Innerspace: Difference between revisions
general cleanup |
Fix mismatch of rentals v gross |
||
(10 intermediate revisions by 7 users not shown) | |||
Line 27: | Line 27: | ||
| language = English |
| language = English |
||
| budget = $27 million |
| budget = $27 million |
||
| gross = $ |
| gross = $95 million (estimated) |
||
}} |
}} |
||
'''''Innerspace''''' is a 1987 American [[science fiction comedy]] film directed by [[Joe Dante]] and produced by [[Michael Finnell]]. [[Steven Spielberg]] served as [[executive producer]]. It was inspired by the 1966 science fiction film ''[[Fantastic Voyage]]''. It stars [[Dennis Quaid]], [[Martin Short]] and [[Meg Ryan]], with [[Robert Picardo]] and [[Kevin McCarthy (actor)|Kevin McCarthy]], with music composed by [[Jerry Goldsmith]]. It |
'''''Innerspace''''' is a 1987 American [[science fiction comedy]] film directed by [[Joe Dante]] and produced by [[Michael Finnell]]. [[Steven Spielberg]] served as [[executive producer]]. It was inspired by the 1966 science fiction film ''[[Fantastic Voyage]]''. It stars [[Dennis Quaid]], [[Martin Short]] and [[Meg Ryan]], with [[Robert Picardo]] and [[Kevin McCarthy (actor)|Kevin McCarthy]], with music composed by [[Jerry Goldsmith]]. It grossed an estimated $95 million worldwide and won an [[Academy Awards|Oscar]] for Best Visual Effects, the only film directed by Dante to do so. |
||
==Plot== |
==Plot== |
||
Line 45: | Line 45: | ||
After Igoe has been injected, Jack and Lydia free themselves and order everyone in the laboratory, including Scrimshaw and Canker, into the miniaturization device at gunpoint. However, not knowing how to operate it, they accidentally and unknowingly shrink everyone to half their original size while trying to retrieve the chip. Tuck, now inside Lydia, finds a growing baby and realizes that she is pregnant with his child. By going to her eardrum and playing their song ([[Sam Cooke]]'s "[[Cupid (Sam Cooke song)|Cupid]]"), he is able to alert them what has happened. Jack and Lydia kiss again to transfer him back. They frantically drive back to the lab in order to enlarge him, not realizing that the shrunken Scrimshaw and Canker have escaped and are hiding in the back seat. While they attempt to subdue Jack and Lydia, Igoe locates Tuck in Jack's [[esophagus]] and attacks him. Tuck disables Igoe's craft and the latter is killed when Tuck drops him into Jack's stomach after agitating Jack's anxiety to increase his stomach acid. |
After Igoe has been injected, Jack and Lydia free themselves and order everyone in the laboratory, including Scrimshaw and Canker, into the miniaturization device at gunpoint. However, not knowing how to operate it, they accidentally and unknowingly shrink everyone to half their original size while trying to retrieve the chip. Tuck, now inside Lydia, finds a growing baby and realizes that she is pregnant with his child. By going to her eardrum and playing their song ([[Sam Cooke]]'s "[[Cupid (Sam Cooke song)|Cupid]]"), he is able to alert them what has happened. Jack and Lydia kiss again to transfer him back. They frantically drive back to the lab in order to enlarge him, not realizing that the shrunken Scrimshaw and Canker have escaped and are hiding in the back seat. While they attempt to subdue Jack and Lydia, Igoe locates Tuck in Jack's [[esophagus]] and attacks him. Tuck disables Igoe's craft and the latter is killed when Tuck drops him into Jack's stomach after agitating Jack's anxiety to increase his stomach acid. |
||
Back at the lab, with only minutes of supplemental oxygen left in the pod, Jack follows Tuck's instructions to eject it from his lungs by making himself sneeze due to his hairspray allergy. Tuck and the pod are successfully enlarged, and he is reunited with Lydia and finally gets to meet Jack in person. At Tuck and Lydia's wedding, held at [[Wayfarers Chapel]], Tuck is seen wearing the chips from the experiment as cufflinks. When they climb into the limousine, it is revealed that The Cowboy is the driver and the shrunken Scrimshaw and Canker are hiding inside a suitcase in the trunk. Now confident and in control of his life, Jack recognizes The Cowboy and tells his doctor that he's cured, tells Wendy she has no chance with him, and informs his manager that he quits; he then jumps into Tuck's vintage [[Ford Mustang (first generation)#1967–1968|1967 Mustang]], pursuing the limousine to rescue the newlyweds. |
Back at the lab, with only minutes of supplemental oxygen left in the pod, Jack follows Tuck's instructions to eject it from his lungs by making himself sneeze due to his hairspray allergy. Tuck and the pod are successfully enlarged, and he is reunited with Lydia and finally gets to meet Jack in person. At Tuck and Lydia's wedding, held at [[Wayfarers Chapel]], Jack is Tuck's best man. Tuck is seen wearing the chips from the experiment as cufflinks. When they climb into the limousine, it is revealed that The Cowboy is the driver and the shrunken Scrimshaw and Canker are hiding inside a suitcase in the trunk. Now confident and in control of his life, Jack recognizes The Cowboy and tells his doctor that he's cured, tells Wendy she has no chance with him, and informs his manager that he quits; he then jumps into Tuck's vintage [[Ford Mustang (first generation)#1967–1968|1967 Mustang]], pursuing the limousine to rescue the newlyweds. |
||
==Cast== |
==Cast== |
||
Line 63: | Line 63: | ||
* [[Mark L. Taylor|Mark Taylor]] as Dr. Niles |
* [[Mark L. Taylor|Mark Taylor]] as Dr. Niles |
||
* [[Vernon Wells (actor)|Vernon Wells]] as Mr. Igoe |
* [[Vernon Wells (actor)|Vernon Wells]] as Mr. Igoe |
||
* [[Neil Ross]] as Pod Computer (voice)<ref>{{cite web | url=https://www.imdb.com/name/nm0743719/ | title=Neil Ross | Actor, Additional Crew, Soundtrack | website=[[IMDb]] }}</ref> |
* [[Neil Ross]] as Pod Computer (voice)<ref>{{cite web | url=https://www.imdb.com/name/nm0743719/ | title=Neil Ross | Actor, Additional Crew, Soundtrack | website=[[IMDb]] | access-date=2023-12-29 | archive-date=2024-01-30 | archive-url=https://web.archive.org/web/20240130192542/https://www.imdb.com/name/nm0743719/ | url-status=live }}</ref> |
||
}} |
}} |
||
Line 69: | Line 69: | ||
==Production== |
==Production== |
||
The film began as an original script by Chip Proser, who called it "basically a rip off of ''[[Fantastic Voyage]]''. My idea was that the big guy was up and moving around and could react to what was going on inside." The script was optioned by [[Peter Guber]] at Warner Bros. in 1984. Guber offered the script to [[Joe Dante]] who turned it down.<ref>{{cite web|website=Den of Geek|url=http://www.denofgeek.com/us/movies/innerspace/261421/the-underrated-brilliance-of-joe-dantes-innerspace|date=12 January 2017|first=Ryan|last=Lambie|title=The Underrated Brilliance of Joe Dante's Innerspace}}</ref> Guber then had the script rewritten by [[Jeffrey Boam]] as a comedy. Boam says "The idea was kind of ridiculous, which was a person miniaturized and put into someone else's body. That's all I kept from the original script. They originally thought it might be [[Michael J. Fox]] inside [[Arnold Schwarzenegger]]'s body. I actually kept turning it down, and they were persistent and kept coming back to me."<ref name="boam">{{cite web|url=https://www.assignmentx.com/2013/exclusive-interview-the-last-crusade-of-screenwriter-jeffrey-boam/|website=Assignment X|title=Exclusive Interview: The Last Crusade of Screenwriter Jeffrey Boam|first= |
The film began as an original script by Chip Proser, who called it "basically a rip off of ''[[Fantastic Voyage]]''. My idea was that the big guy was up and moving around and could react to what was going on inside." The script was optioned by [[Peter Guber]] at Warner Bros. in 1984. Guber offered the script to [[Joe Dante]] who turned it down.<ref>{{cite web|website=Den of Geek|url=http://www.denofgeek.com/us/movies/innerspace/261421/the-underrated-brilliance-of-joe-dantes-innerspace|date=12 January 2017|first=Ryan|last=Lambie|title=The Underrated Brilliance of Joe Dante's Innerspace}}</ref> Guber then had the script rewritten by [[Jeffrey Boam]] as a comedy. Boam says "The idea was kind of ridiculous, which was a person miniaturized and put into someone else's body. That's all I kept from the original script. They originally thought it might be [[Michael J. Fox]] inside [[Arnold Schwarzenegger]]'s body. I actually kept turning it down, and they were persistent and kept coming back to me."<ref name="boam">{{cite web|url=https://www.assignmentx.com/2013/exclusive-interview-the-last-crusade-of-screenwriter-jeffrey-boam/|website=Assignment X|title=Exclusive Interview: The Last Crusade of Screenwriter Jeffrey Boam|first=A. C.|last=Ferrante|date=1 May 2013|access-date=2 January 2018|archive-date=19 January 2018|archive-url=https://web.archive.org/web/20180119175545/http://www.assignmentx.com/2013/exclusive-interview-the-last-crusade-of-screenwriter-jeffrey-boam/|url-status=live}}</ref> |
||
According to Dante, Boam "approached it ... from the concept of what would happen if we shrank [[Dean Martin]] down and injected him inside [[Jerry Lewis]]."<ref name="cinema">{{cite magazine|magazine=Cinema Retro|url=http://www.cinemaretro.com/index.php?/archives/8794-EXCLUSIVE-JOE-DANTE-DISCUSSES-INNERSPACE,-TO-MARK-THE-FILMS-BLU-RAY-RELEASE-THROUGH-WARNER-HOME-ENTERTAINMENT.html|title=Joe Dante Discusses Innerspace}}</ref> Dante says that [[Steven Spielberg]] had become involved on the project as an executive producer and he may have been responsible for the comedy.<ref name="cinema"/> "It was such a goofy idea that there were no limits to it," said Boam. "I felt I could do anything, and so the script I wrote was very loony and far out there but everybody loved it. Dick Donner, Joe Dante, John Carpenter and even Steven Spielberg wanted to do it. So when Steven wanted to do it, Warners thought I was a God and any amount of money it would take to do the movie they would spend. Steve ultimately decided he only wanted to produce so Joe came along and really latched on to the idea."<ref name="boam"/> |
According to Dante, Boam "approached it ... from the concept of what would happen if we shrank [[Dean Martin]] down and injected him inside [[Jerry Lewis]]."<ref name="cinema">{{cite magazine|magazine=Cinema Retro|url=http://www.cinemaretro.com/index.php?/archives/8794-EXCLUSIVE-JOE-DANTE-DISCUSSES-INNERSPACE,-TO-MARK-THE-FILMS-BLU-RAY-RELEASE-THROUGH-WARNER-HOME-ENTERTAINMENT.html|title=Joe Dante Discusses Innerspace}}</ref> Dante says that [[Steven Spielberg]] had become involved on the project as an executive producer and he may have been responsible for the comedy.<ref name="cinema"/> "It was such a goofy idea that there were no limits to it," said Boam. "I felt I could do anything, and so the script I wrote was very loony and far out there but everybody loved it. Dick Donner, Joe Dante, John Carpenter and even Steven Spielberg wanted to do it. So when Steven wanted to do it, Warners thought I was a God and any amount of money it would take to do the movie they would spend. Steve ultimately decided he only wanted to produce so Joe came along and really latched on to the idea."<ref name="boam"/> |
||
Line 77: | Line 77: | ||
Dante says Spielberg would "protect you from the studio and sometimes from the other producers. It was a very filmmaker-friendly atmosphere over there [at Amblin]. You got all the best equipment and all the best people and all the toys you wanted to play with. Plus you had somebody on your side who was also a filmmaker and they knew exactly what you were talking about when you had a problem or you had a question."<ref name="cinema"/> |
Dante says Spielberg would "protect you from the studio and sometimes from the other producers. It was a very filmmaker-friendly atmosphere over there [at Amblin]. You got all the best equipment and all the best people and all the toys you wanted to play with. Plus you had somebody on your side who was also a filmmaker and they knew exactly what you were talking about when you had a problem or you had a question."<ref name="cinema"/> |
||
"It's a dumb, stupid comedy, which is exactly what people need in the summertime," said Quaid. "It's very idiotic and I love it. We encounter every dumb, stupid cliché in the book. Leave your brain at home and you'll have a good time."<ref>{{cite news|last=Kempley|first=R.|date= |
"It's a dumb, stupid comedy, which is exactly what people need in the summertime," said Quaid. "It's very idiotic and I love it. We encounter every dumb, stupid cliché in the book. Leave your brain at home and you'll have a good time."<ref>{{cite news|last=Kempley|first=R.|date=July 1, 1987|title=Dennis Quaid, poised for takeoff; after years of big misses, the actor looks for a hit|newspaper=[[The Washington Post]]|url=https://www.washingtonpost.com/archive/lifestyle/1987/07/01/dennis-quaid-poised-for-takeoff/33211e65-d4d1-4a09-999f-ed63aa85fa3c/|access-date=February 5, 2019|archive-date=February 7, 2019|archive-url=https://web.archive.org/web/20190207015321/https://www.washingtonpost.com/archive/lifestyle/1987/07/01/dennis-quaid-poised-for-takeoff/33211e65-d4d1-4a09-999f-ed63aa85fa3c/|url-status=live}}</ref> |
||
Meg Ryan met Quaid on set and they later married.<ref name="cinema"/> |
Meg Ryan met Quaid on set and they later married.<ref name="cinema"/> |
||
Line 87: | Line 87: | ||
==Reception== |
==Reception== |
||
===Box office=== |
===Box office=== |
||
The film grossed $25.9 million in the United States and Canada,<ref name=BOM>{{Cite Box Office Mojo |access-date=2023-01-15}}</ref> |
The film grossed $25.9 million in the United States and Canada,<ref name=BOM>{{Cite Box Office Mojo |access-date=2023-01-15}}</ref> generating $14 million in [[theatrical rental]]s.<ref name=ww/> Internationally, it grossed $32.7 million in its first 37 days and was expected to gross $75 million ($30 million in rentals).<ref>{{cite magazine|magazine=[[Variety (magazine)|Variety]]|date=January 20, 1988|page=7|title=Warner Bros. Intl. Keeps Rolling; Posts $148-Mil In O'seas Rentals In '87; Some Markets Untapped |last=McCarthy|first=Todd|author-link=Todd McCarthy}}</ref> It eventually returned $28 million in rentals, for a worldwide total rentals of $42 million<ref name=ww>{{cite magazine|magazine=[[Variety (magazine)|Variety]]|date=January 11, 1989|page=24|title=Foreign Vs. Domestic Rentals}}</ref> and a worldwide gross in the region of $95 million against a budget of $27 million.<ref>{{cite news |url=https://www.nytimes.com/1987/09/09/movies/summer-movies-set-a-record.html |title=Summer Movies Set a Record |first=Aljean |last=Harmetz |date=September 9, 1987 |newspaper=[[The New York Times]] |access-date=February 5, 2019 |url-access=subscription |archive-date=April 17, 2021 |archive-url=https://web.archive.org/web/20210417081427/https://www.nytimes.com/1987/09/09/movies/summer-movies-set-a-record.html |url-status=live }}</ref> |
||
===Critical response=== |
===Critical response=== |
||
The film had a positive reception from critics.<ref>{{cite news |title= |
The film had a positive reception from critics.<ref>{{cite news |title=Movie Reviews : Taking In the Sights of Inner and Outer Junkets: Hilarious and Inventive Trip to 'Innerspace' |newspaper=[[Los Angeles Times]] |date=1987-07-01 |url=https://www.latimes.com/archives/la-xpm-1987-07-01-ca-652-story.html |access-date=2010-12-28 |url-access=subscription |first=Sheila |last=Benson |archive-date=2021-03-10 |archive-url=https://web.archive.org/web/20210310003920/https://www.latimes.com/archives/la-xpm-1987-07-01-ca-652-story.html |url-status=live }}</ref><ref>{{cite news|title= Cinema: A Funny, Fantastic Voyage INNERSPACE|magazine=[[Time (magazine)|Time]]|date=1987-07-13|url= http://www.time.com/time/magazine/article/0,9171,964940,00.html|archive-url= https://web.archive.org/web/20080408195103/http://www.time.com/time/magazine/article/0,9171,964940,00.html|url-status= dead|archive-date= April 8, 2008|access-date=2010-12-28|first=Richard|last=Corliss}}</ref> {{RT prose|{{RT data|score}}|{{RT data|average}}|{{RT data|count}}|A manic, overstuffed blend of sci-fi, comedy, and romance, ''Innerspace'' nonetheless charms, thanks to Martin Short's fine performance and the insistent zaniness of the plot.|ref=yes|access-date=2023-01-15}} {{MC film|66|15|ref=yes|access-date=2023-01-15}} |
||
[[Roger Ebert]] of the ''[[Chicago Sun-Times]]'' gave the film 3 stars out of 4, stating "Here is an absurd, unwieldy, overplotted movie that nevertheless is entertaining - and some of the fun comes from the way the plot keeps laying it on". Proser later said, "I never actually have been able to sit through it all at once. They don't pay me to watch this crap. Like H. L. Hughgly,<!-- I don't know who this is. That's an exact quote from the source; possibly Proser was referring to [[D. L. Hughley]], but I don't know where the mask joke comes from.--> I wear a mask to cash the check."<ref name=ProserInterview>[https://www.mediapundit.net/2008/02/interview-with-chip-proser-adopt-a-writer.html Interview with Chip Proser (Adopt a Writer)], by Paul William Tenny; at MediaPundit.net; published February 18, 2008; retrieved March 26, 2024</ref> |
[[Roger Ebert]] of the ''[[Chicago Sun-Times]]'' gave the film 3 stars out of 4, stating "Here is an absurd, unwieldy, overplotted movie that nevertheless is entertaining - and some of the fun comes from the way the plot keeps laying it on". Proser later said, "I never actually have been able to sit through it all at once. They don't pay me to watch this crap. Like H. L. Hughgly,<!-- I don't know who this is. That's an exact quote from the source; possibly Proser was referring to [[D. L. Hughley]], but I don't know where the mask joke comes from.--> I wear a mask to cash the check."<ref name=ProserInterview>[https://www.mediapundit.net/2008/02/interview-with-chip-proser-adopt-a-writer.html Interview with Chip Proser (Adopt a Writer)] {{Webarchive|url=https://web.archive.org/web/20240326181533/https://www.mediapundit.net/2008/02/interview-with-chip-proser-adopt-a-writer.html |date=2024-03-26 }}, by Paul William Tenny; at MediaPundit.net; published February 18, 2008; retrieved March 26, 2024</ref> |
||
Joe Dante later said the film "was a hit on video. It was one of the first big videos, and it was discovered on video, basically. Although audiences liked it in theaters—when I went, they were in stitches—the ad campaign was so terrible for that movie. It was just a giant thumb with a little tiny pod on it. You couldn't tell that it was a comedy—you couldn't tell anything—and it had a terrible title, because we could never figure out a better one. And the studio botched the selling of it. I mean, they liked the movie, and they tried to reissue it, even, with a different campaign, and it still bombed."<ref>{{cite web|url=http://www.denofgeek.com/us/movies/16352/joe-dante-interview-the-hole-gremins-3-and-marketing-innerspace|title=Joe Dante interview: The Hole, Gremins [''sic''] 3 and marketing Innerspace|last=Lambie|first=Ryan|website=Den of Geek|date=20 September 2010}}</ref> |
Joe Dante later said the film "was a hit on video. It was one of the first big videos, and it was discovered on video, basically. Although audiences liked it in theaters—when I went, they were in stitches—the ad campaign was so terrible for that movie. It was just a giant thumb with a little tiny pod on it. You couldn't tell that it was a comedy—you couldn't tell anything—and it had a terrible title, because we could never figure out a better one. And the studio botched the selling of it. I mean, they liked the movie, and they tried to reissue it, even, with a different campaign, and it still bombed."<ref>{{cite web|url=http://www.denofgeek.com/us/movies/16352/joe-dante-interview-the-hole-gremins-3-and-marketing-innerspace|title=Joe Dante interview: The Hole, Gremins [''sic''] 3 and marketing Innerspace|last=Lambie|first=Ryan|website=Den of Geek|date=20 September 2010}}</ref> |
||
Line 114: | Line 114: | ||
[[Category:1987 films]] |
[[Category:1987 films]] |
||
⚫ | |||
⚫ | |||
⚫ | |||
⚫ | |||
[[Category:1980s science fiction comedy films]] |
[[Category:1980s science fiction comedy films]] |
||
⚫ | |||
[[Category:American science fiction comedy films]] |
[[Category:American science fiction comedy films]] |
||
[[Category: |
[[Category:English-language science fiction comedy films]] |
||
[[Category:Films about size change]] |
|||
[[Category:Films directed by Joe Dante]] |
[[Category:Films directed by Joe Dante]] |
||
[[Category:Films that won the Best Visual Effects Academy Award]] |
|||
[[Category:Films scored by Jerry Goldsmith]] |
[[Category:Films scored by Jerry Goldsmith]] |
||
⚫ | |||
⚫ | |||
[[Category:Films set in San Francisco]] |
[[Category:Films set in San Francisco]] |
||
[[Category:Films set in the San Francisco Bay Area]] |
[[Category:Films set in the San Francisco Bay Area]] |
||
[[Category:Films |
[[Category:Films that won the Best Visual Effects Academy Award]] |
||
[[Category:Films with screenplays by Jeffrey Boam]] |
[[Category:Films with screenplays by Jeffrey Boam]] |
||
[[Category:Human body in popular culture]] |
[[Category:Human body in popular culture]] |
||
[[Category: |
[[Category:Warner Bros. films]] |
||
⚫ | |||
⚫ | |||
⚫ |
Latest revision as of 23:32, 28 October 2024
Innerspace | |
---|---|
Directed by | Joe Dante |
Screenplay by |
|
Story by | Chip Proser |
Produced by | Michael Finnell |
Starring | |
Cinematography | Andrew Laszlo |
Edited by | Kent Beyda |
Music by | Jerry Goldsmith |
Production company | |
Distributed by | Warner Bros. |
Release date |
|
Running time | 120 minutes |
Country | United States |
Language | English |
Budget | $27 million |
Box office | $95 million (estimated) |
Innerspace is a 1987 American science fiction comedy film directed by Joe Dante and produced by Michael Finnell. Steven Spielberg served as executive producer. It was inspired by the 1966 science fiction film Fantastic Voyage. It stars Dennis Quaid, Martin Short and Meg Ryan, with Robert Picardo and Kevin McCarthy, with music composed by Jerry Goldsmith. It grossed an estimated $95 million worldwide and won an Oscar for Best Visual Effects, the only film directed by Dante to do so.
Plot
[edit]In San Francisco, down-on-his-luck U.S. Navy aviator Lt. Tuck Pendleton resigns his commission and volunteers for a secret miniaturization experiment. He is placed in a submersible pod and both are shrunk to microscopic size. They are transferred into a syringe to be injected into a rabbit, but the lab is attacked by a rival organization, led by scientist Dr. Margaret Canker, that plans to seize the experiment and steal the miniaturization technology.
Experiment supervisor Ozzie Wexler, knowing their intentions, escapes with the syringe. A chase ensues with one of Canker's henchmen, Mr. Igoe, which ends at a nearby shopping mall with Igoe shooting Ozzie. In a last-ditch effort to stop the experiment from falling into the rivals' hands, the wounded Ozzie injects Tuck and the pod into an unsuspecting passerby - Jack Putter, a hypochondriac Safeway grocery clerk who is exploited by his boss and belittled by Wendy, a superficial co-worker he has a crush on.
On regaining consciousness, Tuck is unaware of what has happened and believes he has been injected into the rabbit. After attempts to radio the lab are unsuccessful, he navigates the pod to the optic nerve and implants a camera so he is able to see what the "host" sees. Realizing he is inside a human, he makes contact by attaching another device to Jack's inner ear, enabling him to talk to Jack. He explains that the pod has only a few hours' supply of oxygen and needs his help in order to extract him by going back to the lab.
At the lab, the scientists explain to Tuck and Jack that the other group stole one of two computer chips that are vital to the process. Their mastermind is Victor Scrimshaw. His henchmen include Canker, Igoe, and "The Cowboy".
Jack contacts Tuck's estranged girlfriend, Lydia Maxwell, a reporter who has had dealings with The Cowboy. They learn that he plans to buy the computer chip from Scrimshaw and stake out his hotel. After following him to a local nightclub Lydia allows him to pick her up as Jack encounters Wendy, who, thinking he's been living a double life, shows an interest in him. Jack follows The Cowboy and Lydia back to the hotel, where he knocks The Cowboy unconscious and Tuck uses the pod's equipment to control Jack's face muscles, altering his features so he looks like The Cowboy. Lydia and Jack, posing as The Cowboy, meet with Scrimshaw to steal the chip from him. However, as they are about to take possession of it, Jack's nervousness overrides the transformation of his face, exposing the scam. Igoe captures him and Lydia and takes them to their laboratory. While imprisoned, Jack and Lydia share a kiss, which, unknown to them, transfers Tuck into Lydia's body through their saliva. Once taken to the laboratory, the criminals shrink Igoe and inject him into Jack to locate Tuck, kill him, and obtain the other chip that is attached to the pod.
After Igoe has been injected, Jack and Lydia free themselves and order everyone in the laboratory, including Scrimshaw and Canker, into the miniaturization device at gunpoint. However, not knowing how to operate it, they accidentally and unknowingly shrink everyone to half their original size while trying to retrieve the chip. Tuck, now inside Lydia, finds a growing baby and realizes that she is pregnant with his child. By going to her eardrum and playing their song (Sam Cooke's "Cupid"), he is able to alert them what has happened. Jack and Lydia kiss again to transfer him back. They frantically drive back to the lab in order to enlarge him, not realizing that the shrunken Scrimshaw and Canker have escaped and are hiding in the back seat. While they attempt to subdue Jack and Lydia, Igoe locates Tuck in Jack's esophagus and attacks him. Tuck disables Igoe's craft and the latter is killed when Tuck drops him into Jack's stomach after agitating Jack's anxiety to increase his stomach acid.
Back at the lab, with only minutes of supplemental oxygen left in the pod, Jack follows Tuck's instructions to eject it from his lungs by making himself sneeze due to his hairspray allergy. Tuck and the pod are successfully enlarged, and he is reunited with Lydia and finally gets to meet Jack in person. At Tuck and Lydia's wedding, held at Wayfarers Chapel, Jack is Tuck's best man. Tuck is seen wearing the chips from the experiment as cufflinks. When they climb into the limousine, it is revealed that The Cowboy is the driver and the shrunken Scrimshaw and Canker are hiding inside a suitcase in the trunk. Now confident and in control of his life, Jack recognizes The Cowboy and tells his doctor that he's cured, tells Wendy she has no chance with him, and informs his manager that he quits; he then jumps into Tuck's vintage 1967 Mustang, pursuing the limousine to rescue the newlyweds.
Cast
[edit]- Dennis Quaid as Lt. Tuck Pendleton
- Martin Short as Jack Putter
- Meg Ryan as Lydia Maxwell
- Kevin McCarthy as Victor Scrimshaw
- Fiona Lewis as Dr. Margaret Canker
- Henry Gibson as Mr. Wormwood
- John Hora as Dr. Ozzie Wexler
- Robert Picardo as The Cowboy
- Wendy Schaal as Wendy
- William Schallert as Dr. Greenbush
- Harold Sylvester as Pete Blanchard
- Mark Taylor as Dr. Niles
- Vernon Wells as Mr. Igoe
- Neil Ross as Pod Computer (voice)[1]
In addition, the film's director, Joe Dante, has an uncredited cameo as a Vectorscope employee, while Short's SCTV cast mates Joe Flaherty and Andrea Martin have cameos as waiting room patients. Chuck Jones and Rance Howard appear briefly as grocery shoppers in one scene.
Production
[edit]The film began as an original script by Chip Proser, who called it "basically a rip off of Fantastic Voyage. My idea was that the big guy was up and moving around and could react to what was going on inside." The script was optioned by Peter Guber at Warner Bros. in 1984. Guber offered the script to Joe Dante who turned it down.[2] Guber then had the script rewritten by Jeffrey Boam as a comedy. Boam says "The idea was kind of ridiculous, which was a person miniaturized and put into someone else's body. That's all I kept from the original script. They originally thought it might be Michael J. Fox inside Arnold Schwarzenegger's body. I actually kept turning it down, and they were persistent and kept coming back to me."[3]
According to Dante, Boam "approached it ... from the concept of what would happen if we shrank Dean Martin down and injected him inside Jerry Lewis."[4] Dante says that Steven Spielberg had become involved on the project as an executive producer and he may have been responsible for the comedy.[4] "It was such a goofy idea that there were no limits to it," said Boam. "I felt I could do anything, and so the script I wrote was very loony and far out there but everybody loved it. Dick Donner, Joe Dante, John Carpenter and even Steven Spielberg wanted to do it. So when Steven wanted to do it, Warners thought I was a God and any amount of money it would take to do the movie they would spend. Steve ultimately decided he only wanted to produce so Joe came along and really latched on to the idea."[3]
Quaid's role was originally envisioned to be played by an older actor but then they decided to make the character younger.[4] Dante recalled during filming scenes where Quaid and Short's characters interacted, "Dennis would be on the set in a booth, so the interaction was really happening. Dennis would hew to the script a little more than Marty. After you got a scene in the can, he'd beg for more takes, in the voice of Katharine Hepburn, which was hard to resist."[5]
Dante says Spielberg would "protect you from the studio and sometimes from the other producers. It was a very filmmaker-friendly atmosphere over there [at Amblin]. You got all the best equipment and all the best people and all the toys you wanted to play with. Plus you had somebody on your side who was also a filmmaker and they knew exactly what you were talking about when you had a problem or you had a question."[4]
"It's a dumb, stupid comedy, which is exactly what people need in the summertime," said Quaid. "It's very idiotic and I love it. We encounter every dumb, stupid cliché in the book. Leave your brain at home and you'll have a good time."[6]
Meg Ryan met Quaid on set and they later married.[4]
Awards
[edit]- 1988 Academy Award for Best Visual Effects, Won (Bill George, Dennis Muren, Harley Jessup and Kenneth F. Smith)
- 1988 Academy of Science Fiction, Fantasy & Horror Films: Best Director, Best Science Fiction Film, Best Special Effects, nominated
Reception
[edit]Box office
[edit]The film grossed $25.9 million in the United States and Canada,[7] generating $14 million in theatrical rentals.[8] Internationally, it grossed $32.7 million in its first 37 days and was expected to gross $75 million ($30 million in rentals).[9] It eventually returned $28 million in rentals, for a worldwide total rentals of $42 million[8] and a worldwide gross in the region of $95 million against a budget of $27 million.[10]
Critical response
[edit]The film had a positive reception from critics.[11][12] On the review aggregator website Rotten Tomatoes, 82% of 44 critics' reviews are positive, with an average rating of 6.8/10. The website's consensus reads: "A manic, overstuffed blend of sci-fi, comedy, and romance, Innerspace nonetheless charms, thanks to Martin Short's fine performance and the insistent zaniness of the plot."[13] Metacritic, which uses a weighted average, assigned the film a score of 66 out of 100, based on 15 critics, indicating "generally favorable" reviews.[14]
Roger Ebert of the Chicago Sun-Times gave the film 3 stars out of 4, stating "Here is an absurd, unwieldy, overplotted movie that nevertheless is entertaining - and some of the fun comes from the way the plot keeps laying it on". Proser later said, "I never actually have been able to sit through it all at once. They don't pay me to watch this crap. Like H. L. Hughgly, I wear a mask to cash the check."[15]
Joe Dante later said the film "was a hit on video. It was one of the first big videos, and it was discovered on video, basically. Although audiences liked it in theaters—when I went, they were in stitches—the ad campaign was so terrible for that movie. It was just a giant thumb with a little tiny pod on it. You couldn't tell that it was a comedy—you couldn't tell anything—and it had a terrible title, because we could never figure out a better one. And the studio botched the selling of it. I mean, they liked the movie, and they tried to reissue it, even, with a different campaign, and it still bombed."[16]
"It's been looked back on as if it was some great success whereas, in fact, it was pretty much a disappointment in its day," he said.[4] Dante later called the film "probably the movie that I had made up to then that was the closest to my intention. As a result, I was very happy with it. When I look at it today I still think it's a tremendous amount of fun."[4]
See also
[edit]References
[edit]- ^ "Neil Ross | Actor, Additional Crew, Soundtrack". IMDb. Archived from the original on 2024-01-30. Retrieved 2023-12-29.
- ^ Lambie, Ryan (12 January 2017). "The Underrated Brilliance of Joe Dante's Innerspace". Den of Geek.
- ^ a b Ferrante, A. C. (1 May 2013). "Exclusive Interview: The Last Crusade of Screenwriter Jeffrey Boam". Assignment X. Archived from the original on 19 January 2018. Retrieved 2 January 2018.
- ^ a b c d e f g "Joe Dante Discusses Innerspace". Cinema Retro.
- ^ Kennyaug, Glenn (August 3, 2016). "Joe Dante: 'Gremlins' Director Reflects on His Biggest Hits". The New York Times.
- ^ Kempley, R. (July 1, 1987). "Dennis Quaid, poised for takeoff; after years of big misses, the actor looks for a hit". The Washington Post. Archived from the original on February 7, 2019. Retrieved February 5, 2019.
- ^ "Innerspace". Box Office Mojo. IMDb. Retrieved 2023-01-15.
- ^ a b "Foreign Vs. Domestic Rentals". Variety. January 11, 1989. p. 24.
- ^ McCarthy, Todd (January 20, 1988). "Warner Bros. Intl. Keeps Rolling; Posts $148-Mil In O'seas Rentals In '87; Some Markets Untapped". Variety. p. 7.
- ^ Harmetz, Aljean (September 9, 1987). "Summer Movies Set a Record". The New York Times. Archived from the original on April 17, 2021. Retrieved February 5, 2019.
- ^ Benson, Sheila (1987-07-01). "Movie Reviews : Taking In the Sights of Inner and Outer Junkets: Hilarious and Inventive Trip to 'Innerspace'". Los Angeles Times. Archived from the original on 2021-03-10. Retrieved 2010-12-28.
- ^ Corliss, Richard (1987-07-13). "Cinema: A Funny, Fantastic Voyage INNERSPACE". Time. Archived from the original on April 8, 2008. Retrieved 2010-12-28.
- ^ "Innerspace". Rotten Tomatoes. Fandango Media. Retrieved 2023-01-15.
- ^ "Innerspace". Metacritic. Fandom, Inc. Retrieved 2023-01-15.
- ^ Interview with Chip Proser (Adopt a Writer) Archived 2024-03-26 at the Wayback Machine, by Paul William Tenny; at MediaPundit.net; published February 18, 2008; retrieved March 26, 2024
- ^ Lambie, Ryan (20 September 2010). "Joe Dante interview: The Hole, Gremins [sic] 3 and marketing Innerspace". Den of Geek.
External links
[edit]- 1987 films
- 1987 comedy films
- 1987 science fiction films
- 1980s American films
- 1980s English-language films
- 1980s science fiction comedy films
- Amblin Entertainment films
- American science fiction comedy films
- English-language science fiction comedy films
- Films about size change
- Films directed by Joe Dante
- Films scored by Jerry Goldsmith
- Films set in San Francisco
- Films set in the San Francisco Bay Area
- Films that won the Best Visual Effects Academy Award
- Films with screenplays by Jeffrey Boam
- Human body in popular culture
- Warner Bros. films