Apollon Grigoryev: Difference between revisions
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{{Short description|Russian poet, critic, translator, memoirist and author (1822–1864)}} |
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{{EngvarB|date=September 2013}} |
{{EngvarB|date=September 2013}} |
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{{Use dmy dates|date=December 2023}} |
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{{Infobox person |
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[[File:Grigoriev 2.jpg|right|frame|alt=Photo of bearded, seated man holding a cane|Apollon Grigoryev]] |
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| name = Apollon Aleksandrovich Grigoryev |
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⚫ | '''Apollon Aleksandrovich Grigoryev''' |
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| image = Grigoriev 2.jpg |
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| image_size = 200px |
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| birth_name = <!-- only use if different from name --> |
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| birth_date = {{Birth date|1822|07|20|df=y}} |
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| birth_place = [[Moscow]], [[Russian Empire|Russia]] |
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| death_date = {{Death date and age|1864|10|7|1822|07|20|df=y}} |
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| death_place = [[Saint Petersburg]], Russia |
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| nationality = |
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| other_names = |
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| occupation = literary and theater critic, poet |
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| education = |
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| alma_mater = [[Imperial Moscow University]] (1842) |
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}} |
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⚫ | '''Apollon Aleksandrovich Grigoryev'''{{efn|Also transliterated '''Grigor'ev''' and '''Grigoriev'''.}} ({{langx|ru|Аполло́н Алекса́ндрович Григо́рьев|p=ɐpɐˈlon ɐlʲɪkˈsandrəvʲɪdʑ ɡrʲɪˈɡorʲjɪf|a=Apollon Alyeksandrovich Grigor'yev.ru.vorb.oga}}; 20 July 1822 – 7 October 1864) was a Russian poet, literary and theatrical critic, translator, memoirist and author of popular [[Russian art song|art song]]s. |
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==Life== |
==Life== |
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Grigoryev was born in Moscow, where his father was secretary to the city magistrate. He was educated at home, and studied at [[Moscow University]].<ref name="АГ"> |
Grigoryev was born in [[Moscow]], where his father was secretary to the city magistrate. He was educated at home, and studied at [[Imperial Moscow University]].<ref name="АГ">{{Cite web |url=http://grigorev.ouc.ru/ |title=Григорьев Аполлон Александрович |access-date=24 May 2019 |archive-url=https://web.archive.org/web/20071215215753/http://grigorev.ouc.ru/ |archive-date=15 December 2007 |url-status=dead }}</ref> |
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===Literary career=== |
===Literary career=== |
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Several of Grigoryev's poems were published in ''[[Otechestvennye Zapiski]]'' in 1845,<ref name="АГ"/> followed by a number of short verses, critical articles, theatrical reviews and translations in ''Repertuar and Pantheon''. In 1846, Grigoryev published a poorly received book of poetry; He subsequently wrote little original poetry, focusing instead on translating works by [[Shakespeare]] ([[A Midsummer Night's Dream]], [[The Merchant of Venice]], [[Romeo and Juliet]]), [[George Gordon Byron, 6th Baron Byron|Byron]] ("To parizinu" and fragments from [[Childe Harold's Pilgrimage| |
Several of Grigoryev's poems were published in ''[[Otechestvennye Zapiski]]'' in 1845,<ref name="АГ"/> followed by a number of short verses, critical articles, theatrical reviews and translations in ''Repertuar and Pantheon''. In 1846, Grigoryev published a poorly received book of poetry; He subsequently wrote little original poetry, focusing instead on translating works by [[Shakespeare]] (''[[A Midsummer Night's Dream]]'', ''[[The Merchant of Venice]]'', ''[[Romeo and Juliet]]''), [[George Gordon Byron, 6th Baron Byron|Byron]] ("To parizinu" [a poem by this exact name does not exist, most likely meant ''[[Parisina Malatesta|Parisina]]'' ([[Russian language|Russian]]: Паризину)] and fragments from ''[[Childe Harold's Pilgrimage|Childe Harold]]''), [[Molière]] and [[Casimir Delavigne|Delavigne]].<ref name="АГ"/> |
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Grigoryev's years in [[Saint Petersburg]] were stormy. In 1847 he returned to Moscow, becoming the jurisprudence teacher at the 1st Moscow secondary school and collaborating |
Grigoryev's years in [[Saint Petersburg]] were stormy. In 1847 he returned to Moscow, becoming the jurisprudence teacher at the 1st Moscow secondary school and collaborating with ''Moscow. City. Leaf'' [most likely the Moscow City List, ([[Russian language|Russian]]: Московском городском листке)]. In 1847 Grigoryev married Lydia Fedorovna Korsh (sister of writers Evgenii and Valentin Korsh), but for some time he was unproductive. |
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====''Moskvityanin''==== |
====''Moskvityanin''==== |
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In 1850, Grigoryev became editor of ''[[Moskvityanin]]'' and leader of the young members of its staff. Despite its "old editorial staff" ([[Mikhail Pogodin]], [[Stepan Shevyrev]] and [[Alexander Veltman]]), Grigoryev gathered a "young, daring, drunk, but honest and shining by gifts" circle: [[Alexander Ostrovsky]], [[Aleksey Pisemsky]], Almazov, |
In 1850, Grigoryev became editor of ''[[Moskvityanin]]'' and leader of the young members of its staff. Despite its "old editorial staff" ([[Mikhail Pogodin]], [[Stepan Shevyrev]] and [[Alexander Veltman]]), Grigoryev gathered a "young, daring, drunk, but honest and shining by gifts" circle: [[Alexander Ostrovsky]], [[Aleksey Pisemsky]], [[Boris Almazov]], [[Alexei Potekhin]], [[Pavel Ivanovich Melnikov|Andrey Pechersky]], [[Yevgeny Edelson]], [[Lev Mey]], [[Nikolai Berg]] and [[Ivan Gorbunov]].<ref>[http://az.lib.ru/g/grigorxew_a_a/text_0310.shtml Lib.ru/Классика: Григорьев Аполлон Александрович. Д. Святополк-Мирский. Аполлон Григорьев<!-- Заголовок добавлен ботом -->]</ref> Although they were not [[Slavophiles]], ''Moskvityanin'' attracted them because they could base their social and political ideology on Russian reality. Grigoryev was the chief theorist of the circle, reaching his peak during the early 1860s. |
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====Later years==== |
====Later years==== |
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Grigoryev wrote for ''Moskvityanin'' until it ceased publication in 1856. He then worked for ''Russian Conversation'', ''Reading Library'', the original ''Russian Word'' (as one of three editors), ''Russian |
Grigoryev wrote for ''Moskvityanin'' until it ceased publication in 1856. He then worked for ''Russian Conversation'', ''Reading Library'', the original ''Russian Word'' (as one of three editors), ''Russian World'', ''Svetoch'', [[Albert Starchevsky]]'s ''Syn Otechestva'' and [[Mikhail Katkov]]'s ''Russian Herald''. |
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In 1861, Grigoryev worked for a year at the Dostoyevsky brothers' ''[[Epoch (Russian magazine)|Epoch]]''. As at ''Moskvityanin'', his circle was ''pochvennikov'' (groundbreaking); however, his enthusiasm waned and he returned to St. Petersburg. Grigoryev resumed his bohemian existence, falling into debt before he began writing theatre reviews for several newspapers. Although his reviews were popular, alcoholism had taken its toll and he died in 1864. Grigoryev is buried in Mitrofaniyevsky Cemetery, next to poet [[Lev Mey]]. Grigoryev's articles were collected and published in 1876 by [[Nikolay Strakhov]].<ref>[http://www.aphorisme.ru/about-authors/grigorev/?q=4772 Григорьев Аполлон Александрович - биография]</ref> |
In 1861, Grigoryev worked for a year at the Dostoyevsky brothers' ''[[Epoch (Russian magazine)|Epoch]]'' [most likely the earlier ''Vremja'', Time]. As at ''Moskvityanin'', his circle was ''pochvennikov'' (groundbreaking); however, his enthusiasm waned and he returned to St. Petersburg. Grigoryev resumed his bohemian existence, falling into debt before he began writing theatre reviews for several newspapers. Although his reviews were popular, alcoholism had taken its toll and he died in 1864. Grigoryev is buried in Mitrofaniyevsky Cemetery, next to poet [[Lev Mey]]. Grigoryev's articles were collected and published in 1876 by [[Nikolay Strakhov]].<ref>[http://www.aphorisme.ru/about-authors/grigorev/?q=4772 Григорьев Аполлон Александрович - биография]</ref> |
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==Critique== |
==Critique== |
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Grigoryev is difficult to evaluate, and his writing is characterized by opacity, darkness and a lack of discipline.{{weasel |
Grigoryev is difficult to evaluate, and his writing is characterized by opacity, darkness and a lack of discipline.{{weasel inline|date=January 2016}} His work in ''Moskvityanin'', ''Time'' and ''Epoch'' appears careless, but he defended their "sincerity".)<ref>С. Н. Носов. Аполлон Григорьев: судьба и творчество. Советский писатель, 1990. Стр. 103.</ref> Grigoryev's worldview was unclear even to his friends and admirers; his final, unfinished article ("The Paradoxes of Organic Criticism"), in response to Dostoyevsky's invitation to state his critical philosophy, was typically wide-ranging. He referred to his style of criticism as "organic", in contrast to "theorists" ([[Nikolay Chernyshevsky|Chernyshevsky]], [[Nikolai Dobrolyubov]] and [[Dmitri Pisarev]]), "aesthetics" and "historians" ([[Vissarion Belinsky]]). Although Grigoryev admired Belinsky, calling him an "immortal champion of ideas ... with [a] great and powerful spirit", he considered the latter's criticism too direct and logical. |
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==Notes== |
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{{notelist}} |
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==References== |
==References== |
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[[Category:1822 births]] |
[[Category:1822 births]] |
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[[Category:1864 deaths]] |
[[Category:1864 deaths]] |
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[[Category:Russian |
[[Category:Poets from the Russian Empire]] |
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[[Category:Russian |
[[Category:Critics from the Russian Empire]] |
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[[Category:Translators from the Russian Empire]] |
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[[Category: |
[[Category:Imperial Moscow University alumni]] |
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[[Category:Memoirists from the Russian Empire]] |
Latest revision as of 07:54, 30 October 2024
You can help expand this article with text translated from the corresponding article in Russian. (November 2018) Click [show] for important translation instructions.
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Apollon Aleksandrovich Grigoryev | |
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Born | |
Died | 7 October 1864 Saint Petersburg, Russia | (aged 42)
Alma mater | Imperial Moscow University (1842) |
Occupation(s) | literary and theater critic, poet |
Apollon Aleksandrovich Grigoryev[a] ([Аполло́н Алекса́ндрович Григо́рьев] Error: {{Langx}}: invalid parameter: |a= (help); 20 July 1822 – 7 October 1864) was a Russian poet, literary and theatrical critic, translator, memoirist and author of popular art songs.
Life
[edit]Grigoryev was born in Moscow, where his father was secretary to the city magistrate. He was educated at home, and studied at Imperial Moscow University.[1]
Literary career
[edit]Several of Grigoryev's poems were published in Otechestvennye Zapiski in 1845,[1] followed by a number of short verses, critical articles, theatrical reviews and translations in Repertuar and Pantheon. In 1846, Grigoryev published a poorly received book of poetry; He subsequently wrote little original poetry, focusing instead on translating works by Shakespeare (A Midsummer Night's Dream, The Merchant of Venice, Romeo and Juliet), Byron ("To parizinu" [a poem by this exact name does not exist, most likely meant Parisina (Russian: Паризину)] and fragments from Childe Harold), Molière and Delavigne.[1]
Grigoryev's years in Saint Petersburg were stormy. In 1847 he returned to Moscow, becoming the jurisprudence teacher at the 1st Moscow secondary school and collaborating with Moscow. City. Leaf [most likely the Moscow City List, (Russian: Московском городском листке)]. In 1847 Grigoryev married Lydia Fedorovna Korsh (sister of writers Evgenii and Valentin Korsh), but for some time he was unproductive.
Moskvityanin
[edit]In 1850, Grigoryev became editor of Moskvityanin and leader of the young members of its staff. Despite its "old editorial staff" (Mikhail Pogodin, Stepan Shevyrev and Alexander Veltman), Grigoryev gathered a "young, daring, drunk, but honest and shining by gifts" circle: Alexander Ostrovsky, Aleksey Pisemsky, Boris Almazov, Alexei Potekhin, Andrey Pechersky, Yevgeny Edelson, Lev Mey, Nikolai Berg and Ivan Gorbunov.[2] Although they were not Slavophiles, Moskvityanin attracted them because they could base their social and political ideology on Russian reality. Grigoryev was the chief theorist of the circle, reaching his peak during the early 1860s.
Later years
[edit]Grigoryev wrote for Moskvityanin until it ceased publication in 1856. He then worked for Russian Conversation, Reading Library, the original Russian Word (as one of three editors), Russian World, Svetoch, Albert Starchevsky's Syn Otechestva and Mikhail Katkov's Russian Herald.
In 1861, Grigoryev worked for a year at the Dostoyevsky brothers' Epoch [most likely the earlier Vremja, Time]. As at Moskvityanin, his circle was pochvennikov (groundbreaking); however, his enthusiasm waned and he returned to St. Petersburg. Grigoryev resumed his bohemian existence, falling into debt before he began writing theatre reviews for several newspapers. Although his reviews were popular, alcoholism had taken its toll and he died in 1864. Grigoryev is buried in Mitrofaniyevsky Cemetery, next to poet Lev Mey. Grigoryev's articles were collected and published in 1876 by Nikolay Strakhov.[3]
Critique
[edit]Grigoryev is difficult to evaluate, and his writing is characterized by opacity, darkness and a lack of discipline.[weasel words] His work in Moskvityanin, Time and Epoch appears careless, but he defended their "sincerity".)[4] Grigoryev's worldview was unclear even to his friends and admirers; his final, unfinished article ("The Paradoxes of Organic Criticism"), in response to Dostoyevsky's invitation to state his critical philosophy, was typically wide-ranging. He referred to his style of criticism as "organic", in contrast to "theorists" (Chernyshevsky, Nikolai Dobrolyubov and Dmitri Pisarev), "aesthetics" and "historians" (Vissarion Belinsky). Although Grigoryev admired Belinsky, calling him an "immortal champion of ideas ... with [a] great and powerful spirit", he considered the latter's criticism too direct and logical.
Notes
[edit]- ^ Also transliterated Grigor'ev and Grigoriev.
References
[edit]- ^ a b c "Григорьев Аполлон Александрович". Archived from the original on 15 December 2007. Retrieved 24 May 2019.
- ^ Lib.ru/Классика: Григорьев Аполлон Александрович. Д. Святополк-Мирский. Аполлон Григорьев
- ^ Григорьев Аполлон Александрович - биография
- ^ С. Н. Носов. Аполлон Григорьев: судьба и творчество. Советский писатель, 1990. Стр. 103.