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⚫
{{Use dmy dates|date=November 2015}}
{{short description|1960 film by Shakti Samanta}}
{{short description|1960 film by Shakti Samanta}}
⚫
{{Use dmy dates|date=November 2015}}
{{Use Indian English|date=November 2015}}
{{Use Indian English|date=November 2015}}
{{Infobox film
{{Infobox film
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| caption = Theatrical release poster
| caption = Theatrical release poster
| director = [[Shakti Samanta]]
| director = [[Shakti Samanta]]
| producer = Pachhi<br />Sant Singh
| producer = Sant Singh and Pachhi was brother of Om Prakash
| writer =
| writer =
| screenplay = Ranjan Bose
| screenplay = Ranjan Bose
| story =
| story =
| based_on =
| based_on =
| starring = [[Dev Anand]]<br />[[Madhubala]]<br />[[Helen (actress)|Helen]]<br />[[Madan Puri]]<br />[[Om Prakash]]
| starring = [[Dev Anand]]<br />[[Madhubala]]
| narrator =
| narrator =
| music = [[O. P. Nayyar]]
| music = [[O. P. Nayyar]]<br>[[Raja  Mehdi Ali Khan]] (lyrics)
| cinematography =
| cinematography =
| editing =
| editing =
| studio =
| studio =
| distributor =
| distributor =
| released = {{Film date|1960|11|25|df=yes}}
| released = 25 November 1960<ref>{{Cite book|last=Bharatan|first=Raju|url=https://books.google.co.in/books?id=kK00DQAAQBAJ&pg=PT72&lpg=PT72&dq=jaali+note+release+date&source=bl&ots=cd6ViOpQ6a&sig=ACfU3U0PYpe89F5zpd9f8WGn4IfHXESeCg&hl=en&sa=X&ved=2ahUKEwjHpcy12evuAhUKGaYKHY3eAQk4KBDoATAFegQIBBAB#v=onepage&q=jaali%20note%20release%20date&f=false|title=Asha Bhosle: A Musical Biography|date=2016-08-01|publisher=Hay House, Inc|isbn=978-93-85827-16-7|language=en}}</ref>
| runtime = 155 min.
| runtime = 155 minutes
| country = [[India]]
| country = [[India]]
| language = [[Hindi]]
| language = [[Hindi]]
Line 27: Line 27:
}}
}}


'''''Jaali Note''''' ({{Translation|"Fake Currency"}}) is a [[Bollywood films of 1960|1960]] [[Hindi film]] directed by [[Shakti Samanta]], based on the theme of [[counterfeit money]]. It stars [[Dev Anand]] along with [[Madhubala]], [[Helen (actress)|Helen]], [[Madan Puri]] and [[Om Prakash]].
'''''Jaali Note''''' ({{Translation|"Fake Currency"}}) is a 1960 [[Hindi]]-language [[crime film]] directed by [[Shakti Samanta]], based on the theme of [[counterfeit money]]. It stars [[Dev Anand]] and [[Madhubala]], along with [[Helen (actress)|Helen]], [[Madan Puri]], [[Om Prakash]].


The film, despite receiving criticism from critics, was one of the biggest commercial successes of the year. Its popularity was further escalated by its music (composed by [[O. P. Nayyar]]), of which many songs turned out to be chartbusters.
The film was unsuccessful with critics but emerged as one of the biggest commercial successes of the year. Its popularity was further escalated by its soundtrack (composed by [[O. P. Nayyar]]), of which many songs turned out to be chartbusters.


==Plot==
==Plot==
Line 49: Line 49:


==Soundtrack==
==Soundtrack==
{{Infobox album
All songs are composed by [[O. P. Nayyar]] and lyrics are written by [[Raja Mehdi Ali Khan]].
| name = Barsaat Ki Raat

| type = Soundtrack
{|class="wikitable"
| artist = [[O. P. Nayyar]]
|-
| released = {{Start date|1960}}<ref name="Apple Music">{{Cite web |date=1960|title=Jaali Note |url=https://music.apple.com/in/album/jaali-note-original-motion-picture-soundtrack/1285309013|publisher=Apple Music|access-date=14 January 2024}}</ref>
! Song
| genre = [[Film soundtrack|Feature film soundtrack]]
! Singer
| length = {{Duration|m=26|s=}}
|-
| language = [[Hindi]]
⚫
| "Chhuri Ban, Kaanta Ban, O My Son"
| label = [[Saregama]]
⚫
| [[Mohammed Rafi]]
| producer = [[O. P. Nayyar]]
|-
| prev_title =
⚫
| "Gustakh Nazar Chehre Se Hata"
| prev_year =
⚫
| '''[[Asha Bhosle]]''', [[Mohammed Rafi]]
| next_title =
|-
| next_year =
⚫
| "Oh Mr. Dil, Badi Mushkil Mein Tune Aaj Daala"
| chronology = [[O. P. Nayyar]]
⚫
| '''[[Asha Bhosle]]''', [[Mohammed Rafi]]
⚫
}}
|-
{{Track listing
⚫
| "Dil Hai Aapka Huzoor, Lijiye Na Lijiye"
| all_lyrics = [[Raja  Mehdi Ali Khan]]
⚫
| '''[[Asha Bhosle]]''', [[Mohammed Rafi]]
| all_music = [[O. P. Nayyar]]
|-
| headline = Songs
⚫
| "Sach Kehta Hoon Bahut Haseen Ho"
| extra_column = Singer(s)
⚫
| '''[[Asha Bhosle]]''', [[Mohammed Rafi]]
⚫
| title1 = Mister Dil Badi Mushkil Men Tune Aaj Dala
|-
| length1 = 3:31
⚫
| "Chand Sard Sard Hai, Raat Sard Sard Hai"
| '''[[Asha Bhosle]]''', [[Mohammed Rafi]]
| extra1 = [[Asha Bhosle]] & [[Mohammed Rafi]]
⚫
| title2 = Gustakh Nazar Chehre Se Hata
|-
| length2 = 2:50
⚫
| "Nigahon Ne Phenka Hai Panje Pe Chhakka"
| '''[[Asha Bhosle]]''', [[Mohammed Rafi]]
| extra2 = [[Asha Bhosle]] & [[Mohammed Rafi]]
⚫
| title3 = Chhuri Ban Kanta Ban O My Son
|-
| length3 = 3:19
|"Idhar Dekh Mera Dil Tera Deewana Hai"
| '''[[Asha Bhosle]]''', [[Shamshad Begum]]
| extra3 = [[Mohammed Rafi]]
⚫
| title4 = Dil Hai Aapka Huzoor Lijiye
|-
| length4 = 3:09
⚫
|}
⚫
| extra4 = [[Asha Bhosle]] & [[Mohammed Rafi]]

| title5 = Idhar Dekho Mera Dil
| length5 = 3:21
⚫
| extra5 = [[Asha Bhosle]] & [[Shamshad Begum]]
⚫
| title6 = Nigahon Ne Phenka Panje Pe Chhakka
| length6 = 3:18
⚫
| extra6 = [[Asha Bhosle]] & [[Mohammed Rafi]]
⚫
| title7 = Raat Sard Sard Hain
| length7 = 3:18
⚫
| extra7 = [[Asha Bhosle]] & [[Mohammed Rafi]]
⚫
| title8 = Sach Kehta Hoon Bahut Hasin Ho
| length8 = 3:32
⚫
| extra8 = [[Asha Bhosle]] & [[Mohammed Rafi]]
| total_length = {{Duration|m=26|s=00}}
}}
== Reception ==
== Reception ==
=== Critical reception ===
=== Critical reception ===
''Jaali Note'' was sharply criticised by the critic Karan Bali. Bali referred to the film as "yet another urban crime thriller that Hindi cinema churned out regularly through the 1950s and early '60s." He stated that the film is poorly written, the script is unlike real and lacks logic. The only aspect of the film praised by him was its score by [[O. P. Nayyar]], but here also he found the song's picturisations to be only satisfying.<ref name=":1">{{Cite web|last=Bali|first=Karan|date=2019-06-18|title=Jaali Note|url=https://upperstall.com/film/jaali-note/|access-date=2021-01-27|website=Upperstall.com}}</ref>
''Jaali Note'' was sharply criticised by the critic Karan Bali. Bali referred to the film as "yet another urban crime thriller that Hindi cinema churned out regularly through the 1950s and early '60s." He stated that the film is poorly written and the script lacks realism and logic. The only aspect of the film praised by him was its score by [[O. P. Nayyar]], but here also he found the song's picturisations to be only satisfying.<ref name=":1">{{Cite web|last=Bali|first=Karan|date=2019-06-18|title=Jaali Note|url=https://upperstall.com/film/jaali-note/|access-date=2021-01-27|website=Upperstall.com}}</ref>
⚫
=== Box office ===

⚫
Despite negative reviews, ''Jaali Note'' was a big box office success.<ref name=":1" /><ref>{{Cite web|title=Box Office Hits of Dev Anand|url=https://www.imdb.com/list/ls006522384/|access-date=2020-11-08|website=IMDb|language=en}}</ref> In Samanta's words, the film "did fairly well" and was financially profitable.<ref>{{Cite web|title=Shakti Samanta and his films |url=http://www.screenindia.com/old/fullstory.php?content_id=9854 |access-date=15 February 2021|website=Web Archive |archive-url = https://web.archive.org/web/20090215152817/http://www.screenindia.com/old/fullstory.php?content_id=9854|archive-date = 15 February 2009|language=en}}</ref> The film's music was also well-received by audience.<ref name=":0">{{Cite book|last=Yu|first=Sabrina Qiong|url=https://books.google.com/books?id=cDVYDwAAQBAJ|title=Revisiting Star Studies: Cultures, Themes and Methods|date=2017-04-13|publisher=Edinburgh University Press|isbn=978-1-4744-0433-4|language=en}}</ref> Overall, the year 1960 was an important year in Madhubala's career, as she starred in three back-to-back hits—''[[Mughal-e-Azam]]'', ''Jaali Note'' and ''[[Barsaat Ki Raat]]''.<ref>{{Cite book|last=Deep|first=Mohan|url=https://books.google.com/books?id=DCVlAAAAMAAJ|title=The Mystery and Mystique of Madhubala|publisher=Magna Books|year=1996|pages=94|language=en}}</ref>
⚫
=== Box office and popularity ===
⚫
Despite negative reviews, ''Jaali Note'' was a big box office success.<ref name=":1" /><ref>{{Cite web|title=Box Office Hits of Dev Anand|url=https://www.imdb.com/list/ls006522384/|access-date=2020-11-08|website=IMDb|language=en}}</ref> In Samanta's words, the film "did fairly well" and was financially profitable.<ref>{{Cite web|title=Shakti Samanta and his films |url=https://web.archive.org/web/20090215152817/http://www.screenindia.com/old/fullstory.php?content_id=9854 |access-date=15 February 2021|website=Web Archive |language=en}}</ref> However, the film's music attained more popularity than the film itself, and the songs were reported to be hugely popular among audience in those days.<ref name=":0">{{Cite book|last=Yu|first=Sabrina Qiong|url=https://books.google.com/books?id=cDVYDwAAQBAJ&q=jaali+note+flops&pg=PT160|title=Revisiting Star Studies: Cultures, Themes and Methods|date=2017-04-13|publisher=Edinburgh University Press|isbn=978-1-4744-0433-4|language=en}}</ref>

== Trivia ==
== Trivia ==
* Like in many other films, in this also you can see Dev Anand playing cards in bar.
* Like in many other films, in this also you can see Dev Anand playing cards in bar.

* The car in which Madhubala is kidnapped and taken to Manohar's den, has old 'J&K' number plate, very rarely seen.
* The car in which Madhubala is kidnapped and taken to Manohar's den, has old 'J&K' number plate, very rarely seen.

==References==
==References==
{{Reflist}}
{{Reflist}}

==External links==
==External links==
*{{IMDb title|0130797|Jaali Note}}
*{{IMDb title|0130797|Jaali Note}}
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[[Category:1960 films]]
[[Category:1960 films]]
[[Category:1960s Hindi-language films]]
[[Category:1960s Hindi-language films]]
[[Category:Indian films]]
[[Category:1960s Indian films]]
[[Category:Films directed by Shakti Samanta]]
[[Category:Films directed by Shakti Samanta]]
[[Category:Indian black-and-white films]]
[[Category:Indian black-and-white films]]

Latest revision as of 13:37, 26 October 2024

Jaali Note
Theatrical release poster
Directed byShakti Samanta
Screenplay byRanjan Bose
Produced bySant Singh and Pachhi was brother of Om Prakash
StarringDev Anand
Madhubala
Music byO. P. Nayyar
Raja  Mehdi Ali Khan (lyrics)
Release date
  • 25 November 1960 (1960-11-25)
Running time
155 minutes
CountryIndia
LanguageHindi

Jaali Note (transl. "Fake Currency") is a 1960 Hindi-language crime film directed by Shakti Samanta, based on the theme of counterfeit money. It stars Dev Anand and Madhubala, along with Helen, Madan Puri, Om Prakash.

The film was unsuccessful with critics but emerged as one of the biggest commercial successes of the year. Its popularity was further escalated by its soundtrack (composed by O. P. Nayyar), of which many songs turned out to be chartbusters.

Plot

[edit]

Dinesh (Dev Anand) lives a middle-class lifestyle with his mother in Bombay. On his fifth birthday, his father left them never to return.

Now, Inspector Dinesh has grown up, is working for the Criminal Investigations Department, and has been assigned to stop the circulation of fake currency notes. His investigations take him to Sunderdas, who is killed. He then masquerades as social worker Abdul Rashid to try to get some information from a jailed convict, Banwarilal, to no avail. Finally, he dons the disguise of wealthy Kunver Vijay Bahadur, rents a suite in Hotel Paris and befriends Manohar (Madan Puri) and several other gangsters. He gets arrested and lodged in the same cell as Banwarilal. From there, the men break out and join Manohar and the rest of the gang.

It is here that Dinesh will find out the king-pin behind the racket. But before he can do anything, he finds himself confronting his past and will be trapped in an underwater fortress with his sweetheart, press reporter Renu (Madhubala).

Cast

[edit]

Soundtrack

[edit]
Barsaat Ki Raat
Soundtrack album by
O. P. Nayyar
Released1960 (1960)[1]
GenreFeature film soundtrack
Length26:00
LanguageHindi
LabelSaregama
ProducerO. P. Nayyar

All lyrics are written by Raja  Mehdi Ali Khan; all music is composed by O. P. Nayyar

Songs
No.TitleSinger(s)Length
1."Mister Dil Badi Mushkil Men Tune Aaj Dala"Asha Bhosle & Mohammed Rafi3:31
2."Gustakh Nazar Chehre Se Hata"Asha Bhosle & Mohammed Rafi2:50
3."Chhuri Ban Kanta Ban O My Son"Mohammed Rafi3:19
4."Dil Hai Aapka Huzoor Lijiye"Asha Bhosle & Mohammed Rafi3:09
5."Idhar Dekho Mera Dil"Asha Bhosle & Shamshad Begum3:21
6."Nigahon Ne Phenka Panje Pe Chhakka"Asha Bhosle & Mohammed Rafi3:18
7."Raat Sard Sard Hain"Asha Bhosle & Mohammed Rafi3:18
8."Sach Kehta Hoon Bahut Hasin Ho"Asha Bhosle & Mohammed Rafi3:32
Total length:26:00

Reception

[edit]

Critical reception

[edit]

Jaali Note was sharply criticised by the critic Karan Bali. Bali referred to the film as "yet another urban crime thriller that Hindi cinema churned out regularly through the 1950s and early '60s." He stated that the film is poorly written and the script lacks realism and logic. The only aspect of the film praised by him was its score by O. P. Nayyar, but here also he found the song's picturisations to be only satisfying.[2]

Box office

[edit]

Despite negative reviews, Jaali Note was a big box office success.[2][3] In Samanta's words, the film "did fairly well" and was financially profitable.[4] The film's music was also well-received by audience.[5] Overall, the year 1960 was an important year in Madhubala's career, as she starred in three back-to-back hits—Mughal-e-Azam, Jaali Note and Barsaat Ki Raat.[6]

Trivia

[edit]
  • Like in many other films, in this also you can see Dev Anand playing cards in bar.
  • The car in which Madhubala is kidnapped and taken to Manohar's den, has old 'J&K' number plate, very rarely seen.

References

[edit]
  1. ^ "Jaali Note". Apple Music. 1960. Retrieved 14 January 2024.
  2. ^ a b Bali, Karan (18 June 2019). "Jaali Note". Upperstall.com. Retrieved 27 January 2021.
  3. ^ "Box Office Hits of Dev Anand". IMDb. Retrieved 8 November 2020.
  4. ^ "Shakti Samanta and his films". Web Archive. Archived from the original on 15 February 2009. Retrieved 15 February 2021.
  5. ^ Yu, Sabrina Qiong (13 April 2017). Revisiting Star Studies: Cultures, Themes and Methods. Edinburgh University Press. ISBN 978-1-4744-0433-4.
  6. ^ Deep, Mohan (1996). The Mystery and Mystique of Madhubala. Magna Books. p. 94.
[edit]
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