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{{Short description|Classical and Sikh musician (born 1969)}} |
{{Short description|Classical and Sikh musician (born 1969)}} |
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{{BLP sources|date=March 2022}} |
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{{Infobox writer |
{{Infobox writer |
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| name = Bhai Baldeep Singh |
| name = Bhai Baldeep Singh |
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| occupation = Exponent of Pakhawaj Jori, Luether, Gurmat & Classical music singer and player |
| occupation = Exponent of Pakhawaj Jori, Luether, Gurmat & Classical music singer and player |
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| years_active = 1989-present |
| years_active = 1989-present |
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| website = {{ |
| website = {{URL|https://anadfoundation.org}} |
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| notable_works = Research on crafting rabab used at Guru times, made a documentary on [[Gurmat Sangeet]] |
| notable_works = Research on crafting rabab used at Guru times, made a documentary on [[Gurmat Sangeet]] |
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| awards = <ref name=SW/><ref name="bhaibaldeep"/> {{ubl |
| awards = <ref name=SW/><ref name="bhaibaldeep"/> {{ubl |
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| alma_mater = Goveronment College of Arts Sector 11 Chandigarh<ref>{{cite web|title=Delhi chapter of alumni association of post graduate Govt college sector 11 Chandigarh celebrates 'Oneness' reunion|url=https://www.aninews.in/news/business/delhi-chapter-of-alumni-association-of-post-graduate-govt-college-sector-11-chandigarh-celebrates-oneness-reunion20201230174059/|access-date=2022-03-26|website=aninews.in}}</ref>}} |
| alma_mater = Goveronment College of Arts Sector 11 Chandigarh<ref>{{cite web|title=Delhi chapter of alumni association of post graduate Govt college sector 11 Chandigarh celebrates 'Oneness' reunion|url=https://www.aninews.in/news/business/delhi-chapter-of-alumni-association-of-post-graduate-govt-college-sector-11-chandigarh-celebrates-oneness-reunion20201230174059/|access-date=2022-03-26|website=aninews.in}}</ref>}} |
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'''Bhai Baldeep Singh''' (born 1969)<ref name=BD>{{Cite book |last1=Khalsa |first1=Nirinjan Kaur |title=Beacons of Dharma |chapter=Chapter 15: Singing Dharam |last2=Cassio |first2=Francesca |publisher=Lexington Books |year=2020 |editor-last=Miller |editor-first=Christopher Patrick |location=U.K. |pages=272 ,307, 309|quote=Bhai Baldeep Singh (b. 1969) & 'Francesca Cassio......senior disciple of Bhai Baldeep Singh' }}</ref> is a |
'''Bhai Baldeep Singh''' (born 1969)<ref name=BD>{{Cite book |last1=Khalsa |first1=Nirinjan Kaur |title=Beacons of Dharma |chapter=Chapter 15: Singing Dharam |last2=Cassio |first2=Francesca |publisher=Lexington Books |year=2020 |editor-last=Miller |editor-first=Christopher Patrick |location=U.K. |pages=272 ,307, 309|quote=Bhai Baldeep Singh (b. 1969) & 'Francesca Cassio......senior disciple of Bhai Baldeep Singh' }}</ref> is a [[Ragi (Sikhism)|Ragi]] known for his [[Sikh music|Shabad Kirtan]]. He is a researcher and revivalist for conventional string instruments like Dhrupadi Rabab, Saranda, Tambura (Tanpura), Dilruba used for Sikh music since Guru's Times. He is an accomplished [[Pakhawaj]] [[Mridang]] Jori player. He is the founder and chairman of Anad Foundation organisation dedicated to Sikh music.<ref name="AF">{{Cite web |date=2012-01-13 |title=Bhai Baldeep Singh |url=https://anadfoundation.org/about/board-of-trustees-advisors-of-the-anad-foundation/bhai-baldeep-singh/ |access-date=2022-03-15 |website=The Anād Foundation |language=en}}</ref> He was an unsuccessful candidate of [[Aam Aadmi Party]] in [[2014 Indian general election in Punjab|2014 general elections for Punjab]] state of India. |
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== Early life == |
== Early life == |
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Bhai Baldeep was born to his parents Amarjeet Singh and Sukhjit Kaur in a respectable family |
Bhai Baldeep was born to his parents Amarjeet Singh and Sukhjit Kaur in a respectable family of Sikh musicians at Chandigarh on 13 September 1969.He passed Fifth Standard from Airforce school Vadodara Gujrat and Matriculation from Goveronment Model High School, sector 32 Chandigarh in 1984.He was a leading cadet in NCC aero wing of school who took part in Republic Day Parade of 1987 at Delhi as one of three parade commanders and was even selected in SSB interview after matriculation. He was also adjudged as best aero modeller at Punjab (combined Punjab, Haryana, Himachal and Chandigarh) directorate of NCC, Patiala |
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== Inheritance and early Gurbani Kirtan learning == |
== Inheritance and early Gurbani Kirtan learning == |
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Being a child of a family of well versed in Sikh musical traditions, he was initiated to learning kirtan since age 5 by his mother Sukhjit Kaur. Then learning of Tabla playing came from Air Force station gurdwara Granthi in 1976.All this was happening to him as he was great-grandchild of Bhai Narain Singh who was himself a kirataniya and elder brother of reputed |
Being a child of a family of well versed in Sikh musical traditions, he was initiated to learning kirtan since age 5 by his mother Sukhjit Kaur. Then learning of Tabla playing came from Air Force station gurdwara Granthi in 1976.All this was happening to him as he was great-grandchild of Bhai Narain Singh who was himself a kirataniya and elder brother of reputed Bhai [[Saidpur, Kapurthala#Bhai Jwala Singh Ragi: (1892–1952)|Jawala Singh Ragi]] In turn Bhai Jawala Singh and Narain Singh were tenth generation of their ancestors Bhai Sadharan jee (who was architect at Baoli sahib Goindwal at times of Guru Amardas), after them came in lineage Bhai Sahib Singh (a Sikh of Guru Gobind Singh), Bhai Mehtab Singh his son Bhai Tehal Singh (a kirtaniya of panch shabdee Aasa ki Var bani since sunset to early morning sunrise), further his son Bhai Deva Singh (d 1894) father of Baba Jawala Singh (1872–1952) who had two sons as accomplished ragis Bhai Avtar Singh and Gurcharan Singh, grand uncles of Bhai Baldeep Singh, and other son of Deva Singh Bhai Narain singh (1856–1906) whose son Giani Bhagat Singh (1897–1906) grand father of Bhai Baldeep singh 13th generation exponent <ref name="Music">{{Cite book |last=Linden |first=Bob van der |title=Music and Empire in Britain and India |publisher=Palgrave Macmillan |year=2013 |location=U S A |pages=307}}</ref> of great family was.<ref name="umich">{{Cite journal |last=Khalsa |first=Nirinjan Kaur |year=2014 |title=The renaissance of Sikh devotional music, memory, identity and praxis |url=https://deepblue.lib.umich.edu/bitstream/handle/2027.42/107325/nirinjan_1.pdf?sequence=1 |journal=A Thesis Submitted to Michigan University for PhD Degree |page=32,180,216|access-date=2022-03-18 |via=deeplue.lib.umich.edu}}</ref> |
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== Occupation == |
== Occupation == |
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== Research for traditional compositions of Gurbani Kirtan & into the making of traditional string instruments. == |
== Research for traditional compositions of Gurbani Kirtan & into the making of traditional string instruments. == |
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During |
During 1987–2005,<ref name="umich"/> Bhai Baldeep conducted a comprehensive research mission<ref name="umich"/> across Punjab and Pakistan with the aim of gaining access to the Gurbani kirtan tradition by reaching out to the old ragis of the time and retrieving its links. He retrieved musical compositions of Gurbani Shabads left out and remaining at that time in oral tradition, revived intricacies in playing percussion instrument Pakhawaj Jori. He also succeeded in exposing the peacock based stringed instrument Taus which was in vogue for Gurbani singing initiated by [[Guru Hargobind]]. He was successful to approach Giani Harbhajan Singh an elderly luthier (1920–2005), who possessed profound knowledge of playing and making traditional string instruments like [[Taus (instrument)|Taus]], [[Saranda]], [[Rubab (instrument)|Rabab]], [[Dilruba]] etc. used for Gurbani Kirtan and [[Indian classical music]] and reviving his Luthiery techniques for learning and making these instruments himself. Giani Harbhajan Singh Mistry even handed over the reins of his young grandson Parminder Singh Bumrah to Baldeep Singh, who later became a major string instrument luthier and [[Mridangam]] [[Pakhavaj]] player.<ref>{{Cite web |last=Service |first=Tribune News |title=Curtains set to fall on Anad Foundation |url=https://www.tribuneindia.com/news/archive/jalandhar/curtains-set-to-fall-on-anad-foundation-296874 |access-date=2022-03-25 |website=Tribuneindia News Service |language=en}}</ref> |
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== Achievements and rewards<ref name="bhaibaldeep"/><ref name="AF" /> |
== Achievements and rewards == |
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Source:<ref name="bhaibaldeep"/><ref name="AF" /> |
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⚫ | Bhai Baldeep Singh learned playing Mirdang (jori, tabla), Pakhawaj, according to the Guru Chela tradition from Ustad Arjan Singh Tarangar,<ref name="bhaibaldeep">{{Cite web |date=2012-04-22 |title=About Me |url=https://bhaibaldeep.com/about-me/ |access-date=2022-03-26 |website=bhaibaldeep |language=en}}</ref> an expert musician of Jodi and Mirdang. He perfected this art so much that he received the turban /achieved headship of Amritsari Baj tradition being continued from Bhai Maiya Singh in this art. He revived this gharana of Pakhawaj also known as Nayian da gharana or more recently Punjab Gharana.<ref>{{Cite book |last=Pacciola |first=Paolo |title=The Indian Drum of the King -God and the Pakhawaj of Nathdwara |publisher=Routelege |year=2020 |chapter=Tha pakhawaj and pakhawaj players in classical music scene of contemporary India |quote=Along with the main ones, there are other Gharanas |
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⚫ | Bhai Baldeep Singh learned playing Mirdang (jori, tabla), Pakhawaj, according to the Guru Chela tradition from Ustad Arjan Singh Tarangar,<ref name="bhaibaldeep">{{Cite web |date=2012-04-22 |title=About Me |url=https://bhaibaldeep.com/about-me/ |access-date=2022-03-26 |website=bhaibaldeep |language=en}}</ref> an expert musician of Jodi and Mirdang. He perfected this art so much that he received the turban /achieved headship of Amritsari Baj tradition being continued from Bhai Maiya Singh in this art. He revived this gharana of Pakhawaj also known as Nayian da gharana or more recently Punjab Gharana.<ref>{{Cite book |last=Pacciola |first=Paolo |title=The Indian Drum of the King -God and the Pakhawaj of Nathdwara |publisher=Routelege |year=2020 |chapter=Tha pakhawaj and pakhawaj players in classical music scene of contemporary India |quote=Along with the main ones, there are other Gharanas, such as the Punjab Gharana which has been recently revived by Bhai Baldeep Singh.}}</ref> He also perfected his learning of Gurbani and Gurmat Sangeet from his grand uncle Bhai Gurcharan Singh Ragi.<ref>{{Cite web|last=Singh|first=Bhai Baldeep|url=https://bhaibaldeep.files.wordpress.com/2018/09/2018-09-19-bbs-cv-e28094-dean-gndu.pdf|access-date=2022-03-25|date=2018-09-18|title=Bhāi Baldeep Singh}}[[Wikipedia:SPS|{{sup|[''self-published'']}}]]</ref> Additionally he mastered technique of making traditional string instruments like rabab, saranda, tambura, dilruba etc. Bhai Baldeep is not only engaged in the research of traditional string instruments of the Guru period, but has succeeded in reviving these instruments in service of [[Music of Punjab#Gurbani Sangeet|Gurbani Sangeet]],. |
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⚫ | He is founder and chairman of Anad conservatory of classical style of kirtan. He has trained several Indian and western musicians in this art.<ref>{{Cite book|last=Singh|first=Nikki Gurinder Kaur|url=https:// |
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⚫ | He is founder and chairman of Anad conservatory of classical style of kirtan. He has trained several Indian and western musicians in this art.<ref>{{Cite book|last=Singh|first=Nikki Gurinder Kaur|url=https://books.google.com/books?id=ySm-DwAAQBAJ|title=The First Sikh: Life and Legacy of Guru Nanak|publisher=Panguin Random House India Limited|year=2019|language=en|format=e Book|quote=The classical style of kirtan is being devoutly performed and enthusiastically heard and rigorously studied all over.To name a few distinguished experts, Bhai Baldeep Singh of New Delhi heads the Anad Conservatory in Sultanpur Lodhi and has trained several Indian and western musicians.|access-date=2022-03-26|via=google.co.in|isbn=9789353057107 }}</ref> To name a few Nirinjan Kaur Khalsa and Francesca Cassio are his well acclaimed students.<ref name=BD/> |
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Besides he has organized many music concerts in India as well as abroad in North America, Europe, Southeast Asia and Australia and gave performances for his singing and playing.<ref name="bhaibaldeep"/><ref name="umich"/><ref name="indiatimes">{{cite web|url=https://timesofindia.indiatimes.com/city/chandigarh/forgotten-gurbani-strings-draw-foreign-sikh-converts/articleshow/11971923.cms|title='Forgotten' Gurbani strings draw foreign Sikh converts {{pipe}} Chandigarh News|website=The Times of India|date=2012-02-21|access-date=2022-03-25}}</ref> |
Besides he has organized many music concerts in India as well as abroad in North America, Europe, Southeast Asia and Australia and gave performances for his singing and playing.<ref name="bhaibaldeep"/><ref name="umich"/><ref name="indiatimes">{{cite web|url=https://timesofindia.indiatimes.com/city/chandigarh/forgotten-gurbani-strings-draw-foreign-sikh-converts/articleshow/11971923.cms|title='Forgotten' Gurbani strings draw foreign Sikh converts {{pipe}} Chandigarh News|website=The Times of India|date=2012-02-21|access-date=2022-03-25}}</ref> |
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He has been an expert and visiting |
He has been an expert and visiting professor of [[Music of Punjab#Gurbani Sangeet|Gurbani Sangeet]], at Hofstra University, USA.<ref name="KKH" /><ref name="Music"/> |
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== References == |
== References == |
Latest revision as of 00:36, 14 October 2024
Bhai Baldeep Singh | |
---|---|
Born | Chandigarh | 13 September 1969
Occupation | Exponent of Pakhawaj Jori, Luether, Gurmat & Classical music singer and player |
Education | Bachelors Degree in Arts (1988) |
Alma mater | Goveronment College of Arts Sector 11 Chandigarh[1] |
Genre | Gurbani Sangeet, Chant, Var & Drupad |
Years active | 1989-present |
Notable works | Research on crafting rabab used at Guru times, made a documentary on Gurmat Sangeet |
Notable awards | [2][3]
|
Relatives | Amarjeet Singh ( Father)[5] |
Website | |
anadfoundation |
Bhai Baldeep Singh (born 1969)[6] is a Ragi known for his Shabad Kirtan. He is a researcher and revivalist for conventional string instruments like Dhrupadi Rabab, Saranda, Tambura (Tanpura), Dilruba used for Sikh music since Guru's Times. He is an accomplished Pakhawaj Mridang Jori player. He is the founder and chairman of Anad Foundation organisation dedicated to Sikh music.[7] He was an unsuccessful candidate of Aam Aadmi Party in 2014 general elections for Punjab state of India.
Early life
[edit]Bhai Baldeep was born to his parents Amarjeet Singh and Sukhjit Kaur in a respectable family of Sikh musicians at Chandigarh on 13 September 1969.He passed Fifth Standard from Airforce school Vadodara Gujrat and Matriculation from Goveronment Model High School, sector 32 Chandigarh in 1984.He was a leading cadet in NCC aero wing of school who took part in Republic Day Parade of 1987 at Delhi as one of three parade commanders and was even selected in SSB interview after matriculation. He was also adjudged as best aero modeller at Punjab (combined Punjab, Haryana, Himachal and Chandigarh) directorate of NCC, Patiala
Inheritance and early Gurbani Kirtan learning
[edit]Being a child of a family of well versed in Sikh musical traditions, he was initiated to learning kirtan since age 5 by his mother Sukhjit Kaur. Then learning of Tabla playing came from Air Force station gurdwara Granthi in 1976.All this was happening to him as he was great-grandchild of Bhai Narain Singh who was himself a kirataniya and elder brother of reputed Bhai Jawala Singh Ragi In turn Bhai Jawala Singh and Narain Singh were tenth generation of their ancestors Bhai Sadharan jee (who was architect at Baoli sahib Goindwal at times of Guru Amardas), after them came in lineage Bhai Sahib Singh (a Sikh of Guru Gobind Singh), Bhai Mehtab Singh his son Bhai Tehal Singh (a kirtaniya of panch shabdee Aasa ki Var bani since sunset to early morning sunrise), further his son Bhai Deva Singh (d 1894) father of Baba Jawala Singh (1872–1952) who had two sons as accomplished ragis Bhai Avtar Singh and Gurcharan Singh, grand uncles of Bhai Baldeep Singh, and other son of Deva Singh Bhai Narain singh (1856–1906) whose son Giani Bhagat Singh (1897–1906) grand father of Bhai Baldeep singh 13th generation exponent [8] of great family was.[9]
Occupation
[edit]Instead of choosing his bright career in aero modelling after initial studies, he preferred to dedicate his life for study of difficult and well developed heritage of Gurbani Kirtan and Sikh music.[2]
Research for traditional compositions of Gurbani Kirtan & into the making of traditional string instruments.
[edit]During 1987–2005,[9] Bhai Baldeep conducted a comprehensive research mission[9] across Punjab and Pakistan with the aim of gaining access to the Gurbani kirtan tradition by reaching out to the old ragis of the time and retrieving its links. He retrieved musical compositions of Gurbani Shabads left out and remaining at that time in oral tradition, revived intricacies in playing percussion instrument Pakhawaj Jori. He also succeeded in exposing the peacock based stringed instrument Taus which was in vogue for Gurbani singing initiated by Guru Hargobind. He was successful to approach Giani Harbhajan Singh an elderly luthier (1920–2005), who possessed profound knowledge of playing and making traditional string instruments like Taus, Saranda, Rabab, Dilruba etc. used for Gurbani Kirtan and Indian classical music and reviving his Luthiery techniques for learning and making these instruments himself. Giani Harbhajan Singh Mistry even handed over the reins of his young grandson Parminder Singh Bumrah to Baldeep Singh, who later became a major string instrument luthier and Mridangam Pakhavaj player.[10]
Achievements and rewards
[edit]Bhai Baldeep Singh learned playing Mirdang (jori, tabla), Pakhawaj, according to the Guru Chela tradition from Ustad Arjan Singh Tarangar,[3] an expert musician of Jodi and Mirdang. He perfected this art so much that he received the turban /achieved headship of Amritsari Baj tradition being continued from Bhai Maiya Singh in this art. He revived this gharana of Pakhawaj also known as Nayian da gharana or more recently Punjab Gharana.[11] He also perfected his learning of Gurbani and Gurmat Sangeet from his grand uncle Bhai Gurcharan Singh Ragi.[12] Additionally he mastered technique of making traditional string instruments like rabab, saranda, tambura, dilruba etc. Bhai Baldeep is not only engaged in the research of traditional string instruments of the Guru period, but has succeeded in reviving these instruments in service of Gurbani Sangeet,.
He is founder and chairman of Anad conservatory of classical style of kirtan. He has trained several Indian and western musicians in this art.[13] To name a few Nirinjan Kaur Khalsa and Francesca Cassio are his well acclaimed students.[6]
Besides he has organized many music concerts in India as well as abroad in North America, Europe, Southeast Asia and Australia and gave performances for his singing and playing.[3][9][14]
He has been an expert and visiting professor of Gurbani Sangeet, at Hofstra University, USA.[5][8]
References
[edit]- ^ "Delhi chapter of alumni association of post graduate Govt college sector 11 Chandigarh celebrates 'Oneness' reunion". aninews.in. Retrieved 2022-03-26.
- ^ a b "Bhai Baldeep Singh - SikhiWiki, free Sikh encyclopedia". www.sikhiwiki.org. Retrieved 2022-03-17.
- ^ a b c d "About Me". bhaibaldeep. 2012-04-22. Retrieved 2022-03-26.
- ^ "Fifth Annual Sikh Awards". asiansunday.co.uk. Retrieved 2022-03-27.
- ^ a b Singh, BhaiBaldeep (2011). "What is Kirtan". Sikh Formations. 7 : 3 (3): 245–295. doi:10.1080/17448727.2011.637382. S2CID 141534461. Retrieved 2022-03-25 – via academia.edu.
- ^ a b Khalsa, Nirinjan Kaur; Cassio, Francesca (2020). "Chapter 15: Singing Dharam". In Miller, Christopher Patrick (ed.). Beacons of Dharma. U.K.: Lexington Books. pp. 272, 307, 309.
Bhai Baldeep Singh (b. 1969) & 'Francesca Cassio......senior disciple of Bhai Baldeep Singh'
- ^ a b "Bhai Baldeep Singh". The Anād Foundation. 2012-01-13. Retrieved 2022-03-15.
- ^ a b Linden, Bob van der (2013). Music and Empire in Britain and India. U S A: Palgrave Macmillan. p. 307.
- ^ a b c d Khalsa, Nirinjan Kaur (2014). "The renaissance of Sikh devotional music, memory, identity and praxis" (PDF). A Thesis Submitted to Michigan University for PhD Degree: 32,180,216. Retrieved 2022-03-18 – via deeplue.lib.umich.edu.
- ^ Service, Tribune News. "Curtains set to fall on Anad Foundation". Tribuneindia News Service. Retrieved 2022-03-25.
- ^ Pacciola, Paolo (2020). "Tha pakhawaj and pakhawaj players in classical music scene of contemporary India". The Indian Drum of the King -God and the Pakhawaj of Nathdwara. Routelege.
Along with the main ones, there are other Gharanas, such as the Punjab Gharana which has been recently revived by Bhai Baldeep Singh.
- ^ Singh, Bhai Baldeep (2018-09-18). "Bhāi Baldeep Singh" (PDF). Retrieved 2022-03-25.[self-published]
- ^ Singh, Nikki Gurinder Kaur (2019). The First Sikh: Life and Legacy of Guru Nanak (e Book). Panguin Random House India Limited. ISBN 9789353057107. Retrieved 2022-03-26 – via google.co.in.
The classical style of kirtan is being devoutly performed and enthusiastically heard and rigorously studied all over.To name a few distinguished experts, Bhai Baldeep Singh of New Delhi heads the Anad Conservatory in Sultanpur Lodhi and has trained several Indian and western musicians.
- ^ "'Forgotten' Gurbani strings draw foreign Sikh converts | Chandigarh News". The Times of India. 2012-02-21. Retrieved 2022-03-25.