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{{AFC submission|d|npov|u=Mikebaursculpture|ns=118|decliner=S0091|declinets=20240303185433|ts=20240220065127}} <!-- Do not remove this line! -->


{{Short description|American sculptor}}
{{AFC comment|1=This needs to be rewritten in an encyclopedic tone and manner. Also, need additional bibliographic details for "Power and Precision: The Sculpture of Mike Baur and Michael Dunbar" (publisher, date published, etc.). [[User:S0091|S0091]] ([[User talk:S0091|talk]]) 18:54, 3 March 2024 (UTC)}}

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{{Short description|Industrial Sculptor}}
{{Draft topics|visual-arts|north-america}}
{{AfC topic|blp}}


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{{Infobox person
[[File:Mike_baur_headshot.png|thumb|Mike Baur in Chicago, 2013.
| name = Mike Baur
| image = Mike_baur_headshot.png|
| birth_date = 1951
| birth_place = Kansas City, KS, USA
| education = Arkansas State University (BFA 1973)
University of Illinois (MFA 1975)
| occupation = Abstract Sculptor
| website = MikeBaurSculpture.com
}}


'''Mike Baur''' (born 1951) is an American [[Sculpture|sculptor]], working with steel, concrete, stone, cast metals, wood and plastic.
{|
|'''Born:'''
|Kansas City, KS, USA 1951
|-
|'''Education:'''
|Arkansas State University (BFA 1973) University of Illinois (MFA 1975)
|-
|'''Known for:'''
|Abstract Sculpture
|-
|'''Spouse:'''
|Marianne C. Stanis
|-
|'''Website:'''
|[https://www.MikeBaurSculpture.com '''MikeBaurSculpture.com''']
|}
]]
'''Mike Baur'''


== Life and career ==
Mike Baur (born 1951) Is an American sculpture known for his architectural scale concrete and steel public sculptures, but is also prolific in smaller scale works, exploiting all available materials he can work with his hands with methods more common to construction sites than an art studio. <ref name="artner,alan">Artner, Alan. "The year's best art exhibitions." Chicago Tribune, January 1, 1989.</ref> <ref name="Crain">Crain's Chicago Business. "Zaks Gallery." April 11, 1988.</ref> Described by [[Chicago Tribune]] writer Alan Artner; “(Baur) has a strength and authority that is rare among Chicago sculptors.” From the same article, Artner states: “The look of each piece is determinedly industrial without suggesting any idealization, criticism of function…giving pleasure through persuasive juxtapositions of form, surface and color.”<ref name="Artner,Alan G">Artner, Alan G. "Artist's growth evident in newest works." Chicago Tribune, March 25, 1988, Section 7, p. 39.</ref> Introducing Baur broadly at early career, [[Crain's Chicago Business|Craines Chicago Business]] in 1988 wrote "His sculptures possess a "rightness" about them that suggests they were designed by a team of architects and engineers to play an important role in a larger scheme." <ref name="Crain"/>. Art critic, Alan G Artner wrote in the [[Chicago Tribune|Chicago Tribune]] of 1988, assessing his early work as "These pieces, at times looking like fragments of modern machinery, are perhaps the richest in association, as they may be viewed as Precisionist ruins or what is left of the American industrial dream." <ref name="Artner,Alan G"/>. A decade later in 1996, Garrett Holg wrote for Sonia Zaks Art Gallery in Chicago ARTNews Magazine "One of the remarkable things about this sculptor has been the way he transforms rough materials like wood, steel, and concrete...into objects of profound formal refinement." <ref name="holg,garrett">Holg, Garrett. "Mike Baur." ARTnews, September 1996, Sonia Zaks, p. 140.</ref>


Mike Baur grew up in Southern [[Missouri]], where his father served as a Baptist minister in various small-town congregations.<ref name="Voyage">Voyage Chicago. "[http://voyagechicago.com/interview/art-life-mike-baur/ Art & Life with Mike Baur]" Local Stories, August 28, 2018. </ref> His interest in art was sparked by a childhood encounter with a photograph of a [[Jackson Pollock]] painting.<ref name="facus">Cassidy, Victor M. "Mike Baur: Form Builder." Facus.</ref> After leaving high school at the age of 16 to work at a sawmill, Baur pursued his education at [[Arkansas State University]], where he earned a Bachelor of Fine Arts in 1973. He then completed a Master of Fine Arts in Sculpture at the [[University of Illinois Urbana-Champaign]] in 1976.<ref>Assembly Hall, [https://www.newspapers.com/image/77559341/?fcfToken=eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJmcmVlLXZpZXctaWQiOjc3NTU5MzQxLCJpYXQiOjE3MTAyMDQ1MTQsImV4cCI6MTcxMDI5MDkxNH0.1IlczZLdHmKeivZ5z8jpdUxtrd42OcsohT3YfEO3cIE. University of Illinois, Champaign]. The Herald and Review, February 1, 1976, p. 43.</ref> During his time in Urbana, he transitioned from plastic casting to working with concrete and steel, gaining international recognition in 1974 with a 100-ton concrete sculpture titled ''Idle'', located near [[Barcelona|Barcelona, Spain]].<ref name="Voyage" />
Baur's sculptures have been exhibited at various galleries, such as the [https://www.artist-info.com/users/publicpagegallery/2289 Sonia Zaks Gallery] and [[OK Harris Gallery|OK Harris]] in New York, as well as institutions like the [https://idot.illinois.gov/ Illinois Department of Transportation Building] and [[Elgin Community College]]. Recognition for his work includes honors like Best in Show at "Sculpt Siouxland"<ref name="hawkins,margaret">Hawkins, Margaret. "Mike Baur's Sculpture Evokes Boat People." Chicago Sun-Times, June 7, 1996.</ref> and multiple Illinois Arts Council Grants <ref name="mccracken,david">McCracken, David. "Baur hems in concrete with steel." Chicago Tribune, July 17, 1992, Section 7, p. 49.</ref><ref name="Artner,alan G.">Artner, Alan G. "Strength of Baur's sculpture undiminished." Chicago Tribune, July 12, 1985, Section 7, p. 34.</ref> Baur works and lives in Chicago, with his wife, Marianne C. Stanis.


Baur established his studio in [[Chicago]] in 1976. He was represented by Zriny-Hayes Gallery from 1976 to 1981<ref name="artner">Artner, Alan G. "[https://www.chicagotribune.com/1988/03/25/artists-growth-evident-in-newest-works/ Artist's growth evident in newest works]". ''Chicago Tribune'', March 25, 1988, Section 7, p. 39.</ref><ref>Staff Reports. "[https://www.chicagotribune.com/1994/02/18/baurs-work-steadily-growing-rich-complex/ Baur’s work steadily growing rich, complex]". ''Chicago Tribune'', February 18, 1994.</ref> and Sonia Zaks Gallery from 1981 to 2003.<ref>Artner, Alan G. "[https://www.chicagotribune.com/news/ct-xpm-1998-07-03-9807030022-story.html For Sculptor Mike Baur, Abstraction Leads to a Gain in Strength]". ''Chicago Tribune'', July 3, 1998.</ref><ref>Artner, Alan. "The year's best art exhibitions." ''Chicago Tribune'', January 1, 1989.</ref><ref name="holg,garrett">Holg, Garrett. "Mike Baur." ARTnews, September 1996, Sonia Zaks, p. 140.</ref><ref>Crain's Chicago Business. "Zaks Gallery." April 11, 1988.</ref><ref>McCracken, David. "[https://www.chicagotribune.com/1992/07/17/baur-hems-in-concrete-with-steel/ Baur hems in concrete with steel]". ''Chicago Tribune'', July 17, 1992, Section 7, p. 49. </ref><ref>Artner, Alan G. "[https://www.chicagotribune.com/1990/03/09/baurs-industrial-like-sculptures-at-once-brute-elegant/ Baur's industrial-like sculptures at once brute, elegant]". ''Chicago Tribune'', March 9, 1990, Section 7, p. 52. </ref><ref>Hawkins, Margaret. "Mike Baur's Sculpture Evokes Boat People." Chicago Sun-Times, June 7, 1996.</ref> From 2008 to 2013, his work was represented by [[OK Harris Gallery|OK Harris]] Works of Art in [[New York City|New York]].<ref name="holg,garrett" />
'''Life and Career'''


Baur began his career in public sculpture with ''Idle'' in 1974.<ref>Fundacio Abertis. Art A l’autopista. 2007. pp. 98-101, 177. ISBN: 978-84-690-5174-0.</ref> He has continued to pursue public commissions, with large pieces located in [[Illinois]],<ref name="facus"/> [[Indiana]],<ref>"Mantle." [https://www.indyartsguide.org/public-art/mantle/. IndyArtsGuide]. Accessed May 9th, 2024.</ref> and [[Iowa]].<ref name="Voyage" /> The ''[[Chicago Tribune]]'' has described his work as creating "magic from concrete and steel."<ref>Artner, Alan G., and Staff Reports. "Baur makes magic from steel and concrete." ''Chicago Tribune'', April 4, 2003.</ref> His work spans various media, including steel, concrete, stone, cast metals, wood, and plastic, reflecting a deep exploration of these materials' inherent qualities.
Mike Baur spent his childhood in Southern Missouri where his father, a Baptist Minister, was called to various small-town congregations. His path as an artist began with a childhood encounter with a photograph of a [https://www.jackson-pollock.org/ Jackson Pollock painting], setting him on a transformative path <ref name="facus">Cassidy, Victor M. "Mike Baur: Form Builder." Facus.</ref>. Leaving high school at the age of 16 to work at a sawmill, Baur pursued his artistic education at [[Arkansas State University]] (BFA 1973) and the [[University of Illinois Urbana-Champaign]], where he earned his MFA in Sculpture in 1976. While in Urbana he transitioned from plastic casting to concrete and steel, gaining international recognition in 1974 by winning a competition for a one-hundred-ton concrete sculpture titled ''Idle'', near [[Barcelona|Barcelona, Spain]].


== Collections and public art ==
In 1976 Mike set up his first Chicago studio in a Printer’s Row loft on South Dearborn and from here constructed the large concrete and steel sculpture for his first one-man show at Zriny-Hayes Gallery represented from 1976 to 1981. In 1978, he acquired an 18,000-square foot building west of [[Sears Tower – Harvard Observatory|Sears Tower]] where he continued to produce his work until he relocated to [[West Chicago, Illinois|West Chicago]] in 1987 and built his current studio on five acres. Beginning his career in Public Sculpture with Idle in 1974 Baur has continued to pursue public commissions and has large pieces of work in [[Illinois]], [[Indiana]], and [[Iowa.]]


* [[Lincoln Land Community College]], Springfield, IL (2021)<ref name="facus"/>
'''Work'''
* [[Parker, Colorado]] (2018)

* [[University of Northern Iowa]], Cedar Falls, IA (2015)<ref>"Waterloo-Cedar Falls Courier [https://wcfcourier.com/news/local/education/new-sculpture-installed-on-uni-campus/article%204ab932cd-1548-567e-af85-fcf982a06c5a.html "New sculpture installed on UNI campus."] Courier, July 11, 2015. Updated July 18, 2017.</ref>
'''Barcelona Commission 1974'''
* [[Chicago Police Department|Chicago Police Headquarters]] (2007)<ref>Jaffe, Logan. "[https://www.propublica.org/article/a-closer-look-at-the-public-art-at-chicago-police-stations. A Closer Look at the Public Art at Chicago Police Stations.]" ProPublica Illinois, August 21, 2020.</ref>

* Nathan Manilow Sculpture Park, Governor’s State University, [[University Park, Illinois|University Park, IL]] (2006)<ref>Office of Public Affairs. "[https://opus.govst.edu/cgi/viewcontent.cgi?article=1409&context=press%20releases. Nathan Manilow Sculpture Park Dedicates Mike Baur’s Sextant Yoke]." Governors State University - OPUS Open Portal to University Scholarship. November 21, 2008. </ref>
The Sculpture "Idle" was built for the Autopistas del Mediterraneo in 1974, gaining international recognition by winning a competition for a one-hundred-ton concrete sculpture near Barcelona, Spain <ref name="artner, Alan G.">Artner, Alan G. "Baur's industrial-like sculptures at once brute, elegant." Chicago Tribune, March 9, 1990, Section 7, p. 52.</ref> It was cast in the ground and lifted to its present position with two 70-ton cranes. It is located at the Medol plaza on Autopista A-7 south of Barcelona.
* [[Lake Land College]], Mattoon, IL (2004)

* Rio Grande University, [[Rio Grande, Ohio|Rio Grande, OH]] (2004)
'''Baur was represented by the venerable Sonia Zaks Gallery in Chicago from 1981-2005'''
* [[Elgin Community College]], Elgin, IL (2003)<ref>Cassidy, Victor. "Study for Turtle and Dragon." Sculpture Invasion catalog, Koehnline Museum of Art, Oakton Community College, July 12-Aug. 30, 2007.</ref>

* [[Illinois Department of Natural Resources]], Springfield, IL (2003)
''Conduit 16'' "Walking on Water" and "Encircled," three freestanding pieces combining concrete and steel in such varied though seemingly inevitable ways that each is set apart from the others, evoking worlds expressively distinct. <ref name="Artner,Alan G" />
* Rockford Museum, [[Rockford, Illinois|Rockford, IL]] (2002)<ref>Hayes, Patricia A., and Adriana Grisales (Research conducted by). "[https://res.cloudinary.com/simpleview/image/upload/v1460591780/clients/rockford/Public_Art_Directory_b47be8f7-f0ae-5102-046b39a2fb2f6ba7.pdf. Greater Rockford Inventory of Public Sculpture]." Symbol Celebration Committee, Rockford Area Arts Council, Rockford Park District, October 8, 2003. Photography by Shad Bowser and Stacy Droege. Page 22. October 8, 2003.</ref>

* [[College of DuPage]], Fine Arts Building, Glen Ellyn, IL (1992)<ref>Manchir, Michelle. "[https://sculptsite.com/Archive/sculpture-headlines-Mike-Baur-03-16-12.html. College of DuPage donates sculpture to Glen Ellyn.]" Triblocal.</ref>
''Immigrants from the Past'' - 1995, welded steel 13" x 61" x 21". Immigrants from the Past was this exhibition's most moving work. Here, Bauer's discarded chunks of rusted and pitted steel, his rough and blackened welds, his general air of brute incompletion acquired a kind of poetry. The work's blunt steel tube is open at one end but crimped shut at the other. Covered with a dark patina, curving gracefully up- ward, it is poised elegantly on a crude, gratelike base. <ref name="holg,garrett"/>
* Northpoint Marina Collection, [[Winthrop Harbor, Illinois|Winthrop Harbor, IL]] (1990)<ref name="Voyage" />

* Illinois Mathematics & Science Academy Collection, [[Aurora, Illinois|Aurora, IL]] (1988)<ref>"[http://digitalcommons.imsa.edu/campus%20art/68. Camel's Gate.]" Illinois Math and Science Academy. September 14, 2016.</ref>
'''Small Scale / Medium Scale Sculptures 1990 - 2009'''
* Illinois Collection, State of Illinois Building, [[Chicago|Chicago, IL]] (1988)<ref>n.a., Page 191, Illinois State Library General Collection ([http://www.idaillinois.org/digital/collection/isl/id/50198. Illinois Digital Archives]), 2024-05-09, </ref>

* Sears/Unibank, [[Chicago, IL]] (1988)
''Immigrant'' - One of these, the 25- foot-wide Immigrant (1996), suggests the remains of a wooden vessel that might wash up on shore. Schooner Till (1990) is a boat-like work from an earlier time, which the artist made for a marina in Chicago's northern sub- urbs. Its form is anchor-like, set on nautical piling. <ref name="facus" />.
* Autopistas del Mediterraneo, [[Barcelona|Barcelona, Spain]] (1974)<ref name="Voyage" />

'''Solo Show OK Harris'''

Represented by OK Harris Works of Art in New York from Oct. 27 - Dec 1, 2012.

'''Larger Scale Sculptures:'''

''Redtail'' Concrete and Steel, 2015, 20 x 40 x 12 ft University of Northern Iowa, Cedar Falls, Iowa

''Sextant Yoke'' Cast Colored Concrete and Steel, 14x20x6ft, 2000. Located in Nathan Manilow Sculpture (NATE) Governors State University in University Park, IL.

''Temporal'' Corten Steel and Concrete, 45x30x20ft, 2003. Located in Elgin Community College in Elgin, IL. Temporal, a recently completed commission at Elgin Community College is 45 feet tall and made of Corten steel and cast concrete in eleven sections, each weighing 18,000 pounds. The forms in Temporal evoke the famous railroad watch manufactured in Elgin, Illinois and the diagonal bracing that supported the factory walls to prevent the heavy watch making machinery from vibrating them to collapse. <ref name="facus"/>

'''Collections and recognition'''

Mike Baur's artistic impact extends beyond traditional exhibition spaces, with involvement in public art installations and commissions enriching various landscapes. In 2021, Baur contributed to a public art installation at [[Lincoln Land Community College]] in Springfield, IL, seamlessly integrating his work into the educational landscape. The cityscape of [[Parker, Colorado]], features a public art installation by Baur from 2018, demonstrating a harmonious dialogue between his work and the surrounding environment. In 2015, the [[University of Northern Iowa]] hosted a distinctive public art installation by Baur in [[Cedar Falls, Iowa]]. These public art instances showcase Baur's ability to adapt his sculptures to diverse settings, contributing to the cultural fabric of communities. From educational institutions to cityscapes, Baur's public art demonstrates the transformative power of sculpture in the public domain. In each installation, he carefully balances form and function, creating aesthetic landmarks that engage with the unique characteristics of each location, leaving an indelible mark on the cultural landscape.

Throughout his career, Baur has received acclaim through awards and grants, ranging from local exhibitions to international competitions. In 1974, he gained international acclaim by winning the International Sculpture Competition in [[Barcelona, Spain]].<ref name="hawkins,margaret" /> In 2013, Baur received the "Best in Show" award at the 13th Annual Florida Outdoor Sculpture Exhibit in[[Lakeland, Florida]]. <ref name="mccracken,david" /> The I.D.E.A. Triton College Award of Excellence in October 1974 and the Illinois Arts Council Fellowship Grant in 1986 further underscore his impact and individual artistic merit <ref name="Artner,Alan G">Artner, Alan G. "Artist's growth evident in newest works." Chicago Tribune, March 25, 1988, Section 7, p. 39.</ref> In 1986, Baur's significant contributions to the Illinois arts scene were recognized with the prestigious Illinois Arts Council Fellowship Grant. This grant served as a testament to his individual artistic merit and provided crucial support for the continued exploration of his unique sculptural vision.<ref name="holg,garrett">Holg, Garrett. "Mike Baur." ARTnews, September 1996, Sonia Zaks, p. 140.</ref> Multiple Illinois Arts Council Artist Grants in 1981, May and September 1983 exemplify recognition of his innovative approach to sculpture within the artistic community<ref name="Artner,alan G.">Artner, Alan G. "Strength of Baur's sculpture undiminished." Chicago Tribune, July 12, 1985, Section 7, p. 34.</ref>. These awards collectively illuminate Baur's trajectory as a sculptor whose work transcends boundaries and captivates audiences worldwide.<ref name="camper,fred">Camper, Fred. "HAND OF THE MAKER." Chicago Reader, June 7, 1996, Section One, p. 32.</ref>.
== References ==
== References ==
{{reflist}}
{{reflist}}

{{DEFAULTSORT:Baur, Mike}}
[[Category:1951 births]]
[[Category:Living people]]
{{improve categories|date=September 2024}}
[[Category:American sculptors]]

Latest revision as of 14:44, 30 October 2024

Mike Baur
Born1951
Kansas City, KS, USA
EducationArkansas State University (BFA 1973) University of Illinois (MFA 1975)
OccupationAbstract Sculptor
WebsiteMikeBaurSculpture.com

Mike Baur (born 1951) is an American sculptor, working with steel, concrete, stone, cast metals, wood and plastic.

Life and career

[edit]

Mike Baur grew up in Southern Missouri, where his father served as a Baptist minister in various small-town congregations.[1] His interest in art was sparked by a childhood encounter with a photograph of a Jackson Pollock painting.[2] After leaving high school at the age of 16 to work at a sawmill, Baur pursued his education at Arkansas State University, where he earned a Bachelor of Fine Arts in 1973. He then completed a Master of Fine Arts in Sculpture at the University of Illinois Urbana-Champaign in 1976.[3] During his time in Urbana, he transitioned from plastic casting to working with concrete and steel, gaining international recognition in 1974 with a 100-ton concrete sculpture titled Idle, located near Barcelona, Spain.[1]

Baur established his studio in Chicago in 1976. He was represented by Zriny-Hayes Gallery from 1976 to 1981[4][5] and Sonia Zaks Gallery from 1981 to 2003.[6][7][8][9][10][11][12] From 2008 to 2013, his work was represented by OK Harris Works of Art in New York.[8]

Baur began his career in public sculpture with Idle in 1974.[13] He has continued to pursue public commissions, with large pieces located in Illinois,[2] Indiana,[14] and Iowa.[1] The Chicago Tribune has described his work as creating "magic from concrete and steel."[15] His work spans various media, including steel, concrete, stone, cast metals, wood, and plastic, reflecting a deep exploration of these materials' inherent qualities.

Collections and public art

[edit]

References

[edit]
  1. ^ a b c d e Voyage Chicago. "Art & Life with Mike Baur" Local Stories, August 28, 2018.
  2. ^ a b c Cassidy, Victor M. "Mike Baur: Form Builder." Facus.
  3. ^ Assembly Hall, University of Illinois, Champaign. The Herald and Review, February 1, 1976, p. 43.
  4. ^ Artner, Alan G. "Artist's growth evident in newest works". Chicago Tribune, March 25, 1988, Section 7, p. 39.
  5. ^ Staff Reports. "Baur’s work steadily growing rich, complex". Chicago Tribune, February 18, 1994.
  6. ^ Artner, Alan G. "For Sculptor Mike Baur, Abstraction Leads to a Gain in Strength". Chicago Tribune, July 3, 1998.
  7. ^ Artner, Alan. "The year's best art exhibitions." Chicago Tribune, January 1, 1989.
  8. ^ a b Holg, Garrett. "Mike Baur." ARTnews, September 1996, Sonia Zaks, p. 140.
  9. ^ Crain's Chicago Business. "Zaks Gallery." April 11, 1988.
  10. ^ McCracken, David. "Baur hems in concrete with steel". Chicago Tribune, July 17, 1992, Section 7, p. 49.
  11. ^ Artner, Alan G. "Baur's industrial-like sculptures at once brute, elegant". Chicago Tribune, March 9, 1990, Section 7, p. 52.
  12. ^ Hawkins, Margaret. "Mike Baur's Sculpture Evokes Boat People." Chicago Sun-Times, June 7, 1996.
  13. ^ Fundacio Abertis. Art A l’autopista. 2007. pp. 98-101, 177. ISBN: 978-84-690-5174-0.
  14. ^ "Mantle." IndyArtsGuide. Accessed May 9th, 2024.
  15. ^ Artner, Alan G., and Staff Reports. "Baur makes magic from steel and concrete." Chicago Tribune, April 4, 2003.
  16. ^ "Waterloo-Cedar Falls Courier "New sculpture installed on UNI campus." Courier, July 11, 2015. Updated July 18, 2017.
  17. ^ Jaffe, Logan. "A Closer Look at the Public Art at Chicago Police Stations." ProPublica Illinois, August 21, 2020.
  18. ^ Office of Public Affairs. "Nathan Manilow Sculpture Park Dedicates Mike Baur’s Sextant Yoke." Governors State University - OPUS Open Portal to University Scholarship. November 21, 2008.
  19. ^ Cassidy, Victor. "Study for Turtle and Dragon." Sculpture Invasion catalog, Koehnline Museum of Art, Oakton Community College, July 12-Aug. 30, 2007.
  20. ^ Hayes, Patricia A., and Adriana Grisales (Research conducted by). "Greater Rockford Inventory of Public Sculpture." Symbol Celebration Committee, Rockford Area Arts Council, Rockford Park District, October 8, 2003. Photography by Shad Bowser and Stacy Droege. Page 22. October 8, 2003.
  21. ^ Manchir, Michelle. "College of DuPage donates sculpture to Glen Ellyn." Triblocal.
  22. ^ "Camel's Gate." Illinois Math and Science Academy. September 14, 2016.
  23. ^ n.a., Page 191, Illinois State Library General Collection (Illinois Digital Archives), 2024-05-09,
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