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{{short description|Concert hall in Barcelona, Spain}}
{{More citations needed|date=December 2023}}
{{more footnotes|date=July 2011}}
{{more footnotes|date=July 2011}}
{{Infobox venue
{{Infobox venue
| name = Palau de la Música Catalana
| name = Palau de la Música Catalana
| image = [[File:Palau de la Música Catalana, the Catalan Concert Hall.jpg|250px]]
| image = [[File:22 11 01 Palau DSCF2611 52502512616 cc1e7db845 k.jpg|250px]]
| image_caption = The Palau de la Música Catalana in 2012
| image_caption = The Palau de la Música Catalana in 2019
| location = [[Barcelona]], Spain
| location = [[Barcelona]], Spain
| coordinates = {{coord|41|23|15|N|2|10|32|E|display=title,inline}}
| coordinates = {{coord|41|23|15|N|2|10|32|E|display=title,inline}}
| type = Concert hall
| type = Concert hall
| broke_ground =
| broke_ground =
| built = 1905–1908
| built = 1905–1908
| opened = February 9, 1908
| opened = 9 February 1908
| owner =
| owner =
| architect = [[Lluís Domènech i Montaner]]
| architect = [[Lluís Domènech i Montaner]]
| builder =
| builder =
| seating_type =
| seating_type =
| seating_capacity =
| seating_capacity =
| embedded =
| embedded = {{Infobox UNESCO World Heritage Site
{{Infobox UNESCO World Heritage Site
| child = yes
| child = yes
| Part_of = Palau de la Música Catalana and [[Hospital de Sant Pau]], Barcelona
| Part_of = Palau de la Música Catalana and [[Hospital de Sant Pau]], Barcelona
Line 23: Line 24:
| Criteria = Cultural: i, ii, iv
| Criteria = Cultural: i, ii, iv
}}
}}
| website = {{official|www.palaumusica.cat}}
| website = {{official website|www.palaumusica.cat}}
}}
}}
[[File:DomenechiMontaner1915.jpg|thumb|Architect [[Lluís Domènech i Montaner]]]]
The '''Palau de la Música Catalana''' ({{IPA-ca|pəˈɫaw ðə ɫə ˈmuzikə kətəˈɫanə}}, {{lang-es|Palacio de la Música Catalana}}, {{lang-en|Palace of Catalan Music}}) is a concert hall in [[Barcelona]], [[Spain]]. Designed in the Catalan ''[[modernisme|modernista]]'' style by the architect [[Lluís Domènech i Montaner]], it was built between 1905 and 1908 for the [[Orfeó Català]], a choral society founded in 1891 that was a leading force in the Catalan cultural movement that came to be known as the ''[[Renaixença]]'' (Catalan Rebirth).<ref>Benton T. ''Modernismo in Catalonia''. In: Russell F, editor. ''Art Nouveau Architecture'', New York: Arch Cape Press, 1986. ISBN .</ref> It was inaugurated February 9, 1908.
'''Palau de la Música Catalana''' ({{IPA|ca|pəˈlaw ðə lə ˈmuzikə kətəˈlanə}}, {{langx|en|Palace of Catalan Music}}) is a [[concert hall]] in [[Barcelona]], [[Catalonia]], [[Spain]]. Designed in the Catalan ''[[modernisme|modernista]]'' style by the architect [[Lluís Domènech i Montaner]],<ref>{{cite news | url=https://www.nytimes.com/2010/12/19/travel/19cultured-barcelona.html | title=Barcelona's Other Architect, Domènech | work=The New York Times | author=Andrew Ferren | date=2010-12-16 | access-date=2020-12-22}}</ref> it was built between 1905 and 1908 for [[Orfeó Català]], a choral society founded in 1891 that was a leading force in the Catalan cultural movement that came to be known as the ''[[Renaixença]]'' (Catalan Rebirth).<ref name="Benton">Benton, Tim. ''Modernismo in Catalonia'' In: ''Art Nouveau Architecture'' (Frank Russell, editor), New York: Arch Cape Press, 1986. {{ISBN|9780856701368}}.</ref> It was inaugurated on 9 February 1908.


The project was financed primarily by the society, but important financial contributions also were made by Barcelona's wealthy industrialists and [[bourgeoisie]]. The Palau won the architect an award from the Barcelona City Council in 1909, given to the best building built during the previous year. Between 1982 and 1989, the building underwent extensive restoration, remodeling, and extension under the direction of architects Oscar Tusquets and Carles Díaz.<ref>Carandell J.M., Pla R., & Vivas P. ''The Palau de la Música Catalana'', Barcelona: Triangle Postals SL, 2006. ISBN .</ref> In 1997, the Palau de la Música Catalana was declared a [[UNESCO]] World Heritage Site along with [[Hospital de Sant Pau]]. Today, more than half a million people a year attend musical performances in the Palau that range from symphonic and chamber music to jazz and Cançó (Catalan song).
The construction project was mainly financed by Orfeó Català, but important financial contributions also came from Barcelona's wealthy industrialists and [[bourgeoisie]]. The palace won the architect an award from the Barcelona City Council in 1909, given to the best building built during the previous year. Between 1982 and 1989, the building underwent extensive restoration, remodeling, and extension under the direction of architects [[Oscar Tusquets]] and Carles Díaz.<ref>Josep M. Carandell, Ricard Pla, and Pere Vivas, ''The Palau de la Música Catalana'', Barcelona: Triangle Postals SL, {{ISBN|9788484782100}} (2006).</ref> In 1997, the palace de la Música Catalana was declared<ref>{{cite news | url=https://www.theguardian.com/travel/2008/may/08/barcelona.spain | title=Barcelona's rebel centenarian | work=The Guardian | author=Graham Keeley | date=2008-05-08 | access-date=2020-12-22}}</ref> a [[World Heritage Site|UNESCO World Heritage Site]] along with [[Hospital de Sant Pau]]. Today, more than half a million people a year attend musical performances in the Palau that range from symphonic and chamber music to jazz and Cançó (Catalan song).

== Architect ==
The Palau de la Música Catalana was designed by [[Lluís Domènech i Montaner]]. Montaner was a Catalan architect and politician. He was born in Barcelona in December 1850. He studied physics and natural sciences in Madrid, and completed his architectural studies in 1873 at the University of Barcelona. He spent 45 years as a professor and director at the Escola d'Arquitectura, the school of architecture in Barcelona. His personal designs fit in with the [[Art Nouveau]] movement, and featured decorative elements such as mosaics and stained glass.


==Building==
==Building==


===Location===
===Location===
The Palau is located in the corner of a cramped street, Carrer Palau de la Música, and Carrer de Sant Pere Mes Alt, in the section of old Barcelona known as Casc Antic. Most of the other prominent ''modernista'' buildings, those designed by [[Antoni Gaudí]], for example, are located in the chic 19th-century extension of the city known as the [[Eixample]].
The palace is located in the corner of a cramped street, Carrer Palau de la Música, and Carrer de Sant Pere Mes Alt, in the section of old Barcelona known as ''Casc Antic''. Most of the other prominent ''modernista'' buildings, those designed by [[Antoni Gaudí]], for example, are located in the chic 19th-century extension of the city known as the [[Eixample]].


===Design===
===Design===


The design of the Palau is typical of Catalan modernism in that curves predominate over straight lines, dynamic shapes are preferred over static forms, and rich decoration that emphasizes floral and other organic motifs is used extensively. In contrast to many other buildings built in the modernisme style, however, it must also be said that the design of the Palau is eminently rational. It pays strict attention to function and makes full use of the most up-to-date materials and technologies available at the beginning of the 20th century (e.g., steel framing). As Benton (1986, 58) has pointed out, "To eyes unaccustomed to the architecture of Barcelona, the impression of a riot of ornament lacking any logic or control seems overwhelming. And yet the building follows exactly the exhortations of the [architectural] rationalists. The structure, in brick and iron, is clearly expressed." Actually, its walls are the first example of [[Curtain wall (fortification)|curtain wall]] structures.
The design of the palace is typical of Catalan modernism in that curves predominate over straight lines, dynamic shapes are preferred over static forms, and rich decoration that emphasizes floral and other organic motifs is used extensively. In contrast to many other buildings built in the modernisme style, however, it must also be said that the design of the palace is eminently rational. It pays strict attention to function and makes full use of the most up-to-date materials and technologies available at the beginning of the 20th century (e.g., steel framing). As Tim Benton has commented:<ref name="Benton"/>
: "To eyes unaccustomed to the architecture of Barcelona, the impression of a riot of ornament lacking any logic or control seems overwhelming. And yet the building follows exactly the exhortations of the [architectural] rationalists. The structure, in brick and iron, is clearly expressed." Actually, its walls are the first example of [[Curtain wall (fortification)|curtain wall]] structures.
The wealthy citizens of Barcelona, who were becoming ever more sympathetic to the ''Renaixença'' at the time the Palau was built, asked its architect for building materials and techniques that symbolized the Catalan character. In response, he commissioned and gave great creative freedom to a variety of local artisans and craftsmen to produce the fabulous ornamentation, sculpture, and decorative structural elements for which the Palau is famous.
The wealthy citizens of Barcelona, who were becoming ever more sympathetic to the ''Renaixença'' at the time the palace was built, asked its architect for building materials and techniques that symbolized the Catalan character. In response, he commissioned and gave great creative freedom to a variety of local artisans and craftsmen to produce the fabulous ornamentation, sculpture, and decorative structural elements for which the palace is famous.


===Façade===
===Façade===
[[Image:Modernisme.jpg|right|thumb|Miquel Blay's sculptural group (''The Catalan song'') on the corner.]]
[[Image:Modernisme.jpg|right|thumb|upright|Miquel Blay's sculptural group (''The Catalan song'') on the corner.]]
The rich decoration of the façade of the Palau, which incorporates elements from many sources, including traditional Spanish and Arabic architecture, is successfully married with the building's structure. The exposed red brick and iron, the mosaics, the stained glass, and the glazed tiles were chosen and situated to give a feeling of openness and transparency. Even [[Miguel Blay]]'s massive sculptural group symbolizing Catalan music on the corner of the building does not impede the view into or out from the interior (see photograph). As Carandell and co-authors (2006, 20) have pointed out, in the Palau "the house as a defense and protected inner space has ceased to exist."
The rich decoration of the façade of the palace, which incorporates elements from many sources, including traditional Spanish and Arabic architecture, is successfully married with the building's structure. The exposed red brick and iron, the mosaics, the stained glass, and the glazed tiles were chosen and situated to give a feeling of openness and transparency. Even [[Miguel Blay]]'s massive sculptural group symbolizing Catalan music on the corner of the building does not impede the view into or out from the interior (see photograph). As Carandell and co-authors (2006, 20) have pointed out, in the palace "the house as a defense and protected inner space has ceased to exist".


Two colonnades enjoy a commanding position on the second-level balcony of the main façade. Each column is covered uniquely with multicolored glazed tile pieces in mostly floral designs and is capped with a candelabrum that at night blazes with light (see photograph). Above the columns are large busts of [[Giovanni Pierluigi da Palestrina]], [[Johann Sebastian Bach]], and [[Ludwig van Beethoven]] on the main façade and [[Richard Wagner]] on the side. The top of the main façade is graced by a large allegoric mosaic by [[Lluís Bru]] that represents the members of the Orfeó Català, but it is impossible to see it clearly from the narrow street below.
Two colonnades enjoy a commanding position on the second-level balcony of the main façade. Each column is covered uniquely with multicolored glazed tile pieces in mostly floral designs and is capped with a candelabrum that at night blazes with light (see photograph). Above the columns are large busts of [[Giovanni Pierluigi da Palestrina]], [[Johann Sebastian Bach]], and [[Ludwig van Beethoven]] on the main façade and [[Richard Wagner]] on the side. The top of the main façade is graced by a large allegoric mosaic by Lluís Bru that represents the members of the Orfeó Català, but it is impossible to see it clearly from the narrow street below.


[[Image:DiM PalaudelaMusica 6345.jpg|thumb|left|200px|Former ticket box, in an entrance pillar.]]
[[Image:DiM PalaudelaMusica 6345.jpg|thumb|upright|left|Former ticket box, in an entrance pillar.]]
[[Image:Palau de musica 2.JPG|right|thumb|300px|A detail from the entrance]]
[[File:Mosaic at palau de la música catalana.jpg|right|thumb|Mosaic on balcony façade]]
[[Image:Palau de musica 2.JPG|right|thumb|A detail from the entrance]]


===Entrance===
===Entrance===
Originally, guests entered the Palau from the street through two arches supported by thick pillars that opened into the vestibule. The former ticket windows, which are located in the center pillar, are beautiful concentric arches adorned with floral mosaics of various materials created by Lluís Bru.
Originally, guests entered the palace from the street through two arches supported by thick pillars that opened into the vestibule. The former ticket windows, which are located in the center pillar, are beautiful concentric arches adorned with floral mosaics of various materials created by Lluís Bru.


===Vestibule, staircases, and foyer===
===Vestibule, staircases, and foyer===
The ceiling of the vestibule is decorated with glazed [[Ceramic art|ceramic molding]]s that are arranged in the shape of stars. From the vestibule, on the left and right, grand marble staircases ascend from between crowned lamps on columns to bring visitors to the second floor. The balustrades of the staircases, also marble, are supported by unusual transparent yellow glass balusters. The underside of the staircases is covered with tiles that form gleaming canopies on either side of the vestibule.
The ceiling of the vestibule is decorated with glazed [[Ceramic art|ceramic molding]]s that are arranged in the shape of stars. From the vestibule, on the left and right, grand marble staircases ascend from between crowned lamps on columns to bring visitors to the second floor. The balustrades of the staircases, also marble, are supported by unusual transparent yellow glass balusters. The underside of the staircases is covered with tiles that form gleaming canopies on either side of the vestibule.


Today, guests generally enter the Palau through the [[foyer]], which was created in the renovations of Tusquets and Díaz from what originally were the headquarters of the Orfeó Català. The large space of the foyer is more soberly decorated than the rest of the Palau, but the wide exposed brick arches with their marvelous glazed green, pink, and yellow ceramic flowers recapitulate the ornamentation of the rest of building. The foyer features a large counter where tapas and beverages can be served to concert-goers or visitors who are touring the building. The bar is situated between massive pillars of brick and is illuminated from behind by expansive stained-glass panes that are suspended above it. A glass case in the foyer displays the Orfeó Català's banner, which bears its crest embroidered on fabric in the modernisme style.
Today, guests generally enter the palace through the [[foyer]], which was created in the renovations of Tusquets and Díaz from what originally were the headquarters of the Orfeó Català. The large space of the foyer is more soberly decorated than the rest of the palace, but the wide exposed brick arches with their marvelous glazed green, pink, and yellow ceramic flowers recapitulate the ornamentation of the rest of building. The foyer features a large counter where tapas and beverages can be served to concert-goers or visitors who are touring the building. The bar is situated between massive pillars of brick and is illuminated from behind by expansive stained-glass panes that are suspended above it. A glass case in the foyer displays the Orfeó Català's banner, which bears its crest embroidered on fabric in the modernisme style.
[[Image:Palau de la Musica Catalana - foyer.jpg|left|thumb|300px|Vestibule and staircase]]
[[Image:Palau de la Musica Catalana - foyer.jpg|thumb|Vestibule and staircase]]


===Lluís Millet hall===
===Lluís Millet hall===
The [[Lluís Millet]] hall is a salon located on the second floor of the Palau that is named after one of the founders of the Orfeó Català. The hall is a popular gathering place for concert-goers and also serves as a teaching area for visitors touring the building. From floor to ceiling the hall is two stories high and affords views of the intricate mosaics on the two rows of columns outside its windows that are much better than those available from the street.
The [[Lluís Millet]] hall is a salon located on the second floor of the palace that is named after one of the founders of the Orfeó Català. The hall is a popular gathering place for concert-goers and also serves as a teaching area for visitors touring the building. From floor to ceiling the hall is two stories high and affords views of the intricate mosaics on the two rows of columns outside its windows that are much better than those available from the street.


It is ornated by several bronze busts of musicians related to the Palau: Lluís Millet and [[Amadeu Vives]] (Orfeó Català founders), [[Pablo Casals]], [[Eduard Toldrà]] (founder and first conductor of the [[Orquestra Simfònica de Barcelona|Orquestra Municipal de Barcelona]]), [[Just Cabot]] (Orfeó Català president) and pianist [[Rosa Sabater]].
It is ornated by several bronze busts of musicians related to the palace: Lluís Millet and [[Amadeu Vives]] (Orfeó Català founders), [[Pablo Casals]], [[Eduard Toldrà]] (founder and first conductor of the [[Orquestra Simfònica de Barcelona|Orquestra Municipal de Barcelona]]), [[Just Cabot]] (Orfeó Català president) and pianist [[Rosa Sabater]].


===Concert hall===
===Concert hall===
[[File:Palau - Vitrall platea.jpg|right|thumb|300px|Stained-glass skylight]]
[[File:Palau - Vitrall platea.jpg|right|thumb|Stained-glass skylight]]


:''The concert hall is one of the most beautiful in the world (...) without exaggeration. It is one of its most important architectural treasures. Its pace, simple, complex, mystical and paradoxical, defies accurate description.''
:''The concert hall is one of the most beautiful in the world (...) without exaggeration. It is one of its most important architectural treasures. Its pace, simple, complex, mystical and paradoxical, defies accurate description.''
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(Quoted in Carandell et al. 2006, 62)
(Quoted in Carandell et al. 2006, 62)


The concert hall of the Palau, which seats about 2,200 people, is the only auditorium in Europe that is illuminated during daylight hours entirely by natural light. The walls on two sides consist primarily of stained-glass panes set in magnificent arches, and overhead is an enormous skylight of stained glass designed by [[Antoni Rigalt]] whose centerpiece is an inverted dome in shades of gold surrounded by blue that suggests the sun and the sky.
The concert hall of the palace, which seats about 2,200 people, is the only auditorium in Europe that is illuminated during daylight hours entirely by natural light. The walls on two sides consist primarily of stained-glass panes set in magnificent arches, and overhead is an enormous skylight of stained glass, designed by Antoni Rigalt, whose centerpiece is an inverted dome in shades of gold surrounded by blue that suggests the sun and the sky.
The architectural decoration in the concert hall is a masterpiece of creativity and imagination, yet everything has been carefully considered for its utility in the presentation of music. The hall is not a theater, because the massive sculptures flanking the stage make the use of scenery nearly impossible. Likewise, even though a noble pipe [[Organ (music)|organ]] graces the apse-like area above and behind the stage, the hall is not a church.
The architectural decoration in the concert hall is a masterpiece of creativity and imagination, yet everything has been carefully considered for its utility in the presentation of music. The hall is not a theater, because the massive sculptures flanking the stage make the use of scenery nearly impossible. Likewise, even though a noble pipe [[Organ (music)|organ]] graces the apse-like area above and behind the stage, the hall is not a church.
[[Image:Palau de la Música - Escenari.JPG|right|thumb|300px|Stage with the muses in the background]]
[[Image:Palau de la Música - Escenari.JPG|thumb|left|Stage with the muses in the background]]
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[[File:Palau de la Música - Escultures d'Eusebi Arnau.JPG|thumb|The muses on the right side, with one showing the [[coat of arms of Austria]] and [[double-headed eagle]]<ref>http://www.playandtour.com/audioguides/barcelona-es/palau-de-la-musica-catalana</ref><ref>https://barcelonamodernista.wordpress.com/arquitectura/palau-de-la-musica-catalana/</ref>]]
⚫
The dominant theme in the sumptuous sculptural decor of the concert hall is choral music, something that might be expected in an auditorium commissioned by a choral society. A choir of young women surrounds the "sun" in the stained-glass skylight, and a bust of [[Anselm Clavé]], a famous choir director who was instrumental in reviving Catalan folk songs, is situated on the left side of the stage, under a stone tree. Seated beneath this statue are sculpted girls singing the Catalan song ''[[Les Flors de Maig]]'' (''The Flowers of May'').


⚫
The dominant theme in the sumptuous sculptural decor of the concert hall is choral music, something that might be expected in an auditorium commissioned by a choral society. A choir of young women surrounds the "sun" in the stained-glass skylight, and a bust of [[Josep Anselm Clavé|Anselm Clavé]], a famous choir director who was instrumental in reviving Catalan folk songs, is situated on the left side of the stage, under a stone tree. Seated beneath this statue are sculpted girls singing the Catalan song ''Les Flors de Maig'' (''The Flowers of May'').
⚫
The whole arch over the front of the stage was sculpted by [[Dídac Masana]] and [[Pablo Gargallo]]. On the right side is depicted the ride of the valkyries in Wagner's opera ''[[Die Walküre]]'' (''The Valkyries''), an opera in which the female choir sings with great musical power. Under the valkyries and among two [[Doric columns]]—symbol of classical art—is a bust of Beethoven that many{{Who|date=April 2014}} think was placed there in honor of the beautiful choral composition in Beethoven's ''[[Symphony No. 9 (Beethoven)|Ninth Symphony]]'' known as the ''[[Ode to Joy]]''. So, the arch represents folk music on the left and classical music on the right, both united at the top of the arch.


⚫
The whole arch over the front of the stage was sculpted by Dídac Masana and [[Pablo Gargallo]]. On the right side is depicted the 'Ride of the Valkyries' from Wagner's opera ''[[Die Walküre]]''. Under the Valkyries and among two [[Doric columns]] is a bust of Beethoven. The arch thus represents folk music on the left and classical music on the right, both united at the top of the arch.
⚫
In a semicircle on the sides of the back of the stage are the figures of 18 young women popularly known as the [[muses]] (although there are only nine muses in [[Greek mythology]]). The upper bodies were sculpted by [[Eusebi Arnau]] and the mosaic work of their lower bodies was created by Lluís Bru. The monotone upper bodies of the women protrude from the wall and their lower bodies are depicted by colorful mosaics that form part of the wall. Each of the women is playing a different musical instrument, and each is wearing a different skirt, blouse, and headdress of elaborate design. In the middle between the two groups is a mosaic of the [[coat of arms of Catalonia]]. The muse to the right of the Catalan coat of arms is the only one that depicts on her dress the [[coat of arms of Austria]] and [[double-headed eagle]] of the [[Spanish Habsburgs]] dynasty.<ref>http://www.playandtour.com/audioguides/barcelona-es/palau-de-la-musica-catalana</ref><ref>https://barcelonamodernista.wordpress.com/arquitectura/palau-de-la-musica-catalana/</ref> In the early days of the Palau, many critics found these figures unsettling or even eerie{{Citation needed|date = April 2014}}, but today they are widely regarded as perhaps the best sculptural work in the concert hall{{By whom|date=April 2014}}.


⚫
[[File:Palau de la Música - Escultures d'Eusebi Arnau.JPG|thumb|The muses on the right side, with one showing the [[coat of arms of Austria]] and [[double-headed eagle]]]]
⚫
The sculptures of winged horses that enjoy a commanding position in the upper balcony are said{{by whom|date=April 2014}} to honor [[Pegasus]], the horse of [[Greek mythology]] that is the symbol of high-flying imagination. Pegasus was ridden by the muses when called by their father [[Zeus]] to be by his side on [[Mount Olympus]].


⚫
In a semicircle on the sides of the back of the stage are the figures of 18 young women popularly known as the '[[muses]]'.<ref>{{cite journal |last=Cazurra |first=Anna |title=The Symbolism of the Muses of the Palau de la Música Catalana |journal=Music in Art: International Journal for Music Iconography |volume=27 |issue=1–2 |date=2002 |pages=116–126 |issn=1522-7464}}</ref> The upper bodies were sculpted by Eusebi Arnau and the mosaic work of their lower bodies was created by Lluís Bru. The monotone upper bodies of the women protrude from the wall and their lower bodies are depicted by colorful mosaics that form part of the wall. Each of the women is playing a different musical instrument, and each is wearing a different skirt, blouse, and headdress of elaborate design. In the middle between the two groups is a mosaic of the [[coat of arms of Catalonia]]. The muse to the right of the Catalan coat of arms is the only one that depicts on her dress the [[coat of arms of Austria]] and [[double-headed eagle]] of the [[Spanish Habsburgs]] dynasty.
⚫
==Remodeling and extension==


⚫
The sculptures of winged horses that enjoy a commanding position in the upper balcony are in honour of [[Pegasus]], the horse of [[Greek mythology]] and the symbol of high-flying imagination.
⚫
Between 1982 and 1989 parts of the building were restored to their original state, technically upgraded and expanded to allow additional uses. The new work did not compromise the decorative or structural integrity of the original building. Stone, brick, iron, glass, and ceramics were used in the same way that Domènech i Montaner used them. One of the most important expansions is the adjoining building of six stories that houses dressing rooms, a library, and an archive.


In each of the vaults between the pillars and the glass walls, there is a white tile medallion, bordered with laurel green leaves, with the names of notable musicians. To the left of the stage, starting from it: [[Giovanni Pierluigi da Palestrina|Palestrina]], [[J. S. Bach]], [[Carissimi]], [[Beethoven]] and [[Chopin]]; to the right: [[Tomás Luis de Victoria|Victoria]], [[Handel]], [[Mozart]], [[Gluck]] and [[Wagner]]. On the wall between the ceilings of the main room and that of the back of the second floor of the same room, there are four more ceramic medallions, which synthesize the history of [[Catalan music]]: [[Joan Brudieu]], Mateu Fletxa el Vell, [[Anselm Viola i Valentí]], [[Domènec Terradellas]] and [[Josep Anselm Clavé]].
⚫
From 2006 to 2008 some further restoration was carried out: the lantern on the top of the tower on the corner of the building was reinstalled, as were some ornamental features of the façade.


Robert Hughes has noted how the non-soundproof glass walls of the palace impact the acoustics of the hall:
⚫
=== Petit Palau ===


: "...there was never a shortage of complaint about its acoustic conditions - which, since its glass walls carry music like drum skins, have always been awful."<ref name="Hughes">Hughes, Robert, ''Barcelona''. Alfred A. Knopf (New York), {{ISBN|0-394-58027-3}}, pp. 462-463 (1992).</ref>
[[File:Cantonada Sant Pere més Alt del Palau de la Música Catalana.jpg|thumb|200x200px|
⚫
The new six-story tower, projected by Oscar Tusquets and officially opened in 1989, houses dressing rooms, a library, and archives.
]]
⚫
Opened in 2004, the Petit Palau is 11 metres below the square that was created in the work of 1982-1989 between the Palau and the neighbouring church. It has a seating capacity of 538 people and is equipped with variable acoustics for different types of music and spoken word. It also possesses the latest in audiovisual technology. Like the other additions, it was designed in the spirit of Domènech i Montaner. It is light and transparent like the Palau proper, but at the same time it is modern in its great flexibility for different cultural, social, and business uses.


⚫
==Remodeling and extension==
⚫
==Artistic history==
⚫
From the opening of the Palau de la Música Catalana in 1908 special attention was given to the promotion of local composers and artists. After [[World War I]] the [[Orquestra Pau Casals]] performed at the Palau, and among composers featured gave presentations of the music of [[Enrique Granados]] from 1921 onwards.<ref>Walter Aaron Clark ''Enrique Granados: Poet of the Piano'' 2005 "... arranged by Casals and programmed by him as director of the Orquestra Pau Casals in Barcelona during the years after Granados's death. The first such presentation took place on April 30, 1921, at the Palau de la Música Catalana."</ref>


⚫
Between 1982 and 1989 parts of the building were restored to their original state, technically upgraded and expanded to allow additional uses. The new work did not compromise the decorative or structural integrity of the original building. Stone, brick, iron, glass, and ceramics were used in the same way that Domènech i Montaner used them. One of the most important expansions is the adjoining building of six stories that houses dressing rooms, a library, and an archive.
Many of the world's best soloists and singers have visited the Palau de la Música Catalana, among them: [[Andrés Segovia]], [[Lela Tsurtsumia]], [[Pablo Casals]], [[Jacques Thibaud]], [[Alfred Cortot]], [[Eugène Ysaÿe]], [[Albert Schweitzer]], [[Enric Granados]], [[Blanche Selva]], [[Wilhelm Backhaus]], [[Emil Sauer]], [[Wanda Landowska]], [[Clara Haskil]], [[Fritz Kreisler]], [[Manuel Quiroga (violinist)|Manuel Quiroga]], [[Arthur Rubinstein]], [[Claudio Arrau]], [[Yehudi Menuhin]], [[Mstislav Rostropovich]], [[Julian Lloyd Webber]], [[Alicia de Larrocha]], [[Victòria dels Àngels]], [[Montserrat Caballé]], [[Josep Carreras]], [[Elisabeth Schwarzkopf]], [[Barbara Hendricks]], [[Alfred Brendel]], [[Wilhelm Kempff]], [[Sviatoslav Richter]], [[Vladimir Ashkenazy]], [[Maurizio Pollini]], [[Maria João Pires]], [[Jean-Pierre Rampal]], [[Jessye Norman]], and [[Daniel Barenboim]].


⚫
From 2006 to 2008, further restoration was carried out: the lantern on the top of the tower on the corner of the building was reinstalled, as were some ornamental features of the façade.
[[Image:Pau Casals.jpg|thumb|right|150px|[[Pablo Casals]]' bust at the Palau Félix Millet Hall, by [[Brenda Putman]] (1928)]]
[[Image:Amadeu Vives.jpg|thumb|left|150px|[[Amadeu Vives]]' bust at the Palau Félix Millet Hall]]
Many great orchestras and conductors have played at the auditorium, including the [[Berliner Philharmoniker]] with [[Richard Strauss]], [[Herbert von Karajan]], [[Claudio Abbado]] and [[Mariss Jansons]]; the [[Wiener Philharmoniker]], with [[Carl Schuricht]], [[Karl Böhm]], [[Zubin Mehta]] and [[Leonard Bernstein]]; the [[Amsterdam Concertgebouw]] with [[Eugen Jochum]], [[Antal Doráti]] and [[Mariss Jansons]];the [[Israel Philharmonic]] with [[Zubin Mehta]]; the [[Staatskapelle Berlin]]; the [[Chicago Symphony]] with [[Daniel Barenboim]], the [[New York Philharmonic]] with [[Kurt Masur]]; the [[Münchner Philharmoniker]] with [[Sergiu Celibidache]]; the [[Cleveland Orchestra]] with [[Lorin Maazel]]; the [[Philharmonia Orchestra]] with [[Carlo Maria Giulini]]; and [[Concentus Musicus Wien]] with [[Nikolaus Harnoncourt]], [[Václav Neumann]], [[Jordi Savall]], and [[Philippe Herreweghe]].


⚫
=== Petit Palau ===
Also performing at the Palau have been choirs, such as [[Capella Sistina di Roma]], [[Orfeón Donostiarra]], [[Escolania de Montserrat]], and the [[Wiener Sängerknaben]]. From 1920 to 1936, the [[Orquestra Pau Casals]] was resident under the direction of [[Pablo Casals]] (sometimes known by his Catalan name, Pau Casals), [[Richard Strauss]], [[Vincent d'Indy]], [[Igor Stravinsky]], [[Arnold Schönberg]], [[Anton Webern]], [[Arthur Honegger]], [[Manuel de Falla]], and [[Eugène Ysaÿe]], among others. For years, the resident orchestra at the Palau has been the [[Orquestra Simfònica de Barcelona]].


⚫
[[File:Cantonada Sant Pere més Alt del Palau de la Música Catalana.jpg|thumb|upright|The new six-story tower, projected by Oscar Tusquets and officially opened in 1989, houses dressing rooms, a library, and archives.]]
Important composers have performed or conducted their own works, including [[Enric Granados]], [[Richard Strauss]], [[Maurice Ravel]], [[Sergei Prokofiev]], [[Igor Stravinsky]], [[Manuel de Falla]], [[Arnold Schönberg]], [[Sergei Rachmaninov]], [[Anton Webern]], [[Roberto Gerhard]], [[Georges Enescu]], [[Darius Milhaud]], [[Francis Poulenc]], [[Arthur Honegger]], [[Frederic Mompou]], [[Krzysztof Penderecki]], [[Witold Lutosławski]], and [[Pierre Boulez]].
⚫
Opened in 2004, the ''Petit Palau'' ("small palace") is 11 metres below the square that was created in the work of 1982-1989 between the palace and the neighbouring church. It has a seating capacity of 538 people and is equipped with variable acoustics for different types of music and spoken word. It also possesses the latest in audiovisual technology. Like the other additions, it was designed in the spirit of Domènech i Montaner. It is light and transparent like the palace proper, but at the same time it is modern in its great flexibility for different cultural, social, and business uses.


=== Appearances in film ===
Other artists, actors, dancers, jazz soloists, popular singers, and bands have performed at the Palau: [[Lela Tsurtsumia]], [[Vittorio Gassman]], [[Maurice Béjart]], [[Ángel Corella]], [[Charles Aznavour]], [[Duke Ellington]], [[Tete Montoliu]], [[Oscar Peterson]], [[Woody Allen]], [[Keith Jarrett]], [[Ella Fitzgerald]], [[Michel Camilo]], [[Tamara Rojo]], [[Paco de Lucía]] or [[Bebo Valdés]], [[Jorge Drexler]], [[Cassandra Wilson]], [[Vicente Amigo]], [[Anoushka Shankar]], [[Norah Jones]] and [[Juanes]].
On 7 September 2018, the palace appeared in BBC TV's Release Date trailer for Season 11 of ''Doctor Who''. The trailer shows Jodie Whittaker, as the first female Doctor, literally 'shattering the glass ceiling' of the palace's striking skylight.


⚫
==Artistic history==
The Palau became an emblematic theater for Catalan singers of the [[Nova Cançó]] (New Song, or Catalan popular song from the 1960s). Singing at the Palau was a kind of consecration for a singer. For example, [[Raimon]], [[Joan Manuel Serrat]], [[Maria del Mar Bonet]], and [[Lluís Llach]] have sung there.
⚫
From the opening of the palace in 1908 special attention was given to the promotion of local composers and artists. After [[World War I]] the [[Orquestra Pau Casals]] performed at the palace, and among composers featured gave presentations of the music of [[Enrique Granados]] from 1921 onwards.<ref>Walter Aaron Clark ''Enrique Granados: Poet of the Piano'' 2005 "... arranged by Casals and programmed by him as director of the Orquestra Pau Casals in Barcelona during the years after Granados's death. The first such presentation took place on April 30, 1921 at the palace."</ref> [[Pablo Casals]] and [[Alicia de Larrocha]] are among the many soloists and singers who have performed there.<ref name="Hughes"/>

For some years, plays were performed there. Companies such as the [[Teatre Experimental Català]], [[Companyia Adrià Gual]] or [[Agrupació Dramàtica de Barcelona]] (1955–1963) performed their shows at the Palau.


===Premières performed===
===Premières performed===
As the main concert hall in the city, the Palau de la Música Catalana has staged many world [[première]]s of musical compositions, including the following (the most relevant for music history are in bold type):
As the main concert hall in the city, the palace has staged many world [[première]]s of musical compositions, including the following


* 1908 [[Enric Granados]]' symphonic poem ''[[Dante]]''.
* 1908 [[Enric Granados]]' symphonic poem ''[[Dante]]''.
* 1911 [[Enric Granados]]' first book of his piano suite '''''[[Goyescas]]''''' and his ''Allegro de concierto'' and ''Cant de les estrelles'' (''Song of the stars''), for chorus and orchestra; [[Isaac Albéniz]]'s '''''[[Azulejos (work by Isaac Albéniz)|Azulejos]]''''', prelude for piano finished by [[Enric Granados]].
* 1911 [[Enric Granados]]' first book of his piano suite ''[[Goyescas]]'' and his ''Allegro de concierto'' and ''Cant de les estrelles'' (''Song of the stars''), for chorus and orchestra; [[Isaac Albéniz]]'s ''Azulejos'', prelude for piano finished by [[Enric Granados]].
* 1914 [[Enric Granados]]' '''''[[Tonadillas (work by Enric Granados)|Tonadillas]]''''', song cycle for voice and piano.
* 1914 [[Enric Granados]]' ''[[12 Tonadillas en estilo antiguo|Tonadillas en estilo antiguo]]'', song cycle for voice and piano.
* 1921 [[Eduard Toldrà]]'s string quartett ''[[Vistes al mar]]'' (''Sight to the sea'') (31 May).
* 1921 [[Eduard Toldrà]]'s string quartett ''Vistes al mar'' (''Sight to the sea'') (31 May).
* 1923 [[Joaquín Turina]]'s ''[[Tres arias]]'' for soprano and piano.
* 1923 [[Joaquín Turina]]'s ''Tres arias'' for soprano and piano.
* 1925 [[Manuel de Falla]]'s ''Psyché'', and [[Frederic Mompou]]'s ''Charmes'', núm. 4-6.
* 1925 [[Manuel de Falla]]'s ''Psyché'', and [[Frederic Mompou]]'s ''Charmes'', núm. 4-6.
* 1926 [[Jaume Pahissa]]'s ''Suite intertonal'' (October 26); [[Joaquín Turina]]'s ''Dos canciones'' (October 29) for soprano and piano; [[Manuel de Falla]]'s '''''Concerto for harpshicord and five instruments''''' (November 5).
* 1926 [[Jaume Pahissa]]'s ''Suite intertonal'' (October 26); [[Joaquín Turina]]'s ''Dos canciones'' (October 29) for soprano and piano; [[Manuel de Falla]]'s [[Harpsichord Concerto (Falla)|Harpsichord Concerto]] (November 5).
* 1928 [[Eduard Toldrà]]'s opera '''''El giravolt de maig''''' (''The May sunflower''); [[Frederic Mompou]]'s ''Comptines'', three songs for voice and piano; [[Joaquín Turina]]'s ''Ritmos: fantasia coreográfica'' for orchestra (''Rhythms: a choreographic fantasy'') (October 23), and ''Evocaciones'' for piano (October 29).
* 1928 [[Eduard Toldrà]]'s opera ''El giravolt de maig'' (''The May sunflower''); [[Frederic Mompou]]'s ''Comptines'', three songs for voice and piano; [[Joaquín Turina]]'s ''Ritmos: fantasia coreográfica'' for orchestra (''Rhythms: a choreographic fantasy'') (October 23), and ''Evocaciones'' for piano (October 29).
* 1929 [[Roberto Gerhard]]'s ''Concertino for strings'', ''Wind quintet'', and other of the author's early works.
* 1929 [[Roberto Gerhard]]'s Concertino for strings, Wind quintet, and other of the author's early works.
* 1932 [[Manuel Blancafort]]'s ''El rapte de les sabines'' (''The Sabine women abduction'') (other Blancafort's works were premiered here after: ''Ermita i panorama'' (''Hermit and panorame'') (1946), ''Concert omaggio a Franz Liszt'' (1944), ''Concert ibèric'' (''Iberian concerto'') (1950), ''Simfonia en mi'' (1951), ''Cantata Verge Maria'' (''Virgin Mary cantata'') (1968), ''Rapsòdia catalana'' (''Catalan rhapsody'') (1972), etc.)
* 1932 Manuel Blancafor]'s ''El rapte de les sabines'' (''The Sabine women abduction'') (other Blancafort's works were premiered here after: ''Ermita i panorama'' (''Hermit and panorame'') (1946), ''Concert omaggio a Franz Liszt'' (1944), ''Concert ibèric'' (''Iberian concerto'') (1950), ''Simfonia en mi'' (1951), ''Cantata Verge Maria'' (''Virgin Mary cantata'') (1968), ''Rapsòdia catalana'' (''Catalan rhapsody'') (1972), etc.)
* 1936 [[Alban Berg]]'s '''''[[Violin Concerto (Berg)|Violin concerto]]''''' (April 19); [[Roberto Gerhard]]'s suite from the ballet ''Ariel''.
* 1936 [[Alban Berg]]'s [[Violin Concerto (Berg)|Violin concerto]] (April 19); [[Roberto Gerhard]]'s suite from the ballet ''Ariel''.
* 1938 [[Roberto Gerhard]]'s ''Albada, interludi i dansa'' (''Sunrise, interlude and dance'') (May 14)
* 1938 [[Roberto Gerhard]]'s ''Albada, interludi i dansa'' (''Sunrise, interlude and dance'') (May 14)
* 1940 [[Joaquín Rodrigo]]'s '''''[[Concierto de Aranjuez]]''''' (November 9).
* 1940 [[Joaquín Rodrigo]]'s ''[[Concierto de Aranjuez]]'' (November 9).
* 1945 [[Xavier Montsalvatge]]'s '''''[[Cinco canciones negras]]''''' (only the four first songs; the first performance of the five songs was given a few months after at the [[Ateneu Barcelonès]]); many other of the Montsalvatge's works have had their premieres at the Palau.
* 1945 [[Xavier Montsalvatge]]'s ''Cinco canciones negras'' (only the four first songs; the first performance of the five songs was given a few months after at the [[Ateneu Barcelonès]]); many other of the Montsalvatge's works have had their premieres at the palace.
* 1946 [[Joaquín Rodrigo]]'s ''Quatre cançons en llengua catalana'' (''Four songs in Catalan language''). and ''Tríptic de Mossèn Cinto'' (''[[Jacint Verdaguer]]'s triptych''), both song cycles for soprano and orchestra.
* 1946 [[Joaquín Rodrigo]]'s ''Quatre cançons en llengua catalana'' (''Four songs in Catalan language''). and ''Tríptic de Mossèn Cinto'' (''[[Jacint Verdaguer]]'s triptych''), both song cycles for soprano and orchestra.
* 1948 [[Xavier Montsalvatge]]'s ''Simfonia mediterrània'' (''Mediterranean Symphony'').
* 1948 [[Xavier Montsalvatge]]'s ''Simfonia mediterrània'' (''Mediterranean Symphony'').
* 1952 [[Frederic Mompou]]'s ''Cantar del alma'', choral version.
* 1952 [[Frederic Mompou]]'s ''Cantar del alma'', choral version.
* 1954 [[Salvador Bacarisse]]'s ''3rd piano concerto''.
* 1954 [[Salvador Bacarisse]]'s 3rd Piano Concerto.
* 1957 [[Salvador Espriu]]'s play ''Primera història d'Esther''.
* 1957 [[Salvador Espriu]]'s play ''Primera història d'Esther''.
* 1959 [[Joaquín Nin-Culmell]]'s ballet ''Don Juan''.
* 1959 [[Joaquín Nin-Culmell]]'s ballet ''Don Juan''.
* 1960 [[Xavier Montsalvatge]]'s ''Càntic espiritual''.
* 1960 [[Xavier Montsalvatge]]'s ''Càntic espiritual''.
* 1961 [[Frederic Mompou]]'s ''Variacions sobre un tema de Chopin'' for orchestra; [[Joan Brossa]]'s play ''Or i sal''.
* 1961 [[Frederic Mompou]]'s ''Variacions sobre un tema de Chopin'' for orchestra; [[Joan Brossa]]'s play ''Or i sal''.
* 1963 [[Xavier Montsalvatge]]'s ''Desintegració morfològica de la xacona de J. S. Bach'' (''Morphological disintegration of J.S. Bach's chaconne''); [[Josep Carner]]'s play ''El Ben Cofat i l'altre''.
* 1963 [[Xavier Montsalvatge]]'s ''Desintegració morfològica de la xacona de J. S. Bach'' (''Morphological disintegration of J.S. Bach's chaconne''); [[Josep Carner]]'s play ''El Ben Cofat i l'altre''.
* 1966 [[Joaquin Homs]]' ''String quartet, num. 6''; other of Homs's works have had their premieres at the Palau: ''Invention for orchestra'' (1965), ''Presències'' for orchestra (1970), ''Dos soliloquis'' (1976), ''Brief symphony'' (1978), ''Nonet'' (1979)...
* 1966 [[Joaquin Homs]]' String quartet no. 6; other of Homs's works have had their premieres at the palace: ''Invention for orchestra'' (1965), ''Presències'' for orchestra (1970), ''Dos soliloquis'' (1976), ''Brief symphony'' (1978), Nonet (1979).
* 1967 [[Cristòfol Taltabull]]'s oratory ''La Passió'' (''Passion'').
* 1967 Cristòfol Taltabull's oratorio ''La Passió'' (''Passion'').
* 1971 [[Krzystof Penderecki]]'s '''''Prélude''''' for winds, percussion and double basses.
* 1971 [[Krzystof Penderecki]]'s Prélude for winds, percussion and double basses.
* 1974 [[Josep Soler]]'s opera-oratory ''Oedipus et Iocasta'' (many of Soler's works were first performed at the Palau); [[Cristóbal Halffter]]'s ''Oración a Platero'' for choir and orchestra.
* 1974 [[Josep Soler]]'s opera-oratorio ''Oedipus et Iocasta'' (many of Soler's works were first performed at the palace); [[Cristóbal Halffter]]'s ''Oración a Platero'' for choir and orchestra.
* 1977 [[Joaquín Rodrigo]]'s ''Sonata a la breve'', for cello and piano.
* 1977 [[Joaquín Rodrigo]]'s ''Sonata a la breve'', for cello and piano.
* 2017 [[Guido Lopez-Gavilan]]'s ''Una Cancion de Amor'' (24 July), for choir (commissioned by the [[IFCM]] for the [[Ansan City Choir]], on the occasion of the 11th World Symposium on Choral Music); [[Xavier Pages-Corella]]'s ''Audito e un Canto'' (24 July), for choir (commissioned by the [[IFCM]] for [[The Rose Ensemble]], on occasion of the 11th World Symposium on Choral Music); [[Jaakko Mantyjarvi]]'s ''Juliet November Tango'' (27 July), for choir (commissioned by the [[IFCM]] for [[Elektra Women's Choir]], on occasion of the 11th World Symposium on Choral Music).
* 2017 Guido Lopez-Gavilan's ''Una Cancion de Amor'' (24 July), for choir (commissioned by the [[IFCM]] for the Ansan City Choir, on the occasion of the 11th World Symposium on Choral Music); Xavier Pages-Corella's ''Audito e un Canto'' (24 July), for choir (commissioned by the [[IFCM]] for [[The Rose Ensemble]], on occasion of the 11th World Symposium on Choral Music); [[Jaakko Mantyjarvi]]'s ''Juliet November Tango'' (27 July), for choir (commissioned by the [[IFCM]] for Elektra Women's Choir, on occasion of the 11th World Symposium on Choral Music).


==See also==
==See also==
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==References==
==References==
{{reflist}}
{{Reflist}}


===Bibliography===
===Works Cited===
* Cararach, Joan Anton, ''El Palau de la Música Catalana: simfonia d'un segle'', Barcelona: Edicions 62, 2007. ISBN .
* Cararach, Joan Anton, ''El Palau de la Música Catalana: simfonia d'un segle'', Barcelona: Edicions 62, 2007. ISBN .
* Domènech i Girbau, Lluís. ''L'arquitectura del Palau''. Barcelona: Lunwerg Editores, 2000. ISBN .
* Domènech i Girbau, Lluís. ''L'arquitectura del Palau''. Barcelona: Lunwerg Editores, 2000. ISBN .
* Fahr-Becker G. ''Art Nouveau'', Königswinter: Tandem Verlag GmbH, 2004. ISBN .
* Fahr-Becker G. ''Art Nouveau'', Königswinter: Tandem Verlag GmbH, 2004. ISBN .
* Cazurra, Anna (2002). ''[https://www.jstor.org/stable/41818710?searchText=palau%20de%20la%20musica&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dpalau%2Bde%2Bla%2Bmusica&ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&refreqid=fastly-default%3A8048bdfe850e6d06f81d520d331ec70eThe%20Symbolism%20of%20the%20Muses%20of%20the%20Palau%20de%20la%20Música%20Catalana The Symbolism of the Muses of the Palau de la Música Catalana].'' Research Center for Music Iconography, The Graduate Center, City University of New York. https://www.jstor.org/stable/41818710
*María Peña, José; and Snyder, Jon R (1992)., ''[[doi:10.2307/1504097|"Art-Nouveau" Stained Glass and Ironwork.]] .'' Florida International University Board of Trustees on behalf of The Wolfsonian-FIU. https://www.jstor.org/stable/1504097
* Burgen, Stephen (2023). [https://www.theguardian.com/travel/2023/feb/08/barcelona-other-great-architect-lluis-domenech-i-montaner-five-best-buildings Barcelona's 'other' great architect: five of his finest buildings.] The Guardian. https://www.theguardian.com/travel/2023/feb/08/barcelona-other-great-architect-lluis-domenech-i-montaner-five-best-buildings


==External links==
==External links==
{{commons category|Palau de la Música Catalana}}
{{Commons category|Palau de la Música Catalana}}
* {{Official website|http://www.palaumusica.cat/ }}
* {{Official website|http://www.palaumusica.cat/ }}
* [https://www.barcelona.cat/rutamodernisme/ca/activitat/palau-de-la-musica/ City of Barcelona Catalan-language page on the Palau de la Música Catalana]
* [https://whc.unesco.org/en/list/804 UNESCO World Heritage List page on the Palau de la Música Catalana and the Hospital de Sant Pau, Barcelona]
* [https://artsandculture.google.com/story/UQUB9Ek9ynPkJw Palau de la Música Catalana and Hospital de Sant Pau, Barcelona] UNESCO Collection on Google Arts and Culture
* [https://www.catalunya.com/palau-de-la-musica-catalana-17-16003-436?language=en Catalunya (Catalonia) page on the Palau de la Música Catalana]
* [http://mosaicartsource.wordpress.com/2007/01/08/mosaics-of-the-palau-de-la-musica-catalana-barcelona-spain/ Photos]
* [http://mosaicartsource.wordpress.com/2007/01/08/mosaics-of-the-palau-de-la-musica-catalana-barcelona-spain/ Photos]
* [http://barcelona.arounder.com/category/fullscreen/ES000007251.html 360 view]
* [http://barcelona.arounder.com/category/fullscreen/ES000007251.html 360 view]
* [http://www.playandtour.com/audioguides/barcelona-es/palau-de-la-musica-catalana Play and Tour City Guides, 'Palau de la Música Catalana']
* [https://barcelonamodernista.wordpress.com/arquitectura/palau-de-la-musica-catalana/ La Barcelona Modernista blog, 'Palau de la Música Catalana']


{{Barcelona landmarks}}
{{Barcelona landmarks}}
{{World Heritage Sites in Catalonia}}
{{World Heritage Sites in Catalonia}}
{{World Heritage Sites in Spain}}
{{World Heritage Sites in Spain}}
{{Authority control}}


{{DEFAULTSORT:Palau De La Musica Catalana}}
{{DEFAULTSORT:Palau De La Musica Catalana}}
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[[Category:Sant Pere, Santa Caterina i la Ribera]]
[[Category:Sant Pere, Santa Caterina i la Ribera]]
[[Category:Art Nouveau theatres]]
[[Category:Art Nouveau theatres]]
[[Category:Catalan music]]
[[Category:Music of Catalonia]]
[[Category:Ciutat Vella]]
[[Category:Ciutat Vella]]
[[Category:Tourist attractions in Barcelona]]
[[Category:Tourist attractions in Barcelona]]

Latest revision as of 17:02, 26 October 2024

Palau de la Música Catalana
The Palau de la Música Catalana in 2019
Map
LocationBarcelona, Spain
Coordinates41°23′15″N 2°10′32″E / 41.38750°N 2.17556°E / 41.38750; 2.17556
TypeConcert hall
Construction
Built1905–1908
Opened9 February 1908
ArchitectLluís Domènech i Montaner
Website
Official website
Part ofPalau de la Música Catalana and Hospital de Sant Pau, Barcelona
CriteriaCultural: i, ii, iv
Reference804bis-001
Inscription1997 (21st Session)
Architect Lluís Domènech i Montaner

Palau de la Música Catalana (Catalan pronunciation: [pəˈlaw ðə lə ˈmuzikə kətəˈlanə], English: Palace of Catalan Music) is a concert hall in Barcelona, Catalonia, Spain. Designed in the Catalan modernista style by the architect Lluís Domènech i Montaner,[1] it was built between 1905 and 1908 for Orfeó Català, a choral society founded in 1891 that was a leading force in the Catalan cultural movement that came to be known as the Renaixença (Catalan Rebirth).[2] It was inaugurated on 9 February 1908.

The construction project was mainly financed by Orfeó Català, but important financial contributions also came from Barcelona's wealthy industrialists and bourgeoisie. The palace won the architect an award from the Barcelona City Council in 1909, given to the best building built during the previous year. Between 1982 and 1989, the building underwent extensive restoration, remodeling, and extension under the direction of architects Oscar Tusquets and Carles Díaz.[3] In 1997, the palace de la Música Catalana was declared[4] a UNESCO World Heritage Site along with Hospital de Sant Pau. Today, more than half a million people a year attend musical performances in the Palau that range from symphonic and chamber music to jazz and Cançó (Catalan song).

Architect

[edit]

The Palau de la Música Catalana was designed by Lluís Domènech i Montaner. Montaner was a Catalan architect and politician. He was born in Barcelona in December 1850. He studied physics and natural sciences in Madrid, and completed his architectural studies in 1873 at the University of Barcelona. He spent 45 years as a professor and director at the Escola d'Arquitectura, the school of architecture in Barcelona. His personal designs fit in with the Art Nouveau movement, and featured decorative elements such as mosaics and stained glass.

Building

[edit]

Location

[edit]

The palace is located in the corner of a cramped street, Carrer Palau de la Música, and Carrer de Sant Pere Mes Alt, in the section of old Barcelona known as Casc Antic. Most of the other prominent modernista buildings, those designed by Antoni Gaudí, for example, are located in the chic 19th-century extension of the city known as the Eixample.

Design

[edit]

The design of the palace is typical of Catalan modernism in that curves predominate over straight lines, dynamic shapes are preferred over static forms, and rich decoration that emphasizes floral and other organic motifs is used extensively. In contrast to many other buildings built in the modernisme style, however, it must also be said that the design of the palace is eminently rational. It pays strict attention to function and makes full use of the most up-to-date materials and technologies available at the beginning of the 20th century (e.g., steel framing). As Tim Benton has commented:[2]

"To eyes unaccustomed to the architecture of Barcelona, the impression of a riot of ornament lacking any logic or control seems overwhelming. And yet the building follows exactly the exhortations of the [architectural] rationalists. The structure, in brick and iron, is clearly expressed." Actually, its walls are the first example of curtain wall structures.

The wealthy citizens of Barcelona, who were becoming ever more sympathetic to the Renaixença at the time the palace was built, asked its architect for building materials and techniques that symbolized the Catalan character. In response, he commissioned and gave great creative freedom to a variety of local artisans and craftsmen to produce the fabulous ornamentation, sculpture, and decorative structural elements for which the palace is famous.

Façade

[edit]
Miquel Blay's sculptural group (The Catalan song) on the corner.

The rich decoration of the façade of the palace, which incorporates elements from many sources, including traditional Spanish and Arabic architecture, is successfully married with the building's structure. The exposed red brick and iron, the mosaics, the stained glass, and the glazed tiles were chosen and situated to give a feeling of openness and transparency. Even Miguel Blay's massive sculptural group symbolizing Catalan music on the corner of the building does not impede the view into or out from the interior (see photograph). As Carandell and co-authors (2006, 20) have pointed out, in the palace "the house as a defense and protected inner space has ceased to exist".

Two colonnades enjoy a commanding position on the second-level balcony of the main façade. Each column is covered uniquely with multicolored glazed tile pieces in mostly floral designs and is capped with a candelabrum that at night blazes with light (see photograph). Above the columns are large busts of Giovanni Pierluigi da Palestrina, Johann Sebastian Bach, and Ludwig van Beethoven on the main façade and Richard Wagner on the side. The top of the main façade is graced by a large allegoric mosaic by Lluís Bru that represents the members of the Orfeó Català, but it is impossible to see it clearly from the narrow street below.

Former ticket box, in an entrance pillar.
Mosaic on balcony façade
A detail from the entrance

Entrance

[edit]

Originally, guests entered the palace from the street through two arches supported by thick pillars that opened into the vestibule. The former ticket windows, which are located in the center pillar, are beautiful concentric arches adorned with floral mosaics of various materials created by Lluís Bru.

Vestibule, staircases, and foyer

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The ceiling of the vestibule is decorated with glazed ceramic moldings that are arranged in the shape of stars. From the vestibule, on the left and right, grand marble staircases ascend from between crowned lamps on columns to bring visitors to the second floor. The balustrades of the staircases, also marble, are supported by unusual transparent yellow glass balusters. The underside of the staircases is covered with tiles that form gleaming canopies on either side of the vestibule.

Today, guests generally enter the palace through the foyer, which was created in the renovations of Tusquets and Díaz from what originally were the headquarters of the Orfeó Català. The large space of the foyer is more soberly decorated than the rest of the palace, but the wide exposed brick arches with their marvelous glazed green, pink, and yellow ceramic flowers recapitulate the ornamentation of the rest of building. The foyer features a large counter where tapas and beverages can be served to concert-goers or visitors who are touring the building. The bar is situated between massive pillars of brick and is illuminated from behind by expansive stained-glass panes that are suspended above it. A glass case in the foyer displays the Orfeó Català's banner, which bears its crest embroidered on fabric in the modernisme style.

Vestibule and staircase

Lluís Millet hall

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The Lluís Millet hall is a salon located on the second floor of the palace that is named after one of the founders of the Orfeó Català. The hall is a popular gathering place for concert-goers and also serves as a teaching area for visitors touring the building. From floor to ceiling the hall is two stories high and affords views of the intricate mosaics on the two rows of columns outside its windows that are much better than those available from the street.

It is ornated by several bronze busts of musicians related to the palace: Lluís Millet and Amadeu Vives (Orfeó Català founders), Pablo Casals, Eduard Toldrà (founder and first conductor of the Orquestra Municipal de Barcelona), Just Cabot (Orfeó Català president) and pianist Rosa Sabater.

Concert hall

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Stained-glass skylight
The concert hall is one of the most beautiful in the world (...) without exaggeration. It is one of its most important architectural treasures. Its pace, simple, complex, mystical and paradoxical, defies accurate description.

-David Mackay
(Quoted in Carandell et al. 2006, 62)

The concert hall of the palace, which seats about 2,200 people, is the only auditorium in Europe that is illuminated during daylight hours entirely by natural light. The walls on two sides consist primarily of stained-glass panes set in magnificent arches, and overhead is an enormous skylight of stained glass, designed by Antoni Rigalt, whose centerpiece is an inverted dome in shades of gold surrounded by blue that suggests the sun and the sky.

The architectural decoration in the concert hall is a masterpiece of creativity and imagination, yet everything has been carefully considered for its utility in the presentation of music. The hall is not a theater, because the massive sculptures flanking the stage make the use of scenery nearly impossible. Likewise, even though a noble pipe organ graces the apse-like area above and behind the stage, the hall is not a church.

Stage with the muses in the background

The dominant theme in the sumptuous sculptural decor of the concert hall is choral music, something that might be expected in an auditorium commissioned by a choral society. A choir of young women surrounds the "sun" in the stained-glass skylight, and a bust of Anselm Clavé, a famous choir director who was instrumental in reviving Catalan folk songs, is situated on the left side of the stage, under a stone tree. Seated beneath this statue are sculpted girls singing the Catalan song Les Flors de Maig (The Flowers of May).

The whole arch over the front of the stage was sculpted by Dídac Masana and Pablo Gargallo. On the right side is depicted the 'Ride of the Valkyries' from Wagner's opera Die Walküre. Under the Valkyries and among two Doric columns is a bust of Beethoven. The arch thus represents folk music on the left and classical music on the right, both united at the top of the arch.

The muses on the right side, with one showing the coat of arms of Austria and double-headed eagle

In a semicircle on the sides of the back of the stage are the figures of 18 young women popularly known as the 'muses'.[5] The upper bodies were sculpted by Eusebi Arnau and the mosaic work of their lower bodies was created by Lluís Bru. The monotone upper bodies of the women protrude from the wall and their lower bodies are depicted by colorful mosaics that form part of the wall. Each of the women is playing a different musical instrument, and each is wearing a different skirt, blouse, and headdress of elaborate design. In the middle between the two groups is a mosaic of the coat of arms of Catalonia. The muse to the right of the Catalan coat of arms is the only one that depicts on her dress the coat of arms of Austria and double-headed eagle of the Spanish Habsburgs dynasty.

The sculptures of winged horses that enjoy a commanding position in the upper balcony are in honour of Pegasus, the horse of Greek mythology and the symbol of high-flying imagination.

In each of the vaults between the pillars and the glass walls, there is a white tile medallion, bordered with laurel green leaves, with the names of notable musicians. To the left of the stage, starting from it: Palestrina, J. S. Bach, Carissimi, Beethoven and Chopin; to the right: Victoria, Handel, Mozart, Gluck and Wagner. On the wall between the ceilings of the main room and that of the back of the second floor of the same room, there are four more ceramic medallions, which synthesize the history of Catalan music: Joan Brudieu, Mateu Fletxa el Vell, Anselm Viola i Valentí, Domènec Terradellas and Josep Anselm Clavé.

Robert Hughes has noted how the non-soundproof glass walls of the palace impact the acoustics of the hall:

"...there was never a shortage of complaint about its acoustic conditions - which, since its glass walls carry music like drum skins, have always been awful."[6]

Remodeling and extension

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Between 1982 and 1989 parts of the building were restored to their original state, technically upgraded and expanded to allow additional uses. The new work did not compromise the decorative or structural integrity of the original building. Stone, brick, iron, glass, and ceramics were used in the same way that Domènech i Montaner used them. One of the most important expansions is the adjoining building of six stories that houses dressing rooms, a library, and an archive.

From 2006 to 2008, further restoration was carried out: the lantern on the top of the tower on the corner of the building was reinstalled, as were some ornamental features of the façade.

Petit Palau

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The new six-story tower, projected by Oscar Tusquets and officially opened in 1989, houses dressing rooms, a library, and archives.

Opened in 2004, the Petit Palau ("small palace") is 11 metres below the square that was created in the work of 1982-1989 between the palace and the neighbouring church. It has a seating capacity of 538 people and is equipped with variable acoustics for different types of music and spoken word. It also possesses the latest in audiovisual technology. Like the other additions, it was designed in the spirit of Domènech i Montaner. It is light and transparent like the palace proper, but at the same time it is modern in its great flexibility for different cultural, social, and business uses.

Appearances in film

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On 7 September 2018, the palace appeared in BBC TV's Release Date trailer for Season 11 of Doctor Who. The trailer shows Jodie Whittaker, as the first female Doctor, literally 'shattering the glass ceiling' of the palace's striking skylight.

Artistic history

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From the opening of the palace in 1908 special attention was given to the promotion of local composers and artists. After World War I the Orquestra Pau Casals performed at the palace, and among composers featured gave presentations of the music of Enrique Granados from 1921 onwards.[7] Pablo Casals and Alicia de Larrocha are among the many soloists and singers who have performed there.[6]

Premières performed

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As the main concert hall in the city, the palace has staged many world premières of musical compositions, including the following

  • 1908 Enric Granados' symphonic poem Dante.
  • 1911 Enric Granados' first book of his piano suite Goyescas and his Allegro de concierto and Cant de les estrelles (Song of the stars), for chorus and orchestra; Isaac Albéniz's Azulejos, prelude for piano finished by Enric Granados.
  • 1914 Enric Granados' Tonadillas en estilo antiguo, song cycle for voice and piano.
  • 1921 Eduard Toldrà's string quartett Vistes al mar (Sight to the sea) (31 May).
  • 1923 Joaquín Turina's Tres arias for soprano and piano.
  • 1925 Manuel de Falla's Psyché, and Frederic Mompou's Charmes, núm. 4-6.
  • 1926 Jaume Pahissa's Suite intertonal (October 26); Joaquín Turina's Dos canciones (October 29) for soprano and piano; Manuel de Falla's Harpsichord Concerto (November 5).
  • 1928 Eduard Toldrà's opera El giravolt de maig (The May sunflower); Frederic Mompou's Comptines, three songs for voice and piano; Joaquín Turina's Ritmos: fantasia coreográfica for orchestra (Rhythms: a choreographic fantasy) (October 23), and Evocaciones for piano (October 29).
  • 1929 Roberto Gerhard's Concertino for strings, Wind quintet, and other of the author's early works.
  • 1932 Manuel Blancafor]'s El rapte de les sabines (The Sabine women abduction) (other Blancafort's works were premiered here after: Ermita i panorama (Hermit and panorame) (1946), Concert omaggio a Franz Liszt (1944), Concert ibèric (Iberian concerto) (1950), Simfonia en mi (1951), Cantata Verge Maria (Virgin Mary cantata) (1968), Rapsòdia catalana (Catalan rhapsody) (1972), etc.)
  • 1936 Alban Berg's Violin concerto (April 19); Roberto Gerhard's suite from the ballet Ariel.
  • 1938 Roberto Gerhard's Albada, interludi i dansa (Sunrise, interlude and dance) (May 14)
  • 1940 Joaquín Rodrigo's Concierto de Aranjuez (November 9).
  • 1945 Xavier Montsalvatge's Cinco canciones negras (only the four first songs; the first performance of the five songs was given a few months after at the Ateneu Barcelonès); many other of the Montsalvatge's works have had their premieres at the palace.
  • 1946 Joaquín Rodrigo's Quatre cançons en llengua catalana (Four songs in Catalan language). and Tríptic de Mossèn Cinto (Jacint Verdaguer's triptych), both song cycles for soprano and orchestra.
  • 1948 Xavier Montsalvatge's Simfonia mediterrània (Mediterranean Symphony).
  • 1952 Frederic Mompou's Cantar del alma, choral version.
  • 1954 Salvador Bacarisse's 3rd Piano Concerto.
  • 1957 Salvador Espriu's play Primera història d'Esther.
  • 1959 Joaquín Nin-Culmell's ballet Don Juan.
  • 1960 Xavier Montsalvatge's Càntic espiritual.
  • 1961 Frederic Mompou's Variacions sobre un tema de Chopin for orchestra; Joan Brossa's play Or i sal.
  • 1963 Xavier Montsalvatge's Desintegració morfològica de la xacona de J. S. Bach (Morphological disintegration of J.S. Bach's chaconne); Josep Carner's play El Ben Cofat i l'altre.
  • 1966 Joaquin Homs' String quartet no. 6; other of Homs's works have had their premieres at the palace: Invention for orchestra (1965), Presències for orchestra (1970), Dos soliloquis (1976), Brief symphony (1978), Nonet (1979).
  • 1967 Cristòfol Taltabull's oratorio La Passió (Passion).
  • 1971 Krzystof Penderecki's Prélude for winds, percussion and double basses.
  • 1974 Josep Soler's opera-oratorio Oedipus et Iocasta (many of Soler's works were first performed at the palace); Cristóbal Halffter's Oración a Platero for choir and orchestra.
  • 1977 Joaquín Rodrigo's Sonata a la breve, for cello and piano.
  • 2017 Guido Lopez-Gavilan's Una Cancion de Amor (24 July), for choir (commissioned by the IFCM for the Ansan City Choir, on the occasion of the 11th World Symposium on Choral Music); Xavier Pages-Corella's Audito e un Canto (24 July), for choir (commissioned by the IFCM for The Rose Ensemble, on occasion of the 11th World Symposium on Choral Music); Jaakko Mantyjarvi's Juliet November Tango (27 July), for choir (commissioned by the IFCM for Elektra Women's Choir, on occasion of the 11th World Symposium on Choral Music).

See also

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References

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  1. ^ Andrew Ferren (2010-12-16). "Barcelona's Other Architect, Domènech". The New York Times. Retrieved 2020-12-22.
  2. ^ a b Benton, Tim. Modernismo in Catalonia In: Art Nouveau Architecture (Frank Russell, editor), New York: Arch Cape Press, 1986. ISBN 9780856701368.
  3. ^ Josep M. Carandell, Ricard Pla, and Pere Vivas, The Palau de la Música Catalana, Barcelona: Triangle Postals SL, ISBN 9788484782100 (2006).
  4. ^ Graham Keeley (2008-05-08). "Barcelona's rebel centenarian". The Guardian. Retrieved 2020-12-22.
  5. ^ Cazurra, Anna (2002). "The Symbolism of the Muses of the Palau de la Música Catalana". Music in Art: International Journal for Music Iconography. 27 (1–2): 116–126. ISSN 1522-7464.
  6. ^ a b Hughes, Robert, Barcelona. Alfred A. Knopf (New York), ISBN 0-394-58027-3, pp. 462-463 (1992).
  7. ^ Walter Aaron Clark Enrique Granados: Poet of the Piano 2005 "... arranged by Casals and programmed by him as director of the Orquestra Pau Casals in Barcelona during the years after Granados's death. The first such presentation took place on April 30, 1921 at the palace."

Works Cited

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