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{{About|the Portuguese film|the astronomical survey|Outer Solar System Origins Survey}}
{{Infobox Film
{{Use dmy dates|date=July 2024}}
{{Infobox film
| name = Ossos
| name = Ossos
| image =
| image =
| image_size =
| caption =
| caption =
| director = [[Pedro Costa]]
| director = [[Pedro Costa]]
| producer = [[Paulo Branco]]
| producer = [[Paulo Branco]]
| writer = [[Pedro Costa]]
| writer = [[Pedro Costa]]
| starring = Vanda Duarte<br>Nuno Vaz<br>Mariya Lipkina<br>[[Isabel Ruth]]<br>Inês de Medeiros
| narrator =
| starring = [[Vanda Duarte]]<br>Nuno Vaz<br>[[Mariya Lipkina]]<br>[[Isabel Ruth]]<br>[[Inês de Medeiros]]
| music =
| music =
| cinematography = [[Emmanuel Machuel]]
| cinematography = Emmanuel Machuel
| editing = Jackie Bastide
| editing = Jackie Bastide
| production_companies = Madragoa Filmes
| distributor =
| released = 2 September 1997 ([[Venice Film Festival]])
| released = {{Film date|1997|09|02|[[Venice Film Festival]]|df=y}}
| runtime = 98 min.
| runtime = 98 minutes
| country = Portugal
| country = Portugal
| language = [[Portuguese language|Portuguese]]
| language = [[Portuguese language|Portuguese]]
| budget =
| budget =
| gross =
| gross =
}}
}}
'''''Ossos''''' (English: "Bones") is a 1997 Portuguese film directed by [[Pedro Costa]].
'''''Ossos''''' (English: ''Bones'') is a 1997 Portuguese film directed by [[Pedro Costa]].


The film was shot in "Estrela d'Africa", Fontainhas district of [[Lisbon]], where [[disadvantaged]] dwellers and [[immigrants]] from former [[Portuguese colonies]] in [[Africa]] live desperate lives.
''Ossos'' was shot in the Fontainhas district of [[Lisbon]] (also known as "Estrela d'Africa"), where [[disadvantaged]] dwellers and [[immigrants]] from former [[Portuguese colonies]] in [[Africa]] live desperate lives. The film was nominated for the [[Golden Lion]] and won for Best Cinematography ([[Golden Osella]]) at the [[54th Venice International Film Festival|Venice International Film Festival]] in 1997.


Costa further dealt with the now-defunct shanty district in his next two films, ''[[In Vanda's Room]]'' (2000) and ''[[Colossal Youth (film)|Colossal Youth]]'' (2006).
The story's focus is on a young girl and her lover who become parents of an unwanted baby.
Their ambiguous tendencies keep this downbeat story moving around the [[shanty town]].
The director's ascetic style and this district's faded cityscape emphasize the depressing tone of the film.


== Plot ==
This [[drama film]] with some [[Documentary film|documentary]] elements made [[Pedro Costa]] acclaimed internationally.
Tina is a young mother who has given birth to a newborn baby. She stays in a shanty apartment within the Fontainhas district with her unnamed deadbeat live-in partner. Her sister Clotilde, who works as a housemaid, stays at a nearby apartment with her daughter, Mauda. One afternoon, the father searches for food at a local market and takes meals from a local diner. At nighttime, the father wanders alone on the street, while Tina is feeling suicidal. She places a decompressed [[gas cylinder]] beside her and the baby. The father returns home, and Tina drags him into a nearby room to be near her and the baby. Meanwhile, Clotilde stares silently in her apartment.
It was nominated for [[Golden Lion]] prize at the [[Venice International Film Festival]] in 1997.


The next morning, Tina leaves the child in the care of the father. Having not eaten in three days, he asks for food from locals on the street, while holding his child. A woman (later known as Eduarda) feeds the father and the baby a sandwich and milk from a nearby deli. Shortly after, the baby is taken to a hospital for immediate care. He goes outside and sits on a bench. He is approached by a nurse, who recommends her colleague, Eduarda. At nightfall, he returns to the hospital where Eduarda informs him the baby is quite ill. He goes outside to smoke, where Eduarda tells him a pediatrician is arriving the next day to run medical tests on the child. The father goes to Eduarda's apartment, where she feeds him a meal.
He dealt with this shanty district (totally defunct nowaday) further after ''Ossos''.

The district's depression itself was mainly featured in his next film ''[[No Quarto da Vanda]]'' (''In Vanda's Room'').
The next morning, Tina stays over at Clotilde's apartment. Back at Eduarda's apartment, she asks the father about Tina; he responds Tina does not care about being a mother. Eduarda takes the child to her apartment and becomes its new caregiver. Meanwhile, Clotilde looks after Tina. The father returns and briefly converses with Clotilde. The father is given custody of his child again.

Later on, Eduarda hires Clotilde as a housemaid five days a week. That same night, Tina searches for Clotilde but she is approached by her husband. Clotilde returns, stating she now works for Eduarda. Sometime later, Tina arrives at Eduarda's apartment, but finds no one is there. Instead, she finds a list of cleaning instructions Eduarda had written for Clotilde. Hours later, Eduarda returns from work where she finds Tina lying unconscious in the kitchen from another suicide attempt. Tina recovers, and Eduarda offers to have Tina stay with her. Simultaneously, the father stays with a prostitute, who offers to care for the child.

Eduarda comes to Tina's apartment where she finds her alone. They bond while smoking cigarettes. Clotilde returns to clean Eduarda's apartment. She returns home, and she and Tina have a moment together at Tina's apartment. Clotilde leaves and Tina shuts her door.

== Cast<ref name=":0">{{Cite web |title=Ossos |url=https://www.criterion.com/films/21942-ossos |access-date=2022-12-28 |website=The Criterion Collection |language=en}}</ref> ==

* Vanda Duarte as Clotilde
* Nuno Vaz as The Father
* Maria Lipkina as Tina
* Isabel Ruth as Eduarda
* Inês Medeiros as Whore
* Miguel Sermão as Clotilde's husband
* Berta Susana Teixeira as Nurse

== Credits<ref name=":0" /> ==

* Director: Pedro Costa
* Writer: Pedro Costa
* Producer: Paolo Branco
* Cinematography: Emmanuel Machuel
* Costume design: Isabel Favila
* Production design: Zé Branco
* Sound: Henri Maikoff
* Sound: Gérard Rousseau
* Editing: Jackie Bastide

== Home media ==
This film, together with ''[[In Vanda's Room]]'' (2000) and ''[[Colossal Youth (film)|Colossal Youth]]'' (2006), was released by the [[The Criterion Collection|Criterion Collection]] in a box set ''Letters from Fontainhas: Three Films by Pedro Costa''.<ref>{{Cite web |title=Letters from Fontainhas: Three Films by Pedro Costa |url=https://www.criterion.com/boxsets/704-letters-from-fontainhas-three-films-by-pedro-costa |access-date=2022-12-29 |website=The Criterion Collection |language=en}}</ref>

== See also ==
* ''[[In Vanda's Room]]''
* ''[[Colossal Youth (film)|Colossal Youth]]''
* [[Docufiction]]
* [[List of docufiction films]]
* [[Ethnofiction]]
* [[Cinéma vérité]]

==References==
{{reflist}}


==External links==
==External links==
* {{IMDb title|0119844}}
* {{IMDb title|0119844}}
* {{Amg movie|158771}}
* {{Amg movie|158771}}
* [http://daily.greencine.com/archives/007775.html Podcast with Pedro Costa (on the "Letters from Fontainhas" Criterion DVD set, 2010), GreenCine Daily]
* [https://web.archive.org/web/20100405102717/http://daily.greencine.com/archives/007775.html Podcast with Pedro Costa (on the "Letters from Fontainhas" Criterion DVD set, 2010), GreenCine Daily]
* [http://www.criterion.com/current/posts/1425-pedro-costa-s-fontainhas-trilogy-rooms-for-the-living-and-the-dead Pedro Costa’s Fontainhas Trilogy:
*[https://www.criterion.com/current/posts/1425-pedro-costa-s-fontainhas-trilogy-rooms-for-the-living-and-the-dead ''Pedro Costa's Fontainhas Trilogy: Rooms for the Living and the Dead''] an essay by Cyril Neyrat at the [[Criterion Collection]]

Rooms for the Living and the Dead by Cyril Neyrat]
{{Pedro Costa}}
* [http://www.criterion.com/current/posts/1427-pedro-costa-and-jean-pierre-gorin Conversation between Pedro Costa and Jean-Pierre Gorin]
{{Golden Osella}}


{{DEFAULTSORT:Ossos}}
{{DEFAULTSORT:Ossos}}
[[Category:Art films]]
[[Category:Portuguese films]]
[[Category:Portuguese-language films]]
[[Category:1997 films]]
[[Category:1997 films]]
[[Category:1997 drama films]]
[[Category:Portuguese drama films]]
[[Category:1990s Portuguese-language films]]
[[Category:Films about immigration]]
[[Category:Films about race and ethnicity]]
[[Category:Films set in Lisbon]]
[[Category:Films directed by Pedro Costa]]
[[Category:Films directed by Pedro Costa]]
[[Category:1990s drama films]]
[[Category:Films produced by Paulo Branco]]
[[Category:Ethnofiction films]]
[[Category:Films shot in Lisbon]]
[[Category:Golden Osella winners]]


{{1990s-drama-film-stub}}
{{1990s-drama-film-stub}}

Latest revision as of 12:10, 30 October 2024

Ossos
Directed byPedro Costa
Written byPedro Costa
Produced byPaulo Branco
StarringVanda Duarte
Nuno Vaz
Mariya Lipkina
Isabel Ruth
Inês de Medeiros
CinematographyEmmanuel Machuel
Edited byJackie Bastide
Production
company
Madragoa Filmes
Release date
Running time
98 minutes
CountryPortugal
LanguagePortuguese

Ossos (English: Bones) is a 1997 Portuguese film directed by Pedro Costa.

Ossos was shot in the Fontainhas district of Lisbon (also known as "Estrela d'Africa"), where disadvantaged dwellers and immigrants from former Portuguese colonies in Africa live desperate lives. The film was nominated for the Golden Lion and won for Best Cinematography (Golden Osella) at the Venice International Film Festival in 1997.

Costa further dealt with the now-defunct shanty district in his next two films, In Vanda's Room (2000) and Colossal Youth (2006).

Plot

[edit]

Tina is a young mother who has given birth to a newborn baby. She stays in a shanty apartment within the Fontainhas district with her unnamed deadbeat live-in partner. Her sister Clotilde, who works as a housemaid, stays at a nearby apartment with her daughter, Mauda. One afternoon, the father searches for food at a local market and takes meals from a local diner. At nighttime, the father wanders alone on the street, while Tina is feeling suicidal. She places a decompressed gas cylinder beside her and the baby. The father returns home, and Tina drags him into a nearby room to be near her and the baby. Meanwhile, Clotilde stares silently in her apartment.

The next morning, Tina leaves the child in the care of the father. Having not eaten in three days, he asks for food from locals on the street, while holding his child. A woman (later known as Eduarda) feeds the father and the baby a sandwich and milk from a nearby deli. Shortly after, the baby is taken to a hospital for immediate care. He goes outside and sits on a bench. He is approached by a nurse, who recommends her colleague, Eduarda. At nightfall, he returns to the hospital where Eduarda informs him the baby is quite ill. He goes outside to smoke, where Eduarda tells him a pediatrician is arriving the next day to run medical tests on the child. The father goes to Eduarda's apartment, where she feeds him a meal.

The next morning, Tina stays over at Clotilde's apartment. Back at Eduarda's apartment, she asks the father about Tina; he responds Tina does not care about being a mother. Eduarda takes the child to her apartment and becomes its new caregiver. Meanwhile, Clotilde looks after Tina. The father returns and briefly converses with Clotilde. The father is given custody of his child again.

Later on, Eduarda hires Clotilde as a housemaid five days a week. That same night, Tina searches for Clotilde but she is approached by her husband. Clotilde returns, stating she now works for Eduarda. Sometime later, Tina arrives at Eduarda's apartment, but finds no one is there. Instead, she finds a list of cleaning instructions Eduarda had written for Clotilde. Hours later, Eduarda returns from work where she finds Tina lying unconscious in the kitchen from another suicide attempt. Tina recovers, and Eduarda offers to have Tina stay with her. Simultaneously, the father stays with a prostitute, who offers to care for the child.

Eduarda comes to Tina's apartment where she finds her alone. They bond while smoking cigarettes. Clotilde returns to clean Eduarda's apartment. She returns home, and she and Tina have a moment together at Tina's apartment. Clotilde leaves and Tina shuts her door.

Cast[1]

[edit]
  • Vanda Duarte as Clotilde
  • Nuno Vaz as The Father
  • Maria Lipkina as Tina
  • Isabel Ruth as Eduarda
  • Inês Medeiros as Whore
  • Miguel Sermão as Clotilde's husband
  • Berta Susana Teixeira as Nurse

Credits[1]

[edit]
  • Director: Pedro Costa
  • Writer: Pedro Costa
  • Producer: Paolo Branco
  • Cinematography: Emmanuel Machuel
  • Costume design: Isabel Favila
  • Production design: Zé Branco
  • Sound: Henri Maikoff
  • Sound: Gérard Rousseau
  • Editing: Jackie Bastide

Home media

[edit]

This film, together with In Vanda's Room (2000) and Colossal Youth (2006), was released by the Criterion Collection in a box set Letters from Fontainhas: Three Films by Pedro Costa.[2]

See also

[edit]

References

[edit]
  1. ^ a b "Ossos". The Criterion Collection. Retrieved 28 December 2022.
  2. ^ "Letters from Fontainhas: Three Films by Pedro Costa". The Criterion Collection. Retrieved 29 December 2022.
[edit]