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[[File:Plaosan Bodhisattva 02.jpg|thumb|[[Relief]] depicting the [[bodhisattva]] [[Avalokiteśvara]], [[Plaosan]] temple, [[Java]], 9th-century]]
{{buddhism}}
'''Easily confused Buddhist representations''' are images or statues that may resemble the mortal, historical Buddha known as [[Gautama Buddha|Siddhārtha Gautama]], Śākyamuni, or [[Tathāgata]] (or others), but were actually created to represent other individuals.
The many different varieties of [[Buddhist art]] often show [[buddhahood|buddha]]s and [[bodhisattva]]s, as well as depictions of [[Buddha in art|the historical Buddha]], known as [[Gautama Buddha]] (or Siddhārtha Gautama, Śākyamuni, or [[Tathāgata]]).


Especially in [[Mahayana Buddhism]], the main image in a temple or shrine often does not represent the historical Buddha, although the situation is complicated by Buddhist teachings such as [[trikaya]] beliefs by which buddhas, including the historical buddha, have different manifestations.
Depictions could be Gautama, or a bodhisattva, guardian, protector, disciple, or saint. Clues to a figure's identity are found in, for example, the [[physical characteristics of the Buddha]], the objects the figure is holding, its ''[[mudra]]'' (hand gesture), and ''[[asana]]'' (sitting or standing position of the body).<ref>Sjoquist</ref> There may be an image in the figure's [[crown (headgear)|crown]],<ref>Sakya, p. 34.</ref> or the figure could be holding a book, thunderbolt, vase, jewel, or lotus flower or stem.<ref>Sakya, various.</ref>


Depictions could be Gautama, or a bodhisattva, guardian, protector, disciple, or saint. Clues to a figure's identity are found in, for example, the [[physical characteristics of the Buddha]], the objects the figure is holding, its ''[[mudra]]'' (hand gesture), and ''[[asana]]'' (sitting or standing position of the body).<ref name="Sjoquist">Sjoquist</ref> There may be an image in the figure's [[crown (headgear)|crown]],<ref>Sakya, p. 34.</ref> or the figure could be holding a book, thunderbolt, vase, jewel, or lotus flower or stem.<ref>Sakya, various.</ref>
[[Mandala]]s created for [[Shingon Buddhism|Japanese Shingon Buddhism]] and [[Tibetan Buddhism]] can contain hundreds of different figures that may need [[Womb_Realm#Womb_Realm_map|interpretation]].<ref>Sjoquist</ref><ref>{{cite web|title=Exploring the Mandala|url=http://www.graphics.cornell.edu/online/mandala/|publisher=Cornell University Program of Computer Graphics|accessdate=January 22, 2012}}</ref> In his paper on the ''mudrās'' of [[bodhisattva]]s, Carl B. Becker, [[Kyoto University]] professor, describes the situation:


[[Mandala]]s created for [[Shingon Buddhism|Japanese Shingon Buddhism]] and [[Tibetan Buddhism]] can contain hundreds of different figures that may need [[Womb Realm#Womb Realm map|interpretation]].<ref name="Sjoquist"/><ref>{{cite web|title=Exploring the Mandala|url=http://www.graphics.cornell.edu/online/mandala/|publisher=Cornell University Program of Computer Graphics|access-date=January 22, 2012}}</ref> In his paper on the ''mudrās'' of [[bodhisattva]]s, Carl B. Becker, [[Kyoto University]] professor, describes the situation:
{{quote|When the uninitiated observer first confronts the Buddhist pantheon [of Japan], his reaction may border on bewilderment or dismay. Far from the ascetic agnosticism taught by Gautama, Buddha-like deities are available to answer every material or spiritual need. They wear regal robes or deerskins; they sit, stand, or fly; they have their own ''sūtras'', temples, and guardians....<ref>{{cite journal|title=Hands of the Bodhisattva The Standardization of Mudrās in Japanese Buddhist Sculpture Prior to A.D. 1200|author=Becker, Carl B.|journal=East and West|volume=43|issue=1/4|date=December 1993|pages= 199-232|publisher=Istituto Italiano per l'Africa e l'Oriente [IsIAO]|url=http://www.jstor.org/stable/29757091}}</ref>}}

{{quote|When the uninitiated observer first confronts the Buddhist pantheon [of Japan], his reaction may border on bewilderment or dismay. Far from the ascetic agnosticism taught by Gautama, Buddha-like deities are available to answer every material or spiritual need. They wear regal robes or deerskins; they sit, stand, or fly; they have their own ''sūtras'', temples, and guardians....<ref>{{cite journal|title=Hands of the Bodhisattva The Standardization of Mudrās in Japanese Buddhist Sculpture Prior to A.D. 1200|author=Becker, Carl B.|journal=East and West|volume=43|issue=1/4|date=December 1993|pages= 199–232|publisher=Istituto Italiano per l'Africa e l'Oriente [IsIAO]|jstor=29757091}}</ref>}}


==Dhyani Buddhas==
==Dhyani Buddhas==
[[File:5buddha0.jpg|thumb|The [[Five Dhyani Buddhas]], unknown provenance]]
{{main|Five Dhyani Buddhas}}
{{main|Five Dhyani Buddhas}}
Representations of the [[five Dhyani Buddhas]], who are abstract aspects of [[Buddhahood]] rather than Buddhas or gods, have elaborate differences.<ref>Sakya, pp. 35, 76.</ref> Each must face in a different direction (north, south, east, west, or center), and, when painted, each is a different color (blue, yellow, red, green, or white). Each has a different ''mudrā'' and symbol; embodies a different aspect, type of evil, and cosmic element; has a different consort and spiritual son, as well as different animal vehicles (elephant, lion, peacock, harpys or [[garuda]], or dragon).<ref>Sakya, p. 76.</ref>
Representations of the [[five Dhyani Buddhas]], who are abstract aspects of [[Buddhahood]] rather than Buddhas or gods, have elaborate differences.<ref>Sakya, pp. 35, 76.</ref> Each must face in a different direction (north, south, east, west, or center), and, when painted, each is a different color (blue, yellow, red, green, or white). Each has a different ''mudrā'' and symbol; embodies a different aspect, type of evil, and cosmic element; has a different consort and spiritual son, as well as different animal vehicles (elephant, lion, peacock, harpys or [[garuda]], or dragon).<ref name="Sakya, p. 76">Sakya, p. 76.</ref>


[[Vairocana]], the first Dhyani Buddha, embodying [[sovereignity]] and occupying the center,<ref>Sakya, p. 76.</ref> is a special case (in any case, he is distinct from Gautama and not normally confused with him). He was one of the [[Buddhas of Bamiyan]] blown up by the [[Taliban]] which China mourned and tried to replace with the [[List of statues by height|world's tallest statue]], named [[Spring Temple Buddha]].<ref>{{cite news|title=China enters biggest Buddhist statue race|url=http://news.bbc.co.uk/2/hi/world/monitoring/media_reports/1315785.stm|publisher=BBC News|accessdate=March 3, 2012}}</ref> Japanese [[Pure Land Buddhism|Pure Land Buddhists]] think that Vairocana and the other Dhyani Buddhas are manifestations of [[Amitābha]], but Japanese Shingon Buddhists think that Amitābha and the other Dhyani Buddhas are manifestations of Vairocana.<ref>{{cite book|author=Getty, Alice|title=The gods of northern Buddhism: their history, iconography and progressive evolution through the northern Buddhist countries|year=1914|publisher=Oxford Clarendon Press via Internet Archive|page=3|url=http://www.archive.org/stream/northernbuddhism00gettuoft#page/n73/mode/2up}}</ref>
[[Vairocana]], the first Dhyani Buddha, embodying [[sovereignty]] and occupying the center,<ref name="Sakya, p. 76"/> is a special case (in any case, he is distinct from Gautama and not normally confused with him). He was one of the [[Buddhas of Bamiyan]] blown up by the [[Taliban]] which China mourned and tried to replace with the [[List of tallest statues|world's tallest statue]], named [[Spring Temple Buddha]].<ref>{{cite news|title=China enters biggest Buddhist statue race|url=http://news.bbc.co.uk/2/hi/world/monitoring/media_reports/1315785.stm|publisher=BBC News|access-date=March 3, 2012}}</ref> Japanese [[Pure Land Buddhism|Pure Land Buddhists]] think that Vairocana and the other Dhyani Buddhas are manifestations of [[Amitābha]], but Japanese Shingon Buddhists think that Amitābha and the other Dhyani Buddhas are manifestations of Vairocana.<ref>{{cite book|author=Getty, Alice|title=The gods of northern Buddhism: their history, iconography and progressive evolution through the northern Buddhist countries|year=1914|publisher=Oxford Clarendon Press via Internet Archive|page=3|url=https://archive.org/stream/northernbuddhism00gettuoft#page/n73/mode/2up}}</ref>


[[Akshobhya]], the second Dhyani Buddha who embodies steadfastness and faces east, and Gautama are indistinguishable. Both can be seated in the ''Vajraparyanka'' (also known as ''Bhūmisparśa'') pose, with the right hand on the right knee, palm turned inwardly, and middle finger touching the ground.<ref>"The ''Lotus Sutra'' focus on Śākyamuni also fits the main Buddha figure in Zen, rather than the Buddhas Amida or Vairocana venerated in the contemporary
[[Akshobhya]], the second Dhyani Buddha who embodies steadfastness and faces east, and Gautama are indistinguishable. Both can be seated in the ''Vajraparyanka'' (also known as ''Bhūmisparśa'') pose, with the right hand on the right knee, palm turned inwardly, and middle finger touching the ground.<ref name="Sakya, p. 76"/><ref>"The ''Lotus Sutra'' focus on Śākyamuni also fits the main Buddha figure in Zen, rather than the Buddhas Amida or Vairocana venerated in the contemporary
Pure Land and Esoteric (and Kegon) movements." in {{cite journal|author=Taigen Dan Leighton|title=Dōgen's Appropriation of Lotus Sutra Ground and Space|page=87|volume=32|issue=1|year=2005|journal=Japanese Journal of Religious Studies|publisher=Nanzan University|url=http://www.jstor.org/stable/30233778}}</ref><ref>"One of the two wives of Songtsen Gampo, she brought a large image of either Shakyamuni or Akshobhya Buddha (they are visually
Pure Land and Esoteric (and Kegon) movements." in {{cite book |author=Taigen Dan Leighton|title=Dōgen's Appropriation of Lotus Sutra Ground and Space|chapter=Dōgen's Interpretations of This ''Lotus Sutra'' Story |year=2007|pages=67–94 |publisher=Oxford Academic |doi=10.1093/acprof:oso/9780195320930.003.0004|isbn=978-0-19-532093-0 }}</ref><ref>"One of the two wives of Songtsen Gampo, she brought a large image of either Shakyamuni or Akshobhya Buddha (they are visually
indistinguishable)..." in {{cite web|title=Glossary (Balza, Balmoza)|url=http://kaladarshan.arts.ohio-state.edu/resources/downloads/COBGlossaryA-L.pdf|format=PDF|publisher=The Huntington Archive, Ohio State University|accessdate=January 22, 2012}}</ref><ref>Sakya, p. 76.</ref> Amitābha (Japanese: Amida) is the most ancient Dhyani Buddha, embodying [[light]] and facing west, and is the central figure in Pure Land Buddhism. A statue of Amitābha, when seated, has a ''[[samadhi]]'' ''mudrā'' with both palms face up, on top of each other, in his lap.<ref>Sakya, p. 30.</ref><ref>Similarities with Amitabha in {{cite web|title=Who’s Who of Buddhism|url=http://www.thedhamma.com/whos_who.htm|publisher=Vipassana Foundation|accessdate=January 14, 2011}}</ref><ref>Sakya, p. 76.</ref>
indistinguishable)..." in {{cite web|title=Glossary (Balza, Balmoza)|url=http://kaladarshan.arts.ohio-state.edu/resources/downloads/COBGlossaryA-L.pdf|publisher=The Huntington Archive, Ohio State University|access-date=January 22, 2012|archive-url=https://web.archive.org/web/20110409112242/http://kaladarshan.arts.ohio-state.edu/resources/downloads/COBGlossaryA-L.pdf|archive-date=April 9, 2011}}</ref> Amitābha (Japanese: Amida) is the most ancient Dhyani Buddha, embodying [[light]] and facing west, and is the central figure in Pure Land Buddhism. A statue of Amitābha, when seated, has a ''[[samadhi]]'' ''mudrā'' with both palms face up, on top of each other, in his lap.<ref name="Sakya, p. 76"/><ref>Sakya, p. 30.</ref><ref>Similarities with Amitabha in {{cite web|title=Who's Who of Buddhism|url=http://www.thedhamma.com/whos_who.htm|publisher=Vipassana Foundation|access-date=January 14, 2011|archive-date=January 11, 2009|archive-url=https://web.archive.org/web/20090111041004/http://www.thedhamma.com/whos_who.htm}}</ref>
<gallery>
<gallery>

File:5buddha0.jpg|[[Five Dhyani Buddhas]], unknown provenance
File:Spring_Temple_Buddha_picturing_Vairocana,_in_Lushan_County,_Henan,_China.jpg.png|[[Spring Temple Buddha]] picturing [[Vairocana]], in [[Lushan County, Henan|Lushan County, Henan, China]], is the world's tallest statue.
File:Spring_Temple_Buddha_picturing_Vairocana,_in_Lushan_County,_Henan,_China.png|[[Spring Temple Buddha]] picturing [[Vairocana]], in [[Lushan County, Henan|Lushan County, Henan, China]], is the world's second tallest statue.
File:Gilt bronze Aksobhya Buddha from Tibet, 19th century, Honolulu Academy of Arts.JPG|[[Aksobhya]], [[Tibet]], 19th c., [[Honolulu Academy of Arts]]
File:Gilt bronze Aksobhya Buddha from Tibet, 19th century, Honolulu Academy of Arts.JPG|[[Aksobhya]], [[Tibet]], 19th century, [[Honolulu Museum of Art]]
Image:Kamakura-buddha-2.jpg|The [[Kōtoku-in#The Great Buddha|Great Statue]] of Buddha [[Amitabha]] in [[Kōtoku-in|Kamakura]], [[Japan]]
Image:Kamakura-buddha-2.jpg|The [[Kōtoku-in#The Great Buddha|Great Statue]] of Buddha [[Amitabha]] in [[Kōtoku-in|Kamakura]], [[Japan]]
</gallery>
</gallery>
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==Bodhisattvas==
==Bodhisattvas==
{{main|Bodhisattva|Budai|Avalokiteśvara}}
{{main|Bodhisattva|Budai|Avalokiteśvara}}
In early Buddhist art, bodhisattvas commonly appeared in pairs flanking Gautama Buddha as protective figures, usually at a smaller scale. But sometimes they were the main figure in an image, and they developed their own iconography. After about 600, they became increasingly prominent, and in art for [[Vajrayana]] uses began to replace images of the historical Buddha.
[[Budai]] (in Chinese, or Hotei in Japanese) is often confused with Gautama or is thought to have originated Buddhism.<ref>{{cite web|title=Who’s Who of Buddhism|url=http://www.thedhamma.com/whos_who.htm|publisher=Vipassana Foundation|accessdate=January 14, 2011}}</ref> He is an incarnation of the bodhisattva and future Buddha, [[Maitreya]],<ref name=Econ>{{cite web|title=The joy of belief|url=http://articles.economictimes.indiatimes.com/2012-01-31/news/31010485_1_monk-sweets-bag|work=The Economic Times|publisher=Bennett, Coleman & Co.|date=January 31, 2012|accessdate=March 2, 2012}}</ref> who will come to Earth 4,000 years after Gautama disappears.<ref>Sakya, p. 43.</ref> His name means "Cloth Sack" for the bag of sweets he carries, eats and gives to children. Admired for his happiness and contentment,<ref name=Econ /> he is known in Chinese as "The Laughing Buddha" and sometimes in English as "The Fat Buddha".

Images of [[Avalokiteśvara]], the bodhisattva of compassion, might be mistaken for Gautama.<ref>The Laughing Buddha and Avalokitesvara in {{cite web|title=Maitreya: The Future Buddha|url=http://www.buddhanet.net/e-learning/history/maitreya2.htm}} and {{cite web|title=Mi-Lo-Fwo: Maitreya Buddha|url=http://www.buddhanet.net/e-learning/history/maitreya-txt.htm|publisher=Buddha Dharma Education Association and BuddhaNet|access-date=January 15, 2011}}</ref> He is incarnated in the [[Dalai Lama]], who is a [[tulku]] and the most revered Tibetan Buddhist monk.<ref>Hawkins, pp. 66, 109.</ref><ref>Incarnated as Dalai Lama in {{cite web|title=From Birth to Exile|url=http://www.dalailama.com/biography/from-birth-to-exile|publisher=The Office of His Holiness the Dalai Lama|access-date=January 15, 2011|archive-date=March 7, 2017|archive-url=https://web.archive.org/web/20170307105420/http://www.dalailama.com/biography/from-birth-to-exile}}</ref>

Especially among Westerners, [[Budai]] (in Chinese, or Hotei in Japanese) is often confused with Gautama or is thought to have originated Buddhism.<ref>{{cite web|title=Who's Who of Buddhism|url=http://www.thedhamma.com/whos_who.htm|publisher=Vipassana Foundation|access-date=January 14, 2011|archive-date=January 11, 2009|archive-url=https://web.archive.org/web/20090111041004/http://www.thedhamma.com/whos_who.htm}}</ref> He is an incarnation of the bodhisattva and future Buddha, [[Maitreya]],<ref name=Econ>{{cite web|title=The joy of belief|url=http://articles.economictimes.indiatimes.com/2012-01-31/news/31010485_1_monk-sweets-bag|archive-url=https://web.archive.org/web/20160305015920/http://articles.economictimes.indiatimes.com/2012-01-31/news/31010485_1_monk-sweets-bag|url-status=dead|archive-date=March 5, 2016|work=The Economic Times|publisher=Bennett, Coleman & Co.|date=January 31, 2012|access-date=March 2, 2012}}</ref> who will come to Earth 4,000 years after Gautama disappears.<ref>Sakya, p. 43.</ref> His name means "Cloth Sack" for the bag of sweets he carries, eats and gives to children. Admired for his happiness and contentment,<ref name=Econ /> he is known in Chinese as "The Laughing Buddha" and sometimes in English as "The Fat Buddha".


Images of [[Avalokiteśvara]], the bodhisattva of compassion, might be mistaken for Gautama.<ref>The Laughing Buddha and Avalokitesvara in {{cite web|title=Maitreya: The Future Buddha|url=http://www.buddhanet.net/e-learning/history/maitreya2.htm}} and {{cite web|title=Mi-Lo-Fwo: Maitreya Buddha|url=http://www.buddhanet.net/e-learning/history/maitreya-txt.htm|publisher=Buddha Dharma Education Association and BuddhaNet|accessdate=January 15, 2011}}</ref> He is incarnated in the [[Dalai Lama]], who is a [[tulku]] and the most revered Tibetan Buddhist monk.<ref>Hawkins, pp. 66, 109.</ref><ref>Incarnated as Dalai Lama in {{cite web|title=From Birth to Exile|url=http://www.dalailama.com/biography/from-birth-to-exile|publisher=The Office of His Holiness the Dalai Lama|accessdate=January 15, 2011}}</ref>
<gallery>
<gallery>
File:Maitreya carving in Feilai Feng Caves.jpg|[[Maitreya]] incarnated as [[Budai|Budai, The Laughing Buddha]], in the Feilai Feng Caves, [[China]]
File:Maitreya carving in Feilai Feng Caves.jpg|[[Maitreya]] incarnated as [[Budai|Budai, The Laughing Buddha]], in the Feilai Feng Caves, [[China]]
File:Buddha Beipu.jpg|[[Maitreya]] incarnated as [[Budai|Budai, The Laughing Buddha]], [[Beipu]], [[Hsinchu County|Hsinchu]], [[Taiwan]]
File:Korea-Busan-Beomeosa 6252-07 Gwaneumjeon.JPG|[[Avalokiteśvara]] on an altar in [[North Gyeongsang Province]], [[Korea]]
File:Korea-Busan-Beomeosa 6252-07 Gwaneumjeon.JPG|[[Avalokiteśvara]] on an altar in [[North Gyeongsang Province]], [[Korea]]
File:Flickr - don macauley - The Bodhisattva Avalokiteshvara.jpg|[[Avalokiteśvara]], [[Nepal]], 14th c.
File:Flickr - don macauley - The Bodhisattva Avalokiteshvara.jpg|[[Avalokiteśvara]], [[Nepal]], 14th century
</gallery>
</gallery>


==Gautama==
==Gautama==
{{main|Gautama Buddha}}
{{main|Buddha in art}}
Gautama might have representations in a hundred different attitudes or positions, of which four follow.<ref>{{cite book|author=Romero, Jay|title=Buddha Statues|publisher=The Buddha Garden|url=http://www.thebuddhagarden.com/buddha-statues.html|accessdate=March 4, 2012}}</ref>
Gautama might have representations in a hundred different attitudes or positions, of which four follow.<ref>{{cite book|author=Romero, Jay|title=Buddha Statues|publisher=The Buddha Garden|url=http://www.thebuddhagarden.com/buddha-statues.html|access-date=March 4, 2012}}</ref>
<gallery>
<gallery>
File:Buddha in Sarnath Museum (Dhammajak Mutra).jpg|Gautama, with his hands in the ''[[dharmachakra]]'' or teaching [[mudrā]]. [[Sarnath Museum]], [[India]]
File:Buddha in Sarnath Museum (Dhammajak Mutra).jpg|Gautama, with his hands in the ''[[dharmachakra]]'' or teaching [[mudrā]]. [[Sarnath Museum]], [[India]]
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==See also==
==See also==
{{buddhism}}
*[[Iconography of Gautama Buddha in Laos and Thailand]]
*[[Iconography of Gautama Buddha in Laos and Thailand]]


==References==
==References==
*{{cite book|author=Hawkins, Bradley K.|title=The Pocket Idiot's Guide: Buddhism|publisher=Laurence King (Penguin, Alpha)|year=1999|isbn=0-02-864459-X}}
*{{cite book|author=Hawkins, Bradley K.|title=The Pocket Idiot's Guide: Buddhism|publisher=Laurence King (Penguin, Alpha)|year=1999|isbn=0-02-864459-X}}
*{{cite book|author=Sakya, Jnan Bahadur (compiler)|publisher=Handicraft Association of Nepal|title=Short Description of Gods, Goddesses and Ritual Objects of Buddhism and Hinduism in Nepal|isbn=99933-37-33-1|edition=10th [reprint]|year=2002|origyear=1995}}
*{{cite book|author=Sakya, Jnan Bahadur (compiler)|publisher=Handicraft Association of Nepal|title=Short Description of Gods, Goddesses and Ritual Objects of Buddhism and Hinduism in Nepal|isbn=99933-37-33-1|edition=10th [reprint]|year=2002|orig-date=1995}}
*{{cite journal|author=Sjoquist, Douglas P.|title=Identifying Buddhist Images in Japanese Painting and Sculpture|url=http://www.asian-studies.org/eaa/sjoquist.htm|publisher=Association for Asian Studies|journal=Education About Asia|volume=4|issue=3|date=Winter 1999}}
*{{cite journal|author=Sjoquist, Douglas P.|title=Identifying Buddhist Images in Japanese Painting and Sculpture|url=http://aas2.asian-studies.org/EAA/EAA-Archives/4/3/278.pdf|publisher=Association for Asian Studies|journal=Education About Asia|volume=4|issue=3|date=Winter 1999}}


==Notes==
==Notes==
{{reflist|2}}
{{reflist|2}}

==External links==
==External links==
'''Slides'''
'''Slides'''
*{{cite web|url=http://www.slideshare.net/UnitB166ER/mudra-in-asian-buddhism-primary-mudras-of-the-major-buddhas-by-john-c-hungtington|title=Mudras in Pan-Asian Buddhism, Part 1: Primary Mudras of the Major Buddhas|author=Huntington, John C.|publisher=SlideShare}}
*{{cite web|url=http://www.slideshare.net/UnitB166ER/mudra-in-asian-buddhism-primary-mudras-of-the-major-buddhas-by-john-c-hungtington|title=Mudras in Pan-Asian Buddhism, Part 1: Primary Mudras of the Major Buddhas|author=Huntington, John C.|publisher=SlideShare|access-date=2012-03-04|archive-url=https://web.archive.org/web/20160303211709/http://www.slideshare.net/UnitB166ER/mudra-in-asian-buddhism-primary-mudras-of-the-major-buddhas-by-john-c-hungtington|archive-date=2016-03-03}}
*{{cite web|author=Coutu, Earnest|title=Buddhist Mudras|url=http://www.slideshare.net/UnitB166ER/buddhist-mudras|publisher=SlideShare}}
*{{cite web|author=Coutu, Earnest|title=Buddhist Mudras|url=http://www.slideshare.net/UnitB166ER/buddhist-mudras|publisher=SlideShare|access-date=2012-03-04|archive-url=https://web.archive.org/web/20130929214938/http://www.slideshare.net/UnitB166ER/buddhist-mudras|archive-date=2013-09-29}}
{{buddhism2}}
{{Buddhism topics}}
{{Buddhism topics}}

[[Category:Buddhist art and culture]]
[[Category:Iconography]]
[[Category:Buddhist art]]
[[Category:Gautama Buddha]]
[[Category:Buddhist iconography]]
[[Category:Buddha statues]]
[[Category:Cultural depictions of Gautama Buddha]]
[[Category:Bodhisattvas]]
[[Category:Buddhas]]

Latest revision as of 22:43, 21 October 2024

Relief depicting the bodhisattva Avalokiteśvara, Plaosan temple, Java, 9th-century

The many different varieties of Buddhist art often show buddhas and bodhisattvas, as well as depictions of the historical Buddha, known as Gautama Buddha (or Siddhārtha Gautama, Śākyamuni, or Tathāgata).

Especially in Mahayana Buddhism, the main image in a temple or shrine often does not represent the historical Buddha, although the situation is complicated by Buddhist teachings such as trikaya beliefs by which buddhas, including the historical buddha, have different manifestations.

Depictions could be Gautama, or a bodhisattva, guardian, protector, disciple, or saint. Clues to a figure's identity are found in, for example, the physical characteristics of the Buddha, the objects the figure is holding, its mudra (hand gesture), and asana (sitting or standing position of the body).[1] There may be an image in the figure's crown,[2] or the figure could be holding a book, thunderbolt, vase, jewel, or lotus flower or stem.[3]

Mandalas created for Japanese Shingon Buddhism and Tibetan Buddhism can contain hundreds of different figures that may need interpretation.[1][4] In his paper on the mudrās of bodhisattvas, Carl B. Becker, Kyoto University professor, describes the situation:

When the uninitiated observer first confronts the Buddhist pantheon [of Japan], his reaction may border on bewilderment or dismay. Far from the ascetic agnosticism taught by Gautama, Buddha-like deities are available to answer every material or spiritual need. They wear regal robes or deerskins; they sit, stand, or fly; they have their own sūtras, temples, and guardians....[5]

Dhyani Buddhas

[edit]
The Five Dhyani Buddhas, unknown provenance

Representations of the five Dhyani Buddhas, who are abstract aspects of Buddhahood rather than Buddhas or gods, have elaborate differences.[6] Each must face in a different direction (north, south, east, west, or center), and, when painted, each is a different color (blue, yellow, red, green, or white). Each has a different mudrā and symbol; embodies a different aspect, type of evil, and cosmic element; has a different consort and spiritual son, as well as different animal vehicles (elephant, lion, peacock, harpys or garuda, or dragon).[7]

Vairocana, the first Dhyani Buddha, embodying sovereignty and occupying the center,[7] is a special case (in any case, he is distinct from Gautama and not normally confused with him). He was one of the Buddhas of Bamiyan blown up by the Taliban which China mourned and tried to replace with the world's tallest statue, named Spring Temple Buddha.[8] Japanese Pure Land Buddhists think that Vairocana and the other Dhyani Buddhas are manifestations of Amitābha, but Japanese Shingon Buddhists think that Amitābha and the other Dhyani Buddhas are manifestations of Vairocana.[9]

Akshobhya, the second Dhyani Buddha who embodies steadfastness and faces east, and Gautama are indistinguishable. Both can be seated in the Vajraparyanka (also known as Bhūmisparśa) pose, with the right hand on the right knee, palm turned inwardly, and middle finger touching the ground.[7][10][11] Amitābha (Japanese: Amida) is the most ancient Dhyani Buddha, embodying light and facing west, and is the central figure in Pure Land Buddhism. A statue of Amitābha, when seated, has a samadhi mudrā with both palms face up, on top of each other, in his lap.[7][12][13]

Bodhisattvas

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In early Buddhist art, bodhisattvas commonly appeared in pairs flanking Gautama Buddha as protective figures, usually at a smaller scale. But sometimes they were the main figure in an image, and they developed their own iconography. After about 600, they became increasingly prominent, and in art for Vajrayana uses began to replace images of the historical Buddha.

Images of Avalokiteśvara, the bodhisattva of compassion, might be mistaken for Gautama.[14] He is incarnated in the Dalai Lama, who is a tulku and the most revered Tibetan Buddhist monk.[15][16]

Especially among Westerners, Budai (in Chinese, or Hotei in Japanese) is often confused with Gautama or is thought to have originated Buddhism.[17] He is an incarnation of the bodhisattva and future Buddha, Maitreya,[18] who will come to Earth 4,000 years after Gautama disappears.[19] His name means "Cloth Sack" for the bag of sweets he carries, eats and gives to children. Admired for his happiness and contentment,[18] he is known in Chinese as "The Laughing Buddha" and sometimes in English as "The Fat Buddha".

Gautama

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Gautama might have representations in a hundred different attitudes or positions, of which four follow.[20]

See also

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  • Iconography of Gautama Buddha in Laos and Thailand
  • References

    [edit]
    • Hawkins, Bradley K. (1999). The Pocket Idiot's Guide: Buddhism. Laurence King (Penguin, Alpha). ISBN 0-02-864459-X.
    • Sakya, Jnan Bahadur (compiler) (2002) [1995]. Short Description of Gods, Goddesses and Ritual Objects of Buddhism and Hinduism in Nepal (10th [reprint] ed.). Handicraft Association of Nepal. ISBN 99933-37-33-1.
    • Sjoquist, Douglas P. (Winter 1999). "Identifying Buddhist Images in Japanese Painting and Sculpture" (PDF). Education About Asia. 4 (3). Association for Asian Studies.

    Notes

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    1. ^ a b Sjoquist
    2. ^ Sakya, p. 34.
    3. ^ Sakya, various.
    4. ^ "Exploring the Mandala". Cornell University Program of Computer Graphics. Retrieved January 22, 2012.
    5. ^ Becker, Carl B. (December 1993). "Hands of the Bodhisattva The Standardization of Mudrās in Japanese Buddhist Sculpture Prior to A.D. 1200". East and West. 43 (1/4). Istituto Italiano per l'Africa e l'Oriente [IsIAO]: 199–232. JSTOR 29757091.
    6. ^ Sakya, pp. 35, 76.
    7. ^ a b c d Sakya, p. 76.
    8. ^ "China enters biggest Buddhist statue race". BBC News. Retrieved March 3, 2012.
    9. ^ Getty, Alice (1914). The gods of northern Buddhism: their history, iconography and progressive evolution through the northern Buddhist countries. Oxford Clarendon Press via Internet Archive. p. 3.
    10. ^ "The Lotus Sutra focus on Śākyamuni also fits the main Buddha figure in Zen, rather than the Buddhas Amida or Vairocana venerated in the contemporary Pure Land and Esoteric (and Kegon) movements." in Taigen Dan Leighton (2007). "Dōgen's Interpretations of This Lotus Sutra Story". Dōgen's Appropriation of Lotus Sutra Ground and Space. Oxford Academic. pp. 67–94. doi:10.1093/acprof:oso/9780195320930.003.0004. ISBN 978-0-19-532093-0.
    11. ^ "One of the two wives of Songtsen Gampo, she brought a large image of either Shakyamuni or Akshobhya Buddha (they are visually indistinguishable)..." in "Glossary (Balza, Balmoza)" (PDF). The Huntington Archive, Ohio State University. Archived from the original (PDF) on April 9, 2011. Retrieved January 22, 2012.
    12. ^ Sakya, p. 30.
    13. ^ Similarities with Amitabha in "Who's Who of Buddhism". Vipassana Foundation. Archived from the original on January 11, 2009. Retrieved January 14, 2011.
    14. ^ The Laughing Buddha and Avalokitesvara in "Maitreya: The Future Buddha". and "Mi-Lo-Fwo: Maitreya Buddha". Buddha Dharma Education Association and BuddhaNet. Retrieved January 15, 2011.
    15. ^ Hawkins, pp. 66, 109.
    16. ^ Incarnated as Dalai Lama in "From Birth to Exile". The Office of His Holiness the Dalai Lama. Archived from the original on March 7, 2017. Retrieved January 15, 2011.
    17. ^ "Who's Who of Buddhism". Vipassana Foundation. Archived from the original on January 11, 2009. Retrieved January 14, 2011.
    18. ^ a b "The joy of belief". The Economic Times. Bennett, Coleman & Co. January 31, 2012. Archived from the original on March 5, 2016. Retrieved March 2, 2012.
    19. ^ Sakya, p. 43.
    20. ^ Romero, Jay. Buddha Statues. The Buddha Garden. Retrieved March 4, 2012.
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