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{{Use dmy dates|date=March 2012}}
{{Use dmy dates|date=January 2021}}
{{Use Australian English|date=March 2012}}
{{Use Australian English|date=March 2012}}
{{Infobox album
{{Infobox album
| name = Internationalist
| name = Internationalist
| type = studio
| type = studio
| artist = [[Powderfinger]]
| artist = [[Powderfinger]]
| cover = Internationalist powderfinger.jpg
| cover = Internationalist powderfinger.jpg
| border = yes
| border = yes
| alt =
| alt =
| released = 7 September 1998 (Australia)
| released = {{start date|1998|9|7|df=yes}} (Australia)
| recorded = 1997-98
| recorded = 1997–98
⚫
| studio = Sing Sing ([[Melbourne]])
| venue =
⚫
| genre = [[Alternative rock]]
⚫
| studio = Sing Sing Studios, [[Melbourne]], Australia
⚫
| length = {{duration|m=45|s=33}}
⚫
| genre = [[Alternative rock]]
| label = [[Polydor]]
⚫
| length = 45:33
| label = [[Polydor]]
| producer = [[Nick DiDia]]
| producer = [[Nick DiDia]]
| prev_title = [[Double Allergic]]
| prev_title = [[Double Allergic]]
| prev_year = 1996
| prev_year = 1996
| next_title = [[The Triple M Acoustic Sessions]]
| next_title = [[The Triple M Acoustic Sessions]]
| next_year = 1999
| next_year = 1999
| misc = {{Singles
| misc = {{Singles
| name = Internationalist
| name = Internationalist
| type = studio
| type = studio
| single1 = [[The Day You Come]]
| single1 = [[The Day You Come]]
| single1date = 10 August 1998
| single1date = 10 August 1998
| single2 = [[Don't Wanna Be Left Out/Good-Day Ray|Don't Wanna Be Left Out<span style="color:black;">"<br />"</span>Good-Day Ray]]
| single2 = [[Don't Wanna Be Left Out/Good-Day Ray|Don't Wanna Be Left Out<span style="color:black;">"<br />"</span>Good-Day Ray]]
| single2date = 9 November 1998<ref> https://australian-charts.com/showitem.asp?interpret=Powderfinger&titel=Don%27t+Wanna+Be+Left+Out+%2F+Good%2DDay+Ray&cat=s</ref>
| single2date = 9 November 1998
| single3 = [[Already Gone (Powderfinger song)|Already Gone]]
| single3 = [[Already Gone (Powderfinger song)|Already Gone]]
| single3date = 12 February 1999
| single3date = 1998
| single4 = [[Passenger (Powderfinger song)|Passenger]]
| single4 = [[Passenger (Powderfinger song)|Passenger]]
| single4date = 9 July 1999<ref> https://australian-charts.com/showitem.asp?interpret=Powderfinger&titel=Passenger&cat=s</ref>
| single4date = 9 August 1999
}}
}}
}}
}}


'''''Internationalist''''' is the third [[studio album]] by Australian [[alternative rock]] band [[Powderfinger]]. The album was released on 7 September 1998 and was often labelled Powderfinger's most adventurous work, with greater [[experimentation]] than in previous works.
'''''Internationalist''''' is the third [[studio album]] by Australian [[alternative rock]] band [[Powderfinger]]. The album was released on 7{{nbsp}}September 1998 and was often labelled Powderfinger's most adventurous work, with greater [[experimentation]] than in previous works.


''Internationalist'' followed in the success of its predecessor, ''[[Double Allergic]]'', and was certified [[Music recording sales certification|five times platinum]] in Australia. ''Internationalist'' received four [[ARIA Music Awards]], including "Album of the Year". The album produced four singles for the band; "[[The Day You Come]]", "[[Don't Wanna Be Left Out]]/[[Good-Day Ray]]", "[[Already Gone (Powderfinger song)|Already Gone]]" and "[[Passenger (Powderfinger song)|Passenger]]", which all appeared on [[Triple J]]'s [[Triple J Hottest 100|Hottest 100]] poll in two consecutive years.
''Internationalist'' followed in the success of its predecessor, ''[[Double Allergic]]'', and was certified [[Music recording sales certification|five times platinum]] in Australia. ''Internationalist'' received four [[ARIA Music Awards]], including "Album of the Year". The album produced four singles for the band; "[[The Day You Come]]", "[[Don't Wanna Be Left Out]]/[[Good-Day Ray]]", "[[Already Gone (Powderfinger song)|Already Gone]]" and "[[Passenger (Powderfinger song)|Passenger]]", which all appeared on [[Triple J]]'s [[Triple J Hottest 100|Hottest 100]] poll in two consecutive years.


''Internationalist'' received fairly positive reviewers in the Australian press, and cemented Powderfinger's position on the local music scene; however, the album failed to launch the band in the overseas market.
''Internationalist'' received fairly positive reviews in the Australian press, and cemented Powderfinger's position on the local music scene; however, the album failed to launch the band in the overseas market.


== Background ==
== Background ==
Powderfinger spent much of early 1997 [[concert|touring]], after the success of ''[[Double Allergic]]''. Songwriter [[Bernard Fanning]] then spent much of 1997 writing songs for ''Internationalist'' in [[Brisbane]], drawing on inspiration from a mid-1997 band trip to the United States.<ref>{{cite news|title=Hot Ticket|publisher=''[[The Sunday Telegraph]]''|date=2 November 1997|author=Fountaine, Angus}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/article9.htm --></ref>
Powderfinger spent much of early 1997 [[concert|touring]], after the success of ''[[Double Allergic]]''. Songwriter [[Bernard Fanning]] then spent much of 1997 writing songs for ''Internationalist'' in [[Brisbane]], drawing on inspiration from a mid-1997 band trip to the United States.<ref>{{cite news|title=Hot Ticket|work=[[The Sunday Telegraph]]|date=2 November 1997|author=Fountaine, Angus}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/article9.htm --></ref>


The album's title refers to [[escapism]]—namely, the ability that an "[[wikt:internationalist|internationalist]]" has to escape from [[racism|racial]] and [[sociology|social]] tension. When asked in a ''Juice'' interview, [[Bernard Fanning]] summarised the title of the album by stating;
The album's title refers to [[escapism]]—namely, the ability that an "[[wikt:internationalist|internationalist]]" has to escape from [[racism|racial]] and [[sociology|social]] tension. When asked in a ''Juice'' interview, [[Bernard Fanning]] summarised the title of the album by stating;
{{cquote|It's about the idea of all this tension that is around at the moment, all this racial and political tension...The idea is that an 'internationalist' has an escape from all that. Music can be a vehicle for that escape.<ref name=TakingFlight />}}
{{cquote|It's about the idea of all this tension that is around at the moment, all this racial and political tension{{nbsp}}... The idea is that an 'internationalist' has an escape from all that. Music can be a vehicle for that escape.<ref name=TakingFlight />}}


== Recording and production ==
== Recording and production ==
''Internationalist'' was recorded at [[Melbourne]]'s Sing Sing Studios, with Powderfinger accompanied by American [[record producer|producer]] [[Nick DiDia]] for the first time. As the band had already prepared "about 30 or 40" songs when they entered the studio, DiDia's task was relatively minor. [[Bassist]] [[John Collins (Australian musician)|John Collins]] said of DiDia; "Nick was really good. The way Nick based the record was that he wanted to record the band how we were at that particular moment, he didn't want to play around too much."<ref name=TakingFlight /> As a result of this attitude, the band only spent one month in the studio, and the album was [[Audio mixing (recorded music)|mixed]] by DiDia soon after.<ref name=TakingFlight>{{cite news|title=Taking Flight|publisher=''Juice''|author=Clode, Samantha|date=October 1998}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl38.htm --></ref> Powderfinger used the extra time to play [[table tennis]], which was the band's recreation of choice during the ''Internationalist'' and ''[[Odyssey Number Five]]'' recording sessions.<ref>{{cite news|title=Mission Impossible|publisher=''[[Rolling Stone]]''|date=August 2000}}<!-- http://www.hindleysite.com/media/mag/Powderfinger_rollingstone_missionimpossible.htm --></ref>
''Internationalist'' was recorded at [[Melbourne]]'s Sing Sing Studios, with Powderfinger accompanied by American [[record producer|producer]] [[Nick DiDia]] for the first time. As the band had already prepared "about 30 or 40" songs when they entered the studio, DiDia's task was relatively minor. [[Bassist]] [[John Collins (Australian musician)|John Collins]] said of DiDia; "Nick was really good. The way Nick based the record was that he wanted to record the band how we were at that particular moment, he didn't want to play around too much."<ref name=TakingFlight /> As a result of this attitude, the band spent only one month in the studio, and the album was [[Audio mixing (recorded music)|mixed]] by DiDia soon after.<ref name=TakingFlight>{{cite news|title=Taking Flight|publisher=Juice|author=Clode, Samantha|date=October 1998}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl38.htm --></ref> Powderfinger used the extra time to play [[table tennis]], which was the band's recreation of choice during the ''Internationalist'' and ''[[Odyssey Number Five]]'' recording sessions.<ref>{{cite magazine|title=Mission Impossible|magazine=[[Rolling Stone]]|date=August 2000}}<!-- http://www.hindleysite.com/media/mag/Powderfinger_rollingstone_missionimpossible.htm --></ref>


Collins described the album as not being as easy listening as their previous work,<ref name=TakingFlight /> and that it contained numerous experiments in songwriting that they had not put into previous albums.<ref name=TakingFlight /> Fanning later said ''Internationalist'' was "a better record" than ''[[Double Allergic]]'', but acknowledged that it was not as easily likeable—it was just an improvement in songwriting.<ref name=Glory /> Collins and Fanning acknowledged that the album's experimental nature could lose them some old fans, but the pair drew parallels with bands such as [[U2]], who Collins said had "constantly re-invented themselves, and with success".<ref name=TakingFlight /> He said Powderfinger's reinvention was as much for the band's own interest as it was for the "public's perception".<ref name=TakingFlight /> Meanwhile, [[guitarist]] [[Ian Haug]] described the album as a "moderation" between ''[[Parables for Wooden Ears]]'' ("the complicated beast") and ''Double Allergic'' ("totally simplified"), Powderfinger's two previous albums.<ref name=BeckoningFinger>{{cite news|title=The Beckoning Finger|publisher=''Juice''|author=Watts, Benedict|date=November 1998}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl37.htm --></ref> He also agreed that the album was much more experimental, and described the album as the band's "most successful", as well as stating that the album that best replicated "the sound we have live".<ref name=AI>{{cite news|title=Allergic Internationalists|publisher=''hEARd Online Music Magazine''|year=1999}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl21.htm --></ref>
Collins described the album as not being as easy listening as their previous work,<ref name=TakingFlight /> and that it contained numerous experiments in songwriting that they had not put into previous albums.<ref name=TakingFlight /> Fanning later said ''Internationalist'' was "a better record" than ''[[Double Allergic]]'', but acknowledged that it was not as easily likeable—it was just an improvement in songwriting.<ref name=Glory /> Collins and Fanning acknowledged that the album's experimental nature could lose them some old fans, but the pair drew parallels with bands such as [[U2]], who Collins said had "constantly re-invented themselves, and with success".<ref name=TakingFlight /> He said Powderfinger's reinvention was as much for the band's own interest as it was for the "public's perception".<ref name=TakingFlight /> Meanwhile, [[guitarist]] [[Ian Haug]] described the album as a "moderation" between ''[[Parables for Wooden Ears]]'' ("the complicated beast") and ''Double Allergic'' ("totally simplified"), Powderfinger's two previous albums.<ref name=BeckoningFinger>{{cite news|title=The Beckoning Finger|publisher=Juice|author=Watts, Benedict|date=November 1998}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl37.htm --></ref> He also agreed that the album was much more experimental, and described the album as the band's "most successful", as well as saying the album that best replicated "the sound we have live".<ref name=AI>{{cite news|title=Allergic Internationalists|publisher=hEARd Online Music Magazine|year=1999}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl21.htm --></ref>


Numerous songs on ''Internationalist'' were [[politics|politically]] and [[sociology|socially]] influenced, although the band denied it being a deliberate [[Motif (narrative)|motif]].<ref name=TPolitics /> Fanning explaining that the band did not intentionally discuss political issues, saying "we don't try to do anything in particular".<ref name=TPolitics /> He noted, however, that the songs, as his emotional responses to recent events, could inevitably be interpreted as being political.<ref name=TPolitics>{{cite news|title=Talkin' Politics?|publisher=''Beat''|author=Johnson, Neala|date=December 1998}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl12.htm --></ref> When "[[The Day You Come]]" was released, there was speculation that it alluded to [[Pauline Hanson]]'s [[One Nation (Australia)|One Nation]] [[political party]], although the band claimed the song was vague and didn't specifically refer to one person. Fanning said of "The Day You Come";
Numerous songs on ''Internationalist'' were [[politics|politically]] and [[sociology|socially]] influenced, although the band denied it being a deliberate [[Motif (narrative)|motif]].<ref name=TPolitics /> Fanning explaining that the band did not intentionally discuss political issues, saying "we don't try to do anything in particular".<ref name=TPolitics /> He noted, however, that the songs, as his emotional responses to recent events, could inevitably be interpreted as being political.<ref name=TPolitics>{{cite news|title=Talkin' Politics?|publisher=Beat|author=Johnson, Neala|date=December 1998}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl12.htm --></ref> When "[[The Day You Come]]" was released, there was speculation that it alluded to [[Pauline Hanson]]'s [[One Nation (Australia)|One Nation]] [[political party]], although the band claimed the song was vague and didn't specifically refer to one person. Fanning said of "The Day You Come";
{{cquote|I wouldn't certainly say that we've written any protest songs – "The Day You Come" is the closest to that kind of song, and that typically, like most of our songs can be construed in many ways. And it was particularly about the way Australian electorate I suppose is moving, and thinking.<ref>{{cite web|url=http://www.hindleysite.com/songs/dayoutcome.htm |title=Day You Come (The) |publisher=Hindley Site |accessdate=2007-12-16 |deadurl=yes |archiveurl=https://web.archive.org/web/20071216103040/http://www.hindleysite.com/songs/dayoutcome.htm |archivedate=16 December 2007 |df= }}</ref>}}
{{cquote|I wouldn't certainly say that we've written any protest songs – "The Day You Come" is the closest to that kind of song, and that typically, like most of our songs can be construed in many ways. And it was particularly about the way Australian electorate I suppose is moving, and thinking.<ref>{{cite web|url=http://www.hindleysite.com/songs/dayoutcome.htm |title=Day You Come (The) |publisher=Hindley Site |access-date=2007-12-16 |url-status=dead |archive-url=https://web.archive.org/web/20071216103040/http://www.hindleysite.com/songs/dayoutcome.htm |archive-date=16 December 2007 }}</ref>}}


== Singles==
== Singles==
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{{Listen|filename=Powderfinger-Passenger-20seconds.ogg|title="Passenger"|description=A 20 second sample of the chorus of "Passenger", which won "Song of the Year" at the 1999 [[ARIA Awards]].<ref name=Jackets />|format=[[Ogg]]}}
{{Listen|filename=Powderfinger-Passenger-20seconds.ogg|title="Passenger"|description=A 20 second sample of the chorus of "Passenger", which won "Song of the Year" at the 1999 [[ARIA Awards]].<ref name=Jackets />|format=[[Ogg]]}}


The first single from the album was "The Day You Come", a politically and socially influenced song. The band did not intend for it to be the first single, and released it only when they could not decide on anything else. Haug said it being "a pretty inoffensive song musically" helped Powderfinger make that decision.<ref name=BeckoningFinger /> "The Day You Come" spent nine weeks on the [[ARIA Charts]], peaking at #25.<ref>{{cite web|url=http://www.australian-charts.com/showitem.asp?key=286146&cat=s|title=Powderfinger – The Day You Come|publisher=australian-charts.com|accessdate=2007-12-17}}</ref>
The first single from the album was "The Day You Come", a politically and socially influenced song. The band did not intend for it to be the first single, and released it only when they could not decide on anything else. Haug said it being "a pretty inoffensive song musically" helped Powderfinger make that decision.<ref name=BeckoningFinger /> "The Day You Come" spent nine weeks on the [[ARIA Charts]], peaking at #25.<ref>{{cite web|url=http://www.australian-charts.com/showitem.asp?key=286146&cat=s|title=Powderfinger – The Day You Come|publisher=australian-charts.com|access-date=2007-12-17}}</ref>


The second single was the double [[a-side]], "[[Don't Wanna Be Left Out/Good-Day Ray]]", released on 9 November 1998. "Don't Wanna Be Left Out", a song about a friend of Fanning's who had difficulty in social situations, was one of the roughest Powderfinger songs to date. 'Don't Wanna Be Left Out' could be comfortably ranked with other Powderfinger songs such as 'Lighten My Load' and 'Rise Up'.<ref name=Feted /> Drummer [[Jon Coghill]] described it as the most difficult Powderfinger song to play live at the time, because it was so "fast and offbeat".<ref name=Cogsy>{{cite web|title=Powderfinger (Int. With Jon Coghill)|url=http://www.australianmusician.com.au/mag/spring99/powderfinger.html|publisher=''[[Australian Musician (magazine)|Australian Musician]]''|date=September 1999|author=Eliezer, Christie|accessdate=2008-08-10|archiveurl=https://web.archive.org/web/20080721165750/http://australianmusician.com.au/mag/spring99/powderfinger.html <!--Added by H3llBot-->|archivedate=21 July 2008}}</ref> The music video for "Don't Wanna Be Left Out" was unpopular and drew criticism from band members.<ref name=BestOf /> "Good-Day Ray" was dedicated to Australian television presenter [[Ray Martin (television presenter)|Ray Martin]] and his public disagreements with former ''[[Media Watch (TV program)|Media Watch]]'' host [[Stuart Littlemore]]. Its lyrics verged on [[punk rock|punk]], though Coghill denied that Powderfinger were a punk band.<ref name=Feted>{{cite news|title=Fingers feted at home|author=Yorke, Ritchie|date=15 November 1998|publisher=''[[The Sunday Mail (Brisbane)|The Sunday Mail]]''}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl15.htm --></ref> He also described the [[music video]] for "Good-Day Ray" as being one of the better videos the band had made.<ref name=Cogsy />
The second single was the double [[a-side]], "[[Don't Wanna Be Left Out/Good-Day Ray]]", released on 9{{nbsp}}November 1998. "Don't Wanna Be Left Out", a song about a friend of Fanning's who had difficulty in social situations, was one of the roughest Powderfinger songs to date. 'Don't Wanna Be Left Out' could be comfortably ranked with other Powderfinger songs such as 'Lighten My Load' and 'Rise Up'.<ref name=Feted /> Drummer [[Jon Coghill]] described it as the most difficult Powderfinger song to play live at the time, because it was so "fast and offbeat".<ref name=Cogsy>{{cite web|title=Powderfinger (Int. With Jon Coghill)|url=http://www.australianmusician.com.au/mag/spring99/powderfinger.html|publisher=[[Australian Musician (magazine)|Australian Musician]]|date=September 1999|author=Eliezer, Christie|access-date=2008-08-10|archive-url=https://web.archive.org/web/20080721165750/http://australianmusician.com.au/mag/spring99/powderfinger.html <!--Added by H3llBot-->|archive-date=21 July 2008}}</ref> The music video for "Don't Wanna Be Left Out" was unpopular and drew criticism from band members.<ref name=BestOf /> "Good-Day Ray" was dedicated to Australian television presenter [[Ray Martin (television presenter)|Ray Martin]] and his public disagreements with former ''[[Media Watch (TV program)|Media Watch]]'' host [[Stuart Littlemore]]. Its lyrics verged on [[punk rock|punk]], though Coghill denied that Powderfinger were a punk band.<ref name=Feted>{{cite news|title=Fingers feted at home|author=Yorke, Ritchie|date=15 November 1998|publisher=[[The Sunday Mail (Brisbane)|The Sunday Mail]]}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl15.htm --></ref> He also described the [[music video]] for "Good-Day Ray" as being one of the better videos the band had made.<ref name=Cogsy />


''Internationalist'''s third single was "[[Already Gone (Powderfinger song)|Already Gone]]", released on 12 February 1999. The song was a tribute to [[the Beatles]] and their influence on Powderfinger's music.<ref name=BestOf>[[Powderfinger]] (2004). ''[[Fingerprints: The Best of Powderfinger, 1994–2000]]'' companion booklet.</ref> The fourth and final single from the album was "[[Passenger (Powderfinger song)|Passenger]]", released on 9 August 1999. "Passenger" was influenced by [[Elvis Presley]], and included a [[horn (music)|big horn]] section, as well as backing vocals from [[folk music|folk]] group [[Tiddas (band)|Tiddas]].<ref name=P2K>{{cite news|title=Primed for P2K Tour|author=Pascuzzi, Carmine |publisher=''Media Search''}}</ref> "Passenger" won the [[ARIA Awards|ARIA Award]] for "Song Of The Year" in 1999.<ref name=Jackets>{{cite news|title=Trusty Old Jackets|publisher=''Massive''|author=Yates, Rod|date=September 2000}}</ref> The song's music video was one of Powderfinger's first to feature computer graphics, and was produced by Fifty Fifty Films.<ref name=P2K /> "Passenger" spent 11 weeks on the ARIA Charts, peaking at #30.<ref>{{cite web|url=http://www.australian-charts.com/showitem.asp?key=286152&cat=s|title=Powderfinger – Passenger|publisher=australian-charts.com|accessdate=2007-12-17}}</ref> It appeared at #48 on [[MAX (Australian TV channel)|Max]]'s top 100 songs from the 1990s list.<ref>{{cite web|url=http://maxtv.com.au/Max/Article.aspx?id=1282 |title=MAX's Top 500 90s Songs – Essential 100 |publisher=[[MAX (Australian TV channel)|MAX]] |accessdate=2008-08-10 |date=2 August 2007 |deadurl=yes |archiveurl=https://web.archive.org/web/20070830180212/http://maxtv.com.au/Max/Article.aspx?ID=1282 |archivedate=30 August 2007 |df=dmy-all }}</ref>
''Internationalist'''s third single was "[[Already Gone (Powderfinger song)|Already Gone]]", released on 12 February 1999. The song was a tribute to [[the Beatles]] and their influence on Powderfinger's music.<ref name=BestOf>[[Powderfinger]] (2004). ''[[Fingerprints: The Best of Powderfinger, 1994–2000]]'' companion booklet.</ref> The fourth and final single from the album was "[[Passenger (Powderfinger song)|Passenger]]", released on 9{{nbsp}}August 1999. "Passenger" was influenced by [[Elvis Presley]], and included a [[horn (music)|big horn]] section, as well as backing vocals from [[folk music|folk]] group [[Tiddas (band)|Tiddas]].<ref name=P2K>{{cite news|title=Primed for P2K Tour|author=Pascuzzi, Carmine |publisher=Media Search}}</ref> "Passenger" won the [[ARIA Awards|ARIA Award]] for "Song of the Year" in 1999.<ref name=Jackets>{{cite news|title=Trusty Old Jackets|publisher=Massive|author=Yates, Rod|date=September 2000}}</ref> The song's music video was one of Powderfinger's first to feature computer graphics, and was produced by Fifty Fifty Films.<ref name=P2K /> "Passenger" spent 11 weeks on the ARIA Charts, peaking at #30.<ref>{{cite web|url=http://www.australian-charts.com/showitem.asp?key=286152&cat=s|title=Powderfinger – Passenger|publisher=australian-charts.com|access-date=2007-12-17}}</ref> It appeared at #48 on [[MAX (Australian TV channel)|Max]]'s top 100 songs from the 1990s list.<ref>{{cite web|url=http://maxtv.com.au/Max/Article.aspx?id=1282 |title=MAX's Top 500 90s Songs – Essential 100 |publisher=[[MAX (Australian TV channel)|MAX]] |access-date=2008-08-10 |date=2 August 2007 |url-status=dead |archive-url=https://web.archive.org/web/20070830180212/http://maxtv.com.au/Max/Article.aspx?ID=1282 |archive-date=30 August 2007}}</ref>


== Tour and promotion ==
== Tour and promotion ==
Powderfinger went on a nationwide tour after the release of ''Internationalist'', performing with British band [[Swervedriver]] and fellow Brisbane band [[Not From There]] in capital cities across Australia.<ref name=Feted /><ref name=Fish /> In 1999, the band also toured with [[Something for Kate]] and [[Alex Lloyd]].<ref name=Glory>{{cite news|title=Powder And The Glory|publisher=''[[The Sydney Morning Herald]]''|pages=3|author=Mathieson, Craig|date=23 July 1999}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl20.htm --></ref> Collins described the process of choosing who the band would play with as a simple matter of choosing whose music the band preferred, stating "we had played with most of the bands, and if you're going on tour with someone you may as well go with someone you get along with and whose music you enjoy."<ref name=Fish /> Despite being fans of Swervedriver, who were renowned for "their capability to reproduce their album sound perfectly in the live setting" according to ''Beat'' Magazine's Neala Johnson,<ref name=TPolitics /> Fanning said Powderfinger would never attempt to replicate them, because he believed their live shows to be much more "emotionally powerful" than recordings.<ref name=TPolitics />
Powderfinger went on a nationwide tour after the release of ''Internationalist'', performing with British band [[Swervedriver]] and fellow Brisbane band [[Not From There]] in capital cities across Australia.<ref name=Feted /><ref name=Fish /> In 1999, the band also toured with [[Something for Kate]] and [[Alex Lloyd]].<ref name=Glory>{{cite news|title=Powder and the Glory|newspaper=[[The Sydney Morning Herald]]|pages=3|author=Mathieson, Craig|date=23 July 1999}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl20.htm --></ref> Collins described the process of choosing who the band would play with as a simple matter of choosing whose music the band preferred, stating "we had played with most of the bands, and if you're going on tour with someone you may as well go with someone you get along with and whose music you enjoy."<ref name=Fish /> Despite being fans of Swervedriver, who were renowned for "their capability to reproduce their album sound perfectly in the live setting" according to ''Beat'' Magazine's Neala Johnson,<ref name=TPolitics /> Fanning said Powderfinger would never attempt to replicate them, because he believed their live shows to be much more "emotionally powerful" than recordings.<ref name=TPolitics />


With ''Internationalist'', Powderfinger first set their sights overseas, appearing at numerous [[music festival]]s in the U.S., including [[South by Southwest]] in [[Texas]].<ref name=Dream>{{cite news|title=Day Dream Believers|publisher=''[[The Courier-Mail]]''|author=Six, Nicola|date=19 November 1998}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl16.htm --></ref> While in the U.S., Powderfinger played several showcase performances to record-label representatives in [[Los Angeles]] and [[New York City]]. In a later interview in Australia, Fanning said these shows were difficult due to the lack of any homegrown fan support. He also said the band were not focused at the shows, and thus they did not go as well as he had hoped.<ref name=Pulse>{{cite news|title=Finger On The Pulse|publisher=''HIT''|author=Bolster, Teresa|date=December 1998}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl13.htm --></ref> Coghill, however, described the showcases, and the performances in [[Austin, Texas|Austin]], as "worthwhile" and "fun".<ref name=P2K /> After performing in the United States, Powderfinger completed a tour of Canada. Fanning described the band's overseas outlook as a necessity for an Australian-based band, as "people [in Australia] are going to get sick of you pretty quickly if you're going to do five tours a year, so that you can sustain yourself financially."<ref name=Dream />
With ''Internationalist'', Powderfinger first set their sights overseas, appearing at numerous [[music festival]]s in the U.S., including [[South by Southwest]] in [[Texas]].<ref name=Dream>{{cite news|title=Day Dream Believers|newspaper=[[The Courier-Mail]]|author=Six, Nicola|date=19 November 1998}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl16.htm --></ref> While in the U.S., Powderfinger played several showcase performances to record-label representatives in [[Los Angeles]] and [[New York City]]. In a later interview in Australia, Fanning said these shows were difficult due to the lack of any homegrown fan support. He also said the band were not focused at the shows, and thus they did not go as well as he had hoped.<ref name=Pulse>{{cite news|title=Finger on the Pulse|publisher=HIT|author=Bolster, Teresa|date=December 1998}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl13.htm --></ref> Coghill, however, described the showcases, and the performances in [[Austin, Texas|Austin]], as "worthwhile" and "fun".<ref name=P2K /> After performing in the United States, Powderfinger completed a tour of Canada. Fanning described the band's overseas outlook as a necessity for an Australian-based band, as "people [in Australia] are going to get sick of you pretty quickly if you're going to do five tours a year, so that you can sustain yourself financially."<ref name=Dream />


== Reception ==
== Reception ==
''Internationalist'' debuted at the top of the [[ARIA Albums Chart]], and was [[Music recording sales certification|certified gold]] in its first week, selling over 35,000 copies.<ref>{{cite web|url=http://www.aria.com.au/pages/aria-charts-accreditations-albums-1998.htm|title=ARIA Charts - Accreditations - 1998 Albums|publisher=[[Australian Recording Industry Association|ARIA]]|accessdate=2007-11-19}}</ref> It then went on to go platinum,<ref>{{cite web|url=http://www.aria.com.au/pages/aria-charts-accreditations-albums-1999.htm|title=ARIA Charts - Accreditations - 1999 Albums|publisher=[[Australian Recording Industry Association|ARIA]]|accessdate=2007-11-19}}</ref> and is currently certified platinum five times, for 350,000 copies.<ref name=2007albums>{{cite web|url=http://www.aria.com.au/pages/httpwww.aria.com.aupagesARIACharts-Accreditations-2007Albums.htm |title=ARIA Charts - Accreditations - 2007 Albums|publisher=[[Australian Recording Industry Association]]|accessdate=2007-12-22}}</ref> At the 1999 [[ARIA Awards]], the album received three awards—"Album of the Year", "Best Rock Album", and "Best Cover Art". "The Day You Come" also won "Single of the Year". In 2000, "Passenger" was nominated for three awards, but did not win any.<ref name="ARIA-history" />
''Internationalist'' debuted at the top of the [[ARIA Albums Chart]], and was [[Music recording sales certification|certified gold]] in its first week, selling over 35,000 copies.<ref>{{cite web|url=http://www.aria.com.au/pages/aria-charts-accreditations-albums-1998.htm|title=ARIA Charts – Accreditations – 1998 Albums|publisher=[[Australian Recording Industry Association|ARIA]]|access-date=2007-11-19}}</ref> It then went on to go platinum,<ref>{{cite web|url=http://www.aria.com.au/pages/aria-charts-accreditations-albums-1999.htm|title=ARIA Charts – Accreditations – 1999 Albums|publisher=[[Australian Recording Industry Association|ARIA]]|access-date=2007-11-19}}</ref> and is currently certified platinum five times, for 350,000 copies.<ref name=2007albums>{{cite web|url=http://www.aria.com.au/pages/httpwww.aria.com.aupagesARIACharts-Accreditations-2007Albums.htm |title=ARIA Charts – Accreditations – 2007 Albums|publisher=[[Australian Recording Industry Association]]|access-date=2007-12-22}}</ref> At the 1999 [[ARIA Awards]], the album received three awards—"Album of the Year", "Best Rock Album", and "Best Cover Art". "The Day You Come" also won "Single of the Year". In 2000, "Passenger" was nominated for three awards, but did not win any.<ref name="ARIA-history" />


Haug said he was amazed with the highly positive critical response the album had received, surprised that "even Molly <nowiki>[</nowiki>[[Molly Meldrum|Meldrum]]<nowiki>]</nowiki> gave it nine out of ten." The positivity of the album's reception created a feeling of surrealism, and Haug told ''Juice'' Magazine "I wish someone would write a really bad [review]."<ref name=BeckoningFinger /> Nonetheless, he appreciated the credibility the album helped Powderfinger develop.<ref name=BeckoningFinger /> Coghill agreed with Haug on the album's popularity, stating "you couldn't ask for much better", and saying he really took notice of the album's positive critical commentary.<ref name=Feted /> ''Juice''{{'}}s Benedict Watts said it received "a level of universal praise not yet dished out on an Australian release since [[You Am I]]'s ''[[Hi Fi Way]]''".<ref name=BeckoningFinger /> Despite [[Polydor]] telling the band the album would be heavily marketed, Fanning still found its success surprising.<ref name=Fish>{{cite news|title=Fish Tales|publisher=Juice|author=Clode, Samantha|date=December 1998}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl11.htm --></ref> ''HIT''{{'}}s Teresa Bolster suggested Fanning feared the worst during songwriting; "Celebrity Head", a song on the album, was seen as a "pre-emptive, scathing attack on music writers", which he argued was intended as a joke.<ref name=Pulse />
Haug said he was amazed with the highly positive critical response the album had received, surprised that "even Molly <nowiki>[</nowiki>[[Molly Meldrum|Meldrum]]<nowiki>]</nowiki> gave it nine out of ten." The positivity of the album's reception created a feeling of surrealism, and Haug told ''Juice'' Magazine "I wish someone would write a really bad [review]."<ref name=BeckoningFinger /> Nonetheless, he appreciated the credibility the album helped Powderfinger develop.<ref name=BeckoningFinger /> Coghill agreed with Haug on the album's popularity, stating "you couldn't ask for much better", and saying he really took notice of the album's positive critical commentary.<ref name=Feted /> ''Juice''{{'}}s Benedict Watts said it received "a level of universal praise not yet dished out on an Australian release since [[You Am I]]'s ''[[Hi Fi Way]]''".<ref name=BeckoningFinger /> Despite [[Polydor]] telling the band the album would be heavily marketed, Fanning still found its success surprising.<ref name=Fish>{{cite news|title=Fish Tales|publisher=Juice|author=Clode, Samantha|date=December 1998}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl11.htm --></ref> ''HIT''{{'}}s Teresa Bolster suggested Fanning feared the worst during songwriting; "Celebrity Head", a song on the album, was seen as a "pre-emptive, scathing attack on music writers", which he argued was intended as a joke.<ref name=Pulse />


''Internationalist''{{'}}s critical reception was positive, following in its chart success. ''[[The Courier-Mail]]''{{'}}s Nicola Six called it the band's most diverse album yet, using "The Day You Come" as an example; its "opening [[staccato]] guitar [[riff]] to the way the bass blends with Bernard Fanning's almost-[[falsetto]] in the final chorus" made it the "perfect first single".<ref name=Dream /> Watts said it "brilliantly pre-empts the mood and progressive nature of the album",<ref name=BeckoningFinger /> and [[Allmusic]]'s Jonathan Lewis described it as the best track on the album.<ref name=AMG>{{cite web|url={{Allmusic|class=album|id=r379254|pure_url=yes}} |title=Internationalist > Review|publisher=[[Allmusic]]|author=Lewis, Jonathan|accessdate=2008-08-10}}</ref> ''[[The Weekend Australian]]'''s Iain Shedden said it was "one of the best Australian rock songs of the decade".<ref name=UpClose>{{cite news|title=Up Close (And Not Too) Personal|publisher=''[[The Weekend Australian]]''|author=Shedden, Iain|date=10 July 1999}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl17.htm --></ref>
''Internationalist''{{'}}s critical reception was positive, following in its chart success. ''[[The Courier-Mail]]''{{'}}s Nicola Six called it the band's most diverse album yet, using "The Day You Come" as an example; its "opening [[staccato]] guitar [[riff]] to the way the bass blends with Bernard Fanning's almost-[[falsetto]] in the final chorus" made it the "perfect first single".<ref name=Dream /> Watts said it "brilliantly pre-empts the mood and progressive nature of the album",<ref name=BeckoningFinger /> and [[Allmusic]]'s Jonathan Lewis described it as the best track on the album.<ref name=AMG>{{cite web|url={{AllMusic|class=album|id=r379254|pure_url=yes}} |title=Internationalist > Review|publisher=[[AllMusic]]|author=Lewis, Jonathan|access-date=2008-08-10}}</ref> ''[[The Weekend Australian]]'''s Iain Shedden said it was "one of the best Australian rock songs of the decade".<ref name=UpClose>{{cite news|title=Up Close (And Not Too) Personal|publisher=[[The Weekend Australian]]|author=Shedden, Iain|date=10 July 1999}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl17.htm --></ref>


"The Day You Come" was not the only single to draw praise; "Don't Wanna Be Left Out" was described as "surf guitar-fuelled",<ref name=Dream /> "Good Day Ray" as "thrashy", and ''HIT'''s Teresa Bolster wrote that the released of the two as an A-side displayed the album's true scope to the public.<ref name=Pulse /> [[AllMusic]] approved of the "rocking" "Don't Wanna Be Left Out", but said Powderfinger sacrificed their uniqueness on "Good Day Ray", which Lewis argued was heavily [[Foo Fighters]] influenced.<ref name=AMG /> Lewis approved of the "melodic" "Already Gone",<ref name=AMG /> while ''Juice''{{'}}s Simon Wooldridge said it and "Passenger" demonostrated Powderfinger's "flair for the big hook".<ref name=Sporting>{{cite news|title=This Sporting Life|publisher=''Juice''|author=Wooldridge, Simon|date=September 2000}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl39.htm --></ref>
"The Day You Come" was not the only single to draw praise; "Don't Wanna Be Left Out" was described as "surf guitar-fuelled",<ref name=Dream /> "Good Day Ray" as "thrashy", and ''HIT'''s Teresa Bolster wrote that the released of the two as an A-side displayed the album's true scope to the public.<ref name=Pulse /> [[AllMusic]] approved of the "rocking" "Don't Wanna Be Left Out", but said Powderfinger sacrificed their uniqueness on "Good Day Ray", which Lewis argued was heavily [[Foo Fighters]] influenced.<ref name=AMG /> Lewis approved of the "melodic" "Already Gone",<ref name=AMG /> while ''Juice''{{'}}s Simon Wooldridge said it and "Passenger" demonstrated Powderfinger's "flair for the big hook".<ref name=Sporting>{{cite news|title=This Sporting Life|publisher=Juice|author=Wooldridge, Simon|date=September 2000}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl39.htm --></ref>


''Beat'''s Neala Johnson compared the album's political motifs to the [[Manic Street Preachers]]—"an earnest, sometimes cynical, social and personal conscience displayed in the lyrics".<ref name=TPolitics /> Noel Mangel of ''The Courier-Mail'' said it had "a lightness of touch and boisterous spirit", especially compared to the distorted guitars on debut album ''[[Parables for Wooden Ears]]''.<ref name=Budding>{{cite news|title=Budding Internationalists|author=Mangel, Noel|publisher=''[[The Courier-Mail]]''|date=16 November 1999}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl24.htm --></ref> MS Queensland's Lauren McKay said the album ranked up there with the best of [[Bon Jovi]] and [[Robbie Williams]]. ''[[Time Off]]''{{'}}s Geoff Nicholson said ''Internationalist'' was "a blend of shimmering pop songs and thought-provoking probing".<ref name=Keel>{{cite news|title=Keeping An Even Keel |publisher=''[[Time Off]]''|author=Nicholson, Geoof|date=17 November 1999}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl23.htm --></ref>
''Beat'''s Neala Johnson compared the album's political motifs to the [[Manic Street Preachers]]—"an earnest, sometimes cynical, social and personal conscience displayed in the lyrics".<ref name=TPolitics /> Noel Mangel of ''The Courier-Mail'' said it had "a lightness of touch and boisterous spirit", especially compared to the distorted guitars on debut album ''[[Parables for Wooden Ears]]''.<ref name=Budding>{{cite news|title=Budding Internationalists|author=Mangel, Noel|newspaper=[[The Courier-Mail]]|date=16 November 1999}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl24.htm --></ref> MS Queensland's Lauren McKay said the album ranked up there with the best of [[Bon Jovi]] and [[Robbie Williams]]. ''[[Time Off]]''{{'}}s Geoff Nicholson said ''Internationalist'' was "a blend of shimmering pop songs and thought-provoking probing".<ref name=Keel>{{cite news|title=Keeping An Even Keel |publisher=[[Time Off]]|author=Nicholson, Geoof|date=17 November 1999}}<!-- http://www.ozmusic-central.com.au/powderfinger/text/articl23.htm --></ref>

In December of 2021, the album was listed at no. 18 in ''[[Rolling Stone Australia|Rolling Stone Australia’s]]'' ‘200 Greatest Albums of All Time’ countdown.<ref>[https://au.rollingstone.com/rolling-stones-200-greatest-australian-albums-of-all-time Rolling Stone’s 200 Greatest Australian Albums of All Time]. Rolling Stone Australia, ''Rolling Stone Australia'', 06 December 2021. Retrieved 06 December 2021.</ref>


== Track listing ==
== Track listing ==
Tracks on the album are as follows:<ref>{{cite web | title=Internationalist – 1998 | website=Powderfinger | date=2 November 2016 | url=https://powderfinger.com/music/internationalist-1998/ | access-date=23 December 2022}}</ref>
# "Hindley Street" (Fanning, Powderfinger) – 3:41
# "Hindley Street" (Fanning, Powderfinger) – 3:41
# "Belter" (Fanning, Powderfinger) – 4:13
# "Belter" (Fanning, Powderfinger) – 4:13
Line 96: Line 98:


=== ''P2K'' bonus disc ===
=== ''P2K'' bonus disc ===
The second release of pressings of the album were released in late November 1998 which included a bonus disc featuring a live recording of Powderfinger's performance at the [[Sydney Opera House]] 25th birthday celebration on October 11, 1998.
The second release of pressings of the album were released in late November 1998 which included a bonus disc featuring a live recording of Powderfinger's performance at the [[Sydney Opera House]] 25th birthday celebration on 11 October 1998.


# "Passenger" – 4:42
# "Passenger" – 4:42
Line 103: Line 105:
# "[[Pick You Up]]" – 5:51
# "[[Pick You Up]]" – 5:51
# "The Day You Come" – 4:36
# "The Day You Come" – 4:36

== Charts ==
===Weekly charts===
{| class="wikitable sortable plainrowheaders"
|-
!scope="col"|Chart (1998–2018)
!scope="col"|Peak<br />position
|-
!scope="row"{{album chart|Australia|1|artist=Powderfinger|album=Internationalist|access-date=23 January 2020}}
|}

===Year-end charts===
{| class="wikitable sortable plainrowheaders" style="text-align:center"
|-
! scope="col"| Chart (1998)
! scope="col"| Position
|-
! scope="row"| Australia (ARIA) Albums <ref>{{cite web|url=https://www.ariacharts.com.au/annual-charts/1998/albums-chart|title=End of Year Charts – ARIA Top 100 Albums 1998|work=ARIA Charts|publisher=[[Australian Recording Industry Association]]|access-date=4 May 2017}}</ref>
| 66
|-
! scope="row"| Australian Artist Albums Chart
| 14
|-
! scope="col"| Chart (1999)
! scope="col"| Position
|-
! scope="row"| Australia (ARIA) Albums <ref>{{cite web|url=https://www.ariacharts.com.au/annual-charts/1999/albums-chart|title=End of Year Charts – ARIA Top 100 Albums 1999|work=ARIA Charts|publisher=[[Australian Recording Industry Association]]|access-date=4 May 2017}}</ref>
| 17
|-
! scope="row"| Australian Artist Albums Chart
| 4
|-
! scope="col"| Chart (2000)
! scope="col"| Position
|-
! scope="row"| Australia (ARIA) Albums <ref>{{cite web|url=https://www.ariacharts.com.au/annual-charts/2000/albums-chart|title=End of Year Charts – ARIA Top 100 Albums 2000|work=ARIA Charts|publisher=[[Australian Recording Industry Association]]|access-date=4 May 2017}}</ref>
| 48
|-
! scope="row"| Australian Artist Albums Chart
| 15
|-
|}

===Certifications===
{{Certification Table Top}}
{{Certification Table Entry|type=album|region=Australia|artist=Powderfinger|title=Internationalist|award=Platinum|number=5|relyear=1998|certyear=2007|access-date=23 January 2020}}
{{Certification Table Bottom|nosales=yes}}


== Personnel ==
== Personnel ==
Line 113: Line 162:
* [[Nick DiDia]] – [[Record producer|production]], [[engineering]], [[mix (music)|mixing]]
* [[Nick DiDia]] – [[Record producer|production]], [[engineering]], [[mix (music)|mixing]]
* [[Magoo (Australian producer)|Lachlan "Magoo" Goold]], Mark McElligott – additional engineering
* [[Magoo (Australian producer)|Lachlan "Magoo" Goold]], Mark McElligott – additional engineering
* Craig Kamber - A&R
* Craig Kamber – A&R
* Michael Mucci – [[art]]work
* Michael Mucci – [[art]]work
* Sophie Howarth – [[photography]]
* Sophie Howarth – [[photography]]
Line 127: Line 176:
! align="center"| Work
! align="center"| Work
! align="center" width="125"| Award
! align="center" width="125"| Award
! align="center"| Result<ref name="ARIA-history">{{cite web|url=http://www.ariaawards.com.au/history/search/?text=Powderfinger|title=Powderfinger ARIA awards history|accessdate=2007-08-08|publisher=[[Australian Recording Industry Association]]}}</ref>
! align="center"| Result<ref name="ARIA-history">{{cite web|url=http://www.ariaawards.com.au/history/search/?text=Powderfinger|title=Powderfinger ARIA awards history|access-date=2007-08-08|publisher=[[Australian Recording Industry Association]]}}</ref>
|-
|-
|rowspan="5"| '''1999'''
|rowspan="5"| '''1999'''
Line 160: Line 209:


=== Other awards ===
=== Other awards ===
In 1999, "The Day You Come" was nominated to win the "Song of the Year" [[APRA Awards (Australia)|APRA Award]] from the [[Australasian Performing Right Association]],<ref>{{cite web|url=http://www.apra.com.au/awards/music/noms1999.asp|title=APRA Music Awards 1999|work=Nominations|publisher=Australasian Performing Right Association|accessdate=2007-12-16|archiveurl = https://web.archive.org/web/20070928071545/http://www.apra.com.au/awards/music/noms1999.asp |archivedate = 28 September 2007|deadurl=yes}}</ref> and "Passenger" won the same award the following year.<ref name="APRA2000">{{cite web|url=http://www.apra.com.au/awards/music/winners2000.asp|title=APRA Music Awards 2000|work=Winners|publisher=[[Australasian Performing Right Association]]|accessdate=2007-12-16|archiveurl = https://web.archive.org/web/20070906170524/http://www.apra.com.au/awards/music/winners2000.asp |archivedate = 6 September 2007|deadurl=yes}}</ref> The same year, the tracks "Already Gone", "Good-Day Ray" and "Passenger" all featured in [[Triple J]]'s [[Triple J Hottest 100|Hottest 100]] list,<ref name="triplej-1999">{{cite web|url=http://www.abc.net.au/triplej/hottest100/history/1999.htm|title=Hottest 100 History 1999|publisher=[[Triple J]]|work=History|accessdate=2007-12-16|archive-url=https://www.webcitation.org/6ELevkUZN?url=http://www.abc.net.au/triplej/hottest100/history/1999.htm|archive-date=11 February 2013|dead-url=yes|df=dmy-all}}</ref> and "Don't Wanna Be Left Out" and "The Day You Come" featured in the list in 1998.<ref>{{cite web | title=Hottest 100 History 1998 | url=http://www.abc.net.au/triplej/hottest100/history/1998.htm | work=History | publisher=[[Triple J]] | accessdate=2007-12-16 | archive-url=https://www.webcitation.org/6ELe579e0?url=http://www.abc.net.au/triplej/hottest100/history/1998.htm | archive-date=11 February 2013 | dead-url=yes | df=dmy-all }}</ref> Australian music magazine ''Juice'' selected ''Internationalist'' as #80 of their top 100 albums of the 1990s.<ref>{{cite web|url=http://www.rocklistmusic.co.uk/juice.html|title=JUICE 100 Greatest Albums of the '90s|publisher=Rocklistmusic.co.uk|work=Juice|accessdate=2007-12-17}}</ref> In September 2018, Australian radio station [[Double J (radio)|Double J]] selected ''Internationalist'' as the number one Australian album of the 90's<ref>{{cite web |url=http://doublej.net.au/news/features/the-50-best-australian-albums-of-the-90s |title=The 50 Best Australian Albums of the 90's|date=13 September 2018|website=Double J |accessdate=15 September 2018}}</ref>
In 1999, "The Day You Come" was nominated to win the "Song of the Year" [[APRA Awards (Australia)|APRA Award]] from the [[Australasian Performing Right Association]],<ref>{{cite web|url=http://www.apra.com.au/awards/music/noms1999.asp|title=APRA Music Awards 1999|work=Nominations|publisher=Australasian Performing Right Association|access-date=2007-12-16|archive-url = https://web.archive.org/web/20070928071545/http://www.apra.com.au/awards/music/noms1999.asp |archive-date = 28 September 2007|url-status=dead}}</ref> and "Passenger" won the same award the following year.<ref name="APRA2000">{{cite web|url=http://www.apra.com.au/awards/music/winners2000.asp|title=APRA Music Awards 2000|work=Winners|publisher=[[Australasian Performing Right Association]]|access-date=2007-12-16|archive-url = https://web.archive.org/web/20070906170524/http://www.apra.com.au/awards/music/winners2000.asp |archive-date = 6 September 2007|url-status=dead}}</ref> The same year, the tracks "Already Gone", "Good-Day Ray" and "Passenger" all featured in [[Triple J]]'s [[Triple J Hottest 100|Hottest 100]] list,<ref name="triplej-1999">{{cite web|url=http://www.abc.net.au/triplej/hottest100/history/1999.htm|title=Hottest 100 History 1999|publisher=[[Triple J]]|work=History|access-date=2007-12-16|archive-url=https://web.archive.org/web/20121104104600/http://www.abc.net.au/triplej/hottest100/history/1999.htm|archive-date=4 November 2012|url-status=dead}}</ref> and "Don't Wanna Be Left Out" and "The Day You Come" featured in the list in 1998.<ref>{{cite web | title=Hottest 100 History 1998 | url=http://www.abc.net.au/triplej/hottest100/history/1998.htm | work=History | publisher=[[Triple J]] | access-date=2007-12-16 | archive-url=https://web.archive.org/web/20130129022224/http://www.abc.net.au/triplej/hottest100/history/1998.htm | archive-date=29 January 2013 | url-status=dead}}</ref> Australian music magazine ''Juice'' selected ''Internationalist'' as #80 of their top 100 albums of the 1990s.<ref>{{cite web|url=http://www.rocklistmusic.co.uk/juice.html|title=JUICE 100 Greatest Albums of the '90s|publisher=Rocklistmusic.co.uk|work=Juice|access-date=2007-12-17}}</ref> In September 2018, Australian radio station [[Double J (radio)|Double J]] selected ''Internationalist'' as the number one Australian album of the 90s<ref>{{cite web |url=http://doublej.net.au/news/features/the-50-best-australian-albums-of-the-90s |title=The 50 Best Australian Albums of the 90s|date=13 September 2018|website=Double J |access-date=15 September 2018}}</ref>


== See also ==
== See also ==
{{portal|Music of Australia}}
{{Portal|Music|Australia}}
* [[:Category:Powderfinger albums|Powderfinger albums]]
* [[:Category:Powderfinger albums|Powderfinger albums]]
* [[Powderfinger discography|Full discography]]
* [[Powderfinger discography|Full discography]]
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{{ARIA Award for Album of the Year 1990s}}
{{ARIA Award for Album of the Year 1990s}}


{{featured article}}



⚫
[[Category:ARIA Award-winning albums]]
{{Authority control}}

⚫
[[Category:ARIA Award–winning albums]]
[[Category:Powderfinger albums]]
[[Category:Powderfinger albums]]
[[Category:1998 albums]]
[[Category:1998 albums]]

Latest revision as of 22:07, 30 October 2024

Internationalist
Studio album by
Powderfinger
Released7 September 1998 (1998-09-07) (Australia)
Recorded1997–98
StudioSing Sing (Melbourne)
GenreAlternative rock
Length45:33
LabelPolydor
ProducerNick DiDia
Powderfinger chronology
Double Allergic
(1996) 		Internationalist
(1998) 		The Triple M Acoustic Sessions
(1999)
Singles from Internationalist
  1. "The Day You Come"
    Released: 10 August 1998
  2. "Don't Wanna Be Left Out"
    "    Good-Day Ray    "
    Released: 9 November 1998[1]
  3. "Already Gone"
    Released: 1998
  4. "Passenger"
    Released: 9 July 1999[2]

Internationalist is the third studio album by Australian alternative rock band Powderfinger. The album was released on 7 September 1998 and was often labelled Powderfinger's most adventurous work, with greater experimentation than in previous works.

Internationalist followed in the success of its predecessor, Double Allergic, and was certified five times platinum in Australia. Internationalist received four ARIA Music Awards, including "Album of the Year". The album produced four singles for the band; "The Day You Come", "Don't Wanna Be Left Out/Good-Day Ray", "Already Gone" and "Passenger", which all appeared on Triple J's Hottest 100 poll in two consecutive years.

Internationalist received fairly positive reviews in the Australian press, and cemented Powderfinger's position on the local music scene; however, the album failed to launch the band in the overseas market.

Background

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Powderfinger spent much of early 1997 touring, after the success of Double Allergic. Songwriter Bernard Fanning then spent much of 1997 writing songs for Internationalist in Brisbane, drawing on inspiration from a mid-1997 band trip to the United States.[3]

The album's title refers to escapism—namely, the ability that an "internationalist" has to escape from racial and social tension. When asked in a Juice interview, Bernard Fanning summarised the title of the album by stating;

It's about the idea of all this tension that is around at the moment, all this racial and political tension ... The idea is that an 'internationalist' has an escape from all that. Music can be a vehicle for that escape.[4]

Recording and production

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Internationalist was recorded at Melbourne's Sing Sing Studios, with Powderfinger accompanied by American producer Nick DiDia for the first time. As the band had already prepared "about 30 or 40" songs when they entered the studio, DiDia's task was relatively minor. Bassist John Collins said of DiDia; "Nick was really good. The way Nick based the record was that he wanted to record the band how we were at that particular moment, he didn't want to play around too much."[4] As a result of this attitude, the band spent only one month in the studio, and the album was mixed by DiDia soon after.[4] Powderfinger used the extra time to play table tennis, which was the band's recreation of choice during the Internationalist and Odyssey Number Five recording sessions.[5]

Collins described the album as not being as easy listening as their previous work,[4] and that it contained numerous experiments in songwriting that they had not put into previous albums.[4] Fanning later said Internationalist was "a better record" than Double Allergic, but acknowledged that it was not as easily likeable—it was just an improvement in songwriting.[6] Collins and Fanning acknowledged that the album's experimental nature could lose them some old fans, but the pair drew parallels with bands such as U2, who Collins said had "constantly re-invented themselves, and with success".[4] He said Powderfinger's reinvention was as much for the band's own interest as it was for the "public's perception".[4] Meanwhile, guitarist Ian Haug described the album as a "moderation" between Parables for Wooden Ears ("the complicated beast") and Double Allergic ("totally simplified"), Powderfinger's two previous albums.[7] He also agreed that the album was much more experimental, and described the album as the band's "most successful", as well as saying the album that best replicated "the sound we have live".[8]

Numerous songs on Internationalist were politically and socially influenced, although the band denied it being a deliberate motif.[9] Fanning explaining that the band did not intentionally discuss political issues, saying "we don't try to do anything in particular".[9] He noted, however, that the songs, as his emotional responses to recent events, could inevitably be interpreted as being political.[9] When "The Day You Come" was released, there was speculation that it alluded to Pauline Hanson's One Nation political party, although the band claimed the song was vague and didn't specifically refer to one person. Fanning said of "The Day You Come";

I wouldn't certainly say that we've written any protest songs – "The Day You Come" is the closest to that kind of song, and that typically, like most of our songs can be construed in many ways. And it was particularly about the way Australian electorate I suppose is moving, and thinking.[10]

Singles

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"Don't Wanna Be Left Out"
An 18-second sample from "Don't Wanna Be Left Out", which was described as "one of the roughest Powderfinger songs to date".[11]
Problems playing this file? See media help.
"Passenger"
A 20 second sample of the chorus of "Passenger", which won "Song of the Year" at the 1999 ARIA Awards.[12]
Problems playing this file? See media help.

The first single from the album was "The Day You Come", a politically and socially influenced song. The band did not intend for it to be the first single, and released it only when they could not decide on anything else. Haug said it being "a pretty inoffensive song musically" helped Powderfinger make that decision.[7] "The Day You Come" spent nine weeks on the ARIA Charts, peaking at #25.[13]

The second single was the double a-side, "Don't Wanna Be Left Out/Good-Day Ray", released on 9 November 1998. "Don't Wanna Be Left Out", a song about a friend of Fanning's who had difficulty in social situations, was one of the roughest Powderfinger songs to date. 'Don't Wanna Be Left Out' could be comfortably ranked with other Powderfinger songs such as 'Lighten My Load' and 'Rise Up'.[11] Drummer Jon Coghill described it as the most difficult Powderfinger song to play live at the time, because it was so "fast and offbeat".[14] The music video for "Don't Wanna Be Left Out" was unpopular and drew criticism from band members.[15] "Good-Day Ray" was dedicated to Australian television presenter Ray Martin and his public disagreements with former Media Watch host Stuart Littlemore. Its lyrics verged on punk, though Coghill denied that Powderfinger were a punk band.[11] He also described the music video for "Good-Day Ray" as being one of the better videos the band had made.[14]

Internationalist's third single was "Already Gone", released on 12 February 1999. The song was a tribute to the Beatles and their influence on Powderfinger's music.[15] The fourth and final single from the album was "Passenger", released on 9 August 1999. "Passenger" was influenced by Elvis Presley, and included a big horn section, as well as backing vocals from folk group Tiddas.[16] "Passenger" won the ARIA Award for "Song of the Year" in 1999.[12] The song's music video was one of Powderfinger's first to feature computer graphics, and was produced by Fifty Fifty Films.[16] "Passenger" spent 11 weeks on the ARIA Charts, peaking at #30.[17] It appeared at #48 on Max's top 100 songs from the 1990s list.[18]

Tour and promotion

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Powderfinger went on a nationwide tour after the release of Internationalist, performing with British band Swervedriver and fellow Brisbane band Not From There in capital cities across Australia.[11][19] In 1999, the band also toured with Something for Kate and Alex Lloyd.[6] Collins described the process of choosing who the band would play with as a simple matter of choosing whose music the band preferred, stating "we had played with most of the bands, and if you're going on tour with someone you may as well go with someone you get along with and whose music you enjoy."[19] Despite being fans of Swervedriver, who were renowned for "their capability to reproduce their album sound perfectly in the live setting" according to Beat Magazine's Neala Johnson,[9] Fanning said Powderfinger would never attempt to replicate them, because he believed their live shows to be much more "emotionally powerful" than recordings.[9]

With Internationalist, Powderfinger first set their sights overseas, appearing at numerous music festivals in the U.S., including South by Southwest in Texas.[20] While in the U.S., Powderfinger played several showcase performances to record-label representatives in Los Angeles and New York City. In a later interview in Australia, Fanning said these shows were difficult due to the lack of any homegrown fan support. He also said the band were not focused at the shows, and thus they did not go as well as he had hoped.[21] Coghill, however, described the showcases, and the performances in Austin, as "worthwhile" and "fun".[16] After performing in the United States, Powderfinger completed a tour of Canada. Fanning described the band's overseas outlook as a necessity for an Australian-based band, as "people [in Australia] are going to get sick of you pretty quickly if you're going to do five tours a year, so that you can sustain yourself financially."[20]

Reception

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Internationalist debuted at the top of the ARIA Albums Chart, and was certified gold in its first week, selling over 35,000 copies.[22] It then went on to go platinum,[23] and is currently certified platinum five times, for 350,000 copies.[24] At the 1999 ARIA Awards, the album received three awards—"Album of the Year", "Best Rock Album", and "Best Cover Art". "The Day You Come" also won "Single of the Year". In 2000, "Passenger" was nominated for three awards, but did not win any.[25]

Haug said he was amazed with the highly positive critical response the album had received, surprised that "even Molly [Meldrum] gave it nine out of ten." The positivity of the album's reception created a feeling of surrealism, and Haug told Juice Magazine "I wish someone would write a really bad [review]."[7] Nonetheless, he appreciated the credibility the album helped Powderfinger develop.[7] Coghill agreed with Haug on the album's popularity, stating "you couldn't ask for much better", and saying he really took notice of the album's positive critical commentary.[11] Juice's Benedict Watts said it received "a level of universal praise not yet dished out on an Australian release since You Am I's Hi Fi Way".[7] Despite Polydor telling the band the album would be heavily marketed, Fanning still found its success surprising.[19] HIT's Teresa Bolster suggested Fanning feared the worst during songwriting; "Celebrity Head", a song on the album, was seen as a "pre-emptive, scathing attack on music writers", which he argued was intended as a joke.[21]

Internationalist's critical reception was positive, following in its chart success. The Courier-Mail's Nicola Six called it the band's most diverse album yet, using "The Day You Come" as an example; its "opening staccato guitar riff to the way the bass blends with Bernard Fanning's almost-falsetto in the final chorus" made it the "perfect first single".[20] Watts said it "brilliantly pre-empts the mood and progressive nature of the album",[7] and Allmusic's Jonathan Lewis described it as the best track on the album.[26] The Weekend Australian's Iain Shedden said it was "one of the best Australian rock songs of the decade".[27]

"The Day You Come" was not the only single to draw praise; "Don't Wanna Be Left Out" was described as "surf guitar-fuelled",[20] "Good Day Ray" as "thrashy", and HIT's Teresa Bolster wrote that the released of the two as an A-side displayed the album's true scope to the public.[21] AllMusic approved of the "rocking" "Don't Wanna Be Left Out", but said Powderfinger sacrificed their uniqueness on "Good Day Ray", which Lewis argued was heavily Foo Fighters influenced.[26] Lewis approved of the "melodic" "Already Gone",[26] while Juice's Simon Wooldridge said it and "Passenger" demonstrated Powderfinger's "flair for the big hook".[28]

Beat's Neala Johnson compared the album's political motifs to the Manic Street Preachers—"an earnest, sometimes cynical, social and personal conscience displayed in the lyrics".[9] Noel Mangel of The Courier-Mail said it had "a lightness of touch and boisterous spirit", especially compared to the distorted guitars on debut album Parables for Wooden Ears.[29] MS Queensland's Lauren McKay said the album ranked up there with the best of Bon Jovi and Robbie Williams. Time Off's Geoff Nicholson said Internationalist was "a blend of shimmering pop songs and thought-provoking probing".[30]

In December of 2021, the album was listed at no. 18 in Rolling Stone Australia’s ‘200 Greatest Albums of All Time’ countdown.[31]

Track listing

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Tracks on the album are as follows:[32]

  1. "Hindley Street" (Fanning, Powderfinger) – 3:41
  2. "Belter" (Fanning, Powderfinger) – 4:13
  3. "The Day You Come" (Fanning, Powderfinger) – 4:00
  4. "Already Gone" (Fanning, Powderfinger) – 3:28
  5. "Passenger" (Fanning, Powderfinger) – 4:20
  6. "Don't Wanna Be Left Out" (Fanning, Middleton, Powderfinger) – 2:12
  7. "Good-Day Ray" (Coghill, Fanning, Powderfinger) – 1:58
  8. "Trading Places" (Fanning, Powderfinger) – 4:27
  9. "Private Man" (Fanning, Powderfinger) – 3:40
  10. "Celebrity Head" (Fanning, Powderfinger) – 2:20
  11. "Over My Head" (Middleton) – 1:36
  12. "Capoicity" (Fanning, Powderfinger) – 5:44
  13. "Lemon Sunrise" (Fanning, Middleton, Powderfinger) – 3:34

P2K bonus disc

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The second release of pressings of the album were released in late November 1998 which included a bonus disc featuring a live recording of Powderfinger's performance at the Sydney Opera House 25th birthday celebration on 11 October 1998.

  1. "Passenger" – 4:42
  2. "Private Man" – 4:01
  3. "Don't Wanna Be Left Out" – 2:55
  4. "Pick You Up" – 5:51
  5. "The Day You Come" – 4:36

Charts

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Weekly charts

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Chart (1998–2018) Peak
position
Australian Albums (ARIA)[33] 1

Year-end charts

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Chart (1998) Position
Australia (ARIA) Albums [34] 66
Australian Artist Albums Chart 14
Chart (1999) Position
Australia (ARIA) Albums [35] 17
Australian Artist Albums Chart 4
Chart (2000) Position
Australia (ARIA) Albums [36] 48
Australian Artist Albums Chart 15

Certifications

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Region Certification Certified units/sales
Australia (ARIA)[37] 5× Platinum 350,000^

^ Shipments figures based on certification alone.

Personnel

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Accolades

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See also: List of awards and nominations received by Powderfinger

ARIA Awards

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Internationalist and singles from it have been nominated to win ARIA Music Awards from the Australian Recording Industry Association (ARIA) in two consecutive years.[25]

Year Work Award Result[25]
1999 Internationalist Best Cover Art Won
Best Rock Album Won
Album of the Year Won
Best Group Nominated
"The Day You Come" Single of the Year Won
2000 "Passenger" Best Cover Art Nominated
Best Group Nominated
Single of the Year Nominated

Other awards

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In 1999, "The Day You Come" was nominated to win the "Song of the Year" APRA Award from the Australasian Performing Right Association,[38] and "Passenger" won the same award the following year.[39] The same year, the tracks "Already Gone", "Good-Day Ray" and "Passenger" all featured in Triple J's Hottest 100 list,[40] and "Don't Wanna Be Left Out" and "The Day You Come" featured in the list in 1998.[41] Australian music magazine Juice selected Internationalist as #80 of their top 100 albums of the 1990s.[42] In September 2018, Australian radio station Double J selected Internationalist as the number one Australian album of the 90s[43]

See also

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References

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  1. ^ https://australian-charts.com/showitem.asp?interpret=Powderfinger&titel=Don%27t+Wanna+Be+Left+Out+%2F+Good%2DDay+Ray&cat=s
  2. ^ https://australian-charts.com/showitem.asp?interpret=Powderfinger&titel=Passenger&cat=s
  3. ^ Fountaine, Angus (2 November 1997). "Hot Ticket". The Sunday Telegraph.
  4. ^ a b c d e f g Clode, Samantha (October 1998). "Taking Flight". Juice.
  5. ^ "Mission Impossible". Rolling Stone. August 2000.
  6. ^ a b Mathieson, Craig (23 July 1999). "Powder and the Glory". The Sydney Morning Herald. p. 3.
  7. ^ a b c d e f Watts, Benedict (November 1998). "The Beckoning Finger". Juice.
  8. ^ "Allergic Internationalists". hEARd Online Music Magazine. 1999.
  9. ^ a b c d e f Johnson, Neala (December 1998). "Talkin' Politics?". Beat.
  10. ^ "Day You Come (The)". Hindley Site. Archived from the original on 16 December 2007. Retrieved 16 December 2007.
  11. ^ a b c d e Yorke, Ritchie (15 November 1998). "Fingers feted at home". The Sunday Mail.
  12. ^ a b Yates, Rod (September 2000). "Trusty Old Jackets". Massive.
  13. ^ "Powderfinger – The Day You Come". australian-charts.com. Retrieved 17 December 2007.
  14. ^ a b Eliezer, Christie (September 1999). "Powderfinger (Int. With Jon Coghill)". Australian Musician. Archived from the original on 21 July 2008. Retrieved 10 August 2008.
  15. ^ a b Powderfinger (2004). Fingerprints: The Best of Powderfinger, 1994–2000 companion booklet.
  16. ^ a b c Pascuzzi, Carmine. "Primed for P2K Tour". Media Search.
  17. ^ "Powderfinger – Passenger". australian-charts.com. Retrieved 17 December 2007.
  18. ^ "MAX's Top 500 90s Songs – Essential 100". MAX. 2 August 2007. Archived from the original on 30 August 2007. Retrieved 10 August 2008.
  19. ^ a b c Clode, Samantha (December 1998). "Fish Tales". Juice.
  20. ^ a b c d Six, Nicola (19 November 1998). "Day Dream Believers". The Courier-Mail.
  21. ^ a b c Bolster, Teresa (December 1998). "Finger on the Pulse". HIT.
  22. ^ "ARIA Charts – Accreditations – 1998 Albums". ARIA. Retrieved 19 November 2007.
  23. ^ "ARIA Charts – Accreditations – 1999 Albums". ARIA. Retrieved 19 November 2007.
  24. ^ "ARIA Charts – Accreditations – 2007 Albums". Australian Recording Industry Association. Retrieved 22 December 2007.
  25. ^ a b c "Powderfinger ARIA awards history". Australian Recording Industry Association. Retrieved 8 August 2007.
  26. ^ a b c Lewis, Jonathan. "Internationalist > Review". AllMusic. Retrieved 10 August 2008.
  27. ^ Shedden, Iain (10 July 1999). "Up Close (And Not Too) Personal". The Weekend Australian.
  28. ^ Wooldridge, Simon (September 2000). "This Sporting Life". Juice.
  29. ^ Mangel, Noel (16 November 1999). "Budding Internationalists". The Courier-Mail.
  30. ^ Nicholson, Geoof (17 November 1999). "Keeping An Even Keel". Time Off.
  31. ^ Rolling Stone’s 200 Greatest Australian Albums of All Time. Rolling Stone Australia, Rolling Stone Australia, 06 December 2021. Retrieved 06 December 2021.
  32. ^ "Internationalist – 1998". Powderfinger. 2 November 2016. Retrieved 23 December 2022.
  33. ^ "Australiancharts.com – Powderfinger – Internationalist". Hung Medien. Retrieved 23 January 2020.
  34. ^ "End of Year Charts – ARIA Top 100 Albums 1998". ARIA Charts. Australian Recording Industry Association. Retrieved 4 May 2017.
  35. ^ "End of Year Charts – ARIA Top 100 Albums 1999". ARIA Charts. Australian Recording Industry Association. Retrieved 4 May 2017.
  36. ^ "End of Year Charts – ARIA Top 100 Albums 2000". ARIA Charts. Australian Recording Industry Association. Retrieved 4 May 2017.
  37. ^ "ARIA Charts – Accreditations – 2007 Albums" (PDF). Australian Recording Industry Association. Retrieved 23 January 2020.
  38. ^ "APRA Music Awards 1999". Nominations. Australasian Performing Right Association. Archived from the original on 28 September 2007. Retrieved 16 December 2007.
  39. ^ "APRA Music Awards 2000". Winners. Australasian Performing Right Association. Archived from the original on 6 September 2007. Retrieved 16 December 2007.
  40. ^ "Hottest 100 History 1999". History. Triple J. Archived from the original on 4 November 2012. Retrieved 16 December 2007.
  41. ^ "Hottest 100 History 1998". History. Triple J. Archived from the original on 29 January 2013. Retrieved 16 December 2007.
  42. ^ "JUICE 100 Greatest Albums of the '90s". Juice. Rocklistmusic.co.uk. Retrieved 17 December 2007.
  43. ^ "The 50 Best Australian Albums of the 90s". Double J. 13 September 2018. Retrieved 15 September 2018.


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