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{{short description|Instrumental composition by guitarist Eric Johnson}}
{{Infobox single
{{Infobox song
| Name = Cliffs of Dover
| Cover =
| name = Cliffs of Dover
| Artist = [[Eric Johnson]]
| cover =
| Album = [[Ah Via Musicom]]
| alt =
| Released = February 1990
| type = single
| Recorded = March 1988 - June 1989
| artist = [[Eric Johnson (guitarist, born 1954)|Eric Johnson]]
| album = [[Ah Via Musicom]]
| Studio = {{hlist|Austin's Riverside Sound|Saucer One Studio|Arlyn Studios|Studio Seven}}
| released = February 1990
| Genre = [[Instrumental rock]], [[hard rock]], [[progressive rock]]
| Length = 4:10
| format =
| recorded = March 1988{{snd}}June 1989
| Label = [[Capitol Records]]
| studio = {{hlist|Austin's Riverside Sound|Saucer One Studio|Arlyn Studios|Studio Seven}}
| Writer = [[Eric Johnson]]
| Producer = [[Eric Johnson]]
| venue =
| genre = [[Instrumental rock]], [[hard rock]], [[progressive rock]]
| Misc =
| length = *4:10
{{Extra music sample|type=single |filename=Eric Johnson - Cliffs Of Dover.ogg |format=[[Ogg]] |title="Eric Johnson – Cliffs of Dover"}}
6:15 (combined with “Ah Via Musicom”)
| label = [[Capitol Records]]
| writer = [[Eric Johnson (guitarist, born 1954)|Eric Johnson]]
| producer = [[Eric Johnson (guitarist, born 1954)|Eric Johnson]]
| prev_title =
| prev_year =
| next_title =
| next_year =
| misc = {{Audio sample
| type = single
| file = Eric Johnson - Cliffs Of Dover.ogg
}}
}}
}}

"'''Cliffs of Dover'''" is an instrumental rock composition by the American guitarist, singer and songwriter [[Eric Johnson (guitarist, born 1954)|Eric Johnson]], released on his 1990 studio album ''[[Ah Via Musicom]]''. Johnson had performed it as early as 1984.


"'''Cliffs of Dover'''" is an instrumental composition by guitarist [[Eric Johnson]] which appeared on his 1990 ''[[Ah Via Musicom]]'' album. The album version of the song is composed in the key of [[G major]], the song was played with a [[Gibson ES-335]] (as well as a [[Fender Stratocaster]]) through a B.K. Butler Tube Driver<ref>in the album recording.{{cite web
The album version is composed in the [[Key (music)|key]] of [[G major]]. It was played with a [[Gibson ES-335]] (as well as a [[Fender Stratocaster]]) through a B. K. Butler Tube Driver<ref>in the album recording.{{cite web
| last =
| last =
| first =
| first =
| authorlink =
| coauthors =
| title = BK Butler Tube Driver
| title = BK Butler Tube Driver
| work =
| work =
Line 26: Line 38:
| date =
| date =
| url = http://www.butleraudio.com/tubedriver.php
| url = http://www.butleraudio.com/tubedriver.php
| format =
| doi =
| doi =
| accessdate = 2009-06-08}}</ref> and an [[Echoplex]] plugged into a 100-watt [[Marshall Amplification|Marshall]] amplifier.<ref>{{cite news
| accessdate = 2009-06-08}}</ref> and an [[Echoplex]] plugged into a 100-watt [[Marshall Amplification|Marshall]] amplifier.<ref>{{cite news
| last = Blackett
| last = Blackett
| first = Matt
| first = Matt
| coauthors =
| title = The 50 Greatest Tones of All Time
| title = The 50 Greatest Tones of All Time
| work = [[Guitar Player]]
| work = [[Guitar Player]]
| place =
| place =
| pages = 44–66
| pages = 44–66
| language =
| language =
| publisher =
| publisher =
| date = October 2004
| date = October 2004
| url = http://www.nxtbook.com/nxtbooks/newbay/gp_50greatesttones/#/38
| url = http://www.nxtbook.com/nxtbooks/newbay/gp_50greatesttones/#/38
| accessdate = 2009-04-30
| accessdate = 2009-04-30}}</ref><ref>One other source says it was recorded on a [[Gibson ES-335]], {{cite web|url=http://www.guitarattack.com/tone.htm |title=Guitar Attack, "Tone is the thing…"}}</ref> The song takes its name from the [[White Cliffs of Dover]], an extensive and visually stunning [[chalk]] [[outcrop]] that runs along the southeast coast of [[England]]. It is also featured on the [[video game]] ''[[Guitar Hero III]]'' and is available as [[Downloadable content|DLC]] for the game ''[[Rocksmith]]''.
| archive-url = https://web.archive.org/web/20111005021007/http://www.nxtbook.com/nxtbooks/newbay/gp_50greatesttones/#/38
| archive-date = 2011-10-05
| url-status = dead
}}</ref><ref>One other source says it was recorded on a [[Gibson ES-335]], {{cite web |url=http://www.guitarattack.com/tone.htm |title=Guitar Attack, "Tone is the thing ..." |access-date=2007-04-09 |archive-url=https://web.archive.org/web/20070208155838/http://www.guitarattack.com/tone.htm |archive-date=2007-02-08 |url-status=dead }}</ref> The composition takes its name from the [[White Cliffs of Dover]], a coastline in southern England.


== Song structure ==
== Structure ==


"Cliffs of Dover" begins with an ad-libbed electric guitar solo, using techniques such as [[string skipping]] and [[hybrid picking]]. In the solo [[Introduction (music)|intro]], Johnson does not adhere to [[Free time (music)|any distinct time signature]]. Drums are then added as the song settles into a [[4/4]] rhythmic shuffle verse accompanied by a very accessible set of [[Melody|melodies]] that, throughout the song intro, feature variations (octavations for example) on the main chorus.
"Cliffs of Dover" begins with an ad-libbed electric guitar solo, using techniques such as [[string skipping]] and [[hybrid picking]]. In the solo [[Introduction (music)|intro]], Johnson does not adhere to [[Free time (music)|any distinct time signature]]. Drums are added as the composition settles into a [[4/4 time|{{music|time|4|4}}]] rhythmic shuffle verse accompanied by a very accessible set of [[Melody|melodies]] that, throughout the intro, feature variations (octavations for example) on the main chorus.


The [[Conclusion (music)|outro]] or [[Coda (music)|coda]] then recalls the freestyle mood and timing of the ad-libbed [[Introduction (music)|intro]].<ref>Ah Via Musicom, Full score. ISBN 0-7935-9259-3</ref>
The [[Conclusion (music)|outro]] or [[Coda (music)|coda]] then recalls the freestyle mood and timing of the ad-libbed [[Introduction (music)|intro]].<ref>Ah Via Musicom, Full score. {{ISBN|0-7935-9259-3}}</ref>


While he did indeed compose "Cliffs of Dover", Johnson does not take full credit, saying "I don't even know if I can take credit for writing 'Cliffs of Dover' ... it was just there for me one day ... literally wrote in five minutes ... kind of a gift from a higher place that all of us are eligible for. We just have to listen for it and be available to receive it."<ref>{{cite web|url=http://www.guitarworld.com/100-greatest-guitar-solos-no-17-cliffs-dover-eric-johnson |title=100 Greatest Guitar Solos: 17) "Cliffs of Dover" (Eric Johnson)|author=GuitarWorld Staff Member|date=October 21, 2008|publisher=[[Guitar World]]|accessdate=2011-10-22}}</ref>
While he did indeed compose "Cliffs of Dover", Johnson does not take full credit, saying "I don't even know if I can take credit for writing 'Cliffs of Dover' ... it was just there for me one day ... literally wrote in five minutes ... kind of a gift from a higher place that all of us are eligible for. We just have to listen for it and be available to receive it."<ref>{{cite web|url=http://www.guitarworld.com/100-greatest-guitar-solos-no-17-cliffs-dover-eric-johnson |title=100 Greatest Guitar Solos: 17) "Cliffs of Dover" (Eric Johnson)|author=GuitarWorld Staff Member|date=October 21, 2008|publisher=[[Guitar World]]|accessdate=2011-10-22}}</ref>


== Equipment used ==
== Equipment ==


Johnson has stated that the guitar he used in the intro before the band kicks in is a 1954 [[Fender Stratocaster|Strat]] (possibly "Virginia"). When the band comes, the guitar is a stop-tail [[Gibson ES-335]] (either a 1963 or 1964) until the solo. The first part of the solo Johnson recorded with ES-335 was no good, so he cut it out and recorded the Stratocaster with a 1980s Tube Driver in its place. Halfway through the solo, around 3:03, there is a noticeable change in tone when the guitar switches back to the original Gibson lead track. He got playful remarks about it from engineer Richard Mullen, saying "You can't do that!" but it was agreed that it sounded like Johnson simply enabled an effect pedal halfway through the solo.<ref>"[https://www.youtube.com/watch?v=vl5tHnJKy9A Eric Johnson Q & A session]", [http://stores.guitarcenter.com/pittsburgh Guitar Center, Pittsburgh, PA], 2012-09-30. Retrieved 2015-09-16.</ref>
{{Refimprove section|date=March 2015}}
{{Cleanup rewrite|proper grammar is lacking|section|date=March 2015}}


== Accolades ==
Johnson strung his guitars with pure nickel strings, (instead of just nickel-plated, and probably used GHS brand strings, which he now endorses) and played with small thick picks, preferably his also now endorsed Dunlop Jazz III nylon picks. Johnson used a 100w Marshall tube amplifier with EL34 power tubes (he liked the German brand Siemens made by RFT), with a 4x12 cabinet wired in vintage style series-parallel 8-ohm total load (vs 16-ohm total load stock). Four x 8-ohm speakers instead of four x 16-ohm speakers like original wired cabs. Very late 1970s or early 1980s G1280 80-watt speakers at the time, similar to modern-day "Lead 80" speakers although a bit different. Speaker wires soldered to the speaker terminals, not the connector type plugs. He also prefers unplated plain brass plugs on his guitar cables preferably the Bill Lawrence, or second choice unplated plain Brass George L's in his lead tone signal. He prefers their warmer tone vs. nickel, chrome or gold-plated, although he likes the brighter nickel-plated plugs in his clean rhythm signal chain. His vintage Strats are also mildly modded to have the tone control wired to the bridge instead of the middle Pickup and usually leaves the back plastic plate off the back. This helps with changing the strings faster, is able to bang on the springs and create feed back, and "sounds better that way" probably because of less damping from the plastic, for a more open tone. He also doesn't like to run the G and B strings through the string tree, so wraps them in a carefully locking way around the tuners, and wraps them all the way down on those strings to correct the angle. It gives better tuning for less friction, and different tonality. Early 1950s to early and mid-1960s Strats were wired with a "phonebook" style .1uf (micro-farad) capacitor instead of the more common and modern .022uf, and .047uf. The older .1uf can roll off more highs, and is slightly warmer than a modern Strat wired with modern components.


Johnson has stated that the guitar he used in the intro before the band kicks in is a 1954 [[Fender Stratocaster|Strat]] (possibly "Virginia") and when the band comes in the guitar is a stop-tail [[Gibson ES-335]] (either a 1963 or 1964) until the solo. In the Solo section starting around 3:03 he said the first part of the solo he cut with the 335 was no good so he cut it out, and put Strat with the 1980s Tube Driver in its place. Then the remaining half of the solo around 3:03 he says there is a noticeable tone change hearing the remaining original Gibson lead track. He got playful remarks about it from Richard Mullen, saying "You can't do that!" but it was agreed between both of them it just sounded like he hit an effect pedal foot switch halfway through the solo.<ref>"[https://www.youtube.com/watch?v=vl5tHnJKy9A Eric Johnson Q & A session]," [http://stores.guitarcenter.com/pittsburgh Guitar Center, Pittsburgh, PA], 2012-09-30. Retrieved 2015-09-16.</ref>

== Accolades for ''Cliffs of Dover'' ==

===''Guitar World''===
"Cliffs of Dover" was voted number 17 in [[Guitar World|''Guitar World'' magazine's]] list of 100 Greatest Guitar Solos, placing it between 16, "Heartbreaker" (by [[Led Zeppelin]]) and 18 "Little Wing" (by [[The Jimi Hendrix Experience]]).
"Cliffs of Dover" was voted number 17 in [[Guitar World|''Guitar World'' magazine's]] list of 100 Greatest Guitar Solos, placing it between 16, "Heartbreaker" (by [[Led Zeppelin]]) and 18 "Little Wing" (by [[The Jimi Hendrix Experience]]).


In 1992, "Cliffs of Dover" won a Grammy Award for [[Best Rock Instrumental Performance]], beating [[the Allman Brothers Band]] ("Kind of Bird"), [[Danny Gatton]] ("Elmira Street Boogie"), [[Rush (band)|Rush]] ("Where's My Thing?"), and [[Yes (band)|Yes]] ("Masquerade").<ref>{{Cite web|date=2021-02-09|title=Eric Johnson|url=https://www.grammy.com/grammys/artists/eric-johnson/9828|access-date=2021-04-16|website=GRAMMY.com|language=en}}</ref>
=== Grammy Award ===
In 1992, "Cliffs of Dover" won a Grammy Award for [[Best Rock Instrumental Performance]], beating the [[Allman Brothers Band]] ("Kind of Bird"), [[Danny Gatton]] ("Elmira Street Boogie"), [[Rush (band)|Rush]] ("Where's My Thing?"), and [[Yes (band)|Yes]] ("Masquerade").


==References==
=== ''Guitar Hero III'' ===
<references/>


{{Eric Johnson}}
"Cliffs of Dover" is featured as a playable track in the [[music video game]] ''[[Guitar Hero III: Legends of Rock]]'' (released October 28, 2007) on the final tier (solo).


{{authority control}}
=== ''Rocksmith'' ===

"Cliffs of Dover" is available as a downloadable content (DLC) - playable track for the [[music video game]] ''[[Rocksmith]]''.

==References==

<references/>


[[Category:1990 songs]]
[[Category:1990 songs]]
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[[Category:Grammy Award for Best Rock Instrumental Performance]]
[[Category:Grammy Award for Best Rock Instrumental Performance]]
[[Category:Rock instrumentals]]
[[Category:Rock instrumentals]]
[[Category:Songs about Dover, Kent]]
[[Category:1990s instrumentals]]

Latest revision as of 16:43, 23 October 2024

"Cliffs of Dover"
Single by Eric Johnson
from the album Ah Via Musicom
ReleasedFebruary 1990
RecordedMarch 1988 – June 1989
Studio
  • Austin's Riverside Sound
  • Saucer One Studio
  • Arlyn Studios
  • Studio Seven
GenreInstrumental rock, hard rock, progressive rock
Length
  • 4:10
6:15 (combined with “Ah Via Musicom”)
LabelCapitol Records
Songwriter(s)Eric Johnson
Producer(s)Eric Johnson
Audio sample

"Cliffs of Dover" is an instrumental rock composition by the American guitarist, singer and songwriter Eric Johnson, released on his 1990 studio album Ah Via Musicom. Johnson had performed it as early as 1984.

The album version is composed in the key of G major. It was played with a Gibson ES-335 (as well as a Fender Stratocaster) through a B. K. Butler Tube Driver[1] and an Echoplex plugged into a 100-watt Marshall amplifier.[2][3] The composition takes its name from the White Cliffs of Dover, a coastline in southern England.

Structure

[edit]

"Cliffs of Dover" begins with an ad-libbed electric guitar solo, using techniques such as string skipping and hybrid picking. In the solo intro, Johnson does not adhere to any distinct time signature. Drums are added as the composition settles into a 4
4
rhythmic shuffle verse accompanied by a very accessible set of melodies that, throughout the intro, feature variations (octavations for example) on the main chorus.

The outro or coda then recalls the freestyle mood and timing of the ad-libbed intro.[4]

While he did indeed compose "Cliffs of Dover", Johnson does not take full credit, saying "I don't even know if I can take credit for writing 'Cliffs of Dover' ... it was just there for me one day ... literally wrote in five minutes ... kind of a gift from a higher place that all of us are eligible for. We just have to listen for it and be available to receive it."[5]

Equipment

[edit]

Johnson has stated that the guitar he used in the intro before the band kicks in is a 1954 Strat (possibly "Virginia"). When the band comes, the guitar is a stop-tail Gibson ES-335 (either a 1963 or 1964) until the solo. The first part of the solo Johnson recorded with ES-335 was no good, so he cut it out and recorded the Stratocaster with a 1980s Tube Driver in its place. Halfway through the solo, around 3:03, there is a noticeable change in tone when the guitar switches back to the original Gibson lead track. He got playful remarks about it from engineer Richard Mullen, saying "You can't do that!" but it was agreed that it sounded like Johnson simply enabled an effect pedal halfway through the solo.[6]

Accolades

[edit]

"Cliffs of Dover" was voted number 17 in Guitar World magazine's list of 100 Greatest Guitar Solos, placing it between 16, "Heartbreaker" (by Led Zeppelin) and 18 "Little Wing" (by The Jimi Hendrix Experience).

In 1992, "Cliffs of Dover" won a Grammy Award for Best Rock Instrumental Performance, beating the Allman Brothers Band ("Kind of Bird"), Danny Gatton ("Elmira Street Boogie"), Rush ("Where's My Thing?"), and Yes ("Masquerade").[7]

References

[edit]
  1. ^ in the album recording."BK Butler Tube Driver". Butler Audio. Retrieved 2009-06-08.
  2. ^ Blackett, Matt (October 2004). "The 50 Greatest Tones of All Time". Guitar Player. pp. 44–66. Archived from the original on 2011-10-05. Retrieved 2009-04-30.
  3. ^ One other source says it was recorded on a Gibson ES-335, "Guitar Attack, "Tone is the thing ..."". Archived from the original on 2007-02-08. Retrieved 2007-04-09.
  4. ^ Ah Via Musicom, Full score. ISBN 0-7935-9259-3
  5. ^ GuitarWorld Staff Member (October 21, 2008). "100 Greatest Guitar Solos: 17) "Cliffs of Dover" (Eric Johnson)". Guitar World. Retrieved 2011-10-22.
  6. ^ "Eric Johnson Q & A session", Guitar Center, Pittsburgh, PA, 2012-09-30. Retrieved 2015-09-16.
  7. ^ "Eric Johnson". GRAMMY.com. 2021-02-09. Retrieved 2021-04-16.