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| venue =
| venue =
| studio = Spectrum City Studios, Hempstead
| studio = Spectrum City Studios, Hempstead
| genre = [[Hardcore hip hop]]<ref name="Hartwig">{{cite web|url=https://www.sputnikmusic.com/review/1465/Public-Enemy-Yo%21-Bum-Rush-the-Show/|title=Public Enemy – ''Yo! Bum Rush the Show''|website=Sputnikmusic|date=January 16, 2005|access-date=December 6, 2009|last=Hartwig|first=Andrew (aka br3ad_man)}}</ref>
| genre = [[Hip hop music|Hip hop]]
| length = 46:44
| length = 46:44
| label = {{flatlist|
| label = {{flatlist|
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}}
}}
| producer = {{flatlist|
| producer = {{flatlist|
* [[Rick Rubin]] {{small|([[executive producer|exec.]])}}
* Bill Stephney
* Bill Stephney
* [[The Bomb Squad]]
* [[The Bomb Squad]]
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}}
}}
}}
'''''Yo! Bum Rush the Show''''' is the debut studio album by American [[Hip hop music|hip hop]] group [[Public Enemy (band)|Public Enemy]], released on February 10, 1987. It was recorded at Spectrum City Studios in Hempstead, New York,<ref name="Erlewine"/> and became one of the fastest-selling hip hop records, but was controversial among radio stations and critics, in part due to lead rapper [[Chuck D]]'s [[Black nationalism|black nationalist]] politics. Despite this, the album has since been regarded as one of hip hop's greatest and most influential records.
'''''Yo! Bum Rush the Show''''' is the debut studio album by American [[Hip hop music|hip hop]] group [[Public Enemy]], released on February 10, 1987. It was recorded at Spectrum City Studios in [[Hempstead, New York]],<ref name="Erlewine"/> and became one of the fastest-selling hip hop records, but was controversial among radio stations and critics, in part due to lead rapper [[Chuck D]]'s [[Black nationalism|black nationalist]] politics. Despite this, the album has since been regarded as one of hip hop's greatest and most influential records.


== Musical style ==
==Musical style==
''Yo! Bum Rush the Show'' debuts [[The Bomb Squad]]'s [[Sampling (music)|sample]]-heavy production style, which is prominent on the group's following work.<ref>Columnist. [https://www.rollingstone.com/news/story/18395765/hiphops_greatest_year_fifteen_albums_that_made_rap_explode Hip-Hop's Greatest Year: ''It Takes a Nation of Millions to Hold Us Back'']. ''Rolling Stone''. Retrieved on December 6, 2009.</ref> Joe Brown of ''[[The Washington Post]]'' described the album's music as "a more serious brand of [[inner-city]] aggression", in comparison to ''[[Licensed to Ill]]'' (1986) by Def Jam label-mates the [[Beastie Boys]].<ref name="Brown">Brown, Joe. "[https://pqasb.pqarchiver.com/washingtonpost/access/73809954.html?dids=73809954:73809954&FMT=ABS&FMTS=ABS:FT&type=current&date=Apr+03%2C+1987&author=Joe+Brown&pub=The+Washington+Post+(pre-1997+Fulltext)&desc=A+Bestiary+of+Beastly+Boys&pqatl=google A Bestiary of Beastly Boys]". ''The Washington Post'': n.15. April 3, 1987.</ref> On its musical style, Brown wrote "Public Enemy's mean and minimalist rap is marked by an absolute absence of melody – the scary sound is just a throbbing pulse, hard drums and a designed-to-irritate electronic whine, like a dentist's drill or a persistent mosquito".<ref name="Brown"/> The album's sound is accented by the [[scratching]] of DJ [[Terminator X]].<ref name="Jenkins">Jenkins, Mark. "[https://pqasb.pqarchiver.com/washingtonpost/access/73831403.html?dids=73831403:73831403&FMT=ABS&FMTS=ABS:FT&type=current&date=Jul+01%2C+1987&author=Mark+Jenkins&pub=The+Washington+Post+(pre-1997+Fulltext)&desc=The+New+Rap+Revolution%2C+Hop+to+Hype%3B+L.L.+Cool+J%2C+Lisa+Lisa+%26+Public+Enemy%2C+Evolving&pqatl=google Review: ''Yo! Bum Rush the Show'']". ''[[The Washington Post]]'': d.07. July 1, 1987.</ref> ''[[Chicago Tribune]]'' writer Daniel Brogan described Public Enemy's style on the album as "raw and confrontational", writing that the group "doesn't aim to – or have a chance at – crossing over".<ref name="Brogan">Brogan, Daniel. "[https://pqasb.pqarchiver.com/chicagotribune/access/24885345.html?dids=24885345:24885345&FMT=CITE&FMTS=CITE:FT&type=current&date=Apr+03%2C+1987&author=Daniel+Brogan&pub=Chicago+Tribune+(pre-1997+Fulltext)&desc=HISTORY+OF+NEW+ORLEANS+R+%26+B+IS+A+PRIMER+OF+CITY'S+MUSIC&pqatl=google Review: ''Yo! Bum Rush the Show'']". ''[[Chicago Tribune]]'': 48. April 3, 1987.</ref>
''Yo! Bum Rush the Show'' featured [[the Bomb Squad]]'s [[Sampling (music)|sample]]-heavy production style, also prominent on the group's later work.<ref>{{cite magazine |url=http://www.rollingstone.com/news/story/18395765/hiphops_greatest_year_fifteen_albums_that_made_rap_explode |title=Hip-Hop's Greatest Year: ''It Takes a Nation of Millions to Hold Us Back'' |magazine=[[Rolling Stone]] |date=February 12, 2008 |accessdate=December 6, 2009 |archive-url=https://web.archive.org/web/20080217093207/http://www.rollingstone.com/news/story/18395765/hiphops_greatest_year_fifteen_albums_that_made_rap_explode |archive-date=17 February 2008 |url-status=dead}}</ref> Joe Brown of ''[[The Washington Post]]'' described the album's music as "a more serious brand of [[inner-city]] aggression", in comparison to ''[[Licensed to Ill]]'' (1986) by Def Jam label-mates the [[Beastie Boys]].<ref name="Brown">{{cite news|first=Joe|last=Brown|url=https://pqasb.pqarchiver.com/washingtonpost/access/73809954.html?dids=73809954:73809954&FMT=ABS&FMTS=ABS:FT&type=current&date=Apr+03%2C+1987&author=Joe+Brown&pub=The+Washington+Post+(pre-1997+Fulltext)&desc=A+Bestiary+of+Beastly+Boys&pqatl=google|archive-url=https://web.archive.org/web/20121024062536/http://pqasb.pqarchiver.com/washingtonpost/access/73809954.html?dids=73809954:73809954&FMT=ABS&FMTS=ABS:FT&type=current&date=Apr+03,+1987&author=Joe+Brown&pub=The+Washington+Post+(pre-1997+Fulltext)&desc=A+Bestiary+of+Beastly+Boys&pqatl=google|url-status=dead|archive-date=October 24, 2012|title=A Bestiary of Beastly Boys|newspaper=[[The Washington Post]]|date=April 3, 1987}}</ref> On its musical style, Brown wrote "Public Enemy's mean and minimalist rap is marked by an absolute absence of melody – the scary sound is just a throbbing pulse, hard drums and a designed-to-irritate electronic whine, like a dentist's drill or a persistent mosquito".<ref name="Brown"/> The album's sound is accented by the [[scratching]] of DJ [[Terminator X]].<ref name="Jenkins">{{cite news|first=Mark|last=Jenkins|url=https://pqasb.pqarchiver.com/washingtonpost/access/73831403.html?dids=73831403:73831403&FMT=ABS&FMTS=ABS:FT&type=current&date=Jul+01%2C+1987&author=Mark+Jenkins&pub=The+Washington+Post+(pre-1997+Fulltext)&desc=The+New+Rap+Revolution%2C+Hop+to+Hype%3B+L.L.+Cool+J%2C+Lisa+Lisa+%26+Public+Enemy%2C+Evolving&pqatl=google|archive-url=https://web.archive.org/web/20121024062513/http://pqasb.pqarchiver.com/washingtonpost/access/73831403.html?dids=73831403:73831403&FMT=ABS&FMTS=ABS:FT&type=current&date=Jul+01,+1987&author=Mark+Jenkins&pub=The+Washington+Post+(pre-1997+Fulltext)&desc=The+New+Rap+Revolution,+Hop+to+Hype%3B+L.L.+Cool+J,+Lisa+Lisa+&+Public+Enemy,+Evolving&pqatl=google|url-status=dead|archive-date=October 24, 2012|title=Review: ''Yo! Bum Rush the Show''|newspaper=[[The Washington Post]]|date=July 1, 1987}}</ref> ''[[Chicago Tribune]]'' writer Daniel Brogan described Public Enemy's style on the album as "raw and confrontational", writing that the group "doesn't aim to – or have a chance at – crossing over".<ref name="Brogan">{{cite news|first=Daniel|last=Brogan|url=https://pqasb.pqarchiver.com/chicagotribune/access/24885345.html?dids=24885345:24885345&FMT=CITE&FMTS=CITE:FT&type=current&date=Apr+03%2C+1987&author=Daniel+Brogan&pub=Chicago+Tribune+(pre-1997+Fulltext)&desc=HISTORY+OF+NEW+ORLEANS+R+%26+B+IS+A+PRIMER+OF+CITY%27S+MUSIC&pqatl=google|title=Review: ''Yo! Bum Rush the Show''|newspaper=[[Chicago Tribune]]|date=April 3, 1987}}{{dead link|date=July 2024|bot=medic}}{{cbignore|bot=medic}}</ref>


== Title and packaging ==
==Title and packaging==
According to music journalist [[Jeff Chang (journalist)|Jeff Chang]], Public Enemy embodied the "[[wikt:bum rush|bumrush]] aesthetic" of underground [[Black Power movement|black radicalism]] and used their debut album's cover to illustrate a resurgence in the spirit of [[militancy]]. The cover features the group in a poorly lit basement, "readying themselves to bring black militancy back into the high noon of the [[Ronald Reagan|Reagan]] day", as Chang described and compared to the 1987 [[Boogie Down Productions]] album ''[[Criminal Minded]]'' that followed. [[Chuck D]] is shown dressed in white Islamic clothing, [[Professor Griff]] is on the far right wearing a red beret, and [[Flavor Flav]] has his hand reaching out over a turntable, which Chang interpreted as him blessing the vinyl record. A second black hand is shown reaching at the play button to "begin the revolution", in Chang's words. A line of repeated text is printed at the bottom of the photo, described by Chang as a punchline, and reading: "THE GOVERNMENT'S RESPONSIBLE . . . THE GOVERNMENT'S RESPONSIBLE . . . THE GOVERNMENT'S RESPONSIBLE . . ."{{sfn|Chang|2005|p=248}} The cover marked the first appearance of Public Enemy's logo, a silhouette of a black man in a rifle's crosshairs.<ref name="Pareles2">Pareles, Jon. [https://www.nytimes.com/1991/09/29/arts/recordings-view-hip-hop-s-prophets-of-rage-make-noise-again.html Review: ''Apocalypse 91&nbsp;... the Enemy Strikes Black'']. ''The New York Times''. Retrieved on December 6, 2009.</ref>
According to music journalist [[Jeff Chang (journalist)|Jeff Chang]], Public Enemy embodied the "[[wikt:bum rush|bumrush]] aesthetic" of underground [[Black Power movement|black radicalism]] and used their debut album's cover to illustrate a resurgence in the spirit of [[militancy]]. The cover features the group in a poorly lit basement, "readying themselves to bring black militancy back into the high noon of the [[Ronald Reagan|Reagan]] day", as Chang described and compared to the 1987 [[Boogie Down Productions]] album ''[[Criminal Minded]]'' that followed. [[Chuck D]] is shown dressed in white Islamic clothing, [[Professor Griff]] is on the far right wearing a red beret, and [[Flavor Flav]] has his hand reaching out over a turntable, which Chang interpreted as him blessing the vinyl record. A second black hand is shown reaching at the play button to "begin the revolution", in Chang's words. A line of repeated text is printed at the bottom of the photo, described by Chang as a punchline, and reading: "THE GOVERNMENT'S RESPONSIBLE . . . THE GOVERNMENT'S RESPONSIBLE . . . THE GOVERNMENT'S RESPONSIBLE . . ."{{sfn|Chang|2005|p=248}} The cover marked the first appearance of Public Enemy's logo, a silhouette of a black man in a rifle's crosshairs.<ref name="Pareles2">{{cite news|first=Jon|last=Pareles|authorlink=Jon Pareles|url=https://www.nytimes.com/1991/09/29/arts/recordings-view-hip-hop-s-prophets-of-rage-make-noise-again.html|title=Review: ''Apocalypse 91&nbsp;... the Enemy Strikes Black''|newspaper=[[The New York Times]]|date=September 29, 1991|accessdate=December 6, 2009}}</ref>


== Release and promotion ==
==Release and promotion==
''Yo! Bum Rush the Show'' was released on February 10, 1987, by [[Def Jam Recordings]] and [[Columbia Records]].<ref name="GRD"/> It was promoted with the release of two singles that year: "Public Enemy No. 1" in March and "[[You're Gonna Get Yours]]" in May.<ref name="GRD">Strong (2004), p. 1226.</ref>
''Yo! Bum Rush the Show'' was released on February 10, 1987, by [[Def Jam Recordings]] and [[Columbia Records]].<ref name="GRD"/> It was promoted with the release of two singles that year: "Public Enemy No. 1" in March and "[[You're Gonna Get Yours]]" in May.<ref name="GRD">Strong (2004), p. 1226.</ref>


The album was largely ignored by [[radio programmer]]s,<ref name="lat"/> including most African-American radio stations.{{sfn|Chang|2005|p=250}} On [[record chart]]s, it reached the 125th position of the [[Billboard 200|''Billboard'' Top LPs]] and number 28 on the [[Top R&B/Hip-Hop Albums|Top Black Albums]] in the United States.<ref name="charts"/> [[Jon Pareles]] reported in May 1987, however, that it had become one of hip hop's fastest selling records.<ref name="Pareles"/> By the following year, it had sold more than 300,000 copies in the US,<ref name="lat">{{cite news|last=Hilburn|first=Robert|authorlink=Robert Hilburn|date=July 9, 1988|url=http://articles.latimes.com/1988-07-09/entertainment/ca-5565_1_public-enemy|title=Public Enemy Merges Punk, Rap|newspaper=[[Los Angeles Times]]|accessdate=November 9, 2018}}</ref> and 400,000 by 1989.<ref>{{cite journal | url=https://books.google.com/books?id=PK1uLUXpAzoC&pg=PA70 | title=Do the Right Thing | author=Leland, John | journal=[[Spin (magazine)|Spin]] | publisher=Spin Media LLC |date=September 1989 | page=70 |issn=0886-3032}}</ref> On October 3, 1994, the album was certified [[RIAA certification|Gold]] by the [[Recording Industry Association of America]], indicating 500,000 units moved.<ref>[https://www.riaa.com/gold-platinum/?tab_active=default-award&se=yo+bum+rush+the+show#search_section Gold & Platinum]. RIAA. Retrieved November 9, 2018.</ref>
The album was largely ignored by [[radio programmer]]s,<ref name="lat"/> including most African-American radio stations.{{sfn|Chang|2005|p=250}} On [[record chart]]s, it reached the 125th position of the [[Billboard 200|''Billboard'' Top LPs]] and number 28 on the [[Top R&B/Hip-Hop Albums|Top Black Albums]] in the United States.<ref name="charts">[{{AllMusic|class=album|id=r28185/charts-awards|pure_url=yes}} Billboard Albums: ''Revolverlution'']. Allmusic. Retrieved on January 8, 2010.</ref> [[Jon Pareles]] reported in May 1987, however, that it had become one of hip hop's fastest selling records.<ref name="Pareles2"/> By the following year, it had sold more than 300,000 copies in the US,<ref name="lat">{{cite news|last=Hilburn|first=Robert|author-link=Robert Hilburn|date=July 9, 1988|url=https://www.latimes.com/archives/la-xpm-1988-07-09-ca-5565-story.html|title=Public Enemy Merges Punk, Rap|newspaper=[[Los Angeles Times]]|access-date=November 9, 2018}}</ref> and 400,000 by 1989.<ref>{{cite magazine | url=https://books.google.com/books?id=PK1uLUXpAzoC&pg=PA70 | title=Do the Right Thing | first=John|last=Leland | magazine=[[Spin (magazine)|Spin]] |date=September 1989 | page=70 |issn=0886-3032}}</ref> On October 3, 1994, the album was certified [[RIAA certification|Gold]] by the [[Recording Industry Association of America]], indicating 500,000 units moved.<ref>[https://www.riaa.com/gold-platinum/?tab_active=default-award&se=yo+bum+rush+the+show#search_section Gold & Platinum]. RIAA. Retrieved November 9, 2018.</ref>


== Critical reception ==
==Critical reception==
{{Album ratings
{{Album ratings
| title = Retrospective professional reviews
| title = Retrospective professional reviews
| rev1 = [[AllMusic]]
| rev1 = [[AllMusic]]
| rev1Score = {{Rating|4.5|5}}<ref name="Erlewine">{{cite web|url=http://www.allmusic.com/album/yo%21-bum-rush-the-show-mw0000194784|title=''Yo! Bum Rush the Show'' – Public Enemy|publisher=[[AllMusic]]|accessdate=December 6, 2009|last=Erlewine|first=Stephen Thomas|authorlink=Stephen Thomas Erlewine}}</ref>
| rev1Score = {{Rating|4.5|5}}<ref name="Erlewine">{{cite web|url=http://www.allmusic.com/album/yo%21-bum-rush-the-show-mw0000194784|title=''Yo! Bum Rush the Show'' – Public Enemy|website=[[AllMusic]]|access-date=December 6, 2009|last=Erlewine|first=Stephen Thomas|author-link=Stephen Thomas Erlewine}}</ref>
| rev2 = ''[[Christgau's Record Guide: The '80s|Christgau's Record Guide]]''
| rev2 = ''[[Christgau's Record Guide: The '80s|Christgau's Record Guide]]''
| rev2Score = B+<ref>{{cite book|chapter=Public Enemy: ''Yo! Bum Rush the Show''|chapter-url=https://www.robertchristgau.com/get_album.php?id=2826|accessdate=January 21, 2017|title=[[Christgau's Record Guide: The '80s]]|last=Christgau|first=Robert|authorlink=Robert Christgau|publisher=[[Pantheon Books]]|year=1990|isbn=0-679-73015-X}}</ref>
| rev2Score = B+<ref>{{cite book|chapter=Public Enemy: ''Yo! Bum Rush the Show''|chapter-url=https://www.robertchristgau.com/get_album.php?id=2826|access-date=January 21, 2017|title=[[Christgau's Record Guide: The '80s]]|last=Christgau|first=Robert|author-link=Robert Christgau|publisher=[[Pantheon Books]]|year=1990|isbn=0-679-73015-X}}</ref>
| rev3 = ''[[Encyclopedia of Popular Music]]''
| rev3 = ''[[The Encyclopedia of Popular Music]]''
| rev3Score = {{Rating|4|5}}<ref name="Larkin">{{cite book|title=[[Encyclopedia of Popular Music|The Encyclopedia of Popular Music]]|last=Larkin|first=Colin|authorlink=Colin Larkin (writer)|publisher=[[Omnibus Press]]|edition=5th concise|year=2011|isbn=0-85712-595-8}}</ref>
| rev3Score = {{Rating|4|5}}<ref name="Larkin">{{cite book|title=[[The Encyclopedia of Popular Music]]|last=Larkin|first=Colin|author-link=Colin Larkin (writer)|publisher=[[Omnibus Press]]|edition=5th concise|year=2011|isbn=0-85712-595-8}}</ref>
| rev4 = ''[[The Guardian]]''
| rev4 = ''[[The Guardian]]''
| rev4Score = {{Rating|4|5}}<ref>{{cite news|title=Reissues: Public Enemy|work=[[The Guardian]]|date=July 21, 1995|last=Wasir|first=Burhan}}</ref>
| rev4Score = {{Rating|4|5}}<ref>{{cite news|title=Reissues: Public Enemy|work=[[The Guardian]]|date=July 21, 1995|last=Wasir|first=Burhan}}</ref>
| rev5 = ''[[MusicHound|MusicHound R&B]]''
| rev5 = ''[[NME]]''
| rev5Score = 9/10<ref name="NME">{{cite journal|title=Public Enemy: ''Yo! Bum Rush the Show''|work=[[NME]]|date=July 15, 1995|page=47}}</ref>
| rev5Score = 3/5<ref>{{cite book|chapter=Public Enemy|editor1-first=Gary|editor1-last=Graff|editorlink1=Gary Graff|editor2-first=Josh Freedom|editor2-last=du Lac|editor3-first=Jim|editor3-last=McFarlin|year=1998|title=MusicHound R&B: The Essential Album Guide|publisher=[[Visible Ink Press]]|isbn=1578590264|url=https://archive.org/details/musichoundrbesse00graf}}</ref>
| rev6 = ''[[NME]]''
| rev6 = ''[[Q (magazine)|Q]]''
| rev6Score = 9/10<ref name="NME">{{cite journal|title=Public Enemy: ''Yo! Bum Rush the Show''|work=[[NME]]|date=July 15, 1995|page=47}}</ref>
| rev6Score = {{Rating|4|5}}<ref name="Qmag">{{cite journal|title=Public Enemy: ''Yo! Bum Rush the Show''|work=[[Q (magazine)|Q]]|issue=108|date=September 1995|page=132}}</ref>
| rev7 = ''[[Q (magazine)|Q]]''
| rev7 = ''[[The Rolling Stone Album Guide]]''
| rev7Score = {{Rating|4|5}}<ref name="Qmag">{{cite journal|title=Public Enemy: ''Yo! Bum Rush the Show''|work=[[Q (magazine)|Q]]|issue=108|date=September 1995|page=132}}</ref>
| rev7Score = {{Rating|4.5|5}}<ref name="Hoard">{{cite book|chapter=Public Enemy|last=Relic|first=Peter|title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]]|editor1-last=Brackett|editor1-first=Nathan|editor2-last=Hoard|editor2-first=Christian|publisher=[[Simon & Schuster]]|edition=4th|year=2004|isbn=0-7432-0169-8|pages=[https://archive.org/details/newrollingstonea00brac/page/661 661–662]}}</ref>
| rev8 = ''[[The Rolling Stone Album Guide]]''
| rev8 = ''[[Spin Alternative Record Guide]]''
| rev8Score = {{Rating|4.5|5}}<ref name="Hoard">{{cite book|chapter=Public Enemy|last=Relic|first=Peter|title=[[The Rolling Stone Album Guide|The New Rolling Stone Album Guide]]|editor1-last=Brackett|editor1-first=Nathan|editor2-last=Hoard|editor2-first=Christian|publisher=[[Simon & Schuster]]|edition=4th|year=2004|isbn=0-7432-0169-8|pages=[https://archive.org/details/newrollingstonea00brac/page/661 661–662]}}</ref>
| rev8Score = 7/10<ref>{{cite book|chapter=Public Enemy|title=[[Spin Alternative Record Guide]]|editor1-last=Weisbard|editor1-first=Eric|editor2-last=Marks|editor2-first=Craig|publisher=[[Vintage Books]]|year=1995|location=New York|isbn=0-679-75574-8}}</ref>
| rev9 = ''[[Spin Alternative Record Guide]]''
| rev9Score = 7/10<ref>{{cite book|chapter=Public Enemy|title=[[Spin Alternative Record Guide]]|editor1-last=Weisbard|editor1-first=Eric|editor2-last=Marks|editor2-first=Craig|publisher=[[Vintage Books]]|year=1995|location=New York|isbn=0-679-75574-8}}</ref>
| rev10 = [[Sputnikmusic]]
| rev10Score = 5/5<ref name="Hartwig">{{cite web|url=https://www.sputnikmusic.com/review/1465/Public-Enemy-Yo%21-Bum-Rush-the-Show/|title=Public Enemy – ''Yo! Bum Rush the Show''|publisher=[[Sputnikmusic]]|date=January 16, 2005|accessdate=December 6, 2009|last=Hartwig|first=Andrew}}</ref>
}}
}}
According to [[Robert Hilburn]] in 1988, ''Yo! Bum Rush the Show'' was widely acclaimed by critics.<ref name="lat"/> However, fellow music journalist Christopher R. Weingarten later recalled American critics were originally lukewarm to the album.{{sfn|Weingarten|2010|p=60}} In Chang's estimation, white journalists in particular strongly criticized Chuck D's pro-black nationalist sentiments.{{sfn|Chang|2005|p=250}}
According to [[Robert Hilburn]] in 1988, ''Yo! Bum Rush the Show'' was widely acclaimed by critics.<ref name="lat"/> However, fellow music journalist Christopher R. Weingarten later recalled American critics were originally lukewarm to the album.{{sfn|Weingarten|2010|p=60}} In Chang's estimation, white journalists in particular strongly criticized Chuck D's pro-[[black nationalist]] sentiments.{{sfn|Chang|2005|p=250}}


In a review published in ''[[The Village Voice]]'' under the title "Noise Annoys", [[John Leland (journalist)|John Leland]] avoided the group's politics entirely and simply found Chuck D boring, instead preferring the more entertaining rhymes of Flavor Flav.{{sfn|Chang|2005|p=255}} Fellow ''Village Voice'' critic [[Robert Christgau]] said the group has "literary chops—amid puns more [[Elvis Costello]] than [[Peter Tosh]], their 'Megablast' is cutting anticrack narrative-propaganda--and they make something personal of rap's ranking minimalist groove." He found them lacking in levity, however, and complained that "Chuck D takes the bully-boy orotundity of his school of rap elocution into a realm of vocal self-involvement worthy of [[Pavarotti]], [[Steve Perry]], or the preacher at a [[Richard Pryor]] funeral."<ref>{{cite news|last=Christgau|first=Robert|date=June 30, 1987|url=https://www.robertchristgau.com/xg/cg/cgv6b-87.php|title=Consumer Guide|newspaper=[[The Village Voice]]|accessdate=November 8, 2018}}</ref> Pareles was more enthusiastic in ''[[The New York Times]]'', hailing ''Yo! Bum Rush the Show'' as rap's "grittiest" full-length record. While still finding Public Enemy plagued by the immature machismo prevalent in the genre, the journalist said its songs are "far more convincing - and unsettling - when [Chuck] D takes on money and power", and concluded: "At a time when most rappers typecast themselves as comedy acts or party bands, Public Enemy's best moments promise something far more dangerous and subversive: realism."<ref name="Pareles">Pareles, Jon. [https://www.nytimes.com/1987/05/10/arts/defiance-and-rage-hone-a-debut-rap-album.html Review: ''Yo! Bum Rush the Show'']. ''[[The New York Times]]''. Retrieved on December 6, 2009.</ref>
In a review published in ''[[The Village Voice]]'' under the title "Noise Annoys", [[John Leland (journalist)|John Leland]] avoided the group's politics entirely and simply found Chuck D boring, instead preferring the more entertaining rhymes of Flavor Flav.{{sfn|Chang|2005|p=255}} Fellow ''Village Voice'' critic [[Robert Christgau]] said the group has "literary chops—amid puns more [[Elvis Costello]] than [[Peter Tosh]], their 'Megablast' is cutting anticrack narrative-propaganda--and they make something personal of rap's ranking minimalist groove." He found them lacking in levity, however, and complained that "Chuck D takes the bully-boy orotundity of his school of rap elocution into a realm of vocal self-involvement worthy of [[Pavarotti]], [[Steve Perry]], or the preacher at a [[Richard Pryor]] funeral."<ref>{{cite news|last=Christgau|first=Robert|date=June 30, 1987|url=https://www.robertchristgau.com/xg/cg/cgv6b-87.php|title=Consumer Guide|newspaper=[[The Village Voice]]|access-date=November 8, 2018}}</ref> Pareles was more enthusiastic in ''[[The New York Times]]'', hailing ''Yo! Bum Rush the Show'' as rap's "grittiest" full-length record. While still finding Public Enemy plagued by the "adolescent macho" he deemed prevalent in the genre, he said its songs are "far more convincing - and unsettling - when [Chuck] D takes on money and power", and concluded: "At a time when most rappers typecast themselves as comedy acts or party bands, Public Enemy's best moments promise something far more dangerous and subversive: realism."<ref name="Pareles">{{cite news|first=Jon|last=Pareles|authorlink=Jon Pareles|url=https://www.nytimes.com/1987/05/10/arts/defiance-and-rage-hone-a-debut-rap-album.html|title=Review: ''Yo! Bum Rush the Show''|newspaper=[[The New York Times]]|date=May 10, 1987|accessdate=December 6, 2009}}</ref>


According to Chang, the album fared better among critics in the United Kingdom, where music publications ranked it as one of the year's best records.{{sfn|Chang|2005|p=255}} In ''[[NME]]'' magazine's critics poll, it was named the best album of 1987.<ref>Staff. [http://www.rocklistmusic.co.uk/1987.html Albums of the Year Critic Poll]. ''[[NME]]''. Retrieved on December 6, 2009.</ref> It was also voted the 14th best album of the year in ''The Village Voice''{{'}}s [[Pazz & Jop]], an annual poll of American critics nationwide.<ref>[https://www.robertchristgau.com/xg/pnj/pjres87.php 1987 Pazz & Jop]. ''The Village Voice''. Retrieved November 8, 2018.</ref>
According to Chang, the album fared better among critics in the United Kingdom, where music publications ranked it as one of the year's best records.{{sfn|Chang|2005|p=255}} In ''[[NME]]'' magazine's critics poll, it was named the best album of 1987.<ref>Staff. [http://www.rocklistmusic.co.uk/1987.html Albums of the Year Critic Poll]. ''[[NME]]''. Retrieved on December 6, 2009.</ref> The single "You're Gonna Get Yours" was also listed at number 25 on their list of Top 50 tracks of the year.<ref name="nme" /> It was also voted the 14th best album of the year in ''The Village Voice''{{'}}s [[Pazz & Jop]], an annual poll of American critics nationwide.<ref>[https://www.robertchristgau.com/xg/pnj/pjres87.php 1987 Pazz & Jop]. ''The Village Voice''. Retrieved November 8, 2018.</ref>


In subsequent years, ''Yo! Bum Rush the Show'' has been considered a classic and one of hip hop's most influential records.{{sfn|Rausch|2011|p=44}} In 1998, it was selected as one of ''[[The Source (magazine)|The Source]]''{{'}}s 100 Best Rap Albums.<ref name="nme">{{cite web|url=https://www.nme.com/bestalbumsandtracksoftheyear/1987|work=[[NME]]|accessdate=October 17, 2014|title=Albums and Track of the year for 1987|archiveurl=https://web.archive.org/web/20111114160012/http://www.nme.com/bestalbumsandtracksoftheyear/1987|archivedate=November 14, 2011}}</ref> The single "Saturday Night" was also listed at number 28 on their list of Top 50 tracks of the year.<ref name="nme" /> In 2003, ''[[Rolling Stone]]'' ranked it number 497 on a list of [[The 500 Greatest Albums of All Time|the 500 greatest albums of all time]]<ref>Staff. [https://www.rollingstone.com/news/story/6627765/497_yo_bum_rush_the_show RS500: 497) ''Yo! Bum Rush the Show'']. ''Rolling Stone''. Retrieved on December 6, 2009.</ref>, but the album was dropped from the 2012 list.
In subsequent years, ''Yo! Bum Rush the Show'' has been considered a classic and one of hip hop's most influential records.{{sfn|Rausch|2011|p=44}} In 1998, it was selected as one of ''[[The Source (magazine)|The Source]]''{{'}}s 100 Best Rap Albums.<ref name="nme">{{cite web|url=https://www.nme.com/bestalbumsandtracksoftheyear/1987|work=[[NME]]|access-date=October 17, 2014|title=Albums and Track of the year for 1987|archive-url=https://web.archive.org/web/20111114160012/http://www.nme.com/bestalbumsandtracksoftheyear/1987|archive-date=November 14, 2011}}</ref> In 2003, ''[[Rolling Stone]]'' ranked it number 497 on a list of [[Rolling Stone's 500 Greatest Albums of All Time|the 500 greatest albums of all time]],<ref>{{cite magazine|url=http://www.rollingstone.com/news/story/6627765/497_yo_bum_rush_the_show|title=RS500: 497) ''Yo! Bum Rush the Show''|magazine=[[Rolling Stone]]|date=November 1, 2003|archive-url=https://web.archive.org/web/20071020093130/http://www.rollingstone.com/news/story/6627765/497_yo_bum_rush_the_show|archive-date=October 20, 2007|accessdate=December 6, 2009}}</ref> although the album was removed in the 2012 version of the list.


==Track listing==
==Track listing==
Line 84: Line 79:
| title1 = [[You're Gonna Get Yours]]
| title1 = [[You're Gonna Get Yours]]
| length1 = 4:04
| length1 = 4:04
| writer1 = [[Chuck D|Carlton "Chuck D" Ridenhour]], [[Hank Shocklee]]
| writer1 = {{flatlist|
* [[Chuck D|Carlton "Chuck D" Ridenhour]]
* [[Hank Shocklee]]
}}


| title2 = Sophisticated Bitch
| title2 = Sophisticated Bitch
| length2 = 4:30
| length2 = 4:30
| writer2 = Ridenhour, [[Flavor Flav|William "Flavor Flav" Drayton]], Shocklee
| writer2 = {{flatlist|
* Ridenhour
* [[Flavor Flav|William "Flavor Flav" Drayton]]
* Shocklee
}}

| title3 = Miuzi Weighs a Ton
| title3 = Miuzi Weighs a Ton
| length3 = 5:44
| length3 = 5:44
| writer3 = Ridenhour, Shocklee
| writer3 = {{flatlist|
* Ridenhour
* Shocklee
}}

| title4 = Timebomb
| title4 = Timebomb
| length4 = 2:54
| length4 = 2:54
| writer4 = Ridenhour, Shocklee
| writer4 = {{flatlist|
* Ridenhour
* Shocklee
}}

| title5 = Too Much Posse
| title5 = Too Much Posse
| length5 = 2:25
| length5 = 2:25
| writer5 = Ridenhour, Drayton, Shocklee
| writer5 = {{flatlist|
* Ridenhour
* Drayton
* Shocklee
}}

| title6 = Rightstarter (Message to a Black Man)
| title6 = Rightstarter (Message to a Black Man)
| length6 = 3:48
| length6 = 3:48
| writer6 = Ridenhour, Shocklee
| writer6 = {{flatlist|
* Ridenhour
* Shocklee
}}

| title7 = Public Enemy No. 1
| title7 = Public Enemy No. 1
| length7 = 4:41
| length7 = 4:41
| writer7 = Ridenhour, Shocklee
| writer7 = {{flatlist|
* Ridenhour
* Shocklee
}}


| title8 = M.P.E.
| title8 = M.P.E.
| length8 = 3:07
| length8 = 3:43
| writer8 = Ridenhour, Drayton, Shocklee
| writer8 = {{flatlist|
* Ridenhour
* Drayton
* Shocklee
}}

| title9 = Yo! Bum Rush the Show
| title9 = Yo! Bum Rush the Show
| length9 = 4:25
| length9 = 4:25
| writer9 = Ridenhour, Drayton, Shocklee
| writer9 = {{flatlist|
* Ridenhour
* Drayton
* Shocklee
}}

| title10 = Raise the Roof
| title10 = Raise the Roof
| length10 = 5:18
| length10 = 5:18
| writer10 = Ridenhour, [[Eric Sadler|Eric "Vietnam" Sadler]], Shocklee
| writer10 = {{flatlist|
* Ridenhour
* [[Eric Sadler|Eric "Vietnam" Sadler]]
* Shocklee
}}

| title11 = Megablast
| title11 = Megablast
| length11 = 2:51
| length11 = 2:51
| writer11 = Ridenhour, Drayton, Shocklee
| writer11 = {{flatlist|
* Ridenhour
* Drayton
* Shocklee
}}

| title12 = Terminator X Speaks with His Hands
| title12 = Terminator X Speaks with His Hands
| length12 = 2:13
| length12 = 2:13
| writer12 = Ridenhour, Drayton, Sadler, Shocklee
| writer12 = {{flatlist|
* Ridenhour
* Drayton
* Sadler
* Shocklee
}}

| total_length = 50:48
| total_length = 46:44

}}
}}


== Personnel ==
==Personnel==
{{col-begin}}

* [[Chuck D]] – vocals, co-producer
* [[Chuck D]] – vocals, co-producer
* [[Flavor Flav]] – vocals
* [[Flavor Flav]] – vocals
* [[Terminator X]] – lead scratch
* [[Terminator X]] – lead scratch
* [[Hank Shocklee]] – co-producer, mixing, drum programming, minimal synth programming
* [[Hank Shocklee]] – co-producer, mixing, drum programming, synth programming
* [[Eric Sadler]] – co-producer, mixing, drum programming, minimal synth programming
* [[Eric Sadler]] – co-producer, mixing, drum programming, synth programming
* Stephen Linsley – bass, recording & mixing
* Stephen Linsley – bass, recording & mixing
* Bill Stephney – bass, guitars, co-producer, mixing
* Bill Stephney – bass, guitars, co-producer, mixing
Line 152: Line 174:
* Steve Ett – mixing
* Steve Ett – mixing


==Charts==
{{col-end}}
{{col-start}}
{{col-2}}


== Charts ==
===Weekly charts===
{| class="wikitable" border="1"
{| class="wikitable sortable plainrowheaders" style="text-align:center"
|-
|-
!align="left"|Chart (1987–88)
! scope="col"| Chart (1987–1988)
! scope="col"| Peak<br /> position
!align="center"|Peak<br />position<ref name="charts">[{{Allmusic|class=album|id=r28185/charts-awards|pure_url=yes}} Billboard Albums: ''Revolverlution'']. Allmusic. Retrieved on January 8, 2010.</ref>
|-
|-
{{album chart|Billboard200|125|artist=Public Enemy|rowheader=true|accessdate=July 11, 2021}}
|align="left"|U.S. [[Billboard 200|''Billboard'' Top LPs]]
|align="center"|125
|-
|-
{{album chart|BillboardRandBHipHop|28|artist=Public Enemy|rowheader=true|accessdate=July 11, 2021}}
|align="left"|U.S. ''Billboard'' [[Top R&B/Hip-Hop Albums|Top Black Albums]]
|align="center"|28
|}
|}

{| class="wikitable plainrowheaders" style="text-align:center"
! scope="col"| Chart (2024)
! scope="col"| Peak<br />position
|-
{{album chart|UKR&B|20|date=20240830|rowheader=true|access-date=August 30, 2024}}
|}
{{col-2}}

===Year-end charts===
{| class="wikitable plainrowheaders" style="text-align:center"
|-
! scope="col"| Chart (1988)
! scope="col"| Position
|-
! scope="row"| US Top R&B/Hip-Hop Albums (''Billboard'')<ref>{{cite web|url=https://www.billboard.com/charts/year-end/1988/top-r-and-b-hip-hop-albums|title=Top R&B/Hip-Hop Albums – Year-End 1988|work=Billboard|accessdate=July 11, 2021}}</ref>
| 94
|}
{{col-end}}


==Certifications==
==Certifications==
{{Certification Table Top}}
{{Certification Table Top}}
{{Certification Table Entry|type=album|region=United States|artist=Public Enemy|title=Yo! Bum Rush the Show|award=Gold|relyear=1987|certyear=1974|salesamount=500,000|refname=riaa}}
{{Certification Table Entry|type=album|region=United States|artist=Public Enemy|title=Yo! Bum Rush the Show|award=Gold|relyear=1987|certyear=1974|refname=riaa}}
{{Certification Table Bottom}}
{{Certification Table Bottom | nosales=true}}


== References ==
== See also ==
* [[Album era]]
{{reflist|30em}}


== Bibliography ==
==References==
{{Reflist|30em}}
* {{cite book|ref=harv|last=Chang|first=Jeff|authorlink=Jeff Chang (journalist)|year=2005|title=Can't Stop Won't Stop: A History of the Hip-Hop Generation|publisher=Macmillan|isbn=031230143X}}

* {{cite book|author=Nathan Brackett, Christian Hoard|title=The New Rolling Stone Album Guide|others=Completely Revised and Updated 4th Edition|publisher=Simon and Schuster|year=2004|location=|isbn=0-7432-0169-8|url=https://archive.org/details/newrollingstonea00brac}}
==Bibliography==
* {{cite book|ref=harv|last=Rausch|first=Andrew J.|authorlink=Andrew J. Rausch|year=2011|title=I Am Hip-Hop: Conversations on the Music and Culture|publisher=[[Scarecrow Press]]|isbn=0810877929}}
* {{cite book|last=Chang|first=Jeff|author-link=Jeff Chang (journalist)|year=2005|title=Can't Stop Won't Stop: A History of the Hip-Hop Generation|publisher=Macmillan|isbn=031230143X}}
* {{cite book|author=Nathan Brackett, Christian Hoard|title=The New Rolling Stone Album Guide|others=Completely Revised and Updated 4th Edition|publisher=Simon and Schuster|year=2004|isbn=0-7432-0169-8|url=https://archive.org/details/newrollingstonea00brac}}
* {{cite book|last=Rausch|first=Andrew J.|year=2011|title=I Am Hip-Hop: Conversations on the Music and Culture|publisher=[[Scarecrow Press]]|isbn=0810877929}}
* {{cite book|last=Strong|first=Martin Charles|date=October 21, 2004|title=The Great Rock Discography|publisher=[[Canongate Books|Canongate U.S.]]|edition=7th|isbn=1-84195-615-5}}
* {{cite book|last=Strong|first=Martin Charles|date=October 21, 2004|title=The Great Rock Discography|publisher=[[Canongate Books|Canongate U.S.]]|edition=7th|isbn=1-84195-615-5}}
* {{cite book|ref=harv|last=Weingarten|first=Christopher R.|year=2010|title=Public Enemy's It Takes a Nation of Millions to Hold Us Back|publisher=A&C Black|isbn=0826429130|series=[[33⅓]]|volume=71}}
* {{cite book|last=Weingarten|first=Christopher R.|year=2010|title=Public Enemy's It Takes a Nation of Millions to Hold Us Back|publisher=A&C Black|isbn=0826429130|series=[[33⅓]]|volume=71}}


== Further reading ==
==Further reading==
* {{Cite web|last=Barrow|first=Jerry|year=2017|url=https://www.okayplayer.com/news/secret-history-public-enemy-yo-bum-rush-the-show.html|title=The Secret History of Public Enemy's 'Yo! Bum Rush the Show'|website=[[Okayplayer]]|accessdate=November 9, 2018}}
* {{Cite web|last=Barrow|first=Jerry|year=2017|url=https://www.okayplayer.com/news/secret-history-public-enemy-yo-bum-rush-the-show.html|title=The Secret History of Public Enemy's 'Yo! Bum Rush the Show'|website=[[Okayplayer]]|access-date=November 9, 2018}}


== External links ==
==External links==
* [http://www.acclaimedmusic.net/album/A696.htm ''Yo! Bum Rush the Show''] at [[Acclaimed Music]] (list of accolades)
* {{Discogs master|type=album|50985}}
* {{Discogs master|type=album|50985}}


{{Public Enemy}}
{{Public Enemy}}

{{Authority control}}


[[Category:Public Enemy (band) albums]]
[[Category:Public Enemy (band) albums]]
Line 195: Line 240:
[[Category:Def Jam Recordings albums]]
[[Category:Def Jam Recordings albums]]
[[Category:Columbia Records albums]]
[[Category:Columbia Records albums]]
[[Category:Albums produced by Rick Rubin]]

Latest revision as of 18:38, 29 October 2024

Yo! Bum Rush the Show
Studio album by
ReleasedFebruary 10, 1987
Recorded1986
StudioSpectrum City Studios, Hempstead
GenreHardcore hip hop[1]
Length46:44
Label
Producer
Public Enemy chronology
Yo! Bum Rush the Show
(1987)
It Takes a Nation of Millions to Hold Us Back
(1988)
Singles from Yo! Bum Rush the Show
  1. "Public Enemy No. 1"
    Released: March 1987
  2. "You're Gonna Get Yours"
    Released: May 1987

Yo! Bum Rush the Show is the debut studio album by American hip hop group Public Enemy, released on February 10, 1987. It was recorded at Spectrum City Studios in Hempstead, New York,[2] and became one of the fastest-selling hip hop records, but was controversial among radio stations and critics, in part due to lead rapper Chuck D's black nationalist politics. Despite this, the album has since been regarded as one of hip hop's greatest and most influential records.

Musical style

[edit]

Yo! Bum Rush the Show featured the Bomb Squad's sample-heavy production style, also prominent on the group's later work.[3] Joe Brown of The Washington Post described the album's music as "a more serious brand of inner-city aggression", in comparison to Licensed to Ill (1986) by Def Jam label-mates the Beastie Boys.[4] On its musical style, Brown wrote "Public Enemy's mean and minimalist rap is marked by an absolute absence of melody – the scary sound is just a throbbing pulse, hard drums and a designed-to-irritate electronic whine, like a dentist's drill or a persistent mosquito".[4] The album's sound is accented by the scratching of DJ Terminator X.[5] Chicago Tribune writer Daniel Brogan described Public Enemy's style on the album as "raw and confrontational", writing that the group "doesn't aim to – or have a chance at – crossing over".[6]

Title and packaging

[edit]

According to music journalist Jeff Chang, Public Enemy embodied the "bumrush aesthetic" of underground black radicalism and used their debut album's cover to illustrate a resurgence in the spirit of militancy. The cover features the group in a poorly lit basement, "readying themselves to bring black militancy back into the high noon of the Reagan day", as Chang described and compared to the 1987 Boogie Down Productions album Criminal Minded that followed. Chuck D is shown dressed in white Islamic clothing, Professor Griff is on the far right wearing a red beret, and Flavor Flav has his hand reaching out over a turntable, which Chang interpreted as him blessing the vinyl record. A second black hand is shown reaching at the play button to "begin the revolution", in Chang's words. A line of repeated text is printed at the bottom of the photo, described by Chang as a punchline, and reading: "THE GOVERNMENT'S RESPONSIBLE . . . THE GOVERNMENT'S RESPONSIBLE . . . THE GOVERNMENT'S RESPONSIBLE . . ."[7] The cover marked the first appearance of Public Enemy's logo, a silhouette of a black man in a rifle's crosshairs.[8]

Release and promotion

[edit]

Yo! Bum Rush the Show was released on February 10, 1987, by Def Jam Recordings and Columbia Records.[9] It was promoted with the release of two singles that year: "Public Enemy No. 1" in March and "You're Gonna Get Yours" in May.[9]

The album was largely ignored by radio programmers,[10] including most African-American radio stations.[11] On record charts, it reached the 125th position of the Billboard Top LPs and number 28 on the Top Black Albums in the United States.[12] Jon Pareles reported in May 1987, however, that it had become one of hip hop's fastest selling records.[8] By the following year, it had sold more than 300,000 copies in the US,[10] and 400,000 by 1989.[13] On October 3, 1994, the album was certified Gold by the Recording Industry Association of America, indicating 500,000 units moved.[14]

Critical reception

[edit]
Retrospective professional reviews
Review scores
SourceRating
AllMusic[2]
Christgau's Record GuideB+[15]
The Encyclopedia of Popular Music[16]
The Guardian[17]
NME9/10[18]
Q[19]
The Rolling Stone Album Guide[20]
Spin Alternative Record Guide7/10[21]

According to Robert Hilburn in 1988, Yo! Bum Rush the Show was widely acclaimed by critics.[10] However, fellow music journalist Christopher R. Weingarten later recalled American critics were originally lukewarm to the album.[22] In Chang's estimation, white journalists in particular strongly criticized Chuck D's pro-black nationalist sentiments.[11]

In a review published in The Village Voice under the title "Noise Annoys", John Leland avoided the group's politics entirely and simply found Chuck D boring, instead preferring the more entertaining rhymes of Flavor Flav.[23] Fellow Village Voice critic Robert Christgau said the group has "literary chops—amid puns more Elvis Costello than Peter Tosh, their 'Megablast' is cutting anticrack narrative-propaganda--and they make something personal of rap's ranking minimalist groove." He found them lacking in levity, however, and complained that "Chuck D takes the bully-boy orotundity of his school of rap elocution into a realm of vocal self-involvement worthy of Pavarotti, Steve Perry, or the preacher at a Richard Pryor funeral."[24] Pareles was more enthusiastic in The New York Times, hailing Yo! Bum Rush the Show as rap's "grittiest" full-length record. While still finding Public Enemy plagued by the "adolescent macho" he deemed prevalent in the genre, he said its songs are "far more convincing - and unsettling - when [Chuck] D takes on money and power", and concluded: "At a time when most rappers typecast themselves as comedy acts or party bands, Public Enemy's best moments promise something far more dangerous and subversive: realism."[25]

According to Chang, the album fared better among critics in the United Kingdom, where music publications ranked it as one of the year's best records.[23] In NME magazine's critics poll, it was named the best album of 1987.[26] The single "You're Gonna Get Yours" was also listed at number 25 on their list of Top 50 tracks of the year.[27] It was also voted the 14th best album of the year in The Village Voice's Pazz & Jop, an annual poll of American critics nationwide.[28]

In subsequent years, Yo! Bum Rush the Show has been considered a classic and one of hip hop's most influential records.[29] In 1998, it was selected as one of The Source's 100 Best Rap Albums.[27] In 2003, Rolling Stone ranked it number 497 on a list of the 500 greatest albums of all time,[30] although the album was removed in the 2012 version of the list.

Track listing

[edit]
No.TitleWriter(s)Length
1."You're Gonna Get Yours"4:04
2."Sophisticated Bitch"
4:30
3."Miuzi Weighs a Ton"
  • Ridenhour
  • Shocklee
5:44
4."Timebomb"
  • Ridenhour
  • Shocklee
2:54
5."Too Much Posse"
  • Ridenhour
  • Drayton
  • Shocklee
2:25
6."Rightstarter (Message to a Black Man)"
  • Ridenhour
  • Shocklee
3:48
7."Public Enemy No. 1"
  • Ridenhour
  • Shocklee
4:41
8."M.P.E."
  • Ridenhour
  • Drayton
  • Shocklee
3:43
9."Yo! Bum Rush the Show"
  • Ridenhour
  • Drayton
  • Shocklee
4:25
10."Raise the Roof"
5:18
11."Megablast"
  • Ridenhour
  • Drayton
  • Shocklee
2:51
12."Terminator X Speaks with His Hands"
  • Ridenhour
  • Drayton
  • Sadler
  • Shocklee
2:13
Total length:46:44

Personnel

[edit]
  • Chuck D – vocals, co-producer
  • Flavor Flav – vocals
  • Terminator X – lead scratch
  • Hank Shocklee – co-producer, mixing, drum programming, synth programming
  • Eric Sadler – co-producer, mixing, drum programming, synth programming
  • Stephen Linsley – bass, recording & mixing
  • Bill Stephney – bass, guitars, co-producer, mixing
  • Vernon Reid – guitars
  • Johnny "Juice" Rosado – rhythm scratch
  • Rick Rubin – executive producer, mixing
  • Glen E. Friedman – photography
  • Steve Ett – mixing

Charts

[edit]

Certifications

[edit]
Region Certification Certified units/sales
United States (RIAA)[35] Gold 500,000^

^ Shipments figures based on certification alone.

See also

[edit]

References

[edit]
  1. ^ Hartwig, Andrew (aka br3ad_man) (January 16, 2005). "Public Enemy – Yo! Bum Rush the Show". Sputnikmusic. Retrieved December 6, 2009.{{cite web}}: CS1 maint: numeric names: authors list (link)
  2. ^ a b Erlewine, Stephen Thomas. "Yo! Bum Rush the Show – Public Enemy". AllMusic. Retrieved December 6, 2009.
  3. ^ "Hip-Hop's Greatest Year: It Takes a Nation of Millions to Hold Us Back". Rolling Stone. February 12, 2008. Archived from the original on February 17, 2008. Retrieved December 6, 2009.
  4. ^ a b Brown, Joe (April 3, 1987). "A Bestiary of Beastly Boys". The Washington Post. Archived from the original on October 24, 2012.
  5. ^ Jenkins, Mark (July 1, 1987). "Review: Yo! Bum Rush the Show". The Washington Post. Archived from the original on October 24, 2012.
  6. ^ Brogan, Daniel (April 3, 1987). "Review: Yo! Bum Rush the Show". Chicago Tribune.[dead link]
  7. ^ Chang 2005, p. 248.
  8. ^ a b Pareles, Jon (September 29, 1991). "Review: Apocalypse 91 ... the Enemy Strikes Black". The New York Times. Retrieved December 6, 2009.
  9. ^ a b Strong (2004), p. 1226.
  10. ^ a b c Hilburn, Robert (July 9, 1988). "Public Enemy Merges Punk, Rap". Los Angeles Times. Retrieved November 9, 2018.
  11. ^ a b Chang 2005, p. 250.
  12. ^ Billboard Albums: Revolverlution. Allmusic. Retrieved on January 8, 2010.
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Bibliography

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Further reading

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