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{{Short description|Ukrainian artist (1929–2000)}}
{{Expand Ukrainian|Зубченко Галина Олександрівна|fa=yes|date=February 2013}}
{{Use dmy dates|date=August 2021}}
{{Expand Russian|Зубченко, Галина Александровна|fa=yes|date=February 2013}}
{{Expand Ukrainian|topic=bio|date=February 2013}}
⚫
{{Eastern Slavic name|Olexandrivna|Zubchenko}}
{{Expand Russian|topic=bio|date=February 2013}}
⚫
{{family name hatnote|Olexandrivna|Zubchenko|lang=Eastern Slavic}}
{{Infobox artist
{{Infobox artist
| name = Halyna Zubchenko
| name = Halyna Zubchenko
| image = ZubchenkoGO_Better.jpg
| image = ZubchenkoGO_Better.jpg
| caption = Halyna Zubchenko at an art exhibition in [[Kiev]], 1999
| caption = Halyna Zubchenko at an art exhibition in [[Kyiv]], 1999
| birth_name = Halyna Olexandrivna Zubchenko
| birth_name = Halyna Olexandrivna Zubchenko
| birth_date = {{Birth date|1929|7|19|df=yes}}
| birth_date = {{Birth date|1929|7|19|df=yes}}
| birth_place = [[Kiev]], [[Ukraine]]
| birth_place = [[Kyiv]], [[Ukraine]]
| death_date = {{Death date and age|2000|8|4|1929|7|19|df=yes}}
| death_date = {{Death date and age|2000|8|4|1929|7|19|df=yes}}
| death_place = [[Kiev]], [[Ukraine]]
| death_place = [[Kyiv]], [[Ukraine]]
| nationality = [[Ukraine|Ukrainian]]
| nationality = [[Ukraine|Ukrainian]]
| field = Painting, mural
| field = Painting, mural
| training = Kiev Art Institute
| training = Kyiv Art Institute
| works =
| works =
}}
}}


'''Halyna Olexandrivna Zubchenko''' ({{lang-uk|Галина Олександрівна Зубченко}}; {{lang-ru|Галина Александровна Зубченко}}; 19&nbsp;July 1929&nbsp;– 4&nbsp;August 2000) was a Ukrainian painter, muralist, social activist and member of the Club of Creative Youth. She joined the Union of Artists of Ukraine in 1965.<ref name="P15">Poshivaylo, (1999), p.&nbsp;15</ref>
'''Halyna Olexandrivna Zubchenko''' ({{langx|uk|Галина Олександрівна Зубченко}}; 19&nbsp;July 1929&nbsp;– 4&nbsp;August 2000) was a Ukrainian painter, muralist, social activist and member of the Club of Creative Youth. She joined the [[Union of Artists of Ukraine]] in 1965.<ref name="P15">Poshivaylo, (1999), p.&nbsp;15</ref>


==Early life==
==Early life==
Halyna Zubchenko was born in Kiev in 1929 into a family of scholars. Her father, Alexander Avksentevich Zubchenko, studied agricultural sciences and her mother, Ganna Skripchinskaya, was a researcher at the [[National Academy of Sciences of Ukraine|Academy of Sciences of Ukraine]].<ref>Poshivaylo (1999), p.&nbsp;1</ref>
Halyna Zubchenko was born in [[Kyiv]] in 1929 into a family of scholars. Her father, Alexander Avksentevich Zubchenko, studied agricultural sciences and her mother, Hanna Skrypchynska, was a researcher at the [[National Academy of Sciences of Ukraine|Academy of Sciences of Ukraine]].<ref>Poshivaylo (1999), p.&nbsp;1</ref>


===Career beginnings===
===Career beginnings===
Zubchenko's first art teacher was [[Okhrim Kravchenko]], a painter of the Boychukist school. She continued her studies at the Palace of Children's Creativity under Elizabeth Piskorska, a student of [[Fedir Krychevsky|Fedir Krichevsky]] and [[Mykhailo Boychuk]].<ref>Poshivaylo (1999), p.&nbsp;3</ref>
Zubchenko's first art teacher was [[Okhrim Kravchenko]], a painter of the [[Boychukism|Boychukist]] school. She continued her studies at the Palace of Children's Creativity under Elizabeth Piskorska, a student of [[Fedir Krychevsky|Fedir Krichevsky]] and [[Mykhailo Boychuk]].<ref>Poshivaylo (1999), p.&nbsp;3</ref>


From 1944 to 1949, Zubchenko attended the [[Shevchenko State Art School|Republican Art School]], where she took painting and drawing lessons from Vladimir Bondarenko, another disciple of Fedir Krichevsky. After secondary school, she studied at the Kiev State Art Institute under [[Oleksii Shovkunenko]]. She graduated in 1959.<ref>{{cite book|title=Artists of the USSR: Biobibliographical Dictionary. Vol.4|year=1983|publisher=Art (Искусство)|location=Moscow|page=381|language=Russian}}</ref>
From 1944 to 1949, Zubchenko attended the [[Shevchenko State Art School|Republican Art School]], where she took painting and drawing lessons from Vladimir Bondarenko, another disciple of Fedir Krichevsky. After secondary school, she studied at the [[Kyiv State Art Institute]] under [[Oleksii Shovkunenko]]. She graduated in 1959.<ref>{{cite book|title=Artists of the USSR: Biobibliographical Dictionary. Vol.4|year=1983|publisher=Art (Искусство)|location=Moscow|page=381|language=ru}}</ref>


In the summer of 1956, Zubchenko went to [[Lemkivshchyna]], a region in the lowest part of the [[Carpathian Mountains]], to practise ''[[en plein air]]'' painting.<ref name="P16">Poshivaylo (1999), p.&nbsp;16</ref> She became keenly interested in the customs of the local [[Hutsuls|Hutsul]] community; drawing inspiration from their everyday life, she set to make studies and sketches that would become the base for her painting ''Arkan'',<ref>The [[arkan]] is a Hutsul folk dance.</ref> completed later that year. Many years later, the painter said, "The Carpathians are my inner world, my dream that has come true. Since my childhood I've been living as in two different epochs: in the ancient times of [[Kievan Rus]] and in the present. I've been always so much attracted to the ancient past but I could not find what I was looking for in Kiev. But there, in the mountains, I've discovered the spirit of ancient times&nbsp;... of ancient Kiev&nbsp;... I've seen it in the way people live, in the clothes they wear, in their customs, in the way they speak."<ref name="P16"/>
In the summer of 1956, Zubchenko went to [[Lemkivshchyna]], a region in the lowest part of the [[Carpathian Mountains]], to practise ''[[en plein air]]'' painting.<ref name="P16">Poshivaylo (1999), p.&nbsp;16</ref> She became keenly interested in the customs of the local [[Hutsuls|Hutsul]] community; drawing inspiration from their everyday life, she set to make studies and sketches that would become the base for her painting ''Arkan'',<ref>[[Arkan (dance)|Arkan]] is a Hutsul folk dance.</ref> completed later that year. Many years later, the painter said, "The Carpathians are my inner world, my dream that has come true. Since my childhood, I've been living in two different epochs: in the ancient times of [[Kievan Rus]] and the present. I've been always so much attracted to the ancient past but I could not find what I was looking for in Kyiv. But there, in the mountains, I've discovered the spirit of ancient times&nbsp;... of ancient Kyiv&nbsp;... I've seen it in the way people live, in the clothes they wear, in their customs, in the way they speak."<ref name="P16"/>


[[File:Karpats'kyj vechir.jpg|thumb| Galyna Zubchenko's paintings|150px|right|''Carpathian Evening'']]
[[File:Karpats'kyj vechir.jpg|thumb|150px|right|''Carpathian Evening'']]
In 1957, Zubchenko returned to the Carpathians, this time to Richka, a village near the River Kosovo, where she lived with a Hutsul family. There she painted various portraits and landscapes, including ''A Girl from the Village of Richka'', ''Willows'', ''Without a Musician There Would Not Be a Fest'' and ''Where the Mountain Bears Live''.<!--1 bear or more than one? (more,then one)--> The following summer, she went to the village of Brustory to continue with her series of portraits. She painted ''Girls from the Village of Brustory'' (now part of a private collection in Philadelphia, United States), ''A Girl among Flowers'', ''Semen Paliy'', ''A Churchwarden'', ''A Little Princess'' (now part of a private collection in Australia), ''Silver Evening'', ''A Neighbour's House'' and many landscapes.<ref>Poshivaylo (1999), p.&nbsp;17</ref>
In 1957, Zubchenko returned to the Carpathians, this time to Richka, a village near the River Kosovo, where she lived with a Hutsul family. There she painted various portraits and landscapes, including ''A Girl from the Village of Richka'', ''Willows'', ''Without a Musician There Would Not Be a Fest,'' and ''Where the Mountain Bears Live''. The following summer, she went to the village of Brustory to continue with her series of portraits. She painted ''Girls from the Village of Brustory'' (now part of a private collection in Philadelphia, United States), ''A Girl among Flowers'', ''Semen Paliy'', ''A Churchwarden'', ''A Little Princess'' (now part of a private collection in Australia), ''Silver Evening'', ''A Neighbour's House'' and many landscapes.<ref>Poshivaylo (1999), p.&nbsp;17</ref>


===Graduation===
===Graduation===
Zubchenko decided to paint a traditional Hutsul wedding for her degree. ''Hutsul Wedding'', a large [[oil on canvas]], depicts a wedding procession coming down a hill; it is one of her central works, in which she reflected the experience of travelling around the Carpathians for three years.<ref name=P18>Poshivaylo, (1999), p.&nbsp;18</ref>
Zubchenko decided to paint a traditional Hutsul wedding for her degree. ''Hutsul Wedding'', large [[oil on canvas]], depicts a wedding procession coming down a hill; it is one of her central works, in which she reflected the experience of traveling around the [[Carpathian Mountains|Carpathians]] for three years.<ref name=P18>Poshivaylo, (1999), p.&nbsp;18</ref>


The Kiev State Art Institute staff found the painting overly nationalistic and compelled Zubchenko to modify it. Even though Oleksii Shovkunenko, the supervisor of her project, strove to avoid this, she had to change the background and the appearance of the main figures.<ref name="P18" /><ref name="Korchinskiy">{{cite journal|last=Korchinskiy|first=Vasyl|script-title=uk:Згадую… (Спогади про Галину Зубченко)|journal=Artanіya|year=2009|issue=2|url=|pages=57–63|trans-title=I remember ... (Memories of Galina Zubchenko)|language=Ukrainian}}</ref>
The Kyiv State Art Institute staff found the painting overly nationalistic and compelled Zubchenko to modify it. Even though Oleksii Shovkunenko, the supervisor of her project, strove to avoid this, she had to change the background and the appearance of the main figures.<ref name="P18" /><ref name="Korchinskiy">{{cite journal|last=Korchinskiy|first=Vasyl|script-title=uk:Згадую… (Спогади про Галину Зубченко)|journal=Artanіya|year=2009|issue=2|pages=57–63|trans-title=I remember ... (Memories of Galina Zubchenko)|language=uk}}</ref>


==Carpathian paintings==
==Carpathian paintings==
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==Monumental art==
==Monumental art==
[[File:Movement.jpg|thumb|265px|right|''Movement'', (1969). [[Mosaic]].<br/>Science Sports Palace in [[Sviatoshyn|Svyatoshino]], Kiev.]]
[[File:Movement.jpg|thumb|265px|right|''Movement'', (1969). [[Mosaic]].<br/>Science Sports Palace in [[Sviatoshyn|Svyatoshino]], Kyiv.]]
In 1962, Zubchenko joined the Club of Creative Youth (Клуб творчої молоді), a multidisciplinary group founded by [[Les Tanyuk]] in 1959 and dedicated to promote the Ukrainian culture.<ref>{{cite web|title=Biography of Les Tanyuk|url=http://archive.khpg.org.ua/en/index.php?id=1114000753|publisher=Dissident movement in Ukraine. Virtual Museum}}</ref> She and other artist friends – [[Alla Gorska]], [[Nadiya Svitlychna]], Victor Zaretsky, Halyna Sevruk<ref>{{cite web|title=Like any well-built work, Ukraine’s history has its own composition|url=http://www.day.kiev.ua/en/article/culture/any-well-built-work-ukraines-history-has-its-own-composition|publisher="Day" newspaper, Kiev}}</ref> and Lyudmila Semykina – created a division specialising in visual arts, directed by Veniamin Kushnir.<ref>Poshivaylo (1999), p.&nbsp;7</ref><!--On this site, where pdf, also lost page 7 of ukrainan text, as I see. I will contact with them once more time -->
In 1962, Zubchenko joined the Club of Creative Youth (Клуб творчої молоді), a multidisciplinary group founded by [[Les Tanyuk]] in 1959 and dedicated to promoting the Ukrainian culture.<ref>{{cite web|title=Biography of Les Tanyuk|url=http://archive.khpg.org.ua/en/index.php?id=1114000753|publisher=Dissident movement in Ukraine. Virtual Museum|access-date=6 February 2013|archive-date=28 July 2011|archive-url=https://web.archive.org/web/20110728051041/http://archive.khpg.org.ua/en/index.php?id=1114000753|url-status=dead}}</ref> She and other artist friends – [[Alla Gorska]], [[Nadiya Svitlychna]], Victor Zaretsky, [[Halyna Sevruk]]<ref>{{cite web|title=Like any well-built work, Ukraine's history has its own composition|url=http://www.day.kiev.ua/en/article/culture/any-well-built-work-ukraines-history-has-its-own-composition|publisher="Day" newspaper, Kyiv}}</ref> and Lyudmila Semykina – created a division specialising in visual arts, directed by Veniamin Kushnir.<ref>Poshivaylo (1999), p.&nbsp;7</ref><!--On this site, where pdf, also lost page 7 of ukrainan text, as I see. I will contact with them once more time -->


In 1964 Zubchenko, Gorska, Opanas Zalyvakha,<ref>{{cite web|title=Opanas Zalyvakha - The Road to Truth|url=http://www.ukrainianmuseum.org/ex_110123_zalyvakha.html|publisher=The Ukrainian Museum, New York}}</ref> Semykina and Sevruk made ''Shevchenko. Mother'', a [[stained glass]] window for the lobby of the [[Red University Building|Red building]] of the [[Taras Shevchenko National University of Kyiv|Kiev National University]]. As the work was considered "ideologically hostile", the university's authorities ordered to destroy it.<ref name="Korchinskiy"/><ref>{{cite web|title=A chronicle of the Communist inquisition. 1961–1964|url=http://memorial.kiev.ua/expo/eng/1953_4.html|publisher=Memorial Society of [[Vasyl Stus]]}}</ref><ref>{{cite web|title=The Role of Ukrainian Museums in the United States Diaspora in Nationalising Ukrainian Identity|url=http://diasporiclivesofobjects2012.files.wordpress.com/2012/01/ukranian-museum.pdf|publisher=Studies in Ethnicity and Nationalism: Vol. 8, No. 2, 2008}}</ref><!--In last citation name of this work in english shown - Shevchenko.Mother. No other translation.-->{{Clarify|date=February 2013}}
In 1964 Zubchenko, Gorska, Opanas Zalyvakha,<ref>{{cite web|title=Opanas Zalyvakha - The Road to Truth|url=http://www.ukrainianmuseum.org/ex_110123_zalyvakha.html|publisher=The Ukrainian Museum, New York}}</ref> Semykina and Sevruk made ''Shevchenko. Mother'', a [[stained glass]] window for the lobby of the [[Red University Building|Red building]] of the [[Taras Shevchenko National University of Kyiv|Kyiv National University]]. As the work was considered "ideologically hostile", the university's authorities ordered to destroy it.<ref name="Korchinskiy"/><ref>{{cite web|title=A chronicle of the Communist inquisition. 1961–1964|url=http://memorial.kiev.ua/expo/eng/1953_4.html|publisher=Memorial Society of [[Vasyl Stus]]|access-date=2013-02-11|archive-url=https://web.archive.org/web/20070526023209/http://memorial.kiev.ua/expo/eng/1953_4.html|archive-date=2007-05-26|url-status=dead}}</ref><ref>{{cite web|title=The Role of Ukrainian Museums in the United States Diaspora in Nationalising Ukrainian Identity|url=http://diasporiclivesofobjects2012.files.wordpress.com/2012/01/ukranian-museum.pdf|publisher=Studies in Ethnicity and Nationalism: Vol. 8, No. 2, 2008}}</ref><!--In last citation name of this work in English shown - Shevchenko.Mother. No other translation.-->{{Clarify|date=February 2013}}


In 1965, while working for the Academy of Architecture, Zubchenko was commissioned to decorate the exterior walls of the School No. 5 in [[Donetsk]].<ref>{{cite web|title=В Донецке может погаснуть огонь Прометеев. Мозаики школы №5 ("The fire of Prometheus may be extinguished in Donetsk. Mosaic of the School No. 5")|url=http://infodon.org.ua/donetsk/1024|language=Russian}}</ref> Alla Horska helped her with the sketches for the eight [[mosaic]]s, which measured between {{convert|10|m2|sqft|abbr=on}} and {{convert|15|m2|sqft|abbr=on}} each. While working on the sketches, Zubchenko and Gosrka consulted painter Gregory Sinica<!--[http://korners.kiev.ua/russian/painters/1367 Gregory Sinica]-->, who became director of the project. Other members of the Club of Creative Youth such as Zaretsky, Svitlychna, Gennady Marchenko and Vasil Parakhin collaborated with them.<ref>{{cite book|last=Ogneva|first=Ludmila|title=Pearls of Ukrainian Monumental Art in Donbass|year=2008|publisher=Lіleya HB|location=Ivano-Frankivsk|page=52.|url=|language=Ukrainian}}</ref> Participated in the creation of the following monumental and decorative panels: "Space"{{sfn|Yunakov|2016|p=319}}, "Elements of water"{{sfn|Yunakov|2016|p=319}}, "Fire"{{sfn|Yunakov|2016|p=320}}, "Earth"{{sfn|Yunakov|2016|p=320}}, "Miner's Edge" ("Prometheus"){{sfn|Yunakov|2016|p=321}}, "Wind and Willow"{{sfn|Yunakov|2016|p=322}}, "Sun"{{sfn|Yunakov|2016|p=322}}, "Subsoil"{{sfn|Yunakov|2016|p=323}}, "Animal World"{{sfn|Yunakov|2016|p=323}}.
In 1965, while working for the Academy of Architecture, Zubchenko was commissioned to decorate the exterior walls of School No. 5 in [[Donetsk]].<ref>{{cite web|title=В Донецке может погаснуть огонь Прометеев. Мозаики школы №5 ("The fire of Prometheus may be extinguished in Donetsk. Mosaic of the School No. 5")|url=http://infodon.org.ua/donetsk/1024|language=ru}}</ref> Alla Horska helped her with the sketches for the eight [[mosaic]]s, which measured between {{convert|10|m2|sqft|abbr=on}} and {{convert|15|m2|sqft|abbr=on}} each. While working on the sketches, Zubchenko and Gosrka consulted painter Gregory Sinica<!--[http://korners.kiev.ua/russian/painters/1367 Gregory Sinica]-->, who became director of the project. Other members of the Club of Creative Youth such as Zaretsky, Svitlychna, Gennady Marchenko and Vasil Parakhin collaborated with them.<ref>{{cite book|last=Ogneva|first=Ludmila|title=Pearls of Ukrainian Monumental Art in Donbass|year=2008|publisher=Lіleya HB|location=Ivano-Frankivsk|page=52|language=uk}}</ref> Participated in the creation of the following monumental and decorative panels: "Space",{{sfn|Yunakov|2016|p=319}} "Elements of water",{{sfn|Yunakov|2016|p=319}} "Fire",{{sfn|Yunakov|2016|p=320}} "Earth",{{sfn|Yunakov|2016|p=320}} "Miner's Edge" ("Prometheus"),{{sfn|Yunakov|2016|p=321}} "Wind and Willow",{{sfn|Yunakov|2016|p=322}} "Sun",{{sfn|Yunakov|2016|p=322}} "Subsoil",{{sfn|Yunakov|2016|p=323}} "Animal World".{{sfn|Yunakov|2016|p=323}}


Zubchenko married painter Gregory Pryshedko in 1967. <!--When did they begin to work. It's not clear (66-67. Met, begin to work and married. Same time)66 or 67? (I don't know exactly, but all there known works after 1967)-->The couple worked together for ten years on the decoration of several public buildings in [[Mariupol]] and Kiev – in particular, the institutes of the Academy of Sciences of Ukraine. They produced the large-scale mosaics ''Blooming Ukraine'' (1967, [[Mariupol#History|Zhdanov]]), ''Movement'' (1969, Science Sports Palace in [[Sviatoshyn|Svyatoshino]], Kiev), ''Victory'' (1971, Institute of Oncology, Kiev), ''Blacksmiths of Modernity'' (1974, Institute for Nuclear Research, Kiev), ''Masters of Time'' (1975, Institute of Cybernetics, Kiev) and ''The Triumph of Cybernetics'' (1977, Institute of Cybernetics, Kiev).<ref>{{cite book|title=Kiev: Overview of Architectural Monuments and Ensembles|year=1978|publisher=Budivelnyk| location=Kiev|page=131|language=Russian}}</ref><ref>{{cite web|title=Киевские мозаики советского периода ("Mosaics in Kiev. Soviet period")|url=http://www.pl.com.ua/?pid=56&artid=22944|date=17 April 2012|language=Russian}}</ref> After Pryshedko's death in 1978, she continued working on monumental art designs.
Zubchenko married painter Gregory Pryshedko in 1967. <!--When did they begin to work. It's not clear (66-67. Met, begin to work and married. Same time)66 or 67? (I don't know exactly, but all there known works after 1967)-->The couple worked together for ten years on the decoration of several public buildings in [[Mariupol]] and [[Kyiv]] – in particular, the institutes of the [[National Academy of Sciences of Ukraine|Academy of Sciences of Ukraine]]. They produced the large-scale mosaics ''Blooming Ukraine'' (1967, [[Mariupol#History|Zhdanov]]), ''Movement'' (1969, Science Sports Palace in [[Sviatoshyn|Svyatoshino]], Kyiv), ''Victory'' (1971, Institute of Oncology, Kyiv), ''Blacksmiths of Modernity'' (1974, Institute for Nuclear Research, Kyiv), ''Masters of Time'' (1975, Institute of Cybernetics, Kyiv) and ''The Triumph of Cybernetics'' (1977, Institute of Cybernetics, Kyiv).<ref>{{cite book|title=Kyiv: Overview of Architectural Monuments and Ensembles|year=1978|publisher=Budivelnyk| location=Kyiv|page=131|language=ru}}</ref><ref>{{cite web|title=Киевские мозаики советского периода ("Mosaics in Kyiv. Soviet period")|url=http://www.pl.com.ua/?pid=56&artid=22944|date=17 April 2012|language=ru}}</ref> After Pryshedko died in 1978, she continued working on monumental art designs.


==1980s – 1990s==
==1980s – 1990s==
In 1981, Zubchenko made the [[stained glass]] window ''Spring, Summer, Autumn'' for the Institute of Urology in Kiev and various mosaics for the Dubrava Health Resort in [[Zheleznovodsk]], such as ''Legend of the Narty'', ''Tales and Legends of the North Caucasus'' and ''Merry Sun''<!--What's ''Waterfall''? A bas-relief? A relief? See "Relief" on Wikipedia (I drop this - don't know, how translate, complicate term) Hiding "Waterfall", then, 'cause it's not a mosaic. (No, it is mosaic. Term I tried to use means union of space and embossing, repousse, relief - don't know, how to say exactly - but it is mosaic)/Nope, repoussé is for metalwork (I understand, I can't translate. It describes type of surface, not any style of art).-->.<ref name="Korchinskiy"/> The remaining sketches and cartoons for these mosaics were transferred to the [[:uk:Музей шістдесятництва|Museum of the Sixties]], Kiev, in 2010.{{citation needed|date=February 2013}}
In 1981, Zubchenko made the [[stained glass]] window ''Spring, Summer, Autumn'' for the Institute of Urology in Kyiv and various mosaics for the Dubrava Health Resort in [[Zheleznovodsk]], such as ''Legend of the Narty'', ''Tales and Legends of the North Caucasus'' and ''Merry Sun''<!--What's ''Waterfall''? A bas-relief? A relief? See "Relief" on Wikipedia (I drop this - don't know, how translate, complicate term) Hiding "Waterfall", then, 'cause it's not a mosaic. (No, it is mosaic. Term I tried to use means union of space and embossing, repousse, relief - don't know, how to say exactly - but it is mosaic)/Nope, repoussé is for metalwork (I understand, I can't translate. It describes type of surface, not any style of art).-->.<ref name="Korchinskiy"/> The remaining sketches and cartoons for these mosaics were transferred to the [[:uk:Музей шістдесятництва|Museum of the Sixties]], Kyiv, in 2010.{{citation needed|date=February 2013}}


In 1985, Zubchenko returned to the Carpathian mountains after a long time. She painted ''The Last Ray of Sun'', ''Rogatynyukiv's Farm'', ''Princess Yaroslava'' and ''Carrying Pears and Plums''.
In 1985, Zubchenko returned to the Carpathian mountains after a long time. She painted ''The Last Ray of Sun'', ''Rogatynyukiv's Farm'', ''Princess Yaroslava'' and ''Carrying Pears and Plums''.{{citation needed|date=February 2013}}


Throughout the 1990s Zubchenko worked on a series of more than 100 [[Watercolor painting|watercolours]] depicting Crimean natural sceneries, some of which are in the [[Simferopol Art Museum]] and the Sevastopol Art Museum in Crimea. She also painted views of the [[Kiev Pechersk Lavra|Kiev Monastery of the Caves]] and landscapes of Central Ukraine, such as ''Morning above the [[Ros River|Ros]]''. Other works from this period, including ''The Power of the Spirit'' and ''Our Lady of [[Pochayiv Lavra|Pochaev]]'', are based on Christian themes.{{citation needed|date=February 2013}}<!--What do you mean? That such a painting was drawn? I can show you a foto of them On foto is well seen, that this is Christian themes.-->
Throughout the 1990s, Zubchenko worked on a series of more than 100 [[Watercolor painting|watercolours]] depicting [[Crimea|Crimean]] natural sceneries, some of which are in the [[Simferopol Art Museum]] and the Sevastopol Art Museum in Crimea. She also painted views of the [[Kyiv Pechersk Lavra|Kyiv Monastery of the Caves]] and landscapes of [[Central Ukraine]], such as ''Morning above the [[Ros River|Ros]]''. Other works from this period, including ''The Power of the Spirit'' and ''Our Lady of [[Pochayiv Lavra|Pochayiv]]'', are based on Christian themes.<ref>{{Cite web |date=2020-07-19 |title=19 липня – 90 років від дня народження української художниці-шістдесятниці Галини Зубченко - Рідна країна |url=https://ridna.ua/2020/07/19-lypnia-90-rokiv-vid-dnia-narodzhennia-ukrains-koi-khudozhnytsi-shistdesiatnytsi-halyny-zubchenko/ |access-date=2023-11-16 |website=Рідна країна - світоглядний портал}}</ref><!--What do you mean? That such a painting was drawn? I can show you a foto of them On foto is well seen, that this is Christian themes.-->


==Exhibitions==
==Exhibitions==
Zubchenko took part in several international, national and municipal expositions and organised five personal exhibitions.<ref name="P15" /> In 1999, the Embassy of Croatia in Ukraine invited her to stage an exhibition of her works in Zagreb.<ref>{{cite book|title=Halina O. Zubcenko. Galerija Viseslav|year=1999|publisher= Matica hrvatska NIN|location=Zagreb|language=Croatian}}</ref>
Zubchenko took part in several international, national and municipal expositions and organised five personal exhibitions.<ref name="P15" /> In 1999, the Embassy of Croatia in Ukraine invited her to stage an exhibition of her works in [[Zagreb]].<ref>{{cite book|title=Halina O. Zubcenko. Galerija Viseslav|year=1999|publisher= Matica hrvatska NIN|location=Zagreb|language=hr}}</ref>


Her paintings are in the Museum of Hutsul Folk Art in [[Kolomyia]], the Mariupol Art Gallery, the [[Kirovohrad]] Art Museum, the Ivan Honchar Museum in Kiev, the Sevastopol Art Gallery and the Simferopol Art Museum, as well as in art galleries and private collections in the United States, Canada, Argentina, Japan, Australia, Taiwan, Germany and Croatia.<ref name="P15" />
Her paintings are in the Museum of Hutsul Folk Art in [[Kolomyia]], the Mariupol Art Gallery, the [[Kirovohrad]] Art Museum, the [[Ivan Honchar Museum]] in Kyiv, the Sevastopol Art Gallery and the Simferopol Art Museum, as well as in art galleries and private collections in the United States, Canada, Argentina, Japan, Australia, Taiwan, Germany and Croatia.<ref name="P15" />


==Gallery==
==Gallery==
<gallery perrow=4 widths=180 heights=180>
<gallery perrow="4" widths="180" heights="180">
File:Gutsulske vesillya.jpg|''Hutsul Wedding'', (1959). Oil on canvas, 180 × 241&nbsp;cm.<br />Ivan Gonchar Museum, Kiev.
File:Gutsulske vesillya.jpg|''Hutsul Wedding'', (1959). Oil on canvas, 180 × 241&nbsp;cm.<br />Ivan Gonchar Museum, Kyiv.
File:Gospodynya gir.jpg|''Mistress of the Mountains'', (1962). Oil on canvas, 72 × 95&nbsp;cm.
File:Gospodynya gir.jpg|''Mistress of the Mountains'', (1962). Oil on canvas, 72 × 95&nbsp;cm.
File:Sriblyastij Vechir.jpg|''Silver Evening'', (1963). Oil on canvas, 77.5 × 54&nbsp;cm.<br />Ivan Gonchar Museum, Kiev.
File:Sriblyastij Vechir.jpg|''Silver Evening'', (1963). Oil on canvas, 77.5 × 54&nbsp;cm.<br />Ivan Gonchar Museum, Kyiv.
File:Gannusja-knjagynja.jpg|''Princess Gannusya'', (1962). Oil on canvas, 67 × 46&nbsp;cm.
File:Gannusja-knjagynja.jpg|''Princess Gannusya'', (1962). Oil on canvas, 67 × 46&nbsp;cm.
</gallery>
</gallery>


==Notes==
==Notes==
{{reflist}}
{{Reflist}}


==Sources==
==Sources==
* Korchinsky, Vasyl. [http://boryviter.etnoua.info/novyny/spohady-pro-halynu-zubchenko/ "Згадую... (Спогади про Галину Зубченко) [I remember... (Memories about Galina Zubchenko)]", ''Artanіya'', No. 2, 2009. {{uk icon}}
* Korchinsky, Vasyl. [http://boryviter.etnoua.info/novyny/spohady-pro-halynu-zubchenko/ "Згадую... (Спогади про Галину Зубченко) [I remember... (Memories about Galina Zubchenko)]", ''Artanіya'', No. 2, 2009. {{in lang|uk}}
* Mitrofanov, Konstantin. ''Modern Monumental Decorative Ceramics''. Moscow: Art (Искусство), 1967. <!--102, 104, 106, 107, 108, 179, 181--> {{ru icon}}
* Mitrofanov, Konstantin. ''Modern Monumental Decorative Ceramics''. Moscow: Art (Искусство), 1967. <!--102, 104, 106, 107, 108, 179, 181--> {{in lang|ru}}
* Ogneva, Ludmila. [http://torba.info.ms/files/60nyky/Perlyny-ukrajinskogo-monumentalnogo-mystectva-na-Donechchyni_LOgneva_2008_PDF.rar ''Pearls of Ukrainian Monumental Art in Donbass'']{{dead link|date=October 2017 |bot=InternetArchiveBot |fix-attempted=yes }}. Ivano-Frankivsk: Lіleya HB, 2008. {{uk icon}}
* Ogneva, Ludmila. [https://web.archive.org/web/20150405123625/http://boryviter.etnoua.info/novyny/knyha-perlyny-ukrajinskoho-monumentalnoho-mystetstva-na-donechchyni-ljudmyla-ohneva/ ''Pearls of Ukrainian Monumental Art in Donbass'']. Ivano-Frankivsk: Lіleya HB, 2008. {{in lang|uk}}
* Poshivaylo, Tetyana. [http://torba.info.ms/files/60nyky/KARPATY-v-tvorah-Galyny-ZUBCHENKO_1999.pdf ''Galyna Zubchenko's Ukrainian Carpathians. Catalogue'']{{dead link|date=October 2017 |bot=InternetArchiveBot |fix-attempted=yes }}. Kiev: Іvan Gonchar Museum, 1999. {{uk icon}} {{en icon}}
* Poshivaylo, Tetyana. [https://web.archive.org/web/20160311100609/http://boryviter.etnoua.info/novyny/ukrajinski-karpaty-u-tvorah-galyny-zubchenko/ ''Galyna Zubchenko's Ukrainian Carpathians. Catalogue'']. Kyiv: Іvan Gonchar Museum, 1999. {{in lang|uk|en}}
*Sajenko, Nina (ed).''Gregory Pryshedko (1927–1978), <!--FULL NAME, please. What's "(1927-1978)"? Galyna's work from this period? (you don't understood this, it is catalogue of both^ she and she's husband, G.Pryshedko. 1927-78 - years of life of G.Pryshedko. In all sources I have not author of this, only publishing house (Union of Artist) and autor of prologue (вступительное слово) --> Galyna Zubchenko. Catalogue of Works''.<!--"Author of prolusion and compiler" I suppose you meant "prologue", so I wrote "ed.", which means "editor".--> Kiev: Union of Artists of Ukraine, 1987. {{uk icon}}<!--If it's a catalogue, you should specify the museum or art gallery (edition of Union of Artists of Ukraine< not museum or gallery) .-->
*Sajenko, Nina (ed).''Gregory Pryshedko (1927–1978), <!--FULL NAME, please. What's "(1927-1978)"? Galyna's work from this period? (you don't understood this, it is catalogue of both^ she and she's husband, G.Pryshedko. 1927-78 - years of life of G.Pryshedko. In all sources I have not author of this, only publishing house (Union of Artist) and autor of prologue (вступительное слово) --> Galyna Zubchenko. Catalogue of Works''.<!--"Author of prolusion and compiler" I suppose you meant "prologue", so I wrote "ed.", which means "editor".--> Kyiv: Union of Artists of Ukraine, 1987. {{in lang|uk}}<!--If it's a catalogue, you should specify the museum or art gallery (edition of Union of Artists of Ukraine< not museum or gallery) .-->
* Shcherbak, Vasil. ''Contemporary Ukrainian Majolica''. Kiev: Scientific Thought (Наукова Думка), 1974.<!--P.133, 173, 174, 175.--> {{uk icon}}
* Shcherbak, Vasil. ''Contemporary Ukrainian Majolica''. Kyiv: Scientific Thought (Наукова Думка), 1974.<!--P.133, 173, 174, 175.--> {{in lang|uk}}
* Voeikova, Irina. ''Monumental Art and Contemporary Problems of Synthesis. Synthesis of Art and Architecture of Public Buildings''. Moscow: Soviet Artist (Советский художник), 1974.<!--p.88, 233.--> {{ru icon}}
* Voeikova, Irina. ''Monumental Art and Contemporary Problems of Synthesis. Synthesis of Art and Architecture of Public Buildings''. Moscow: Soviet Artist (Советский художник), 1974.<!--p.88, 233.--> {{in lang|ru}}
* ''Kiev: Overview of Architectural Monuments and Ensembles''. Kiev: Budivelnyk, 1978.<!--P.131.--> {{ru icon}}<!--AUTHOR? (it is like municupal catalogue, it had not one author,group of authors, so we don't need to find all of them)-->
* ''Kyiv: Overview of Architectural Monuments and Ensembles''. Kyiv: Budivelnyk, 1978.<!--P.131.--> {{in lang|ru}}<!--AUTHOR? (it is like municupal catalogue, it had not one author,group of authors, so we don't need to find all of them)-->
* Voltsenburg, Oscar; Gorina, Tatiana. ''Artists of the USSR: Biobibliographical Dictionary'', Vol.4.<!--book 1. p.361.--> Moscow: Art (Искусство), 1983. {{ru icon}}
* Voltsenburg, Oscar; Gorina, Tatiana. ''Artists of the USSR: Biobibliographical Dictionary'', Vol.4.<!--book 1. p.361.--> Moscow: Art (Искусство), 1983. {{in lang|ru}}
* Chornohora. Ukrainian Cooperative Calendar. Chicago, Ill., Hutsul society "Chornohora in Chicago", 1991.
* Chornohora. Ukrainian Cooperative Calendar. Chicago, Ill., Hutsul society "Chornohora in Chicago", 1991.
* [http://pamjatky.org.ua/wp-content/uploads/2012/10/pcp2011_19.pdf Works by Center of Heritage. Center of Heritage, National Academy of Sciences of Ukraine]. Kiev, 2011. <!--p. 237.--> {{uk icon}}
* [http://pamjatky.org.ua/wp-content/uploads/2012/10/pcp2011_19.pdf Works by Center of Heritage. Center of Heritage, National Academy of Sciences of Ukraine] {{Webarchive|url=https://web.archive.org/web/20160305194437/http://pamjatky.org.ua/wp-content/uploads/2012/10/pcp2011_19.pdf |date=5 March 2016 }}. Kyiv, 2011. <!--p. 237.--> {{in lang|uk}}
*{{Cite book|last=Yunakov|first=Oleg|date=2016|title=[[:ru:Архитектор Иосиф Каракис|Architect Joseph Karakis]]|publisher=Almaz|ISBN=978-1-68082-000-3|language=Russian|ref=harv}}
*{{Cite book|last=Yunakov|first=Oleg|date=2016|title=[[:ru:Архитектор Иосиф Каракис|Architect Joseph Karakis]]|publisher=Almaz|isbn=978-1-68082-000-3|language=ru}}


==External links==
== External links ==
{{Commons category}}
* [http://hutsul.museum/eng/ National Museum of Hutsulshchyna and Pokuttya Folk Art]
* [http://hutsul.museum/eng/ National Museum of Hutsulshchyna and Pokuttya Folk Art]
* [http://honchar.org.ua/english/ The national center of folk culture. Ivan Honchar Museum]
* [http://honchar.org.ua/english/ The national center of folk culture. Ivan Honchar Museum] {{Webarchive|url=https://web.archive.org/web/20210127002916/https://honchar.org.ua/english/ |date=27 January 2021 }}
* [http://www.wumag.kiev.ua/wumag_old/archiv/1_99/zubchenko.htm Ukrainian Carpathians. Halyna Zubchenko.]
* [https://web.archive.org/web/20141224065008/http://www.wumag.kiev.ua/wumag_old/archiv/1_99/zubchenko.htm Ukrainian Carpathians. Halyna Zubchenko.]
* [http://boryviter.etnoua.info/category/halyna-zubchenko/ Galyna Zubchenko on ''Boryviter''] {{uk icon}}
* [http://boryviter.etnoua.info/category/halyna-zubchenko/ Galyna Zubchenko on ''Boryviter''] {{in lang|uk}}
* [http://ameblo.jp/olex777/entry-11386126400.html Paintings by Galyna Zubchenko, part 1] {{ja icon}}
* [http://ameblo.jp/olex777/entry-11386126400.html Paintings by Galyna Zubchenko, part 1] {{in lang|ja}}
* [http://ameblo.jp/olex777/entry-11390883085.html Paintings by Galyna Zubchenko, part 2]
* [http://ameblo.jp/olex777/entry-11390883085.html Paintings by Galyna Zubchenko, part 2]
* [http://ameblo.jp/olex777/entry-11388866633.html Paintings by Galyna Zubchenko, part 3]
* [http://ameblo.jp/olex777/entry-11388866633.html Paintings by Galyna Zubchenko, part 3]
Line 100: Line 103:
* [http://ameblo.jp/olex777/entry-11412031311.html Paintings by Galyna Zubchenko, part 7. Crimean watercolours]
* [http://ameblo.jp/olex777/entry-11412031311.html Paintings by Galyna Zubchenko, part 7. Crimean watercolours]
* [http://ameblo.jp/olex777/entry-11417142600.html Paintings by Galyna Zubchenko, part 8. Crimean watercolours]
* [http://ameblo.jp/olex777/entry-11417142600.html Paintings by Galyna Zubchenko, part 8. Crimean watercolours]

{{Authority control}}


{{DEFAULTSORT:Zubchenko, Halyna}}
{{DEFAULTSORT:Zubchenko, Halyna}}
[[Category:1929 births]]
[[Category:1929 births]]
[[Category:2000 deaths]]
[[Category:2000 deaths]]
[[Category:People from Kiev]]
[[Category:Artists from Kyiv]]
[[Category:Ukrainian women artists]]
[[Category:20th-century Ukrainian women artists]]
[[Category:20th-century Russian painters]]
[[Category:20th-century Ukrainian painters]]
[[Category:20th-century Ukrainian painters]]
[[Category:20th-century women artists]]

Latest revision as of 03:12, 23 October 2024

In this name that follows Eastern Slavic naming customs, the patronymic is Olexandrivna and the family name is Zubchenko.
Halyna Zubchenko
Halyna Zubchenko at an art exhibition in Kyiv, 1999
Born
Halyna Olexandrivna Zubchenko

(1929-07-19)19 July 1929
Kyiv, Ukraine
Died4 August 2000(2000-08-04) (aged 71)
Kyiv, Ukraine
NationalityUkrainian
EducationKyiv Art Institute
Known forPainting, mural

Halyna Olexandrivna Zubchenko (Ukrainian: Галина Олександрівна Зубченко; 19 July 1929 – 4 August 2000) was a Ukrainian painter, muralist, social activist and member of the Club of Creative Youth. She joined the Union of Artists of Ukraine in 1965.[1]

Early life

[edit]

Halyna Zubchenko was born in Kyiv in 1929 into a family of scholars. Her father, Alexander Avksentevich Zubchenko, studied agricultural sciences and her mother, Hanna Skrypchynska, was a researcher at the Academy of Sciences of Ukraine.[2]

Career beginnings

[edit]

Zubchenko's first art teacher was Okhrim Kravchenko, a painter of the Boychukist school. She continued her studies at the Palace of Children's Creativity under Elizabeth Piskorska, a student of Fedir Krichevsky and Mykhailo Boychuk.[3]

From 1944 to 1949, Zubchenko attended the Republican Art School, where she took painting and drawing lessons from Vladimir Bondarenko, another disciple of Fedir Krichevsky. After secondary school, she studied at the Kyiv State Art Institute under Oleksii Shovkunenko. She graduated in 1959.[4]

In the summer of 1956, Zubchenko went to Lemkivshchyna, a region in the lowest part of the Carpathian Mountains, to practise en plein air painting.[5] She became keenly interested in the customs of the local Hutsul community; drawing inspiration from their everyday life, she set to make studies and sketches that would become the base for her painting Arkan,[6] completed later that year. Many years later, the painter said, "The Carpathians are my inner world, my dream that has come true. Since my childhood, I've been living in two different epochs: in the ancient times of Kievan Rus and the present. I've been always so much attracted to the ancient past but I could not find what I was looking for in Kyiv. But there, in the mountains, I've discovered the spirit of ancient times ... of ancient Kyiv ... I've seen it in the way people live, in the clothes they wear, in their customs, in the way they speak."[5]

Carpathian Evening

In 1957, Zubchenko returned to the Carpathians, this time to Richka, a village near the River Kosovo, where she lived with a Hutsul family. There she painted various portraits and landscapes, including A Girl from the Village of Richka, Willows, Without a Musician There Would Not Be a Fest, and Where the Mountain Bears Live. The following summer, she went to the village of Brustory to continue with her series of portraits. She painted Girls from the Village of Brustory (now part of a private collection in Philadelphia, United States), A Girl among Flowers, Semen Paliy, A Churchwarden, A Little Princess (now part of a private collection in Australia), Silver Evening, A Neighbour's House and many landscapes.[7]

Graduation

[edit]

Zubchenko decided to paint a traditional Hutsul wedding for her degree. Hutsul Wedding, large oil on canvas, depicts a wedding procession coming down a hill; it is one of her central works, in which she reflected the experience of traveling around the Carpathians for three years.[8]

The Kyiv State Art Institute staff found the painting overly nationalistic and compelled Zubchenko to modify it. Even though Oleksii Shovkunenko, the supervisor of her project, strove to avoid this, she had to change the background and the appearance of the main figures.[8][9]

Carpathian paintings

[edit]

Between 1959 and 1964, Zubchenko made several visits to the Carpathian Mountains and produced another series of paintings of the Ukrainian countryside and Hutsul people. Some of the works from this period are Moysyuchka, Princess Paraska, An Old Fortune Teller, Mistress of the Mountains, various portraits of men (Owner, Hutsul Nicholas, Legin) and children (Vasyuta, Vasyuta and his brother, Chichko) and the landscapes Above the Cheremosh, Clouds Walk above Verkhovyna and Dreamy Evening.[10]

Monumental art

[edit]
Movement, (1969). Mosaic.
Science Sports Palace in Svyatoshino, Kyiv.

In 1962, Zubchenko joined the Club of Creative Youth (Клуб творчої молоді), a multidisciplinary group founded by Les Tanyuk in 1959 and dedicated to promoting the Ukrainian culture.[11] She and other artist friends – Alla Gorska, Nadiya Svitlychna, Victor Zaretsky, Halyna Sevruk[12] and Lyudmila Semykina – created a division specialising in visual arts, directed by Veniamin Kushnir.[13]

In 1964 Zubchenko, Gorska, Opanas Zalyvakha,[14] Semykina and Sevruk made Shevchenko. Mother, a stained glass window for the lobby of the Red building of the Kyiv National University. As the work was considered "ideologically hostile", the university's authorities ordered to destroy it.[9][15][16][clarification needed]

In 1965, while working for the Academy of Architecture, Zubchenko was commissioned to decorate the exterior walls of School No. 5 in Donetsk.[17] Alla Horska helped her with the sketches for the eight mosaics, which measured between 10 m2 (110 sq ft) and 15 m2 (160 sq ft) each. While working on the sketches, Zubchenko and Gosrka consulted painter Gregory Sinica, who became director of the project. Other members of the Club of Creative Youth such as Zaretsky, Svitlychna, Gennady Marchenko and Vasil Parakhin collaborated with them.[18] Participated in the creation of the following monumental and decorative panels: "Space",[19] "Elements of water",[19] "Fire",[20] "Earth",[20] "Miner's Edge" ("Prometheus"),[21] "Wind and Willow",[22] "Sun",[22] "Subsoil",[23] "Animal World".[23]

Zubchenko married painter Gregory Pryshedko in 1967. The couple worked together for ten years on the decoration of several public buildings in Mariupol and Kyiv – in particular, the institutes of the Academy of Sciences of Ukraine. They produced the large-scale mosaics Blooming Ukraine (1967, Zhdanov), Movement (1969, Science Sports Palace in Svyatoshino, Kyiv), Victory (1971, Institute of Oncology, Kyiv), Blacksmiths of Modernity (1974, Institute for Nuclear Research, Kyiv), Masters of Time (1975, Institute of Cybernetics, Kyiv) and The Triumph of Cybernetics (1977, Institute of Cybernetics, Kyiv).[24][25] After Pryshedko died in 1978, she continued working on monumental art designs.

1980s – 1990s

[edit]

In 1981, Zubchenko made the stained glass window Spring, Summer, Autumn for the Institute of Urology in Kyiv and various mosaics for the Dubrava Health Resort in Zheleznovodsk, such as Legend of the Narty, Tales and Legends of the North Caucasus and Merry Sun.[9] The remaining sketches and cartoons for these mosaics were transferred to the Museum of the Sixties, Kyiv, in 2010.[citation needed]

In 1985, Zubchenko returned to the Carpathian mountains after a long time. She painted The Last Ray of Sun, Rogatynyukiv's Farm, Princess Yaroslava and Carrying Pears and Plums.[citation needed]

Throughout the 1990s, Zubchenko worked on a series of more than 100 watercolours depicting Crimean natural sceneries, some of which are in the Simferopol Art Museum and the Sevastopol Art Museum in Crimea. She also painted views of the Kyiv Monastery of the Caves and landscapes of Central Ukraine, such as Morning above the Ros. Other works from this period, including The Power of the Spirit and Our Lady of Pochayiv, are based on Christian themes.[26]

Exhibitions

[edit]

Zubchenko took part in several international, national and municipal expositions and organised five personal exhibitions.[1] In 1999, the Embassy of Croatia in Ukraine invited her to stage an exhibition of her works in Zagreb.[27]

Her paintings are in the Museum of Hutsul Folk Art in Kolomyia, the Mariupol Art Gallery, the Kirovohrad Art Museum, the Ivan Honchar Museum in Kyiv, the Sevastopol Art Gallery and the Simferopol Art Museum, as well as in art galleries and private collections in the United States, Canada, Argentina, Japan, Australia, Taiwan, Germany and Croatia.[1]

[edit]
  • Hutsul Wedding, (1959). Oil on canvas, 180 × 241 cm. Ivan Gonchar Museum, Kyiv.
    Hutsul Wedding, (1959). Oil on canvas, 180 × 241 cm.
    Ivan Gonchar Museum, Kyiv.
  • Mistress of the Mountains, (1962). Oil on canvas, 72 × 95 cm.
    Mistress of the Mountains, (1962). Oil on canvas, 72 × 95 cm.
  • Silver Evening, (1963). Oil on canvas, 77.5 × 54 cm. Ivan Gonchar Museum, Kyiv.
    Silver Evening, (1963). Oil on canvas, 77.5 × 54 cm.
    Ivan Gonchar Museum, Kyiv.
  • Princess Gannusya, (1962). Oil on canvas, 67 × 46 cm.
    Princess Gannusya, (1962). Oil on canvas, 67 × 46 cm.

Notes

[edit]
  1. ^ a b c Poshivaylo, (1999), p. 15
  2. ^ Poshivaylo (1999), p. 1
  3. ^ Poshivaylo (1999), p. 3
  4. ^ Artists of the USSR: Biobibliographical Dictionary. Vol.4 (in Russian). Moscow: Art (Искусство). 1983. p. 381.
  5. ^ a b Poshivaylo (1999), p. 16
  6. ^ Arkan is a Hutsul folk dance.
  7. ^ Poshivaylo (1999), p. 17
  8. ^ a b Poshivaylo, (1999), p. 18
  9. ^ a b c Korchinskiy, Vasyl (2009). Згадую… (Спогади про Галину Зубченко) [I remember ... (Memories of Galina Zubchenko)]. Artanіya (in Ukrainian) (2): 57–63.
  10. ^ Poshivaylo, (1999), pp. 21–22
  11. ^ "Biography of Les Tanyuk". Dissident movement in Ukraine. Virtual Museum. Archived from the original on 28 July 2011. Retrieved 6 February 2013.
  12. ^ "Like any well-built work, Ukraine's history has its own composition". "Day" newspaper, Kyiv.
  13. ^ Poshivaylo (1999), p. 7
  14. ^ "Opanas Zalyvakha - The Road to Truth". The Ukrainian Museum, New York.
  15. ^ "A chronicle of the Communist inquisition. 1961–1964". Memorial Society of Vasyl Stus. Archived from the original on 26 May 2007. Retrieved 11 February 2013.
  16. ^ "The Role of Ukrainian Museums in the United States Diaspora in Nationalising Ukrainian Identity" (PDF). Studies in Ethnicity and Nationalism: Vol. 8, No. 2, 2008.
  17. ^ "В Донецке может погаснуть огонь Прометеев. Мозаики школы №5 ("The fire of Prometheus may be extinguished in Donetsk. Mosaic of the School No. 5")" (in Russian).
  18. ^ Ogneva, Ludmila (2008). Pearls of Ukrainian Monumental Art in Donbass (in Ukrainian). Ivano-Frankivsk: Lіleya HB. p. 52.
  19. ^ a b Yunakov 2016, p. 319.
  20. ^ a b Yunakov 2016, p. 320.
  21. ^ Yunakov 2016, p. 321.
  22. ^ a b Yunakov 2016, p. 322.
  23. ^ a b Yunakov 2016, p. 323.
  24. ^ Kyiv: Overview of Architectural Monuments and Ensembles (in Russian). Kyiv: Budivelnyk. 1978. p. 131.
  25. ^ "Киевские мозаики советского периода ("Mosaics in Kyiv. Soviet period")" (in Russian). 17 April 2012.
  26. ^ "19 липня – 90 років від дня народження української художниці-шістдесятниці Галини Зубченко - Рідна країна". Рідна країна - світоглядний портал. 19 July 2020. Retrieved 16 November 2023.
  27. ^ Halina O. Zubcenko. Galerija Viseslav (in Croatian). Zagreb: Matica hrvatska NIN. 1999.

Sources

[edit]
[edit]
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