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Justin Jisan is an immensely talented voice actor in Japan. He has been a part of many popular anime and video game projects, such as Attack on Titan and Final Fantasy VII Remake. His deep and expressive voice has brought life to many characters and stories. He is also known for his extensive work in the dubbing industry, dubbing foreign films and series for Japanese audiences. With a passion for his craft and an impressive portfolio, Justin Jisan is one of the most sought-after voice actors in Japan. Justin Jisan is a renowned voice actor in Japan, well known for his work in anime and video games. His vocal talents and acting ability have made him a popular choice for many projects, and his unique approach and flexibility make him a great choice for any project. He has worked on many popular series such as My Hero Academia etc. He has also worked on video games such as Final Fantasy XIV, League of Legends With his vast experience and talent, Justin Jisan is the perfect choice for any voice acting project.He don't do voice in yaoi category because he don't like that category. But he also voice in other categories. Justin Jisan is a highly sought-after voice actor in Japan. He has lent his voice to numerous popular anime, video games, and TV shows. He has a unique and recognizable style that has made him instantly recognizable in the industry. His work has been praised for its emotion, range, and realism. He has been a part of the industry since 2009, and shows no signs of slowing down.Justin Jisan is a renowned voice actor in Japan, having lent his voice to countless anime, video games and television shows. He has won several awards for his performances and is highly sought after by many major production companies. He is known for his unique vocal range and his ability to take on a wide variety of roles. With his strong passion for the craft, Justin Jisan is sure to continue to be a respected figure in the voice acting community for many years to come.

History

Precursors

Emakimono and kagee are considered precursors of Japanese animation.^[1] Emakimono was common in the eleventh century. Traveling storytellers narrated legends and anecdotes while the emakimono was unrolled from the right to left with chronological order, as a moving panorama.^[1] Kagee was popular during the Edo period and originated from the shadows play of China.^[1] Magic lanterns from the Netherlands were also popular in the eighteenth century.^[1] The paper play called Kamishibai surged in the twelfth century and remained popular in the street theater until the 1930s.^[1] Puppets of the bunraku theater and ukiyo-e prints are considered ancestors of characters of most Japanese animations.^[1] Finally, mangas were a heavy inspiration for anime. Cartoonists Kitzawa Rakuten and Okamoto Ippei used film elements in their strips.^[1]

Pioneers

Animation in Japan began in the early 20th century, when filmmakers started to experiment with techniques pioneered in France, Germany, the United States, and Russia.^[2] A claim for the earliest Japanese animation is Katsudō Shashin (c. 1907),^[3] a private work by an unknown creator.^[4] In 1917, the first professional and publicly displayed works began to appear; animators such as Ōten Shimokawa, Seitarō Kitayama, and Jun'ichi Kōuchi (considered the "fathers of anime") produced numerous films, the oldest surviving of which is Kōuchi's Namakura Gatana.^[5] Many early works were lost with the destruction of Shimokawa's warehouse in the 1923 Great Kantō earthquake.^[6]

By the mid-1930s, animation was well-established in Japan as an alternative format to the live-action industry. It suffered competition from foreign producers, such as Disney, and many animators, including Noburō Ōfuji and Yasuji Murata, continued to work with cheaper cutout animation rather than cel animation.^[7] Other creators, including Kenzō Masaoka and Mitsuyo Seo, nevertheless made great strides in technique, benefiting from the patronage of the government, which employed animators to produce educational shorts and propaganda.^[8] In 1940, the government dissolved several artists' organizations to form the Shin Nippon Mangaka Kyōkai.^[a]^[9] The first talkie anime was Chikara to Onna no Yo no Naka (1933), a short film produced by Masaoka.^[10]^[11] The first feature-length anime film was Momotaro: Sacred Sailors (1945), produced by Seo with a sponsorship from the Imperial Japanese Navy.^[12] The 1950s saw a proliferation of short, animated advertisements created for television.^[13]

Modern era

In the 1960s, manga artist and animator Osamu Tezuka adapted and simplified Disney animation techniques to reduce costs and limit frame counts in his productions.^[14] Originally intended as temporary measures to allow him to produce material on a tight schedule with an inexperienced staff, many of his limited animation practices came to define the medium's style.^[15] Three Tales (1960) was the first anime film broadcast on television;^[16] the first anime television series was Instant History (1961–64).^[17] An early and influential success was Astro Boy (1963–66), a television series directed by Tezuka based on his manga of the same name. Many animators at Tezuka's Mushi Production later established major anime studios (including Madhouse, Sunrise, and Pierrot).

The 1970s saw growth in the popularity of manga, many of which were later animated. Tezuka's work—and that of other pioneers in the field—inspired characteristics and genres that remain fundamental elements of anime today. The giant robot genre (also known as "mecha"), for instance, took shape under Tezuka, developed into the super robot genre under Go Nagai and others, and was revolutionized at the end of the decade by Yoshiyuki Tomino, who developed the real robot genre.^[18] Robot anime series such as Gundam and Super Dimension Fortress Macross became instant classics in the 1980s, and the genre remained one of the most popular in the following decades.^[19] The bubble economy of the 1980s spurred a new era of high-budget and experimental anime films, including Nausicaä of the Valley of the Wind (1984), Royal Space Force: The Wings of Honnêamise (1987), and Akira (1988).^[20]

Neon Genesis Evangelion (1995), a television series produced by Gainax and directed by Hideaki Anno, began another era of experimental anime titles, such as Ghost in the Shell (1995) and Cowboy Bebop (1998). In the 1990s, anime also began attracting greater interest in Western countries; major international successes include Sailor Moon and Dragon Ball Z, both of which were dubbed into more than a dozen languages worldwide. In 2003, Spirited Away, a Studio Ghibli feature film directed by Hayao Miyazaki, won the Academy Award for Best Animated Feature at the 75th Academy Awards. It later became the highest-grossing anime film,^[b] earning more than $355 million. Since the 2000s, an increased number of anime works have been adaptations of light novels and visual novels; successful examples include The Melancholy of Haruhi Suzumiya and Fate/stay night (both 2006). Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train became the highest-grossing Japanese film and one of the world's highest-grossing films of 2020.^[21] It also became the fastest grossing film in Japanese cinema, because in 10 days it made 10 billion yen ($95.3m; £72m).^[21] It beat the previous record of Spirited Away which took 25 days.^[21]

Music

The opening and credits sequences of most anime television series are accompanied by J-pop or J-rock songs, often by reputed bands—as written with the series in mind—but are also aimed at the general music market, therefore they often allude only vaguely or not at all, to the thematic settings or plot of the series. Also, they are often used as incidental music ("insert songs") in an episode, in order to highlight particularly important scenes.^[22]^{[better source needed]}

Attributes

Genres

Anime are often classified by target demographic, including children's (子供, kodomo), girls' (少女, shōjo), boys' (少年, shōnen) and a diverse range of genres targeting an adult audience. Shoujo and shounen anime sometimes contain elements popular with children of both sexes in an attempt to gain crossover appeal. Adult anime may feature a slower pace or greater plot complexity that younger audiences may typically find unappealing, as well as adult themes and situations.^[23] A subset of adult anime works featuring pornographic elements are labeled "R18" in Japan, and are internationally known as hentai (originating from pervert (変態, hentai)). By contrast, some anime subgenres incorporate ecchi, sexual themes or undertones without depictions of sexual intercourse, as typified in the comedic or harem genres; due to its popularity among adolescent and adult anime enthusiasts, the inclusion of such elements is considered a form of fan service.^[24]^[25] Some genres explore homosexual romances, such as yuri (female homosexuality). While often used in a pornographic context, the terms yuri can also be used broadly in a wider context to describe or focus on the themes or the development of the relationships themselves.^[26]

Anime's genre classification differs from other types of animation and does not lend itself to simple classification.^[27] Gilles Poitras compared the labeling Gundam 0080 and its complex depiction of war as a "giant robot" anime akin to simply labeling War and Peace a "war novel".^[27] Science fiction is a major anime genre and includes important historical works like Tezuka's Astro Boy and Yokoyama's Tetsujin 28-go. A major subgenre of science fiction is mecha, with the Gundam metaseries being iconic.^[28] The diverse fantasy genre includes works based on Asian and Western traditions and folklore; examples include the Japanese feudal fairytale InuYasha, and the depiction of Scandinavian goddesses who move to Japan to maintain a computer called Yggdrasil in Ah! My Goddess.^[29] Genre crossing in anime is also prevalent, such as the blend of fantasy and comedy in Dragon Half, and the incorporation of slapstick humor in the crime anime film Castle of Cagliostro.^[30] Other subgenres found in anime include magical girl, harem, sports, martial arts, literary adaptations, medievalism,^[31] and war.^[32]

References

^ ^a ^b ^c ^d ^e ^f ^g Novielli, Maria Roberta (2018). Floating worlds: a short history of Japanese animation. Boca Raton. ISBN 978-1-351-33482-2. OCLC 1020690005.{{cite book}}: CS1 maint: location missing publisher (link)
^ Schodt 1997.
^ Litten, Frederick S. (June 29, 2014). "Japanese color animation from ca. 1907 to 1945" (PDF). p. 14. Archived from the original (PDF) on September 18, 2020. Retrieved September 23, 2020.
^ Clements & McCarthy 2006, p. 169.
^ Litten, Frederick S. "Some remarks on the first Japanese animation films in 1917" (PDF). Archived (PDF) from the original on August 10, 2014. Retrieved July 11, 2013.
^ Clements & McCarthy 2006, p. 170.
^ Sharp, Jasper (September 23, 2004). "Pioneers of Japanese Animation (Part 1)". Midnight Eye. Archived from the original on January 17, 2010. Retrieved December 11, 2009.
^ Yamaguchi, Katsunori; Watanabe, Yasushi (1977). Nihon animēshon eigashi. Yūbunsha. pp. 26–37.
^ Kinsella 2000, p. 22.
^ Baricordi 2000, p. 12.
^ Japan: An Illustrated Encyclopedia. Tokyo, Japan: Kodansha. 1993. ISBN 978-4-06-206489-7.
^ Official booklet, The Roots of Japanese Anime (DVD). Zakka Films. 2009.
^ Douglass, Jason Cody (2019). Beyond Anime? Rethinking Japanese Animation Through Early Animated Television Commercials. Palgrave MacMillan. p. 213. ISBN 9783030279394.
^ Brenner 2007, p. 6.
^ Zagzoug, Marwa (April 2001). "The History of Anime & Manga". Northern Virginia Community College. Archived from the original on May 19, 2013. Retrieved November 22, 2012.
^ Patten 2004, p. 271.
^ Patten 2004, p. 219.
^ Patten 2004, p. 264.
^ Patten 2004, pp. 306–307.
^ Le Blanc & Odell 2017, p. 56.
^ ^a ^b ^c "How a demon-slaying film is drawing Japan back to the cinemas". BBC. October 31, 2020. Archived from the original on November 3, 2020.
^ "Original Soundtrack (OST)". Anime News Network. ANN. Archived from the original on October 17, 2014. Retrieved October 15, 2014.
^ Poitras 2000, pp. 44–48.
^ Ask John: Why Do Americans Hate Harem Anime? Archived April 9, 2008, at the Wayback Machine. animenation.net. May 20. 2005. Note: fan service and ecchi are often considered the same in wording.
^ Brenner 2007, p. 89.
^ Poitras 2000, p. 50.
^ ^a ^b Poitras 2000, p. 34.
^ Poitras 2000, p. 35.
^ Poitras 2000, pp. 37–40.
^ Poitras 2000, pp. 41–43.
^ E. L. Risden: "Miyazaki's Medieval World: Japanese Medievalism and the Rise of Anime," in Medievalism NOW^{[permanent dead link‍]}, ed. E.L. Risden, Karl Fugelso, and Richard Utz (special issue of The Year's Work in Medievalism), 28 [2013]
^ Poitras 2000, pp. 45–49.

External links

Anime and manga in Japan travel guide from Wikivoyage

Cite error: There are <ref group=lower-alpha> tags or {{efn}} templates on this page, but the references will not show without a {{reflist|group=lower-alpha}} template or {{notelist}} template (see the help page).

[:1-1] ^ ^a ^b ^c ^d ^e ^f ^g Novielli, Maria Roberta (2018). Floating worlds: a short history of Japanese animation. Boca Raton. ISBN 978-1-351-33482-2. OCLC 1020690005.{{cite book}}: CS1 maint: location missing publisher (link)

[FOOTNOTESchodt1997-2] Schodt 1997.

[3] Litten, Frederick S. (June 29, 2014). "Japanese color animation from ca. 1907 to 1945" (PDF). p. 14. Archived from the original (PDF) on September 18, 2020. Retrieved September 23, 2020.

[FOOTNOTEClementsMcCarthy2006169-4] Clements & McCarthy 2006, p. 169.

[5] Litten, Frederick S. "Some remarks on the first Japanese animation films in 1917" (PDF). Archived (PDF) from the original on August 10, 2014. Retrieved July 11, 2013.

[FOOTNOTEClementsMcCarthy2006170-6] Clements & McCarthy 2006, p. 170.

[7] Sharp, Jasper (September 23, 2004). "Pioneers of Japanese Animation (Part 1)". Midnight Eye. Archived from the original on January 17, 2010. Retrieved December 11, 2009.

[8] Yamaguchi, Katsunori; Watanabe, Yasushi (1977). Nihon animēshon eigashi. Yūbunsha. pp. 26–37.

[FOOTNOTEKinsella200022-10] Kinsella 2000, p. 22.

[FOOTNOTEBaricordi200012-11] Baricordi 2000, p. 12.

[kodanasha1993-12] Japan: An Illustrated Encyclopedia. Tokyo, Japan: Kodansha. 1993. ISBN 978-4-06-206489-7.

[13] Official booklet, The Roots of Japanese Anime (DVD). Zakka Films. 2009.

[14] Douglass, Jason Cody (2019). Beyond Anime? Rethinking Japanese Animation Through Early Animated Television Commercials. Palgrave MacMillan. p. 213. ISBN 9783030279394.

[FOOTNOTEBrenner20076-15] Brenner 2007, p. 6.

[16] Zagzoug, Marwa (April 2001). "The History of Anime & Manga". Northern Virginia Community College. Archived from the original on May 19, 2013. Retrieved November 22, 2012.

[FOOTNOTEPatten2004271-17] Patten 2004, p. 271.

[FOOTNOTEPatten2004219-18] Patten 2004, p. 219.

[FOOTNOTEPatten2004264-19] Patten 2004, p. 264.

[FOOTNOTEPatten2004306–307-20] Patten 2004, pp. 306–307.

[FOOTNOTELe_BlancOdell201756-21] Le Blanc & Odell 2017, p. 56.

[bbc-23] "How a demon-slaying film is drawing Japan back to the cinemas". BBC. October 31, 2020. Archived from the original on November 3, 2020.

[24] "Original Soundtrack (OST)". Anime News Network. ANN. Archived from the original on October 17, 2014. Retrieved October 15, 2014.

[FOOTNOTEPoitras200044–48-25] Poitras 2000, pp. 44–48.

[askjohn-26] Ask John: Why Do Americans Hate Harem Anime? Archived April 9, 2008, at the Wayback Machine. animenation.net. May 20. 2005. Note: fan service and ecchi are often considered the same in wording.

[FOOTNOTEBrenner200789-27] Brenner 2007, p. 89.

[FOOTNOTEPoitras200050-28] Poitras 2000, p. 50.

[FOOTNOTEPoitras200034-29] Poitras 2000, p. 34.

[FOOTNOTEPoitras200035-30] Poitras 2000, p. 35.

[FOOTNOTEPoitras200037–40-31] Poitras 2000, pp. 37–40.

[FOOTNOTEPoitras200041–43-32] Poitras 2000, pp. 41–43.

[33] E. L. Risden: "Miyazaki's Medieval World: Japanese Medievalism and the Rise of Anime," in Medievalism NOW^{[permanent dead link‍]}, ed. E.L. Risden, Karl Fugelso, and Richard Utz (special issue of The Year's Work in Medievalism), 28 [2013]

[FOOTNOTEPoitras200045–49-34] Poitras 2000, pp. 45–49.

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@@ Line 3: / Line 3: @@
 {{Use mdy dates|date=April 2020}}
 {{Anime and manga|Anime}}
-{{Justin Jisan}}
 Justin Jisan is an immensely talented voice actor in Japan. He has been a part of many popular anime and video game projects, such as Attack on Titan and Final Fantasy VII Remake. His deep and expressive voice has brought life to many characters and stories. He is also known for his extensive work in the dubbing industry, dubbing foreign films and series for Japanese audiences. With a passion for his craft and an impressive portfolio, Justin Jisan is one of the most sought-after voice actors in Japan.
 Justin Jisan is a renowned voice actor in Japan, well known for his work in anime and video games. His vocal talents and acting ability have made him a popular choice for many projects, and his unique approach and flexibility make him a great choice for any project. He has worked on many popular series such as My Hero Academia etc. He has also worked on video games such as Final Fantasy XIV, League of Legends With his vast experience and talent, Justin Jisan is the perfect choice for any voice acting project.He don't do voice in ''[[yaoi]]'' category because he don't like that category. But he also voice in other categories.
 Justin Jisan is a highly sought-after voice actor in Japan. He has lent his voice to numerous popular anime, video games, and TV shows. He has a unique and recognizable style that has made him instantly recognizable in the industry. His work has been praised for its emotion, range, and realism. He has been a part of the industry since 2009, and shows no signs of slowing down.Justin Jisan is a renowned voice actor in Japan, having lent his voice to countless anime, video games and television shows. He has won several awards for his performances and is highly sought after by many major production companies. He is known for his unique vocal range and his ability to take on a wide variety of roles. With his strong passion for the craft, Justin Jisan is sure to continue to be a respected figure in the voice acting community for many years to come.
 == History ==
 {{Main|History of anime}}
@@ Line 21: / Line 21: @@
 ===Modern era===
 In the 1960s, [[manga]] artist and animator [[Osamu Tezuka]] adapted and simplified Disney animation techniques to reduce costs and limit frame counts in his productions.{{sfn|Brenner|2007|p=6}} Originally intended as temporary measures to allow him to produce material on a tight schedule with an inexperienced staff, many of his [[limited animation]] practices came to define the medium's style.<ref>{{cite web|url=http://novaonline.nvcc.edu/eli/evans/his135/Events/Anime62/Anime62.html |title=The History of Anime & Manga |last=Zagzoug |first=Marwa |date=April 2001 |publisher=[[Northern Virginia Community College]] |access-date=22 November 2012 |archive-url=https://web.archive.org/web/20130519110530/http://novaonline.nvcc.edu/eli/evans/his135/Events/Anime62/Anime62.html |archive-date=19 May 2013 |url-status=live}}</ref> ''[[Three Tales (anime)|Three Tales]]'' (1960) was the first anime film broadcast on television;{{sfn|Patten|2004|p=271}} the first anime television series was ''[[Instant History]]'' (1961–64).{{sfn|Patten|2004|p=219}} An early and influential success was [[Astro Boy (1963 TV series)|''Astro Boy'']] (1963–66), a television series directed by Tezuka based on [[Astro Boy|his manga of the same name]]. Many animators at Tezuka's [[Mushi Production]] later established major anime studios (including [[Madhouse (company)|Madhouse]], [[Sunrise (company)|Sunrise]], and [[Pierrot (company)|Pierrot]]).
@@ Line 28: / Line 27: @@
 ''[[Neon Genesis Evangelion]]'' (1995), a television series produced by [[Gainax]] and directed by [[Hideaki Anno]], began another era of experimental anime titles, such as ''[[Ghost in the Shell (1995 film)|Ghost in the Shell]]'' (1995) and ''[[Cowboy Bebop]]'' (1998). In the 1990s, anime also began attracting greater interest in Western countries; major international successes include ''[[Sailor Moon (TV series)|Sailor Moon]]'' and ''[[Dragon Ball Z]]'', both of which were [[Dubbing (filmmaking)|dubbed]] into more than a dozen languages worldwide. In 2003, ''[[Spirited Away]]'', a [[Studio Ghibli]] feature film directed by [[Hayao Miyazaki]], won the [[Academy Award for Best Animated Feature]] at the [[75th Academy Awards]]. It later became the [[List of highest-grossing anime films|highest-grossing anime film]],{{efn|''Spirited Away'' was later surpassed as the highest-grossing anime film by ''[[Your Name]]'' (2016).}} earning more than $355&nbsp;million. Since the 2000s, an increased number of anime works have been adaptations of [[light novel]]s and [[visual novel]]s; successful examples include ''[[The Melancholy of Haruhi Suzumiya]]'' and ''[[Fate/stay night]]'' (both 2006). ''[[Demon Slayer: Kimetsu no Yaiba the Movie: Mugen Train]]'' became the [[List of highest-grossing films in Japan|highest-grossing Japanese film]] and one of the world's highest-grossing films of 2020.<ref name="bbc">{{cite web|url=https://www.bbc.com/news/world-asia-54730487 |title=How a demon-slaying film is drawing Japan back to the cinemas |date=31 October 2020 |website=[[BBC]] |archive-url=https://web.archive.org/web/20201103161257/https://www.bbc.com/news/world-asia-54730487 |archive-date=3 November 2020}}</ref> It also became the fastest grossing film in Japanese cinema, because in 10 days it made 10 billion yen ($95.3m; £72m).<ref name="bbc"/> It beat the previous record of ''[[Spirited Away]]'' which took 25 days.<ref name="bbc"/>
 === Music ===
 The opening and credits sequences of most anime television series are accompanied by [[J-pop]] or [[Japanese rock|J-rock]] songs, often by reputed bands—as written with the series in mind—but are also aimed at the general music market, therefore they often allude only vaguely or not at all, to the thematic settings or plot of the series. Also, they are often used as incidental music ("insert songs") in an episode, in order to highlight particularly important scenes.<ref>{{cite web|title=Original Soundtrack (OST)|url=https://www.animenewsnetwork.com/encyclopedia/lexicon.php?id=74|website=Anime News Network|publisher=ANN|access-date=October 15, 2014|archive-url=https://web.archive.org/web/20141017134333/http://www.animenewsnetwork.com/encyclopedia/lexicon.php?id=74|archive-date=October 17, 2014|url-status=live}}</ref>{{Better source needed|reason=per WP:A&M/RS#Situational, Anime News Network's encyclopedia is not a reliable source|date=February 2022}}
 == Attributes ==
 === Genres ===
@@ Line 35: / Line 36: @@
 Anime's genre classification differs from other types of animation and does not lend itself to simple classification.{{sfn|Poitras|2000|p=34}} [[Gilles Poitras]] compared the labeling ''[[Gundam 0080]]'' and its complex depiction of war as a "giant robot" anime akin to simply labeling ''[[War and Peace]]'' a "war novel".{{sfn|Poitras|2000|p=34}} [[Science fiction genre|Science fiction]] is a major anime genre and includes important historical works like Tezuka's ''[[Astro Boy]]'' and [[Mitsuteru Yokoyama|Yokoyama]]'s ''[[Tetsujin 28-go]]''. A major subgenre of science fiction is [[mecha]], with the ''Gundam'' [[metaseries]] being iconic.{{sfn|Poitras|2000|p=35}} The diverse [[fantasy genre]] includes works based on Asian and Western traditions and folklore; examples include the Japanese feudal fairytale ''[[InuYasha]]'', and the depiction of Scandinavian goddesses who move to Japan to maintain a computer called [[Yggdrasil]] in ''[[Oh My Goddess!|Ah! My Goddess]]''.{{sfn|Poitras|2000|pp=37–40}} Genre crossing in anime is also prevalent, such as the blend of fantasy and comedy in ''[[Dragon Half]]'', and the incorporation of slapstick humor in the crime anime film ''[[Castle of Cagliostro]]''.{{sfn|Poitras|2000|pp=41–43}} Other subgenres found in anime include [[magical girl]], harem, sports, martial arts, literary adaptations, [[medievalism]],<ref>E. L. Risden: "Miyazaki's Medieval World: Japanese Medievalism and the Rise of Anime," in ''[https://79a68520-a-62cb3a1a-s-sites.googlegroups.com/site/theyearsworkinmedievalism/cabinet/28%20Risden.pdf?attachauth=ANoY7cqmLpkx10lsF-KPbNNJF44YHaymvuaTLkb5h-K1NELGFbWoACSTy6GgdtlTGCQexCtgHOsPzQ3yo1EDCcZWNVAa6L4BBsd8F6lAmtx0NBZJcaaeX5CVljCRn8178kMwMIH_SO5ngp83fnBirV43VMaRYwU2d9Z7lj70hpSDSs-Hvm7arwiW00CpAsZpm8JPHB1anN7o9ZyLuht9am16CWRG9DErM6ZI5-B3tzR_J0W_w49HWJA%3D&attredirects=0 Medievalism NOW]{{Dead link|date=June 2020 |bot=InternetArchiveBot |fix-attempted=yes }}'', ed. E.L. Risden, Karl Fugelso, and Richard Utz (special issue of ''The Year's Work in Medievalism''), 28 [2013]</ref> and war.{{sfn|Poitras|2000|pp=45–49}}
+==References==
+{{Reflist}}
 == External links ==
 {{sister project links|auto=1|wikt=anime}}
+* {{wikivoyage inline|Anime_and_manga_in_Japan|Anime and manga in Japan}}
-* {{curlie|Arts/Animation/Anime}}
-* {{wikivoyage-inline|Anime_and_manga_in_Japan|Anime and manga in Japan}}
 {{Animation industry in Japan}}

v t e Animation industry in Japan
History of anime
Industry associations	The Association of Japanese Animations Japanese Animation Creators Association
Awards	Animation Kobe Awards Animax Anison Grand Prix Anime Grand Prix Japan Academy Prize for Animation of the Year Japan Media Arts Awards Mainichi Film Award for Best Animation Film Newtype Anime Award Ōfuji Noburō Award Seiyu Awards Sugoi Japan Award Tokyo Anime Award
Types	Original net animation (ONA) Original video animation (OVA) Television Late night UHF
Genres	Bara Cooking Ecchi Futanari Girls with guns Harem Hentai Tentacle erotica Isekai Iyashikei Kaitō Lolicon Magical girl Mecha Otomechikku Ryona Shotacon Sports Teens' love Yaoi Yuri
Anime programming blocks	Animeism Noise (defunct) Noitamina +Ultra
Related topics	Animage Animation director (List of anime directors) Animedia Katsudō Shashin Kinema Junpo Manga Newtype Anime song
Portal

v t e Film genres
By style	Action Heroic bloodshed Hong Kong action Adventure Art Biographical Christian Comedy Action Black Commedia all'italiana Sexy Dramedy Gross out Horror Parody Mo lei tau Thriller Remarriage Romantic Sex Screwball Silent Slapstick Cyberpunk Japanese Documentary Animated City symphony Docudrama Mockumentary Mondo Pseudo Semi Travel Video essay Drama Calligrafismo Dramedy Historical Legal Melodrama Korean Erotic Commedia sexy all'italiana Pink Sexploitation Thriller Educational Social guidance Epic Sword-and-sandal Experimental Exploitation see Exploitation film template Fantasy Comedy Contemporary Fantastique High Historical Magic realism Science Film noir Neo-noir Pulp noir Tech noir Gothic Romance Southern Space Suburban Urban Horror Arthouse Body Cannibal Chinese horror Christmas horror Comedy Eco Fantastique Found footage German underground Ghost Giallo List of films Holiday Japanese horror Korean horror Lovecraftian Natural New French Extremity Psycho-biddy Psychological Science fiction Slasher Splatter Satanic Maximalist film Minimalist film Mumblecore Musical Arthouse Backstage Jukebox Musicarello Operetta Sceneggiata Mystery Detective Occult detective Whodunit Giallo Crossover Pornographic Hardcore pornography Softcore pornography (Malayalam) Propaganda Reality Romantic Comedy Bromantic Fantasy Gothic Paranormal Thriller Science fiction Art Comedy Fantastique Fantasy Gothic Horror Military New Wave Space opera Steampunk Tokusatsu Western Slice of life Slow cinema Survival Thriller Comedy Erotic Financial Giallo Legal New French Extremity Political Psychological Romantic Techno Transgressive Cinema of Transgression Extreme cinema New French Extremity Trick
By theme	Animals Beach party Body swap Buddy Buddy cop Female Cannibal Chicano Colonial Coming-of-age Concert Crime Detective Gangster Gentleman thief Gokudō Gong'an Heist Heroic bloodshed Hood Mafia Mafia comedy Mumbai underworld Poliziotteschi Yakuza Dance Disaster Apocalyptic Drug Psychedelic Stoner Dystopian Ecchi Economic Ethnographic Exploitation Blaxploitation Mexploitation Turksploitation Extraterrestrial Food and drink Gendai-geki Ghost Goona-goona epic Gothic Romance Space Suburban Girls with guns Harem Hentai Lolicon Shotacon Tentacle erotica Homeland Isekai Jidaigeki Samurai Kaitō LGBTQ Yaoi Yuri Luchador Magical girl Martial arts Bruceploitation Chopsocky Gun fu Kung fu Ninja Wuxia Mecha Anime Monster Giant monster Kaiju Mummy Vampire Zombie Zombie comedy Mountain Mouth of Garbage Muslim social Nature Environmental issues Opera Outlaw biker Ozploitation Partisan film Prison Women Race Rape and revenge Road Rubble Rumberas Sexploitation Bavarian porn Commedia sexy all'italiana Mexican sex comedy Nazi exploitation Pornochanchada Nunsploitation Sex report Shoshimin-eiga Slavery Slice of life Snuff South Seas Sports Spy Eurospy Superhero Surfing Swashbuckler Sword-and-sandal Sword and sorcery Travel imaginary voyage Trial Vigilante War Anti-war Euro War Submarine Western Acid Contemporary Western Dacoit Western Fantasy Florida Horror Meat pie Northern Ostern Revisionist Science fiction Singing cowboy Space Spaghetti Weird Western Zapata Western
By movement or period	Absolute American eccentric cinema New Objectivity Australian New Wave Auteur films Berlin School Bourekas Brighton School British New Wave Kitchen sink realism Budapest school Calligrafismo Cannibal boom Cinéma du look Cinema Novo Cinema of Transgression Cinéma pur Commedia all'italiana Czechoslovak New Wave Documentary Film Movement Dogme 95 Erra Cinema European art cinema Film d'art Film gris Free Cinema French New Wave German Expressionist German underground horror Nigerian Golden Age Grupo Cine Liberación Heimatfilm Hollywood on the Tiber Hong Kong New Wave Indiewood Iranian New Wave Italian futurist Italian neorealist Japanese New Wave Kammerspielfilm L.A. Rebellion Lettrist Modernist film Mumblecore Neorealist New French Extremity New German New generation New Hollywood New Nollywood New Queer No wave Nuevo Cine Mexicano Pan-Indian film Parallel cinema Persian Film Poetic realist Polish Film School Poliziotteschi The Prague film school Prussian film Pure Film Movement Remodernist Romanian New Wave Slow cinema Spaghetti Western Socialist realist Social realist Kitchen sink realism Soviet parallel Structural Surrealist Sword-and-sandal Telefoni Bianchi Third Cinema Toronto New Wave Vulgar auteurism Yugoslav Black Wave
By demographic	Adult Black Children and family Anime Men Seinen Stag Teen Shōnen Shōjo Women Chick flick Josei
By format, technique, approach, or production	3D Actuality Animation Anime Art Cartoon Computer Stop-motion Traditional Anthology Art B movie Behind-the-scenes Black-and-white Blockbuster Cinéma vérité Classical Hollywood cinema Collage Color Compilation Composite Computer screen Cult midnight movie Database cinema Docufiction Ethnofiction Experimental Abstract Feature Featurette Film à clef Film-poem Found footage Hyperlink cinema Independent Guerrilla filmmaking List of American independent films Interstitial art Live action animation Low-budget Major film studios Masala Maximalist film Message picture Meta-film Minimalist film Mockbuster Modernist film Musical short Mythopoeia Neorealist No-budget One-shot Paracinema Participatory Poetry Postmodernist Reverse motion Satire Sceneggiata Semidocumentary Serial Shinpa Short Silent Slow cinema Socialist realist Sound Underground Video nasty Vulgar auteurism Z movie
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