1  These fanzines were produced using offset printing and mimeography and mailed to other fans or sold at science fiction conventions for a small fee to cover the cost of production. Unlike other aspects of fandom, women were the primary authors of fan fiction; 83% of Star Trek fan fiction authors were female by 1970, and 90% by 1973.[12] One scholar states that fan fiction "fill[s] the need of a mostly female audience for fictional narratives that expand the boundary of the official source products offered on the television and movie screen."[13]

World Wide Web

[edit]

Fan fiction has become more popular and widespread since the advent of the World Wide Web. According to one estimate, fan fiction comprises one-third of all book-related content on the internet.[14] In addition to traditional fanzines and conventions, Usenet newsgroups and electronic mailing lists were established for fan fiction and fan discussion. Online, searchable archives of fan fiction were also created, with these archives initially being non-commercial hand-tended and specific to a fandom or topic. These archives were followed by non-commercial automated databases. In 1998, the non-profit site FanFiction.Net was launched, which allowed anyone to upload content in any fandom.[15] The ability to self-publish fan fiction in an easily accessible archive that did not require insider knowledge to join, as well as the ability to review stories directly on the site, led the site to quickly gain popularity.[16] A popular example of modern fan fiction is E. L. James's Fifty Shades of Grey, which was originally written as fan fiction for the Twilight series and featured Bella and Edward. To avoid copyright infringement, James changed the characters' names to Ana and Christian for the purposes of her novels,[17] a practice known as 'pulling-to-publish'.[18] Anna Todd's 2013 fan fiction After, about the boy band One Direction, secured a book and movie deal with renamed characters in 2014.[19][20] A movie adaptation, After, was released on April 12, 2019.

On May 22, 2013, online retailer Amazon launched a new publishing service, Kindle Worlds, which allowed fan fiction of certain licensed media properties to be sold in the Kindle Store, with terms including 35% of net sales for works of 10,000 words or more and 20% for short fiction ranging from 5,000 to 10,000 words. However, this arrangement included restrictions on content, copyright violations, poor document formatting, and use of misleading titles.[21] Amazon shut down Kindle Worlds in August 2018.[22]

Japanese dōjinshi

[edit]

A similar trend began in Japan in the 1960s and 1970s, as dōjinshi, independently published manga and novels, were published by dōjin circles, with many being based on existing manga, anime, and video game franchises. Manga artists such as Shotaro Ishinomori and Fujiko Fujio formed dōjin groups, such as Fujio's New Manga Party (新漫画党, Shin Manga-tō). At the time, artists used dōjin groups to make their debut as professional artists. This changed in the following decades, as dōjinshi became more popular and dōjin groups formed in groups such as school clubs. This culminated in 1975 with the Comiket, a convention in Tokyo that helped to establish the fandom.

Demographics

[edit]

A 2010 study found that 75.2% of account holders on FanFiction.Net allowed the website to disclose their location and that 57% of accounts originated from the United States, followed by 9.2% created in the United Kingdom, 5.6% in Canada, and 4% in Australia.[23]

A 2020 study of Archive Of Our Own users[24] found that of the surveyed profiles that stated a nationality, 59.7% were located in North America, 16.1% in Great Britain and an additional 10% in Mainland Europe, 6.3% in Oceania, 2.8% in Scandinavia, 2.2% in Asia, 1.8% in South America and the Caribbean, and 0.2% in the Middle East. The study did not include profiles written in Chinese, Greek, Indonesian, Japanese, Korean, Polish, Russian, or Turkish.[24]

Sex and gender

[edit]

A 2020 study of Harry Potter fan fiction writers on Archive of Our Own found that of the users who disclosed their gender in their profiles, 50.4% were female or femme-leaning and 13.4% were masculine or masc-leaning. 11% of users were transgender, 21% identified as nonbinary, genderfluid, and/or genderqueer, and an additional 3.9% stated that they identified as agender or genderless.[24]

Age

[edit]

The study also found that fan fiction writers tend to be in their early to mid-20s. Of these writers, 56.7% were university students and young adults, 21.3% were 30 years or older, 19.8% were teenagers, and 0.2% were of retirement age.[24]

Categories and terms

[edit]

Genres

[edit]

In addition to the "regular" list of genres, there are some genres particularly associated with fan fiction. These genres can overlap and include:

Angst

[edit]

Stories with an angst-ridden mood that focus on a character or characters who are brooding, sorrowful, or in anguish.

Alternative universe (AU)

[edit]

Stories that feature characters set in a universe other than their canonical one.[25] There are several types of alternative universe: it may make dramatic changes to the setting, such as a "fantasy AU" that places characters from a non-fantasy canon in a world of magic; change characterization, which is often referred to as someone being "out of character" (OOC) rather than a proper AU; or change major plot events to suit the author's purposes, such as in a fix-it fic.[26]

Soulmate AU
[edit]

Stories that feature characters in a world, often very similar to canon, where soulmates are real. Common mechanics include a person having their soulmate's name written on their skin at birth or a specific change that occurs when two soulmates see or touch each other for the first time. The most common trope in this genre is a character being convinced that they do not have, want, or deserve a soulmate, only to be proven wrong as they fall in love.

Time travel AU
[edit]

Stories in which a character is sent back in time to get a second chance while having knowledge of the original plot. It is also called "Peggy Sue" after the movie Peggy Sue Got Married, in which this scenario happens to the titular character. "Groundhog Day", named after the film, is a variation of this trope in which time travel happens repeatedly, usually until the time traveler "gets it right".

Crossover

[edit]

Stories that feature characters, items, or locations from multiple fandoms. Another type of crossover is "fusion fic", in which the two universes are merged into one.

Darkfic

[edit]

Stories that are darker or more depressing than the original, often done in contrast to them. This is sometimes done with media that is intended to be light-hearted or for children.[27] Darkfic can also refer to content that is "intentionally disturbing", such as physical or emotional violence or abuse. However, not all stories tagged as "dark" are considered to be a darkfic.

"Dead Dove Do Not Eat", sometimes abbreviated as DDDNE, is a sub-category of darkfic.[28] It began as an AO3 tag in 2015, intended to warn people that the story contained dark themes without explicitly condemning them; because the dark themes were tagged, it served to reinforce readers' attention to them. Since 2015, it has evolved into its own tag, meaning that sometimes other dark themes are not tagged and are assumed to be present in the story.

Fix-it fic

[edit]

Stories that rewrite canonical events that the author disliked or otherwise wanted to "fix", such as major plot holes or a tragic event or ending; for instance, an alternate universe where "everyone lives". Fix-it fics that focus on correcting flaws in the original work are also known as a "rebuild fic", named after the Rebuild of Evangelion series. If it focuses heavily on critical thinking skills and deductive reasoning, it can be considered a "rationalist rewrite", as popularized by Harry Potter and the Methods of Rationality.

Fluff

[edit]

Stories designed to be light-hearted and romantic.[29] Another term for this genre is WAFF, which is short for "warm and fuzzy feelings."

Hurt/comfort

[edit]

Stories in which a character is put through a traumatic experience in order to be comforted.[30] The climax of these stories is usually when one character witnesses another character's suffering and alleviates it. Another type of hurt/comfort is whump, which focuses on the character's suffering, sometimes to the exclusion of comfort; excessive whump may also be considered darkfic.[31]

Self-insert

[edit]

Stories in which a version of the author is transported to the fictional world that the fan fiction is based on, which are often written in the first person. Self-insert fanfiction is often compared to Mary Sue characters. Some researchers argue that self-insert characters can be found in literature from the 19th century and earlier.[32] There are several types of self-inserts, including: "y/n" (short for [insert] your name"), "xReader," and "imagines."[33][34] Several of these subgenres are unique to specific platforms.[34]

Recursive | meta | fan-verse

[edit]

Stories based on an existing fan work. On Archive of Our Own, this type of recursive fan fiction is called a "remix".[35]

Songfic

[edit]

Stories which are interspersed with the lyrics of a relevant song.[36][37] The term is a combination of "song" and "fiction"; as such, it is also referred to as "songfiction". Since many song lyrics are under copyright, whether songfics are a violation of copyright law is a subject of debate. Some fan fiction sites, such as FanFiction.Net, have prevented authors from posting songfics with lyrics from songs that are not in the public domain.[38]

In an essay in Music, Sound, and Silence in Buffy the Vampire Slayer, University of Sydney professor Catherine Driscoll commented that the genre was "one of the least distinguished modes of fan production" and that "within fan fiction excessive attachment to or foregrounding of popular music is itself dismissed as immature and derivative".[39]

Uberfic

[edit]

Uberfic is a form of alternative universe in which characters physically resemble and share personality traits with their canon counterparts, but have new names and backgrounds in a different setting. The term originated in the Xena: Warrior Princess fandom[40] and was inspired by the episode "The Xena Scrolls", which featured 1940s-era descendants of the characters Xena, Gabrielle, and Joxer, who are played by their respective actors, on an archaeological dig in an Indiana Jones pastiche. As the concept of the uberfic can be adapted into original fiction, many uberfic authors, such as Melissa Good, Radclyffe, and Lori L. Lake, have legally published their Xena uberfic as original lesbian literature.

Terminology

[edit]

Author's note (A/N)

[edit]

Also abbreviated as A/N, author's notes are typically found directly before the beginning or after the end of a fan fiction or its chapters, but can be written at any point in the story and are used to convey direct messages from the author to the reader regarding it.[41]

Beta reader

[edit]

Also known as a beta. Someone who edits or proofreads someone else's fan fiction.[42]

Canon

[edit]

The original story. This refers to anything related to the original source, including the plot, setting, and characters.[43]

Disclaimer

[edit]

Disclaimers are author's notes which typically inform readers about who deserves credit for the original source material,[44] and often containing pseudo-legal language disavowing any intent of copyright infringement or alluding to fair use. Such "disclaimers" are legally ineffective and are based on misunderstandings of copyright law, particularly confusion between illegal copyright infringement and unethical plagiarism.[45] Disclaimers have fallen out of use since Archive of Our Own's rise in popularity.

Drabble

[edit]

A drabble is a piece of writing that is exactly 100 words long,[29] although it is commonly used to refer to any short fan fiction.

Fandom

[edit]

A fandom is a group of fans of a work of fiction who dedicate their time and energy to their interest. Fan labor, such as fan fiction, is written by fans as a way to express their creativity and love for the original work.

Fangirl/fanboy

[edit]

A person who is an enthusiastic member of one or more fandoms. The term fangirling/fanboying refers to when a person is excited about a fandom.

Fanon

[edit]

A portmanteau of fan and canon. It is an "unofficial canon" idea that is widely accepted to be true among fans,[46] but is neither confirmed nor officially endorsed by the original author or source creator, preventing it from being considered canon. Fanon can refer to an interpretation of the original work or details within it.

Head canon (HC)

[edit]

A fan's personal interpretation of canon, such as the backstory of a character or the nature of relationships between characters.[46] It can be drawn from subtext present in the canon, but cannot directly contradict it. If other fans share this interpretation, it can become fanon.

Mary Sue

[edit]

A Mary Sue, also known as MS, is a term which editors and writers credit as originating in Star Trek fan fiction and later becoming part of the mainstream. In early fan fiction, a common plot was a minor member of the USS Enterprise's crew saving the life of Kirk or Spock, often being rewarded with a sexual relationship as a result. The term "Mary Sue", which originated in a parody of stories in the wish fulfillment genre, often refers to an idealized or overpowered character who lacks flaws and is often seen as a representation of the author.[47]

One true pairing (OTP)

[edit]

An abbreviation of the term "one true pairing", referring to a person's favorite ship.[46] OT3, OT4, and so on is the term used for a polyamorous OTP.[46]

One shot

[edit]

A standalone piece of writing, as opposed to a multichapter work.[48]

Real person fiction (RPF)

[edit]

Stories about real people, usually celebrities, rather than fictional characters. The book After by Anna Todd, later adapted into a film of the same name, was originally a real person fan fiction about One Direction member Harry Styles.

Shipping

[edit]

Shipping is a variant of romance that focuses on exploring a relationship between two or more characters from the original fandom(s). It has several fandom-specific subgenres, including slash, which focuses on homosexual pairings, and femslash, which is similar but instead focuses on lesbian pairings. The term "shipping" can also refer to a fan who is heavily invested in a relationship between two characters. Writers of fan fiction often use the genre to explore homosexual pairings for popular characters who are not in, or not specified to be in, homosexual relationships in canon.[49] A subcategory of shipping, "curtainfic", which depicts romantic couples in mundane domestic situations such as picking out curtains, was once used but has somewhat fallen out of use.

Smut

[edit]

Also known as porn or erotica. Sexually explicit or pornographic fan fiction, which can be a part of a story or the entire story. Historically, the terms "lemon", or explicit pornography, and "lime", sexually suggestive works, were euphemisms used to refer to explicit material.[48] These terms were once common in the 2000s, but fell out of use before becoming popular again in December 2018 due to the censorship of adult content on Tumblr, as it allowed writers to circumvent "explicit terminologies" that could get their work flagged by platforms like Tumblr while still being able to tag their work as explicit.

Trigger warning (TW)

[edit]

Trigger warnings are used to warn people of content in fan fiction that could be harmful or "triggering" for those who have dealt with traumatic situations, allowing them to prepare for or avoid certain content. Sometimes, content warning (CW) is used, either instead of or in addition to a trigger warning.

Trigger warnings are usually used when the subject matter of a work deals with issues such as drug abuse, mental illness, abuse, or extreme violence. Archive of Our Own has codified a system of common warnings into its core tags,[50] requiring authors to either disclose or explicitly choose not to disclose if their work contains graphic violence, major character death, rape, or underage sex.

Interactivity in the online era

[edit]

Reviews can be posted by both anonymous and registered users on most sites, which are often programmed to notify the author of new feedback. This makes them a common way for readers and authors to communicate online, as well as to help authors improve their writing through constructive criticism.[51][unreliable source?] Occasionally, unmoderated review systems are abused for flaming, spam, or trolling; to prevent this, an author can either disable or enable anonymous reviews, depending on their preference. Fan fiction has also been shown to improve literacy by allowing authors to have a wider audience for their works and encouraging people to write.[52]

Other ways that members of a fandom can participate in their community include gift exchanges and fic exchanges. A gift exchange is an organized challenge in which participants create fan fiction for other participants. They may research what the user receiving their gift enjoys or submissions may include a "letter" explaining what the recipient wants or does not want.[53]

Legality

[edit]

There is ongoing debate about to what extent fan fiction is permitted under contemporary copyright law.

Some argue that fan fiction does not fall under fair use, as it is derivative work.[54][55] The 2009 ruling by United States District Court Judge Deborah A. Batts, permanently prohibiting publication in the United States of a book by Ryan Cassidy, a Swedish writer whose protagonist is a 76-year-old version of Holden Caulfield of The Catcher in the Rye, may be seen as upholding this position regarding publishing fan fiction, as the judge stated, "To the extent Defendants contend that 60 Years and the character of Mr. C direct parodied comment or criticism at Catcher or Holden Caulfield, as opposed to Salinger himself, the Court finds such contentions to be post-hoc rationalizations employed through vague generalizations about the alleged naivety of the original, rather than reasonably perceivable parody."[56]

Others such as the Organization for Transformative Works uphold the legality of non-profit fan fiction under the fair use doctrine, as it is a creative, transformative process.[57]

In 1981, Lucasfilm Ltd. sent out a letter to several fanzine publishers, asserting Lucasfilm's copyright to all Star Wars characters and insisting that no fanzine publish pornography. The letter also alluded to possible legal action that could be taken against fanzines that did not comply.[58]

The Harry Potter Lexicon is one case where the encyclopedia-like website about everything in the Harry Potter series moved towards publishing and commercializing the Lexicon as a supplementary and complementary source of information to the series. Rowling and her publishers levied a lawsuit against the website creator, Steven Vander Ark, and the publishing company, RDR Books, for a breach of copyright. While the lawsuit did conclude in Vander Ark's favor, the main issue in contention was the majority of the Lexicon copied a majority of the Series' material and does not transform enough of the material to be held separately from the series itself.[59]

While the HP Lexicon case is an example of Western culture treatment of fan fiction and copyright law, in China, Harry Potter fan fiction is less addressed in legal conflicts but is used as a cultural and educational tool between Western and Chinese cultures. More specifically, while there are a number of "fake" Harry Potter books in China, most of these books are said to be addressing concepts and issues found in Chinese culture. This transformative usage of Harry Potter in fan fiction is allegedly from the desire to enhance and express value to Chinese tradition and culture.[60]

Some prominent authors have given their blessings to fan fiction, notably J.K. Rowling. By 2014, there were already almost 750,000 Harry Potter fan stories on the web, ranging from short stories to novel-length tomes.[61] Rowling said she was "flattered" that people wanted to write their own stories based on her fictional characters.[62] Similarly, Stephenie Meyer has put links on her website to fan fiction sites about her characters from the Twilight series.[63] The Fifty Shades trilogy was developed from a Twilight fan fiction originally titled Master of the Universe and published episodically on fan-fiction websites under the pen name "Snowqueen's Icedragon". The piece featured characters named after Stephenie Meyer's characters in Twilight, Edward Cullen and Bella Swan.[64][65]

However, in 2003, a British law firm representing J.K. Rowling and Warner Bros. sent a letter to webmasters requesting that adult Harry Potter fan fiction ("stories containing graphically violent and sexual content") be removed from a prominent fan fiction website, citing concerns that children might stumble upon the illicit content. In response, the webmasters from several websites hosting adult Harry Potter fan fiction, among other types of fan fiction, "made claims of 'fair use' and nonprofessional status" to justify their right to continue hosting the adult content.[66]

As an example of changing views on the subject, author Orson Scott Card (best known for the Ender's Game series) once stated on his website, "to write fiction using my characters is morally identical to moving into my house without invitation and throwing out my family." He changed his mind completely and since has assisted fan fiction contests, arguing to the Wall Street Journal that "Every piece of fan fiction is an ad for my book. What kind of idiot would I be to want that to disappear?"[67]

However, Anne Rice consistently and aggressively prevented fan fiction based on any of her fictional characters (mostly those from her famous Interview with the Vampire and its sequels in The Vampire Chronicles). She, along with Anne McCaffrey (whose stance has been changed by her son, Todd McCaffrey, since her death) and Raymond Feist, asked to have any fiction related to their series removed from FanFiction.Net.[62] George R.R. Martin is also strongly opposed to fan fiction, believing it to be copyright infringement and a bad exercise for aspiring writers.[68][69] Sharon Lee and Steve Miller, creators of the Liaden universe, strongly oppose fan fiction written in their universe, with Lee saying that "Nobody else is going to get it right. This may sound rude and elitist, but honestly, it's not easy for us to get it right sometimes, and we've been living with these characters ... for a very long time."[70]

See also

[edit]

References

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Further reading

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[edit]