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{{short description|German art dealer}}
{{short description|German art dealer (1863–1938)}}

{{in use}}
[[File:Liebigstr. 21 Muenchen-1.jpg|thumb|{{center|The premises of the Helbing auction house were located in the building at Liebigstr. 21/corner of Wagmüllerstr. 15 in Munich.}}]]
[[File:Liebigstr. 21 Muenchen-1.jpg|thumb|{{center|The premises of the Helbing auction house were located in the building at Liebigstr. 21/corner of Wagmüllerstr. 15 in Munich.}}]]
[[File:Carl Schuch - Wald mit gefällten Bäumen.jpg|thumb|{{center|One of the paintings sold by the auction house Hugo Helbing: [[Carl Schuch]]'s ''Wald mit gefällten Bäumen'' from 1868.}}]]
[[File:Carl Schuch - Wald mit gefällten Bäumen.jpg|thumb|{{center|One of the paintings sold by the auction house Hugo Helbing: [[Carl Schuch]]'s ''Wald mit gefällten Bäumen'' from 1868.}}]]


'''Hugo Helbing''' (23 April 1863 – 30 November 1938) was a German [[art dealer]] and [[auction]]eer.
'''Hugo Helbing''' (23 April 1863 – 30 November 1938) was a German [[art dealer]] and [[auction]]eer.


== The Helbing art shop ==
== The Helbing art shop ==
Born in [[Munich]], Helbing was a son of Sigmund Helbing, who ran an [[antique]] dealer in Munich from the middle of the 19th century. His sons also became active in this field: Helbing had a respected coin shop in Munich, his brother Ludwig opened an antique shop in Nuremberg, and Hugo Helbing founded the ''Kunsthandlung Hugo Helbing'' in 1885.<ref name="familie">{{cite book||url=https://books.google.com/books?id=QsPnJMIizy8C&q=%22Hugo+Helbing%22&pg=PA269&redir_esc=y#v=onepage&q=%22Hugo%20Helbing%22&f=false Online| title=Die Kunst des Handelns. Meisterwerke des 14. bis 20. Jahrhunderts bei Peter und Fritz Nathan |author=Götz Adriani |pages=269 |publisher=Hatje Cantz Verlag |year=2005 |isbn=3-7757-1658-0 |access-date=22 September 2022}}</ref>
Born in [[Munich]], Helbing was a son of Sigmund Helbing, who ran an [[antique]] dealer in Munich from the middle of the 19th century. His sons also became active in this field: Helbing had a respected coin shop in Munich, his brother Ludwig opened an antique shop in [[Nuremberg]], and Hugo Helbing founded the ''Kunsthandlung Hugo Helbing'' in 1885.<ref name="familie">{{cite book|url=https://books.google.com/books?id=QsPnJMIizy8C&q=%22Hugo+Helbing%22+Online&pg=PA269| title=Die Kunst des Handelns. Meisterwerke des 14. bis 20. Jahrhunderts bei Peter und Fritz Nathan |author=Götz Adriani |pages=269 |publisher=[[Hatje Cantz Verlag]] |year=2005 |isbn=3-7757-1658-0 |access-date=22 September 2021}}</ref>


From 1906 Helbing ran the company together with other co-owners, including his son Fritz from his first marriage.<ref name="badv">{{cite web |url=http://www.badv.bund.de/DE/OffeneVermoegensfragen/KunstundProvenienzrecherche/Provenienzen/Daten/13000_13999/13267.html |title=Provenienzrecherche – Oswald Achenbach |publisher=Bundesamt für zentrale Dienste und offene Vermögensfragen |access-date=22 September 2021}}</ref> Das international renommierte Haus hatte Filialen in Berlin and Frankfurt, und Helbing wurde zum ''Kommerzienrat'' ernannt.<ref name="art">{{cite web |url=http://www.arthistoricum.net/themen/portale/german-sales/auktionshaeuser-a-z/auktionshaeuser-deutschland-a-z/muenchen/ |title=Auktionshäuser in München |publisher=arthistoricum.net |access-date=22 September 2021}}</ref> Helbing's auctions, which lasted several days and were held in collaboration with [[Paul Cassirer]] from 1916 until the 1920s, were considered social events and were "a piece of cultural history of our century".<ref>{{cite book |author=Georg Brühl |title=Die Cassirers, Streiter für den Impressionismus |location=Leipzig |year=1991 |pages=162}}, quoted after {{cite web|url=http://www.diss.fu-berlin.de/diss/servlets/MCRFileNodeServlet/FUDISS_derivate_000000001073/02_kap1.pdf?hosts= |author=Anja-Walter Ries |title=Die Geschichte der Galerie Nierendorf. Kunstleidenschaft im Dienst der Moderne Berlin/New York 1920–1995 |publisher=Phil. Diss. FU Berlin |date=2003 |access-date=22 September 2021}}</ref><ref>{{cite web|url=http://www.faz.net/aktuell/feuilleton/die-pogrome-und-der-kunstbetrieb-9-november-12655177.html |title=Die Pogrome und der Kunstbetrieb. 9. November |publisher=Frankfurter Allgemeine |author=Julia Voss |date=9 November 2013|access-date=22 September 2021}}</ref> Between 1930 and 1935 alone, the Helbing auction house published 123 auction catalogues, making it one of the largest auction houses of the time.<ref name="art" />
From 1906, Helbing ran the company together with other co-owners, including his son Fritz from his first marriage.<ref name="badv">{{cite web |url=http://www.badv.bund.de/DE/OffeneVermoegensfragen/KunstundProvenienzrecherche/Provenienzen/Daten/13000_13999/13267.html |title=Provenienzrecherche – Oswald Achenbach |publisher=Bundesamt für zentrale Dienste und offene Vermögensfragen |access-date=22 September 2021 |archive-date=30 December 2013 |archive-url=https://web.archive.org/web/20131230234521/http://www.badv.bund.de/DE/OffeneVermoegensfragen/KunstundProvenienzrecherche/Provenienzen/Daten/13000_13999/13267.html |url-status=dead }}</ref> The internationally renowned house had branches in Berlin and Frankfurt, and Helbing was appointed to the rank of ''Kommerzienrat''.<ref name="art">{{cite web |url=http://www.arthistoricum.net/themen/portale/german-sales/auktionshaeuser-a-z/auktionshaeuser-deutschland-a-z/muenchen/ |title=Auktionshäuser in München |publisher=arthistoricum.net |access-date=22 September 2021}}</ref> Helbing's auctions, which lasted several days and were held in collaboration with [[Paul Cassirer]] from 1916 until the 1920s, were considered social events and were "a piece of cultural history of our century".<ref>{{cite book |author=Georg Brühl |title=Die Cassirers, Streiter für den Impressionismus |location=Leipzig |year=1991 |pages=162}}, quoted after {{cite web|url=http://www.diss.fu-berlin.de/diss/servlets/MCRFileNodeServlet/FUDISS_derivate_000000001073/02_kap1.pdf?hosts= |author=Anja-Walter Ries |title=Die Geschichte der Galerie Nierendorf. Kunstleidenschaft im Dienst der Moderne Berlin/New York 1920–1995 |publisher=Phil. Diss. FU Berlin |date=2003 |access-date=22 September 2021}}</ref><ref>{{cite web|url=http://www.faz.net/aktuell/feuilleton/die-pogrome-und-der-kunstbetrieb-9-november-12655177.html |title=Die Pogrome und der Kunstbetrieb. 9. November |publisher=Frankfurter Allgemeine |author=Julia Voss |date=9 November 2013|access-date=22 September 2021}}</ref> Between 1930 and 1935, the Helbing auction house published 123 auction catalogues, making it one of the largest auction houses of the time.<ref name="art" /> The antiquarian Max Ziegert portrayed Helbing in his memoirs:
The antiquarian Max Ziegert portrayed Helbing in his memoirs:


{{quote|The man is a figure in Munich's art life and knows it. When I had business dealings with him, I always felt defenceless. He was so above me that I simply had to say yes when he wanted something. He raped you with the greatest kindness and urbanity. […] }}{{cite book |author=Max Ziegert |title=Schattenrisse deutscher Antiquare – Persönliche Erinnerungen aus den Jahren 1870 bis 1915 |publisher=Verband Deutscher Antiquare |location=Elbingen |year=2009 |isbn=978-3-9812223-3-3}}
{{blockquote|The man is a figure in Munich's art life and knows it. When I had business dealings with him, I always felt defenceless. He was so above me that I simply had to say yes when he wanted something. He raped you with the greatest kindness and urbanity. […] }}{{cite book |author=Max Ziegert |title=Schattenrisse deutscher Antiquare – Persönliche Erinnerungen aus den Jahren 1870 bis 1915 |publisher=Verband Deutscher Antiquare |location=Elbingen |year=2009 |isbn=978-3-9812223-3-3}}


== Family ==
== Family ==
Helbing married Sophie, née Liebermann, in his first marriage and had two sons with her, Rudolf and Friedrich David (Fritz). Rudolf died as an infant; son Fritz, born in Munich on 16 December 1888, was married three times but remained childless. In 1926 Hugo Helbing married his second wife Lydia Ludwina, née Vorndran, born on 10 April 1884 in [[Würzburg]].<ref name="badv" />
Helbing married Sophie, née Liebermann, in his first marriage and had two sons with her, Rudolf and Friedrich David (Fritz). Rudolf died as an infant; his son Fritz, born in Munich on 16 December 1888, was married three times but remained childless. In 1926, Helbing married his second wife Lydia Ludwina, née Vorndran, born on 10 April 1884 in [[Würzburg]].<ref name="badv" />


From 1908, Helbing acted as guardian to his nephew [[Fritz Nathan]], son of his sister Irene, who had become an orphan at the age of 13.<ref name="familie" />
From 1908, Helbing acted as guardian to his nephew [[Fritz Nathan]], son of his sister Irene, who had become an orphan at the age of 13.<ref name="familie" />


== During the National Socialist era ==
== During the National Socialist era ==
Im März 1933, kurz nach der [[Machtergreifung]] by the Nazis, wurde die Auktion „Gemälde alter und neuer Meister“ im Düsseldorf ''[[Breidenbacher Hof]]''<ref>{{cite web |url=http://www.worldcat.org/title/gemalde-alter-und-neuer-meister-und-skulpturen-aus-rheinischem-berliner-und-auslandischem-museums-und-privatbesitz-darunter-bildnisse-u-a-aus-dem-ehemaligen-palais-radziwill-in-berlin/oclc/703596587 |title=Gemälde alter und neuer Meister und Skulpturen : aus rheinischem, Berliner und ausländischem Museums- und Privatbesitz - darunter Bildnisse u.a aus dem ehemaligen Palais Radziwill in Berlin. |publisher=OCLC World Cat |access-date=22 September 2021}}</ref> die von Helbing gemeinsam mit dem Kunsthändler [[Alfred Flechtheim]] und der [[Galerie Paffrath]] organisiert worden war, von der [[Sturmabteilung]] abgebrochen. Der Galeriebesitzer wurde wegen der jüdischen Herkunft von Helbing und Flechtheim zu diesem Abbruch gezwungen, und die Werke ''[[Entartete Kunst]]'' wurden beschlagnahmt. The {{Ill|Bundesamt für zentrale Dienste und offene Vermögensfragen|de}} schreibt dazu: „Derartige Störungen gegenüber Kunsthändlern waren nach der Machtergreifung der Nationalsozialisten üblich. Aktionen wie die in der Galerie Paffrath wurden vom [[Kampfbund für deutsche Kultur]] unter der Leitung [[Alfred Rosenberg]]s durchgeführt.“<ref name="badv2">{{cite web |url=http://www.badv.bund.de/DE/OffeneVermoegensfragen/KunstundProvenienzrecherche/Provenienzen/Daten/11000_11999/11167.html#FussnoteOben12 |title=Provenienzrecherche - Franz Stuck von |publisher=Bundesamt für zentrale Dienste und offene Vermögensfragen |access-date=22 September 2021}}</ref> Flechtheim himself was not present when the auction was cancelled; he had "literally collapsed" when he heard about it. He left Germany in October 1933 and died in London four years later.<ref>{{cite web |url=http://alfredflechtheim.com/handel/auktionen/ |title=Auktionen |publisher=Alfred Flechtheim.com |access-date=22 September 2021}}</ref>
In March 1933, shortly after the seizure of power by the [[Nazi Germany|Nazis]], the auction ''Gemälde alter und neuer Meister'' was held in [[Düsseldorf]] ''[[Breidenbacher Hof]]''<ref>{{cite book |url=https://www.worldcat.org/oclc/703596587 |title=Gemälde alter und neuer Meister und Skulpturen : aus rheinischem, Berliner und ausländischem Museums- und Privatbesitz - darunter Bildnisse u.a aus dem ehemaligen Palais Radziwill in Berlin. |publisher=OCLC World Cat |oclc=703596587 |access-date=22 September 2021}}</ref> which had been organised by Helbing together with the art dealer [[Alfred Flechtheim]] and the [[Galerie Paffrath]], was broken off by the ''[[Sturmabteilung]]''. The gallery owner was forced into this demolition because of Helbing's and Flechtheim's Jewish origins, and the works ''[[Degenerate Art]]'' were confiscated. The ''{{Ill|Bundesamt für zentrale Dienste und offene Vermögensfragen|de}}'' writes: "Such disturbances against art dealers were common after the National Socialists came to power. Actions like the one at the Paffrath Gallery were carried out by the ''[[Kampfbund für deutsche Kultur]]'' under the leadership of [[Alfred Rosenberg]]". Flechtheim himself was not present when the auction was cancelled; he had "literally collapsed" when he heard about it. He left Germany in October 1933 and died in [[London]] four years later.<ref>{{cite web |url=http://alfredflechtheim.com/handel/auktionen/ |title=Auktionen |publisher=Alfred Flechtheim.com |access-date=22 September 2021}}</ref>


In 1935, Helbing's membership in the {{Ill|Reichskammer der bildenden Künste|de}} was revoked because he was Jewish, and with it his auction licence expired. Helbing had tried to prove the great economic importance of his company by listing his sales with the Bavarian State Ministry, Department for Trade, Industry and Commerce, but the Reich Chamber refused to grant him a further auction licence "in view of auction regulations".<ref name="art" /> From then on he had to have his business run by an "[[Aryan|arian]]" employee; the other Jewish co-owners had to leave.<ref name="art" />
In 1935, Helbing's membership in the ''{{Ill|Reichskammer der bildenden Künste|de}}'' was revoked because he was Jewish, and with it his auction licence expired. Helbing had tried to prove the great economic importance of his company by listing his sales with the Bavarian State Ministry, Department for Trade, Industry and Commerce, but the Reich Chamber refused to grant him a further auction licence "in view of auction regulations".<ref name="art" /> From then on he had to have his business run by an "[[Aryan|arian]]" employee; the other Jewish co-owners had to leave.<ref name="art" />


On [[Kristallnacht|9 November 1938]], the Helbing art shop was closed and Max Heiss, an employee of the Reich Chamber of Fine Arts, was appointed as "trustee".<ref name="badv" /><ref>Max Heiss (1904-1971) was director of the [[Munich City Museum]] from 1954 to 1969. See {{cite web |url=https://www.welt.de/print/wams/muenchen/article106344043/Komplizen-des-Systems.html |title=Komplizen des Systems |work=Die Welt |date=20 May 2012|access-date=22 September 2021}} According to Hopp, however, these were two different people, the art painter and National Socialist Max Heiss (1904-1971), who later became director of the City Museum, and the art dealer, National Socialist and friend of the Gauleiter [[Adolf Wagner]], Max Heiss (1891-1962), who was officially appointed liquidator of the Helbing art shop in May 1939. Meike Hopp: ''Kunsthandel im Nationalsozialismus: Adolf Weinmüller in München und Wien'', 2012, {{p.|84}}, Fn. 254, {{pp.|85|95}}</ref> Helbing himself was beaten up on the same day in his residence in front of his wife during the riots of the ''[[November pogroms 1938|Reichspogromnacht]]''.<ref>{{cite web |url=http://www.kas.de/israel/de/publications/35981/ |title=Es kam von Innen |publisher=Konrad-Adenauer-Stiftung |author=Michael Mertes |date=8 November 2013|access-date=22 September 2021}}</ref> He was taken by wheelbarrow to the {{Ill|Israelitisches Kranken- und Schwesternheim|de}}, but any medical help came too late. On 30 November 1938, the 75-year-old succumbed to his severe injuries at home.<ref name="art" /><ref>According to the death certificate, Helbing died (after being hospitalised, as nothing more could be done for him at the hospital) in his home at Wagmüllerstraße 15. Meike Hopp: ''Kunsthandel im Nationalsozialismus: Adolf Weinmüller in München und Wien'', 2012, {{p.|84}}, Fn. 253</ref> His son Fritz and his third wife Doris, née Goldstein, were deported in 1942 or 1943 to the [[Auschwitz-Birkenau concentration camp|extermination camp Auschwitz]] [[Deportation#Deportations during National Socialism|deported]] and murdered.<ref name="badv1">{{cite web |url=http://www.badv.bund.de/DE/OffeneVermoegensfragen/KunstundProvenienzrecherche/Provenienzen/Daten/5000_5999/5550.html |title=Provenienzrecherche - Lukas d. Ä. Cranach |publisher=Bundesamt für zentrale Dienste und offene Vermögensfragen |access-date=22 September 2021}}</ref>
On [[Kristallnacht|9 November 1938]], the Helbing art shop was closed and Max Heiss, an employee of the [[Reich Chamber of Fine Arts]], was appointed as "trustee".<ref name="badv" /><ref>Max Heiss (1904-1971) was director of the [[Munich City Museum]] from 1954 to 1969. See {{cite web |url=https://www.welt.de/print/wams/muenchen/article106344043/Komplizen-des-Systems.html |title=Komplizen des Systems |work=Die Welt |date=20 May 2012|access-date=22 September 2021}} According to Hopp, however, these were two different people, the art painter and National Socialist Max Heiss (1904-1971), who later became director of the City Museum, and the art dealer, National Socialist and friend of the Gauleiter [[Adolf Wagner]], Max Heiss (1891-1962), who was officially appointed liquidator of the Helbing art shop in May 1939. Meike Hopp: ''Kunsthandel im Nationalsozialismus: Adolf Weinmüller in München und Wien'', 2012, {{p.|84}}, Fn. 254, {{pp.|85|95}}</ref> Helbing himself was beaten up on the same day in his residence in front of his wife during the riots of the ''[[Kristallnacht]]''.<ref>{{cite web |url=http://www.kas.de/israel/de/publications/35981/ |title=Es kam von Innen |publisher=Konrad-Adenauer-Stiftung |author=Michael Mertes |date=8 November 2013 |access-date=22 September 2021 |archive-date=30 December 2013 |archive-url=https://web.archive.org/web/20131230233406/http://www.kas.de/israel/de/publications/35981/ |url-status=dead }}</ref> He was taken by wheelbarrow to the {{Ill|Israelitisches Kranken- und Schwesternheim|de}}, but any medical help came too late. On 30 November 1938, the 75-year-old succumbed to his severe injuries at home.<ref name="art" /><ref>According to the death certificate, Helbing died (after being hospitalised, as nothing more could be done for him at the hospital) in his home at Wagmüllerstraße 15. Meike Hopp: ''Kunsthandel im Nationalsozialismus: Adolf Weinmüller in München und Wien'', 2012, {{p.|84}}, Fn. 253</ref> His son Fritz and his third wife Doris, née Goldstein, were deported in 1942 or 1943 to the [[Auschwitz concentration camp|extermination camp Auschwitz]] and murdered.<ref name="badv1">{{cite web |url=http://www.badv.bund.de/DE/OffeneVermoegensfragen/KunstundProvenienzrecherche/Provenienzen/Daten/5000_5999/5550.html |title=Provenienzrecherche - Lukas d. Ä. Cranach |publisher=Bundesamt für zentrale Dienste und offene Vermögensfragen |access-date=22 September 2021 |archive-date=30 December 2013 |archive-url=https://web.archive.org/web/20131230234032/http://www.badv.bund.de/DE/OffeneVermoegensfragen/KunstundProvenienzrecherche/Provenienzen/Daten/5000_5999/5550.html |url-status=dead }}</ref>


== After Helbing's Tod ==
== After Helbing's Death ==
From 1936 onwards, the art market in Munich was dominated by [[National Socialist German Workers' Party|NSDAP member]] [[Adolf Weinmüller]], who as chairman of the ''Bundes deutscher Kunst- und Antiquitätenhändler'' was partly responsible for Helbing no longer being able to work in the art trade and as an auctioneer. He had previously been actively involved in the ''Gesetz über das Versteigerungsgewerbe'' (Law on the Auction Trade), which aimed to systematically eliminate Jewish art dealers and antiquarians.<ref>Die heutige Inhaberin des früheren Kunstauktionshauses Weinmüller (today {{Ill|Neumeister Münchener Kunstauktionshaus|de}}), [[Katrin Stoll]], commissioned a study on the history of their company during the Nazi era, which was published in 2012 by {{Ill|Meike Hopp|de}}.</ref>
From 1936 onwards, the art market in Munich was dominated by [[National Socialist German Workers' Party|NSDAP member]] [[Adolf Weinmüller]], who as chairman of the ''Bundes deutscher Kunst- und Antiquitätenhändler'' was partly responsible for Helbing no longer being able to work in the art trade and as an auctioneer. He had previously been actively involved in the ''Gesetz über das Versteigerungsgewerbe'' (Law on the Auction Trade), which aimed to systematically eliminate Jewish art dealers and antiquarians.<ref>Die heutige Inhaberin des früheren Kunstauktionshauses Weinmüller (today {{Ill|Neumeister Münchener Kunstauktionshaus|de}}), [[Katrin Stoll]], commissioned a study on the history of their company during the Nazi era, which was published in 2012 by Meike Hopp.</ref>


In 1956, Helbing's widow Lydia stated for the ''[[Wiedergutmachung]]'' that the "trustee" Heiss had also had art objects that had been in the family's possession transferred from the private flat to the art shop. At the reading of the will, Heiss had declared that the company would be closed down within a few hours on behalf of the NSDAP if Lydia Helbing and her son Fritz accepted the inheritance.<ref name="badv" /> Heiss [[Arisierung|arisierte]] die Firma Helbing durch den Verkauf an Jakob Scheidwimmer, NSDAP-Mitglied seit 1929,<ref>{{cite web |url=http://genealogy.metastudies.net/PS05/PS05_141.HTM |title=Cassirer and Cohen - draft family genealogy - Person Sheet |publisher=genealogy.metastudies.net |access-date=22 September 2021|language=en}}</ref> für 30.000 [[Reichsmark]]. In 1939/40, he sold Helbing's properties in Munich.<ref name="badv" />
In 1956, Helbing's widow Lydia stated for the ''[[Wiedergutmachung]]'' that the "trustee" Heiss had also had art objects that had been in the family's possession transferred from the private flat to the art shop. At the reading of the will, Heiss had declared that the company would be closed down within a few hours on behalf of the NSDAP if Lydia Helbing and her son Fritz accepted the inheritance.<ref name="badv" /> Heiss "[[Arisierung|arisierte]]" the Helbing company through sale to Jakob Scheidwimmer, NSDAP member since 1929,<ref>{{cite web |url=http://genealogy.meta-studies.net/PS05/PS05_141.HTM |title=Cassirer and Cohen - draft family genealogy - Person Sheet |publisher=genealogy.meta-studies.net |access-date=22 September 2021|language=en}}</ref> for {{Reichsmark|30,000|link=yes}}. In 1939 and 1940, he sold Helbing's properties in Munich.<ref name="badv" />


However, Scheidwimmer was not granted an auction licence and continued to run the business as a pure art gallery.<ref>Meike Hopp: ''Kunsthandel im Nationalsozialismus: Adolf Weinmüller in München und Wien.'' 2012, {{pp.|95|98}}.</ref> He sold art objects, also from Helbing's private property, to [[Martin Bormann]], among others, such as the painting ''Straße am Golf von Neapel'' by [[Oswald Achenbach]] for the [[Imperial Castle, Poznań|Residenzschloss Posen]] intended as "Führer Residence".<ref>Scheidwimmer also played an inglorious role in other sales of art from Jewish ownership. The case of a painting by [[Camille Pissarro]], ''Rue Saint-Honoré in the Afternoon with Rain'', which Lilly Cassirer-Neubauer was forced to give him for 900 Reichsmarks in 1939 in order to obtain an exit visa, became particularly well-known. Today the painting hangs in the [[Museo Thyssen-Bornemisza]] in Madrid, its value is estimated at 20 million dollars. See: {{cite web |url=http://www.cleveland.com/world/index.ssf/2010/04/after_fleeing_nazis_to_casabla.html |title=Spain stands off grandson, who fled Nazis to Casablanca and Cleveland, over Pissarro painting sold by Thyssen heir |work=The Los Angeles Times |date=14 April 2010|access-date=22 September 2021|language=en}} Weitere Fälle, an denen Scheidwimmer beteiligt war: {{cite web|url=http://www.dhm.de/datenbank/ccp/dhm_ccp.php?seite=6&fld_1=&fld_3=&fld_4=&fld_5=&fld_6=&fld_6a=&fld_7=&fld_8=&fld_9=Scheidwimmer&fld_10=&fld_11=&fld_12_a=&fld_12_b=&fld_12a=&fld_13=&suchen=Suchen |title=Sozietät Scheidwimmer |publisher=Deutsches Historisches Museum |access-date=22 September 2021}}</ref> In 1957, Helbing's heirs were awarded damages of 5,000 marks for the paintings taken from their private property on the basis of a settlement.<ref name="badv" />
However, Scheidwimmer was not granted an auction licence and continued to run the business as a pure art gallery.<ref>Meike Hopp: ''Kunsthandel im Nationalsozialismus: Adolf Weinmüller in München und Wien.'' 2012, {{pp.|95|98}}.</ref> He sold art objects, also from Helbing's private property, to [[Martin Bormann]], among others, such as the painting ''Straße am Golf von Neapel'' by [[Oswald Achenbach]] for the [[Imperial Castle, Poznań|Residenzschloss Posen]] intended as "Führer Residence".<ref>Scheidwimmer also played an inglorious role in other sales of art from Jewish ownership. The case of a painting by [[Camille Pissarro]], ''Rue Saint-Honoré in the Afternoon with Rain'', which Lilly Cassirer-Neubauer was forced to give him for {{Reichsmark|900}} in 1939 in order to obtain an exit visa, became particularly well-known. Today the painting hangs in the [[Thyssen-Bornemisza Museum]] in Madrid, its value is estimated at 20 million dollars. See: {{cite web |url=http://www.cleveland.com/world/index.ssf/2010/04/after_fleeing_nazis_to_casabla.html |title=Spain stands off grandson, who fled Nazis to Casablanca and Cleveland, over Pissarro painting sold by Thyssen heir |work=The Los Angeles Times |date=14 April 2010|access-date=22 September 2021|language=en}} Other cases in which Scheidwimmer was involved: {{cite web|url=http://www.dhm.de/datenbank/ccp/dhm_ccp.php?seite=6&fld_1=&fld_3=&fld_4=&fld_5=&fld_6=&fld_6a=&fld_7=&fld_8=&fld_9=Scheidwimmer&fld_10=&fld_11=&fld_12_a=&fld_12_b=&fld_12a=&fld_13=&suchen=Suchen |title=Sozietät Scheidwimmer |publisher=Deutsches Historisches Museum |access-date=22 September 2021}}</ref> In 1957, Helbing's heirs were awarded damages of [[Deutsche Mark|DM]] 5,000 for the paintings taken from their private property on the basis of a settlement.<ref name="badv" />


Helbing's nephew Fritz Nathan emigrated to Switzerland with his family in 1936 and build a new existence there as an art dealer and advisor to important art collectors [[Emil Georg Bührle|Emil Buehrle]] and [[Oskar Reinhart]] .<ref name="familie" /><ref>{{Cite web |title=Schwarzbuch Bührle: Raubkunst für das Kunsthaus Zürich? - The Bührle Black Book: Looted Art for the Kunsthaus Zurich? |url=https://www.lootedart.com/RGB3F9394331 |access-date=2022-09-09 |website=www.lootedart.com}}</ref><ref>{{Cite web |last=swissinfo.ch |first=Michèle Laird |title=Swiss urged to provide missing links to Nazi-looted art |url=https://www.swissinfo.ch/eng/culture/a-race-against-time_swiss-urged-to-provide-missing-links-to-nazi-looted-art/37087348 |access-date=2022-09-09 |website=SWI swissinfo.ch |language=en}}</ref><ref>{{Cite web |title=Bührle et ses chefs-d'œuvre au prix du sang - 9 mai 2019 - Le Journal des Arts - n° 523 |url=https://www.lejournaldesarts.fr/expositions/buhrle-et-ses-chefs-doeuvre-au-prix-du-sang-144105 |access-date=2022-09-09 |website=Le Journal Des Arts |language=fr}}</ref>
Helbing's nephew Fritz Nathan managed to [[emigrate#20th century to 1945|emigrate]] to Switzerland with his family in 1936 and build a new existence there as a respected art dealer.<ref name="familie" />


The discovery of 187 auction catalogues from Helbing's auction house became public in 2021. The catalogues, which cover the years 1896 to 1937 and are annotated, are of importance among others for the [[provenance]] research because of the significance of the ''Kunsthandlung Hugo Helbing''.<ref>Brita Sachs: ''[https://www.faz.net/aktuell/feuilleton/kunstmarkt/provenienzforschung-schatzfund-bei-karl-faber-17308548.html Schatzfund bei Karl & Faber]''. In ''[[Frankfurter Allgemeine Zeitung]]''. 29 April 2021.</ref>
The discovery of 187 auction catalogues from Helbing's auction house became public in 2021. The catalogues, which cover the years 1896 to 1937 and are annotated, are of importance among others for the [[provenance]] research because of the significance of the ''Kunsthandlung Hugo Helbing''.<ref>Brita Sachs: ''[https://www.faz.net/aktuell/feuilleton/kunstmarkt/provenienzforschung-schatzfund-bei-karl-faber-17308548.html Schatzfund bei Karl & Faber]''. In ''[[Frankfurter Allgemeine Zeitung]]''. 29 April 2021.</ref>
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== Further reading ==
== Further reading ==
* Meike Hopp: ''Kunsthandel im Nationalsozialismus: Adolf Weinmüller in München und Wien.'' [[Dissertation]]. Böhlau, COlogne/ Weimar/ Wien 2012, {{ISBN|978-3-412-20807-3}}, {{pp.|74|98}}.
* Meike Hopp: ''Kunsthandel im Nationalsozialismus: Adolf Weinmüller in München und Wien.'' [[Dissertation]]. Böhlau, Cologne/ Weimar/ Wien 2012, {{ISBN|978-3-412-20807-3}}, {{pp.|74|98}}.
* {{Ill|Wolfram Selig|de}}: ''„Arisierung“ in München, die Vernichtung jüdischer Existenz 1937–1939''. Metropol, Berlin 2004, {{ISBN|3-936411-33-6}}.
* {{Ill|Wolfram Selig|de}}: ''„Arisierung“ in München, die Vernichtung jüdischer Existenz 1937–1939''. Metropol, Berlin 2004, {{ISBN|3-936411-33-6}}.


== External links ==
== External links ==
{{Commonscat|3=s}}
{{Commons category|3=s}}
* {{DNB portal|116681454}}
* {{DNB portal|116681454}}
* [http://www.worldcat.org/identities/np-helbing,%20hugo Literatur von und über Hugo Helbing] in der bibliografischen Datenbank [[WorldCat]]
* [http://www.worldcat.org/identities/np-helbing,%20hugo Literatur von und über Hugo Helbing] in der bibliografischen Datenbank [[WorldCat]]

Latest revision as of 16:41, 21 October 2024

The premises of the Helbing auction house were located in the building at Liebigstr. 21/corner of Wagmüllerstr. 15 in Munich.
One of the paintings sold by the auction house Hugo Helbing: Carl Schuch's Wald mit gefällten Bäumen from 1868.

Hugo Helbing (23 April 1863 – 30 November 1938) was a German art dealer and auctioneer.

The Helbing art shop

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Born in Munich, Helbing was a son of Sigmund Helbing, who ran an antique dealer in Munich from the middle of the 19th century. His sons also became active in this field: Helbing had a respected coin shop in Munich, his brother Ludwig opened an antique shop in Nuremberg, and Hugo Helbing founded the Kunsthandlung Hugo Helbing in 1885.[1]

From 1906, Helbing ran the company together with other co-owners, including his son Fritz from his first marriage.[2] The internationally renowned house had branches in Berlin and Frankfurt, and Helbing was appointed to the rank of Kommerzienrat.[3] Helbing's auctions, which lasted several days and were held in collaboration with Paul Cassirer from 1916 until the 1920s, were considered social events and were "a piece of cultural history of our century".[4][5] Between 1930 and 1935, the Helbing auction house published 123 auction catalogues, making it one of the largest auction houses of the time.[3] The antiquarian Max Ziegert portrayed Helbing in his memoirs:

The man is a figure in Munich's art life and knows it. When I had business dealings with him, I always felt defenceless. He was so above me that I simply had to say yes when he wanted something. He raped you with the greatest kindness and urbanity. […]

Max Ziegert (2009). Schattenrisse deutscher Antiquare – Persönliche Erinnerungen aus den Jahren 1870 bis 1915. Elbingen: Verband Deutscher Antiquare. ISBN 978-3-9812223-3-3.

Family

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Helbing married Sophie, née Liebermann, in his first marriage and had two sons with her, Rudolf and Friedrich David (Fritz). Rudolf died as an infant; his son Fritz, born in Munich on 16 December 1888, was married three times but remained childless. In 1926, Helbing married his second wife Lydia Ludwina, née Vorndran, born on 10 April 1884 in Würzburg.[2]

From 1908, Helbing acted as guardian to his nephew Fritz Nathan, son of his sister Irene, who had become an orphan at the age of 13.[1]

During the National Socialist era

[edit]

In March 1933, shortly after the seizure of power by the Nazis, the auction Gemälde alter und neuer Meister was held in Düsseldorf Breidenbacher Hof[6] which had been organised by Helbing together with the art dealer Alfred Flechtheim and the Galerie Paffrath, was broken off by the Sturmabteilung. The gallery owner was forced into this demolition because of Helbing's and Flechtheim's Jewish origins, and the works Degenerate Art were confiscated. The Bundesamt für zentrale Dienste und offene Vermögensfragen [de] writes: "Such disturbances against art dealers were common after the National Socialists came to power. Actions like the one at the Paffrath Gallery were carried out by the Kampfbund für deutsche Kultur under the leadership of Alfred Rosenberg". Flechtheim himself was not present when the auction was cancelled; he had "literally collapsed" when he heard about it. He left Germany in October 1933 and died in London four years later.[7]

In 1935, Helbing's membership in the Reichskammer der bildenden Künste [de] was revoked because he was Jewish, and with it his auction licence expired. Helbing had tried to prove the great economic importance of his company by listing his sales with the Bavarian State Ministry, Department for Trade, Industry and Commerce, but the Reich Chamber refused to grant him a further auction licence "in view of auction regulations".[3] From then on he had to have his business run by an "arian" employee; the other Jewish co-owners had to leave.[3]

On 9 November 1938, the Helbing art shop was closed and Max Heiss, an employee of the Reich Chamber of Fine Arts, was appointed as "trustee".[2][8] Helbing himself was beaten up on the same day in his residence in front of his wife during the riots of the Kristallnacht.[9] He was taken by wheelbarrow to the Israelitisches Kranken- und Schwesternheim [de], but any medical help came too late. On 30 November 1938, the 75-year-old succumbed to his severe injuries at home.[3][10] His son Fritz and his third wife Doris, née Goldstein, were deported in 1942 or 1943 to the extermination camp Auschwitz and murdered.[11]

After Helbing's Death

[edit]

From 1936 onwards, the art market in Munich was dominated by NSDAP member Adolf Weinmüller, who as chairman of the Bundes deutscher Kunst- und Antiquitätenhändler was partly responsible for Helbing no longer being able to work in the art trade and as an auctioneer. He had previously been actively involved in the Gesetz über das Versteigerungsgewerbe (Law on the Auction Trade), which aimed to systematically eliminate Jewish art dealers and antiquarians.[12]

In 1956, Helbing's widow Lydia stated for the Wiedergutmachung that the "trustee" Heiss had also had art objects that had been in the family's possession transferred from the private flat to the art shop. At the reading of the will, Heiss had declared that the company would be closed down within a few hours on behalf of the NSDAP if Lydia Helbing and her son Fritz accepted the inheritance.[2] Heiss "arisierte" the Helbing company through sale to Jakob Scheidwimmer, NSDAP member since 1929,[13] for 30,000 ℛ︁ℳ︁. In 1939 and 1940, he sold Helbing's properties in Munich.[2]

However, Scheidwimmer was not granted an auction licence and continued to run the business as a pure art gallery.[14] He sold art objects, also from Helbing's private property, to Martin Bormann, among others, such as the painting Straße am Golf von Neapel by Oswald Achenbach for the Residenzschloss Posen intended as "Führer Residence".[15] In 1957, Helbing's heirs were awarded damages of DM 5,000 for the paintings taken from their private property on the basis of a settlement.[2]

Helbing's nephew Fritz Nathan emigrated to Switzerland with his family in 1936 and build a new existence there as an art dealer and advisor to important art collectors Emil Buehrle and Oskar Reinhart .[1][16][17][18]

The discovery of 187 auction catalogues from Helbing's auction house became public in 2021. The catalogues, which cover the years 1896 to 1937 and are annotated, are of importance among others for the provenance research because of the significance of the Kunsthandlung Hugo Helbing.[19]

References

[edit]
  1. ^ a b c Götz Adriani (2005). Die Kunst des Handelns. Meisterwerke des 14. bis 20. Jahrhunderts bei Peter und Fritz Nathan. Hatje Cantz Verlag. p. 269. ISBN 3-7757-1658-0. Retrieved 22 September 2021.
  2. ^ a b c d e f "Provenienzrecherche – Oswald Achenbach". Bundesamt für zentrale Dienste und offene Vermögensfragen. Archived from the original on 30 December 2013. Retrieved 22 September 2021.
  3. ^ a b c d e "Auktionshäuser in München". arthistoricum.net. Retrieved 22 September 2021.
  4. ^ Georg Brühl (1991). Die Cassirers, Streiter für den Impressionismus. Leipzig. p. 162.{{cite book}}: CS1 maint: location missing publisher (link), quoted after Anja-Walter Ries (2003). "Die Geschichte der Galerie Nierendorf. Kunstleidenschaft im Dienst der Moderne Berlin/New York 1920–1995" (PDF). Phil. Diss. FU Berlin. Retrieved 22 September 2021.
  5. ^ Julia Voss (9 November 2013). "Die Pogrome und der Kunstbetrieb. 9. November". Frankfurter Allgemeine. Retrieved 22 September 2021.
  6. ^ Gemälde alter und neuer Meister und Skulpturen : aus rheinischem, Berliner und ausländischem Museums- und Privatbesitz - darunter Bildnisse u.a aus dem ehemaligen Palais Radziwill in Berlin. OCLC World Cat. OCLC 703596587. Retrieved 22 September 2021.
  7. ^ "Auktionen". Alfred Flechtheim.com. Retrieved 22 September 2021.
  8. ^ Max Heiss (1904-1971) was director of the Munich City Museum from 1954 to 1969. See "Komplizen des Systems". Die Welt. 20 May 2012. Retrieved 22 September 2021. According to Hopp, however, these were two different people, the art painter and National Socialist Max Heiss (1904-1971), who later became director of the City Museum, and the art dealer, National Socialist and friend of the Gauleiter Adolf Wagner, Max Heiss (1891-1962), who was officially appointed liquidator of the Helbing art shop in May 1939. Meike Hopp: Kunsthandel im Nationalsozialismus: Adolf Weinmüller in München und Wien, 2012, p. 84, Fn. 254, pp. 85–95
  9. ^ Michael Mertes (8 November 2013). "Es kam von Innen". Konrad-Adenauer-Stiftung. Archived from the original on 30 December 2013. Retrieved 22 September 2021.
  10. ^ According to the death certificate, Helbing died (after being hospitalised, as nothing more could be done for him at the hospital) in his home at Wagmüllerstraße 15. Meike Hopp: Kunsthandel im Nationalsozialismus: Adolf Weinmüller in München und Wien, 2012, p. 84, Fn. 253
  11. ^ "Provenienzrecherche - Lukas d. Ä. Cranach". Bundesamt für zentrale Dienste und offene Vermögensfragen. Archived from the original on 30 December 2013. Retrieved 22 September 2021.
  12. ^ Die heutige Inhaberin des früheren Kunstauktionshauses Weinmüller (today Neumeister Münchener Kunstauktionshaus [de]), Katrin Stoll, commissioned a study on the history of their company during the Nazi era, which was published in 2012 by Meike Hopp.
  13. ^ "Cassirer and Cohen - draft family genealogy - Person Sheet". genealogy.meta-studies.net. Retrieved 22 September 2021.
  14. ^ Meike Hopp: Kunsthandel im Nationalsozialismus: Adolf Weinmüller in München und Wien. 2012, pp. 95–98.
  15. ^ Scheidwimmer also played an inglorious role in other sales of art from Jewish ownership. The case of a painting by Camille Pissarro, Rue Saint-Honoré in the Afternoon with Rain, which Lilly Cassirer-Neubauer was forced to give him for 900 ℛ︁ℳ︁ in 1939 in order to obtain an exit visa, became particularly well-known. Today the painting hangs in the Thyssen-Bornemisza Museum in Madrid, its value is estimated at 20 million dollars. See: "Spain stands off grandson, who fled Nazis to Casablanca and Cleveland, over Pissarro painting sold by Thyssen heir". The Los Angeles Times. 14 April 2010. Retrieved 22 September 2021. Other cases in which Scheidwimmer was involved: "Sozietät Scheidwimmer". Deutsches Historisches Museum. Retrieved 22 September 2021.
  16. ^ "Schwarzbuch Bührle: Raubkunst für das Kunsthaus Zürich? - The Bührle Black Book: Looted Art for the Kunsthaus Zurich?". www.lootedart.com. Retrieved 2022-09-09.
  17. ^ swissinfo.ch, Michèle Laird. "Swiss urged to provide missing links to Nazi-looted art". SWI swissinfo.ch. Retrieved 2022-09-09.
  18. ^ "Bührle et ses chefs-d'œuvre au prix du sang - 9 mai 2019 - Le Journal des Arts - n° 523". Le Journal Des Arts (in French). Retrieved 2022-09-09.
  19. ^ Brita Sachs: Schatzfund bei Karl & Faber. In Frankfurter Allgemeine Zeitung. 29 April 2021.

Further reading

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[edit]