The Apotheosis of Saint Thomas Aquinas: Difference between revisions
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{{Expand Spanish}}{{More citations needed|date=March 2024}} |
{{Expand Spanish|topic=cult}}{{More citations needed|date=March 2024}} |
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{{italic title}}{{Short description|1631 altarpiece painting by Francisco de Zurbarán}} |
{{italic title}}{{Short description|1631 altarpiece painting by Francisco de Zurbarán}} |
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[[File:Francisco_de_Zurbarán_001.jpg|thumb|300px|''The Apotheosis of Saint Thomas Aquinas'' (1631) by Francisco de Zurbarán]] |
[[File:Francisco_de_Zurbarán_001.jpg|thumb|300px|''The Apotheosis of Saint Thomas Aquinas'' (1631) by Francisco de Zurbarán]] |
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'''''The Apotheosis of Saint Thomas Aquinas''''' is a 1631 altarpiece painting by [[Francisco de Zurbarán]], originally painted for the Dominican College of Seville, but now in the [[Museum of Fine Arts of Seville]].<ref>{{cite web|url=http://www.artehistoria.jcyl.es/genios/cuadros/1864.htm|archive-url=https://web.archive.org/web/20080202105024/http://www.artehistoria.jcyl.es/genios/cuadros/1864.htm|url-status=dead|archive-date=2008-02-02|title=Artehistoria page}}</ref><ref>Gállego and Gudiol 1987, p. 82</ref> It shows [[Thomas Aquinas|Saint Thomas Aquinas]] ascending to Heaven, where [[Jesus|Christ]], the [[Mary, mother of Jesus|Virgin Mary]], the [[Paul the Apostle|Apostle Paul]], and [[Saint Dominic]] are enthroned, as the [[Holy Spirit in Christianity|Holy Spirit]] descends upon him in the form of a dove; and surrounded by four other [[Doctors of the Church]]: [[Pope Gregory I|Pope St. Gregory the Great]], [[Ambrose|Saint Ambrose]], [[Jerome|Saint Jerome]], and [[Augustine of Hippo|Saint Augustine of Hippo]]. |
'''''The Apotheosis of Saint Thomas Aquinas''''' is a 1631 altarpiece painting by [[Francisco de Zurbarán]], originally painted for the Dominican College of Seville, but now in the [[Museum of Fine Arts of Seville]].<ref>{{cite web|url=http://www.artehistoria.jcyl.es/genios/cuadros/1864.htm|archive-url=https://web.archive.org/web/20080202105024/http://www.artehistoria.jcyl.es/genios/cuadros/1864.htm|url-status=dead|archive-date=2008-02-02|title=Artehistoria page}}</ref><ref>Gállego and Gudiol 1987, p. 82</ref> It is Zurbarán's largest composition.<ref>{{cite book|last=Mallory|first=Nina A. |title=El Greco to Murillo: Spanish Painting in the Golden Age, 1556–1700|page=116|url=https://books.google.com/books?id=0tnqAAAAMAAJ|year=1990|publisher=Harper & Row|isbn=978-0-06-435531-5}}</ref> |
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It shows [[Thomas Aquinas|Saint Thomas Aquinas]] ascending to Heaven, where [[Jesus|Christ]], the [[Mary, mother of Jesus|Virgin Mary]], the [[Paul the Apostle|Apostle Paul]], and [[Saint Dominic]] are enthroned, as the [[Holy Spirit in Christianity|Holy Spirit]] descends upon him in the form of a dove; and surrounded by four other [[Doctors of the Church]]: [[Pope Gregory I|Pope St. Gregory the Great]], [[Ambrose|Saint Ambrose]], [[Jerome|Saint Jerome]], and [[Augustine of Hippo|Saint Augustine of Hippo]]. |
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In the lower register of the picture, on the left a group of clergymen are kneeling, at the forefront of which is [[Diego Deza]], founder of the college, with three [[Dominican Order|Dominicans]], Alonso de Ortiz, Pedro de Ballesteros and Diego Pinel; on the right, the [[Charles V, Holy Roman Emperor|Emperor Charles V]] and a group of unidentified figures in [[Mozzetta|mozzettas]]; in the center on a table lies a parchment, on which several signatures can be seen, including that of Zurbarán himself. |
In the lower register of the picture, on the left a group of clergymen are kneeling, at the forefront of which is [[Diego Deza]], founder of the college, with three [[Dominican Order|Dominicans]], Alonso de Ortiz, Pedro de Ballesteros and Diego Pinel; on the right, the [[Charles V, Holy Roman Emperor|Emperor Charles V]] and a group of unidentified figures in [[Mozzetta|mozzettas]]; in the center on a table lies a parchment, on which several signatures can be seen, including that of Zurbarán himself. |
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[[Category:Altarpieces]] |
[[Category:Altarpieces]] |
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[[Category:Books in art]] |
[[Category:Books in art]] |
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[[Category:Paintings |
[[Category:Paintings of Jesus]] |
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[[Category:Paintings |
[[Category:Paintings of the Holy Trinity]] |
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[[Category:Paintings of the Virgin Mary]] |
[[Category:Paintings of the Virgin Mary]] |
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[[Category:Paintings of Ambrose]] |
[[Category:Paintings of Ambrose]] |
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Latest revision as of 03:30, 25 October 2024
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The Apotheosis of Saint Thomas Aquinas is a 1631 altarpiece painting by Francisco de Zurbarán, originally painted for the Dominican College of Seville, but now in the Museum of Fine Arts of Seville.[1][2] It is Zurbarán's largest composition.[3]
It shows Saint Thomas Aquinas ascending to Heaven, where Christ, the Virgin Mary, the Apostle Paul, and Saint Dominic are enthroned, as the Holy Spirit descends upon him in the form of a dove; and surrounded by four other Doctors of the Church: Pope St. Gregory the Great, Saint Ambrose, Saint Jerome, and Saint Augustine of Hippo.
In the lower register of the picture, on the left a group of clergymen are kneeling, at the forefront of which is Diego Deza, founder of the college, with three Dominicans, Alonso de Ortiz, Pedro de Ballesteros and Diego Pinel; on the right, the Emperor Charles V and a group of unidentified figures in mozzettas; in the center on a table lies a parchment, on which several signatures can be seen, including that of Zurbarán himself.
References
[edit]- ^ "Artehistoria page". Archived from the original on 2008-02-02.
- ^ Gállego and Gudiol 1987, p. 82
- ^ Mallory, Nina A. (1990). El Greco to Murillo: Spanish Painting in the Golden Age, 1556–1700. Harper & Row. p. 116. ISBN 978-0-06-435531-5.
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