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{{Short description|British post-punk band}}
{{other uses}}
{{Use dmy dates|date=April 2022}}
<noinclude>{{User:RMCD bot/subject notice|1=Ludus (band)|2=Talk:Ludus (disambiguation)#Requested move 23 April 2019 }}
</noinclude>{{Refimprove|date=August 2010}}
{{More citations needed|date=August 2010}}
{{Infobox musical artist <!-- See Wikipedia:WikiProject Musicians -->
{{Infobox musical artist <!-- See Wikipedia:WikiProject Musicians -->
| name = Ludus
| name = Ludus
| image =
| image =
| caption =
| caption =
| image_size = <!-- Only for images narrower than 220 pixels -->
| image_size = <!-- Only for images narrower than 220 pixels -->
| background = group_or_band
| background = group_or_band
| alias =
| alias =
| origin = [[Manchester]], [[England]]
| origin = [[Manchester]], England
| instrument =
| instrument =
| genre = [[New wave music|New wave]], [[post-punk]]
| genre = [[New wave music|New wave]], [[post-punk]], [[avant-prog]]
| occupation =
| occupation =
| years_active = 1978–1984
| years_active = 1978–1984
| label = New Hormones<br />[[LTM Recordings|LTM]]
| label = New Hormones<br />[[LTM Recordings|LTM]]
| associated_acts = [[Ed Banger and the Nosebleeds]], [[Magazine (band)|Magazine]], Manicured Noise, [[The Distractions]], [[The Durutti Column]], [[Visage (band)|Visage]], [[The Fall (band)|The Fall]]
| associated_acts = [[Ed Banger and the Nosebleeds]], [[Magazine (band)|Magazine]], Manicured Noise, [[The Distractions]], [[The Durutti Column]], [[Visage (band)|Visage]], [[The Fall (band)|The Fall]]
| website =
| website =
| current_members =
| current_members =
| past_members = [[Linder (artist)|Linder]]<br />[[Arthur Kadmon]]<br />[[Willie Trotter]]<br/>[[Toby (drummer)|Toby]]<br />Ian Devine<br />Dids<br/>[[Dave Formula]]<br />Paul Cavanagh<br/>Roy O'Shea<br/>Lee Buick<br />Graham Revell
| past_members = [[Linder (artist)|Linder]]<br />[[Arthur Kadmon]]<br />[[Willie Trotter]]<br />[[Toby (drummer)|Toby]]<br />Ian Devine<br />Dids<br />[[Dave Formula]]<br />Paul Cavanagh<br />Roy O'Shea<br />Lee Buick<br />Graham Revell
}}
}}


'''Ludus''' was a [[United Kingdom|British]] [[post-punk]] band formed in [[Manchester]] in 1978 which featured artist, designer and singer [[Linder Sterling]]. It played [[jazz]]-, [[avant-garde music|avant-garde]]- and [[Punk rock|punk]]- oriented material. The band influenced singer [[Morrissey]], later of [[The Smiths]] and a solo artist, who remains one of the group's most vocal fans.
'''Ludus''' was a British [[post-punk]] band formed in [[Manchester]] in 1978, which featured artist, designer and singer [[Linder Sterling]].<ref name="Larkin">{{cite book|title=[[Encyclopedia of Popular Music|The Virgin Encyclopedia of Popular Music]]|editor=Colin Larkin|editor-link=Colin Larkin (writer)|publisher=[[Virgin Books]]|date=1997|edition=Concise|isbn=1-85227-745-9|page=775/6}}</ref> They played [[jazz]]-, [[avant-garde music|avant-garde]]- and [[Punk rock|punk]]- oriented material. The band influenced singer [[Morrissey]], later of [[The Smiths]] and a solo artist, who remains one of the group's most vocal fans.


==History==
==History==
The band was founded by [[Linder Sterling]], who in the arts and music scene was credited as Linder, having designed the cover of [[Buzzcocks]]' single ''[[Orgasm Addict]]'' and [[Magazine (band)|Magazine]]'s debut album ''[[Real Life (Magazine album)|Real Life]]''; Kadmon was formerly in Manicured Noise. Shortly after the formation, ex-[[The Nosebleeds|Nosebleeds]] drummer [[Philip "Toby" Tomanov]] and bassist [[Willie Trotter]] joined to complete the band. It debuted live at the [[Factory Club]], supporting [[The Pop Group]], in October 1978, the same month it recorded a first studio demo. Later, it toured in some parts of [[England]], like the [[Eric's Club]] in [[Liverpool]] and, travelling with Magazine, The Venue in [[London]], in November the same year.
The band was founded by [[Linder Sterling]], who in the arts and music scene is credited as Linder, having designed the cover of [[Buzzcocks]]' single "[[Orgasm Addict]]" and [[Magazine (band)|Magazine]]'s debut album ''[[Real Life (Magazine album)|Real Life]]''; and Arthur Kadmon, formerly of Manicured Noise. Shortly after the formation, ex-[[The Nosebleeds|Nosebleeds]] drummer [[Philip "Toby" Tomanov]] and bassist [[Willie Trotter]] joined to complete the band. It debuted live at the [[Factory Club]], supporting [[The Pop Group]], in October 1978, recording a studio demo the same month. The following month, Ludus played shows at well-known 'punk' venues like [[Eric's Club]] in [[Liverpool]] and, travelling with Magazine, The Venue in [[London]].


Since its live debut at The Factory, Ludus was favourably reviewed in the press. In January 1979, [[Paul Morley]], writing for ''[[NME]]'', remarked:
Since its live debut at The Factory, Ludus was favourably reviewed in the press. In January 1979, [[Paul Morley]], writing for ''[[NME]]'', remarked:
:Ludus are anything but ordinary. A rich, bewitching quartet, led by the enigmatic Linder, whose maturing, enchanting voice adds layers of mystery, fragility and haunting strength to the esoteric music... Arthur supplies the solids, Linder the shadows; Arthur the rain, Linder the wind. It's a classic combination... The overall mixture is of a precious dance music: Gothic, but not glossily so, like [[Magazine (band)|Magazine]]; impressionistic and expressionistic; compact and exuberant. It's music that chills and warms, with images that scare and comfort... Still young, still unsure onstage, their music is already alone and knowing. And they're getting better all the time. Take good care of them.
:Ludus are anything but ordinary. A rich, bewitching quartet, led by the enigmatic Linder, whose maturing, enchanting voice adds layers of mystery, fragility and haunting strength to the esoteric music... Arthur supplies the solids, Linder the shadows; Arthur the rain, Linder the wind. It's a classic combination... The overall mixture is of a precious dance music: Gothic, but not glossily so, like [[Magazine (band)|Magazine]]; impressionistic and expressionistic; compact and exuberant. It's music that chills and warms, with images that scare and comfort... Still young, still unsure onstage, their music is already alone and knowing. And they're getting better all the time. Take good care of them.


In February 1979, Ludus returned to the studio to record another demo, produced by Linder's then boyfriend, [[Howard Devoto]], singer of Magazine. Shortly after a brief UK tour supporting Buzzcocks in March 1979, Kadmon and Trotter quit the band. Kadmon later joined [[The Distractions]] and Trotter moved onto working in the BBC as executive producer for daytime drama. [[Ian Devine]] replaced them, after which the group began recording for New Hormones and pursued more abstract directions, including jazz, improvisation, and (after moving on to [[Les Disques du Crepuscule]] even French pop. A provocative live performance at [[The Haçienda]] club in Manchester on 5 November 1982 saw Linder take the stage dressed in a dress fashioned from raw meat, a sartorial innovation later reprised by [[Lady Gaga]]. After a spell in exile in Brussels, the group disbanded in 1983.
In February 1979, Ludus returned to the studio to record another demo, produced by [[Howard Devoto]], Linder's boyfriend at the time.<ref name="Larkin"/> Shortly after a brief UK tour supporting Buzzcocks in March 1979, Kadmon and Trotter quit the band.<ref name="Larkin"/> Kadmon later joined [[The Distractions]] and Trotter moved onto working in the television industry. [[Ian Devine]] replaced them, after which the group began recording for New Hormones and pursued more abstract directions,<ref name="Larkin"/> including jazz, improvisation, and (after moving on to [[Les Disques du Crepuscule]]) even French pop. A provocative live performance at [[The Haçienda]] club in Manchester on 5 November 1982 saw Linder take the stage dressed in a dress fashioned from raw meat. After a spell in exile in Brussels, the group disbanded in 1983.


In October 1985 [[Morrissey]] wrote sleevenotes for an (unissued) Crepuscule compilation, and offered this closing eulogy: "Ludus lay on us the decorative impulses of their music, and nowhere more significantly than on the volume which now lies before you. People who know real genius will love this record... Her singing leaves me out of breath... Linder went to Brussels and I remained stuck in Manchester, battling with the tides of fortune. Our shrill spirits still slide through the ugly streets of Manchester, always wet through, always caught out, always spectating, our hearts damaged by too many air-raids."<ref name="nice">Nice, James (2002). "[http://home.planet.nl/~frankbri/ludushis.html Ludus: Genius And Damage]". ''The Crepuscule and Factory Pages''. Retrieved on 18 March 2007.</ref>
In October 1985 [[Morrissey]] wrote sleevenotes for an (unissued) Crepuscule compilation, and offered this closing eulogy: "Ludus lay on us the decorative impulses of their music, and nowhere more significantly than on the volume which now lies before you. People who know real genius will love this record... Her singing leaves me out of breath... Linder went to Brussels and I remained stuck in Manchester, battling with the tides of fortune. Our shrill spirits still slide through the ugly streets of Manchester, always wet through, always caught out, always spectating, our hearts damaged by too many air-raids."<ref name="nice">Nice, James (2002). "[http://home.planet.nl/~frankbri/ludushis.html Ludus: Genius And Damage]". ''The Crepuscule and Factory Pages''. Retrieved on 18 March 2007.</ref>
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===Albums===
===Albums===
*''[[The Seduction (album)|The Seduction]]'' (1981)
*''[[The Seduction (album)|The Seduction]]'' (1981)
*''[[Danger Came Smiling]]'' (1982)
*''Danger Came Smiling'' (1982)


===Singles and EPs===
===Singles and EPs===
*''[[The Visit (EP)|The Visit]]'' (1980)
*''The Visit'' (1980)
*''[[Pickpocket (EP)|Pickpocket]]'' (1981)
*''Pickpocket'' (1981)
* "My Cherry Is In Sherry" (1980)
*"My Cherry Is in Sherry" (1980)
* "Mother's Hour" (1981)
*"Mother's Hour" (1981)
* ''[[Completement Nue Au Soleil]]'' (1982)
*''Completement Nue Au Soleil'' (1982)
* "[[Breaking the Rules (single)|Breaking the Rules]]" (1983)
*"Breaking the Rules" (1983)


===Compilations and reissues===
===Compilations and reissues===
* ''Riding the Rag'' (1982)
* ''Riding the Rag'' (1982)
* ''[[Nue Au Soleil (Completement)]]'' (1987)
* ''Nue Au Soleil (Completement)'' (1987)
* ''[[The Damage]]'' (2002)
* ''The Damage'' (2002)
* ''The Visit/The Seduction'' (2002)
* ''The Visit/The Seduction'' (2002)
*'' Pickpocket/Danger Came Smiling ''(2002)
*'' Pickpocket/Danger Came Smiling ''(2002)


==References==
==References==
{{reflist}}
{{Reflist}}


==External links==
==External links==
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{{Authority control}}
{{Authority control}}

[[Category:English new wave musical groups]]
[[Category:English new wave musical groups]]
[[Category:English post-punk music groups]]
[[Category:English post-punk music groups]]
[[Category:Musical groups from Manchester]]
[[Category:Rock music groups from Manchester]]

Latest revision as of 15:13, 16 October 2024

Ludus
OriginManchester, England
GenresNew wave, post-punk, avant-prog
Years active1978–1984
LabelsNew Hormones
LTM
Past membersLinder
Arthur Kadmon
Willie Trotter
Toby
Ian Devine
Dids
Dave Formula
Paul Cavanagh
Roy O'Shea
Lee Buick
Graham Revell

Ludus was a British post-punk band formed in Manchester in 1978, which featured artist, designer and singer Linder Sterling.[1] They played jazz-, avant-garde- and punk- oriented material. The band influenced singer Morrissey, later of The Smiths and a solo artist, who remains one of the group's most vocal fans.

History

[edit]

The band was founded by Linder Sterling, who in the arts and music scene is credited as Linder, having designed the cover of Buzzcocks' single "Orgasm Addict" and Magazine's debut album Real Life; and Arthur Kadmon, formerly of Manicured Noise. Shortly after the formation, ex-Nosebleeds drummer Philip "Toby" Tomanov and bassist Willie Trotter joined to complete the band. It debuted live at the Factory Club, supporting The Pop Group, in October 1978, recording a studio demo the same month. The following month, Ludus played shows at well-known 'punk' venues like Eric's Club in Liverpool and, travelling with Magazine, The Venue in London.

Since its live debut at The Factory, Ludus was favourably reviewed in the press. In January 1979, Paul Morley, writing for NME, remarked:

Ludus are anything but ordinary. A rich, bewitching quartet, led by the enigmatic Linder, whose maturing, enchanting voice adds layers of mystery, fragility and haunting strength to the esoteric music... Arthur supplies the solids, Linder the shadows; Arthur the rain, Linder the wind. It's a classic combination... The overall mixture is of a precious dance music: Gothic, but not glossily so, like Magazine; impressionistic and expressionistic; compact and exuberant. It's music that chills and warms, with images that scare and comfort... Still young, still unsure onstage, their music is already alone and knowing. And they're getting better all the time. Take good care of them.

In February 1979, Ludus returned to the studio to record another demo, produced by Howard Devoto, Linder's boyfriend at the time.[1] Shortly after a brief UK tour supporting Buzzcocks in March 1979, Kadmon and Trotter quit the band.[1] Kadmon later joined The Distractions and Trotter moved onto working in the television industry. Ian Devine replaced them, after which the group began recording for New Hormones and pursued more abstract directions,[1] including jazz, improvisation, and (after moving on to Les Disques du Crepuscule) even French pop. A provocative live performance at The Haçienda club in Manchester on 5 November 1982 saw Linder take the stage dressed in a dress fashioned from raw meat. After a spell in exile in Brussels, the group disbanded in 1983.

In October 1985 Morrissey wrote sleevenotes for an (unissued) Crepuscule compilation, and offered this closing eulogy: "Ludus lay on us the decorative impulses of their music, and nowhere more significantly than on the volume which now lies before you. People who know real genius will love this record... Her singing leaves me out of breath... Linder went to Brussels and I remained stuck in Manchester, battling with the tides of fortune. Our shrill spirits still slide through the ugly streets of Manchester, always wet through, always caught out, always spectating, our hearts damaged by too many air-raids."[2]

Discography

[edit]

Albums

[edit]

Singles and EPs

[edit]
  • The Visit (1980)
  • Pickpocket (1981)
  • "My Cherry Is in Sherry" (1980)
  • "Mother's Hour" (1981)
  • Completement Nue Au Soleil (1982)
  • "Breaking the Rules" (1983)

Compilations and reissues

[edit]
  • Riding the Rag (1982)
  • Nue Au Soleil (Completement) (1987)
  • The Damage (2002)
  • The Visit/The Seduction (2002)
  • Pickpocket/Danger Came Smiling (2002)

References

[edit]
  1. ^ a b c d Colin Larkin, ed. (1997). The Virgin Encyclopedia of Popular Music (Concise ed.). Virgin Books. p. 775/6. ISBN 1-85227-745-9.
  2. ^ Nice, James (2002). "Ludus: Genius And Damage". The Crepuscule and Factory Pages. Retrieved on 18 March 2007.
[edit]
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