Neon (company): Difference between revisions
→History: fmt |
Invert |
||
(21 intermediate revisions by 12 users not shown) | |||
Line 1: | Line 1: | ||
{{Short description|American independent film production and distribution company}} |
{{Short description|American independent film production and distribution company}} |
||
{{pp-sock|small=yes}} |
|||
⚫ | |||
{{Use |
{{Use American English|date=September 2024}} |
||
⚫ | |||
{{Infobox company |
{{Infobox company |
||
| name |
| name = NEON Rated, LLC |
||
| logo |
| logo = [[File:Neon (distributor) logo.svg|class=skin-invert|212px]] |
||
| trade_name |
| trade_name = Neon |
||
| type |
| type = [[Subsidiary]] |
||
| founder |
| founder = {{ubl|Tom Quinn|[[Tim League]]}} |
||
| area_served |
| area_served = Worldwide |
||
| key_people |
| key_people = {{ubl|Kim Kalyka (vice president)<ref name="LinkedIn">{{cite web |url=https://www.linkedin.com/company/neonrated?trk=similar-companies_org_image |title=Neon |publisher=[[LinkedIn]] |access-date=May 30, 2018}}</ref>|Christian Parkes (CMO)<ref name="LinkedIn"/>|Christina Zisa (EVP)<ref name="LinkedIn"/>}} |
||
| industry |
| industry = [[Film industry]] |
||
| revenue |
| revenue = |
||
| operating_income |
| operating_income = |
||
| net_income |
| net_income = |
||
| owner = |
|||
⚫ | |||
| owner = |
|||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
| num_employees = 52 (as of September 2024)<ref name="THR">{{cite web |url=https://www.hollywoodreporter.com/movies/movie-features/neon-rise-longlegs-parasite-rivalry-a24-1235990240/ |title=Behind Neon's Banner Year and Rivalry with A24 |last=McClintock |first=Pamela |work=[[The Hollywood Reporter]] |date=September 5, 2024 |access-date=September 6, 2024}}</ref> |
|||
⚫ | |||
⚫ | |||
| num_employees = 55 (as of March 2024)<ref>{{cite web |url=https://deadline.com/2024/03/box-office-ghostbusters-frozen-empire-1235865730/ |title='Ghostbusters: Frozen Empire' Still Looking to Bust Between $42M-$44M Opening – Saturday AM Box Office |last=D'Alessandro |first=Anthony |work=[[Deadline Hollywood]] |date=March 23, 2024 |access-date=March 25, 2024}}</ref> |
|||
⚫ | |||
⚫ | |||
⚫ | |||
* {{nowrap|BH Tilt (with [[Blumhouse Productions]])}} |
* {{nowrap|BH Tilt (with [[Blumhouse Productions]])}} |
||
* [[Decal (company)|Decal]] (with [[Bleecker Street (company)|Bleecker Street]])<ref name="Decal">{{cite web |url=https://deadline.com/2021/02/neon-bleecker-street-joint-home-entertainment-distribution-decal-1234692214/ |title=Neon & Bleecker Street Launch Joint Home Entertainment Distribution Company Decal |last=D'Alessandro |first=Anthony |work=[[Deadline Hollywood]] |date=February 11, 2021 |access-date=March 11, 2021 |archive-date=March 26, 2021 |archive-url=https://web.archive.org/web/20210326155456/https://deadline.com/2021/02/neon-bleecker-street-joint-home-entertainment-distribution-decal-1234692214/ |url-status=live}}</ref> |
* [[Decal (company)|Decal]] (with [[Bleecker Street (company)|Bleecker Street]])<ref name="Decal">{{cite web |url=https://deadline.com/2021/02/neon-bleecker-street-joint-home-entertainment-distribution-decal-1234692214/ |title=Neon & Bleecker Street Launch Joint Home Entertainment Distribution Company Decal |last=D'Alessandro |first=Anthony |work=[[Deadline Hollywood]] |date=February 11, 2021 |access-date=March 11, 2021 |archive-date=March 26, 2021 |archive-url=https://web.archive.org/web/20210326155456/https://deadline.com/2021/02/neon-bleecker-street-joint-home-entertainment-distribution-decal-1234692214/ |url-status=live}}</ref> |
||
* Super LTD |
* Super LTD |
||
}} |
}} |
||
| parent |
| parent = [[30West]]<ref name="30WEST">{{cite web |url=https://deadline.com/2017/09/dan-friedkin-micah-green-30west-clarify-company-role-1202162003/ |title=Dan Friedkin and Micah Green Name Venture: 30WEST |last=Fleming |first=Mike Jr. |work=[[Deadline Hollywood]] |date=September 5, 2017 |access-date=May 27, 2020 |archive-date=December 17, 2019 |archive-url=https://web.archive.org/web/20191217042045/https://deadline.com/2017/09/dan-friedkin-micah-green-30west-clarify-company-role-1202162003/ |url-status=live}}</ref> |
||
| foundation |
| foundation = {{Start date and age|2017|1|13}}<ref name="Launch">{{cite web |url=https://deadline.com/2017/01/tom-quinn-tim-league-launch-neon-distribution-company-sundance-film-festival-1201885413/ |title=Tom Quinn & Tim League Launch Distribution Shingle Neon for Sundance |last=Fleming |first=Mike Jr. |work=[[Deadline Hollywood]] |date=January 13, 2017 |access-date=April 16, 2020 |archive-date=February 5, 2020 |archive-url=https://web.archive.org/web/20200205200046/https://deadline.com/2017/01/tom-quinn-tim-league-launch-neon-distribution-company-sundance-film-festival-1201885413/ |url-status=live}}</ref> |
||
| homepage |
| homepage = {{url|https://neonrated.com}} |
||
}} |
}} |
||
'''NEON Rated, LLC''', [[trade name|doing business as]] '''Neon''' (stylized in [[all caps]]), is an American [[independent film]] [[Filmmaking#Production|production]] and [[film distribution|distribution]] company founded in 2017 by CEO Tom Quinn and [[Tim League]], who also was the co-founder of the [[Alamo Drafthouse Cinema]] chain.<ref name="Launch"/> As of 2019, League is no longer involved with daily operations for the company.<ref>{{cite news |url=https://www.nytimes.com/2019/11/27/business/media/parasite-movie-studio-neon.html |title='Parasite' Has Shocked the Box Office, Helped by an Upstart Studio |last=Sperling |first=Nicole |newspaper=[[The New York Times]] |date=November 27, 2019 |access-date=February 13, 2020 |url-access=registration |archive-date=February 11, 2020 |archive-url=https://web.archive.org/web/20200211205209/https://www.nytimes.com/2019/11/27/business/media/parasite-movie-studio-neon.html |url-status=live}}</ref> |
'''NEON Rated, LLC''', [[trade name|doing business as]] '''Neon''' (stylized in [[all caps]]), is an American [[independent film]] [[Filmmaking#Production|production]] and [[film distribution|distribution]] company founded in 2017 by CEO Tom Quinn and [[Tim League]], who also was the co-founder of the [[Alamo Drafthouse Cinema]] chain.<ref name="Launch"/> As of 2019, League is no longer involved with daily operations for the company.<ref>{{cite news |url=https://www.nytimes.com/2019/11/27/business/media/parasite-movie-studio-neon.html |title='Parasite' Has Shocked the Box Office, Helped by an Upstart Studio |last=Sperling |first=Nicole |newspaper=[[The New York Times]] |date=November 27, 2019 |access-date=February 13, 2020 |url-access=registration |archive-date=February 11, 2020 |archive-url=https://web.archive.org/web/20200211205209/https://www.nytimes.com/2019/11/27/business/media/parasite-movie-studio-neon.html |url-status=live}}</ref> |
||
Its first film, ''[[Colossal (film)|Colossal]]'', was released on April 7, 2017.<ref>{{cite web |url=https://deadline.com/2017/04/neon-colossal-stx-their-finest-specialty-box-office-1202066229/ |title=Neon's 'Colossal' Bows Big; STX's 'Their Finest' Solid – Specialty Box Office |last=Brooks |first=Brian |work=[[Deadline Hollywood]] |date=April 8, 2017 |access-date=March 25, 2023}}</ref> The company is best known for distributing such notable films as ''[[I, Tonya]]'' (2017), ''[[Three Identical Strangers]]'' (2018), ''[[Apollo 11 (2019 film)|Apollo 11]]'' (2019), ''[[Parasite (2019 film)|Parasite]]'' (2019), ''[[Portrait of a Lady on Fire]]'' (2019), ''[[Palm Springs (2020 film)|Palm Springs]]'' (2020), ''[[Possessor (film)|Possessor]]'' (2020), ''[[She Dies Tomorrow]]'' (2020), ''[[Flee (film)|Flee]]'' (2021), ''[[Spencer (film)|Spencer]]'' (2021), ''[[The Worst Person in the World (film)|The Worst Person in the World]]'' (2021), ''[[All the Beauty and the Bloodshed]]'' (2022), ''[[Fire of Love (2022 film)|Fire of Love]]'' (2022), ''[[Triangle of Sadness]]'' (2022), ''[[Anatomy of a Fall]]'' (2023), ''[[Ferrari (2023 film)|Ferrari]]'' (2023), ''[[How to Blow Up a Pipeline (film)|How to Blow Up a Pipeline]]'' (2023), ''[[Anora (film)|Anora]]'' (2024), ''[[Longlegs]]'' (2024), and ''[[The Seed of the Sacred Fig]]'' (2024).<ref>{{cite web |url=https://www.cbr.com/best-neon-films-palm-springs-to-parasite/ |title=The Best Neon Films, From 'Palm Springs' to 'Parasite' |last=Mendelsohn |first=Jon |work=[[Comic Book Resources|CBR]] |date=August 3, 2020 |access-date=March 25, 2023}}</ref><ref>{{cite web |url=https://decider.com/2020/02/14/best-neon-films-hulu/ |title=The 10 Best Neon Films to Stream on Hulu |last=Peters |first=Fletcher |work=[[New York Post#Decider|Decider]] |date=February 15, 2020 |access-date=March 25, 2023}}</ref><ref>{{cite web |url=https://collider.com/best-neon-movies-to-watch-now/ |title=From 'Parasite' to 'Portrait of a Lady on Fire': 10 Best Neon Movies to Watch Right Now |last=Gama |first=Daniela |work=[[Collider (website)|Collider]] |date=January 22, 2023 |access-date=March 25, 2023}}</ref><ref>{{cite web |url=https://movieweb.com/best-movies-made-by-neon-films/ |title=The 10 Best Movies Made by Neon Films |last=Bundela |first=Rudransh | |
Its first film, ''[[Colossal (film)|Colossal]]'', was released on April 7, 2017.<ref>{{cite web |url=https://deadline.com/2017/04/neon-colossal-stx-their-finest-specialty-box-office-1202066229/ |title=Neon's 'Colossal' Bows Big; STX's 'Their Finest' Solid – Specialty Box Office |last=Brooks |first=Brian |work=[[Deadline Hollywood]] |date=April 8, 2017 |access-date=March 25, 2023}}</ref> The company is best known for distributing such notable films as ''[[I, Tonya]]'' (2017), ''[[Three Identical Strangers]]'' (2018), ''[[Apollo 11 (2019 film)|Apollo 11]]'' (2019), ''[[Parasite (2019 film)|Parasite]]'' (2019), ''[[Portrait of a Lady on Fire]]'' (2019), ''[[Palm Springs (2020 film)|Palm Springs]]'' (2020), ''[[Possessor (film)|Possessor]]'' (2020), ''[[She Dies Tomorrow]]'' (2020), ''[[Flee (film)|Flee]]'' (2021), ''[[Spencer (film)|Spencer]]'' (2021), ''[[The Worst Person in the World (film)|The Worst Person in the World]]'' (2021), ''[[All the Beauty and the Bloodshed]]'' (2022), ''[[Fire of Love (2022 film)|Fire of Love]]'' (2022), ''[[Triangle of Sadness]]'' (2022), ''[[Anatomy of a Fall]]'' (2023), ''[[Ferrari (2023 film)|Ferrari]]'' (2023), ''[[How to Blow Up a Pipeline (film)|How to Blow Up a Pipeline]]'' (2023), ''[[Anora (film)|Anora]]'' (2024), ''[[Longlegs]]'' (2024), and ''[[The Seed of the Sacred Fig]]'' (2024).<ref>{{cite web |url=https://editorial.rottentomatoes.com/guide/neon-movies/ |title=All Neon Movies, Ranked by Tomatometer |publisher=[[Rotten Tomatoes]] |access-date=August 8, 2024}}</ref><ref>{{cite web |url=https://nypost.com/2019/12/27/the-best-movies-of-2019-parasite-1917-top-critics-lists/ |title=The Best Movies of 2019: 'Parasite', '1917' Top Critics' Lists |last1=Oleksinski |first1=Johnny |last2=Stewart |first2=Sara |work=[[New York Post]] |date=December 28, 2019 |access-date=March 25, 2023}}</ref><ref>{{cite web |url=https://www.cbr.com/best-neon-films-palm-springs-to-parasite/ |title=The Best Neon Films, From 'Palm Springs' to 'Parasite' |last=Mendelsohn |first=Jon |work=[[Comic Book Resources|CBR]] |date=August 3, 2020 |access-date=March 25, 2023}}</ref><ref>{{cite web |url=https://decider.com/2020/02/14/best-neon-films-hulu/ |title=The 10 Best Neon Films to Stream on Hulu |last=Peters |first=Fletcher |work=[[New York Post#Decider|Decider]] |date=February 15, 2020 |access-date=March 25, 2023}}</ref><ref>{{cite web |url=https://collider.com/best-neon-movies-to-watch-now/ |title=From 'Parasite' to 'Portrait of a Lady on Fire': 10 Best Neon Movies to Watch Right Now |last=Gama |first=Daniela |work=[[Collider (website)|Collider]] |date=January 22, 2023 |access-date=March 25, 2023}}</ref><ref>{{cite web |url=https://movieweb.com/best-movies-made-by-neon-films/ |title=The 10 Best Movies Made by Neon Films |last=Bundela |first=Rudransh |work=[[MovieWeb]] |date=January 5, 2024 |access-date=January 15, 2024}}</ref> |
||
Additionally, Neon has worked with several high-profile filmmakers, which includes the following:<!-- arranged in alphabetical order by last name; DO NOT CHANGE! --> [[Ali Abbasi (director)|Ali Abbasi]], [[Sean Baker (filmmaker)|Sean Baker]], [[Bong Joon-ho]], [[Brandon Cronenberg]], [[David Cronenberg]], [[Nia DaCosta]], [[Sara Dosa]], [[Julia Ducournau]], [[Craig Gillespie]], [[Reinaldo Marcus Green]], [[Hirokazu Kore-eda]], [[Harmony Korine]], [[Pablo Larraín]], [[Sam Levinson]], [[Michael Mann]], [[Todd Douglas Miller]], [[Brett Morgen]], [[Ruben Östlund]], [[Laura Poitras]], [[Jonas Poher Rasmussen]], [[Mohammad Rasoulof]], [[Michael Sarnoski]], [[Céline Sciamma]], [[Joachim Trier]], [[Justine Triet]], and [[Nacho Vigalondo]].<ref>{{cite web |url=https://collider.com/colossal-nacho-vigalondo-interview/ |title='Colossal' Director Nacho Vigalondo on How He Made His |
''Parasite'' went on to become Neon's highest-grossing film at the worldwide [[box office]] with $262 million and the first non-English-language film to win the [[Academy Award for Best Picture]] in February 2020.<ref name="Parasite">{{cite web |url=https://www.hollywoodreporter.com/movies/movie-news/box-office-parasite-heads-huge-50m-us-oscar-win-1279671/ |title=Box Office: 'Parasite' Heads for Huge $50M-Plus in U.S. After Historic Oscar Win |last=McClintock |first=Pamela |work=[[The Hollywood Reporter]] |date=February 18, 2020 |access-date=February 18, 2020}}</ref> In 2024, ''Longlegs'' surpassed ''Parasite''{{'}}s domestic box office gross ($53.3 million), with a cume of $58.6 million in its third weekend, becoming the indie distributor's highest-grossing film ever in North America.<ref name="Box Office">{{cite web |url=https://deadline.com/2024/07/indie-film-box-office-longlegs-neon-didi-the-fabulous-four-1236025156/ |title=It's Official, 'Longlegs' is Neon's Top Grossing Film Ever; Sean Wang's 'Didi' Sees Nice Open in Limited Release – Specialty Box Office |last=Goldsmith |first=Jill |work=[[Deadline Hollywood]] |date=July 28, 2024 |access-date=July 28, 2024}}</ref> |
||
Additionally, Neon has worked with several high-profile filmmakers, which includes the following:<!-- arranged in alphabetical order by last name; DO NOT CHANGE! --> [[Ali Abbasi (director)|Ali Abbasi]], [[Sean Baker (filmmaker)|Sean Baker]], [[Bong Joon-ho]], [[Brandon Cronenberg]], [[David Cronenberg]], [[Nia DaCosta]], [[Sara Dosa]], [[Julia Ducournau]], [[Craig Gillespie]], [[Reinaldo Marcus Green]], [[Hirokazu Kore-eda]], [[Harmony Korine]], [[Pablo Larraín]], [[Sam Levinson]], [[Michael Mann]], [[Todd Douglas Miller]], [[Brett Morgen]], [[Ruben Östlund]], [[Laura Poitras]], [[Jonas Poher Rasmussen]], [[Mohammad Rasoulof]], [[Michael Sarnoski]], [[Céline Sciamma]], [[Joachim Trier]], [[Justine Triet]], and [[Nacho Vigalondo]].<ref>{{cite web |url=https://collider.com/colossal-nacho-vigalondo-interview/ |title='Colossal' Director Nacho Vigalondo on How He Made His 'Silly' Monster Movie |last=Weintraub |first=Steve |work=[[Collider (website)|Collider]] |date=September 16, 2016 |access-date=April 25, 2023}}</ref><ref>{{cite web |url=https://collider.com/i-tonya-craig-gillespie-interview/ |title='I, Tonya' Director Craig Gillespie on Tackling a Story You Think You Know |last=Weintraub |first=Steve |work=[[Collider (website)|Collider]] |date=September 15, 2017 |access-date=April 25, 2023}}</ref><ref>{{cite web |url=https://variety.com/2020/film/news/parasite-bong-joon-ho-neon-oscars-1203504348/ |title='Parasite' Oscar Win Leaves Hollywood Desperate to Work with Bong Joon Ho and Neon |last1=Lang |first1=Brent |last2=Kroll |first2=Justin |work=[[Variety (magazine)|Variety]] |date=February 15, 2020 |access-date=April 25, 2023}}</ref><ref>{{cite web |url=https://deadline.com/2021/08/how-tom-quinn-indie-label-neon-shining-bright-with-pandemic-proof-business-model-1234820754/ |title=How Tom Quinn's Indie Label Neon is Shining Bright with Its Pandemic-Proof Business Model |last=Lodderhose |first=Diana |work=[[Deadline Hollywood]] |date=August 25, 2021 |access-date=March 25, 2023}}</ref><ref>{{cite web |url=https://www.vanityfair.com/hollywood/2021/09/awards-insider-neon-at-telluride-awards-spencer-oscars |title=How Neon, the Company Behind ''Parasite'', Is Preparing for Its Next Big Awards Season |last=Ford |first=Rebecca |work=[[Vanity Fair (magazine)|Vanity Fair]] |date=September 8, 2021 |access-date=April 25, 2023 |url-access=limited}}</ref><ref>{{cite web |url=https://collider.com/celine-sciamma-petite-maman-why-its-good/ |title=How Céline Sciamma's 'Petite Maman' Captures the Sublime Sweetness and Tragic Loss of Youth |last=Hutchinson |first=Chase |work=[[Collider (website)|Collider]] |date=April 22, 2022 |access-date=April 25, 2023}}</ref> |
|||
==History== |
==History== |
||
During the 4th Annual Zurich Summit, Tom Quinn commented on Neon's intent to release titles that appeal to audiences who "skew under 45, that have no aversion to [[violence]], no aversion to [[foreign language]] and to [[non-fiction]]".<ref>{{cite web |url=https://www.screendaily.com/news/-how-new-us-distribution-outfit-neon-is-chasing-younger-audiences/5122827.article |title=How new US distribution outfit Neon is chasing younger audiences |last=MacNab |first=Geoffrey |work=[[Screen International#Screen Daily|Screen Daily]] |date=October 1, 2017 |access-date=April 18, 2018 |archive-date=June 15, 2018 |archive-url=https://web.archive.org/web/20180615004430/https://www.screendaily.com/news/-how-new-us-distribution-outfit-neon-is-chasing-younger-audiences/5122827.article |url-status=live}}</ref> In September 2017, the company partnered with [[Blumhouse Productions]] to manage BH Tilt.<ref>{{cite web |url=https://variety.com/2017/film/news/blumhouse-bh-tilt-neon-1202550069/ |title=Blumhouse Partners with Neon to Manage BH Tilt Label |last=McNary |first=Dave |author-link=Dave McNary |work=[[Variety (magazine)|Variety]] |date=September 7, 2017 |access-date=June 19, 2018 |archive-date=June 12, 2018 |archive-url=https://web.archive.org/web/20180612184538/https://variety.com/2017/film/news/blumhouse-bh-tilt-neon-1202550069/ |url-status=live}}</ref> In 2019, a majority stake of Neon was sold to [[30West]], the media venture arm of "The Friedkin Group".<ref name="30WEST"/><ref>{{cite web |url=https://deadline.com/2018/05/neon-tom-quinn-disruptors-commentary-news-1202382220/ |title=Why Neon is the Hot New Distributor in Town |
During the 4th Annual Zurich Summit, Tom Quinn commented on Neon's intent to release titles that appeal to audiences who "skew under 45, that have no aversion to [[violence]], no aversion to [[foreign language]] and to [[non-fiction]]".<ref>{{cite web |url=https://www.screendaily.com/news/-how-new-us-distribution-outfit-neon-is-chasing-younger-audiences/5122827.article |title=How new US distribution outfit Neon is chasing younger audiences |last=MacNab |first=Geoffrey |work=[[Screen International#Screen Daily|Screen Daily]] |date=October 1, 2017 |access-date=April 18, 2018 |archive-date=June 15, 2018 |archive-url=https://web.archive.org/web/20180615004430/https://www.screendaily.com/news/-how-new-us-distribution-outfit-neon-is-chasing-younger-audiences/5122827.article |url-status=live}}</ref> Explaining the success of the company in 2024, Quinn said: "We were very much a startup, with everyone functioning as this sophisticated amoeba. We very quickly found ourselves that year in [[Toronto International Film Festival|Toronto]] with a great slate ... That work enabled us to sit at the table in Toronto that year and buy ''[[I, Tonya]]''. Before the ink was even dry on the deal, we were planning its Oscar campaign. It's a testament to how quickly we can make decisions because we're not this big studio. We've always used that to our advantage."<ref name="THR"/> |
||
In September 2017, the company partnered with [[Blumhouse Productions]] to manage BH Tilt.<ref>{{cite web |url=https://variety.com/2017/film/news/blumhouse-bh-tilt-neon-1202550069/ |title=Blumhouse Partners with Neon to Manage BH Tilt Label |last=McNary |first=Dave |author-link=Dave McNary |work=[[Variety (magazine)|Variety]] |date=September 7, 2017 |access-date=June 19, 2018 |archive-date=June 12, 2018 |archive-url=https://web.archive.org/web/20180612184538/https://variety.com/2017/film/news/blumhouse-bh-tilt-neon-1202550069/ |url-status=live}}</ref> In 2019, a majority stake of Neon was sold to [[30West]], the media venture arm of "The Friedkin Group".<ref name="30WEST"/><ref>{{cite web |url=https://deadline.com/2018/05/neon-tom-quinn-disruptors-commentary-news-1202382220/ |title=Why Neon is the Hot New Distributor in Town – Deadline Disruptors |last=Fleming |first=Mike Jr. |work=[[Deadline Hollywood]] |date=May 13, 2018 |access-date=April 16, 2020 |archive-date=February 28, 2020 |archive-url=https://web.archive.org/web/20200228010434/https://deadline.com/2018/05/neon-tom-quinn-disruptors-commentary-news-1202382220/ |url-status=live}}</ref> |
|||
In February 2021, [[Bleecker Street (company)|Bleecker Street]] partnered with Neon to launch the joint home entertainment distribution company [[Decal (company)|Decal]], which is a standalone full-service operation that handles distribution |
In February 2021, [[Bleecker Street (company)|Bleecker Street]] partnered with Neon to launch the joint home entertainment distribution company [[Decal (company)|Decal]], which is a standalone full-service operation that handles [[distribution deal]]s on the home entertainment rights to both Neon and Bleecker Street's features. The first film to be distributed through Decal was the Bleecker Street release ''[[Supernova (2020 film)|Supernova]]'' in winter 2021.<ref name="Decal"/> Additionally, Decal acquired North American distribution rights to the [[South Africa]]n [[horror film]] ''[[Gaia (film)|Gaia]]'' for a summer [[Wide release|theatrical release]], marking their first ever acquisition.<ref>{{cite web |url=https://deadline.com/2021/03/decal-acquires-gaia-jaco-bouwer-sxsw-1234707890/ |title=Decal Picks Up Horror Thriller 'Gaia' Ahead of SXSW Debut |last=N'Duka |first=Amanda |work=[[Deadline Hollywood]] |date=March 5, 2021 |access-date=March 12, 2021 |archive-date=March 10, 2021 |archive-url=https://web.archive.org/web/20210310125839/https://deadline.com/2021/03/decal-acquires-gaia-jaco-bouwer-sxsw-1234707890/ |url-status=live}}</ref> |
||
Andrew Brown (Co-President of Decal) oversaw the launch of Neon's home entertainment division. In 2022, Brown was promoted to "President of Digital Distribution". The exec, who has served as "SVP of Digital Strategy, Marketing, and Distribution" for Neon since 2017, also manages Neon's library, and oversees the annual [[For Your Consideration (advertising)|FYC DVD Box Set]] and direct-to-consumer digital portal "Neon Cinema".<ref>{{cite web |url=https://deadline.com/2022/11/neon-ups-andrew-brown-to-president-of-digital-distribution-1235182834/ |title=Neon Ups Andrew Brown to President of Digital Distribution |last=Grobar |first=Matt |work=[[Deadline Hollywood]] |date=November 28, 2022 |access-date=April 3, 2023}}</ref> Prior to the joint-venture, [[Universal Pictures Home Entertainment]], as well as [[The Criterion Collection]] and [[Well Go USA Entertainment]] (for the film ''[[Possessor (film)|Possessor]]'' which Neon and Well Go co-distributed), distributed several Neon films on [[home video]].<ref>{{cite web |url=https://collider.com/neon-criterion-collection-films-triangle-of-sadness-moonage-daydream/ |title=Five Neon Films including 'Triangle of Sadness' & 'Moonage Daydream' Join The Criterion Collection |last=O'Rourke |first=Ryan |work=[[Collider (website)|Collider]] |date=January 13, 2023 |access-date=January 15, 2024}}</ref><ref>{{cite web |url=https://variety.com/2020/film/news/andrea-riseborough-movie-possessor-neon-1203547063/ |title=Andrea Riseborough's Sci-Fi Thriller 'Possessor' Nabbed by Neon |last=McNary |first=Dave |author-link=Dave McNary |work=[[Variety (magazine)|Variety]] |date=March 27, 2020 |access-date=January 15, 2024}}</ref><ref>{{cite web |url=https://www.slashfilm.com/1167328/petite-maman-moonage-daydream-triangle-of-sadness-and-more-neon-films-have-joined-the-criterion-collection/ |title='Petite Maman', 'Moonage Daydream', 'Triangle of Sadness', and More Neon Films Have Joined The Criterion Collection |last=Colangelo |first=BJ |work=[[/Film]] |date=January 13, 2023 |access-date=January 15, 2024}}</ref> |
Andrew Brown (Co-President of Decal) oversaw the launch of Neon's home entertainment division. In 2022, Brown was promoted to "President of Digital Distribution". The exec, who has served as "SVP of Digital Strategy, Marketing, and Distribution" for Neon since 2017, also manages Neon's library, and oversees the annual [[For Your Consideration (advertising)|FYC DVD Box Set]] and [[direct-to-consumer]] digital portal "Neon Cinema".<ref>{{cite web |url=https://deadline.com/2022/11/neon-ups-andrew-brown-to-president-of-digital-distribution-1235182834/ |title=Neon Ups Andrew Brown to President of Digital Distribution |last=Grobar |first=Matt |work=[[Deadline Hollywood]] |date=November 28, 2022 |access-date=April 3, 2023}}</ref> Prior to the joint-venture, [[Universal Pictures Home Entertainment]], as well as [[The Criterion Collection]] and [[Well Go USA Entertainment]] (for the film ''[[Possessor (film)|Possessor]]'' which Neon and Well Go co-distributed), distributed several Neon films on [[home video]].<ref>{{cite web |url=https://collider.com/neon-criterion-collection-films-triangle-of-sadness-moonage-daydream/ |title=Five Neon Films including 'Triangle of Sadness' & 'Moonage Daydream' Join The Criterion Collection |last=O'Rourke |first=Ryan |work=[[Collider (website)|Collider]] |date=January 13, 2023 |access-date=January 15, 2024}}</ref><ref>{{cite web |url=https://variety.com/2020/film/news/andrea-riseborough-movie-possessor-neon-1203547063/ |title=Andrea Riseborough's Sci-Fi Thriller 'Possessor' Nabbed by Neon |last=McNary |first=Dave |author-link=Dave McNary |work=[[Variety (magazine)|Variety]] |date=March 27, 2020 |access-date=January 15, 2024}}</ref><ref>{{cite web |url=https://www.slashfilm.com/1167328/petite-maman-moonage-daydream-triangle-of-sadness-and-more-neon-films-have-joined-the-criterion-collection/ |title='Petite Maman', 'Moonage Daydream', 'Triangle of Sadness', and More Neon Films Have Joined The Criterion Collection |last=Colangelo |first=BJ |work=[[/Film]] |date=January 13, 2023 |access-date=January 15, 2024}}</ref> |
||
In August 2023, Neon hired former [[A24]] employees Alexandra Altschuler as "VP Media" and Don Wilcox as "VP Marketing".<ref>{{cite web |url=https://deadline.com/2023/08/neon-alexandra-altschuler-don-wilcox-a24-1235521698/ |title=Neon Hires Marketing Execs Alexandra Altschuler & Don Wilcox |last=D'Alessandro |first=Anthony |work=[[Deadline Hollywood]] |date=August 18, 2023 |access-date=August 18, 2023}}</ref> That same month, Neon hired former Sierra/Affinity employee Kristen Figeroid as "President of International Sales and Distribution", Laurel Charnetsky as "VP International Acquisitions & Operations", and Dan Stadnicki as "Manager, International Sales & Distribution".<ref>{{cite web |url=https://deadline.com/2023/08/neon-kristen-figeroid-hire-1235530410/ |title=Kristen Figeroid Joins Neon as President of International Sales & Distribution |last=D'Alessandro |first=Anthony |work=[[Deadline Hollywood]] |date=August 30, 2023 |access-date=August 31, 2023}}</ref> |
In August 2023, Neon hired former [[A24]] employees Alexandra Altschuler as "VP Media" and Don Wilcox as "VP Marketing".<ref>{{cite web |url=https://deadline.com/2023/08/neon-alexandra-altschuler-don-wilcox-a24-1235521698/ |title=Neon Hires Marketing Execs Alexandra Altschuler & Don Wilcox |last=D'Alessandro |first=Anthony |work=[[Deadline Hollywood]] |date=August 18, 2023 |access-date=August 18, 2023}}</ref> That same month, Neon hired former Sierra/Affinity employee Kristen Figeroid as "President of International Sales and Distribution", Laurel Charnetsky as "VP International Acquisitions & Operations", and Dan Stadnicki as "Manager, International Sales & Distribution".<ref>{{cite web |url=https://deadline.com/2023/08/neon-kristen-figeroid-hire-1235530410/ |title=Kristen Figeroid Joins Neon as President of International Sales & Distribution |last=D'Alessandro |first=Anthony |work=[[Deadline Hollywood]] |date=August 30, 2023 |access-date=August 31, 2023}}</ref> |
||
Line 47: | Line 52: | ||
During the [[2023 Hollywood labor disputes]], which took place from May 2 to November 9, Neon was approved to continue promotional activities for its films, since the company does not have ties to the [[Alliance of Motion Picture and Television Producers]] (AMPTP) nor had encountered any issue in receiving [[SAG-AFTRA]] interim agreements.<ref>{{cite web |url=https://deadline.com/2023/08/ferrari-sag-aftra-waiver-adam-driver-penelope-cruz-1235459750/ |title=Michael Mann's 'Ferrari' Secures SAG-AFTRA Interim Agreement; Will Adam Driver, Penélope Cruz Promote Pic at Venice? |last1=Grobar |first1=Matt |last2=D'Alessandro |first2=Anthony |work=[[Deadline Hollywood]] |date=August 11, 2023 |access-date=September 11, 2023}}</ref><ref>{{cite web |url=https://www.gq.com/story/ferrari-movie-premiere-adam-driver-michael-mann-patrick-dempsey-sag-aftra-strike-neon |title=How Are These Celebs on a Red Carpet Right Now with the Strike? |last=Rindner |first=Grant |work=[[GQ]] |date=August 31, 2023 |access-date=September 11, 2023}}</ref><ref>{{cite web |url=https://variety.com/vip/neon-regain-glow-strikes-ferrari-1235721437/ |title=Distributor Neon Poised to Regain Its Glow Thanks to Strikes |last=Eriksen |first=Kaare |work=[[Variety (magazine)|Variety]] VIP+ |date=September 13, 2023 |access-date=September 15, 2023 |url-access=registration}}</ref> |
During the [[2023 Hollywood labor disputes]], which took place from May 2 to November 9, Neon was approved to continue promotional activities for its films, since the company does not have ties to the [[Alliance of Motion Picture and Television Producers]] (AMPTP) nor had encountered any issue in receiving [[SAG-AFTRA]] interim agreements.<ref>{{cite web |url=https://deadline.com/2023/08/ferrari-sag-aftra-waiver-adam-driver-penelope-cruz-1235459750/ |title=Michael Mann's 'Ferrari' Secures SAG-AFTRA Interim Agreement; Will Adam Driver, Penélope Cruz Promote Pic at Venice? |last1=Grobar |first1=Matt |last2=D'Alessandro |first2=Anthony |work=[[Deadline Hollywood]] |date=August 11, 2023 |access-date=September 11, 2023}}</ref><ref>{{cite web |url=https://www.gq.com/story/ferrari-movie-premiere-adam-driver-michael-mann-patrick-dempsey-sag-aftra-strike-neon |title=How Are These Celebs on a Red Carpet Right Now with the Strike? |last=Rindner |first=Grant |work=[[GQ]] |date=August 31, 2023 |access-date=September 11, 2023}}</ref><ref>{{cite web |url=https://variety.com/vip/neon-regain-glow-strikes-ferrari-1235721437/ |title=Distributor Neon Poised to Regain Its Glow Thanks to Strikes |last=Eriksen |first=Kaare |work=[[Variety (magazine)|Variety]] VIP+ |date=September 13, 2023 |access-date=September 15, 2023 |url-access=registration}}</ref> |
||
In May 2024, Neon hired marketing and publicity veteran Joey Monteiro as "EVP, International Marketing" and Ashley Hirsch as "Manager of International Sales and Marketing".<ref>{{cite web |url=https://deadline.com/2024/05/neon-hires-joey-monteiro-as-evp-of-international-marketing-ashley-hirsch-1235900996/ |title=Neon Hires Joey Monteiro as EVP of International Marketing |last=Lodderhose |first=Diana |work=[[Deadline Hollywood]] |date=May 1, 2024 |access-date=May 3, 2024}}</ref> That same month, Neon promoted Elissa Federoff from "President of Distribution" to "Chief Distribution Officer" and Ryan Friscia from "EVP, Finance and Business Development" to "Chief Financial Officer".<ref>{{cite web |url=https://deadline.com/2024/05/neon-promotes-elissa-federoff-chief-distribution-officer-ryan-friscia-chief-financial-officer-1235917172/ |title=Neon Promotes Elissa Federoff to Chief Distribution Officer & Ryan Friscia to CFO |last=Lodderhose |first=Diana |work=[[Deadline Hollywood]] |date=May 15, 2024 |access-date=May 15, 2024}}</ref> |
In May 2024, Neon hired marketing and publicity veteran Joey Monteiro as "EVP, International Marketing" and Ashley Hirsch as "Manager of International Sales and Marketing".<ref>{{cite web |url=https://deadline.com/2024/05/neon-hires-joey-monteiro-as-evp-of-international-marketing-ashley-hirsch-1235900996/ |title=Neon Hires Joey Monteiro as EVP of International Marketing |last=Lodderhose |first=Diana |work=[[Deadline Hollywood]] |date=May 1, 2024 |access-date=May 3, 2024}}</ref> That same month, Neon promoted Elissa Federoff from "President of Distribution" to "Chief Distribution Officer" and Ryan Friscia from "EVP, Finance and Business Development" to "Chief Financial Officer".<ref>{{cite web |url=https://deadline.com/2024/05/neon-promotes-elissa-federoff-chief-distribution-officer-ryan-friscia-chief-financial-officer-1235917172/ |title=Neon Promotes Elissa Federoff to Chief Distribution Officer & Ryan Friscia to CFO |last=Lodderhose |first=Diana |work=[[Deadline Hollywood]] |date=May 15, 2024 |access-date=May 15, 2024}}</ref> Additionally, Jeff Deutchman, who joined Neon when it was launched, serves as "President of Acquisitions and Production".<ref name="Deutchman">{{cite web |url=https://www.screendaily.com/features/the-palme-dor-whisperer-neons-jeff-deutchman-on-the-companys-cannes-strategy/5193725.article |title=The Palme d'Or Whisperer: Neon's Jeff Deutchman on the company's Cannes strategy |last=Kay |first=Jeremy |work=[[Screen International#Screen Daily|Screen Daily]] |date=May 18, 2024 |access-date=July 13, 2024}}</ref> |
||
Additionally, Neon has acquired the distribution rights to five [[Palme d'Or]] winners at the [[Cannes Film Festival]]: ''[[Parasite (2019 film)|Parasite]]'' (2019), ''[[Titane]]'' (2021), ''[[Triangle of Sadness]]'' (2022), ''[[Anatomy of a Fall]]'' (2023), and ''[[Anora (film)|Anora]]'' (2024); all five won consecutively.<ref |
Additionally, Neon has acquired the distribution rights to five [[Palme d'Or]] winners at the [[Cannes Film Festival]]: ''[[Parasite (2019 film)|Parasite]]'' (2019), ''[[Titane]]'' (2021), ''[[Triangle of Sadness]]'' (2022), ''[[Anatomy of a Fall]]'' (2023), and ''[[Anora (film)|Anora]]'' (2024); all five won consecutively.<ref name="Deutchman"/><ref>{{cite web |url=https://deadline.com/2024/05/anora-palme-dor-cannes-sean-baker-neon-five-in-row-1235941184/ |title=Fantastic Five! Neon Makes It Five Palme d'Or Winners in a Row as 'Anora' Scoops Cannes Top Prize |last=Wiseman |first=Andreas |work=[[Deadline Hollywood]] |date=May 25, 2024 |access-date=May 25, 2024}}</ref><ref>{{cite web |url=https://thedecisionmagazine.com/culture/cannes-the-neon-film-festival/ |title=Cannes, the Neon Film Festival |work=The Decision Magazine |date=May 31, 2024 |access-date=July 13, 2024}}</ref> The company's strategy to acquire such titles at Cannes is to eschew "the lazy approach", said Deutchman. "The only real way to do Cannes is to go see as many movies as you can, because you never know where the next ''[[Dogtooth (film)|Dogtooth]]'' or ''[[Border (2018 Swedish film)|Border]]'' or ''[[Hunger (2008 film)|Hunger]]'' or ''[[Force Majeure (film)|Force Majeure]]'' is going to come from", he added, citing several modern Cannes standouts championed by arthouse buyers.<ref name="Deutchman"/> After acquiring ''Parasite'' in 2018, Neon financed and distributed the film the following year in U.S. territories.<ref>{{cite web |url=https://deadline.com/2018/10/parasite-bong-joon-ho-movie-release-date-neon-deal-1202493029/ |title=Bong Joon-Ho's 'Parasite' Lands U.S. Deal with Neon – AFM |last=Hipes |first=Patrick |work=[[Deadline Hollywood]] |date=October 31, 2018 |access-date=October 31, 2018}}</ref> "From the very beginning, Tom Quinn saw ''Parasite'' as a universal film and refused to put it in a box as a foreign-language or international film", said ''Parasite'' director [[Bong Joon-ho]]. "He saw the heart of the film and understood that it was about all of us living in our modern class-based society. I was always grateful for that."<ref name="THR"/> The film subsequently became Neon's highest-grossing film with more than $200 million at the worldwide [[box office]] and won four [[Academy Awards]], including [[Academy Award for Best Picture|Best Picture]] and [[Academy Award for Best Director|Best Director]]; ''Anatomy of a Fall'' and ''Triangle of Sadness'' were also nominated for the two aforementioned Academy Awards.<ref name="Parasite"/><ref>{{cite web |url=https://www.indiewire.com/features/general/parasite-neon-foreign-language-films-box-office-1202203641/ |title=How 'Parasite' Changed What Foreign-Language Films Can Do at the Box Office |last=Brueggemann |first=Tom |work=[[IndieWire]] |date=January 18, 2020 |access-date=January 18, 2020}}</ref><ref name="Best Picture">{{cite magazine |url=https://time.com/5779940/parasite-best-picture-oscars/ |title='Parasite's' Best Picture Oscar is Historic. Is This the Beginning of a New Era in Film? |last=Chow |first=Andrew R. |magazine=[[Time (magazine)|Time]] |date=February 10, 2020 |access-date=February 10, 2020}}</ref><ref>{{cite web |url=https://www.vulture.com/article/neon-anatomy-of-a-fall-2024-oscars.html |title=Why Neon is Pushing 'Anatomy of a Fall' at the 2024 Oscars |last=Lee |first=Chris |work=[[Vulture (website)|Vulture]] |date=March 6, 2024 |access-date=July 30, 2024 |url-access=limited}}</ref><ref name="Oscars">{{cite web |url=https://collider.com/neon-movies-nominated-oscars/ |title=Every Neon Movie Nominated for an Oscar |last=James |first=Devon |work=[[Collider (website)|Collider]] |date=February 28, 2024 |access-date=May 22, 2024}}</ref> As of January 2024, Neon has garnered 32 Academy Award nominations, winning six overall.<ref name="THR"/><ref name="Best Picture"/><ref name="Oscars"/> |
||
In 2023, Quinn commented on the company's success at Cannes, saying: "We've seen over the years that each of these films, because of their credibility and success, the Palme d'Or has come to mean something quite impactful for a very young group of [[Cinephilia|cinephiles]]. And the reason why we know this is we've tested all these movies and dating back to ''Parasite'', probably I think, the fifth reason why people came to see the film, in its [[test screening]] in [[Sherman Oaks, Los Angeles|Sherman Oaks]], was the fact that it won the Palme d'Or, and each subsequent year that went up. And this year, the number one reason why people came to see the film [''Anatomy of a Fall''], at a test screening in [[Burbank, California|Burbank]], was the fact that it had won the Palme d'Or."<ref>{{cite web |url=https://deadline.com/2023/10/neon-anatomy-fall-test-screening-palme-dor-black-bear-ferrari-henry-cavill-iconoclast-1235561030/ |title=Neon on the Growing Power of the Palme d'Or, Black Bear on 'Ferrari' & New Henry Cavill Pic & Iconoclast on Company's Film Ambitions |
In 2023, Quinn commented on the company's success at Cannes, saying: "We've seen over the years that each of these films, because of their credibility and success, the Palme d'Or has come to mean something quite impactful for a very young group of [[Cinephilia|cinephiles]]. And the reason why we know this is we've tested all these movies and dating back to ''Parasite'', probably I think, the fifth reason why people came to see the film, in its [[test screening]] in [[Sherman Oaks, Los Angeles|Sherman Oaks]], was the fact that it won the Palme d'Or, and each subsequent year that went up. And this year, the number one reason why people came to see the film [''Anatomy of a Fall''], at a test screening in [[Burbank, California|Burbank]], was the fact that it had won the Palme d'Or."<ref>{{cite web |url=https://deadline.com/2023/10/neon-anatomy-fall-test-screening-palme-dor-black-bear-ferrari-henry-cavill-iconoclast-1235561030/ |title=Neon on the Growing Power of the Palme d'Or, Black Bear on 'Ferrari' & New Henry Cavill Pic & Iconoclast on Company's Film Ambitions – Zurich Summit Studio |last=Wiseman |first=Andreas |work=[[Deadline Hollywood]] |date=October 1, 2023 |access-date=October 1, 2023}}</ref> In 2024, Quinn stated: "The award means a lot. To audiences here who are looking for the absolute most adventurous, forward-looking cinema available, that award represents it because these films have delivered, and they've been major Oscar contenders."<ref name="THR"/> |
||
In July 2024, Neon received its biggest opening weekend at the box office with the horror thriller film ''[[Longlegs]]'', after scoring $22.6 million from 2,510 theaters (a figure that includes $2.5–3 million in Thursday previews) and only behind [[Universal Pictures|Universal]]/[[Illumination (company)|Illumination]]'s second weekend of ''[[Despicable Me 4]]''. Initially projected to gross $7–9 million, the opening marked the biggest total for an original horror film of 2024, one of the top 20 weekends for an independent film and the best opening ever for an independent horror film.<ref name="Longlegs">{{cite web |url=https://deadline.com/2024/07/box-office-longlegs-fly-me-to-the-moon-channing-tatum-nicolas-cage-1236008154/ |title=How Neon Made 'Longlegs' Sexy at Box Office with Distrib's Record Opening of $22M+, Best Start for Original Horror Pic YTD – Sunday Update |last=D'Alessandro |first=Anthony |work=[[Deadline Hollywood]] |date=July 15, 2024 |access-date=July 15, 2024}}</ref><ref>{{cite web |url=https://variety.com/2024/film/news/box-office-longlegs-phenomenal-debut-fly-me-to-the-moon-struggles-despicable-me-4-1236070699/ |title=Box Office: 'Longlegs' Bedevils with Phenomenal $22.6 Million Debut, 'Fly Me to the Moon' Struggles to Lift Off with $10 Million |last=Lang |first=Brent |work=[[Variety (magazine)|Variety]] |date=July 15, 2024 |access-date=July 15, 2024}}</ref><ref>{{cite web |url=https://collider.com/longlegs-domestic-box-office-22-million/ |title='Longlegs' Lurks Behind 'Despicable Me 4' with Record Domestic Box Office Debut |last=Malhotra |first=Rahul |work=[[Collider (website)|Collider]] |date=July 15, 2024 |access-date=July 15, 2024}}</ref> To promote the film, Neon utilized [[guerrilla marketing]] tactics similar to those that led to the box office success of ''[[The Blair Witch Project]]'' (1999).<ref>{{cite web |url=https://news.northeastern.edu/2024/07/10/longlegs-horror-movie-marketing/ |title=Horror movie 'Longlegs' has gone viral with its creepy marketing campaign. But is it more than just a stunt? |last=Mello-Klein |first=Cody |work=Northeastern Global News |date=July 11, 2024 |access-date=July 25, 2024}}</ref> Director [[Oz Perkins]] credited Neon for the film's marketing, |
In July 2024, Neon received its biggest opening weekend at the box office with the horror thriller film ''[[Longlegs]]'', after scoring $22.6 million from 2,510 theaters (a figure that includes $2.5–3 million in Thursday previews) and only behind [[Universal Pictures|Universal]]/[[Illumination (company)|Illumination]]'s second weekend of ''[[Despicable Me 4]]''. Initially projected to gross $7–9 million, the opening marked the biggest total for an original horror film of 2024, one of the top 20 weekends for an independent film and the best opening ever for an independent horror film.<ref name="Longlegs">{{cite web |url=https://deadline.com/2024/07/box-office-longlegs-fly-me-to-the-moon-channing-tatum-nicolas-cage-1236008154/ |title=How Neon Made 'Longlegs' Sexy at Box Office with Distrib's Record Opening of $22M+, Best Start for Original Horror Pic YTD – Sunday Update |last=D'Alessandro |first=Anthony |work=[[Deadline Hollywood]] |date=July 15, 2024 |access-date=July 15, 2024}}</ref><ref>{{cite web |url=https://variety.com/2024/film/news/box-office-longlegs-phenomenal-debut-fly-me-to-the-moon-struggles-despicable-me-4-1236070699/ |title=Box Office: 'Longlegs' Bedevils with Phenomenal $22.6 Million Debut, 'Fly Me to the Moon' Struggles to Lift Off with $10 Million |last=Lang |first=Brent |work=[[Variety (magazine)|Variety]] |date=July 15, 2024 |access-date=July 15, 2024}}</ref><ref>{{cite web |url=https://collider.com/longlegs-domestic-box-office-22-million/ |title='Longlegs' Lurks Behind 'Despicable Me 4' with Record Domestic Box Office Debut |last=Malhotra |first=Rahul |work=[[Collider (website)|Collider]] |date=July 15, 2024 |access-date=July 15, 2024}}</ref> To promote the film, Neon utilized [[guerrilla marketing]] tactics similar to those that led to the box office success of ''[[The Blair Witch Project]]'' (1999).<ref>{{cite web |url=https://news.northeastern.edu/2024/07/10/longlegs-horror-movie-marketing/ |title=Horror movie 'Longlegs' has gone viral with its creepy marketing campaign. But is it more than just a stunt? |last=Mello-Klein |first=Cody |work=Northeastern Global News |date=July 11, 2024 |access-date=July 25, 2024}}</ref> Director [[Oz Perkins]] credited Neon for the film's marketing, stating the studio "really responded strongly to the movie, the raw materials of the movie really excited them, the way it looks, the way it feels, the way it sounds. They asked me early on, 'Do we have your permission to kind of go nuts?' And I said, 'What else are we doing here? Go for it. Do your thing.{{'"}}<ref>{{cite web |url=https://www.indiewire.com/news/general-news/longlegs-marketing-osgood-perkins-1235019292/ |title='Longlegs' Director Oz Perkins Says the Wild Marketing Campaign is All Neon: 'I Would Be a Jackass to Take Too Much Credit' |last=Lattanzio |first=Ryan |work=[[IndieWire]] |date=June 24, 2024 |access-date=July 26, 2024}}</ref> The film's total marketing budget was under $10 million, focusing on [[digital content]] and not having [[Television advertisement|television ads]].<ref name="Longlegs"/> During its third weekend, ''Longlegs'' became the company's highest-grossing film at the domestic box office, earning $58.6 million, surpassing what ''Parasite'' earned with $53.3 million in 2020.<ref name="Box Office"/><ref>{{cite web |url=https://variety.com/2024/film/news/longlegs-box-office-milestone-indie-horror-1236085344/ |title='Longlegs' Hits $58 Million, Surpassing A24's 'Talk to Me' as Highest-Grossing Indie Horror Movie in North America |last=Rubin |first=Rebecca |work=[[Variety (magazine)|Variety]] |date=July 28, 2024 |access-date=July 28, 2024}}</ref><ref>{{cite web |url=https://collider.com/longlegs-domestic-box-office-58-million/ |title='Longlegs' is Now Neon's Top-Grossing Domestic Box Office Release |last=Malhotra |first=Rahul |work=[[Collider (website)|Collider]] |date=July 28, 2024 |access-date=July 28, 2024}}</ref> Additionally, it became the top grossing R-rated horror film of 2024 and the highest-grossing indie horror film of the last decade, topping A24's ''[[Talk to Me (2022 film)|Talk to Me]]'' (2022), ''[[Insidious: Chapter 3]]'' (2015) from [[Focus Features]], and A24's ''[[Hereditary (film)|Hereditary]]'' (2018).<ref name="Box Office"/> Afterward, furthering their unique marketing campaign, from August 1 to 4, Neon (partnering with [[Atom Tickets]]) offered free tickets to anyone who has a birthday that falls on the 14th of any given month. To get the tickets, those who registered and purchased tickets through Atom Tickets received a special promo code after verifying their date of birth and were able to get one free ticket per customer, while supplies lasted.<ref>{{cite web |url=https://www.indiewire.com/news/business/neon-movie-ticket-stunt-free-longlegs-entry-people-with-birthday-14th-1235031728/ |title=Neon's Latest Marketing Stunt: Free 'Longlegs' Tickets to Anyone with a Birthday on the 14th |last=Welk |first=Brian |work=[[IndieWire]] |date=August 1, 2024 |access-date=August 3, 2024}}</ref><ref>{{cite web |url=https://bloody-disgusting.com/movie/3823299/longlegs-offering-free-tickets-to-anyone-born-on-the-14th-of-any-month/ |title='Longlegs' Offering Free Tickets to Anyone Born on the 14th of Any Month! |last=Squires |first=John |publisher=[[Bloody Disgusting]] |date=August 1, 2024 |access-date=August 3, 2024}}</ref><ref>{{cite web |url=https://nofilmschool.com/longlegs-screening-neon |title=Neon Treats Potential 'Longlegs' Victims to Free Screening |last=Vance |first=Grant |publisher=No Film School |date=August 1, 2024 |access-date=August 3, 2024}}</ref> |
||
==Filmography== |
==Filmography== |
Latest revision as of 16:04, 27 October 2024
Neon | |
Company type | Subsidiary |
Industry | Film industry |
Founded | January 13, 2017[1] |
Founder |
|
Headquarters | , U.S. |
Area served | Worldwide |
Key people | |
Number of employees | 52 (as of September 2024)[3] |
Parent | 30West[4] |
Divisions |
|
Website | neonrated |
NEON Rated, LLC, doing business as Neon (stylized in all caps), is an American independent film production and distribution company founded in 2017 by CEO Tom Quinn and Tim League, who also was the co-founder of the Alamo Drafthouse Cinema chain.[1] As of 2019, League is no longer involved with daily operations for the company.[6]
Its first film, Colossal, was released on April 7, 2017.[7] The company is best known for distributing such notable films as I, Tonya (2017), Three Identical Strangers (2018), Apollo 11 (2019), Parasite (2019), Portrait of a Lady on Fire (2019), Palm Springs (2020), Possessor (2020), She Dies Tomorrow (2020), Flee (2021), Spencer (2021), The Worst Person in the World (2021), All the Beauty and the Bloodshed (2022), Fire of Love (2022), Triangle of Sadness (2022), Anatomy of a Fall (2023), Ferrari (2023), How to Blow Up a Pipeline (2023), Anora (2024), Longlegs (2024), and The Seed of the Sacred Fig (2024).[8][9][10][11][12][13]
Parasite went on to become Neon's highest-grossing film at the worldwide box office with $262 million and the first non-English-language film to win the Academy Award for Best Picture in February 2020.[14] In 2024, Longlegs surpassed Parasite's domestic box office gross ($53.3 million), with a cume of $58.6 million in its third weekend, becoming the indie distributor's highest-grossing film ever in North America.[15]
Additionally, Neon has worked with several high-profile filmmakers, which includes the following: Ali Abbasi, Sean Baker, Bong Joon-ho, Brandon Cronenberg, David Cronenberg, Nia DaCosta, Sara Dosa, Julia Ducournau, Craig Gillespie, Reinaldo Marcus Green, Hirokazu Kore-eda, Harmony Korine, Pablo Larraín, Sam Levinson, Michael Mann, Todd Douglas Miller, Brett Morgen, Ruben Östlund, Laura Poitras, Jonas Poher Rasmussen, Mohammad Rasoulof, Michael Sarnoski, Céline Sciamma, Joachim Trier, Justine Triet, and Nacho Vigalondo.[16][17][18][19][20][21]
History
During the 4th Annual Zurich Summit, Tom Quinn commented on Neon's intent to release titles that appeal to audiences who "skew under 45, that have no aversion to violence, no aversion to foreign language and to non-fiction".[22] Explaining the success of the company in 2024, Quinn said: "We were very much a startup, with everyone functioning as this sophisticated amoeba. We very quickly found ourselves that year in Toronto with a great slate ... That work enabled us to sit at the table in Toronto that year and buy I, Tonya. Before the ink was even dry on the deal, we were planning its Oscar campaign. It's a testament to how quickly we can make decisions because we're not this big studio. We've always used that to our advantage."[3]
In September 2017, the company partnered with Blumhouse Productions to manage BH Tilt.[23] In 2019, a majority stake of Neon was sold to 30West, the media venture arm of "The Friedkin Group".[4][24]
In February 2021, Bleecker Street partnered with Neon to launch the joint home entertainment distribution company Decal, which is a standalone full-service operation that handles distribution deals on the home entertainment rights to both Neon and Bleecker Street's features. The first film to be distributed through Decal was the Bleecker Street release Supernova in winter 2021.[5] Additionally, Decal acquired North American distribution rights to the South African horror film Gaia for a summer theatrical release, marking their first ever acquisition.[25]
Andrew Brown (Co-President of Decal) oversaw the launch of Neon's home entertainment division. In 2022, Brown was promoted to "President of Digital Distribution". The exec, who has served as "SVP of Digital Strategy, Marketing, and Distribution" for Neon since 2017, also manages Neon's library, and oversees the annual FYC DVD Box Set and direct-to-consumer digital portal "Neon Cinema".[26] Prior to the joint-venture, Universal Pictures Home Entertainment, as well as The Criterion Collection and Well Go USA Entertainment (for the film Possessor which Neon and Well Go co-distributed), distributed several Neon films on home video.[27][28][29]
In August 2023, Neon hired former A24 employees Alexandra Altschuler as "VP Media" and Don Wilcox as "VP Marketing".[30] That same month, Neon hired former Sierra/Affinity employee Kristen Figeroid as "President of International Sales and Distribution", Laurel Charnetsky as "VP International Acquisitions & Operations", and Dan Stadnicki as "Manager, International Sales & Distribution".[31]
During the 2023 Hollywood labor disputes, which took place from May 2 to November 9, Neon was approved to continue promotional activities for its films, since the company does not have ties to the Alliance of Motion Picture and Television Producers (AMPTP) nor had encountered any issue in receiving SAG-AFTRA interim agreements.[32][33][34]
In May 2024, Neon hired marketing and publicity veteran Joey Monteiro as "EVP, International Marketing" and Ashley Hirsch as "Manager of International Sales and Marketing".[35] That same month, Neon promoted Elissa Federoff from "President of Distribution" to "Chief Distribution Officer" and Ryan Friscia from "EVP, Finance and Business Development" to "Chief Financial Officer".[36] Additionally, Jeff Deutchman, who joined Neon when it was launched, serves as "President of Acquisitions and Production".[37]
Additionally, Neon has acquired the distribution rights to five Palme d'Or winners at the Cannes Film Festival: Parasite (2019), Titane (2021), Triangle of Sadness (2022), Anatomy of a Fall (2023), and Anora (2024); all five won consecutively.[37][38][39] The company's strategy to acquire such titles at Cannes is to eschew "the lazy approach", said Deutchman. "The only real way to do Cannes is to go see as many movies as you can, because you never know where the next Dogtooth or Border or Hunger or Force Majeure is going to come from", he added, citing several modern Cannes standouts championed by arthouse buyers.[37] After acquiring Parasite in 2018, Neon financed and distributed the film the following year in U.S. territories.[40] "From the very beginning, Tom Quinn saw Parasite as a universal film and refused to put it in a box as a foreign-language or international film", said Parasite director Bong Joon-ho. "He saw the heart of the film and understood that it was about all of us living in our modern class-based society. I was always grateful for that."[3] The film subsequently became Neon's highest-grossing film with more than $200 million at the worldwide box office and won four Academy Awards, including Best Picture and Best Director; Anatomy of a Fall and Triangle of Sadness were also nominated for the two aforementioned Academy Awards.[14][41][42][43][44] As of January 2024, Neon has garnered 32 Academy Award nominations, winning six overall.[3][42][44]
In 2023, Quinn commented on the company's success at Cannes, saying: "We've seen over the years that each of these films, because of their credibility and success, the Palme d'Or has come to mean something quite impactful for a very young group of cinephiles. And the reason why we know this is we've tested all these movies and dating back to Parasite, probably I think, the fifth reason why people came to see the film, in its test screening in Sherman Oaks, was the fact that it won the Palme d'Or, and each subsequent year that went up. And this year, the number one reason why people came to see the film [Anatomy of a Fall], at a test screening in Burbank, was the fact that it had won the Palme d'Or."[45] In 2024, Quinn stated: "The award means a lot. To audiences here who are looking for the absolute most adventurous, forward-looking cinema available, that award represents it because these films have delivered, and they've been major Oscar contenders."[3]
In July 2024, Neon received its biggest opening weekend at the box office with the horror thriller film Longlegs, after scoring $22.6 million from 2,510 theaters (a figure that includes $2.5–3 million in Thursday previews) and only behind Universal/Illumination's second weekend of Despicable Me 4. Initially projected to gross $7–9 million, the opening marked the biggest total for an original horror film of 2024, one of the top 20 weekends for an independent film and the best opening ever for an independent horror film.[46][47][48] To promote the film, Neon utilized guerrilla marketing tactics similar to those that led to the box office success of The Blair Witch Project (1999).[49] Director Oz Perkins credited Neon for the film's marketing, stating the studio "really responded strongly to the movie, the raw materials of the movie really excited them, the way it looks, the way it feels, the way it sounds. They asked me early on, 'Do we have your permission to kind of go nuts?' And I said, 'What else are we doing here? Go for it. Do your thing.'"[50] The film's total marketing budget was under $10 million, focusing on digital content and not having television ads.[46] During its third weekend, Longlegs became the company's highest-grossing film at the domestic box office, earning $58.6 million, surpassing what Parasite earned with $53.3 million in 2020.[15][51][52] Additionally, it became the top grossing R-rated horror film of 2024 and the highest-grossing indie horror film of the last decade, topping A24's Talk to Me (2022), Insidious: Chapter 3 (2015) from Focus Features, and A24's Hereditary (2018).[15] Afterward, furthering their unique marketing campaign, from August 1 to 4, Neon (partnering with Atom Tickets) offered free tickets to anyone who has a birthday that falls on the 14th of any given month. To get the tickets, those who registered and purchased tickets through Atom Tickets received a special promo code after verifying their date of birth and were able to get one free ticket per customer, while supplies lasted.[53][54][55]
Filmography
References
- ^ a b Fleming, Mike Jr. (January 13, 2017). "Tom Quinn & Tim League Launch Distribution Shingle Neon for Sundance". Deadline Hollywood. Archived from the original on February 5, 2020. Retrieved April 16, 2020.
- ^ a b c "Neon". LinkedIn. Retrieved May 30, 2018.
- ^ a b c d e McClintock, Pamela (September 5, 2024). "Behind Neon's Banner Year and Rivalry with A24". The Hollywood Reporter. Retrieved September 6, 2024.
- ^ a b Fleming, Mike Jr. (September 5, 2017). "Dan Friedkin and Micah Green Name Venture: 30WEST". Deadline Hollywood. Archived from the original on December 17, 2019. Retrieved May 27, 2020.
- ^ a b D'Alessandro, Anthony (February 11, 2021). "Neon & Bleecker Street Launch Joint Home Entertainment Distribution Company Decal". Deadline Hollywood. Archived from the original on March 26, 2021. Retrieved March 11, 2021.
- ^ Sperling, Nicole (November 27, 2019). "'Parasite' Has Shocked the Box Office, Helped by an Upstart Studio". The New York Times. Archived from the original on February 11, 2020. Retrieved February 13, 2020.
- ^ Brooks, Brian (April 8, 2017). "Neon's 'Colossal' Bows Big; STX's 'Their Finest' Solid – Specialty Box Office". Deadline Hollywood. Retrieved March 25, 2023.
- ^ "All Neon Movies, Ranked by Tomatometer". Rotten Tomatoes. Retrieved August 8, 2024.
- ^ Oleksinski, Johnny; Stewart, Sara (December 28, 2019). "The Best Movies of 2019: 'Parasite', '1917' Top Critics' Lists". New York Post. Retrieved March 25, 2023.
- ^ Mendelsohn, Jon (August 3, 2020). "The Best Neon Films, From 'Palm Springs' to 'Parasite'". CBR. Retrieved March 25, 2023.
- ^ Peters, Fletcher (February 15, 2020). "The 10 Best Neon Films to Stream on Hulu". Decider. Retrieved March 25, 2023.
- ^ Gama, Daniela (January 22, 2023). "From 'Parasite' to 'Portrait of a Lady on Fire': 10 Best Neon Movies to Watch Right Now". Collider. Retrieved March 25, 2023.
- ^ Bundela, Rudransh (January 5, 2024). "The 10 Best Movies Made by Neon Films". MovieWeb. Retrieved January 15, 2024.
- ^ a b McClintock, Pamela (February 18, 2020). "Box Office: 'Parasite' Heads for Huge $50M-Plus in U.S. After Historic Oscar Win". The Hollywood Reporter. Retrieved February 18, 2020.
- ^ a b c Goldsmith, Jill (July 28, 2024). "It's Official, 'Longlegs' is Neon's Top Grossing Film Ever; Sean Wang's 'Didi' Sees Nice Open in Limited Release – Specialty Box Office". Deadline Hollywood. Retrieved July 28, 2024.
- ^ Weintraub, Steve (September 16, 2016). "'Colossal' Director Nacho Vigalondo on How He Made His 'Silly' Monster Movie". Collider. Retrieved April 25, 2023.
- ^ Weintraub, Steve (September 15, 2017). "'I, Tonya' Director Craig Gillespie on Tackling a Story You Think You Know". Collider. Retrieved April 25, 2023.
- ^ Lang, Brent; Kroll, Justin (February 15, 2020). "'Parasite' Oscar Win Leaves Hollywood Desperate to Work with Bong Joon Ho and Neon". Variety. Retrieved April 25, 2023.
- ^ Lodderhose, Diana (August 25, 2021). "How Tom Quinn's Indie Label Neon is Shining Bright with Its Pandemic-Proof Business Model". Deadline Hollywood. Retrieved March 25, 2023.
- ^ Ford, Rebecca (September 8, 2021). "How Neon, the Company Behind Parasite, Is Preparing for Its Next Big Awards Season". Vanity Fair. Retrieved April 25, 2023.
- ^ Hutchinson, Chase (April 22, 2022). "How Céline Sciamma's 'Petite Maman' Captures the Sublime Sweetness and Tragic Loss of Youth". Collider. Retrieved April 25, 2023.
- ^ MacNab, Geoffrey (October 1, 2017). "How new US distribution outfit Neon is chasing younger audiences". Screen Daily. Archived from the original on June 15, 2018. Retrieved April 18, 2018.
- ^ McNary, Dave (September 7, 2017). "Blumhouse Partners with Neon to Manage BH Tilt Label". Variety. Archived from the original on June 12, 2018. Retrieved June 19, 2018.
- ^ Fleming, Mike Jr. (May 13, 2018). "Why Neon is the Hot New Distributor in Town – Deadline Disruptors". Deadline Hollywood. Archived from the original on February 28, 2020. Retrieved April 16, 2020.
- ^ N'Duka, Amanda (March 5, 2021). "Decal Picks Up Horror Thriller 'Gaia' Ahead of SXSW Debut". Deadline Hollywood. Archived from the original on March 10, 2021. Retrieved March 12, 2021.
- ^ Grobar, Matt (November 28, 2022). "Neon Ups Andrew Brown to President of Digital Distribution". Deadline Hollywood. Retrieved April 3, 2023.
- ^ O'Rourke, Ryan (January 13, 2023). "Five Neon Films including 'Triangle of Sadness' & 'Moonage Daydream' Join The Criterion Collection". Collider. Retrieved January 15, 2024.
- ^ McNary, Dave (March 27, 2020). "Andrea Riseborough's Sci-Fi Thriller 'Possessor' Nabbed by Neon". Variety. Retrieved January 15, 2024.
- ^ Colangelo, BJ (January 13, 2023). "'Petite Maman', 'Moonage Daydream', 'Triangle of Sadness', and More Neon Films Have Joined The Criterion Collection". /Film. Retrieved January 15, 2024.
- ^ D'Alessandro, Anthony (August 18, 2023). "Neon Hires Marketing Execs Alexandra Altschuler & Don Wilcox". Deadline Hollywood. Retrieved August 18, 2023.
- ^ D'Alessandro, Anthony (August 30, 2023). "Kristen Figeroid Joins Neon as President of International Sales & Distribution". Deadline Hollywood. Retrieved August 31, 2023.
- ^ Grobar, Matt; D'Alessandro, Anthony (August 11, 2023). "Michael Mann's 'Ferrari' Secures SAG-AFTRA Interim Agreement; Will Adam Driver, Penélope Cruz Promote Pic at Venice?". Deadline Hollywood. Retrieved September 11, 2023.
- ^ Rindner, Grant (August 31, 2023). "How Are These Celebs on a Red Carpet Right Now with the Strike?". GQ. Retrieved September 11, 2023.
- ^ Eriksen, Kaare (September 13, 2023). "Distributor Neon Poised to Regain Its Glow Thanks to Strikes". Variety VIP+. Retrieved September 15, 2023.
- ^ Lodderhose, Diana (May 1, 2024). "Neon Hires Joey Monteiro as EVP of International Marketing". Deadline Hollywood. Retrieved May 3, 2024.
- ^ Lodderhose, Diana (May 15, 2024). "Neon Promotes Elissa Federoff to Chief Distribution Officer & Ryan Friscia to CFO". Deadline Hollywood. Retrieved May 15, 2024.
- ^ a b c Kay, Jeremy (May 18, 2024). "The Palme d'Or Whisperer: Neon's Jeff Deutchman on the company's Cannes strategy". Screen Daily. Retrieved July 13, 2024.
- ^ Wiseman, Andreas (May 25, 2024). "Fantastic Five! Neon Makes It Five Palme d'Or Winners in a Row as 'Anora' Scoops Cannes Top Prize". Deadline Hollywood. Retrieved May 25, 2024.
- ^ "Cannes, the Neon Film Festival". The Decision Magazine. May 31, 2024. Retrieved July 13, 2024.
- ^ Hipes, Patrick (October 31, 2018). "Bong Joon-Ho's 'Parasite' Lands U.S. Deal with Neon – AFM". Deadline Hollywood. Retrieved October 31, 2018.
- ^ Brueggemann, Tom (January 18, 2020). "How 'Parasite' Changed What Foreign-Language Films Can Do at the Box Office". IndieWire. Retrieved January 18, 2020.
- ^ a b Chow, Andrew R. (February 10, 2020). "'Parasite's' Best Picture Oscar is Historic. Is This the Beginning of a New Era in Film?". Time. Retrieved February 10, 2020.
- ^ Lee, Chris (March 6, 2024). "Why Neon is Pushing 'Anatomy of a Fall' at the 2024 Oscars". Vulture. Retrieved July 30, 2024.
- ^ a b James, Devon (February 28, 2024). "Every Neon Movie Nominated for an Oscar". Collider. Retrieved May 22, 2024.
- ^ Wiseman, Andreas (October 1, 2023). "Neon on the Growing Power of the Palme d'Or, Black Bear on 'Ferrari' & New Henry Cavill Pic & Iconoclast on Company's Film Ambitions – Zurich Summit Studio". Deadline Hollywood. Retrieved October 1, 2023.
- ^ a b D'Alessandro, Anthony (July 15, 2024). "How Neon Made 'Longlegs' Sexy at Box Office with Distrib's Record Opening of $22M+, Best Start for Original Horror Pic YTD – Sunday Update". Deadline Hollywood. Retrieved July 15, 2024.
- ^ Lang, Brent (July 15, 2024). "Box Office: 'Longlegs' Bedevils with Phenomenal $22.6 Million Debut, 'Fly Me to the Moon' Struggles to Lift Off with $10 Million". Variety. Retrieved July 15, 2024.
- ^ Malhotra, Rahul (July 15, 2024). "'Longlegs' Lurks Behind 'Despicable Me 4' with Record Domestic Box Office Debut". Collider. Retrieved July 15, 2024.
- ^ Mello-Klein, Cody (July 11, 2024). "Horror movie 'Longlegs' has gone viral with its creepy marketing campaign. But is it more than just a stunt?". Northeastern Global News. Retrieved July 25, 2024.
- ^ Lattanzio, Ryan (June 24, 2024). "'Longlegs' Director Oz Perkins Says the Wild Marketing Campaign is All Neon: 'I Would Be a Jackass to Take Too Much Credit'". IndieWire. Retrieved July 26, 2024.
- ^ Rubin, Rebecca (July 28, 2024). "'Longlegs' Hits $58 Million, Surpassing A24's 'Talk to Me' as Highest-Grossing Indie Horror Movie in North America". Variety. Retrieved July 28, 2024.
- ^ Malhotra, Rahul (July 28, 2024). "'Longlegs' is Now Neon's Top-Grossing Domestic Box Office Release". Collider. Retrieved July 28, 2024.
- ^ Welk, Brian (August 1, 2024). "Neon's Latest Marketing Stunt: Free 'Longlegs' Tickets to Anyone with a Birthday on the 14th". IndieWire. Retrieved August 3, 2024.
- ^ Squires, John (August 1, 2024). "'Longlegs' Offering Free Tickets to Anyone Born on the 14th of Any Month!". Bloody Disgusting. Retrieved August 3, 2024.
- ^ Vance, Grant (August 1, 2024). "Neon Treats Potential 'Longlegs' Victims to Free Screening". No Film School. Retrieved August 3, 2024.