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{{short description|British painter}}
{{EngvarB|date=September 2018}}
{{Use British English|date=February 2023}}
{{Use dmy dates|date=September 2018}}
{{Use dmy dates|date=September 2018}}
{{Infobox person
{{Infobox person
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| birth_date = {{Birth year and age|1980}}
| birth_date = {{Birth year and age|1980}}
| birth_place = [[Birmingham]], West Midlands, England
| birth_place = [[Birmingham]], West Midlands, England
| alma_mater = [[Rose Bruford College]]
}}
}}
'''Jennifer Allen''', known professionally as '''Quilla Constance,''' is a British contemporary [[interdisciplinary artist]] and lecturer, <ref>{{cite web | url=https://www.arts.ac.uk/colleges/camberwell-college-of-arts/people/quilla-constance| title=Quilla Constance: Fine Art Contextual Studies Associate Lecturer, UAL | access-date=19 February 2021}}</ref> born in [[Birmingham]], 1980.
'''Jennifer Allen''', known professionally as '''Quilla Constance,''' is a British contemporary [[interdisciplinary artist]] and lecturer,<ref name=":0">{{cite web |date=11 December 2018 |title=Quilla Constance: Senior Lecturer in Fine Art Sculpture, UAL London |url=https://www.arts.ac.uk/colleges/camberwell-college-of-arts/people/quilla-constance |access-date=19 February 2021 |website=ual: Camberwell College of Arts}}</ref> born in [[Birmingham]], 1980.


==Education==
==Education==
Allen graduated from the [[Ruskin School of Drawing and Fine Art]] , [[St John's College, Oxford|St John's College]], [[University of Oxford]], with a BA (Hons) Fine Art in 2001<ref>{{cite web | url=https://archive.ica.art/whats-on/symposium-dis-identifications | title=Symposium: (Dis) identifications | access-date=17 November 2018}}</ref><ref>{{cite web |url=https://www.sjc.ox.ac.uk/documents/388/1413-St_Johns-TW_mag-2016_10W1.pdf | title= QC: An Alternative Identity (page 4) | access-date= 17 November 2018}}</ref><ref>{{cite web | url=https://www.sjc.ox.ac.uk/383-12527/Quilla-Constance.html | title= Alumna Quilla Constance St John's College Oxford | access-date= 23 April 2016}}</ref> and earned an MFA from [[Goldsmiths, University of London]] in 2006.<ref>{{cite web | url=http://www.gold.ac.uk/news/this-is-goldsmiths-27-march/| title=Quilla Constance This is Goldsmiths | access-date=23 April 2016}}</ref><ref>{{cite web | url=http://www.gold.ac.uk/media/MFA%20Alumni%20Nov13.pdf | title= Quilla Constance Goldsmiths MFA Alumni page 5 | access-date=11 June 2015 | url-status=dead | archive-url=https://web.archive.org/web/20150610131217/http://www.gold.ac.uk/media/MFA%20Alumni%20Nov13.pdf | archive-date=10 June 2015 | df=dmy-all }}</ref> She later studied acting at [[Rose Bruford College]] <ref>{{cite web | url=https://www.bruford.ac.uk/media/documents/Prospectus_-_2020_21_-_Online.pdf| title= Quilla Constance Graduate Success Rose Bruford Prospectus, page 60 | access-date= 9 December 2019}}</ref>
Allen graduated from the [[Ruskin School of Drawing and Fine Art]], [[St John's College, Oxford|St John's College]], [[University of Oxford]], with a BA (Hons) Fine Art in 2001 and earned an MFA from [[Goldsmiths, University of London]] in 2006.<ref name="autogenerated1">{{cite web |date=27 May 2015 |title=Symposium: (Dis) identifications |url=https://archive.ica.art/whats-on/symposium-dis-identifications |access-date=17 November 2018 |website=Institute of Contemporary Arts}}</ref> She later studied acting at [[Rose Bruford College]].<ref name=":1" />


==Persona and style==
==Persona and style==


Shortly after completing her master's degree, Allen created her Quilla Constance persona as an extension of the exoticised, androgynous punk-carnival aesthetic and malevolent demeanour explored in her earlier video and performance works and "to locate a point of agency within a hegemonic framework of white phallocentric order". <ref>{{cite web | url=https://www.198.org.uk/portfolio/pukijam/|title= Jennifer Allen PUKIJAM – 198 Contemporary Arts | access-date=17 February 2021}}</ref> Constance subsequently began staging performances in clubs, theatres, art galleries, music venues and the street.
Shortly after completing her master's degree, Allen created her Quilla Constance persona as an extension of the exoticised, androgynous punk-carnival aesthetic and malevolent demeanour explored in her earlier video and performance works and "to locate a point of agency within a hegemonic framework of white phallocentric order".<ref name=":3">{{cite web |last=Kheirkhah |first=Maria M. |date=26 March 2015 |title=Jennifer Allen PUKIJAM |url=https://www.198.org.uk/portfolio/pukijam/ |access-date=17 February 2021 |website=198 Contemporary Arts}}</ref> Constance subsequently began staging performances in clubs, theatres, art galleries, music venues, the street and mainstream television.


Quilla Constance (abbreviated to QC) stages interventions across an interdisciplinary practice of paintings, lectures, photographs, live performances, costumes and music videos. Her live performance work has been noted for its "unflinching physical narrative performed entirely through breath, posture and non-verbal sounds: panting like a dog, sex noises, then laughter, pure guttural anger, and back again". <ref>{{cite web|url=https://jerwoodarts.org/exhibitionsandevents/events/confessions-making-a-performance-of-yourself/|title= CONFESSIONS:Making a Performance of Yourself - Jerwood Arts| access-date=10 November 2018}}</ref> <ref>{{cite web|url=http://www.oxfordmail.co.uk/leisure/art/14394631.Performance_artist_Quilla_Constance_challenges_taboo_at_St_John___s_College__Oxford/ |title=Performance artist Quilla Constance challenges taboo at St John's College Oxford |publisher=[[Oxford Mail]] |access-date=10 April 2016}}</ref>
Quilla Constance (abbreviated to QC) stages interventions across an interdisciplinary practice of paintings, lectures, photographs, live performances, costumes and music videos. Her live performance work has been noted for its "unflinching physical narrative performed entirely through breath, posture and non-verbal sounds: panting like a dog, sex noises, then laughter, pure guttural anger, and back again".<ref name=":1">{{cite web |date=10 February 2020 |title=CONFESSIONS:Making a Performance of Yourself |url=https://jerwoodarts.org/exhibitionsandevents/events/confessions-making-a-performance-of-yourself/ |access-date=10 November 2018 |website=Jerwood Arts}}</ref>


Other commentaries suggest that "QC over-identifies with an 'exotic' militant punk persona to interrogate category-driven capitalist networks, through staging and virally inserting her artistic practice within pop culture, traversing music venues, forging protests and entering art galleries in order to emulate and interrupt the operations of these cultural zones".<ref>{{cite web | url=https://archive.ica.art/whats-on/symposium-dis-identifications | title=Symposium: (Dis) identifications | access-date=17 November 2018}}</ref><ref>{{cite web | url= https://www.arts.ac.uk/colleges/camberwell-college-of-arts/people/quilla-constance |title=Camberwell College of Arts People | access-date=9 November 2018}}</ref><ref>{{cite web | url=https://www.198.org.uk/portfolio/pukijam/|title= Quilla Constance Pukijam 198 Contemporary Arts and Learning| access-date=10 November 2018}}</ref><ref>{{cite book | url=https://books.google.com/books?id=_6yfDwAAQBAJ&q=quilla+constance+a+companion+to+feminist+art&pg=PT146| title=A Companion to Feminist Art- Google Books, Pages 133-135 | date=23 July 2019|publisher= Wiley Blackwell |isbn= 9781118929193| access-date=17 February 2021}}</ref>
Her faculty biography states that "QC over-identifies with an 'exotic' militant punk persona to interrogate category-driven capitalist networks, through staging and virally inserting her artistic practice within pop culture, traversing music venues, forging protests and entering art galleries in order to emulate and interrupt the operations of these cultural zones".<ref name="autogenerated1"/><ref name=":0" />


QC’s varied art practice also frequently ‘scrutinises food as a signifying system onto which social class and ethnic identities are mapped out, from fried chicken in cardboard take¬away boxes to tea in fine, bone china cups.’ where she questions the limitations of categories, boundaries, and contexts to humorous and destabilising effect.
QC's varied art practice also frequently 'scrutinises food as a signifying system onto which social class and ethnic identities are mapped out, from fried chicken in cardboard take¬away boxes to tea in fine, bone china cups.' where she questions the limitations of categories, boundaries, and contexts to humorous and destabilising effect.
<ref>{{cite web|url=https://mediabank.vanabbemuseum.nl/vam/files/alexandria/publiciteit/folders/2017/brochure_conferentie_conceptualism.pdf|title= Page 26, Read My QR:Quilla Constance and the Conceptualist Promise of Intelligibility}}</ref><ref>{{cite web|url= https://www.youtube.com/watch?v=j9OUgICSLlI |title= Read My QR: Quilla Constance and the Conceptualist Promise of Intelligibility| access-date= 8 December 2019}}</ref> <ref>{{cite web|url= https://www.google.co.uk/books/edition/A_Companion_to_Feminist_Art/x2SbDwAAQBAJ?hl=en&gbpv=1&dq=quilla+constance&pg=PA134&printsec=frontcover|title= A Companion to Feminist Art, Wiley-Blackwell, page 133-135| access-date=11 February 2021}}</ref><ref>{{cite web|url=https://www.google.co.uk/books/edition/Revisiting_the_Gaze/8ErrDwAAQBAJ?hl=en&gbpv=1&dq=quilla+constance&pg=PA6&printsec=frontcover|title= Revisiting The Gaze, Bloomsbury, page 6| access-date=11 February 2021}}</ref> <ref>{{cite web|url= https://mediabank.vanabbemuseum.nl/vam/files/alexandria/publiciteit/e-pub/2019/vam_epub%20BAM_DEC19_V5_final3.pdf |title= Conceptualism - Intersectional Readings, International Framings, Situating Black Artists and Modernism in Europe. Full text pages 35 - 51 Read my QR: Quilla Constance and the Conceptualist Promise of Intelligibility| access-date=18 February 2021}}</ref>
<ref name=":2">{{cite web |last=Lebovici |first=Elisabeth |date=12 July 2017 |title=Page 27, Read My QR:Quilla Constance and the Conceptualist Promise of Intelligibility |url=https://mediabank.vanabbemuseum.nl/vam/files/alexandria/publiciteit/folders/2017/brochure_conferentie_conceptualism.pdf |access-date=10 April 2024 |website=Van Abbe Museum}}</ref><ref name=":4">{{cite book|url= https://books.google.com/books?id=x2SbDwAAQBAJ&dq=quilla+constance&pg=PA134|title= A Companion to Feminist Art, Wiley-Blackwell, page 133-135|isbn= 9781118929155| access-date=11 February 2021|last1= Robinson|first1= Hilary|last2= Buszek|first2= Maria Elena|date= 22 October 2019|publisher= John Wiley & Sons}}</ref>


==Career==
==Career==
Allen's video and performance works have been exhibited internationally since 2003 and are held in the art collections of [[Anita Zabludowicz|Anita]] and [[Poju Zabludowicz]],<ref>{{cite web|url=http://www.zabludowiczcollection.com/events/view/jennifer-allen-presents | title=Jennifer Allen Presents | access-date=11 June 2015}}</ref> [[David Roberts (art collector)|David Roberts]]' Art Foundation,<ref>{{cite web | url=http://davidrobertsartfoundation.com/collecting/| title= David Roberts Art Foundation collections) | access-date=5 September 2015}}</ref> and Goldsmith's College (Warden's).
Allen's video and performance works have been exhibited internationally since 2003 and are held in the art collections of [[Anita Zabludowicz|Anita]] and [[Poju Zabludowicz]],<ref name="zabludowiczcollection1">{{cite web |date=10 April 2008 |title=Jennifer Allen Presents |url=http://www.zabludowiczcollection.com/events/view/jennifer-allen-presents |access-date=11 June 2015 |website=Zabludowicz Collection}}</ref> [[Roberts Institute of Art]],<ref>{{cite web |title=David Roberts Art Foundation collections |url=https://www.therobertsinstituteofart.com/programme/projects/quilla-constance-working-lunch|access-date=12 April 2024}}</ref> and Goldsmiths College (Warden's).


In 2003, Allen was awarded British and Arts Council funding for her solo exhibition and artist's residency at BizArt Center, Shanghai, China through the ARTLINKART International Residency Programme.<ref>{{cite web | url=http://www.artlinkart.com/en/exhibition/overview/b6datCm | title=JENNIFER ALLEN (solo) | access-date=11 June 2015}}</ref>
In 2003, Allen was awarded British and Arts Council funding for her solo exhibition and artist's residency at BizArt Center, Shanghai, China through the ARTLINKART International Residency Programme.<ref name="artlinkart1">{{cite web |date=1 June 2003 |title=JENNIFER ALLEN (solo) |url=http://www.artlinkart.com/en/exhibition/overview/b6datCm |access-date=11 June 2015 |website=ArtLinkArt}}</ref>


In 2007, Allen guest curated a video screening at 176 London, Zabludowicz Collection.<ref>{{cite web|url=http://www.zabludowiczcollection.com/events/view/jennifer-allen-presents | title=Jennifer Allen Presents | access-date=11 June 2015}}</ref> The event featured Allen's 2006 video work 'Happy Christmas Mom & Dad', a piece that sees Allen allegedly perform a seductive dance as a gift for her parents on Christmas Day.<ref>{{cite web |url=http://magazine.saatchiart.com/articles/artnews/emerging_artist_of_the_week_je_2 | title=Emerging Artist of the Week: Jennifer Allen | access-date=11 June 2015 | url-status=dead |archive-url=https://web.archive.org/web/20150610131017/http://magazine.saatchiart.com/articles/artnews/emerging_artist_of_the_week_je_2 | archive-date=10 June 2015 | df=dmy-all }}</ref><ref>{{cite web|url=https://mediabank.vanabbemuseum.nl/vam/files/alexandria/publiciteit/e-pub/2019/vam_epub%20BAM_DEC19_V5_final3.pdf|title= Read My QR: Quilla Constance and the Conceptualist Promise of Intelligibility Page 36 - 53| access-date=6 January 2020}}</ref><ref>{{cite web|url=https://www.youtube.com/watch?v=j9OUgICSLlI |title= Read My QR: Quilla Constance and the Conceptualist Promise of Intelligibility| access-date=18 November 2018}}</ref>
In 2007, Allen guest curated a video screening at 176 London, Zabludowicz Collection.<ref name="zabludowiczcollection1"/> The event featured Allen's 2006 video work 'Happy Christmas Mom & Dad', a piece that sees Allen allegedly perform a seductive dance as a gift for her parents on Christmas Day.<ref name=":2" />


In an interview with arts patron [[Shalini Passi]], Constance stated that "My current professional name is Quilla Constance ... which is an art persona I've cultivated and deployed since 2009. My birth name is Jennifer Allen, and the name I operated under from 2001 to 2009"<ref>{{cite web |last=Passi |first=Shalini |date=16 March 2019 |title=Shalini Passi In Conversation with Quilla Constance |url=https://www.mashindia.com/in-the-studio/shalini-passi-in-conversation-with-quilla-constance/ |access-date=29 March 2022 |website=MASH India}}</ref>
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In 2011, the 80s synth-pop and [[New Romanticism]] artists [[Rusty Egan]] and [[Steve Strange]] invited Constance to perform at a reunion in the former Soho Blitz Club.<ref>{{cite web|url=http://shapersofthe80s.com/2011/01/08/2011-%E2%9E%A4-strange-and-egan-return-to-the-blitz-to-kick-off-the-20-tweens/| title=Shapers of The 80s }}</ref> Later that year, she performed at [[Fierce!]] Festival, Birmingham alongside [[Cakes da Killa]].<ref>{{cite web | url=https://wearefierce.org/?s=Eva+meyer-Keller| title= Fierce Festival 2013: Launch!!! Friday 4 October| access-date=18 November 2018 }}</ref>


In 2010, Constance staged a 'militant punk protest performance' outside the former Punk Soho nightclub in order to challenge the venue for cancelling a Quilla Constance punk performance in favour of a corporate booking. She later successfully prosecuted the club's promoter through [[Equity (trade union)|Equity]].<ref>{{cite web | url=https://issuu.com/martinebrown/docs/equity_magazine_spring_2012 | title= Page 6,Equity magazine Spring 2012 | access-date=17 November 2018 }}</ref><ref>{{cite web | url=https://londonist.com/2011/06/in-pictures-quilla-contance-protest-performance-outside-punk-soho|title=in-pictures-quilla-contance-protest-performance-outside-punk-soho| access-date=18 November 2018 }}</ref><ref>{{cite web | url=http://archive.westendextra.com/news/2011/jun/equity-called-over-punk-double-booking-quilla-constance-stage-street-protest-over-gig-| title= equity-called-over-punk-double-booking-quilla-constance-stage-street-protest-over-gig | access-date=17 November 2018 }}</ref>
In 2010, Constance staged a 'militant punk protest performance' outside the former Punk Soho nightclub in order to challenge the venue for cancelling a Quilla Constance punk performance in favour of a corporate booking. She later successfully prosecuted the club's promoter through [[Equity (trade union)|Equity]].<ref>{{cite web |date=30 May 2012 |title=Performer proves a contract needs to be fair (Page 6) |url=https://issuu.com/martinebrown/docs/equity_magazine_spring_2012 |access-date=17 November 2018 |website=Equity Magazine}}</ref><ref>{{cite web |last=Chris |first=Tiki |date=30 June 2011 |title=In Pictures: Quilla Constance Protest Performance Outside Punk Soho |url=https://londonist.com/2011/06/in-pictures-quilla-contance-protest-performance-outside-punk-soho |access-date=18 November 2018 |website=Londonist}}</ref>


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In 2011, the 80s synth-pop and [[New Romanticism]] artists [[Rusty Egan]] and [[Steve Strange]] invited Constance to perform at a reunion in the former Soho Blitz Club.<ref>{{cite web |date=8 January 2011 |title=Strange and Egan return to the Blitz to kick off the 20-tweens |url=http://shapersofthe80s.com/2011/01/08/2011-%E2%9E%A4-strange-and-egan-return-to-the-blitz-to-kick-off-the-20-tweens/ |access-date=10 April 2024 |website=Shapers of The 80s}}</ref> Later that year, she performed at [[Fierce!]] Festival, Birmingham alongside [[Cakes da Killa]].<ref>{{cite web |title=Fierce Festival 2013: Launch!!! Friday 4 October |url=https://wearefierce.org/?s=Eva+meyer-Keller |access-date=18 November 2018}}{{Dead link|date=April 2024}}</ref>
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In 2015,<ref>{{cite web |url= http://gotlottery.uk/arts-council-england-jennifer-allen-2-474793 |title= Jennifer Allen 2015 Lottery Grant |access-date=17 November 2018 }}</ref> 2017<ref>{{cite web |url= http://gotlottery.uk/arts-council-england-jennifer-allen-2-514331 |title= Jennifer Allen 2017 Lottery Grant |access-date=17 November 2018 }}</ref> and 2019 <ref>{{cite web|url=https://www.tate.org.uk/whats-on/tate-modern/tate-exchange/workshop/open-studio|title= Whats On Tate Modern, Tate Exchange| access-date= 8 December 2019}}</ref> Allen was awarded funding from [[Arts Council England]] in support of a series of Quilla Constance solo projects and exhibitions: 'Teasing Out Contingencies: Quilla Constance Open Studio' at [[Tate Modern]], Tate Exchange 'Transcending The Signified' at The Museum of Contemporary Art/ MOCA, London,<ref>{{cite web |url= http://www.mocalondon.co.uk/transcending-the-signified.html |title= Quilla Constance: Transcending-The-Signified-MOCA-London |access-date= 1 August 2017}}</ref> which toured to The Old Fire Station Gallery, Oxford/ [[OFS Studio]];<ref>{{cite web |url= https://oldfirestation.org.uk/exhibitions/transcending-the-signified/ |title= Quilla Constance: Transcending-The-Signified-OFS Oxford |access-date=9 September 2017}}</ref> '#QC' at The Kendrew Barn, [[St John's College, Oxford]] <ref>{{cite web |url= https://www.sjc.ox.ac.uk/383-12527/Quilla-Constance.html | title=Quilla Constance St John's College Oxford | access-date= 23 April 2016}}</ref><ref>{{cite web | url=https://www.sjc.ox.ac.uk/documents/388/1413-St_Johns-TW_mag-2016_10W1.pdf| title=Quilla Constance St John's College Oxford | access-date= 9 September 2017}}</ref><ref>{{cite web|url=https://www.oxfordmail.co.uk/leisure/art/14394631.Performance_artist_Quilla_Constance_challenges_taboo_at_St_John___s_College__Oxford/ | title=Artist Quilla Constance Challenges Taboo at St Johns College Oxford | access-date= 18 November 2018}}</ref><ref>{{cite web|url=https://theoxfordculturereview.com/2016/04/15/review-qc/ | title= Review:QC | access-date= 18 November 2018}}</ref> and 'PUKIJAM' at [[198 Contemporary Arts and Learning]], curated by Maria Kheirkhah. PUKIJAM received additional support from The Research Centre for Transnational Art, Identity and Nation (TrAIN); and Diversity Arts Forum <ref>{{cite web | url=http://www.198.org.uk/artistic-programmes/upcoming-exhibition-4 | title=PUKIJAM | access-date=11 June 2015}}</ref> In December 2017 Allen's artworks was discussed in a paper presented at the conference 'Black Artists and Modernism: Conceptualism - Intersectional Readings, International Framings' held at [[Van Abbemuseum]] in the Netherlands. <ref>{{cite web |url= https://vanabbemuseum.nl/en/programme/programme/conceptualism-intersectional-readings-international-framings/|title= Dr Alexandra Kokoli 'Read My QR: Quilla Constance and the Conceptualist Promise of Intelligibility'|access-date= 17 December 2017}}</ref><ref>{{cite web|url=https://mediabank.vanabbemuseum.nl/vam/files/alexandria/publiciteit/folders/2017/brochure_conferentie_conceptualism.pdf|title= Page 25, Read My QR:Quilla Constance and the Conceptualist Promise of Intelligibility}}</ref><ref>{{cite web|url= https://www.youtube.com/watch?v=j9OUgICSLlI |title= Read My QR: Quilla Constance and the Conceptualist Promise of Intelligibility| access-date=18 November 2018}}</ref>


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In 2015,<ref>{{cite web |title=Jennifer Allen 2015 Lottery Grant |url=http://gotlottery.uk/arts-council-england-jennifer-allen-2-474793 |access-date=17 November 2018}}{{Dead link|date=April 2024}}</ref> 2017<ref>{{cite web |title=Jennifer Allen 2017 Lottery Grant |url=http://gotlottery.uk/arts-council-england-jennifer-allen-2-514331 |access-date=17 November 2018}}{{Dead link|date=April 2024}}</ref> and 2019 <ref>{{cite web |date=3 December 2019 |title=Open Studio With Quilla Constance |url=https://www.tate.org.uk/whats-on/tate-modern/tate-exchange/workshop/open-studio |access-date=8 December 2019 |website=Tate Modern}}</ref> Allen was awarded funding from [[Arts Council England]] in support of a series of Quilla Constance solo projects and exhibitions: 'Teasing Out Contingencies: Quilla Constance Open Studio' at [[Tate Modern]],<ref>{{cite web |date=15 October 2024 |title=Open Studio With Quilla Constance |url=https://www.tate.org.uk/whats-on/tate-modern/open-studio|website=Tate Modern}}</ref> Tate Exchange and [[The Higgins Art Gallery & Museum]]<ref>{{cite web |date=15 October 2024 |title= Teasing Out Contingencies |url=https://www.thehigginsbedford.org.uk/Exhibitions/Teasing_Out_Contingencies.aspx}}</ref> 'Transcending The Signified' at The Museum of Contemporary Art/ MOCA, London,<ref>{{cite web |title=Quilla Constance: Transcending-The-Signified-MOCA-London |url=https://www.moca.london/transcending-the-signified.html|access-date=12 April 2024}}{{dead link|date=April 2024}}</ref> which toured to the [[Old Fire Station Theatre]], Oxford;<ref>{{cite web |date=3 August 2017 |title=Exhibition: Transcending The Signified|url=https://oldfirestation.org.uk/exhibitions/transcending-the-signified/ |access-date=9 September 2017 |website=Old Fire Station}}</ref> '#QC' at The Kendrew Barn, [[St John's College, Oxford]]<ref>{{cite web |date=24 March 2016 |title=Alumna Jennifer Allen returns to showcase 'exotic' and challenging exhibition |url=https://www.sjc.ox.ac.uk/383-12527/Quilla-Constance.html |access-date=23 April 2016 |website=St John's College}}</ref> and 'PUKIJAM' at [[198 Contemporary Arts and Learning]], curated by Maria Kheirkhah. PUKIJAM received additional support from The Research Centre for Transnational Art, Identity and Nation (TrAIN); and Diversity Arts Forum<ref name=":3" /> In December 2017 Allen's artworks were discussed in a paper presented at the conference 'Black Artists and Modernism: Conceptualism – Intersectional Readings, International Framings' held at [[Van Abbemuseum]] in the Netherlands.<ref name=":2" /><ref>{{cite web|url= https://www.youtube.com/watch?v=j9OUgICSLlI |title= Read My QR: Quilla Constance and the Conceptualist Promise of Intelligibility|website= [[YouTube]]| access-date=18 November 2018}}</ref>
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In February 2018, Constance was selected by Bedford Creative Arts and live art organisation [[Artichoke (company)]] to lead women's art workshops in Bedford, and commissioned to produce a banner artwork with women of Bedfordshire to honour the [[suffragettes]] and the [[suffragists]], and celebrate the centenary of women's right to vote. The banner featured in a major London procession [[PROCESSIONS (artwork)]] held on 10 June 2018. In a statement to The New York Times, Constance said of the Suffragettes "They were really quite anarchic...They had to really fight. And we still have to fight...I think they're here today in spirit, and we're giving them high fives" <ref>{{cite web | url=https://www.nytimes.com/2018/06/10/world/europe/uk-women-suffrage.html| title= UK Women Celebrate 100 Years of Voting Rights| access-date=21 May 2020}}</ref><ref>{{cite web | url=https://apnews.com/a7533ee40e244e3bb170903700ca0b8c/Suffragette-cities:-Centenary-of-women%27s-vote-marked-in-UK| title= Suffragette cities: Centenary of women's vote marked in UK|agency=AP| access-date=11 June 2018}}</ref><ref>{{cite web | url=https://www.bedfordtoday.co.uk/news/bedford-women-create-banner-for-celebration-of-suffrage-centenary-1-8510093 | title= bedford-women-create-banner-for-celebration-of-suffrage-centenary| access-date=11 June 2018}}</ref><ref>{{cite web | url=https://www.theguardian.com/artanddesign/gallery/2018/jun/10/women-take-part-in-the-processions-living-artwork-in-the-uk | title= women-take-part-in-the-processions-living-artwork-in-the-uk| access-date=11 June 2018}}</ref><ref>{{cite web | url=https://www.bigissue.com/culture/arts/diy-suffragettes-are-marching-for-equality-100-years-after-women-won-the-vote/| title= DIY-Suffragettes-Marching-for-Equality| access-date=16 June 2018}}</ref><ref>{{cite web | url=https://www.nytimes.com/2018/06/10/world/europe/uk-women-suffrage.html| title= UK-Women-Suffrage| access-date=16 June 2018}}</ref>


⚫
In February 2018, Constance was selected by Bedford Creative Arts and live art organisation [[Artichoke (company)]] to lead women's art workshops in Bedford, and commissioned to produce a banner artwork with women of Bedfordshire to honour the [[suffragettes]] and the [[suffragists]], and celebrate the centenary of women's right to vote. The banner featured in a major London procession [[PROCESSIONS (artwork)]] held on 10 June 2018. In a statement to the [[Associated Press]], Constance said of the Suffragettes "They were really quite anarchic...They had to really fight. And we still have to fight...I think they're here today in spirit, and we're giving them high fives."<ref>{{cite news |last=Lawless |first=Jill |date=10 June 2018 |title=Suffragette cities: Centenary of women's vote marked in UK |url=https://apnews.com/a7533ee40e244e3bb170903700ca0b8c/Suffragette-cities:-Centenary-of-women%27s-vote-marked-in-UK |access-date=11 June 2018 |work=AP News}}</ref>
⚫
[[198 Contemporary Arts and Learning]] was the first gallery to screen Constance's arts council-commissioned video piece, ''PUKIJAM'', which sees her 'perform a dystopian golliwog cakewalk, accompanied and interrupted by a montage of erotic media images, figurative objects and her mutant, sub-linguistic scat vocal set against a relentless electronic throb'. The exhibition also featured vibrant 'exotic' costumes adorning large, acrylic paint on canvas abstractions. 'These conspired with video works, inviting the viewer into a dialogue through which notions of cultural authenticity and the production of meaning were visibly contested'.<ref>{{cite web | url=http://www.gold.ac.uk/news/homepage-news/thisisgoldsmithssixthingstodothisweek.php | title=This is Goldsmiths: Six things to do this week | access-date=11 June 2015}}</ref>


⚫
[[198 Contemporary Arts and Learning]] was the first gallery to screen Constance's arts council-commissioned video piece, ''PUKIJAM'', which sees her 'perform a dystopian golliwog cakewalk, accompanied and interrupted by a montage of erotic media images, figurative objects and her mutant, sub-linguistic scat vocal set against a relentless electronic throb'. The exhibition also featured vibrant 'exotic' costumes adorning large, acrylic paint on canvas abstractions. 'These conspired with video works, inviting the viewer into a dialogue through which notions of cultural authenticity and the production of meaning were visibly contested'<ref>{{cite web |title=This is Goldsmiths: Six things to do this week |url=https://www.gold.ac.uk/news/this-is-goldsmiths-27-march/|access-date=12 April 2024}}</ref>
In July 2015, Constance was invited to screen her performance art video, ''PUKIJAM'' in the Kendrew Barn Gallery, [[St John's College, Oxford]]<ref>{{cite web |url=https://www.sjc.ox.ac.uk/documents/388/1413-St_Johns-TW_mag-2016_10W1.pdf | title= QC: An Alternative Identity (page 4) | access-date= 17 November 2018}}</ref>
⚫
<ref>{{cite web|url=http://www.oxfordtimes.co.uk/news/14394850.Performance_artist_Quilla_Constance_challenges_taboo_at_St_John___s_College__Oxford/?ref=mrb&lp=14| title= The Oxford Times: Performance Artist Quilla Constance Challenges Taboo at St John's College Oxford | access-date= 6 April 2016}}</ref> for The 2000 Women Big Party. The event was held in celebration of the matriculation of the 2000th female to read for a degree at St John's College Oxford, and the appointment of [[Margaret Snowling]], the first female president of the college in 450 years. [[St John's College, Oxford]] was an all-male college until 1979.


⚫
In July 2015, Constance was invited to screen her performance art video, ''PUKIJAM'' in the Kendrew Barn Gallery, [[St John's College, Oxford]]<ref>{{cite web |last=Hughes |first=Tim |date=31 March 2016 |title=Performance Artist Quilla Constance Challenges Taboo at St John's College Oxford |url=http://www.oxfordtimes.co.uk/news/14394850.Performance_artist_Quilla_Constance_challenges_taboo_at_St_John___s_College__Oxford/?ref=mrb&lp=14 |access-date=6 April 2016 |website=Oxford Mail}}</ref> for The 2000 Women Big Party. The event was held in celebration of the matriculation of the 2000th female to read for a degree at St John's College Oxford, and the appointment of [[Margaret Snowling]], the first female president of the college in 450 years. [[St John's College, Oxford]] was an all-male college until 1979.
⚫
Constance has written articles for Transition Gallery (''Garageland'' magazine) and ''[[The Rebel (magazine)|The Rebel]]''.<ref>{{cite web | url=http://therebelmagazine.blogspot.co.uk/2010/12/q-with-quilla-constance.html | title=Q & A with Quilla Constance | access-date=11 June 2015 }}</ref> She also writes a quarterly punk-art gossip column, 'Quilla's Constant Catch-Up' for ''La Bouche Zine''.

⚫
Constance has written articles for Transition Gallery (''Garageland'' magazine) and ''[[The Rebel (art magazine)|The Rebel]]''.<ref name="blogspot1">{{cite web |date=7 December 2010 |title=Q & A with Quilla Constance |url=http://therebelmagazine.blogspot.co.uk/2010/12/q-with-quilla-constance.html |access-date=11 June 2015 |website=The Rebel Magazine}}</ref> She also writes a quarterly punk-art gossip column, 'Quilla's Constant Catch-Up' for ''La Bouche Zine''.


===Television===
===Television===
During the [[COVID-19 pandemic]], Quilla Constance gave a special guest performance on the docuseries ''Rob & Romesh VS (Art)'' on [[Sky One]], where she invited presenter-comedians [[Rob Beckett]] and [[Romesh Ranganathan]] to experiment with performance art in her studio. Here she offered up "Hoops in Flutes" and "High Tea in PPE"<ref>{{cite web |url=https://www.comedy.co.uk/tv/rob_and_romesh_vs/episodes/3/1/| title=British Comedy Guide Rob & Romesh Vs Guest Cast Series 3 Episode 1| access-date=11 February 2021}}</ref> The episode also featured Constance's single and video PR BLITZ, described in ''The Guardian'' as "Brilliantly deranged punk where Constance sings salacious tabloid headlines against a junkyard backdrop"<ref>{{cite web|url=https://www.theguardian.com/artanddesign/2020/jul/16/farty-paintings-sozzled-on-gin-vic-reeves-dada-art-and-comedy-silly-history|title= Farty paintings and getting sozzled on gin: a seriously silly history of art and comedy colliding|access-date=11 February 2021}}</ref>
During the [[COVID-19 pandemic]], Quilla Constance appeared on the docuseries [[Rob & Romesh Vs]] (Art) on [[Sky One]],<ref>{{cite web |url=https://www.comedy.co.uk/tv/rob_and_romesh_vs/episodes/3/1/| title=British Comedy Guide Rob & Romesh Vs Guest Cast Series 3 Episode 1| website=[[British Comedy Guide]]| access-date=11 February 2021}}</ref> where she invited presenter-comedians [[Rob Beckett]] and [[Romesh Ranganathan]] to experiment with performance art in her studio. Here she offered up "Hoops in Flutes" and "High Tea in PPE". The episode also featured Constance's single and video PR BLITZ, described in ''The Guardian'' as "brilliantly deranged punk of Quilla Constance’s PR Blitz), in which the artist sings salacious tabloid headlines against a junkyard backdrop".<ref>{{cite news|url=https://www.theguardian.com/artanddesign/2020/jul/16/farty-paintings-sozzled-on-gin-vic-reeves-dada-art-and-comedy-silly-history|title= Farty paintings and getting sozzled on gin: a seriously silly history of art and comedy colliding|website= [[TheGuardian.com]]|date= 16 July 2020|access-date=11 February 2021|last1= Judah|first1= Hettie}}</ref>


During tier 2 lockdown, Constance also featured in 'How Limits Can Boost Your Creativity' for [[BBC]] IDEAS <ref>{{cite web|url=https://www.bbc.co.uk/ideas/videos/how-limits-can-boost-your-creativity/p08qhyr1|title=BBC IDEAS How Limits Can Boost Creativity|access-date=11 February 2021}}</ref> where she makes reference to her admiration for artist [[Faith Ringgold]], and the positive activation of her own biracial, working class female identity within the historically sexist and elitist contemporary art world <ref>{{cite web|url=https://www.bbc.co.uk/ideas/videos/how-limits-can-boost-your-creativity/p08qhyr1|title=BBC IDEAS How Limits Can Boost Creativity|access-date=11 February 2021}}</ref>
During tier 2 lockdown, Constance also featured in 'How Limits Can Boost Your Creativity' for [[BBC]] IDEAS where she makes reference to her admiration for artist [[Faith Ringgold]], and the positive activation of her own biracial, working class female identity within the historically sexist and elitist contemporary art world.<ref name="autogenerated3">{{cite web |last=Angel Sharp Media |date=4 September 2020 |title=How Limits Can Boost Creativity |url=https://www.bbc.co.uk/ideas/videos/how-limits-can-boost-your-creativity/p08qhyr1 |access-date=11 February 2021 |website=BBC IDEAS}}</ref>


== Artworks ==
== Artworks ==
*2006 'Happy Christmas Mom & Dad' Performance/Video Artwork<ref name=":2" />
*2006 'Happy Christmas Mom & Dad' Performance/Video Artwork<ref>{{cite web | url= https://www.imdb.com/title/tt5768220/|title=Quilla Constance Happy Christmas Mom and Dad Video Artwork | access-date=1 January 2020 }}</ref><ref>{{cite web|url= https://www.youtube.com/watch?v=j9OUgICSLlI |title= Read My QR: Quilla Constance and the Conceptualist Promise of Intelligibility| access-date= 8 December 2019}}</ref>
*2016 'Pukijam' Performance/Video Artwork<ref name=":4" />
*2016 'Pukijam' Performance/Video Artwork<ref>{{cite web | url=https://www.imdb.com/title/tt5042612/|title=Quilla Constance Pukijam Video Artwork | access-date=1 January 2020 }}</ref><ref>{{cite book |url= https://books.google.com/books?id=_6yfDwAAQBAJ&q=quilla+constance+a+companion+to+feminist+art&pg=PT146 |title= Quilla Constance: A Companion to Feminist Art|isbn= 9781118929193| access-date=1 January 2020 |last1= Robinson|first1= Hilary|last2= Buszek|first2= Maria Elena|date= 27 June 2019}}</ref>
*2016 '#QC_001' Performance/Video Artwork<ref name=":4" />
*2016 '#QC_001' Performance/Video Artwork <ref>{{cite web | url=https://www.imdb.com/title/tt5729820/?ref_=nm_knf_i2|title=Quilla Constance #QC_001 Video Artwork | access-date=3 January 2020 }}</ref><ref>{{cite book |url= https://books.google.com/books?id=_6yfDwAAQBAJ&q=quilla+constance+a+companion+to+feminist+art&pg=PT146 |title= Quilla Constance: A Companion to Feminist Art|isbn= 9781118929193| access-date=1 January 2020 |last1= Robinson|first1= Hilary|last2= Buszek|first2= Maria Elena|date= 27 June 2019}}</ref>
*2017 'Celsnakar' Painting <ref>{{cite book | url= https://www.moca.london/uploads/1/0/1/4/101463086/trascending_final_web.pdf |title= Transcending the Signified: Quilla Constance |isbn=978-0-9955554-1-9 | access-date=1 January 2020 }}</ref>
*2017 'Celsnakar' Painting<ref name=":5">{{cite book | url= https://www.moca.london/uploads/1/0/1/4/101463086/trascending_final_web.pdf |title= Transcending the Signified: Quilla Constance |isbn=978-0-9955554-1-9 | access-date=1 January 2020 |last1= Allen |first1= Jennifer |year= 2017 }}</ref>
*2017 'Transcending The Signified' Quilla Constance live performance, MOCA London <ref>{{cite book | url=https://www.moca.london/uploads/1/0/1/4/101463086/trascending_final_web.pdf|title=Quilla Constance Transcending The Signified Live Performance Artwork| isbn= 978-0-9955554-1-9| access-date=1 January 2020 }}</ref>
*2017 'Transcending The Signified' Quilla Constance live performance, MOCA London<ref name=":5" />

==Selected Exhibitions ==
*2019 'Teasing out Contingencies' Open Studio, Tate Exchange, [[Tate Modern]] <ref>{{cite web | url=https://www.tate.org.uk/whats-on/tate-modern/tate-exchange/workshop/open-studio| title= Teasing Out Contingencies: Quilla Constance Open Studio Tate Exchange, Tate Modern| access-date=1 January 2020 }}</ref>
*2017 'Transcending the Signified', MOCA London <ref>{{cite web | url=https://www.moca.london/transcending-the-signified.html| title= Transcending the Signified: Quilla Constance Solo Exhibition MOCA London| access-date=1 January 2020 }}</ref>
*2017 'Transcending the Signified', Old Fire Station Gallery [[OFS Studio]] <ref>{{cite web | url=https://oldfirestation.org.uk/exhibitions/transcending-the-signified/| title= Transcending the Signified: Quilla Constance Solo Exhibition Old Fire Station Gallery| access-date=1 January 2020 }}</ref>
*2015 'Pukijam', [[198 Contemporary Arts and Learning]] <ref>{{cite web | url=https://www.198.org.uk/portfolio/pukijam/| title=Pukijam: Quilla Constance Solo Exhibition 198 Contemporary Arts| access-date=1 January 2020 }}</ref>
*2015 '(Dis) identifications: Gender as Material' (symposium and screening), [[Institute of Contemporary Arts]], London<ref>{{cite web | url= https://www.ica.org.uk/whats-on/symposium-dis-identifications | title=Symposium: (Dis) identifications | access-date=11 June 2015 }}</ref>
*2015 'PUKIJAM' (solo exhibition) 198 Contemporary Arts and Learning<ref>{{cite web | url=http://www.198.org.uk/artistic-programmes/upcoming-exhibition-4 | title=PUKIJAM | access-date=11 June 2015}}</ref>
*2014 'Performance Art: Love, Lust and Longing' (lecture and group exhibition), [[The Freud Museum]], London<ref>{{cite web | url=http://www.freud.org.uk/events/75742/performance-art-love-lust-and-longing/ | title=Performance Art: Love, Lust and Longing }}</ref>
*2008 'Jennifer Allen presents Sexual Visionaries.... Love, Hate, Narcissism, Mortality, Fetish and Taboo' (curated project) 176 London Zabludowicz Collection<ref>{{cite web|url=http://www.zabludowiczcollection.com/events/view/jennifer-allen-presents | title=Jennifer Allen Presents | access-date=11 June 2015}}</ref>
*2007 'Dark Glasses' (group exhibition) The Standpoint Gallery, London<ref>{{cite web | url=http://www.standpointlondon.co.uk/Dark%20Glasses.html | title=DARK GLASSES | access-date=11 June 2015}}</ref>
*2007 'The Dream of Putrefaction' (group exhibition) Fieldgate Gallery, London<ref>{{cite web | url=http://www.criticalnetwork.co.uk/whats_on/dereck_harris/dereck_harris.htm | title=The Dream of Putrefaction – curated by Dereck Harris | access-date=11 June 2015}}</ref>
*2006 'Goods To Declare MFA International' (group exhibition) Airport Terminal 1, Tel-Aviv, Israel<ref>{{cite web | url=http://www.artandeducation.net/announcement/bezalel-academy-of-arts-and-design-jerusalem-presents-goods-to-declare-mfa-internat/ | title=Bezalel Academy of Arts and Design Jerusalem presents Goods to Declare – MFA Internat | access-date=11 June 2015}}</ref>
*2003 'SKINS Revisited' (solo exhibition and artists' residency) BizArt Center, Shanghai, Chinä: ARTLINKART International Residency Programme<ref>{{cite web | url=http://www.artlinkart.com/en/exhibition/overview/b6datCm | title=JENNIFER ALLEN (solo) | access-date=11 June 2015}}</ref>
*2001 'Bloomberg New Contemporaries' (group exhibition) [[Camden Arts Centre]]


== Publications ==
== Publications ==


*2019 ''A Companion to Feminist Art'', Hilary Robinson (editor), Maria Elena Buszek (editor)-Blackwell Wiley <ref>{{cite book | url=https://books.google.com/books?id=_6yfDwAAQBAJ&q=quilla+constance+a+companion+to+feminist+art&pg=PT146| title= Quilla Constance A Companion to Feminist Art| isbn= 9781118929193| access-date=26 December 2019 | last1= Robinson| first1= Hilary| last2= Buszek| first2= Maria Elena| date= 27 June 2019}}</ref> {{ISBN|9781118929155}} <ref>https://www.wiley.com/en-gb/A+Companion+to+Feminist+Art-p-9781118929155</ref>
*2019 ''A Companion to Feminist Art'', Hilary Robinson (editor), Maria Elena Buszek (editor)-Blackwell Wiley {{ISBN|9781118929155}}<ref name=":4" />
*2015 ''Garageland art'', culture and ideas 'SEX' edition No. 18 (pages 15–19) 'Freud and Eros: Love, Lust, Longing and The Oedipus Complex: Jennifer Allen aka Quilla Constance visits The Freud Museum' edition #18 (pages 15–19)
*2015 ''Garageland art'', culture and ideas 'SEX' edition No. 18 (pages 15–19) 'Freud and Eros: Love, Lust, Longing and The Oedipus Complex: Jennifer Allen aka Quilla Constance visits The Freud Museum' edition #18 (pages 15–19)
*2012 ''[[Equity (trade union)|Equity]]'' magazine, spring 2012, page 11
*2012 ''[[Equity (trade union)|Equity]]'' magazine, spring 2012, page 11
*2010 ''[[The Rebel (magazine)|The Rebel]]'' 'Q&A With Quilla Constance'<ref>{{cite web | url=http://therebelmagazine.blogspot.co.uk/2010/12/q-with-quilla-constance.html | title=Q & A with Quilla Constance | access-date=11 June 2015 }}</ref>
*2010 ''[[The Rebel (art magazine)|The Rebel]]'' 'Q&A With Quilla Constance'<ref name="blogspot1"/>
*2008 [[Saatchi Online]] 'Emerging Artist of The Week' Saatchi Art Online Magazine -<ref>{{cite web | url=http://magazine.saatchiart.com/articles/artnews/emerging_artist_of_the_week_je_2 | title=Emerging Artist of the Week: Jennifer Allen | access-date=11 June 2015 | url-status=dead | archive-url=https://web.archive.org/web/20150610131017/http://magazine.saatchiart.com/articles/artnews/emerging_artist_of_the_week_je_2 | archive-date=10 June 2015 | df=dmy-all }}</ref>
*2008 [[Saatchi Online]] 'Emerging Artist of The Week' Saatchi Art Online Magazine -<ref>{{cite web |last=Neal |first=Jane |date=12 February 2007 |title=Emerging Artist of the Week: Jennifer Allen |url=http://magazine.saatchiart.com/articles/artnews/emerging_artist_of_the_week_je_2 |url-status=dead |archive-url=https://web.archive.org/web/20150610131017/http://magazine.saatchiart.com/articles/artnews/emerging_artist_of_the_week_je_2 |archive-date=10 June 2015 |access-date=11 June 2015 |website=Saatchi Art |df=dmy-all}}</ref>
*2001 Bloomberg [[New Contemporaries]] Catalogue
*2001 Bloomberg [[New Contemporaries]] Catalogue


==References==
==References==
{{reflist|colwidth=30em}}
{{Reflist}}


==External links==
==External links==
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Latest revision as of 15:31, 15 October 2024

Quilla Constance
Quilla Constance performing at 198 Contemporary Arts, 2015
Born
Jennifer Allen

1980 (age 43–44)
Birmingham, West Midlands, England
Alma materRose Bruford College

Jennifer Allen, known professionally as Quilla Constance, is a British contemporary interdisciplinary artist and lecturer,[1] born in Birmingham, 1980.

Education

[edit]

Allen graduated from the Ruskin School of Drawing and Fine Art, St John's College, University of Oxford, with a BA (Hons) Fine Art in 2001 and earned an MFA from Goldsmiths, University of London in 2006.[2] She later studied acting at Rose Bruford College.[3]

Persona and style

[edit]

Shortly after completing her master's degree, Allen created her Quilla Constance persona as an extension of the exoticised, androgynous punk-carnival aesthetic and malevolent demeanour explored in her earlier video and performance works and "to locate a point of agency within a hegemonic framework of white phallocentric order".[4] Constance subsequently began staging performances in clubs, theatres, art galleries, music venues, the street and mainstream television.

Quilla Constance (abbreviated to QC) stages interventions across an interdisciplinary practice of paintings, lectures, photographs, live performances, costumes and music videos. Her live performance work has been noted for its "unflinching physical narrative performed entirely through breath, posture and non-verbal sounds: panting like a dog, sex noises, then laughter, pure guttural anger, and back again".[3]

Her faculty biography states that "QC over-identifies with an 'exotic' militant punk persona to interrogate category-driven capitalist networks, through staging and virally inserting her artistic practice within pop culture, traversing music venues, forging protests and entering art galleries in order to emulate and interrupt the operations of these cultural zones".[2][1]

QC's varied art practice also frequently 'scrutinises food as a signifying system onto which social class and ethnic identities are mapped out, from fried chicken in cardboard take¬away boxes to tea in fine, bone china cups.' where she questions the limitations of categories, boundaries, and contexts to humorous and destabilising effect. [5][6]

Career

[edit]

Allen's video and performance works have been exhibited internationally since 2003 and are held in the art collections of Anita and Poju Zabludowicz,[7] Roberts Institute of Art,[8] and Goldsmiths College (Warden's).

In 2003, Allen was awarded British and Arts Council funding for her solo exhibition and artist's residency at BizArt Center, Shanghai, China through the ARTLINKART International Residency Programme.[9]

In 2007, Allen guest curated a video screening at 176 London, Zabludowicz Collection.[7] The event featured Allen's 2006 video work 'Happy Christmas Mom & Dad', a piece that sees Allen allegedly perform a seductive dance as a gift for her parents on Christmas Day.[5]

In an interview with arts patron Shalini Passi, Constance stated that "My current professional name is Quilla Constance ... which is an art persona I've cultivated and deployed since 2009. My birth name is Jennifer Allen, and the name I operated under from 2001 to 2009"[10]

In 2010, Constance staged a 'militant punk protest performance' outside the former Punk Soho nightclub in order to challenge the venue for cancelling a Quilla Constance punk performance in favour of a corporate booking. She later successfully prosecuted the club's promoter through Equity.[11][12]

In 2011, the 80s synth-pop and New Romanticism artists Rusty Egan and Steve Strange invited Constance to perform at a reunion in the former Soho Blitz Club.[13] Later that year, she performed at Fierce! Festival, Birmingham alongside Cakes da Killa.[14]

In 2015,[15] 2017[16] and 2019 [17] Allen was awarded funding from Arts Council England in support of a series of Quilla Constance solo projects and exhibitions: 'Teasing Out Contingencies: Quilla Constance Open Studio' at Tate Modern,[18] Tate Exchange and The Higgins Art Gallery & Museum[19] 'Transcending The Signified' at The Museum of Contemporary Art/ MOCA, London,[20] which toured to the Old Fire Station Theatre, Oxford;[21] '#QC' at The Kendrew Barn, St John's College, Oxford[22] and 'PUKIJAM' at 198 Contemporary Arts and Learning, curated by Maria Kheirkhah. PUKIJAM received additional support from The Research Centre for Transnational Art, Identity and Nation (TrAIN); and Diversity Arts Forum[4] In December 2017 Allen's artworks were discussed in a paper presented at the conference 'Black Artists and Modernism: Conceptualism – Intersectional Readings, International Framings' held at Van Abbemuseum in the Netherlands.[5][23]

In February 2018, Constance was selected by Bedford Creative Arts and live art organisation Artichoke (company) to lead women's art workshops in Bedford, and commissioned to produce a banner artwork with women of Bedfordshire to honour the suffragettes and the suffragists, and celebrate the centenary of women's right to vote. The banner featured in a major London procession PROCESSIONS (artwork) held on 10 June 2018. In a statement to the Associated Press, Constance said of the Suffragettes "They were really quite anarchic...They had to really fight. And we still have to fight...I think they're here today in spirit, and we're giving them high fives."[24]

198 Contemporary Arts and Learning was the first gallery to screen Constance's arts council-commissioned video piece, PUKIJAM, which sees her 'perform a dystopian golliwog cakewalk, accompanied and interrupted by a montage of erotic media images, figurative objects and her mutant, sub-linguistic scat vocal set against a relentless electronic throb'. The exhibition also featured vibrant 'exotic' costumes adorning large, acrylic paint on canvas abstractions. 'These conspired with video works, inviting the viewer into a dialogue through which notions of cultural authenticity and the production of meaning were visibly contested'[25]

In July 2015, Constance was invited to screen her performance art video, PUKIJAM in the Kendrew Barn Gallery, St John's College, Oxford[26] for The 2000 Women Big Party. The event was held in celebration of the matriculation of the 2000th female to read for a degree at St John's College Oxford, and the appointment of Margaret Snowling, the first female president of the college in 450 years. St John's College, Oxford was an all-male college until 1979.

Constance has written articles for Transition Gallery (Garageland magazine) and The Rebel.[27] She also writes a quarterly punk-art gossip column, 'Quilla's Constant Catch-Up' for La Bouche Zine.

Television

[edit]

During the COVID-19 pandemic, Quilla Constance appeared on the docuseries Rob & Romesh Vs (Art) on Sky One,[28] where she invited presenter-comedians Rob Beckett and Romesh Ranganathan to experiment with performance art in her studio. Here she offered up "Hoops in Flutes" and "High Tea in PPE". The episode also featured Constance's single and video PR BLITZ, described in The Guardian as "brilliantly deranged punk of Quilla Constance’s PR Blitz), in which the artist sings salacious tabloid headlines against a junkyard backdrop".[29]

During tier 2 lockdown, Constance also featured in 'How Limits Can Boost Your Creativity' for BBC IDEAS where she makes reference to her admiration for artist Faith Ringgold, and the positive activation of her own biracial, working class female identity within the historically sexist and elitist contemporary art world.[30]

Artworks

[edit]
  • 2006 'Happy Christmas Mom & Dad' Performance/Video Artwork[5]
  • 2016 'Pukijam' Performance/Video Artwork[6]
  • 2016 '#QC_001' Performance/Video Artwork[6]
  • 2017 'Celsnakar' Painting[31]
  • 2017 'Transcending The Signified' Quilla Constance live performance, MOCA London[31]

Publications

[edit]
  • 2019 A Companion to Feminist Art, Hilary Robinson (editor), Maria Elena Buszek (editor)-Blackwell Wiley ISBN 9781118929155[6]
  • 2015 Garageland art, culture and ideas 'SEX' edition No. 18 (pages 15–19) 'Freud and Eros: Love, Lust, Longing and The Oedipus Complex: Jennifer Allen aka Quilla Constance visits The Freud Museum' edition #18 (pages 15–19)
  • 2012 Equity magazine, spring 2012, page 11
  • 2010 The Rebel 'Q&A With Quilla Constance'[27]
  • 2008 Saatchi Online 'Emerging Artist of The Week' Saatchi Art Online Magazine -[32]
  • 2001 Bloomberg New Contemporaries Catalogue

References

[edit]
  1. ^ a b "Quilla Constance: Senior Lecturer in Fine Art Sculpture, UAL London". ual: Camberwell College of Arts. 11 December 2018. Retrieved 19 February 2021.
  2. ^ a b "Symposium: (Dis) identifications". Institute of Contemporary Arts. 27 May 2015. Retrieved 17 November 2018.
  3. ^ a b "CONFESSIONS:Making a Performance of Yourself". Jerwood Arts. 10 February 2020. Retrieved 10 November 2018.
  4. ^ a b Kheirkhah, Maria M. (26 March 2015). "Jennifer Allen PUKIJAM". 198 Contemporary Arts. Retrieved 17 February 2021.
  5. ^ a b c d Lebovici, Elisabeth (12 July 2017). "Page 27, Read My QR:Quilla Constance and the Conceptualist Promise of Intelligibility" (PDF). Van Abbe Museum. Retrieved 10 April 2024.
  6. ^ a b c d Robinson, Hilary; Buszek, Maria Elena (22 October 2019). A Companion to Feminist Art, Wiley-Blackwell, page 133-135. John Wiley & Sons. ISBN 9781118929155. Retrieved 11 February 2021.
  7. ^ a b "Jennifer Allen Presents". Zabludowicz Collection. 10 April 2008. Retrieved 11 June 2015.
  8. ^ "David Roberts Art Foundation collections". Retrieved 12 April 2024.
  9. ^ "JENNIFER ALLEN (solo)". ArtLinkArt. 1 June 2003. Retrieved 11 June 2015.
  10. ^ Passi, Shalini (16 March 2019). "Shalini Passi In Conversation with Quilla Constance". MASH India. Retrieved 29 March 2022.
  11. ^ "Performer proves a contract needs to be fair (Page 6)". Equity Magazine. 30 May 2012. Retrieved 17 November 2018.
  12. ^ Chris, Tiki (30 June 2011). "In Pictures: Quilla Constance Protest Performance Outside Punk Soho". Londonist. Retrieved 18 November 2018.
  13. ^ "Strange and Egan return to the Blitz to kick off the 20-tweens". Shapers of The 80s. 8 January 2011. Retrieved 10 April 2024.
  14. ^ "Fierce Festival 2013: Launch!!! Friday 4 October". Retrieved 18 November 2018.[dead link‍]
  15. ^ "Jennifer Allen 2015 Lottery Grant". Retrieved 17 November 2018.[dead link‍]
  16. ^ "Jennifer Allen 2017 Lottery Grant". Retrieved 17 November 2018.[dead link‍]
  17. ^ "Open Studio With Quilla Constance". Tate Modern. 3 December 2019. Retrieved 8 December 2019.
  18. ^ "Open Studio With Quilla Constance". Tate Modern. 15 October 2024.
  19. ^ "Teasing Out Contingencies". 15 October 2024.
  20. ^ "Quilla Constance: Transcending-The-Signified-MOCA-London". Retrieved 12 April 2024.[dead link‍]
  21. ^ "Exhibition: Transcending The Signified". Old Fire Station. 3 August 2017. Retrieved 9 September 2017.
  22. ^ "Alumna Jennifer Allen returns to showcase 'exotic' and challenging exhibition". St John's College. 24 March 2016. Retrieved 23 April 2016.
  23. ^ "Read My QR: Quilla Constance and the Conceptualist Promise of Intelligibility". YouTube. Retrieved 18 November 2018.
  24. ^ Lawless, Jill (10 June 2018). "Suffragette cities: Centenary of women's vote marked in UK". AP News. Retrieved 11 June 2018.
  25. ^ "This is Goldsmiths: Six things to do this week". Retrieved 12 April 2024.
  26. ^ Hughes, Tim (31 March 2016). "Performance Artist Quilla Constance Challenges Taboo at St John's College Oxford". Oxford Mail. Retrieved 6 April 2016.
  27. ^ a b "Q & A with Quilla Constance". The Rebel Magazine. 7 December 2010. Retrieved 11 June 2015.
  28. ^ "British Comedy Guide Rob & Romesh Vs Guest Cast Series 3 Episode 1". British Comedy Guide. Retrieved 11 February 2021.
  29. ^ Judah, Hettie (16 July 2020). "Farty paintings and getting sozzled on gin: a seriously silly history of art and comedy colliding". TheGuardian.com. Retrieved 11 February 2021.
  30. ^ Angel Sharp Media (4 September 2020). "How Limits Can Boost Creativity". BBC IDEAS. Retrieved 11 February 2021.
  31. ^ a b Allen, Jennifer (2017). Transcending the Signified: Quilla Constance (PDF). ISBN 978-0-9955554-1-9. Retrieved 1 January 2020.
  32. ^ Neal, Jane (12 February 2007). "Emerging Artist of the Week: Jennifer Allen". Saatchi Art. Archived from the original on 10 June 2015. Retrieved 11 June 2015.
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