Yevgeny Leonov: Difference between revisions
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| caption = Postage stamp devoted to Leonov (2001) |
| caption = Postage stamp devoted to Leonov (2001) |
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| native_name = Евгений Леонов |
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| birth_name = Yevgeny Pavlovich Leonov |
| birth_name = Yevgeny Pavlovich Leonov |
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| birth_date = {{Birth date|df=yes|1926|09|02}} |
| birth_date = {{Birth date|df=yes|1926|09|02}} |
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| resting_place = [[Novodevichy Cemetery]], [[Moscow]] |
| resting_place = [[Novodevichy Cemetery]], [[Moscow]] |
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| native_name_lang = ru |
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| othername = |
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| alma_mater = [[Moscow Art Theatre]] |
| alma_mater = [[Moscow Art Theatre School]] |
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| occupation = Actor |
| occupation = Actor |
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| yearsactive = 1947–1994 |
| yearsactive = 1947–1994 |
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'''Yevgeny Pavlovich Leonov''' ({{ |
'''Yevgeny Pavlovich Leonov''' ({{langx|ru|link=no|Евгений Павлович Леонов}}; 2 September 1926 – 29 January 1994) was a [[Soviet Union|Soviet]] and [[Russia]]n actor who played main parts in several of the most famous [[Cinema of the Soviet Union|Soviet films]], such as ''[[Gentlemen of Fortune]]'', ''[[Mimino]]'' and ''[[Striped Trip]]''. Called "one of Russia's best-loved actors",<ref name="Death">''Death: Yevgeny Leonov.'' '''[[The Guardian]]''' (London). 23 February 1994.</ref> he also provided the voice for many Soviet cartoon characters, including ''Vinny Pukh'' (''[[Winnie-the-Pooh]]'').<ref>{{cite book|title=Historical Dictionary of Russian and Soviet Cinema|author=Peter Rollberg|publisher=Rowman & Littlefield|year=2009|place=US|isbn=978-0-8108-6072-8|pages=403–405}}</ref> |
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==Early life== |
==Early life== |
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While growing up in a typical Moscow family, he dreamed of becoming a war-plane [[aviator|pilot]], which was a very common desire of many boys of the World War II period. This is also often attributed to the fact that his father worked in an airplane factory. During the [[Eastern Front (World War II)|Great Patriotic War]] he and his whole family worked in a weapon manufacturing/aviation factory.<ref name="Russia"/> After the war, he joined the [[Moscow Art Theatre]] |
While growing up in a typical Moscow family, he dreamed of becoming a war-plane [[aviator|pilot]], which was a very common desire of many boys of the World War II period. This is also often attributed to the fact that his father worked in an airplane factory. During the [[Eastern Front (World War II)|Great Patriotic War]] he and his whole family worked in a weapon manufacturing/aviation factory.<ref name="Russia"/> After the war, he joined the [[Moscow Art Theatre School]], where he studied under [[Mikhail Yanshin]]. |
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==Career== |
==Career== |
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In 1993, a year before his death, Leonov was asked during a film festival "What years in the Russian theatre's life were the most productive?" Leonov replied: |
In 1993, a year before his death, Leonov was asked during a film festival "What years in the Russian theatre's life were the most productive?" Leonov replied: |
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{{cquote|Life has flown so quickly that it is hard to identify any one period. But I shall never forget the famous artists of past years, my teachers: Diky, Mikhail Chekhov, the young Simonov, Pevtsov, Rusinova, Vakhtangov, Gritsenko and Yakovlev. I saw the bloom of the Art Theatre. In 1941 I, then a boy, hanging somewhere on a chandelier, saw the ''Three Sisters'' where three beautiful women were dreaming about some new fine life. I shall never forget ''Anna Karenina'' with Tarasova. At that time people played cordiality, kindness, laughing through tears and leaving a bit of their heart on the stage. To achieve profundity, there is a need for skill, but skill comes solely through suffering. Once Pevtsov, sitting in a kitchen with Nikolai Simonov, told him: "Kolya, beware of indoor organics.' But now the very aesthetics have changed. "Indoor organics" have turned into art everywhere. And also, there is no literature. Last century forty writers overturned the world. Today there are hosts of them, but literature is no longer what it used to be. The theatre must stage Plays spelled with a capital letter. But we give preference to effective staging, forgetting all about feelings and passion – not necessarily loud passion. Passion can be quiet. At one theatre I was once told: "Leonov, come to work with us. We are rich and spend nearly all our time abroad." "Why, is your theatre so strong?" I asked. "No, our exchange is strong." The exchange trades in timber and joins the theatre carriage to its freight train. And as to the festival – may God permit it to take place. If money has been found.<ref>''This will be a fantastic show.'' KORNYEVA Irina, FUKS Olga. '''[[Moscow News]]''' (Russia). CULTURE; No. 19. 7 May 1993.</ref>}} |
{{cquote|Life has flown so quickly that it is hard to identify any one period. But I shall never forget the famous artists of past years, my teachers: Diky, Mikhail Chekhov, the young [[Nikolai Simonov|Simonov]], Pevtsov, Rusinova, [[Yevgeny Vakhtangov|Vakhtangov]], Gritsenko and Yakovlev. I saw the bloom of the Art Theatre. In 1941 I, then a boy, hanging somewhere on a chandelier, saw the ''Three Sisters'' where three beautiful women were dreaming about some new fine life. I shall never forget ''[[Anna Karenina (1953 film)|Anna Karenina]]'' with [[Alla Tarasova|Tarasova]]. At that time people played cordiality, kindness, laughing through tears and leaving a bit of their heart on the stage. To achieve profundity, there is a need for skill, but skill comes solely through suffering. Once Pevtsov, sitting in a kitchen with Nikolai Simonov, told him: "Kolya, beware of indoor organics.' But now the very aesthetics have changed. "Indoor organics" have turned into art everywhere. And also, there is no literature. Last century forty writers overturned the world. Today there are hosts of them, but literature is no longer what it used to be. The theatre must stage Plays spelled with a capital letter. But we give preference to effective staging, forgetting all about feelings and passion – not necessarily loud passion. Passion can be quiet. At one theatre I was once told: "Leonov, come to work with us. We are rich and spend nearly all our time abroad." "Why, is your theatre so strong?" I asked. "No, our exchange is strong." The exchange trades in timber and joins the theatre carriage to its freight train. And as to the festival – may God permit it to take place. If money has been found.<ref>''This will be a fantastic show.'' KORNYEVA Irina, FUKS Olga. '''[[Moscow News]]''' (Russia). CULTURE; No. 19. 7 May 1993.</ref>}} |
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Leonov died on 29 January 1994 on his way to the Lenkom Theatre to perform in ''The Prayer for the Dead'' (''A Memorial Prayer''<ref name="Russia"/>).<ref name="Death"/> When his death was announced in the auditorium, the audience spontaneously flooded into the church across the road and lit candles in mourning.<ref name="Death"/> Over half a million people turned out in freezing conditions for a procession to a memorial service.<ref name="Death"/> He is buried in [[Novodevichy Cemetery]] in Moscow near other outstanding figures of Russian culture.<ref>''Sviridov buried in Novodevichy cemetery in Moscow.'' Viktoria Dunayeva. '''[[ITAR-TASS|TASS]]''' 9 January 1998.</ref> |
Leonov died on 29 January 1994 on his way to the Lenkom Theatre to perform in ''The Prayer for the Dead'' (''A Memorial Prayer''<ref name="Russia"/>).<ref name="Death"/> When his death was announced in the auditorium, the audience spontaneously flooded into the church across the road and lit candles in mourning.<ref name="Death"/> Over half a million people turned out in freezing conditions for a procession to a memorial service.<ref name="Death"/> He is buried in [[Novodevichy Cemetery]] in Moscow near other outstanding figures of Russian culture.<ref>''Sviridov buried in Novodevichy cemetery in Moscow.'' Viktoria Dunayeva. '''[[ITAR-TASS|TASS]]''' 9 January 1998.</ref> |
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*''[[Snow tale (film)|Snow tale]]'' ''(Снежная сказка)'' (1959) as Old Year |
*''[[Snow tale (film)|Snow tale]]'' ''(Снежная сказка)'' (1959) as Old Year |
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*''[[Striped Trip]]'' ''(Полосатый рейс)'' (1961) as Gleb Shuleykin |
*''[[Striped Trip]]'' ''(Полосатый рейс)'' (1961) as Gleb Shuleykin |
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*''[[ |
*''[[Cherry Town]]'' ''(Черёмушки)'' (1962) as Barabashkin |
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*''[[Serf actress (film)|Serf actress]]'' ''(Крепостная актриса)'' (1963) as Count Ivan P. Kutaisov |
*''[[Serf actress (film)|Serf actress]]'' ''(Крепостная актриса)'' (1963) as Count Ivan P. Kutaisov |
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*''[[Short humoresques (film)|Short humoresques]]'' ''(Короткие истории)'' (1963, TV Movie) as client |
*''[[Short humoresques (film)|Short humoresques]]'' ''(Короткие истории)'' (1963, TV Movie) as client |
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*{{IMDb name|0503095}} |
*{{IMDb name|0503095}} |
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*[http://www.eugene-leonov.ru/ Website about Leonov] |
*[http://www.eugene-leonov.ru/ Website about Leonov] |
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{{Winnie-the-Pooh}} |
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{{Authority control}} |
{{Authority control}} |
Latest revision as of 06:14, 27 October 2024
Yevgeny Leonov | |
---|---|
Евгений Леонов | |
Born | Yevgeny Pavlovich Leonov 2 September 1926 |
Died | 29 January 1994 | (aged 67)
Resting place | Novodevichy Cemetery, Moscow |
Alma mater | Moscow Art Theatre School |
Occupation | Actor |
Years active | 1947–1994 |
Title | People's Artist of the USSR (1978) |
Spouse | Vanda Stoilova |
Children | Andrei Leonov |
Parent(s) | Pavel Vasilyevich Leonov Anna Ilyinichna Leonova |
Awards | Order of Lenin |
Yevgeny Pavlovich Leonov (Russian: Евгений Павлович Леонов; 2 September 1926 – 29 January 1994) was a Soviet and Russian actor who played main parts in several of the most famous Soviet films, such as Gentlemen of Fortune, Mimino and Striped Trip. Called "one of Russia's best-loved actors",[1] he also provided the voice for many Soviet cartoon characters, including Vinny Pukh (Winnie-the-Pooh).[2]
Early life
[edit]While growing up in a typical Moscow family, he dreamed of becoming a war-plane pilot, which was a very common desire of many boys of the World War II period. This is also often attributed to the fact that his father worked in an airplane factory. During the Great Patriotic War he and his whole family worked in a weapon manufacturing/aviation factory.[3] After the war, he joined the Moscow Art Theatre School, where he studied under Mikhail Yanshin.
Career
[edit]In his first film, Leonov was cast as an extra and did not receive any recognition. He later became Georgiy Daneliya's regular, appearing in all of his features, including Gentlemen of Fortune, Autumn Marathon, Mimino, Afonya and Kin-dza-dza!. According to the Allmovie, "his short, round stature, expressive eyes, broad and open face, slow movements, and slightly slurred speech made him ideal for the comic roles in which he specialized". But he also attracted critical notice for his tragic parts and the invariable naturalness of his acting. Many notable actors were said to avoid appearing in the same films with Leonov, for his natural manner of acting made them seem strained.
Despite Leonov's brief appearance in Daneliya's Autumn Marathon (1980) (one of his most popular films), the role won him the Best Actor at the Venice Film Festival. In Autumn Marathon, it is said, Leonov brilliantly demonstrates the typical Leonov anti-hero. He gave a hilarious portrayal of a simple, nosey man who drank too much and who adored nothing more than talking nonsense as long as anyone could stand it. Among the other films he was instrumental in raising to the classic level were Gentlemen of Fortune and Belorussian Station, both made in 1971.[3] Like all of Leonov's movies, they are frequently rerun on television. Reportedly, "Leonov was to Russians what Fernandel was to the French."[1] He performed over 200 roles and was the Russian cinema's best-known supporting actor.[1]
In 1991 (or in 1988[4][5][6]), when touring in Germany, he suffered a massive heart attack, which put him into a coma for 10 days (or 16 days[4][5][6]). His life was saved only after major surgery and Leonov recovered – only to begin a schedule of performances at the Lenkom Theatre.[1]
In 1993, a year before his death, Leonov was asked during a film festival "What years in the Russian theatre's life were the most productive?" Leonov replied:
Life has flown so quickly that it is hard to identify any one period. But I shall never forget the famous artists of past years, my teachers: Diky, Mikhail Chekhov, the young Simonov, Pevtsov, Rusinova, Vakhtangov, Gritsenko and Yakovlev. I saw the bloom of the Art Theatre. In 1941 I, then a boy, hanging somewhere on a chandelier, saw the Three Sisters where three beautiful women were dreaming about some new fine life. I shall never forget Anna Karenina with Tarasova. At that time people played cordiality, kindness, laughing through tears and leaving a bit of their heart on the stage. To achieve profundity, there is a need for skill, but skill comes solely through suffering. Once Pevtsov, sitting in a kitchen with Nikolai Simonov, told him: "Kolya, beware of indoor organics.' But now the very aesthetics have changed. "Indoor organics" have turned into art everywhere. And also, there is no literature. Last century forty writers overturned the world. Today there are hosts of them, but literature is no longer what it used to be. The theatre must stage Plays spelled with a capital letter. But we give preference to effective staging, forgetting all about feelings and passion – not necessarily loud passion. Passion can be quiet. At one theatre I was once told: "Leonov, come to work with us. We are rich and spend nearly all our time abroad." "Why, is your theatre so strong?" I asked. "No, our exchange is strong." The exchange trades in timber and joins the theatre carriage to its freight train. And as to the festival – may God permit it to take place. If money has been found.[7]
Leonov died on 29 January 1994 on his way to the Lenkom Theatre to perform in The Prayer for the Dead (A Memorial Prayer[3]).[1] When his death was announced in the auditorium, the audience spontaneously flooded into the church across the road and lit candles in mourning.[1] Over half a million people turned out in freezing conditions for a procession to a memorial service.[1] He is buried in Novodevichy Cemetery in Moscow near other outstanding figures of Russian culture.[8]
Filmography
[edit]- Actor
- Happy Flight (Счастливый рейс) (1949) as Firefighter (uncredited)
- Sporting Honour (Спортивная честь) (1951) as Waiter (uncredited)
- Submarine chaser (Морской охотник) (1954) as cook
- Road (Дорога) (1955) as driver Pasha Yeskov
- Criminal Case of Rumyantsev (Дело Румянцева) (1956) as driver Mikhail Snegiryov
- A Unique Spring (Неповторимая весна) (1957) as Alexey Koshelev
- The street is full of surprises (Улица полна неожиданностей) (1958) as Yevgeniy Pavlovich Serdyukov
- Difficult happiness (Трудное счастье) (1958) as Agathon
- Tale of newlyweds (Повесть о молодожёнах) (1959) as Fedor
- Ne imey 100 rubley... (Не имей сто рублей...) (1959) as Ivan S. Mukhin
- Povest o molodozhyonakh (1960) as Fedya
- Artwork (Произведение искусства) (196, Short) as Sasha Smirnov
- Snow tale (Снежная сказка) (1959) as Old Year
- Striped Trip (Полосатый рейс) (1961) as Gleb Shuleykin
- Cherry Town (Черёмушки) (1962) as Barabashkin
- Serf actress (Крепостная актриса) (1963) as Count Ivan P. Kutaisov
- Short humoresques (Короткие истории) (1963, TV Movie) as client
- Don Tale (Донская повесть) (1964) as Yakov Shibalok
- Thirty Three (Тридцать три) (1965) as Ivan S. Travkin
- Nad nami Yuzhnyy Krest (1965) as Disabled-seller in the market
- The Snow Queen (Снежная королева) (1967) as King Erik XXIX
- Parviyat kurier (1968) as Kritski
- Illusionist (Фокусник) (1968) as Stepan Nikolaevich Rossomakhin
- Do not be sad (Не горюй!) (1968) as soldier Yegor Zaletayev
- Zigzag udachi (Зигзаг удачи) (1968) as photographer Vladimir Oreshnikov
- Literature lesson (Урок литературы) (1968) as Pavel Vronsky, Nina's father
- Virineya (Виринея) (1969) as Michael
- Carrousel (Карусель) (1969, TV Series) as Ivan I. Nyukhin (voice)
- Tchaikovsky (Чайковский) (1970) as Alyosha
- Shine, shine, my star (Гори, гори, моя звезда) (1970) as Pasha, the master illusion
- Between high spikes (Меж высоких хлебов) (1970) as Pavlo Struchok
- Belorussian Station (Белорусский вокзал) (1971) as Ivan Prikhodko
- Gentlemen of Fortune (Джентльмены удачи) (1971) as Yevgeny Ivanovich Troshkin / Dotsent
- As Ilf and Petrov rode a tram (Ехали в трамвае Ильф и Петров) (1972) as Vitaly Kapitulov
- Big School-Break (Большая перемена) (1972, TV Mini-Series) as Lednyov
- Racers (Гонщики) (1973) as Ivan M. Kukushkin
- Hopelessly Lost (Совсем пропащий) (1973) as rogue nicknamed "The King"
- Under a stone sky (Под каменным небом) (1974) as Senior lieutenant Kravtsov
- Bonus (Премия) (1974) as Vasily T. Potapov
- Afonya (Афоня) (1975) as Kolya
- Circus in the Circus (Соло для слона с оркестром) (1975) as circus director Ivanov
- Step towards (Шаг навстречу) (1976) as Serafim Nikitich
- The Elder Son (Старший сын) (1976, TV Movie) as Andrei Grigorievich Sarafanov
- Legend about Till Eulenspiegel (Легенда о Тиле) (1977) as Lamme Goedzak
- Long criminal case (Длинное, длинное дело) (1977) as Mikhail P. Luzhin
- Mimino (Мимино) (1977) as Volokhov
- Funny people! (Смешные люди!) (1977) as chorister Aleksei Alekseyevich
- Marriage (Женитьба) (1978) as Baltazar Baltazarovich Zhevakin
- Chaperon (Дуэнья) (1978, TV Movie) as Don Izokelyo Mendoso
- An Ordinary Miracle (Обыкновенное чудо) (1978, TV Movie) as King
- And it's all about him (И это всё о нём) (1978) as Police Captain Aleksandr M. Prokhorov
- Autumn Marathon (Осенний марафон) (1979) as Vasily Ignatyevich Kharitonov, sosed Buzykina
- Faithfully (Верой и правдой) (1979) as Evgeny S. Bannikov
- Holidays in September (Отпуск в сентябре) (1979, TV Movie) as Vladimir Andreevich Kushak
- Borrowing Matchsticks (За спичками) (1980) as Antti Ihalainen
- Say a Word for the Poor Hussar (О бедном гусаре замолвите слово) (1981, TV Movie) as provincial actor Afanasy P. Bubentsov
- The House that Swift Built (Дом, который построил Свифт) (1982, TV Movie) as giant Glyum
- Tears Were Falling (Слёзы капали) (1983) as Pavel Ivanovich Vasin
- Unique (Уникум) (1983) as director
- Time and the Conways (Время и семья Конвей) (1984) as Alan Conway, twenty years later
- Kin-dza-dza! (Кин-дза-дза!) (1986) as Wef the Chatlanian, a wandering singer
- To Kill a Dragon (Убить Дракона) (1988) as burgomaster
- Passport (Паспорт) (1990) as official of Soviet Embassy in Austria
- Detective bureau "Felix" (Детективное агентство "Феликс") (1993) as uncle Vanya
- Amerikanskiy dedushka (Американский дедушка) (1993) as Gogolev
- Nastya (Настя) (1993) as Yakov Alekseyevich
- Voice actor
- Winnie-the-Pooh
- Winnie-the-Pooh Pays a Visit
- Winnie-the-Pooh and a Busy Day
- Vasilisa the Beautiful
- The Adventures of Lolo the Penguin
- Welcome
- Laughter and Grief by the White Sea
References
[edit]- ^ a b c d e f g Death: Yevgeny Leonov. The Guardian (London). 23 February 1994.
- ^ Peter Rollberg (2009). Historical Dictionary of Russian and Soviet Cinema. US: Rowman & Littlefield. pp. 403–405. ISBN 978-0-8108-6072-8.
- ^ a b c Russia Parts With a Comic Legend. John Freedman. The Moscow Times No. 392. 3 February 1994.
- ^ a b Леонов Евгений - Биография - Актеры советского и российского кино (in Russian)
- ^ a b Евгений Леонов (Evgeniy Leonov) - биография - советские актёры - Кино-Театр.РУ (in Russian)
- ^ a b Биография Евгения Леонова - РИА Новости, 02.09.2016 (in Russian)
- ^ This will be a fantastic show. KORNYEVA Irina, FUKS Olga. Moscow News (Russia). CULTURE; No. 19. 7 May 1993.
- ^ Sviridov buried in Novodevichy cemetery in Moscow. Viktoria Dunayeva. TASS 9 January 1998.
External links
[edit]- 1926 births
- 1994 deaths
- 20th-century Russian male actors
- Male actors from Moscow
- Communist Party of the Soviet Union members
- Honored Artists of the RSFSR
- People's Artists of the RSFSR
- People's Artists of the USSR
- Recipients of the Lenin Komsomol Prize
- Recipients of the Order of Lenin
- Recipients of the USSR State Prize
- Recipients of the Vasilyev Brothers State Prize of the RSFSR
- State Prize of the Russian Federation laureates
- Russian male film actors
- Russian male stage actors
- Russian male television actors
- Russian male voice actors
- Soviet male film actors
- Soviet male stage actors
- Soviet male television actors
- Soviet male voice actors
- Burials at Novodevichy Cemetery