Raul Roulien: Difference between revisions
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{{Short description|Brazilian actor, singer, screenwriter and film director}} |
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{{Use mdy dates|date=April 2020}} |
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{{Portuguese name|Intini|Pepe}} |
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{{Infobox person |
{{Infobox person |
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| name = Raul Roulien |
| name = Raul Roulien |
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| image = |
| image = |
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| imagesize = |
| imagesize = |
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| caption = |
| caption = |
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| birth_name = Raul |
| birth_name = Raul Salvador Intini Pepe |
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| birth_date = {{birth date| |
| birth_date = {{birth date|1904|10|7|df=yes}} |
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| birth_place = [[Rio de Janeiro]], |
| birth_place = [[Rio de Janeiro]], Brazil |
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| death_date = {{death date and age|2000|9|8| |
| death_date = {{death date and age|2000|9|8|1904|10|7|df=yes}} |
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| death_place = São Paulo, Brazil |
| death_place = [[São Paulo]], Brazil |
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| othername = |
| othername = Salvador Intini |
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| occupation = {{flatlist| |
| occupation = {{flatlist| |
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*Actor |
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*actor |
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*singer |
*singer |
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*screenwriter |
*screenwriter |
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*film director}} |
*film director}} |
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| yearsactive = |
| yearsactive = 1928–1970 |
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| spouse = {{plainlist| |
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| spouse = Abigail Maia (1928-?) (divorced)<br>Tosca Izabel (?-1933) (her death) (automobile accident)<br>[[Conchita Montenegro]] (1935-?) (divorced)<br>Valkyrie de Almeida (?-2000) (his death) |
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* {{marriage|Abigail Maia|1928|1930|reason=div}} |
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* {{marriage|Diva Tosca|1932|1933|reason=d}} |
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* {{marriage|[[Conchita Montenegro]]|1935|1937|reason=div}} |
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* {{marriage|Nelly Rodrigues|1950}} |
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}} |
}} |
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}} |
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'''Raul Roulien''' (born '''Raul Entini Pepe Acolti Gil'''; October 8, 1905–October 8, 2000) was a Brazilian [[actor]], [[singer]], [[screenwriter]] and [[film director]].<ref>Solomon p.331</ref> He is widely considered the first male Brazilian star in Hollywood. |
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'''Raul Salvador Intini Pepe Roulien''' (7 October 1904 – 8 September 2000), known professionally as '''Raul Roulien''', was a Brazilian actor, singer, screenwriter and film director.<ref>Solomon p.331</ref> He is widely considered the first male Brazilian star in Hollywood. |
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He worked briefly in Hollywood in the waning days of the American movies' embrace of the "[[Latin lover |
He worked briefly in Hollywood in the waning days of the American movies' embrace of the "[[Latin lover]]" (a title invented for the Italian actor [[Rudolph Valentino]]), a phenomenon that encouraged the Jewish-American actor [[Jacob Krantz]] to change his name to Ricardo Cortez. |
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Raul began recording in 1928 and grew in reputation as a theater actor and composer as well, being the greatest Brazilian heartthrob of his time. That same year, he formed the theatrical company |
Raul began recording in 1928 and grew in reputation as a theater actor and composer as well, being the greatest Brazilian heartthrob of his time. That same year, he formed the theatrical company Abigail Maia-Raul Roulien, with then wife, actress Abigail Maia, authoring a genre called "frivolity theater", which were quick shows that took place between breaks in the cinema. |
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In 1931, at the age of 29, with his talent and good looks, he went to the United States and was signed to [[ |
In 1931, at the age of 29, with his talent and good looks, he went to the United States and was signed to [[Fox Film|Fox Studios]], where he worked between 1931 and 1934. His career spanned a total of 18 films, including ''[[Delicious (1931 film)|Delicious]]'' (1931) and ''[[Flying Down to Rio]]'' (1933), the latter starring [[Fred Astaire]] and [[Ginger Rogers]] in their first dance together. |
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In 1933 his second wife, Diva Tosca (née Tosca Izabel Querze), was hit and killed as a pedestrian on Sunset Boulevard by [[John Huston]].<ref>{{Cite book |last=Meyers |first=Jeffrey |year=2011 |title=John Huston: Courage and Art |url=https://archive.org/details/johnhustoncourag0000meye |url-access=registration |location=New York |publisher=Crown/Archetype |page=[https://archive.org/details/johnhustoncourag0000meye/page/40 40] |isbn=9780307590695 }}</ref> |
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==Life and career== |
==Life and career== |
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Raul Roulien was born Raul |
Raul Roulien was born Raul Salvador Intini Pepe on 7 October 1904, in [[Rio de Janeiro]], Brazil to Italian immigrants Biagio Pepe and Anna Intini. As a child, he used to sing all the time. He started his artistic career at age eight, as Raul Pepe, and he is reported to have performed to then [[President of Brazil]] [[Francisco de Paula Rodrigues Alves|Rodrigues Alves]] and to Brazilian writer, and his godfather, [[Ruy Barbosa]]. |
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While visiting one of his brothers in [[Buenos Aires]], [[Argentina]], he was hired to sing at Cine Porteño. There, he rose to fame as a [[Chansonnier (singer)|chansonier]], a pianist and a composer, and began to |
While visiting one of his brothers in [[Buenos Aires]], [[Argentina]], he was hired to sing at Cine Porteño. There, he rose to fame as a [[Chansonnier (singer)|chansonier]], a pianist and a composer, and began to pursue a career in the theater. In 1928, back in Brazil, he founded the "Abigail Maya-Raul Roulien Theater Company", with then wife, actress Abigail Maia, and created a performance genre called "Theater of Frivolity," which were quick shows that took place between movie sessions. |
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In 1931, divorced from |
In 1931, divorced from Abigail, he went to New York and was signed to [[Fox Studios]], as an actor, where he worked until 1934. He made his debut in a [[Spanish-language]] version of the 1931 Hollywood film ''[[Charlie Chan Carries On (film)|Charlie Chan Carries On]]'', called ''[[There Were Thirteen]]'' (1931). His second movie was ''[[Delicious (1931 film)|Delicious]]'' (1931), directed by [[David Butler (director)|David Butler]], where Roulien played a Russian composer, and sang "Delishious", written by [[George Gershwin]]. In 1932, he starred in ''[[Careless Lady]]'', ''[[State's Attorney (film)|State's Attorney]]'', and ''[[The Painted Woman]]''; and in 1933, in ''No Dejes la Puerta Abierta'', ''El Último Varon Sobre La Tierra'', and ''[[It's Great to Be Alive (film)|It's Great to Be Alive]]''. That same year, he starred in the movie for which he is best remembered, ''[[Flying Down to Rio]]'', as part of a romantic triangle with [[Gene Raymond]] and [[Dolores del Río]], and for singing "Orchids in the Moonlight". The production is also memorable for featuring the first [[Fred Astaire]]/[[Ginger Rogers]] cinematic pairing. |
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==Stage and film work== |
==Stage and film work== |
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===Films=== |
===Films=== |
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{| class="wikitable plainrowheaders sortable" style="margin-right: 0;" |
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* ''[[There Were Thirteen]]'' (1931) |
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|- |
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* ''[[Delicious (film)|Delicious]]'' (1931) |
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! scope="col" | Year |
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* ''[[Careless Lady]]'' (1932) |
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! scope="col" | Title |
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* ''[[State's Attorney (film)|State's Attorney]]'' (1932) |
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! scope="col" | Role |
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* ''[[The Painted Woman]]'' (1932) |
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! scope="col" | Notes |
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* ''No Dejes la Puerta Abierta'' (1933) |
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! scope="col" class="unsortable" | {{Tooltip|Ref.|Reference}} |
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* ''[[It's Great to Be Alive (film)|It's Great to Be Alive]]'' (1933) |
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|- |
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* ''El Último Varon Sobre La Tierra'' (1933) |
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! scope="row" | {{sort|1931|1931}} |
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* ''[[Flying Down to Rio]]'' (1933) |
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| ''[[There Were Thirteen]]'' |
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| Max Minchin |
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* ''Granaderos del Amor '' (1934) |
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| |
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* ''[[Piernas de Seda]]'' (1935) |
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| style="text-align: center;" | |
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* ''Te Quiero Con Locura'' (1935) |
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|- |
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* ''Grito da Mocidade'' (1937) |
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! scope="row" | {{sort|1931|1931}} |
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* ''[[El Grito de la Juventud]]'' (1939) |
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| ''[[Delicious (1931 film)|Delicious]]'' |
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* ''Aves Sem Ninho'' (1939) |
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| Sascha |
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* ''Asas do Brasil'' (1939) |
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| Singing "Delishious" |
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* ''[[Road to Rio]]'' (1947) |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1932|1932}} |
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| ''[[Careless Lady]]'' |
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| Luis Pareda |
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| |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1932|1932}} |
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| ''[[State's Attorney (film)|State's Attorney]]'' |
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| Señor Alvarado |
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| Uncredited |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1932|1932}} |
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| ''[[The Painted Woman]]'' |
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| Jim Kikela |
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| |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1933|1933}} |
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| ''El Último Varon Sobre La Tierra'' |
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| Ralph Martin |
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| |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1933|1933}} |
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| ''Primavera en otoño'' |
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| Juan Manuel Valladres |
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| |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1933|1933}} |
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| ''[[It's Great to Be Alive (film)|It's Great to Be Alive]]'' |
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| Carlos Martin |
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| |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1933|1933}} |
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| ''No Dejes la Puerta Abierta'' |
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| Raul |
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| |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1933|1933}} |
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| ''[[Flying Down to Rio]]'' |
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| Julio Ribeiro |
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| First [[Fred Astaire]] / [[Ginger Rogers]] pairing<br>Singing "Orchids in the Moonlight" |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1934|1934}} |
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| ''Granaderos del Amor'' |
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| Erich Remberg / Pierre Laval |
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| |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1934|1934}} |
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| ''[[The World Moves On]]'' |
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| Carlos Girard (1825) / Henri Girard (1914) |
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| |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1935|1935}} |
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| ''Asegure a Su Mujer'' |
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| Ricardo Randall |
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| |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1935|1935}} |
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| ''[[Piernas de Seda]]'' |
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| Frank Alton |
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| |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1935|1935}} |
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| ''Te Quiero Con Locura'' |
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| Alberto Foster |
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| |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1937|1937}} |
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| ''O Grito da Mocidade'' |
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| Raul Melo |
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| |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1939|1939}} |
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| ''[[El Grito de la Juventud]]'' |
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| |
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| Director |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1939|1939}} |
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| ''Aves Sem Ninho'' |
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| |
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| Director |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1947|1947}} |
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| ''[[Road to Rio]]'' |
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| Cavalry Officer |
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| Uncredited, (final film role) |
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| style="text-align: center;" | |
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|- |
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! scope="row" | {{sort|1948|1948}} |
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| ''Asas do Brasil'' |
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| |
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| Story, screenwriter, director |
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| |
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|} |
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===Stage=== |
===Stage=== |
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Line 65: | Line 185: | ||
!scope=row|''Malibu'' |
!scope=row|''Malibu'' |
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|1938 |
|1938 |
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|style="text-align: center;"| |
|style="text-align: center;"| – |
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|Director |
|Director |
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|style="text-align: center;"|<ref>{{Cite |
|style="text-align: center;"|<ref>{{Cite book|url=http://enciclopedia.itaucultural.org.br/evento408159/malibu|title=Malibu|website=[[Itaú Cultural]]|publisher=[[Itaú Unibanco]]|isbn=978-85-7979-060-7|date=n.d.|accessdate=September 1, 2019}}</ref> |
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|- |
|- |
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!scope=row|''Prometo Ser Infiel'' |
!scope=row|''Prometo Ser Infiel'' |
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Line 73: | Line 193: | ||
|Teatro-Cassino Copacabana |
|Teatro-Cassino Copacabana |
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|Also director and translator |
|Also director and translator |
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|style="text-align: center;"|<ref>{{Cite |
|style="text-align: center;"|<ref>{{Cite book|url=http://enciclopedia.itaucultural.org.br/evento401055/prometo-ser-infiel|title=Prometo Ser Infiel|website=[[Itaú Cultural]]|publisher=[[Itaú Unibanco]]|isbn=978-85-7979-060-7|date=February 23, 2017|accessdate=September 1, 2019}}</ref> |
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|- |
|- |
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!scope=row|''Patinho de Ouro'' |
!scope=row|''Patinho de Ouro'' |
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Line 79: | Line 199: | ||
|Teatro-Cassino Copacabana |
|Teatro-Cassino Copacabana |
||
|Also director |
|Also director |
||
|style="text-align: center;"|<ref>{{Cite |
|style="text-align: center;"|<ref>{{Cite book|url=https://enciclopedia.itaucultural.org.br/evento401056/patinho-de-ouro|title=Patinho de Ouro|website=[[Itaú Cultural]]|publisher=[[Itaú Unibanco]]|isbn=978-85-7979-060-7|date=February 23, 2017|accessdate=September 1, 2019}}</ref> |
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|- |
|- |
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!scope=row|''Garçon'' |
!scope=row|''Garçon'' |
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Line 85: | Line 205: | ||
|Teatro-Cassino Copacabana |
|Teatro-Cassino Copacabana |
||
|Also director |
|Also director |
||
|style="text-align: center;"|<ref>{{Cite |
|style="text-align: center;"|<ref>{{Cite book|url=https://enciclopedia.itaucultural.org.br/evento401059/garcon|title=Garçon|website=[[Itaú Cultural]]|publisher=[[Itaú Unibanco]]|isbn=978-85-7979-060-7|date=February 23, 2017|accessdate=September 1, 2019}}</ref> |
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|- |
|- |
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!scope=row|''Alguns Abaixo de Zero'' |
!scope=row|''Alguns Abaixo de Zero'' |
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Line 91: | Line 211: | ||
|Teatro Boa Vista |
|Teatro Boa Vista |
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|Also director |
|Also director |
||
|style="text-align: center;"|<ref>{{Cite |
|style="text-align: center;"|<ref>{{Cite book|url=https://enciclopedia.itaucultural.org.br/evento401063/alguns-abaixo-de-zero|title=Alguns Abaixo de Zero|website=[[Itaú Cultural]]|publisher=[[Itaú Unibanco]]|isbn=978-85-7979-060-7|date=February 23, 2017|accessdate=September 1, 2019}}</ref> |
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|- |
|- |
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!scope=row|''Trio em Lá Menor'' |
!scope=row|''Trio em Lá Menor'' |
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Line 97: | Line 217: | ||
|Teatro Boa Vista |
|Teatro Boa Vista |
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|Also writer and director |
|Also writer and director |
||
|style="text-align: center;"|<ref>{{Cite |
|style="text-align: center;"|<ref>{{Cite book|url=https://enciclopedia.itaucultural.org.br/evento401060/trio-em-la-menor|title=Trio em Lá Menor|website=[[Itaú Cultural]]|publisher=[[Itaú Unibanco]]|isbn=978-85-7979-060-7|date=February 23, 2017|accessdate=September 1, 2019}}</ref> |
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|- |
|- |
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!scope=row|''Diana, Eu Te Amo'' |
!scope=row|''Diana, Eu Te Amo'' |
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Line 103: | Line 223: | ||
|Teatro Boa Vista |
|Teatro Boa Vista |
||
|Also director |
|Also director |
||
|style="text-align: center;"|<ref>{{Cite |
|style="text-align: center;"|<ref>{{Cite book|url=https://enciclopedia.itaucultural.org.br/evento401067/diana-eu-te-amo|title=Diana, Eu Te Amo|website=[[Itaú Cultural]]|publisher=[[Itaú Unibanco]]|isbn=978-85-7979-060-7|date=February 23, 2017|accessdate=September 1, 2019}}</ref> |
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|- |
|- |
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!scope=row|''Coração'' |
!scope=row|''Coração'' |
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Line 109: | Line 229: | ||
|Teatro Boa Vista |
|Teatro Boa Vista |
||
|Also writer and director |
|Also writer and director |
||
|style="text-align: center;"|<ref>{{Cite |
|style="text-align: center;"|<ref>{{Cite book|url=https://enciclopedia.itaucultural.org.br/evento401065/coracao|title=Coração|website=[[Itaú Cultural]]|publisher=[[Itaú Unibanco]]|isbn=978-85-7979-060-7|date=February 23, 2017|accessdate=September 1, 2019}}</ref> |
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|- |
|- |
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!scope=row|''Na Pele do Lobo'' |
!scope=row|''Na Pele do Lobo'' |
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Line 115: | Line 235: | ||
|Teatro Regina |
|Teatro Regina |
||
|Also director and translator |
|Also director and translator |
||
|style="text-align: center;"|<ref>{{Cite |
|style="text-align: center;"|<ref>{{Cite book|url=https://enciclopedia.itaucultural.org.br/evento401070/na-pele-do-lobo|title=Na Pele do Lobo|website=[[Itaú Cultural]]|publisher=[[Itaú Unibanco]]|isbn=978-85-7979-060-7|date=February 23, 2017|accessdate=September 1, 2019}}</ref> |
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|} |
|} |
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Line 135: | Line 255: | ||
[[Category:Brazilian male film actors]] |
[[Category:Brazilian male film actors]] |
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[[Category:Male actors from Rio de Janeiro (city)]] |
[[Category:Male actors from Rio de Janeiro (city)]] |
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[[Category:Brazilian expatriate male actors in the United States]] |
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{{Brazil-actor-stub}} |
Latest revision as of 21:53, 17 October 2024
Raul Roulien | |
---|---|
Born | Raul Salvador Intini Pepe 7 October 1904 Rio de Janeiro, Brazil |
Died | 8 September 2000 São Paulo, Brazil | (aged 95)
Other names | Salvador Intini |
Occupations |
|
Years active | 1928–1970 |
Spouses | Abigail Maia
(m. 1928; div. 1930)Diva Tosca
(m. 1932; died 1933)Nelly Rodrigues (m. 1950) |
Raul Salvador Intini Pepe Roulien (7 October 1904 – 8 September 2000), known professionally as Raul Roulien, was a Brazilian actor, singer, screenwriter and film director.[1] He is widely considered the first male Brazilian star in Hollywood.
He worked briefly in Hollywood in the waning days of the American movies' embrace of the "Latin lover" (a title invented for the Italian actor Rudolph Valentino), a phenomenon that encouraged the Jewish-American actor Jacob Krantz to change his name to Ricardo Cortez.
Raul began recording in 1928 and grew in reputation as a theater actor and composer as well, being the greatest Brazilian heartthrob of his time. That same year, he formed the theatrical company Abigail Maia-Raul Roulien, with then wife, actress Abigail Maia, authoring a genre called "frivolity theater", which were quick shows that took place between breaks in the cinema.
In 1931, at the age of 29, with his talent and good looks, he went to the United States and was signed to Fox Studios, where he worked between 1931 and 1934. His career spanned a total of 18 films, including Delicious (1931) and Flying Down to Rio (1933), the latter starring Fred Astaire and Ginger Rogers in their first dance together.
In 1933 his second wife, Diva Tosca (née Tosca Izabel Querze), was hit and killed as a pedestrian on Sunset Boulevard by John Huston.[2]
Life and career
[edit]Raul Roulien was born Raul Salvador Intini Pepe on 7 October 1904, in Rio de Janeiro, Brazil to Italian immigrants Biagio Pepe and Anna Intini. As a child, he used to sing all the time. He started his artistic career at age eight, as Raul Pepe, and he is reported to have performed to then President of Brazil Rodrigues Alves and to Brazilian writer, and his godfather, Ruy Barbosa.
While visiting one of his brothers in Buenos Aires, Argentina, he was hired to sing at Cine Porteño. There, he rose to fame as a chansonier, a pianist and a composer, and began to pursue a career in the theater. In 1928, back in Brazil, he founded the "Abigail Maya-Raul Roulien Theater Company", with then wife, actress Abigail Maia, and created a performance genre called "Theater of Frivolity," which were quick shows that took place between movie sessions.
In 1931, divorced from Abigail, he went to New York and was signed to Fox Studios, as an actor, where he worked until 1934. He made his debut in a Spanish-language version of the 1931 Hollywood film Charlie Chan Carries On, called There Were Thirteen (1931). His second movie was Delicious (1931), directed by David Butler, where Roulien played a Russian composer, and sang "Delishious", written by George Gershwin. In 1932, he starred in Careless Lady, State's Attorney, and The Painted Woman; and in 1933, in No Dejes la Puerta Abierta, El Último Varon Sobre La Tierra, and It's Great to Be Alive. That same year, he starred in the movie for which he is best remembered, Flying Down to Rio, as part of a romantic triangle with Gene Raymond and Dolores del Río, and for singing "Orchids in the Moonlight". The production is also memorable for featuring the first Fred Astaire/Ginger Rogers cinematic pairing.
Stage and film work
[edit]Films
[edit]Year | Title | Role | Notes | Ref. |
---|---|---|---|---|
1931 | There Were Thirteen | Max Minchin | ||
1931 | Delicious | Sascha | Singing "Delishious" | |
1932 | Careless Lady | Luis Pareda | ||
1932 | State's Attorney | Señor Alvarado | Uncredited | |
1932 | The Painted Woman | Jim Kikela | ||
1933 | El Último Varon Sobre La Tierra | Ralph Martin | ||
1933 | Primavera en otoño | Juan Manuel Valladres | ||
1933 | It's Great to Be Alive | Carlos Martin | ||
1933 | No Dejes la Puerta Abierta | Raul | ||
1933 | Flying Down to Rio | Julio Ribeiro | First Fred Astaire / Ginger Rogers pairing Singing "Orchids in the Moonlight" |
|
1934 | Granaderos del Amor | Erich Remberg / Pierre Laval | ||
1934 | The World Moves On | Carlos Girard (1825) / Henri Girard (1914) | ||
1935 | Asegure a Su Mujer | Ricardo Randall | ||
1935 | Piernas de Seda | Frank Alton | ||
1935 | Te Quiero Con Locura | Alberto Foster | ||
1937 | O Grito da Mocidade | Raul Melo | ||
1939 | El Grito de la Juventud | Director | ||
1939 | Aves Sem Ninho | Director | ||
1947 | Road to Rio | Cavalry Officer | Uncredited, (final film role) | |
1948 | Asas do Brasil | Story, screenwriter, director |
Stage
[edit]Production | Year | Theater | Note(s) | Ref(s) |
---|---|---|---|---|
Malibu | 1938 | – | Director | [3] |
Prometo Ser Infiel | 1941 | Teatro-Cassino Copacabana | Also director and translator | [4] |
Patinho de Ouro | 1941 | Teatro-Cassino Copacabana | Also director | [5] |
Garçon | 1941 | Teatro-Cassino Copacabana | Also director | [6] |
Alguns Abaixo de Zero | 1941 | Teatro Boa Vista | Also director | [7] |
Trio em Lá Menor | 1941 | Teatro Boa Vista | Also writer and director | [8] |
Diana, Eu Te Amo | 1941 | Teatro Boa Vista | Also director | [9] |
Coração | 1941 | Teatro Boa Vista | Also writer and director | [10] |
Na Pele do Lobo | 1942 | Teatro Regina | Also director and translator | [11] |
References
[edit]- ^ Solomon p.331
- ^ Meyers, Jeffrey (2011). John Huston: Courage and Art. New York: Crown/Archetype. p. 40. ISBN 9780307590695.
- ^ Malibu. Itaú Unibanco. n.d. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
{{cite book}}
:|website=
ignored (help) - ^ Prometo Ser Infiel. Itaú Unibanco. February 23, 2017. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
{{cite book}}
:|website=
ignored (help) - ^ Patinho de Ouro. Itaú Unibanco. February 23, 2017. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
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ignored (help) - ^ Garçon. Itaú Unibanco. February 23, 2017. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
{{cite book}}
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ignored (help) - ^ Alguns Abaixo de Zero. Itaú Unibanco. February 23, 2017. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
{{cite book}}
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ignored (help) - ^ Trio em Lá Menor. Itaú Unibanco. February 23, 2017. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
{{cite book}}
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ignored (help) - ^ Diana, Eu Te Amo. Itaú Unibanco. February 23, 2017. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
{{cite book}}
:|website=
ignored (help) - ^ Coração. Itaú Unibanco. February 23, 2017. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
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ignored (help) - ^ Na Pele do Lobo. Itaú Unibanco. February 23, 2017. ISBN 978-85-7979-060-7. Retrieved September 1, 2019.
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ignored (help)
Bibliography
[edit]- Aubrey Solomon. The Fox Film Corporation, 1915-1935: A History and Filmography. McFarland, 2011.
External links
[edit]- Raul Roulien at IMDb