Félix de Vuillefroy-Cassini: Difference between revisions
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[[File:Vuillefroy.jpg|thumb]] |
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'''Félix de Vuillefroy-Cassini''' (March 2, 1841 – February 1, 1916) was a French painter, engraver and entomologist. As an artist he was particularly well-known as an [[animalier]], depicting cattle in many of his works showing pastoral scenes. |
'''Félix Dominique de Vuillefroy-Cassini''' (March 2, 1841 – February 1, 1916) was a French painter, engraver and entomologist. As an artist he was particularly well-known as an [[animalier]], depicting cattle in many of his works showing pastoral scenes. As an entomologist, he collected insects on his travels and the beetles ''[[Nebria vuillefroyi]]'' and ''[[Metadonus vuillefroyanus]]'' were named after him while a few new species were described by him. |
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== Life and work == |
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[[File:Félix_de_Vuillefroy-Cassini.jpg|thumb|left|In his Atelier]] |
[[File:Félix_de_Vuillefroy-Cassini.jpg|thumb|left|In his Atelier]] |
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Vuillefroy-Cassini was born in [[La Madeleine, Paris]], the son of Charles-Amédée de Vuillefroy de Silly (1810-1878) and Felicie Feuillade (1822-1843). He grew up in the family Château de |
Vuillefroy-Cassini was born in [[La Madeleine, Paris]], the son of Charles-Amédée de Vuillefroy de Silly (1810-1878) and Felicie Feuillade (1822-1843). He grew up in the family Château de Fillerval (which belonged to the famous [[Cassini (disambiguation)#People|Cassini family]]) and after the early death of his mother, he was raised by his grandmother. He studied law and enter the Conseil d'Etat in 1864 while also studying art first under [[Ernest Hébert]] (1817-1908) and then from 1868 under [[Léon Bonnat]] (1833-1922).<ref>{{cite journal |author=D'igny, Pierre |year=1888 |title="The Salon" Forty |journal=Art and Letters: An Illustrated Review |volume=2 |pages=351–372}}</ref> He began to paint realistic paintings from 1867 when he exhibited at the Salon for the first time. He then left his work at the Council of State and spent more time on painting and bought a house at Chailly-en-Bière. He was influenced by the [[Barbizon School|Barbizon school of art]] after moving to the new house. He joined the Entomological Society of France in 1861 and in 1865, he travelled to Spain with other entomologists and collected insects. The beetles ''Nebria vuillefroyi'' and ''Metadonus vuillefroyanus''<ref>{{Cite journal |last1=Skuhrovec |first1=Jiří |last2=Bogusch |first2=Petr |date=2016 |title=The morphology of the immature stages of Metadonus vuillefroyanus (Capiomont, 1868) (Coleoptera, Curculionidae, Hyperini) and notes on its biology |url=https://zookeys.pensoft.net/article/7847/ |journal=ZooKeys |language=en |issue=589 |pages=123–142 |doi=10.3897/zookeys.589.7847 |doi-access=free |issn=1313-2970 |pmc=4926666 |pmid=27408538}}</ref> were named after him while he described a few species of bugs including ''[[Appasus japonicus]]''.<ref>{{cite journal |author=Vuillefroy, Felix de |year=1864 |title=Hemipteres nouveaux |url=https://www.biodiversitylibrary.org/page/8254207 |journal=Annales de la Société entomologique de France |series=4 |volume=4 |pages=141–142}}</ref> In 1880 he was appointed a [[Legion of Honour|knight of the Legion of Honour]]. He was involved in the creation of the [[Société des Artistes Français|Société des artistes français]] in 1881. Vuillefroy-Cassini married Amélie Gélot de Saint-Amey (1844-1901) in 1887 after she separated from the novelist [[Albert Delpit]] (1849-1893). He received a gold medal in 1889 during the [[Exposition Universelle (1889)|Exposition Universelle]]. His health declined from 1890s and he sold his Drouot studio in 1907. His last exhibition was in 1913. World War I caused a decline in his fortunes and he left his Paris studio that he bought in 1882 and lived at Maisons-Laffitte where he died. His burial location is unknown.<ref>{{Cite web |date=2016 |title=Félix de Vuillefroy, un peintre animalier au Salon |url=https://lespetitsmaitres.com/2016/11/felix-de-vuillefroy-un-peintre-animalier-au-salon/ |website=En savoir plus}}</ref> |
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<gallery> |
<gallery> |
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File:Le retour à la ferme VUILLEFROY.Dominique-Félix de Huile sur toile.JPG|Le retour à la ferme, 1887 |
File:Le retour à la ferme VUILLEFROY.Dominique-Félix de Huile sur toile.JPG|Le retour à la ferme, 1887 |
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File:Alpine_herd.JPG |
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Cattle_watering.jpg |
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Deux_Chiens.jpg|Deux chiens |
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Le_retour_du_troupeau.jpg|Le retour du troupeau |
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Paysan_et_ses_vaches.jpg|Paysan et ses vaches |
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</gallery> |
</gallery> |
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== References == |
== References == |
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{{reflist}} |
{{reflist}} |
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[[Category:1916 deaths]] |
[[Category:1916 deaths]] |
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[[Category:French artists]] |
[[Category:French artists]] |
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[[Category:French entomologists]] |
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Latest revision as of 16:12, 18 October 2024
Félix Dominique de Vuillefroy-Cassini (March 2, 1841 – February 1, 1916) was a French painter, engraver and entomologist. As an artist he was particularly well-known as an animalier, depicting cattle in many of his works showing pastoral scenes. As an entomologist, he collected insects on his travels and the beetles Nebria vuillefroyi and Metadonus vuillefroyanus were named after him while a few new species were described by him.
Life and work
[edit]
Vuillefroy-Cassini was born in La Madeleine, Paris, the son of Charles-Amédée de Vuillefroy de Silly (1810-1878) and Felicie Feuillade (1822-1843). He grew up in the family Château de Fillerval (which belonged to the famous Cassini family) and after the early death of his mother, he was raised by his grandmother. He studied law and enter the Conseil d'Etat in 1864 while also studying art first under Ernest Hébert (1817-1908) and then from 1868 under Léon Bonnat (1833-1922).[1] He began to paint realistic paintings from 1867 when he exhibited at the Salon for the first time. He then left his work at the Council of State and spent more time on painting and bought a house at Chailly-en-Bière. He was influenced by the Barbizon school of art after moving to the new house. He joined the Entomological Society of France in 1861 and in 1865, he travelled to Spain with other entomologists and collected insects. The beetles Nebria vuillefroyi and Metadonus vuillefroyanus[2] were named after him while he described a few species of bugs including Appasus japonicus.[3] In 1880 he was appointed a knight of the Legion of Honour. He was involved in the creation of the Société des artistes français in 1881. Vuillefroy-Cassini married Amélie Gélot de Saint-Amey (1844-1901) in 1887 after she separated from the novelist Albert Delpit (1849-1893). He received a gold medal in 1889 during the Exposition Universelle. His health declined from 1890s and he sold his Drouot studio in 1907. His last exhibition was in 1913. World War I caused a decline in his fortunes and he left his Paris studio that he bought in 1882 and lived at Maisons-Laffitte where he died. His burial location is unknown.[4]
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Le retour à la ferme, 1887 -
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Deux chiens -
Le retour du troupeau -
Paysan et ses vaches
References
[edit]- ^ D'igny, Pierre (1888). ""The Salon" Forty". Art and Letters: An Illustrated Review. 2: 351–372.
- ^ Skuhrovec, Jiří; Bogusch, Petr (2016). "The morphology of the immature stages of Metadonus vuillefroyanus (Capiomont, 1868) (Coleoptera, Curculionidae, Hyperini) and notes on its biology". ZooKeys (589): 123–142. doi:10.3897/zookeys.589.7847. ISSN 1313-2970. PMC 4926666. PMID 27408538.
- ^ Vuillefroy, Felix de (1864). "Hemipteres nouveaux". Annales de la Société entomologique de France. 4. 4: 141–142.
- ^ "Félix de Vuillefroy, un peintre animalier au Salon". En savoir plus. 2016.
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