Eutychides: Difference between revisions
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{{Short description| |
{{Short description|3rd century BC Greek sculptor}} |
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{{Hatnote|Eutychides is also the former name of the spider genus [[Entychides]]}} |
{{Hatnote|Eutychides is also the former name of the spider genus [[Entychides]]}} |
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[[File:Tyche Antioch Vatican Inv2672.jpg|thumb|200px|Marble Roman copy of Eutychides' ''[[Tyche]] of [[Antioch]]'', Galleria dei Candelabri, [[Vatican Museums]]; original dates back to the |
[[File:Tyche Antioch Vatican Inv2672.jpg|thumb|200px|Marble Roman copy of Eutychides' ''[[Tyche]] of [[Antioch]]'', Galleria dei Candelabri, [[Vatican Museums]]; original dates back to the 3rd century BC.]] |
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'''Eutychides''' {{IPAc-en|j|uː|ˈ|t|ɪ|k|ə|d|iː|z}} ({{ |
'''Eutychides''' {{IPAc-en|j|uː|ˈ|t|ɪ|k|ə|d|iː|z}} ({{langx|grc|Εὐτυχίδης}}, {{transl|grc|Eutukhídēs}}) of [[Sicyon]] in [[Corinthia]], Greek sculptor of the early part of the 3rd century BC, was a pupil of [[Lysippus]].<ref>Ogden, ''The Legend of Seleucus'', p. 136.</ref> His most noted work was a statue of the [[Tyche of Antioch]], a goddess who embodied the idea of the then newly founded city of [[Antioch]]. The Tyche was seated on a rock, crowned with towers, and having the [[river Orontes]] at her feet. There is a small copy of the statue in the [[Vatican City|Vatican]]. It was imitated by a number of Asiatic cities; and indeed most statues since created that commemorate cities borrow something from the work of Eutychides.{{sfn|Chisholm|1911|p=958}} |
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At the invitation of king [[Areus I|Areus]], Eutychides spent some time in [[Sparta]], where he made a statue of the [[Eurotas (river)|Eurotas]] river, and perhaps another of a seated [[Heracles|Herakles]], in the 280s or 270s.<ref name=":0">Legras & Christien, ''Sparte héllenistique'', p. 181.</ref> |
At the invitation of king [[Areus I|Areus]], Eutychides spent some time in [[Sparta]], where he made a statue of the [[Eurotas (river)|Eurotas]] river, and perhaps another of a seated [[Heracles|Herakles]], in the 280s or 270s.<ref name=":0">Legras & Christien, ''Sparte héllenistique'', p. 181.</ref> |
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[[Category:4th-century BC Greek sculptors]] |
[[Category:4th-century BC Greek sculptors]] |
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[[Category:Ancient Greek sculptors]] |
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[[Category:Hellenistic sculptors]] |
[[Category:Hellenistic sculptors]] |
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[[Category:Ancient Sicyonians]] |
[[Category:Ancient Sicyonians]] |
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[[Category:People |
[[Category:People from the Seleucid Empire]] |
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Latest revision as of 10:29, 29 October 2024
Eutychides /juːˈtɪkədiːz/ (Ancient Greek: Εὐτυχίδης, Eutukhídēs) of Sicyon in Corinthia, Greek sculptor of the early part of the 3rd century BC, was a pupil of Lysippus.[1] His most noted work was a statue of the Tyche of Antioch, a goddess who embodied the idea of the then newly founded city of Antioch. The Tyche was seated on a rock, crowned with towers, and having the river Orontes at her feet. There is a small copy of the statue in the Vatican. It was imitated by a number of Asiatic cities; and indeed most statues since created that commemorate cities borrow something from the work of Eutychides.[2]
At the invitation of king Areus, Eutychides spent some time in Sparta, where he made a statue of the Eurotas river, and perhaps another of a seated Herakles, in the 280s or 270s.[3]
List of known works
[edit]- Tyche of Antioch[3]
- Allegory of the Eurotas river, in Sparta[3]
- Allegory of the Nile[3]
- Allegory of the Orontes river[3]
- Herakles seated and reclining on his mace, in Sparta[3]
References
[edit]Attribution:
- public domain: Chisholm, Hugh, ed. (1911). "Eutychides". Encyclopædia Britannica. Vol. 9 (11th ed.). Cambridge University Press. p. 958. This article incorporates text from a publication now in the
Bibliography
[edit]- Bernard Legras & Jacqueline Christien, Dialogues d'histoire ancienne Supplément N° 11, Sparte hellénistique, IVe-IIIe siècles avant notre ère, Presses universitaires de Franche-Comté, 2014. ISBN 978-2-84867-493-3
- Daniel Ogden, The Legend of Seleucus, Kingship, Narrative and Mythmaking in the Ancient Greek World, Cambridge University Press, 2017. ISBN 9781107164789