Cheenu Pillai: Difference between revisions
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{{Short description|Indian artist}} |
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{{Multiple issues| |
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{{BLP sources|date=April 2009}} |
{{BLP sources|date=April 2009}} |
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| caption = Balaji (2006) Oil on canvas |
| caption = Balaji (2006) Oil on canvas |
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| birth_date = 19 December 1971 |
| birth_date = 19 December 1971 |
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| birth_place = [[Pattukottai]] |
| birth_place = [[Pattukottai]], India |
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| nationality = |
| nationality = Indian |
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| field = [[Painting]] |
| field = [[Painting]] |
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| training = [[Self taught]] |
| training = [[Self taught]] |
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| works = ''Celestial Wedding'', ''Dasavatar'',''Advaitham'',''Beloved thief'' |
| works = ''Celestial Wedding'', ''Dasavatar'',''Advaitham'',''Beloved thief'' |
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'''Cheenu Pillai''' is a self-taught artist<ref>{{cite web | last =Muthukrishnan | first =Abirami | title =Art and non-conformism | publisher =Ergo | url =http://www.goergo.in/?p=136 | format =Web article | access-date =2008-01-14 | archive-url =https://web.archive.org/web/20100409025844/http://www.goergo.in/?p=136 | archive-date =2010-04-09 | url-status =dead }}</ref> from [[Chennai]], [[India]] who blends European [[expressionism]] with [[dravidian]] themes. |
'''Cheenu Pillai''' is a self-taught artist<ref>{{cite web | last =Muthukrishnan | first =Abirami | title =Art and non-conformism | publisher =Ergo | url =http://www.goergo.in/?p=136 | format =Web article | access-date =2008-01-14 | archive-url =https://web.archive.org/web/20100409025844/http://www.goergo.in/?p=136 | archive-date =2010-04-09 | url-status =dead }}</ref> from [[Chennai]], [[India]], who blends European [[expressionism]] with [[South Indian culture|dravidian]] themes. |
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==Career== |
==Career== |
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Cheenu Pillai |
Cheenu Pillai (born in 1971 in a village within the [[Thanjavur|Tanjore]] district) received his early education in both his village and Tanjore. He was introduced to painting at a young age by his elder brother, also an artist. Pillai initially focused on religious portraits, a theme influenced by his religious upbringing. As his artistic exploration deepened, he developed an appreciation for the symmetrical and balanced forms present in Hindu iconography |
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Despite nurturing a lifelong passion for art, he did not initially consider it as a career path. His academic excellence in school led him towards pursuing a white-collar occupation, eventually working in investment banking after completing his MBA. Later, the evolving landscape of information technology prompted a mid-career shift, although art remained his foremost passion. His inspiration flourished during his time in Europe, where he frequently visited art galleries. |
Despite nurturing a lifelong passion for art, he did not initially consider it as a career path. His academic excellence in school led him towards pursuing a white-collar occupation, eventually working in investment banking after completing his MBA. Later, the evolving landscape of information technology prompted a mid-career shift, although art remained his foremost passion. His inspiration flourished during his time in Europe, where he frequently visited art galleries. |
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==References== |
==References== |
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<ref>{{cite news|last=Bhagat|first=Ashrafi|title=semantics of divinity|url=http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/article641801.ece|access-date=28 May 2012|newspaper=the hindu|date=7 May 2009}}</ref><ref>{{cite web|last=Bhagat|first=Ashrafi|title=Allure of Myth|url=http://chennaigallery.com/images/Hindu.jpg|work=The Hindu}}</ref> |
<ref>{{cite news|last=Bhagat|first=Ashrafi|title=semantics of divinity|url=http://www.thehindu.com/todays-paper/tp-features/tp-metroplus/article641801.ece|access-date=28 May 2012|newspaper=the hindu|date=7 May 2009}}</ref><ref>{{cite web|last=Bhagat|first=Ashrafi|title=Allure of Myth|url=http://chennaigallery.com/images/Hindu.jpg|work=The Hindu|access-date=28 May 2012|archive-date=3 July 2019|archive-url=https://web.archive.org/web/20190703203349/http://chennaigallery.com/images/Hindu.jpg|url-status=dead}}</ref> |
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<ref>{{cite news|last=Mahesh|first=Chitra|title=Cheenus Art strikes a chord between geometry and divinity|url=http://chennaigallery.com/images/deccan_chronicle.jpg|newspaper=Deccan Chronicle|date=28 December 2007|page=24|access-date=1 August 2020|via=chennaigallery.com}}</ref> {{reflist}} |
<ref>{{cite news|last=Mahesh|first=Chitra|title=Cheenus Art strikes a chord between geometry and divinity|url=http://chennaigallery.com/images/deccan_chronicle.jpg|newspaper=Deccan Chronicle|date=28 December 2007|page=24|access-date=1 August 2020|via=chennaigallery.com|archive-date=3 July 2019|archive-url=https://web.archive.org/web/20190703195116/http://chennaigallery.com/images/deccan_chronicle.jpg|url-status=dead}}</ref> {{reflist}} |
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== External links == |
== External links == |
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* [http://www.chennaigallery.com Paintings of Cheenu Pillai] |
* [http://www.chennaigallery.com Paintings of Cheenu Pillai] {{Webarchive|url=https://web.archive.org/web/20180513232321/http://www.chennaigallery.com/ |date=13 May 2018 }} |
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Latest revision as of 22:05, 18 October 2024
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Cheenu Pillai | |
|---|---|
 Balaji (2006) Oil on canvas | |
| Born | 19 December 1971 Pattukottai, India |
| Nationality | Indian |
| Education | Self taught |
| Known for | Painting |
| Notable work | Celestial Wedding, Dasavatar,Advaitham,Beloved thief |
| Movement | Dravidian Orphism |
Cheenu Pillai is a self-taught artist[1] from Chennai, India, who blends European expressionism with dravidian themes.
Career
[edit]Cheenu Pillai (born in 1971 in a village within the Tanjore district) received his early education in both his village and Tanjore. He was introduced to painting at a young age by his elder brother, also an artist. Pillai initially focused on religious portraits, a theme influenced by his religious upbringing. As his artistic exploration deepened, he developed an appreciation for the symmetrical and balanced forms present in Hindu iconography
Despite nurturing a lifelong passion for art, he did not initially consider it as a career path. His academic excellence in school led him towards pursuing a white-collar occupation, eventually working in investment banking after completing his MBA. Later, the evolving landscape of information technology prompted a mid-career shift, although art remained his foremost passion. His inspiration flourished during his time in Europe, where he frequently visited art galleries.
In 2003, he made a decisive commitment to his artistic pursuits, resigning from his role as the president of a prominent software company. While he maintained involvement in software consultancy, he also dedicated more time to his painting endeavors.
Apparao galleries included Cheenu's works as part of a group show in 2004. Again in 2007, A.v.ilango's art space and Tangerine art sponsored an exhibition of his paintings from the divinity series at the tangerine restaurant, which gave him the initial impetus. Cheenu was part of a group show at Apparao galleries in 2009
Style
[edit]Cheenu Pillai has evolved a unique style of representation which is hybrid between European movements like cubism, expressionism, orphism and Indian sensibilities in terms of color schemes and layouts.
References
[edit]- ^ Muthukrishnan, Abirami. "Art and non-conformism". Ergo. Archived from the original (Web article) on 9 April 2010. Retrieved 14 January 2008.
- ^ Bhagat, Ashrafi (7 May 2009). "semantics of divinity". the hindu. Retrieved 28 May 2012.
- ^ Bhagat, Ashrafi. "Allure of Myth". The Hindu. Archived from the original on 3 July 2019. Retrieved 28 May 2012.
- ^ Mahesh, Chitra (28 December 2007). "Cheenus Art strikes a chord between geometry and divinity". Deccan Chronicle. p. 24. Archived from the original on 3 July 2019. Retrieved 1 August 2020 – via chennaigallery.com.
External links
[edit]- Paintings of Cheenu Pillai Archived 13 May 2018 at the Wayback Machine